written movie review

• PRO Courses Guides New Tech Help Pro Expert Videos About wikiHow Pro Upgrade Sign In
• EDIT Edit this Article
• EXPLORE Tech Help Pro About Us Random Article Quizzes Request a New Article Community Dashboard This Or That Game Popular Categories Arts and Entertainment Artwork Books Movies Computers and Electronics Computers Phone Skills Technology Hacks Health Men's Health Mental Health Women's Health Relationships Dating Love Relationship Issues Hobbies and Crafts Crafts Drawing Games Education & Communication Communication Skills Personal Development Studying Personal Care and Style Fashion Hair Care Personal Hygiene Youth Personal Care School Stuff Dating All Categories Arts and Entertainment Finance and Business Home and Garden Relationship Quizzes Cars & Other Vehicles Food and Entertaining Personal Care and Style Sports and Fitness Computers and Electronics Health Pets and Animals Travel Education & Communication Hobbies and Crafts Philosophy and Religion Work World Family Life Holidays and Traditions Relationships Youth
• Browse Articles
• Learn Something New
• Quizzes Hot
• This Or That Game
• Train Your Brain
• Explore More
• Support wikiHow
• About wikiHow
• Log in / Sign up
• Arts and Entertainment
• Film Studies

How to Write a Movie Review

Last Updated: May 13, 2024 Fact Checked

This article was co-authored by Marissa Levis . Marissa Levis is an English Teacher in the Morris County Vocational School District. She previously worked as an English director at a tutoring center that caters to students in elementary and middle school. She is an expert in creating a curriculum that helps students advance their skills in secondary-level English, focusing on MLA formatting, reading comprehension, writing skills, editing and proofreading, literary analysis, standardized test preparation, and journalism topics. Marissa received her Master of Arts in Teaching from Fairleigh Dickinson University. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 5,621,946 times.

Whether a movie is a rotten tomato or a brilliant work of art, if people are watching it, it's worth critiquing. A decent movie review should entertain, persuade and inform, providing an original opinion without giving away too much of the plot. A great movie review can be a work of art in its own right. Read on to learn how to analyze a movie like a professional film critic, come up with an interesting thesis, and write a review as entertaining as your source material.

Sample Movie Reviews

Writing an Intro for a Movie Review

• Comparison to Relevant Event or Movie: "Every day, our leaders, politicians, and pundits call for "revenge"– against terrorist groups, against international rivals, against other political parties. But few of them understand the cold, destructive, and ultimately hollow thrill of revenge as well as the characters of Blue Ruin. "
• Review in a nutshell: "Despite a compelling lead performance by Tom Hanks and a great soundtrack, Forrest Gump never gets out of the shadow of its weak plot and questionable premise."
• Context or Background Information: " Boyhood might be the first movie made where knowing how it was produced–slowly, over 12 years, with the same actors–is just as crucial as the movie itself."

• Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating.
• Great Movie: ABC is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings."
• Bad Movie: "It doesn't matter how much you enjoy kung-fu and karate films: with 47 Ronin, you're better off saving your money, your popcorn, and time."
• Okay Movie: "I loved the wildly uneven Interstellar far more than I should have, but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue."

• Great: "Michael B. Jordan and Octavia Spencer's chemistry would carry Fruitvale Station even if the script wasn't as good. The mid-movie prison scene in particular, where the camera never leaves their faces, shows how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice."
• Bad: " Jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur – in heels."
• Okay: "At the end of the day, Snowpiercer can't decide what kind of movie it wants to be. The attention to detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance."

• Does the film reflect on a current event or contemporary issue? It could be the director's way of engaging in a bigger conversation. Look for ways to relate the content of the film to the "real" world.
• Does the film seem to have a message, or does it attempt to elicit a specific response or emotion from the audience? You could discuss whether or not it achieves its own goals.
• Does the film connect with you on a personal level? You could write a review stemming from your own feelings and weave in some personal stories to make it interesting for your readers.

Composing Your Review

• When you name characters in your plot summary, list the actors' names directly afterward in parenthesis.
• Find a place to mention the director's name and the full movie title.
• If you feel you must discuss information that might "spoil" things for readers, warn them first.

• Cinematography: " Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting in."
• Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The Martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating."
• Music and Sound: " No Country For Old Men's bold decision to skip music entirely pays off in spades. The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter and hunted, keeps you constantly on the edge of your seat."
• Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the rampaging bus, Keanu Reeves can't quite match his costar in the quiet moments of Speed, which falter under his expressionless gaze."

• Keep your writing clear and easy to understand. Don't use too much technical filmmaking jargon, and make your language crisp and accessible.
• Present both the facts and your opinion. For example, you might state something such as, "The Baroque background music was a jarring contrast to the 20th century setting." This is a lot more informative then simply saying, "The music was a strange choice for the movie."

• Great: "In the end, even the characters of Blue Ruin know how pointless their feud is. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.""
• Bad: "Much like the oft-mentioned "box of chocolates", Forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out."
• Okay: "Without the novel, even revolutionary concept, Boyhood may not be a great movie. It might not even be "good.” But the power the film finds in the beauty of passing time and little, inconsequential moments – moments that could only be captured over 12 years of shooting – make Linklater's latest an essential film for anyone interested in the art of film."

Polishing Your Piece

• Ask yourself whether your review stayed true to your thesis. Did your conclusion tie back in with the initial ideas you proposed?
• Decide whether your review contains enough details about the movie. You may need to go back and add more description here and there to give readers a better sense of what the movie's about.
• Decide whether your review is interesting enough as a stand-alone piece of writing. Did you contribute something original to this discussion? What will readers gain from reading your review that they couldn't from simply watching the movie?

Studying Your Source Material

• The title of the film, and the year it came out.
• The director's name.
• The names of the lead actors.

• Make a note every time something sticks out to you, whether it's good or bad. This could be costuming, makeup, set design, music, etc. Think about how this detail relates to the rest of the movie and what it means in the context of your review.
• Take note of patterns you begin to notice as the movie unfolds.
• Use the pause button frequently so you make sure not to miss anything, and rewind as necessary.

• Direction: Consider the director and how he or she choose to portray/explain the events in the story. If the movie was slow, or didn't include things you thought were necessary, you can attribute this to the director. If you've seen other movies directed by the same person, compare them and determine which you like the most.
• Cinematography: What techniques were used to film the movie? What setting and background elements helped to create a certain tone?
• Writing: Evaluate the script, including dialogue and characterization. Did you feel like the plot was inventive and unpredictable or boring and weak? Did the characters' words seem credible to you?
• Editing: Was the movie choppy or did it flow smoothly from scene to scene? Did they incorporate a montage to help build the story? And was this obstructive to the narrative or did it help it? Did they use long cuts to help accentuate an actor's acting ability or many reaction shots to show a group's reaction to an event or dialogue? If visual effects were used were the plates well-chosen and were the composited effects part of a seamless experience? (Whether the effects looked realistic or not is not the jurisdiction of an editor, however, they do choose the footage to be sent off to the compositors, so this could still affect the film.)
• Costume design: Did the clothing choices fit the style of the movie? Did they contribute to the overall tone, rather than digressing from it?
• Set design: Consider how the setting of the film influenced its other elements. Did it add or subtract from the experience for you? If the movie was filmed in a real place, was this location well-chosen?
• Score or soundtrack: Did it work with the scenes? Was it over/under-used? Was it suspenseful? Amusing? Irritating? A soundtrack can make or break a movie, especially if the songs have a particular message or meaning to them.

Expert Q&A

• If you don't like the movie, don't be abusive and mean. If possible, avoid watching the movies that you would surely hate. Thanks Helpful 0 Not Helpful 0
• Understand that just because the movie isn't to your taste, that doesn't mean you should give it a bad review. A good reviewer helps people find movie's they will like. Since you don't have the same taste in movies as everyone else, you need to be able to tell people if they will enjoy the movie, even if you didn't. Thanks Helpful 0 Not Helpful 0
• Structure is very important; try categorizing the different parts of the film and commenting on each of those individually. Deciding how good each thing is will help you come to a more accurate conclusion. For example, things like acting, special effects, cinematography, think about how good each of those are. Thanks Helpful 0 Not Helpful 0

You Might Also Like

Expert Interview

Thanks for reading our article! If you’d like to learn more about writing, check out our in-depth interview with Marissa Levis .

• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/terminology_and_starting_prompts.html
• ↑ https://www.spiritofbaraka.com/how-write-a-movie-review
• ↑ https://www.nyfa.edu/student-resources/9-tips-for-writing-a-film-review/
• ↑ https://en.oxforddictionaries.com/writing-help/top-tips-for-writing-a-review
• ↑ https://writingcenter.unc.edu/tips-and-tools/summary-using-it-wisely/
• ↑ https://twp.duke.edu/sites/twp.duke.edu/files/file-attachments/film-review-1.original.pdf
• ↑ https://www.dailywritingtips.com/7-tips-for-writing-a-film-review/
• ↑ https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/writing_about_film/film_writing_sample_analysis.html
• ↑ https://learning.hccs.edu/faculty/onnyx.bei/dual-credit/movie-review-writing-guide
• ↑ https://writingcenter.unc.edu/tips-and-tools/conclusions/
• ↑ https://www.grammarly.com/blog/how-to-write-a-movie-review/
• ↑ https://gustavus.edu/writingcenter/handoutdocs/editing_proofreading.php
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/
• ↑ https://edusson.com/blog/how-to-write-movie-review

About This Article

To write a movie review, start with a compelling fact or opinion to hook your readers, like "Despite a great performance by Tom Hanks, Forrest Gump never overcomes its weak plot." Then, elaborate on your opinion of the movie right off the bat so readers know where you stand. Once your opinion is clear, provide examples from the movie that prove your point, like specific scenes, dialogue, songs, or camera shots. To learn how to study a film closely before you write a review, scroll down! Did this summary help you? Yes No

• Send fan mail to authors

Reader Success Stories

Did this article help you?

Breanna Lukes

Oct 17, 2018

Mar 31, 2021

Jun 29, 2023

Kothyn Evans-Alexander

Nov 28, 2018

Featured Articles

Trending Articles

Watch Articles

• Terms of Use
• Privacy Policy
• Do Not Sell or Share My Info
• Not Selling Info

wikiHow Tech Help Pro:

Develop the tech skills you need for work and life

• 1-800-611-FILM

How to Write a Movie Review: 10 Essential Tips

As long as there have been films, there have been film critics. Starting with the early days of cinema, where reviews appeared in newspapers and magazines as brief, descriptive pieces, as filmmaking evolved as an art form, so did the role of the critic. James Agee, André Bazin, and Pauline Kael shaped the discourse around cinema, and today, famous film critics like the iconic Roger Ebert , The New York Times’s A.O. Scott , and The New York Times’s Manohla Dargis continue to leave an indelible mark on the world of cinema.

With the rise of the internet, film criticism now encompasses a wide range of voices and perspectives from around the globe. Sites like Letterboxd make it possible for anyone to write short-form reviews on film. Even stars like The Bear’s Ayo Edebiri have accounts and share opinions on the latest box-office hits.

How to Write a Movie Review

Today, contemporary YouTube and TikTok critics such as Red Letter Media , deepfocuslens , and DoMo Draper don’t just write film reviews, they shoot videos and skits. Through their creative formats, they offer refreshing and unique perspectives while building communities of diehard film and television enthusiasts. Whether you choose to write reviews for your own blog, other websites, or social media channels, by learning how to write a movie review, any aspiring filmmaker can start to watch films intentionally. 

