creative writing of composition

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• > The Cambridge Introduction to Creative Writing
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Book contents

• Frontmatter
• Acknowledgements
• Chapter 1 Introducing creative writing
• Chapter 2 Creative writing in the world
• Chapter 3 Challenges of creative writing
• Chapter 4 Composition and creative writing
• Chapter 5 Processes of creative writing
• Chapter 6 The practice of fiction
• Chapter 7 Creative nonfiction
• Chapter 8 Writing poetry
• Chapter 9 Performing writing
• Chapter 10 Writing in the community and academy
• Illustrative bibliography

Chapter 4 - Composition and creative writing

Published online by Cambridge University Press:  05 June 2012

Whether it is right or advisable to create beings like Heathcliff, I do not know: I scarcely think it is. But this I know: the writer who possesses the creative gift owns something of which he is not always master – something that, at times, strangely wills and works for itself. He may lay down rules and devise principles, and to rules and principles it will perhaps for years lie in subjection; and then, haply without any warning of revolt, there comes a time when it will no longer consent to ‘harrow the valleys, or be bound with a band in the furrow’ – when it ‘laughs at the multitude of the city, and regards not the crying of the driver’ – when, refusing absolutely to make ropes out of sea-sand any longer, it sets to work on statue-hewing … As for you – the nominal artist – your share in it has been to work passively under dictates you neither delivered nor could question – that would not be uttered at your prayer, nor suppressed nor changed at your caprice. If the result be attractive, the World will praise you; if it be repulsive, the same World will blame you, who almost as little deserve blame.

We have seen how the composition of fiction, poetry and creative nonfiction is mostly a matter of reading and practice.

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• Composition and creative writing
• David Morley , University of Warwick
• Book: The Cambridge Introduction to Creative Writing
• Online publication: 05 June 2012
• Chapter DOI: https://doi.org/10.1017/CBO9780511803024.005

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What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

• Short stories
• Screenplays
• Flash fiction
• Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

• Find a time of day when your mind is most alert and creative.
• Create a comfortable writing space free from distractions.
• Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
• Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
• Reading is fuel for your writing. Explore various genres and styles.
• Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
• Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
• Small projects can help you hone your skills and boost your confidence.
• Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
• Participating in workshops or classes can also provide valuable insights into your writing.
• Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
• Be open to feedback and willing to rework your pieces.
• Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
• These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

• What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
• What Is A Personal Account In Writing? (47 Examples)
• How To Write A Fantasy Short Story (Ultimate Guide + Examples)
• How To Write A Fantasy Romance Novel [21 Tips + Examples)

Elements of Creative Writing

(2 reviews)

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24

Direct language and concrete examples & Case Studies. read more

Comprehensiveness rating: 5 see less

Direct language and concrete examples & Case Studies.

Content Accuracy rating: 5

References to literature and writers- on track.

Relevance/Longevity rating: 5

On point for support to assist writers and creative process.

Clarity rating: 5

Direct language and easy to read.

Consistency rating: 4

First person to third person. Too informal in many areas of the text.

Modularity rating: 5

Units are readily accessible.

Organization/Structure/Flow rating: 5

Process of creative writing and prompts- scaffold areas of learning for students.

Interface rating: 5

No issues found.

Grammatical Errors rating: 5

The book is accurate in this regard.

Cultural Relevance rating: 4

Always could be revised and better.

Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

As far as I can tell, content is accurate, error free and unbiased.

The book is relevant and up-to-date.

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Topics are presented in logical, clear fashion.

Navigation is good.

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

Creative Composition

Inspiration and techniques for writing instruction.

• Edited by: Danita Berg and Lori A. May
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• Language: English
• Publisher: Multilingual Matters
• Copyright year: 2015
• Keywords: Composition ; Creative Writing ; Rhetoric ; Teaching Pedagogy ; Writing Pedagogy ; persuasive and argumentative writing ; personal narrative ; creative non-fiction ; expository writing
• Published: May 1, 2015
• ISBN: 9781783093649

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How to Write a Composition

Last Updated: December 6, 2023 Fact Checked

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 7 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 813,481 times.

You don't have to be a good writer to write well. Writing is a process. By learning to treat writing as a series of small steps instead of a big all-at-once magic trick you have to pull off will make writing a composition much easier and much more fun. You can learn to brainstorm main ideas before you start writing, organize a draft of those main ideas, and revise your composition into a polished essay. See Step 1 for more information.

Composition Template

Pre-Writing

• What is the purpose of the composition?
• What is the topic of the composition?
• What are the length requirements?
• What is the appropriate tone or voice for the composition?
• Is research required? These questions are good for you to ask.
• Pre-writing: gathering your thoughts or research, brainstorming, and planning the compositions
• Writing: actively writing your composition
• Editing: re-reading your paper, adding sentences, cutting unnecessary parts, and proofreading

• Try a timed writing by keeping your pen moving for 10 minutes without stopping. Don't shy away from including your opinions about a particular topic, even if your teacher has warned you from including personal opinions in your paper. This isn't the final draft!

• Write the topic in the center of the paper and draw a circle around it. Say your topic is "Romeo & Juliet" or "The Civil War". Write the phrase on your paper and circle it.
• Around the center circle, write your main ideas or interests about the topic. You might be interested in "Juliet's death," "Mercutio's anger," or "family strife." Write as many main ideas as you're interested in.
• Around each main idea, write more specific points or observations about each more specific topic. Start looking for connections. Are you repeating language or ideas?
• Connect the bubbles with lines where you see related connections. A good composition is organized by main ideas, not organized chronologically or by plot. Use these connections to form your main ideas.
• Don’t worry about coming up with a polished thesis statement or final argument now; that can come later in the process.

• Your thesis statement needs to be debatable. In fact, many thesis statements are structured as the answer to a well-formulated question about the topic. "Romeo & Juliet is an interesting play written by Shakespeare in the 1500s" isn't a thesis statement, because that's not a debatable issue. We don't need you to prove that to us. "Romeo & Juliet features Shakespeare's most tragic character in Juliet" is a lot closer to a debatable point, and could be an answer to a question like, “Who is Shakespeare’s most tragic character?” [4] X Research source
• Your thesis statement needs to be specific. "Romeo & Juliet is a play about making bad choices" isn't as strong a thesis statement as "Shakespeare makes the argument that the inexperience of teenage love is comic and tragic at the same time" is much stronger.
• A good thesis guides the essay. In your thesis, you can sometimes preview the points you'll make in your paper, guiding yourself and the reader: "Shakespeare uses Juliet's death, Mercutio's rage, and the petty arguments of the two principal families to illustrate that the heart and the head are forever disconnected."

Writing a Rough Draft

• Introduction, in which the topic is described, the issue or problem is summarized, and your argument is presented
• Main point paragraph 1, in which you make and support your first supporting argument
• Main point paragraph 2, in which you make and support your second supporting argument
• Main point paragraph 3, in which you make and support your final supporting argument
• Conclusion paragraph, in which you summarize your argument

• Proof includes specific quotes from the book you're writing about, or specific facts about the topic. If you want to talk about Mercutio's temperamental character, you'll need to quote from him, set the scene, and describe him in detail. This is proof that you'll also need to unpack with logic.
• Logic refers to your rationale and your reasoning. Why is Mercutio like this? What are we supposed to notice about the way he talks? Explain your proof to the reader by using logic and you'll have a solid argument with strong evidence.

• Ask how. How is Juliet's death presented to us? How do the other characters react? How is the reader supposed to feel?
• Ask why. Why does Shakespeare kill her? Why not let her live? Why does she have to die? Why would the story not work without her death?

• Only use words and phrases that you have a good command over. Academic vocabulary might sound impressive, but if you don’t fully grasp its meaning, you might muddle the effect of your paper.

• Try writing a rough draft the weekend before it's due, and giving it to your teacher for comments several days before the due date. Take the feedback into consideration and make the necessary changes.

• Moving paragraphs around to get the best possible organization of points, the best "flow"
• Delete whole sentences that are repetitive or that don't work
• Removing any points that don't support your argument

• Think of each main point you're making like a mountain in a mountain range that you're flying over in a helicopter. You can stay above them and fly over them quickly, pointing out their features from far away and giving us a quick flyover tour, or you can drop us down in between them and show us up close, so we see the mountain goats and the rocks and the waterfalls. Which would be a better tour?