@domodraperr Replying to @xsindeviltriggerx I’ll get right on that, Sir!🫡 #comments #movies #film #satire #fyp #mulan #disney ♬ I’ll Make a Man Out of You (feat. Black Gryph0n) – Cover – Samuel Kim

TikTok film critic “DoMo Draper” provides commentary on new and old films, often calling out racism, social injustice, misogyny, and prejudice.

While there’s no perfect approach to writing a review, there are best practices that every aspiring reviewer should consider.

Here are ten tips on writing a compelling piece.

1. Watch the film at least once.

For new reviewers, it’s impossible to capture everything after one viewing. Watching the film first, then watching to take notes, is an easy way to improve the quality of your final review. This will also make it easy to recall in-the-moment thoughts and reactions.

Take a review by Christian Blauvelt of Charlie Chaplin’s silent film The Circus , for example. Since the film does not have sound, properly critiquing the film requires close attention. Viewers have to pay attention to the various nuances in Chaplin’s performance, follow the story, and take in the cinematography. Regarding The Circus , Blauvelt writes, “The film lacks a conventional plot, but is rather a pearl necklace of strung-together episodes. ” The statement isn’t a criticism, but a keen observation likely gleaned from more than one viewing. 

So while every film reviewer has their own approach, many choose to watch a film more than once to deliver the best possible review. Image The Criterion Collection.

2. Express your opinions and support your criticism.

Professional reviewers do not shy away from sharing whether they thought a movie was good, bad, or indifferent. In a review for the film Mother!, reviewer Candice Frederick describes the film as “uncomfortable,” and “controversial,” helping viewers understand the tone of the movie. While Frederick seemed to enjoy the film, her honesty about how it would make audiences feel was vital in writing the review.

Be sure to back up these thoughts with specifics–a disappointing performance, beautiful cinematography, difficult material that leaves you thinking, and so on. Professional reviewers should express why and how they came to their criticism.

3. Consider your audience.

Are you writing for a fan site or a news outlet? Who will read your pieces, and what are their interests? Knowing who your readers are and where the review will be published can help you decide what elements of the movie to highlight. For example, take these two very different reviews for the film ‘Synecdoche, New York’.  

The first review was written by Alonso Duralde for The Today Show , and clocks in at around 500 words. The film focuses on the bullet points: characters, plot, and a concise review. The second review is over 3,000 words and published on the Critical Critics blog . This review goes into massive depth (and yes, includes spoilers) about the film, providing an incredible amount of analysis. The first review is tailored for the casual filmgoer, while the second is for cinephiles. Each review serves a different purpose.

It’s also a good idea to adjust your writing style to fit the target audience. For example, Alonso Duralde is a talented film reviewer and likely wrote the review to fit the tone of The Today Show site. Image via Director’s Library.

4. Talk about the acting.

When reviewing a film, it’s important to take space to discuss the performances. Does the film feature a seasoned actor in a new kind of role or a brilliant performance from a rising star? How was the acting? In a review by Brett Milam for the award-winning film Whiplash , he goes into rich detail about performances by both breakthrough actor Miles Teller and seasoned professional JK Simmons.

Regarding Teller, Milam writes, “This is a performance. This is art,” and about Simmons, “I found him fascinating to just look at.” Those are just small examples of the analysis he provides regarding their acting. As the film mostly focuses on the relationship between their two characters, Miles as the protagonist and JK as the antagonist, the review of the performances lends well to the plot of the film: student and teacher going head to head in an intense and determined showdown. 

Feedback about how well the actors handled the script, the dynamics in an ensemble, and so much more can help describe how the actors did in any given film.

5. Call out directors, cinematographers, and special effects.

Reviews that include highlights or missteps of directors, cinematographers, and costume designers can help provide support to your critiques. By providing specific examples of what worked, what surprised you, and what fell short of expectations, reviewers can write a well-thought-out review that goes beyond whether or not you liked it.

In a review for A Wrinkle in Time , Monique Jones artfully crafts a piece that diplomatically cites the missteps of the film. From analyzing the quality of the CGI to the camera techniques to inconsistencies in the rules of the fantasy universe, Jones fairly offers a critique that guides the filmmakers and crew on future endeavors. To write this type of review, it helps to have some knowledge of the filmmaking process so you can properly assess the screenwriting, cinematography, special effects, acting, and more. Image via Disney.

6. No spoilers!

The point of writing a movie review is to get people interested in seeing a movie. That’s why it’s absolutely best practice to not reveal spoilers in a film review. Film reviewer Robert Daniels approaches this creatively. In his review of Annihilation , he provides commentary on what would be considered spoilers. However, he places that part of the review at the bottom of the article under a bold header/image that warns the reader he’s about to spoil the film. For reviewers who want to dissect the entire film, this is a good way to both tease the film for anyone who hasn’t seen it and cater to people who want to know what the ending is.

Remember: the goal of any film review is to discuss the plot without revealing any twists or the ending of the film. 

7. Study the professionals.

As with all writing endeavors, the more you read, the better. However, with the modern landscape of film reviewing, which can go beyond writing and extend to content creation for social media platforms, there are a ton of reviewers to take notes from. First, determine what kind of reviewer you want to be, and what kind of medium you plan to deliver your reviews on. If you plan to post to Medium, for example, studying the reviewers already established on the site can be a great starting point.

Then, read film reviews for some of your favorite films. Determine which style of review you like and don’t like. Question why, and use your critical eye to consider why one reviewer has a hundred thousand followers and another only has two. If you’re looking to be featured on a website or a magazine, read the publications where you’d like your writing to appear as a template for your reviews, and don’t forget to read the submission guidelines. A few examples of film review professionals include Rotten Tomatoes , Roger Ebert , and Film Comment. 

8. Reread, rewrite, and edit.

While writing film critique is based on opinion, and follows the style of the reviewer, it’s still important to edit work. Writers should check for spelling, grammar, and readability. No matter how good a writer’s opinions are, they will not be taken seriously if the director’s name isn’t spelled correctly. Tools such as Grammarly and Hemingway Editor can be great for correcting and finding areas that need improvement. 

9. Find your voice.

The best reviewers have a distinct personality that comes across in their writing. Los Angeles Times film reviewer Carlos Aguilar wrote an impassioned piece about the film Beatriz at Dinner , going into a lot of detail about his experiences working in the film industry and his Mexican heritage. By sharing anecdotes about casual racism he’s experienced and connecting it to the film’s protagonist, and what she goes through, the review feels personal and relatable.

“If at a film festival – to which I’ve gotten access to because I’m a published writer – in a progressive city like Los Angeles, I must keep my guard up when people question my right to be there, then how are the voiceless supposed to feel safe, respected, or hopeful?” Aguilar writes. 

For new reviewers, developing this type of unique voice does not happen overnight, so take every opportunity to write as an opportunity to develop your style. Image via BBC.

10. Know your taste.

As a film reviewer, it can be helpful to identify your taste in film. By knowing specific preferences, strengths, and biases, reviewers can offer nuanced critiques that resonate with audiences and provide valuable guidance on which films they might enjoy. Additionally, it helps to maintain credibility and integrity as a reviewer by ensuring that assessments are authentic and reflective of personal cinematic sensibilities.

Try to explore various genres, directors, and themes to understand what resonates emotionally, intellectually, and aesthetically. Pay attention to the types of stories that engage you, which can help define your preferences.

Learn More About Filmmaking at NYFA

Film students with writing experience actually make great reviewers, as many of them are required to study a range of topics relating to film that can include cinematography, screenwriting, producing, and much more. Ready to build even more skills in filmmaking? Request more information about New York Film Academy’s filmmaking programs and workshops today!

BibGuru Blog

Be more productive in school

• Citation Styles

How to write a movie review [Updated 2023]

Writing a movie review is a great way to practice critical analysis skills. In this post, we explore what a movie review is, how to start a film review, and steps for writing and revising it.

What is a movie review?

A movie review is a concise evaluation of a film’s content and formal elements (cinematography, sound, lighting, etc.). Also known as a film review, a movie review considers not just what a film means, but how it means. Essentially, when you write a film review, you are conducting a critical analysis or close reading of a movie.

How to write a movie review

To write a successful review about a movie, you need to evaluate a film’s content, as well as its form. In this section, we break down these two components.

A film’s content includes its plot (what it’s about), characters, and setting. You’ll need to determine the main plot points of the film and how the film’s story works overall.

Are there parts that don’t make sense? Are certain characters more important than others? What is the relationship between the movie’s plot and its setting? A discussion of a film’s content provides good context for an analysis of its form.

Form refers to all of the aesthetic and/or formal elements that make a story into a movie. You can break down form into several categories:

• Cinematography : This element comprises all aspects of the movie that derive from the way a camera moves and works. You’ll need to pay attention to elements like camera angles, distances between the camera and the subject, and types of shots (i.e. close-up, aerial, etc.).
• Lighting : Films use lighting in various ways to communicate certain effects. For instance, noir films tend to utilize chiaroscuro lighting (deep contrasts between light and dark) to express a sense of secrecy or foreboding.
• Sound : The way a film uses sound can vary considerably. Most movies have a soundtrack, sometimes with music composed specifically for the film. Some films play around with ambient sounds or use silence at key points to signify important moments. What is the relation of sound to the image in specific scenes or sequences? Do sounds link images? Does it ever become more important than the image?
• Editing : The movies we watch online or in theaters have been heavily edited in order to achieve a particular flow. When you are preparing to write a movie review, pay close attention to elements like the length of shots, transitions between scenes, or any other items that were finalized after filming.
• Costumes, Props, and Sets : Are the costumes and props believable in relation to the film’s content and setting? Are costumes particularly elaborate or understated?

The important thing to remember when you are analyzing the formal elements of a movie is that every image, sound, movement, and object has meaning and has been planned. Your review needs to take into consideration how these elements work together with the film’s storyline to create a whole experience.

Once you’ve considered both the content and form of the movie that you’re reviewing, you can begin to evaluate the film as a whole. Is it a successful movie? Would you recommend it? Why or why not?

Step-by-step review writing tips

1. watch the movie.

The first time that you watch the movie, look for overarching themes or patterns, and establish what the film is primarily about. Take note of the main characters, as well as the setting.

2. Watch the movie again and take notes

Next, watch the movie again and take notes as you are doing so, keeping in mind the formal aspects discussed above. Write down anything that seems significant.

3. Evaluate the film’s form and content

Using the categories described above, and any handouts or guides provided by your instructor, evaluate the film’s formal elements along with its content. Are there elements of the movie that strike you as unfamiliar or perplexing? Are there elements that are repeated to emphasize a point or perception?

4. Write your review

A good movie review will contain:

• an introductory paragraph that tells the reader what movie you’re reviewing
• a paragraph that summarizes the movie
• several body paragraphs that explore significant formal elements and how they relate to the content
• a concluding paragraph that discusses your overall reaction to the film and whether or not you would recommend it to others

5. Create citations

You’ll need cite the film and any secondary sources that you consulted while writing. Use BibGuru’s citation generator to instantly create accurate citations for movies, as well as articles, books, and websites.

You may also want to consult a guide on how to cite a film in MLA or another major citation style .

6. Revise and proofread

Once you’ve written your review, you should set aside some time to revise and proofread it before you turn it in.

Movie review checklist

You can use this checklist to ensure that you’ve considered all of the formal elements, as well as the content, of the film that you’re reviewing:

🔲 Cinematography (camera moves and types of shots)

🔲 Lighting (natural vs. artificial light, contrasts between light and dark)

🔲 Sound (soundtrack, sound vs. silence, loud vs. soft sounds)

🔲 Editing (length of shots, transitions between scenes)

🔲 Costumes, props, and sets (believable vs. staged)

🔲 Content (plot, characters, setting)

Frequently Asked Questions about how to write a review about a movie

A movie review should contain a brief summary of the film, several paragraphs of analysis that focus on form and content, and a concluding paragraph that sums up your reaction.