Expert Q&A

• Write a point, and expand 2 lines on that particular point. Thanks Helpful 9 Not Helpful 2
• Open source software called Free Mind can help with the pre-writing process. Thanks Helpful 7 Not Helpful 2
• You can always add more circles to your guiding diagram if you think the much you have is not sufficient. Thanks Helpful 5 Not Helpful 3

Tips from our Readers

• Remember to always proofread your composition after you have finished! Small typos like a missed comma or a misspelled word are easy to miss the first time around.
• If you want to outline your composition, try using a mini white board. This makes it easier to erase things and restructure your outline if you need to.
• It's hard to write with distractions, so try to pick a quiet place where you won't be disturbed to work on your assignment.

You Might Also Like

• ↑ https://www.student.unsw.edu.au/writing-your-essay
• ↑ https://www.deakin.edu.au/students/studying/study-support/academic-skills/essay-writing
• ↑ https://owl.english.purdue.edu/owl/resource/544/01/
• ↑ https://owl.english.purdue.edu/owl/resource/685/05/
• ↑ https://libguides.newcastle.edu.au/how-to-write-an-essay/essay-structure
• ↑ https://www.citewrite.qut.edu.au/write/writing-well/essay.html
• ↑ https://writing.wisc.edu/handbook/grammarpunct/commonerrors/

About This Article

To write a composition, start with a brainstorming session to get your thoughts down on paper. You can create a formal outline during this time, or experiment with bubble exercises and free-writing. Next, create a clear thesis statement to base your composition around. Then, write an introduction, 3 main paragraphs, and a conclusion that summarizes your argument. Read through and revise your content, and don't forget to proofread thoroughly! To learn more about the "rule of 5" and how to back up your statements in a composition, read on! Did this summary help you? Yes No

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What Is Composition? Definition, Types, and Examples

StockSnap / Pixabay

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

In the literary sense, a composition (from the Latin "to put together") is the way a writer assembles words and sentences to create a coherent and meaningful work. Composition can also mean the activity of writing, the nature of the subject of a piece of writing, the piece of writing itself, and the name of a college course assigned to a student. This essay focuses on practicing how people write.

Key Takeaways

• In writing, composition refers to the way a writer structures a piece of writing.
• The four modes of composition, which were codified in the late 19th century, are description, narration, exposition, and argumentation.
• Good writing can include elements of multiple modes of composition.

Composition Definition

Just like a musician and an artist, a writer sets the tone of a composition to his or her purpose, making decisions about what that tone should be to form a structure. A writer might express anything from the point of view of cool logic to impassioned anger. A composition could use clean and simple prose, flowery, descriptive passages, or analytical nomenclature.

Since the 19th century, English writers and teachers have been grappling with ways to classify forms and modes of writing so beginner writers can have a place to start. After decades of struggle, rhetoricians ended up with four categories of writing that still make up the mainstream of Composition 101 college classes: Description , Narration , Exposition , and Argumentation .

Types of Composition Writing 

The four classical types of composition (description, narration, exposition, and argumentation) are not categories, per se. They would almost never stand alone in a piece of writing, but can be considered as modes of writing—pieces of writing styles that can be combined and used to create a whole. They can inform a piece of writing, and they are good starting points for understanding how to put a piece of writing together.

Examples for each of the following composition types are based on American poet Gertrude Stein's 1913 poem " Sacred Emily ," and its famous line, "A rose is a rose is a rose."

Description

A description, or descriptive writing, is a statement or account that describes something or someone, listing characteristic features and significant details to provide a reader with a portrayal in words. Descriptions are set in the concrete, in the reality, or solidity of an object as a representation of a person, place, or thing in time. They provide the look and feel of objects, a simultaneous whole, with as many details as you'd like.

A description of a rose might include the color of the petals, the aroma of its perfume, where it exists in your garden, whether it is in a plain terracotta pot or a hothouse in the city.

A description of "Sacred Emily" might talk about the length of the poem and the facts of when it was written and published. It might list the images that Stein uses or mention her use of repetition and alliteration.

A narration, or narrative writing, is a personal account , a story that the writer tells his or her reader. It can be an account of a series of facts or events, given in order and establishing connections between the steps. It can even be dramatic, in which case you can present each individual scene with actions and dialogue. The chronology could be in strict order, or you could include flashbacks.

A narration about a rose might describe how you first came across it, how it came to be in your garden, or why you went to the greenhouse that day.

A narration about "Sacred Emily" might be about how you came across the poem, whether it was in a class or in a book lent by a friend, or if you were simply curious about where the phrase "a rose is a rose" came from and found it on the internet.

Exposition, or expository writing , is the act of expounding or explaining a person, place, thing, or event. Your purpose is not to just describe something, but to give it a reality, an interpretation, your ideas on what that thing means. In some respects, you are laying out a proposition to explain a general notion or abstract idea of your subject.

An exposition on a rose might include its taxonomy, what its scientific and common names are, who developed it, what the impact was when it was announced to the public, and/or how was it distributed. 

An exposition on "Sacred Emily" could include the environment in which Stein wrote, where she was living, what her influences were, and what the impact was on reviewers.

Argumentation 

Also called argumentative writing , an argumentation is basically an exercise in comparing and contrasting. It is the methodological presentation of both sides of an argument using logical or formal reasoning. The end result is formulated to persuade the reader why thing A is better than thing B. What you mean by "better" makes up the content of your arguments.

Argumentation applied to a rose might be why one particular rose is better than another, why you prefer roses over daisies, or vice versa.

Argumentation over "Sacred Emily" could compare it to Stein's other poems or to another poem covering the same general topic.

The Value of Composition

A great deal of debate enlivened college theoretical rhetoric in the 1970s and 1980s, with scholars attempting to throw off what they saw were the confining strictures of these four writing styles. Despite that, they remain the mainstay of some college composition classes.

What these four classical modes do is provide beginner writers a way to purposefully direct their writings, a structure on which to form an idea. However, they can also be limiting. Use the traditional modes of composition as tools to gain practice and direction in your writing, but remember that they should be considered starting points rather than rigid requirements.

• Bishop, Wendy. "Keywords in Creative Writing." David Starkey, Utah State University Press, University Press of Colorado, 2006.
• Conners, Professor Robert J. "Composition-Rhetoric: Backgrounds, Theory, and Pedagogy." Pittsburgh Series in Composition, Literacy, and Culture, Hardcover, New ed. Edition, University of Pittsburgh Press, June 1, 1997.
• D'Angelo, Frank. "Nineteenth-Century Forms/Modes of Discourse: A Critical Inquiry." Vol. 35, No. 1, National Council of Teachers of English, February 1984.
• Hintikka, Jaakko. "Strategic Thinking in Argumentation and Argumentation Theory." Vol. 50, No. 196 (2), Revue Internationale de Philosophie, 1996.
• Perron, Jack. "Composition and Cognition." English Education, The Writing Teacher: A New Professionalism, Vol. 10, No. 3, National Council of Teachers of English, February 1979. 
•  Stein, Gertrude. "Sacred Emily." Geography and Plays, Letters of Note, 1922.
• Examples of Great Introductory Paragraphs
• How to Write a Good Descriptive Paragraph
• Modes of Discourse (Composition)
• Models of Composition
• Definition and Examples of Narratives in Writing
• What Is Expository Writing?
• AP English Exam: 101 Key Terms
• Current-Traditional Rhetoric
• Focusing in Composition
• Coherence in Composition
• Narratio in Rhetoric
• Arrangement in Composition and Rhetoric
• Character Sketch in Composition
• Description in Rhetoric and Composition
• The Writer's Voice in Literature and Rhetoric
• Topical Organization Essay

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If you can't find something through CSU+, you can request it through InterLibrary Loan .

Databases, Articles, and Websites

For creative writers, much information about writing is available through books ( see box below ), but articles on writing can also be found in widely varying places.  A few are given below.  If more extended searching is needed, please email me through the link below my profile for individual consultation.