Before you write anything, you need to watch the film at least once. Take notes as you’re watching and pay attention to formal elements and patterns. Then, write your review. The final step is to revise your work before you turn it in.

The tone for a movie review should be critical, yet objective. The goal of most reviews is to persuade a reader to either see a film or not.

The best film reviews balance plot summary with critical analysis of significant formal elements. A reader should be able to decide if she wants to see the film after reading the review.

Make your life easier with our productivity and writing resources.

For students and teachers.

How to Write a Movie Review

Writing a Film Review

Movies have become a cultural mainstay of our society. Not only are they art and entertainment, but they have also become a way for people to bond and make connections. Finding someone who has a similar taste in movies can create new friendships and start interesting conversations. That's why understanding how to analyze a movie and write movie reviews is such a useful skill. 

Do you need to know how to write a movie review for college? Or how to write a movie critique? Or maybe just how to do a movie review? In this article, you will learn how to write a movie review step by step, as well as get an in-depth guide into each section of a movie review.

What is a Movie Review?

A film review essay is more than just a plot summary followed by a recommendation. A movie review analyzes different elements of a movie and mixes personal opinion with objective analysis. The goal of the movie review is to tell the reader about the details of a movie while giving them enough information to decide for themselves whether it's worth watching or not. Of course, a good movie review also has to be interesting and engaging! 

How to Write a Good Movie Review

More than most other pieces of writing, there are a lot of steps to take before actually getting into writing a movie review. But don't worry though, most of these steps are pretty fun and if you follow them, you will know how to review movies. 

Watch the film! 

It goes without saying that you need to watch a movie before you write a review for it, so, before you do anything else, watch the movie at least once. Don't worry about trying to pick up specific details on your first watch, just enjoy the movie and get a general impression of whether you liked it or not and what you liked or disliked. Ideally, you should watch the movie at least two times. On your second and third viewings, pay attention to movie review criteria like cinematography, acting, dialogue, character development, deeper meanings, etc. Read some film review examples to get a sense of the things they talk about.

Pause the movie on your second and third viewings and take notes on things that stand out to you. Don't be afraid to take as many notes as you want, after all these notes are just for you.  You might not use all the notes you have taken, but they will help you compose the main part of your body paragraphs.

Express your opinions

Once you have watched the movie a few times and taken notes, make a list of the strongest opinions you have about the movie. If you think that the quality of acting was one of the best parts of the movie, use your notes to come up with specific examples. You should have between 3 and 5 key opinions that you will elaborate on when writing a film review along with examples to back up your claims.

Think about your audience

The language you use is going to change based on who you are writing the movie review for. If it is an assignment for school or university, then you may have to use more technical language.  If you're writing an article for a website or personal blog, then think about who the audience is and use language appropriate for them. Keep in mind that your audience also depends on the genre of the movie you are critiquing. A movie review for a serious period drama will have a different audience than a buddy cop comedy and therefore different language. Look at a movie review sample from different genres to get an idea of the type of language to use. 

Research the actors

Having big movie stars associated with a film is often one of the main selling points of a movie.  If an actor is critically acclaimed, it’s especially important to mention the awards they have won as this is often a sign of the overall quality of the movie. It's also possible that you didn't like the movie overall, but one of your favorite actors was in it so you enjoyed the movie and another fan might enjoy it too. 

Do background research

An easy way to make a movie review interesting is to search for interesting details about the making of the movie. It may be worth mentioning if it was shot in a particularly beautiful place or a unique location, or if the special effects were practical rather than CGI. Include interesting casting decisions or other actors that were considered for a particular role. Think about what information could be interesting to someone who might want to watch the movie and include those details. Go over some movie critique examples to get inspiration. 

Research the professionals

People can be fans not just of the actors, but of directors, writers, cinematographers, costume designers, and many other elements of filmmaking. Many directors are auteurs, which means they have a very particular visual style or storytelling method. How much time you spend on this section is dependent on your audience. If you're writing for social media or a blog for general people, then this might not be interesting to most. But if you're writing for film school or for a specific audience interested in filmmaking, then this section will need to be more elaborate. Look at a film review example written for different audiences to understand the differences. 

Draft an outline

Now that you've done all the required research, it's time to come up with a review outline. An outline is always useful when doing any piece of writing because it gives you a  chance to visualize the structure and plan how you want to incorporate information. This is the general film review format.

Introduction

• Brief summary of the film
• Discuss plot, tone, characters
• Discuss creative and technical elements
• Your opinions

Conclusion 

Come up with a catchy title.

Almost more than any other piece of writing, a movie review’s title needs to be engaging. A title like ”film review of (name of the movie) might be to the point, but isn't going to stand out. A good title should grab the reader's attention and make them want to read more. A few ways you can do this is by talking about a specific actor or director, or by using one of the main plot points of the movie. For example, “A Romantic Comedy for the Unromantic”,  or “Chris Pratt Plays Against Type in the Best Possible Way”. Look at the titles of some movie review examples for inspiration!

Write your review

It's finally time to get to the actual writing! The next part of this article talks in-depth about each section of a film review. 

People aren't going to take a review seriously if you have spelling mistakes or grammatical errors. If it's an assignment for school, then you’re going to lose marks because of mistakes like that. Make sure you reread your paper a few times and check for typos and other silly mistakes.  Read the paper out loud once or twice to get an idea of if it has a good flow. Don't be afraid to move sections around if you think it helps you build a stronger case.

Struggling with the Film Review?

Get your assignments done by real pros. Save your precious time and boost your marks with ease.

How to Write a Film Review

Do you want a ‘how to write a movie review’ template? Let's go over the specific parts of a film review and what to include in each one.

Your first sentence needs to capture the reader's attention. You can do this by stating an interesting fact about the movie, starting off by expressing your opinion of whether it's good or bad, mentioning some of the important actors, comparing it to other movies in the genre or to real-world events, whatever it is, make sure it's catchy!

Next, give background information about the movie. This includes things like the title, release date, studio, important cast members, director, budget, etc. Make sure to highlight any achievements of the movie, for example, if it was nominated for any awards. The same goes for the director as well as important members of the cast. This shouldn't just be a dry stating of facts, rather this should be a collection of interesting information about the background of the movie. 

Finally, end your introduction paragraph with your thesis. In the case of a film review, your thesis is essentially what you thought about the film. Without giving away too much, express your overall impression of the movie noting particular things that you thought stood out or were weak.

Summary of the story

The trick to writing the summary of the story is giving readers an idea of what to expect without giving away any important plot points or spoilers. The goal of this section isn't to explain the plot of the movie, It's to make sure that people have a basic understanding of the story so that the rest of the review can make sense. Describe the setting of the movie, which includes the main locations and time period. Introduce the main characters (including the name of the actor in parentheses after the name of their character). And go over the general storyline. 

Plot elements

This is when you start explaining what you thought about the movie. Start with an analysis of the plot itself. Did it have a rising action that builds suspense? Was the climax a good payoff? What were your overall impressions of the movie? How did it make you feel? What do you think the purpose of the movie was and did the director succeed in their goal? 

This is also the section where you get to talk about the different characters in the movie. Why did you enjoy certain characters? Were some characters better developed than others? Could some characters have benefited from more development? Was the villain particularly interesting? 

Think about the overall mood of the movie, did it change over time? How did the tones and symbols of the movie emphasize elements of the plot? Remember that any point you make in this section has to be backed up by examples. So if you say that there are several plot holes that make the movie complicated to understand, mention the specific scenes.

Creative elements

There are a lot of technical and creative elements in a movie that can stand out even if the overall plot and story weren’t the best. On the other hand, even a great story can be spoiled by bad dialogue or set design. These are some of the creative elements you should pay attention to especially when rewatching the movie and taking notes.

Dialogue : This can refer to the overall writing of the movie as well. If you can get your hands on a script then read it! When thinking about dialogue ask yourself, did the conversation between characters seem natural and flow easily? Or did it seem choppy and unnatural? 

Cinematography : Cinematography refers to the camera effects and the choices of how to film a certain scene. The lighting, the choice of camera angles, essentially the unique perspective of the story as told through the camera. 

Editing : Editing refers to the transition between different scenes as well as how well the movie flows together. This could include things like clever montages, longshots, different perspectives, etc.  

Costumes : Some movies, especially historical movies, fantasy films, and science fiction films, depend heavily on costume design. Costumes are an integral part of making a character stand out or making the world seem more real.

Set Design : Set design refers to the backgrounds of scenes. Some sets might be more elaborate whereas others can be minimalistic. Each choice has its pros and cons and effective set design creates proper ambiance, setting the tone and mood for a scene or the movie.

Music and Sound : Sometimes the movie has a great soundtrack or just incredible sound effects that help make it stand out.

Stunts : More important for action movies, but in general stunts and action sequences can be a major selling point for a film.

Special Effects : Most movies rely on some amount of special effects, and whether it be CGI, or practical, or a combination of the two, the quality is important.

Once you have analyzed multiple different elements of the story from its plot, characterization, and other technical and creative elements, you can state your opinions and provide evidence for them. Make sure you refer to specific scenes or specific situations when looking for substantiating evidence. Remember that the goal of a movie review is not to just state whether you liked or disliked a movie, it is to analyze it in an objective way, and give information so that somebody else can decide whether they want to watch the movie or not.

In the conclusion you express your main opinion of the movie along with the most important pieces of evidence. You can talk about the purpose of the movie and whether the director was successful in showing that purpose. End with a recommendation of whether the movie should be watched or not, along with suggestions of movies that are similar to it.

Did you like our Film Review Guide?

For more help, tap into our pool of professional writers and get expert essay editing services!

Mistakes to avoid

You now know how to write a review on a movie but let's take a look at some mistakes that you should be careful to avoid.

Not focusing on the film

It's easy to start writing about things like the historical events the movie you loved is based on or the importance of the Marvel Cinematic Universe overall rather than focus on the movie itself.  While those elements can be interesting to include as background information, the point of a film review is to go over a particular movie so that is what you should spend the most time on.

Not providing evidence 

A common mistake people make when they write movie reviews is to state their opinions without any objective analysis. An easy way to overcome this mistake is to make sure that you provide evidence for any claims that you make.

Spoilers are an easy way to make sure that people will be upset with your movie review. It is common to accidentally give away too much, especially when writing the plot summary. Find the line between giving enough information so that people understand the general story and revealing important plot twists and turning points. Read some sample movie reviews for examples of how to avoid spoilers.

Using personal pronouns

Statements like “I did not like the special effects” or “I did not like the pacing of the movie” are clearly expressions of opinion. It is better to make statements like “the special effects in certain action scenes were cartoonish and took away from the realism of the film”. 

A movie review essay can be incredibly fun to write, especially if you have a strong opinion about the movie. But keep in mind that a movie review isn't just about your opinion, it has to include an objective analysis with claims backed up by evidence from specific scenes. It's difficult to have a movie review definition, but a great movie review is a blend between personal opinion and objective analysis. It informs the reader about the strengths and weaknesses of the movie while letting them make the decision whether they want to watch it or not. 

If you found your way to this article because you were looking for help on how to write a movie review for college, then you're in the perfect place. If you need any help, don't hesitate to reach out to the experts at Studyfy. At Studyfy, we offer a wide range of custom writing services, coursework writing services, and essay writer service . Our team of experienced writers is well-equipped to handle any writing task you may have, no matter the complexity or urgency. Just say, " write a paper for me ," and we will ensure that you receive a high-quality custom essay that meets all your requirements. Trust us to provide you with the best coursework writing services and custom essay writing that will help you achieve your academic goals.