• MLA International Bibliography Covers language, literature, humanities, folklore, drama, and criticism, indexing over 3,000 international journals, series, monographs, working papers, conference proceedings, bibliographies and more from 1963 to the present. MLA International Bibliography tutorials: a complete list (https://www.mla.org/Publications/MLA-International-Bibliography/Tutorial-Videos). Choose "ProQuest platform" versions. more... less... MLA International Bibliography tutorials: a complete list (https://www.mla.org/Publications/MLA-International-Bibliography/Tutorial-Videos )
• Academic Search Complete It offers multidisciplinary, scholarly abstracts and articles for nearly every academic field of study, including writing.
• Glossary of Poetic Terms From the Poetry Foundation
• Creative Writing, the OWL at Purdue This page of the Online Writing Lab at Purdue covers the basics.
• Creative Writing Prompts Look here for ideas to get your creative juices flowing. This site was named one of the 101 Best Writing websites for 2006 and 2007 by Writer's Digest Magazine.
• Ultimate Fiction Writing Resource Guide General resources that address writer’s block, introduce story development tools, inform about writing scams, and other elements
• PEN American Center "For the last 90 years, PEN American Center has been working to ensure that people everywhere have the freedom to create literature, to convey information and ideas, to express their views, and to make it possible for everyone to access the views, ideas, and literatures of others." Check our their "Resource Library" tab.
• Kenyon Review / KR Online This site offers high quality material and features different authors weekly, usually on the weekend.
• Jeffrey Levine's webpage/blog Jeffrey Levine is the editor of Tupelo Press and publishes interesting articles on poetry.

Books About Creative Writing

Recent creative works

A couple of great creative works.

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How to Write a Creative Essay: Useful Tips and Examples

Samuel Gorbold

Essay creative writing is not always seen as fun by most students, but the realm of creative essays can offer an enjoyable twist. The inherent freedom in choosing a topic and expressing your thoughts makes this type of paper a creative playground. Engaging in composing a creative essay provides an opportunity to flex your creative muscles. Yet, if you're new to crafting compositions, it can pose a challenge. This article guides you through the steps to write an impressive creative essay, helping you navigate the process seamlessly. In a hurry? Our writing service is there for you 24/7, with guidance and practical help.

What Is a Creative Essay

A creative essay is a form of writing that goes beyond traditional academic structures, allowing the author to express themselves more imaginatively and artistically. Unlike formal essays, creative ones emphasize storytelling, personal reflection, and the exploration of emotions. They often incorporate literary elements such as vivid descriptions, dialogue, and poetic language to engage readers on a more emotional and sensory level. Follow our creative essay tips to experiment with style and structure, offering a unique platform to convey ideas, experiences, or perspectives in a captivating and inventive way.

To answer the question what does creative writing mean, it’s necessary to point out that it departs from traditional academic writing, offering a canvas for artistic expression and storytelling. It diverges from the rigid structure of formal writings, providing a platform for writers to infuse their work with imagination and emotion. In this genre, literary elements such as vivid descriptions and poetic language take center stage, fostering a more engaging and personal connection with the reader.

Unlike a poem analysis essay , this form of writing prioritizes narrative and self-expression, allowing authors to delve into their experiences and perspectives uniquely. It's a departure from the conventional rules, encouraging experimentation with style and structure. Creative essays offer a distinct avenue for individuals to convey ideas and emotions, weaving a tapestry that captivates and resonates with readers on a deeper, more sensory level.

Creative Writing Essay Outline Explained From A to Z

Moving on, let's delve into how to write a creative writing essay from s structural perspective. Despite the focus on creativity and imagination, a robust structure remains essential. Consider your favorite novel – does it not follow a well-defined beginning, middle, and end? So does your article. Before diving in, invest some time crafting a solid plan for your creative writing essay.

Creative Essay Introduction

In creative essay writing, the introduction demands setting the scene effectively. Begin with a concise portrayal of the surroundings, the time of day, and the historical context of the present scenario. This initial backdrop holds significant weight, shaping the atmosphere and trajectory of the entire storyline. Ensure a vivid depiction, employing explicit descriptions, poetic devices, analogies, and symbols to alter the text's tone promptly.

Creative Essay Body

The body sections serve as the engine to propel the storyline and convey the intended message. Yet, they can also be leveraged to introduce shifts in motion and emotion. For example, as creative writers, injecting conflict right away can be a powerful move if the plot unfolds slowly. This unexpected twist startles the reader, fundamentally altering the narrative's tone and pace. Additionally, orchestrating a fabricated conflict can keep the audience on edge, adding an extra layer of intrigue.

Creative Essay Conclusion

Typically, creative writers conclude the narrative towards the end. Introduce a conflict and then provide its resolution to tie up the discourse neatly. While the conclusion often doesn't lead to the story's climax, skilled writers frequently deploy cliffhangers. By employing these writing techniques suggested by our write my college essay experts, the reader is left in suspense, eagerly anticipating the fate of the characters without a premature revelation.

Creative Writing Tips

Every student possesses a distinct mindset, individual way of thinking, and unique ideas. However, considering the academic nature of creative writing essays, it is essential to incorporate characteristics commonly expected in such works, such as:

• Select a topic that sparks your interest or explores unique perspectives. A captivating subject sets the stage for an engaging paper.
• Begin with a vivid and attention-grabbing introduction. Use descriptive language, anecdotes, or thought-provoking questions to draw in your readers from the start.
• Clearly articulate the main idea or theme of your essay in a concise thesis statement. This provides a roadmap for your readers and keeps your writing focused.
• Use descriptive language to create a sensory experience for your readers. Appeal to sight, sound, touch, taste, and smell to enhance the imagery.
• Play with the structure of your content. Consider nonlinear narratives, flashbacks, or unconventional timelines to add an element of surprise and creativity.
• If applicable, develop well-rounded and relatable characters. Provide details that breathe life into your characters and make them memorable to the reader.
• Establish a vivid and immersive setting for your narrative. The environment should contribute to the overall mood and tone.
• Blend dialogue and narration effectively. Dialogue adds authenticity and allows characters to express themselves, while narration provides context and insight.
• Revisit your essay for revisions. Pay attention to the flow, coherence, and pacing. Edit for clarity and refine your language to ensure every word serves a purpose.
• Share your creative writing article with others and welcome constructive feedback. Fresh perspectives can help you identify areas for improvement and refine your storytelling.
• Maintain an authentic voice throughout your essay. Let your unique style and perspective shine through, creating a genuine connection with your audience.
• Craft a memorable conclusion that leaves a lasting impression. Summarize key points, evoke emotions, or pose thought-provoking questions to resonate with your readers.

Types of Creative Writing Essays

A creative writing essay may come in various forms, each offering a unique approach to storytelling and self-expression. Some common types include:

• Reflects the author's personal experiences, emotions, and insights, often weaving in anecdotes and reflections.

Descriptive 

• Focuses on creating a vivid and sensory-rich portrayal of a scene, person, or event through detailed descriptions.
• Tells a compelling story with a clear plot, characters, and often a central theme or message.

Reflective 

• Encourages introspection and thoughtful examination of personal experiences, revealing personal growth and lessons learned.

Expository 

• Explores and explains a particular topic, idea, or concept creatively and engagingly.

Persuasive 

• Utilizes creative elements to persuade the reader to adopt a particular viewpoint or take a specific action.

Imaginative 

• These creative writing papers allow for the free expression of imagination, often incorporating elements of fantasy, surrealism, or speculative fiction.

Literary Analysis

• Learning how to write a creative writing essay, analyze and interpret a piece of literature, and incorporate creativity to explore deeper meanings and connections.
• Blends personal experiences with travel narratives, offering insights into different cultures, places, and adventures.
• Focuses on creating a detailed and engaging portrait of a person, exploring their character, experiences, and impact on others.

Experimental 

• Pushes the boundaries of traditional essay structures, experimenting with form, style, and narrative techniques.
• Combines elements from different essay types, allowing for a flexible and creative approach to storytelling.

As you can see, there are many types of creative compositions, so we recommend that you study how to write an academic essay with the help of our extensive guide.

How to Start a Creative Writing Essay

Starting a creative writing essay involves capturing the reader's attention and setting the tone for the narrative. Here are some effective ways to begin:

• Pose a thought-provoking question that intrigues the reader and encourages them to contemplate the topic.
• Begin with a short anecdote or a brief storytelling snippet that introduces the central theme or idea of your essay.
• Paint a vivid picture of the setting using descriptive language, setting the stage for the events or emotions to unfold.
• Open with a compelling dialogue that sparks interest or introduces key characters, immediately engaging the reader in the conversation.
• Incorporate a relevant quotation or epigraph that sets the mood or provides insight into the essay's theme.
• Begin with a bold or intriguing statement that captivates the reader's attention, encouraging them to delve further into your essay.
• Present a contradiction or unexpected scenario that creates a sense of curiosity and compels the reader to explore the resolution.
• Employ a striking metaphor or simile that immediately draws connections and conveys the essence of your creative essay.
• Start by directly addressing the reader, creating a sense of intimacy and involvement right from the beginning.
• Establish the mood or atmosphere of your essay by describing the emotions, sounds, or surroundings relevant to the narrative.
• Present a dilemma or conflict that hints at the central tension of your essay, enticing the reader to discover the resolution.
• Start in the middle of the action, dropping the reader into a pivotal moment that sparks curiosity about what happened before and what will unfold.

Choose an approach to how to write a creative essay that aligns with your tone and theme, ensuring a captivating and memorable introduction.

Creative Essay Formats

Working on a creative writing essay offers a canvas for writers to express themselves in various formats, each contributing a unique flavor to the storytelling. One prevalent format is personal writing, where writers delve into their own experiences, emotions, and reflections, creating a deeply personal narrative that resonates with readers. Through anecdotes, insights, and introspection, personal essays provide a window into the author's inner world, fostering a connection through shared vulnerabilities and authentic storytelling.

Another captivating format is the narrative, which unfolds like a traditional story with characters, a plot, and a clear arc. Writers craft a compelling narrative, often with a central theme or message, engaging readers in a journey of discovery. Through vivid descriptions and well-developed characters, narrative articles allow for the exploration of universal truths within the context of a captivating storyline, leaving a lasting impression on the audience.

For those who seek to blend fact and fiction, the imaginative format opens the door to vivid exploration. This format allows writers to unleash their imagination, incorporating elements of fantasy, surrealism, or speculative fiction. By bending reality and weaving imaginative threads into the narrative, writers can transport readers to otherworldly realms or offer fresh perspectives on familiar themes. The imaginative essay format invites readers to embrace the unexpected, challenging conventional boundaries and stimulating creativity in both the writer and the audience. Check out our poetry analysis essay guide to learn more about the freedom of creativity learners can adopt while working on assignments. 

Creative Essay Topics and Ideas

As you become familiar with creative writing tips, we’d like to share several amazing topic examples that might help you get out of writer’s block:

• The enchanted garden tells a tale of blooms and whispers.
• Lost in time, a journey through historical echoes unfolds.
• Whispering winds unravel the secrets of nature.
• The silent symphony explores the soul of music.
• Portraits of the invisible capture the essence of emotions.
• Beyond the horizon is a cosmic adventure in stardust.
• Can dreams shape reality? An exploration of the power of imagination.
• The forgotten key unlocks doors to the past.
• Ripples in the void, an exploration of cosmic mysteries.
• Echoes of eternity are stories written in the stars.
• In the shadow of giants, unveils the unsung heroes.
• Can words paint pictures? An exploration of the artistry of literary expression.
• Whispers of the deep explore the ocean's hidden stories.
• Threads of time weave lives through generations.
• Do colors hold emotions? A journey of painting the canvas of feelings.
• The quantum quandary navigates the world of subatomic particles.
• Reflections in a mirror unmask the layers of identity.
• The art of silence crafts narratives without words.
• The ethereal dance explores movement beyond the visible.
• Can shadows speak? Unveiling stories cast in darkness.

Examples of Creative Writing Essays

We've added a couple of brief creative writing essays examples for your reference and inspiration.

Creative Writing Example 1: Admission Essay

Creative writing example 2: narrative essay.

What Are the Types of Creative Writing Essays?

What is a creative writing essay, how to start a creative writing essay, what are some creative writing tips.

Samuel Gorbold , a seasoned professor with over 30 years of experience, guides students across disciplines such as English, psychology, political science, and many more. Together with EssayHub, he is dedicated to enhancing student understanding and success through comprehensive academic support.

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Using Creative Words and Phrases for Composition Writing & Essays

• Primary School Composition Writing

Using Creative Words and Phrases for Composition Writing & Essays

How to use creative words and phrases for composition writing & essays.

This blog post will teach you how to use creative and inspired phrases for composition writing.  It will also give you examples and ideas of Idioms, Similes, Metaphors or Personification that you can use in your compositions.

But first, here’s a Free Ebook –  80 Awesome Phrases to Wow your Teacher !

(Tip: You can print out the free ebook for your child to read.)

Do You Really Need Good Phrases for Composition Writing?

No, you don’t.  Your child should not use good phrases just for the sake of impressing the reader.  Your child should concentrate on using the RIGHT PHRASE for the RIGHT SITUATION .  (In fact, our collection of Model Compositions for Primary School Students does not contain pompous, bombastic words or phrases.)

And to do so, your child needs to have a broad knowledge of a variety of phrases.  That way, he will be well-equipped with an arsenal of words to express himself fluently and smoothly.

Many parents misunderstand the use of good vocabulary words for essays.  They force their child to memorise bombastic words and phrases.  This should not be the case as memorisation does not equal application.  Students tend to memorise the phrases and then use them in the wrong context when writing.  This causes the students’ writing to become stilted and mechanical.  Some may even become addicted to the use of bombastic vocabulary and end up writing overly-complicated sentences or phrases to look smart.

Now which is smarter – expressing yourself in a short and sweet manner, or, writing a whole bunch of fancy and pompous words just to narrate a simple thought?

Instead of “good phrases”, focus on using – EFFECTIVE PHRASES.

It’s okay to use simple phrases!  Keep your sentences short, concise, and straight to the point.  Use the right words at the right time.  Express your ideas fluently.

Remember – You are writing to let the reader read for the sake of enjoyment.  You are not writing to IMPRESS the reader.

Bonus Video – How To Use Good Expressions in Composition Writing:

Here’s an online lesson I conducted some time back on how to use Good Expressions in your compositions.  It is very similar to what I address in the article later on How to Write Good Phrases.

It’s about 1 hour long so you may want to set aside some time to watch it. (You can also fast forward to 6:09 to skip straight to the introduction and then the lesson.)

Types of Descriptive Phrases

“Good Phrases” can be broken down into:

Personification

An idiom is an expression of words whose meaning is not predictable from the usual meanings of its constituent elements. (Definition taken from dictionary.com )

In other words, an idiom is a quirky series of words combined to form a special meaning.

Idioms should be used sparingly in a composition.  Do not overuse them as it may make your overall composition sound very cheesy or old-fashioned.  Some idioms are also not commonly used in our everyday speech. Hence, over-usage of the less well-known idioms might make reading awkward.

Some Useful Idioms

1. An arm and a leg –  Very expensive or costly.

E.g: Dining at this high-class restaurant cost me an arm and a leg !  I will never return here again.

2. Blessing in disguise – something good that was not recognized at first.

E.g:  Missing that field trip turned out to be a blessing in disguise as the school bus met with an accident.

3. Piece of cake – used to describe something that is very easy to do.

E.g:  This assignment was a piece of cake .  I completed in less that fifteen minutes

4. Not to make head or tail of something – unable to decipher or understand the meaning

E.g:  The teacher was talking so fast that I could not make head or tail of what he was saying.

5. See eye to eye – to agree with someone

E.g:  Jack and Diane kept on quarreling as they could not see eye to eye with each other.

For more useful idioms, you check out  our LIST of 88 AWESOME IDIOMS that you can learn and apply immediately.  Boost your language marks for compo writing and WOW your teacher!

Click the button below to download this free ebook for your child!

• Simple & Easy-to-use
• Minimal Memory Work
• Examples provided
• Learn the meaning of these idioms!

It is a figure of speech where one thing is compared with another thing of a different kind.

It is used to make a description more vivid or to draw out a particular quality of the subject being mentioned.

Similes are used with the words “like” or “as…as”.

Similes are best used when they are original, creative, relevant and logical.  A simile which has been used too many times  – “as fast as a cheetah” or “as fast as lightning” –  will not score you extra points.

Some Useful Similes

1.The students were chattering like monkeys .