Featured Posts

How to write a scholarship essay.

How‌ ‌to‌ ‌Write‌ ‌an‌ ‌Argumentative‌ ‌Essay

How to Write a Cause and Effect Essay

How to Write an Expository Essay

How to Write an Analytical Essay

How to Write a Reflective Essay

• Link to facebook
• Link to linkedin
• Link to twitter
• Link to youtube
• Writing Tips

How to Write a Movie Review (5 Top Tips)

• 5-minute read
• 1st July 2019

Fancy being the next Roger Ebert ? Then check out the latest blockbuster or arthouse flick, and let the world know what you think! But what goes into a good movie review? We have a few review writing tips to share:

• Watch the movie carefully (more than once if possible) and take notes.
• Tailor your writing style and the focus of your review to your audience.
• Look at every aspect of the movie, including its story, acting, and technical qualities (e.g., direction, visual design, costumes, sound).
• Justify your opinions (i.e., give reasons for why you think a movie is good or bad, rather than just saying that you enjoyed or disliked it).
• Try to avoid spoilers, especially for new releases.

Read on to find out how to put these tips into practice in your next review.

1. Watch the Movie and Take Notes

When we say you should watch the movie you’re planning to review, we mean you need to really watch it. No popcorn. No whispering to friends. Just eyes on the screen. Ideally, you should even try to see the film more than once before reviewing it (although this isn’t always possible).

You may also want to take notes so you can use them when writing a review. Do this on paper, though; no illuminated screens! And it is usually better to save note taking for a second viewing, as you might miss something first time round if you’re busy scribbling in a notebook.

2. Think About Your Audience

Who you are writing for will have a big influence on how you write. Most importantly, you need to think about how much your target audience already knows about cinematic techniques and history.

For example, saying that a scene “evokes memories of Eisenstein’s approach to montage, manipulating the viewer by juxtaposing images of hope and fear” would be fine if you were writing for an audience familiar with cinematic theory (e.g., film students or professionals).

But such remarks may be lost on a general audience, who might just want to know whether it’s worth paying to catch the new Mission Impossible at the theater. As such, you should think about what your readers might want to know and tailor your review accordingly.

3. Look at the Whole Movie

A movie works on multiple levels, all of which should factor into your review. Questions you might want to ask yourself include:

• Story – How does the movie tells its story? Are the characters believable? Is the ending satisfying? Does it feel too long or short at all?
• Acting – Who are the actors? Do they suit the roles? Do any performances stand out? Does it feature any big stars or any upcoming talents?
• Technical Qualities – Is the film well made, including the direction, visual design, costumes, sound, music, and any visual or special effects used?

This isn’t to say you can’t write about whether you enjoyed the movie, too! Most people are happy to overlook, e.g., some dodgy acting if they’re enjoying the spectacle of a Hollywood blockbuster. So how much you focus on each of the above may depend on what you’re watching.

Find this useful?

Subscribe to our newsletter and get writing tips from our editors straight to your inbox.

Watching a movie more than once can be very helpful in this respect. The first time, you can watch it as a regular “viewer,” thinking about the film overall and how much you enjoyed it. And if you see it again, you can focus on specific elements in more detail, taking notes as you watch.

4. Back Up Your Opinions

Letting your reader know whether you liked a movie is, of course, a big part of reviewing it. You can even use a score or star rating, offering a simple summary of your overall opinion of the movie.

However, you should also explain why you like or dislike it. Is it the story? The performances? Something else? The amount you write to back up your opinions will vary depending on the type of review. A 200-word summary will have less detail than a longer review essay, for instance. But you should always try to offer some insight on why the film succeeds or fails.

You can even refer to specific scenes to explain yourself. However, if you do plan to go into detail about a movie you are reviewing, you may want to check out our next tip first…

5. Be Careful About Spoilers

Following on from the last point, if you mention particular scenes or details from a film, try not to give away story spoilers . Obviously, this is more important for new movies than old classics. And if you’re writing an in-depth critique, you will almost certainly enter spoiler territory. This is fine.

However, if you do mention anything that could spoil the story for new viewers, make sure to provide a spoiler warning before you give it away! Your reader can then decide whether to read on.

We hope this post has helped you with your movie review. And if you need someone to proofread your writing, we’re always here to help !

Share this article:

Post A New Comment

Got content that needs a quick turnaround? Let us polish your work. Explore our editorial business services.

9-minute read

How to Use Infographics to Boost Your Presentation

Is your content getting noticed? Capturing and maintaining an audience’s attention is a challenge when...

8-minute read

Why Interactive PDFs Are Better for Engagement

Are you looking to enhance engagement and captivate your audience through your professional documents? Interactive...

7-minute read

Seven Key Strategies for Voice Search Optimization

Voice search optimization is rapidly shaping the digital landscape, requiring content professionals to adapt their...

4-minute read

Five Creative Ways to Showcase Your Digital Portfolio

Are you a creative freelancer looking to make a lasting impression on potential clients or...

How to Ace Slack Messaging for Contractors and Freelancers

Effective professional communication is an important skill for contractors and freelancers navigating remote work environments....

3-minute read

How to Insert a Text Box in a Google Doc

Google Docs is a powerful collaborative tool, and mastering its features can significantly enhance your...

Make sure your writing is the best it can be with our expert English proofreading and editing.

How to write a film review - The ULTIMATE guide

August 14th, 2021  |  by maria

A film review sounds easier to write than it is. When tasked with reviewing an audiovisual piece, you realise there is more to it than hitting your keyboard and start writing. A review should give the reader enough info to judge whether or not they will watch the film.

Sounds easy, right? Well, that’s just the tip of the iceberg. The review needs to be detailed enough to provide the relevant info while not being too revealing. In any case, no one wants a spoiler alert. There is a delicate balance of not giving out too much info or plot details or surprises.

How to write a film review - Top tips

Here are our top tips to help you write an in-depth, interesting and most of all structure film review. Let’s check out the tips below!

Start with an outline

An outline gives an overview of how the review will go. The good thing with an outline is it helps give you a good general view of the whole piece.

By writing the outline, you are organising the thoughts and allowing your review to flow. By being organised, you become more efficient and you're able to deliver a catchy film review.

The outline will also help with the accuracy as you’ll know the information to include and leave out unnecessary info.

Writing the overview

Once you’re done with the outline, it’s time to get down to business. When writing the overview, you need to know what the movie or film is all about.

To this end, you need to watch and understand every aspect of the film. At first, you need to watch the movie or film in one sitting.

Here, you need to grasp the general idea of the film. Write whatever you got from the movie and your general reaction to the film, noting the main focus and lessons you think the film wants to pass across.

Watch the film again, this time being keen with every attribute of the film. The main essence of the second time of watching the film is to get the main elements of the film and the story being told.

In your outline, describe how the story is told, know its point of view, and the drama involved in telling the story. For instance, note the twists and turns (or lack of) used in telling the story.

Write down the story’s conclusion, how the conflict was narrated, and how it was resolved. Discuss how the characters went through their experiences and how they brought life to the story.

The technical aspects

You can re-watch the movie for the third time, noting the technical elements of the film. Alternatively, you can note this during the second re-watching period.

Some of the aspects to keep in mind include locations, camera work, lighting, and the general settings of the film. Pay attention to the editing and critique of the post-production work done, including the special effects and sequencing.

When looking at the technical side of the movie, tell of the continuity and rhythm and the blending of different sequencing. Other aspects to include are the film’s cultural standards and historical context and how they were used to tell the story.

Describe how the overall message was delivered. Was it POV, established authority, or emotional appeal?

Writing the review

So, how is it possible to include all that in one review? And additionally, not give spoilers but yet deliver the general synopsis? Break down your review into several sections, which include;

• Basic story outline
• Special effects and editing
• Other interesting aspects of the film that jump out

When it comes to the overview, break it down into several sections, each representing a paragraph. Use the pointers above in each paragraph and describe in as many details as possible. For instance, when writing about the story outline, give a bit about the start and development of the story.

In the other paragraph, describe the character and their acting skills. Did they deliver the story and give life to the scripts and their roles? Words like "ecstatic" and "boring" could be used to describe the actors. It's also wise to compare how the actors faired in this film as compared to other films.

In the last paragraph. Describe the technical side of the film and how the directors used light, locations, and how they edited the film. Did they deliver and give the story the justice it deserved?

In the end, it's better to use a grading system to tell if the movie or film met your expectations as far as the delivery is concerned. Once done, you can summarise the outline and give a detailed but brief review.

We hope you enjoyed this article and don’t miss out on any of our other  blogs ! Sign up to  Filmstro  and follow us on  Twitter ,  Facebook  and subscribe to our  Youtube  channel.

Check out our royalty-free music today by  clicking here.

• Privacy Policy
• Terms and Conditions
• Royalty free music library
• Music Genre
• Video Genre
• Instrumental Palette
• Knowledge Base
• Request music
• Request App Features
• Composer Application
• Educational course licensing
• Student License
• Account Dashboard
• Register YouTube Channel
• Affiliate Program
• Browse Music

WE WANT TO SUPPORT YOU

Power your passion projects with a passive income stream! We pay out an industry record of 50% commission on every new subscriber you send our way. And the best bit? You receive cash for every recurring transaction as well!

Refer once. earn forever., join our affiliate program.

Get 5 FREE Tracks - with 100% unrestricted use - when you sign up to our newsletter today!

Download the free Filmstro App

Take full control of your dynamic Soundtrack and keyframe your music.

• SELECT MONTHLY $14.99/m
• SELECT YEARLY $99/yr -45%

Need a Commercial license for Ads, TV, or Films?

Make professional soundtracks in minutes

• Unlimited use of our award winning soundtrack app
• Unlimited downloads of royalty free music
• Exclusive curated content
• 100% royalty free music
• Worldwide cover - for ever

With a free account you get:

• Unlimited FREE music for personal use incl. monetized YouTube
• Exclusive, high-quality & curated content

Welcome Back

Start creating.

Or continue with email

Forgotten your password?

by clicking “Sign up” you agree to our ToS and Privacy Policy

Do not have an account? Sign up now

Get started for free

No credit card required.

Have an account? Login

Reset your password

Back to Login

Press ESC to close

How to Write a Movie Review: A Step-by-Step Guide with Examples

• backlinkworks
• Writing Articles & Reviews
• October 3, 2023

Introduction

Watching movies is a popular pastime for many individuals. While some enjoy being entertained by the latest releases, others find satisfaction in analyzing and critiquing films. If you fall into the latter category, then writing a movie review can be a rewarding activity. Whether you aspire to become a professional film critic or simply want to share your opinion with others, this step-by-step guide will help you craft a compelling and engaging movie review.

Step 1: Watch the Movie

Before you can write a movie review, you need to watch the film attentively. Take notes while watching, paying attention to the plot, characters, cinematography, acting, and any other elements that stand out. Understanding the movie in its entirety is crucial to providing an informed perspective in your review.

Step 2: Gather Your Thoughts

After watching the film, take some time to gather your thoughts and reflect on your overall impressions. Did you enjoy the movie? What were its strengths and weaknesses? Consider the movie’s themes, messages, and intended audience. Jot down key points to use as the foundation of your review.

Step 3: Start with a Strong Introduction

The introduction sets the tone for your movie review. Begin with a captivating hook that grabs the reader’s attention and provides a brief overview of the film. Offer some context, such as the genre or director, and any interesting background information that adds value to the review. Make sure to state your overall opinion clearly and concisely.