2. The winner of the race paraded around the track like a peacock .

3. We tried to carry him but he was as heavy as an elephant .

4.  The signboards were as bright as daylight .

5. When she heard someone call her name in the dark, she turned as pale as a sheet .

6. Filled with rage, the bully charged towards me like a bull .

7. The boys were laughing like hyenas when they pulled off the prank.

8. Don’t worry about her.  She can handle it herself.  She is as tough as nails !

9. When the exams commenced, the classroom became  as silent as a grave .

10. On the last day of school, Jimmy dashed out of the school gates feeling as free as a bird .

A metaphor is a figure of speech in which a term or phrase is applied to something that is not literally applicable to suggest a resemblance.  (definition taken from dictionary.com ).

In other words, it is almost like a simile, except you are not using the words ‘like’ or ‘as…as’.

Simile:  He was as angry as a bull.

Metaphor: He was an angry bull.

Metaphors are slightly more difficult to use than similes.  But when they are used right, they can give an extremely vivid portrayal of a character or a situation in the story.

A metaphor applied correctly can be a very powerful tool in writing.

Some Useful Metaphors

1. She felt a whirlwind of emotions passed through her.  ( overwhelmed by emotions)

2. Don’t believe that fortune-teller.  He is selling you snake oil .  (metaphorical idiom, fake promises, products or services that fail to live up to expectations, something fraudulent)

3. Mr Tan is a teacher with a heart of gold .  ( very kind or generous)

4.  Stay away from him.  He is a loaded gun . (dangerous)

5.  When the basketball team got off the bus, we could smell the stench of defeat on them.  ( they acted in such a way that it was easy to deduce that they have lost)

6. After failing her exams, Shirley wallowed in a sea of self-pity .  ( metaphorical idiom, overwhelmed by self-pity)

7. He was so sad that he was crying rivers . (a lot of tears)

8.  Sean’s stomach was a bottomless pit . ( extremely hungry, describe someone who cannot stop eating.)

9. Completing this assignment was a breeze . ( very easy to complete)

10.  Hearing her laughter was music to my ears .  (a pleasant sound)

Personification is done by attributing human characteristics to something non-human.

This is used to give a clearer picture of whatever that’s being described.  It enables the reader visualise and see the imagery in their minds.

Personification can be done by simple usage of verbs or action words.

Just like metaphors, personification can count as good vocabulary words for essay writing.

Some Useful Ideas for Personification

1. The thunderstorm raged on outside my window.

2. The soft, cool sand caressed my feet.

3. The sun peeked out from behind the clouds.

4. I could hear the faint wail of the ambulance in a distance.

5. The moment I stepped out into the streets, I was greeted by the strong diesel fumes.

6. The trees shadowed the soldiers as they trekked through the forest.

7. The sports car roared  with ferocity as it zoomed past the spectators.

8. The road was treacherous and unforgiving .

9. The expensive handbag seemed to call out to her.  “Buy me!”

10. By the time the firemen arrived, the flames were already dancing on the roof.

How to come up with your own phrases?

The best descriptions are often ones that you come up with on the spot, that can fit the scenario or context that you are describing perfectly.

Coming up with good phrases for composition writing is not that hard.  All you need is an inquisitive mind that is able to draw comparisons between 2 unrelated objects.

You need to be creative –  a trait that is inherent in most children.

You need to be able to come up with fresh ideas and fresh perspectives.

Some questions to ask yourself when coming up with good vocabulary words for essays:

• How can I better depict this character/scene/object by comparing it with something else?
• What’s a better verb I can use to personify this object?
• How can I make this phrase or sentence more interesting for the reader?
• How can I better convey my point across to the reader?
• How can I help the reader to visualise better?

How to write a good essay in English?

DON’T be so preoccupied with employing gargantuan words in your expositions that your sentence ends up reading like this. See what I did there?

Often students pepper their essays with “smart-sounding” words to impress their examiners. This has the opposite effect; readers are left scratching their heads, wondering what message the student is trying to convey.

The best way to resist this impulse is to replace bombastic words with effective ones. “Bombastic”, according to Oxford Languages, means “high-sounding but with little meaning”. When you use bombastic words, you may just end up using words in the wrong context . You also tend to make errors of repetition by force-fitting all the words you know into your compo.

Consider this sentence: “The enraptured onlookers were jolted and entranced by the spine-tingling sight of the sunset.”

Did you spot the errors?

1. “Enraptured” and “entranced” mean the same thing. (Repetition)

2. “Jolted” means “shocked”. (Wrong context. This is a sunset, not a horror movie!)

3. “Spine-tinging” means “scary”. (Again, wrong context.)

Here’s the revised sentence: “The onlookers were left mesmerised by the breathtaking sunset.”

By replacing bombastic words with effective ones, you’re well on your way to writing a good essay in English.

Good vocabulary words for essays

Good vocabulary forms the bedrock of an essay, so it is important to use vocabulary that is appropriate, yet not overused and therefore, cliched. Let’s begin with the introduction.

Introduction

The introduction is where you set the scene for your reader. Use descriptive phrases that vividly describes the setting. Word of caution: do not overdo the setting descriptions, especially when the setting plays no role in your story plot.

• Use vivid vocabulary instead of vague adjectives :

For instance, replace vague adjectives like “beautiful” with more precise vocabulary. If you’re describing places like a quiet beach or park, “ serene ” and “tranquil ” can be used instead.

If you’re describing greenery, “verdant” is more appropriate and paints a more vivid picture in your reader’s mind:

e,g, “My parents and I were at the Bukit Timah Nature Reserve, enjoying a peaceful afternoon amidst the verdant expanse of lush trees and vibrant flower beds, blissfully unaware that things would soon take an unexpected turn.”

• Use creative phrases instead of cliches :

It’s high time we ditch cliched phrases about how “fluffy clouds dotted the azure sky”. This does not impress your reader!

Consider this other cliched phrase: “The smell of buttery popcorn wafted into my nostrils.”

What a yawn! Let’s improve by rewriting it as follows: “The smell of buttery popcorn beckoned to me, tantalising my senses.” You have effectively personified the smell of the popcorn and in doing so, you convey just how tempted you were by it!

Rising Action

Things are heating up here and if you want to keep your readers on their toes, use suspenseful language to plant clues. This is especially useful if your story is about an unfortunate event or something unexpected.

When something seems a little amiss, hint at the impending problem using phrases such as:

1. Something gnawed at the back of my mind, but I brushed it off.

2. I could not shake the feeling of…

3. I could feel it in my bones; something was not right.

4. I felt a tug of apprehension in my gut, subtle but persistent.

5. The birdsong abruptly ceased, as if nature itself were holding its breath.

This is where the main conflict or action occurs and where vocabulary should be impactful . Once again, stand out from the crowd by using high-intensity words (and avoid using “very”) to create excitement!

• Use impactful, highly charged vocabulary instead of dull phrases :

• Use “show, not tell” instead of stating the facts :

This means showing, not telling , the reader what your character is thinking and feeling. In doing so, you engage the reader and make your writing a whole lot more immersive! When the reader can picture your character, you evoke a deeper emotional response.

Consider these two descriptions:

• Jane was devastated but determinedly continued on.
• Hastily wiping her tears away, Jane bit her lip and marched ahead.

Ask yourself: which one is more impactful? Which description draws you in and allows you to feel Jane’s pain?

Falling Action

Here’s the part where the dust settles. Common emotions experienced by characters include relief (usually after negative events) and happiness (for positive outcomes).

• Use body language to convey emotions like relief or joy

Your characters don’t always have to ‘heave/ breathe a sigh of relief”. There are plenty of other “show, not tell” or body language phrases we can use to convey relief:

1. Unclenching my fists, I…

2. Marcus slumped in his chair in relief .

3. She let out a long breath , thankful for the brief reprieve.

4. A soft smile played on her lips as worry washed away.

5. He wiped his brow as anxiety finally ebbed away

• Explore using new idioms and metaphors to convey emotions

While “jumped for joy” and “over the moon” do show happiness, it’s time to retire these and adopt some new lingo! Try these instead:

1. Benjamin was walking on air after winning the championship.

2. The blushing bride graced us with a smile that could light up a room .

3. I was tickled pink after being personally invited to Taylor Swift’s birthday bash.

Belle walked up on stage with a spring in her step .