Step 4: Analyze the Plot and Storyline

Provide a detailed analysis of the movie’s plot and storyline. Discuss the main narrative, subplots, and any twists or surprises. Evaluate the pacing, coherence, and depth of the story. Highlight any standout moments or memorable scenes that contribute to the overall narrative experience.

Step 5: Evaluate the Acting and Characters

An important aspect of any movie review is assessing the acting performances and the development of the characters. Discuss the actors’ portrayals, their chemistry, and whether they effectively brought their characters to life. Analyze the characters’ depth, growth, and believability. Give examples to support your claims.

Step 6: Critique the Cinematography and Visuals

The cinematography and visual elements greatly impact a movie’s overall appeal. Evaluate the camera angles, lighting, set design, costumes, and any special effects used. Explain how these choices contribute to the storytelling and enhance the viewer’s experience.

Step 7: Assess the Sound and Music

The sound design and music play a vital role in creating the right atmosphere for a film. Analyze the sound effects, soundtrack, and any background music utilized. Discuss how the audio elements complemented the visuals and enhanced the emotional impact of key scenes.

Step 8: Highlight the Strengths and Weaknesses

In this section, discuss the movie’s strengths and weaknesses. Offer constructive criticism where necessary, but also acknowledge the film’s positive aspects. Be specific and provide examples to support your claims, giving readers a well-rounded perspective of the overall quality of the movie.

Step 9: Conclusion

The conclusion should summarize your main points and provide a final assessment of the film. Reiterate your overall opinion and encourage readers to watch or avoid the movie based on your review. End with a thought-provoking statement or a call-to-action to engage your audience further.

Frequently Asked Questions (FAQs)

1. how long should a movie review be.

A movie review can vary in length, but a typical review ranges from 500 to 1000 words. However, if you feel the need to provide a more in-depth analysis, IT can extend beyond the usual word count.

2. Should I include spoilers in my review?

IT is best to avoid spoilers, as they can ruin the viewing experience for those who haven’t seen the film. If you must discuss specific plot details, clearly indicate spoiler warnings and use HTML tags to hide text, ensuring readers have the option to read or skip the spoilers.

3. How do I maintain objectivity in my review?

While a movie review reflects your personal opinion, try to maintain objectivity by offering balanced arguments and supporting your statements with evidence from the film. Acknowledge that different viewers may have different tastes and perspectives.

4. Is IT necessary to include a rating in my review?

Including a rating is not essential, but IT can provide a quick summary of your overall opinion. You can use a numerical scale, stars, or any other rating system you find suitable. Just ensure you explain the reasoning behind your rating within the body of the review.

5. How can I make my review stand out?

To make your review stand out, write in a clear and engaging style. Incorporate your unique voice and use captivating language to draw readers in. Including relevant screenshots from the movie or embedding a trailer can also enhance the overall appeal of your review.

writing a movie review provides an opportunity to express your thoughts and opinions about a film while helping others make informed decisions about their movie choices. By following this step-by-step guide, you can craft a well-written and insightful review that captures the essence of the movie. Remember to watch the film attentively, gather your thoughts, and provide a balanced assessment of its various elements. With practice, you’ll refine your skills as a movie reviewer and contribute to the world of film criticism.

Understanding the Different Pricing Models of Odoo

How to set up and manage multiple domains in wordpress.

Recent Posts

• Driving Organic Growth: How a Digital SEO Agency Can Drive Traffic to Your Website
• Mastering Local SEO for Web Agencies: Reaching Your Target Market
• The Ultimate Guide to Unlocking Powerful Backlinks for Your Website
• SEO vs. Paid Advertising: Finding the Right Balance for Your Web Marketing Strategy
• Discover the Secret Weapon for Local SEO Success: Local Link Building Services

Popular Posts

Shocking Secret Revealed: How Article PHP ID Can Transform Your Website!

Unlocking the Secrets to Boosting Your Alexa Rank, Google Pagerank, and Domain Age – See How You Can Dominate the Web!

Uncovering the Top Secret Tricks for Mastering SPIP PHP – You Won’t Believe What You’re Missing Out On!

The Ultimate Collection of Free Themes for Google Sites

Discover the Shocking Truth About Your Website’s Ranking – You Won’t Believe What This Checker Reveals!

Explore topics.

• Backlinks (2,425)
• Blog (2,744)
• Computers (5,318)
• Digital Marketing (7,741)
• Internet (6,340)
• Website (4,705)
• Wordpress (4,705)
• Writing Articles & Reviews (4,208)

Breakout English

How to write a film review

Writing a review is an option in many different English language exams, and films are such an obvious choice for reviews, so knowing how to write a film review is pretty important. It’s a great topic for the classroom too. Everyone watches films and there is a lot of opportunity to teach vocabulary, either film-related vocabulary or film review adjectives. I like to start off a class about films with some chat, or my personal favourite, the Movie Music Quiz , which also now has an excellent Movie Picture Quiz version too.

The structure of a film review

Like any writing task, it’s essential to know the structure of a film review before you start writing. A basic film review template shows you how to write a film review using a simple structure. Film reviews for First (FCE) and Advanced (CAE) Cambridge exams, as well as Trinity ISE exams, should all use a 4 paragraph structure. Another thing to remember is that your review should always have a title, and that title should include the name of the film.

• Introduction – Essential details and mini-summary
• Summary – A description of the film and some important details
• Analysis – An evaluation of different elements
• Conclusion – Your opinion and a recommendation

Introduction

In the introduction of a film review, it is crucial to mention the film title and the names of the director and the main actors. A brief summary of the film’s plot and background information can also be included, but it should not give away too much detail. The introduction should engage the reader and entice them to continue reading the review. Additionally, it is important to mention the genre and target audience of the film, which will give the reader an idea of what to expect.

In the summary section, the film review should give a comprehensive but concise description of the film, focusing on the plot, characters, and any significant events. The summary should be written in a way that does not give away the ending or spoil the film for the reader. It is important to maintain objectivity and not include personal opinions in this section. This section should provide enough detail for the reader to have a clear understanding of the film without giving too much away.

The analysis section is where the reviewer can showcase their critical skills and provide an in-depth evaluation of the film. The review should examine various elements of the film such as the script, direction, cinematography, acting, and special effects. You could also make a comparison to similar films in the same genre. The analysis should be written in an objective style with the opinion only showing through the language used.

In the conclusion, the reviewer should give their personal opinion of the film, summarising their thoughts on its strengths and weaknesses. They should also consider the target audience and whether they believe the film will appeal to them. Finally, the reviewer should provide a clear recommendation. The conclusion should be concise, leaving the reader with a clear understanding of the reviewer’s overall opinion of the film.

Using adjectives in reviews

Reviews are a great way to show off your language with impressive adjectives. If you read a film review in a newspaper or magazine, you’ll notice that the reviewer rarely, if ever, gives an explicit direct opinion. However, their opinion of the film is always crystal clear. This is through the use of adjectives.

Many adjectives have a clear connotation. They are either perceived as positive or negative. Compare these two examples. Which one is a positive description and which is negative?

• It’s a first-rate experience with an imaginative plot and a star-studded cast.
• The second-rate writing combined with weak performances is typical of this director’s work.

When using adjectives in a film review, it is important to choose words that accurately convey the reviewer’s opinion. Adjectives with strong connotations, either positive or negative, can be very effective in expressing the reviewer’s thoughts about the film. However, it is also important to use a variety of adjectives to avoid repetition and keep the review interesting. The use of adjectives can also help to paint a picture of the film, allowing the reader to get a sense of its atmosphere and tone.

The materials

Many exams, such as the Cambridge First (FCE) and Advanced (CAE) exams, as well as Trinity ISE exams, require students to write a film review as part of their writing task. These materials will provide students with a solid understanding of the structure of a film review and help them to develop their writing skills. This will give them the confidence they need to write a review that meets the requirements of the exam and impresses the examiner.

The materials will help you learn how to write an introduction, summary, analysis, and conclusion of a film review. You will also see a range of useful adjectives that you can use to express your opinions in their reviews. Finally, you will get an opportunity to practise writing film reviews, which will help you to develop your skills. Then you can check your answers with the samples provided in the answer key. Whether you’re preparing for an exam or just looking to improve your writing skills, these materials will provide you with everything you need to write a great film review.

1 thought on “How to write a film review”

Interesting and useful material to be used in class. thanks!

Comments are closed.

• Writing Style
• How to write …
• Analysis of Speech
• Storytelling
• Career Development

How to Write a Film Review: Preparation, Steps, Examples

• by Anastasiya Yakubovska
• 06.10.2022 10.05.2024
• How to write ...

How to write a film review (true, professional, and comprehensive) and not be limited to the phrase “What a great movie!”? In this article, you will find answers to the next questions:

• How long is a movie review? 
• How many paragraphs does a movie review have? 
• Features of the Film Review 
• Functions of the Movie Review 
• How to Write a Film Review: Preparation for Writing 
• 10 Questions You Need to Answer Before You Start Writing a Movie Review 
• How to Write and Structure a Film Review: Step by Step 

What Is a Film Review?

A film review is a critical judgment or discussion that informs about the release of a new film and contains its analysis, assessment, summary, as well as personal impressions and experiences after watching.

How long is a movie review?

On average, the length of a film review is about 1000 words.

How many paragraphs does a movie review have?

It is recommended that the film review should consist of 5-7 paragraphs.

Read also article “How to Write a Book Review: Step by Step and Examples”.

Features of the Film Review

A film review is a persuasive piece of writing, it has some features as:

• A less formal style of writing. 
• You need to write objectively about the film. 
• But, on the other hand, movie reviews contain personal thoughts and feelings. 
• The film review’s audience is wider and more diverse. 

Movie reviews can be written by two groups of reviewers: professional critics and ordinary consumers. Therefore, the text of the review will differ. In the first case, when the reviewer is a professional critic, he will describe the movie instead of evaluating it. While consumer critics mostly write from a personal perspective. 

What is the main purpose of a film review?

The main purpose of a film review is to inform readers about the film (what can expect from it) and to help them determine if they want to watch the movie. 

Functions of the Movie Review

The film review performs several functions at once: it informs, analyzes, persuades, and entertains. If you can include all of these points in your review, then you will have an excellent result in the end. 

How to Write a Film Review: Preparation for Writing

Writing a review is, of course, a creative process, but you should not forget about the analytical approach to creating a convincing and high-quality text. You must take the work responsibly, which we will do now.

To write a professional film review, you first need to complete the following preparation steps:

• Of course, the first step is to find a film, if it has not been previously chosen by the manager/client/boss. There will be more chances to write a good review if the film was liked by both – film critics and you personally.
• Watch the movie at least 2-3 times. After the first viewing, you will get a general impression of the picture, and try to fully immerse yourself in the atmosphere of the film. Pay attention to the details the next time you watch it: the sound, the actor’s play, the editing, the plot. 
• If you have difficulty understanding the events covered in the film (for example, historical), be sure to find additional information and research the topic.
• If after two viewings you still do not have a final assessment of the film in the form of a brief thesis, watch the film again. You can look at other works of the director who worked on this film, this will help you determine his characteristic style. Also, as an option, you can look at the game of actors in other films (for comparison).
• When watching a movie, take notes: key scenes, interesting plot twists, inconsistencies, details, and quotes. Then, based on them, you can build a review text, and a good quote can become an excellent epigraph.
• Find information about the filming: location, duration, season, details about the filming process, difficulties the production team faced, casting, etc. Such information will make the review more attractive to readers.
• If the film is nominated for awards and prizes, please include this information in your film review. For a potential viewer, such an assessment of the film will be a weighty argument in the direction of -> compulsory viewing.