• Capture complexity of emotions to create round (not flat) characters

More advanced writers might want to play around with describing more nuanced feelings because human emotions are complex! We often experience bittersweet emotions like joy tinged with melancholy.

Consider descriptions that capture this complexity. For instance, if describing a graduation,  you can try: “The valedictorian gave the graduating class a wistful smile as he prepared to throw up his mortarboard for the final hurrah.”

This lends more depth to your characters; this makes your characters three-dimensional, rounded … and real.

Leave the reader with a thought-provoking statement as you wrap up your final scene. You do your essay no favours by ending with crutch phrases about how “this memory will always be etched in his mind”.  

• Use reflective vocabulary and words that convey closure:

1. Mulling over the day’s events, she…

2. Sandra was lost in a pleasant reverie as the jubilant cheers of her teammates faded into the backdrop.

3. Cristopher kept turning things over in his mind until he finally concluded that…

• Use vivid descriptions to end with imagery:

1. Rain pattered against the window, washing away the dust of the day.

2. I stared at my reflection in the gleaming medal and saw, for the first time, a champion.

Remember, the best conclusions should leave the reader satisfied, bring closure, and create a lasting impression. And that’s how you end with a bang. 

See other related articles on Writing Samurai:

• Proverbs are Phrases Commonly Used in Compositions
• 6 Tips On How to Write a Good Composition For Primary School Students
• Great Phrases To Use For Composition Writing & Essays
• Situational Writing For Primary School Students

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| | --> by Stacia Levy 89,721 views And indeed they are different forms, that utilize different grammar - creative writing and fiction uses more of the , for example. And creative writers are used to being admonished not to use the in their sentences, to make their writing more active and personal; on the other hand, academic writing relies heavily on the passive voice as it is impersonal, and the agent of the action is often deemphasized, valued qualities in academic writing. The is even different, with academic essay writing relying more on academic, Latin-based vocabulary; such vocabulary is usually discouraged in creative writing, which tends to focus on more accessible words that might realistically be used by the narrator and other characters in the story. : * * Probably no explanation is needed on which is which. However, I have found that while the forms obviously differ, the processes to be similar in the two genres. Writing in both genres generally calls upon the following processes: Both fiction and nonfiction writers go through a period of . With a fiction writer, the focus is generally more on “What happened?” What happened after the narrator found Ray waiting for him behind the store? Did he get in the car with him, and why? . Brainstorming for nonfiction writers, however, is more topic-driven: it is, more “What do I want to write about? What compels me?” Both fiction and nonfiction writers use . As the author of the fiction piece, I want the writer to the old Caddie, how dust shows on its faded black paint, how the leather seats feel against the narrator’s legs on this hot day. In nonfiction, I’m more concerned about making my argument: what points am I going to need to raise to convince my reader how critical student writing is? Any writer, for fiction or nonfiction, is helped by his or her work, to , how the words and sentences are working together, to consider what might work better. Having students read aloud their work to each other is a rewarding experience, for the pleasure of hearing their own work and of getting and giving feedback. Both nonfiction and fiction writing require . Some people are surprised by this, but fiction writers have to do research. For example, I wrote a romance novel set in a Napa Valley winery, and for this I had to develop some expertise on wine. Research also can be reused and shared between the genres—I could someday write a piece about choosing wines, for example, or the history of the Napa Valley. involve : What do I already know about wine, for example? What’s the basic process for making it? Who do I see as being the main characters in this winery story? is also very helpful at the beginning stages, in . My journal is a word document on my desk top, and I jot both nonfiction and fiction ideas as they come to me along with any development I might have for that idea. My original notes for “Turning,” the fiction story whose opening line is above, had a conversation between the narrator and his old cellmate on the nature of assumptions—the narrator had assumed that the cellmate would be in front, not the back, of the store. I take similar notes on nonfiction pieces. The journal, as I see it, is a “dumping ground” for your ideas on a piece that may or may not make it into the final draft, so there’s no pressure for it to be excellent work at this stage. After I’ve brainstormed and developed ideas, it’s time for an . Ray and the narrator actually have to go somewhere, and something has to happen, important enough to force some change in the narrator. That’s the expected form of a fiction story. Likewise, a nonfiction essay or article has an expected form: after discussing the problem of student writing, I’ve got to have a recommendation, however small, of what to do about it. , not dally in the car forever, but actually take the story or essay somewhere. After the outline is completed, the writer is now ready for a , a “dirty” one—the goal is , of presenting the problem of student writing, of proposing a solution, of discussing expected outcomes. It doesn’t have to be perfect at this point or even particularly developed—the focus is on finishing. Developing and editing can come later. is a word processing function very helpful in the writing process, after the first draft. The first draft is all about getting the material out of your head and onto paper. . Does the conversation about assumptions belong closer to the middle of the story, when the narrator starts to realize he has assumed far too many things about his cellmate? Does more discussion about a possible solution to the problem of student writing belong up front, right at the outset? All writing, fiction and nonfiction, writing needs to go through a , preferably that has not seen the work before, checking the , , missing or repeated words, that even the most meticulous writer might miss problems in his own work. Using students’ past experiences with creative writing, either in the class or otherwise, the teacher can develop the students’ composition/nonfiction skill and understanding of the writing process. If you enjoyed this article, please help spread it by clicking one of those sharing buttons below. And if you are interested in more, you should follow our Facebook page where we share more about creative, non-boring ways to teach English. . That's 4,036 pages filled with thousands of practical activities and tips that you can start using today. 30-day money back guarantee. --> Copyright 2007-2021 пїЅ Submit a worksheet Mobile version 11+ creative writing guide with 50 example topics and prompts by Hayley | Nov 17, 2022 | Exams , Writing | 0 comments The 11+ exam is a school entrance exam taken in the academic year that a child in the UK turns eleven. These exams are highly competitive, with multiple students battling for each school place awarded. The 11 plus exam isn’t ‘one thing’, it varies in its structure and composition across the country. A creative writing task is included in nearly all of the 11 plus exams, and parents are often confused about what’s being tested. Don’t be fooled into thinking that the plot of your child’s writing task is important. It is not. The real aim of the 11+ creative writing task is to showcase your child’s writing skills and techniques. And that’s why preparation is so important. This guide begins by answering all the FAQs that parents have about the 11+ creative writing task. At the end of the article I give my best tips & strategies for preparing your child for the 11+ creative writing task , along with 50 fiction and non-fiction creative writing prompts from past papers you can use to help your child prepare. You’ll also want to check out my 11+ reading list , because great readers turn into great writers. Do all 11+ exams include a writing task? Not every 11+ exam includes a short story component, but many do. Usually 3 to 5 different prompts are given for the child to choose between and they are not always ‘creative’ (fiction) pieces. One or more non-fiction options might be given for children who prefer writing non-fiction to fiction. Timings and marking vary from test to test. For example, the Kent 11+ Test gives students 10 minutes for planning followed by 30 minutes for writing. The Medway 11+ Test gives 60 minutes for writing with ‘space allowed’ on the answer booklet for planning. Tasks vary too. In the Kent Test a handful of stimuli are given, whereas 11+ students in Essex are asked to produce two individually set paragraphs. The Consortium of Selective Schools in Essex (CCSE) includes 2 creative writing paragraphs inside a 60-minute English exam. Throughout the UK each 11+ exam has a different set of timings and papers based around the same themes. Before launching into any exam preparation it is essential to know the content and timing of your child’s particular writing task. However varied and different these writing tasks might seem, there is one key element that binds them. The mark scheme. Although we can lean on previous examples to assess how likely a short story or a non-fiction tasks will be set, it would be naïve to rely completely on the content of past papers. Contemporary 11+ exams are designed to be ‘tutor-proof’ – meaning that the exam boards like to be unpredictable. In my online writing club for kids , we teach a different task each week (following a spiral learning structure based on 10 set tasks). One task per week is perfected as the student moves through the programme of content, and one-to-one expert feedback ensures progression. This equips our writing club members to ‘write effectively for a range of purposes’ as stated in the English schools’ teacher assessment framework. This approach ensures that students approaching a highly competitive entrance exam will be confident of the mark scheme (and able to meet its demands) for any task set. Will my child have a choice of prompts to write from or do they have to respond to a single prompt, without a choice? This varies. In the Kent Test there are usually 5 options given. The purpose is to gather a writing sample from each child in case of a headteacher appeal. A range of options should allow every child to showcase what they can do. In Essex, two prescriptive paragraphs are set as part of an hour-long English paper that includes comprehension and vocabulary work. In Essex, there is no option to choose the subject matter. The Medway Test just offers a single prompt for a whole hour of writing. Sometimes it is a creative piece. Recently it was a marketing leaflet. The framework for teaching writing in English schools demands that in order to ‘exceed expectations’ or better, achieve ‘greater depth’, students need to be confident writing for a multitude of different purposes. In what circumstances is a child’s creative writing task assessed? In Essex (east of the UK) the two prescriptive writing tasks are found inside the English exam paper. They are integral to the exam and are assessed as part of this. In Medway (east Kent in the South East) the writing task is marked and given a raw score. This is then adjusted for age and double counted. Thus, the paper is crucial to a pass. In the west of the county of Kent there is a different system. The Kent Test has a writing task that is only marked in appeal cases. If a child dips below the passmark their school is allowed to put together a ‘headteacher’s appeal’. At this point – before the score is communicated to the parent (and probably under cover of darkness) the writing sample is pulled out of a drawer and assessed. I’ve been running 11+ tutor clubs for years. Usually about 1% of my students passed at headteacher’s appeal. Since starting the writing club, however, the number of students passing at appeal has gone up considerably. In recent years it’s been more like 5% of students passing on the strength of their writing sample. What are the examiners looking for when they’re marking a student’s creative writing? In England, the government has set out a framework for marking creative writing. There are specific ‘pupil can’ statements to assess whether a student is ‘working towards the expected standard,’ ‘working at the expected standard’ or ‘working at greater depth’. Members of the headteacher panel assessing the writing task are given a considerable number of samples to assess at one time. These expert teachers have a clear understanding of the framework for marking, but will not be considering or discussing every detail of the writing sample as you might expect. Schools are provided with a report after the samples have been assessed. This is very brief indeed. Often it will simply say ‘lack of precise vocabulary’ or ‘confused paragraphing.’ So there is no mark scheme as such. They won’t be totting up your child’s score to see if they have reached a given target. They are on the panel because of their experience, and they have a short time to make an instant judgement. Does handwriting matter? Handwriting is assessed in primary schools. Thus it is an element of the assessment framework the panel uses as a basis for their decision. If the exam is very soon, then don’t worry if your child is not producing immaculate, cursive handwriting. The focus should simply be on making it well-formed and legible. Every element of the assessment framework does not need to be met and legible writing will allow the panel to read the content with ease. Improve presentation quickly by offering a smooth rollerball pen instead of a pencil. Focus on fixing individual letters and praising your child for any hint of effort. The two samples below are from the same boy a few months apart. Small changes have transformed the look and feel: Sample 1: First piece of work when joining the writing club Sample 2: This is the same boy’s improved presentation and content How long should the short story be. First, it is not a short story as such—it is a writing sample. Your child needs to showcase their skills but there are no extra marks for finishing (or marks deducted for a half-finished piece). For a half hour task, you should prepare your child to produce up to 4 paragraphs of beautifully crafted work. Correct spelling and proper English grammar is just the beginning. Each paragraph should have a different purpose to showcase the breadth and depth of their ability. A longer – 60 minute – task might have 5 paragraphs but rushing is to be discouraged. Considered and interesting paragraphs are so valuable, a shorter piece would be scored more highly than a rushed and dull longer piece. I speak from experience. A while ago now I was a marker for Key Stage 2 English SATs Papers (taken in Year 6 at 11 years old). Hundreds of scripts were deposited on my doorstep each morning by DHL. There was so much work for me to get through that I came to dread long, rambling creative pieces. Some children can write pages and pages of repetitive nothingness. Ever since then, I have looked for crafted quality and am wary of children judging their own success by the number of lines competed. Take a look at the piece of writing below. It’s an excellent example of a well-crafted piece. Each paragraph is short, but the writer is skilful. He used rich and precisely chosen vocabulary, he’s broken the text into natural paragraphs, and in the second paragraph he is beginning to vary his sentence openings. There is a sense of control to the sentences – the sentence structure varies with shorter and longer examples to manage tension. It is exciting to read, with a clear awareness of his audience. Punctuation is accurate and appropriate. 