10 Questions You Need to Answer Before You Start Writing a Movie Review

• Does the film split into multiple parts? A sequel, prequel, or one of the movie series? 
• What is the film genre (action, comedy, historical, drama, fantasy, Western, political, thriller, gangster, horror, tragicomedy, romance, sports, mystery, science fiction)? Is the movie based on real or fictional events?
• Did the screenplay writer create an exciting plot?
• Is the rhythm of the film slow and quiet, heavy and static, or chaotic and frantic?
• What is the film’s rating according to the MPAA? ( G – General Audiences. All ages admitted. PG – Parental Guidance Suggested. PG-13 – Parents Strongly Cautioned. R – Restricted. Under 17 requires an accompanying parent or adult guardian. NC-17 – Adults Only.) 
• Are there any films with a similar/same theme? Sometimes it is worth mentioning some of them in a review, as a comparison.
• How can you characterize the work of a cinematographer? How accurately are the most expressive compositional, lighting solutions, as well as camera angles, selected and embodied?
• Is the film entertaining or covers a serious themes?
• Was the casting successful? Did all the actors cope with their roles?
• Is the atmosphere of the film tense, mysterious, sinister, relaxed, or romantic?

The answers to all of the above questions will help you understand how to write a film review, and above all, create a draft version of your future review. But, of course, this is not enough for the final result.

How to Write and Structure a Film Review: Step by Step

Writing a film review is a long and complicated process. Therefore, it is better to break it down into stages and move step by step. This will help you not to get lost and not get confused in the details.

• The catchy introduction.

The introductory part of the review should contain important information about the film: title, director, release date, and genre. 

You can mention nominations and awards, as well as indicate the box office (if the numbers are impressive) and the cast. 

In addition to “technical” aspects and a simple presentation of the plot, it is necessary to express your impression of the film in the form of a thesis, for example, to tell:

• about the connection of the film’s central idea with current events and social problems;
• about the similarity of the film’s plot with a personal life situation, personal experience, and feelings;
• about the connection of technical elements (lighting, sound, editing) with the theme of the film.

2. Pass the verdict.

Do not torment the reader and express your opinion about the film in the first paragraphs of the review.

You should not leave all the most interesting “for later”. If you decide to give a final assessment of the film at the end of the review, what are the chances that the reader will read to this end?

3. Write a summary of the plot.

Choose 4-5 main events.

Avoid the film’s ending and spoilers. Keep the intrigue. If you want to spoil and share an unusual story development, warn the reader about this.

4. Bring the feelings.

In addition to presenting the plot of the film, you should add emotions to the text of the review and show what you felt while watching it.

5. Define the main purpose of the movie. 

Perhaps the film’s purpose is hidden in its plot. Or maybe the film does not pretend to solve global problems at all. Perhaps the film is entertaining, and this is its advantage – it is relaxed and simple.

Sometimes the main idea of a serious and deep film can be found in an interview with a film crew, a screenwriter, or a director.

6. Add some details of the filmmaking process. 

It is important to know the measure and not to overdo it with the terminology. Here’s what you can write about:

• Cinematography: visual mood, lighting elements, shot sizes and widths, camera angles, etc. 
• Sound. The main goal is to create the necessary atmosphere in the film. Sound in movies includes music, dialogue, sound effects, ambient noise, background noise, and soundtracks. 
• Editing is the creation of a finished motion picture from many shot scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors’ performances to effectively “re-imagine” and even rewrite the film to craft a cohesive whole.
• Mise-en-scène (from French – placement on the stage) is the mutual arrangement of the actors and their environment on the set, natural or pavilion. Mise-en-scene includes landscapes, visual effects, the psychological state of the characters, etc.

7. The deep meaning.

You may be able to spot specific symbolic items, repetitive moments, or key phrases that give depth to the film.

8. Give examples.

It is not enough to say “ an excellent game of actors ”. Explain what exactly caught your attention (appearance, facial expressions, costumes, or movements of the actor). 

9. A convincing conclusion.

Write about the moments in the film that made the biggest impression on you. Share a recommendation. To whom and why do you advise to watch this movie?

10. Reread the review text several times .

Edit, and correct mistakes that can spoil the impression even from a professionally written film review.

Examples of Film Reviews

To consolidate the received information, let’s move from theory to practice. Below are two examples of film reviews.

Apocalypse Now

Review by Roger Ebert

Francis Ford Coppola’s film “Apocalypse Now” was inspired by Heart of Darkness, a novel by Joseph Conrad about a European named Kurtz who penetrated to the farthest reaches of the Congo and established himself like a god. A boat sets out to find him, and on the journey the narrator gradually loses confidence in orderly civilization; he is oppressed by the great weight of the jungle all around him, a pitiless Darwinian testing ground in which each living thing tries every day not to be eaten.

What is found at the end of the journey is not Kurtz so much as what Kurtz found: that all of our days and ways are a fragile structure perched uneasily atop the hungry jaws of nature that will thoughtlessly devour us. A happy life is a daily reprieve from this knowledge.

A week ago I was in Calcutta, where I saw mile upon square mile of squatter camps in which hundreds of thousands live generation after generation in leaky huts of plastic, cardboard and scrap metal, in poverty so absolute it is impossible to see any hope of escape. I do not mean to equate the misery of those hopeless people with a movie; that would be indecent. But I was deeply shaken by what I saw, and realized how precious and precarious is a happy life. And in such a mood I watched “Apocalypse Now” and came to the scene where Col. Kurtz (Marlon Brando) tells Capt. Willard (Martin Sheen) about “the horror.”

Kurtz is a decorated hero, one of the best soldiers in the Army, who has created a jungle sanctuary upriver inside enemy territory, and rules Montagnard tribesmen as his private army. He tells Willard about a day when his Special Forces men inoculated the children of a village against polio: “This old man came running after us and he was crying, he couldn’t see. We went back there, and they had come and hacked off every inoculated arm. There they were in a pile, a pile of little arms. . . .”

What Kurtz learned is that the Viet Cong were willing to go to greater lengths to win: “Then I realized they were stronger than we. They have the strength, the strength to do that. If I had 10 divisions of those men, then our troubles here would be over very quickly. You have to have men who are moral and at the same time who are able to utilize their primordial instincts to kill without feeling, without passion, without judgment.” This is the “horror” that Kurtz has found, and it threatens to envelop Willard, too.

The whole movie is a journey toward Willard’s understanding of how Kurtz, one of the Army’s best soldiers, penetrated the reality of war to such a depth that he could not look any longer without madness and despair.

The film has one of the most haunting endings in cinema, a poetic evocation of what Kurtz has discovered, and what we hope not to discover for ourselves. The river journey creates enormous anticipation about Kurtz, and Brando fulfills it. When the film was released in 1979, his casting was criticized and his enormous paycheck of $1 million was much discussed, but it’s clear he was the correct choice, not only because of his stature as an icon, but because of his voice, which enters the film from darkness or half-light, repeating the words of T.S. Eliot’s despairing “The Hollow Men.” That voice sets the final tone of the film.

Film review: example

Diana biopic Spencer wobbles between the bold and the bad

By Nicholas Barber

You may feel that you’ve had enough of Princess Diana’s story on the big and small screens, what with Naomi Watts taking the role in Oliver Hirschbiegel’s awful Diana in 2013, and then Emma Corrin playing her in the most recent season of The Crown, with the mantel set to be passed in Elizabeth Debicki in the next run. But, to give it its due, Pablo Larraín’s Spencer marks the only time the People’s Princess has been shown delivering a lecture on Anne Boleyn to an old coat that she has just stolen off a scarecrow, and then having a chat with the ghost of Boleyn herself shortly afterwards. The Chilean director doesn’t go in for conventional biopics, as anyone who has seen Jackie (starring Natalie Portman) or Neruda will know. And here again he has gone for a surreal portrait of his iconic subject. The snag is that his experimental art house spirit keeps bumping up against the naffness and the familiarity of British films set in stately homes, so his psychodrama ends up being both ground-breaking and rib-tickling.

It’s set over three days in 1991, from Christmas Eve to Boxing Day, at Sandringham House in Norfolk. The rest of the Royal Family has arrived for their holiday in a fleet of chauffeur-driven cars, but Diana (Kristen Stewart) rocks up on her own in a Porsche convertible, having taken a detour to visit the aforementioned scarecrow: her dilapidated childhood home, from the days when she was Lady Diana Spencer, is a field or two away from Sandringham. Her late arrival concerns the sympathetic head chef (Sean Harris) and bothers the Scottish army veteran (Timothy Spall) who has the job of ensuring that everything goes the way the Queen wants it to. Her Majesty’s insufferable Christmas traditions include weighing all the guests when they arrive and when they leave to ensure that they’ve been sufficiently gluttonous. But Diana is in no mood for festive japes. Her Christmas present from Charles (Jack Farthing) – a necklace with pearls the size of golf balls – is identical to the one he has given his mistress. And the whisper in the servants’ quarters is that the Princess is “cracking up”. The filmmakers apparently agree.

Steering away from the same territory as The Crown, Larraín and Knight don’t fill the film with awkward meals and heated arguments (although there are one of each of those). Prince Charles does some grumbling, but the Queen has hardly any lines and Prince Philip has none: they are closer to menacing waxworks than people. For most of the time, Diana is either talking to her young sons, her trusted personal dresser (Sally Hawkins) or to herself. It’s interesting, this lack of dramatic conflict and discernible plot, but it can leave the film seeming as listless and purposeless as Larraín’s Diana herself. Her favourite occupation is to wander around the estate until she finds something that has an ominous symbolic connection to her, and then make an unconvincing speech about it. Ah, pheasants! So beautiful, yet bred to be killed!

Stewart is such inspired casting that she makes all this eccentric nonsense watchable. She’s been practising Diana’s signature moves for years – dipped head, hunched shoulders – and she certainly knows what it’s like to put up with intrusive tabloid photographers. She also looks suitably fabulous in the many outfits that Diana is required to wear over the long weekend. And unlike Watts’s performance in 2013, hers doesn’t seem distractingly like an impersonation. Mind you, she delivers all her lines in little bursts of hissing whispers, so if you don’t see it with English subtitles, as its first audiences did at the Venice Film Festival, you might not understand more than half of what she says.

The effect is a bit odd, but there are lots of odd things in the film, not least the tone and the pacing, which lurch around like someone who’s had too much after-dinner port. Between Jonny Greenwood’s squalling jazz soundtrack, the hallucinations, and the blush-making sexual confessions, Spencer is a folly that wobbles between the bold and the bad, the disturbingly gothic and the just plain silly. In some scenes, it’s heart-rending in its depiction of Diana’s self-harm and bulimia. In others, it’s almost as risible as the Diana biopic from 2013, and that’s saying something. I didn’t know any more about Diana afterwards than I did beforehand, but I can’t say I didn’t enjoy it. This is a film that echoes The Shining at the start and 2001: A Space Odyssey at the end. The Crown Christmas Special it ain’t.

Sources of information: 

• “The Film Analysis Handbook” by Thomas Caldwell. 
• https://payforwriting.com/writing/creating-review/how-to-write-movie-review
• www.mtsu.edu
• www.sciencedirect.com/science
• Image:   freepik.com
• Poster from the film Apocalypse Now

How useful was this post?

Click on a star to rate it!

Average rating 5 / 5. Vote count: 5

No votes so far! Be the first to rate this post.

10 Movie Review Examples That Will Help You Write Better Reviews

Studying movie review examples is a great place to start if you’re looking for inspiration for your own movie reviews. 

This article has gathered different kinds of movie review examples that will help you write better and more insightful reviews in whatever style you choose.

There is an overwhelming library of movie reviews to sift through, but having studied many reviews by Pulitzer Prize-winning film critics along with your average movie review articles published online, I’ve been able to find a few movie reviews that provide a great template for crafting a review of your own.

10 Detailed Movie Review Examples

The Classic Movie Review

A classic movie review example has a neat structure that clearly communicates the author’s sentiment toward the film in a clean, straightforward manner.

Roger Ebert’s review of North is the perfect example of that.

1. “North” by Roger Ebert

This review starts with a catchy hook, making readers curious for Ebert to elaborate on his statements.

“I have no idea why Rob Reiner, or anyone else, wanted to make this story into a movie, and close examination of the film itself is no help.”

The opening sentence of this movie review example makes it clear to the audience that Ebert did not enjoy the film in question and if they would like to know why, they are encouraged to continue reading.

The whole first paragraph is chock full of strong adjectives setting the tone for the scathing critique this film is about to get.

Moving on to the next paragraph of this movie review example, Ebert gives a quick synopsis of what this film is about, filling the audience in on the story in case they’re unaware.

“He [Elijah Wood] plays a kid with inattentive parents, who decides to go into court, free himself of them, and go on a worldwide search for nicer parents.”

Following the paragraph summarizing the main plot of the film, the movie review dives straight into the critique explaining why this film garnered the strong adjectives it received in the opening paragraph:

“This idea is deeply flawed. Children do not lightly separate from their parents – and certainly not on the evidence provided here, where the great parental sin is not paying attention to their kid at the dinner table.”

In this movie review example, Ebert dives deep into the oddities of the narrative and what makes it so unbelievable.

He questions the director’s decisions and the plot’s direction as well in these middle paragraphs:

“What is the point of the scenes with the auditioning parents?… They are not funny. They are not touching. There is no truth in them.”

Ebert uses the middle paragraphs to dissect what does not work in the film.

In the final paragraphs of this movie review example, Ebert closes out by reiterating his sentiments towards the film, giving readers a good idea of whether the movie would be something he would recommend others watch.

“I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it.”

“‘North’ is a bad film – one of the worst movies ever made.”

After reading Ebert’s movie review example there is no question of whether he liked the movie or not. I don’t know, he might’ve even mentioned hating it at one point…

And he makes it clear what plot and artistic choices played into his final assessment of the film.

Would you whip out your cash to experience the movie North after reading a review like this?

With this straightforward, informative, evidence-supported review, there is no confusion about the perceived quality of this film.

READ THE FULL REVIEW OF NORTH BY ROGER EBERT

The Real World Parallel Review

A movie review that can parallel the events occurring within the movie with events occurring outside of the movie shows a deeper level of critical thinking.

This is one of the movie review examples that truly exemplifies a deep critical thinker.

2. “The Flash” by Justin Chang

This movie review example starts right away with a brief synopsis of what the movie, The Flash, is about.

“‘The Flash’ is a time-travel story and a cautionary tale, a warning of how dangerous it can be to change the past or mess around with alternate realities.”

Same as with the classic movie review, this reviewer also hints at his overall sentiments towards the film.

“…this initially enjoyable, increasingly sloppy megabucks mess…”

This review, unlike the classic movie review, spends more time following the plot of the story through a biased lens, further walking readers through the details of the story.

“He gets stuck in the past and… winds up unwisely joining forces with a teenage version of himself (also Miller, with floppier hair), who’s had a much happier childhood but doesn’t (yet) have the Flash’s superheroic powers.”

After indirectly criticizing the CGI and praising the main actor’s performance, Chang gets into his main criticism of the review: the popular trend of reintroducing old versions of superheroes into new superhero movies.

“Really, though, is nostalgia that satisfying anymore?”

And it’s really this last sentence of the movie review example that ties this compelling thought together, not only concluding the movie but drawing a parallel to how the movie creators are perpetrators of the same mistake that the movie’s main character made.

“Lost in an endless game of IP-reshuffling musical chairs, Barry realizes, possibly too late, the futility of dwelling on the past — a fatuous lesson from a movie that can’t stop doing the same.”

READ THE FULL REVIEW OF THE FLASH BY JUSTIN CHANG

3. “Bonnie and Clyde” by Roger Ebert

Another great movie review example, using a movie as a sense of societal self-reflection, is Roger Ebert’s review of Bonnie and Clyde . The final sentences of the review say:

“‘Bonnie and Clyde’ will be seen as the definitive film of the 1960s, showing with sadness, humor, and unforgiving detail what one society had come to… it was made now and it’s about us.”

READ THE FULL REVIEW OF Bonnie and Clyde BY Roger Ebert

4. “Black Panther” by Soraya Nadia McDonald

Yet another movie review example is this Black Panther review by Soraya Nadia McDonald.

The whole review deep dives into the cultural context of the movie and its timeliness or lack thereof.

“Honestly, the worst thing about Black Panther is that it had to be released in 2018 and not during the term of America’s first black president.”

This movie review example walks through the narrative praising the film’s actors, director, and cinematographer before ending on the note of its cultural relevance.

“Perhaps it’s even capable, just as The Birth of a Nation once was, of helping to steer an entire national conversation.”

READ THE FULL REVIEW OF Black Panther BY Soraya Nadia McDonald

The Storytelling Movie Review

If you have a story of your own that you can parallel with the movie’s story, then connecting the movie’s narrative with your own is a particularly entertaining way to craft your review.

Instead of comparing the film to society as a whole, the following storytelling movie review examples compare the movie to specific stories they pull from their personal life.

5. “The Help” by Wesley Morris

One of my favorite reviews by Pulitzer prize-winning Wesley Morris is written in this style, drawing readers in with his own personal story:

“Three summers ago, I went to visit a friend in West Texas.”

“What happened in Texas?”, readers wonder as we curiously continue reading.

After 3 engaging paragraphs narrating a strange, racial encounter in Texas, Morris introduces the movie, The Help .

“This pretty much captures the cognitive dissonance of watching “The Help’’: One woman’s mammy is another man’s mother.”

The following paragraph gives a synopsis of the film and introduces the audience to the main characters:

“Meanwhile, the heart of the film itself belongs to Aibileen Clark (Viola Davis) and Minny Jackson (Octavia Spencer), the two very different maids and best friends at the center of the story.”

The center of this movie review example narrates the happenings of the movie from a biased point of view before presenting some debate points about the movie’s approach to race relations.

“‘The Help’ joins everything from “To Kill a Mockingbird’’ to “The Blind Side’’ as another Hollywood movie that sees racial progress as the province of white do-gooderism.”

Morris then praises the actors’ performances in this very character-based film but is unable to shake the social weight of the casting that this film requires:

“And yet here’s the question you ask as you watch a black actor in 2011 play a white lady’s maid, decades and decades after that was the only job a black woman in Hollywood could get. What went through the minds of Davis, Spencer, and Aunjanue Ellis, who plays Hilly’s maid, as they put on those uniforms and went to work?”

Morris finishes off the review sure to reference the personal story that he introduced in the beginning before leaving the reader with something to ponder.

“These are strong figures, as that restaurant owner might sincerely say, but couldn’t they be strong doing something else?”

Morris’s final statements in this movie review example make it clear his assessment of the film’s quality is good but its messaging is questionable, allowing the audience to make a judgment on whether they’d like to see the film for themselves.

“On one hand, it’s juicy, heartwarming, well-meant entertainment. On the other, it’s an owner’s manual.”

READ THE FULL REVIEW OF THE HELP BY WESLEY MORRIS

6. “Me Without You” by Stephen Hunter

This movie review example also tells a story although it’s not personal.

Instead of starting by talking about the movie or talking about himself, Hunter begins the review like a novel. With an untethered phrase that needs further explanation.

“Friendship isn’t rocket science. It’s much harder.”

He then lists out all of the complexities of trying to maintain a friendship, painting a picture to support his point.

“Oh, yeah, it’s easy to say just be loyal and true and that makes you a good friend. But suppose the other person does something that really irks you, like chew gum or vote Democratic?”

Hunter doesn’t leave you hanging for too long before segueing into how this thought point relates to the film.

“And that thorniness, that dark underbelly of it, is the gist of the acerbic British import ‘Me Without You…'”

As usual, a sign of good storytelling, he finishes this movie review example with his full-circle concluding statement on friendship.

“But the truth is, of course, that friendship matters to those of us who still claim membership in the human race…”

READ THE FULL REVIEW OF ME WITHOUT YOU BY STEPHEN HUNTER (Under the title: ‘Me’: Friendship as Relationship)

The Unconventional Movie Review

A less common but creative and fun way to approach a movie review is to approach it from a different angle or point of view. To write it in a way that’s unexpected.

7. “ET” by Roger Ebert

In another movie review example from Roger Ebert, instead of approaching this review traditionally, Ebert rather writes the review as a letter to his grandchildren.

Rather than addressing the readers, he addresses his grandchildren in his movie review:

“Dear Raven and Emil: Sunday we sat on the big green couch and watched “E.T. The Extra-Terrestrial” together with your mommy and daddy.”

After noting how his grandchildren reacted to climactic parts of the film, Ebert recounts the events of the movie, ET, continuing to include his grandchildren’s remarks and reactions.

“The camera watches Elliott moving around. And Raven, that’s when you asked me, “Is this E.T.’s vision?” And I said, yes, we were seeing everything now from E.T.’s point of view.”

Ebert uses this opportunity to make a simplified analysis of the director’s use of POV in the movie, praising the film’s direction without losing the context of a grandfather’s letter.

“Some other filmmaker who wasn’t so good might have had subtitles saying, “E.T.? Are you out there? It’s Mommy!” But that would have been dumb.”

Ebert ends this movie review example like anyone would end a letter, with good wishes and a signature.

“Well, that’s it for this letter. We had a great weekend, kids. I was proud of how brave you both were during your first pony rides. And proud of what good movie critics you are, too. Love, Grandpa Roger”

The average person has a 7-8th grade reading level, so a simple letter like this, is not only cute, creative, and endearing but it’s incredibly easy to read and understand the critic’s assessment of the movie.

READ THE FULL REVIEW OF ET BY Roger Ebert

8. “Spider-Man Into the Spider-Verse” by IMO Flicks

Another unconventional movie review example is one that I wrote for this blog website.

Instead of writing from my point of view, I decided to write from the point of view of an out-of-touch grandma, someone who may not have the background knowledge to really understand and appreciate the film.

I approached the film this way because I was tired of reviewing Marvel Superhero films but the thought of writing it as an out-of-touch grandma made the review so much more fun and less pressure-filled, even if it’s really not the most straightforward or informational read.

The review does not include a clear synopsis and the critiques of the film waver between genuine observations and areas that the grandma misunderstood.

It was a blast to write.

The grandmother writer uses the remarks of her grandchildren as a voice of reason for the film.

“My granddaughter told me to rate this spider film [ Spider-Man: Across the Spider-Verse ] out of 10 points. I initially wanted to give it 4 points out of 10… Apparently, my grandchildren think this rating is ridiculous. One of my grandsons almost threw a chair. He gave the film a 200/10, claiming it’s one of the best films he’s ever seen.”

This sort of review may not be as befitting for a serious homework assignment but if there’s space to think outside the box, I say go for it.

READ THE FULL REVIEW OF Spider-Man: Across the Spider-Verse

The Self-Aware Review

Similar to the unconventional movie review, but not quite as unconventional, these movie review examples are self-aware of their influential power. It breaks the fourth wall of movie reviews so to speak.

9. “Manchester By the Sea” by Ty Burr

This movie review example of Manchester By the Sea wants to encourage you to watch the movie but doesn’t want your expectations so high that you don’t experience the same subtle unexpected magic that the movie works on viewers.