11+ creative writing example story How important is it to revise for a creative writing task. It is important. Every student should go into their 11+ writing task with a clear paragraph plan secured. As each paragraph has a separate purpose – to showcase a specific skill – the plan should reflect this. Built into the plan is a means of flexing it, to alter the order of the paragraphs if the task demands it. There’s no point having a Beginning – Middle – End approach, as there’s nothing useful there to guide the student to the mark scheme. Beyond this, my own students have created 3 – 5 stories that fit the same tight plan. However, the setting, mood and action are all completely different. This way a bank of rich vocabulary has already been explored and a technique or two of their own that fits the piece beautifully. These can be drawn upon on the day to boost confidence and give a greater sense of depth and consideration to their timed sample. Preparation, rather than revision in its classic form, is the best approach. Over time, even weeks or months before the exam itself, contrasting stories are written, improved upon, typed up and then tweaked further as better ideas come to mind. Each of these meets the demands of the mark scheme (paragraphing, varied sentence openings, rich vocabulary choices, considered imagery, punctuation to enhance meaning, development of mood etc). To ensure your child can write confidently at and above the level expected of them, drop them into my weekly weekly online writing club for the 11+ age group . The club marking will transform their writing, and quickly. What is the relationship between the English paper and the creative writing task? Writing is usually marked separately from any comprehension or grammar exercises in your child’s particular 11+ exam. Each exam board (by area/school) adapts the arrangement to suit their needs. Some have a separate writing test, others build it in as an element of their English paper (usually alongside a comprehension, punctuation and spelling exercise). Although there is no creative writing task in the ISEB Common Pre-test, those who are not offered an immediate place at their chosen English public school are often invited back to complete a writing task at a later date. Our ISEB Common Pre-test students join the writing club in the months before the exam, first to tidy up the detail and second to extend the content. What if my child has a specific learning difficulty (dyslexia, ADD/ADHD, ASD)? Most exam boards pride themselves on their inclusivity. They will expect you to have a formal report from a qualified professional at the point of registration for the test. This needs to be in place and the recommendations will be considered by a panel. If your child needs extra arrangements on the day they may be offered (it isn’t always the case). More importantly, if they drop below a pass on one or more papers you will have a strong case for appeal. Children with a specific learning difficulty often struggle with low confidence in their work and low self-esteem. The preparations set out above, and a kids writing club membership will allow them to go into the exam feeling positive and empowered. If they don’t achieve a pass at first, the writing sample will add weight to their appeal. Tips and strategies for writing a high-scoring creative writing paper Read widely for pleasure. Read aloud to your child if they are reluctant. Create a strong paragraph plan where each paragraph has a distinct purpose. Using the list of example questions below, discuss how each could be written in the form of your paragraph plan. Write 3-5 stories with contrasting settings and action – each one must follow your paragraph plan. Try to include examples of literary devices and figurative language (metaphor, simile) but avoid clichés. Tidy up your presentation. Write with a good rollerball pen on A4 lined paper with a printed margin. Cross out with a single horizontal line and banish doodling or scribbles. Join the writing club for a 20-minute Zoom task per week with no finishing off or homework. An expert English teacher will mark the work personally on video every Friday and your child’s writing will be quickly transformed. Pressed for time? Here’s a paragraph plan to follow. At Griffin Teaching we have an online writing club for students preparing for the 11 plus creative writing task . We’ve seen first-hand what a difference just one or two months of weekly practice can make. That said, we know that a lot of people reading this page are up against a hard deadline with an 11+ exam date fast approaching. If that’s you (or your child), what you need is a paragraph plan. Here’s one tried-and-true paragraph plan that we teach in our clubs. Use this as you work your way through some of the example prompts below. 11+ creative writing paragraph plan Paragraph 1—description. Imagine standing in the location and describe what is above the main character, what is below their feet, what is to their left and right, and what is in the distance. Try to integrate frontend adverbials into this paragraph (frontend adverbials are words or phrases used at the beginning of a sentence to describe what follows—e.g. When the fog lifted, he saw… ) Paragraph 2—Conversation Create two characters who have different roles (e.g. site manager and student, dog walker and lost man) and write a short dialogue between them. Use what we call the “sandwich layout,” where the first person says something and you describe what they are doing while they are saying it. Add in further descriptions (perhaps of the person’s clothing or expression) before starting a new line where the second character gives a simple answer and you provide details about what the second character is doing as they speak. Paragraph 3—Change the mood Write three to four sentences that change the mood of the writing sample from light to gloomy or foreboding. You could write about a change in the weather or a change in the lighting of the scene. Another approach is to mention how a character reacts to the change in mood, for example by pulling their coat collar up to their ears. Paragraph 4—Shock your reader A classic approach is to have your character die unexpectedly in the final sentence. Or maybe the ceiling falls? 11+ creative writing questions from real papers—fictional prompts The day the storm came The day the weather changed The snowstorm The rainy day A sunny day out A foggy (or misty) day A day trip to remember The first day The day everything changed The mountain The hillside The old house The balloon The old man The accident The unfamiliar sound A weekend away Moving house A family celebration An event you remember from when you were young An animal attack The school playground at night The lift pinged and the door opened. I could not believe what was inside… “Run!” he shouted as he thundered across the sand… It was getting late as I dug in my pocket for the key to the door. “Hurry up!” she shouted from inside. I know our back garden very well, but I was surprised how different it looked at midnight… The red button on the wall has a sign on it saying, ‘DO NOT TOUCH.’ My little sister leant forward and hit it hard with her hand. What happened next? Digging down into the soft earth, the spade hit something metal… Write a story which features the stopping of time. Write a story which features an unusual method of transport. The cry in the woods Write a story which features an escape 11+ creative writing questions from real papers—non-fiction prompts Write a thank you letter for a present you didn’t want. You are about to interview someone for a job. Write a list of questions you would like to ask the applicant. Write a letter to complain about the uniform at your school. Write a leaflet to advertise your home town. Write a thank you letter for a holiday you didn’t enjoy. Write a letter of complaint to the vet after an unfortunate incident in the waiting room. Write a set of instructions explaining how to make toast. Describe the room you are in. Describe a person who is important to you. Describe your pet or an animal you know well. 378 IMAGES Types of Composition Writing and Examples creative phrases for composition writing Creative Composition 1: Beginning Writing 100 Ways to Improve Your Composition & Creative Writing How to Write a Composition (with Pictures) Tuition Centre Singapore VIDEO IELTS Writing Task 2 Lesson 1 The Basic of PARAGRAPH COMPOSITION Creative Writing #writingtips #writingskills #kidswritingpractice IELTS Writing Task 2 Lesson 3 2022: How to create a composition notebook/planner/bullet journal The Craft of Writing: How to Prepare for Module C COMMENTS Composition and creative writing (Chapter 4) But this I know: the writer who possesses the creative gift owns something of which he is not always master - something that, at times, strangely wills and works for itself. He may lay down rules and devise principles, and to rules and principles it will perhaps for years lie in subjection; and then, haply without any warning of revolt, there ... What Is Creative Writing? (Ultimate Guide + 20 Examples) Creative writing is an art form that transcends traditional literature boundaries. It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions. 1.1: Intro to Creative Writing chapter 1: intro to creative writing: Creative writing 7 7 is any writing that goes outside the bounds of "normal" 8 8 "professional," 9 9 journalistic, "academic," 10 10 or technical forms of literature, typically identified by an emphasis on narrative craft, character development, and the use of literary tropes or with various ... The Place of Creative Writing in Composition Studies The sessions at the Associated Writing Programs (AWP) consist overwhelmingly of talks on craft and technique and readings by authors, with occasional panels on teaching or on matters of administration, genre, and the status of creative writing in the academy or publishing. The sessions at the. Conference on College Composition and Communication ... Creative writing Creative writing can technically be considered any writing of original composition. In this sense, creative writing is a more contemporary and process-oriented name for what has been traditionally called literature, including the variety of its genres. Elements of Creative Writing This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. Creative Composition: Inspiration and Techniques for Writing For decades theorists have opined that the lines between creative writing and composition need to be lifted, yet little has been written about the pedagogical methods that allow a cohesive approach between the disciplines. This book brings together contemporary authors and well-respected creative writing instructors and theorists to explore ways creativity in composition may be encouraged in ... Creative Composition About this book. This book brings together contemporary authors and well-respected creative writing instructors and theorists to explore ways creativity in composition may be encouraged in student writers. The question in this anthology is not 'Can writing be taught?' but 'How can we inspire students to embrace the creative process no ... How to Write a Composition (with Pictures) This will help you go from general to specific, an important part of any composition. Start with a blank piece of paper, or use a chalkboard to draw the outline diagram. Leave lots of room. Write the topic in the center of the paper and draw a circle around it. Say your topic is "Romeo & Juliet" or "The Civil War". What Is Composition? Definition, Types, and Examples Updated on June 07, 2024. In the literary sense, a composition (from the Latin "to put together") is the way a writer assembles words and sentences to create a coherent and meaningful work. Composition can also mean the activity of writing, the nature of the subject of a piece of writing, the piece of writing itself, and the name of a college ... Creative Writing This is a compelling look at the current state and future direction of creative writing by a preeminent scholar in the field. Explores the practice of creative writing, its place in the world, and its impact on individuals and communities Considers the process of creative writing as an art form and as a mode of communication Examines how new technology, notably the internet and cell phones, is ... Creative Essay Writing Tips (With Examples) As you become familiar with creative writing tips, we'd like to share several amazing topic examples that might help you get out of writer's block: The enchanted garden tells a tale of blooms and whispers. Lost in time, a journey through historical echoes unfolds. Whispering winds unravel the secrets of nature. PDF Teaching Creative Writing—The Spice in Your Composition Program BY BEVERLY WHITE. So writes Marlene D. LeFever in her book, Creative Teaching Methods: Be an Effective Christian Teacher (2004). Nowhere is creative teaching more necessary than in the teaching of creativity itself and in teaching its close companion, creative writing. In today's world, the ability to write well is well-recognized as a vital ... (Re)Writing Craft: Composition, Creative Writing, and the Future of If creative writing and composition studies are brought together in productive dialogue, they can, in his view, succeed in inverting the common hierarchy in English departments that privileges interpretation of literature over the teaching of writing. 978--8229-7328-7. Language & Literature, Education. (Re)Writing Craftfocuses on the gap that ... Creative Writing-Composition Class relationship between creative writing and composition from the English department's Matt Sumpter is currently a PhD candidate in creative writing at Binghamton University, where he teaches courses in composition, creative writing, and literature. Prior to that, he received his MFA in creative writing from The Ohio State University. Composition Writing Writing a composition can be broken down into these steps: 1 Research a topic. 2 Create an outline of the main points each paragraph will cover. 3 Write a draft, a writer's initial thinking about ... How to Use Good Phrases for Composition Writing 3. "Spine-tinging" means "scary". (Again, wrong context.) Here's the revised sentence: "The onlookers were left mesmerised by the breathtaking sunset.". By replacing bombastic words with effective ones, you're well on your way to writing a good essay in English. Creative Writing Strategies in the Composition Classroom Cut and Paste. Cut and paste is a word processing function very helpful in the writing process, after the first draft. The first draft is all about getting the material out of your head and onto paper. The second draft is more about rearranging and perfecting. Does the conversation about assumptions belong closer to the middle of the story ... 11+ creative writing guide with 50 example topics and prompts 11+ creative writing questions from real papers—non-fiction prompts. Write a thank you letter for a present you didn't want. You are about to interview someone for a job. Write a list of questions you would like to ask the applicant. Write a letter to complain about the uniform at your school. 100 Good phrases for composition Unlock creative writing skills with 100 powerful English phrases for Primary 6 composition on Geniebook's tuition platform. ... Help your child become a master of composition writing with this comprehensive guide on 100 different idioms. Learn about animal idioms, idioms about feelings, emotions, age, personality traits, food, amount, distance ... Amazon Best Sellers: Best Creative Writing & Composition 34 offers from $19.55. #5. Writing Science: How to Write Papers That Get Cited and Proposals That Get Funded. 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