Burr explains this in the first paragraph:

“Nothing destroys an audience’s appreciation of a small good movie like advance praise.”

Careful to not ruin the audience’s expectations, Burr goes on to begin every following paragraph with a phrase that denies all of the critiques that follow.

“So I won’t tell you that I’ve seen “Manchester by the Sea” twice now and both times felt haunted for weeks.”

“I won’t bother you with how the movie stands as a soul-satisfying comeback for its maker…”

“I could say, but I won’t, that we’ve all seen too many movies in which a lost soul comes out of his shell and rejoins the human race after he inherits a kid from a dead relative.”

The entire center of the film covers the movie in a way that says, “You didn’t see me. I was never here.” Good and well knowing that people are going to be more curious about this film and expect it to be as fantastic as Burr says.

But don’t worry, Burr accounts for this “undesired” outcome that he had been trying to avoid from the beginning with this closing paragraph.

“If I do tell you all this, forget I ever did. Just remember you heard somewhere that “Manchester by the Sea” is an experience worth having…”

READ THE FULL REVIEW OF MANCHESTER BY THE SEA BY TY BURR (Under the title: A Shore Thing)

10. “Mark Kermode” by Mamma Mia

Kermode’s review of Mama Mia takes his self-awareness in a different direction where he personally loves the movie Mama Mia and is not afraid of letting the world know it.

In fact, the movie has brought something to life in him as a movie critic.

“One minute I was a miserable critic; the next, everything had gone pink and fluffy.”

Kermode continues the movie review example, touching on the actor’s performances, the director’s execution of the film, and the soundtrack before returning to how the film affected him as a critic.

“I feel duty-bound to report that I came out of the screening an utter wreck.”

Further aware that as a serious critic, he probably shouldn’t like this film as much as he did, he lets his guard down and leans into the wonder of the film.

“I have certainly mellowed, and perhaps my critical faculties have withered and died. But I simply can’t imagine how Mamma Mia! Here We Go Again could be any better than it is.”

The self-aware review speaks to the readers as a friend rather than as a removed source of movie information.

A lot of the time, this personal voice can be merged with other review styles as well.

READ THE FULL REVIEW OF Mamma Mia by Mark Kermode

Common Questions

How to write a movie review.

To write a movie review you would need to watch the movie and take good notes, then you would craft an attention-hooking introduction, a few center paragraphs explaining your critiques of the film, before concluding on whether you’d recommend the film or not. This article breaks down the 10 steps to writing a movie review effortlessly .

What should a good movie review include?

A good movie review should include a synopsis of the film, a clear stance on whether the film was good or not, including why or why not, and a conclusion that makes it clear whether the critic would recommend others to watch the film or not.

What is the best movie review for students?

The best movie review example for students would be the classic movie review because it’s straightforward and the easiest to follow and grade.

In Conclusion…

There are so many movie review examples to choose from but the majority can fall into one of these 5 groups: the classic movie review, the real-world parallel, the storytelling review, the unconventional review, and the self-aware review.

If you would like to view 50 more outstanding movie review examples , I’ve grouped some here in a shared Word document available for free!

I hope this article was able to provide some movie review examples to help you craft your own. Happy movie reviewing!

What’s your favorite movie review example? Let me know in the comments below!

And be sure to subscribe for the latest blog updates (form in sidebar).

Peace, love, and lots of popcorn,

When I'm not over-analyzing movies, I'm eating chocolate, belting my favorite songs, and binge-watching reality dating shows. Feel free to share your opinions with me and follow me through my social links!

Enjoy this blog? Please spread the word 🙂

• Share on Tumblr

You May Also Like

You Are So Not Invited to My Bat Mitzvah Film is Pretty Basic

‘Piece of Me’: An Informative Movie Too Pure for This World

Good Luck to You Leo Grande Analysis | Sex Work and Intimacy

Leave a reply cancel reply.

Your email address will not be published. Required fields are marked *

Notify me of follow-up comments by email.

Notify me of new posts by email.

How to Write a Movie Review and Where to Get Help

The first thing you do after watching a movie is to go online and write a comment about it. Comments about movies are usually posted on social media profiles or public pages, review sites, blogs, among other platforms. You can make the process easier with tools available online.

Writing a movie review is a common assignment that students have to do in high school and college. Even though it may seem simple, movie reviews require time and proper organization. It’s not just about writing what happens on the screen, the review goes deeper than that.

Movie Review Purpose

The main purpose of a movie review is to inform the reader about the film and its ideas. Seems simple, right? Reporting all events that happen and stating one’s opinion about them is a common mistake that many students make. While movie review allows writers to express their opinions about some film or documentary, there is also the need for the unbiased and objective approach. An ideal review combines both.

The review determines whether someone will want to see the movie. Even if the professor (or teacher) assigned a specific title and film to review, one should act like this is the perfect opportunity to introduce the cinematography work to their lecturer. Always assume they haven’t seen it before. As a result, it becomes easier to analyze events that happened on the screen.

Film review should be detailed enough to provide assistance in making an honest decision i.e. whether the reader wants to see it or if they’d like it. Why is this type of paper a common school assignment? Lecturers want to get more insight into a student’s critical thinking skills and the ability to report event (one or more of them) in a manner that others understand easily.

In addition, they want to assess the way you analyze plot and characters. After all, movie reviews also involve the analysis of events that happened in a documentary or “regular” film. Reviews test writing and vocabulary skills, adapting to different genres and events they portray, and your capacity to sum up some major work and report it in a cohesive, logical, and interesting manner.

While reviews entail more responsibility than initially thought, students find them fun and with this guide, you will too.

How to Write a Good Movie Review

You have to write a movie review for school and now what? Where to start, how to make it look more “academic”? Today, we have the opportunity to use numerous tools to make every part of our lives easier, and movie review writing isn’t the exception. Throughout this tutorial, you’ll learn how to compose a report about some film and what tools to use to simplify the process.

Step-by-Step Guide to How to Write a Movie Review

Beginnings are always the hardest. This is the point where you set the pace and determine how to approach this assignment in the most efficient manner. Here are some useful tips to kick-start the movie review writing process:

• Watch the movie or documentary twice and take notes of both major and minor events and characters. It’s a mistake to rely on the power of your memory only, there’s always something we overlook or forget
• Carry out a thorough research . Watching the movie isn’t enough, research is equally important. Look for details such as the name of filmmaker and his/her motivation to make that film or documentary work, locations, plot, characterization, historic events that served as an inspiration for the movie (if applicable). Basically, your research should serve to collect information that provides more depth to the review
• Analyze the movie after you watching it . Don’t start working on the review if you aren’t sure you understand the film. Evaluate the movie from beginning to an end. Re-watch it, if necessary, if you find some parts confusing. Only when you understand events that happened on the screen will you find it easier to create the review
• Draft an outline that you will follow to write the review in a concise and cohesive fashion
• Include examples for claims you make about the movie. If the plot has holes, then mention an example of a situation or scene when that was evident. Also, if the character(s) is poorly developed or bad casting affected the movie quality, name examples too. Provide examples when commenting dialogues, locations, plot, everything. If you want the reader to agree with you, it’s essential to back up your claims with evidence. You don’t want to make it seem like you’re praising or criticizing the movie without any reason whatsoever
• Consider and comment a movie’s originality and quality of scenes . Explain how the movie stands out or whether it just uses the same approach that worked for previous works in the industry

How to Organize Your Movie Review

Quality of your paper depends on the level of organization you implement. Never underestimate the importance of well-structured outline, regardless of the type of paper you have to write. Outlines help you focus on the subject and contribute to a logical flow.

In addition, getting things organized before you start writing is a great way to save time later on. Instead of trying to figure out what to include, you’ll have a well-structured plan to follow. It’s needless to mention you won’t be too stressed out. Here’s how to organize your movie review:

• Introduction (with title, release date, background information)
• Summary of the story
• Analysis of the plot elements (rising action, climax)
• Creative elements (dialogues, characters, use of colors, camera techniques, mood, tone, symbols, costumes or anything that contributes or takes away from the overall plot)
• Opinion (supported with examples and facts from the story)
• Conclusion (announcing whether the filmmaker was successful in his/her purpose, re-state your evidence, explain how the motion picture was helpful for providing a deeper understand of course topic)

Movie Review Elements

• The title of the film/documentary – just because your headline features the name of the movie or documentary it doesn’t mean should skip mentioning it in the text. Always name the feature you’ve watched in the introductory paragraph. This may seem like a stupid thing to point out, but it’s one of the most common mistakes that students make
• Summary – the whole point of the review is to summarize the documentary or movie for people who haven’t watched it yet. To make this as effective as possible, always assume that your professor hasn’t seen it either (as mentioned above). Why is this important? You won’t leave out some important details thinking he/she watched it already so they won’t bother. As a reviewer, your job is to explain what happened in the film and express whether the filmmaker failed or succeeded. Again, saying you liked or disliked it isn’t a viable comment. Your opinion has to be supported by specific reasons and examples from the feature itself
• Filmmaker – do a little research on the person who directed the piece. Is that person a controversial figure? Is he/she known for a political stance? Does the filmmaker have a significant background? Devote a paragraph or two to the person behind the movie and their other works in order to establish the significance of the film you are reviewing for the director’s career
• Significance to your class – How does the content of the documentary or film fit into your course topic? Is it important for historical accuracy? If you are watching the motion picture for history class, make note of over-dramatization. If the motion picture is based on the book you’ve analyzed in English class, you can mention similarities, differences, or some elements that film contains, but book doesn’t and so on
• Creative elements – filmmakers work hard to include creative elements into their motion pictures. How are these elements important to the plot and movie in general? For example, costumes can either enhance the movie or betray its intent. Colors can be vivid and lift the atmosphere or mood in the movie or they can be dull and make it seem depressing. Good sound effects enrich the viewing experience while bad ones only destroy everything. Moreover, camera movements and angles also add elements to the story. Take notes of symbols in the story, if any.
• Actors – let’s not forget the casting! Were the actors realistic? Did they portray the role of a specific character successfully? Did they have good acting skills? Do you believe that some particular actor was the right fit for the role?

Checklist / Outline for a Good Movie Review

• Introduction (title, topic, release date, background information)
• Accuracy of depiction
• Use of sources in the documentary
• Creative elements that enhance or tarnish the overall story (quality of script, visual design, performance, lighting, hair, and makeup, costume, set design, symbolism)
• Your opinion

Mistakes to Avoid

• Not focusing on the film – while connecting the plot to some specific historical event is a good idea (when applicable), strive to avoid writing about unnecessary details or introducing irrelevant information such as the history of cinematography or that particular genre, snacks, among other things
• Inserting yourself – you’re the one who’s writing the review. The paper reflects your understanding and opinion of the motion picture you’ve seen and there is no need to write in first person all the time: I noticed this, I saw that I liked this, I disliked that
• Failing to check facts about movie background and release date, director, casting etc.
• Giving out your opinion without mentioning any reason why you think that way
• Talking about irrelevancies
• Writing a review without a structure
• Writing generalities such as great acting, cool effects, a good movie, it was bad etc.
• Writing a review without substance or analysis of the feature

Finished papers

Customer reviews

Movie Review Examples

• The Hunger Games and the idea of dystopia
• Mean Girls review: does it exploit stereotypes about high schools or it helps to undermine them?
• The Martian review and its connection to Daniel Defoe’s Robinson Crusoe
• The Last Jedi review: all the reasons it’s far from the original saga
• Manchester by the sea and ideas of forgiveness and grief
• Forrest Gump review
• I am Sam review
• Runaway Bride review and its role in modern understanding of marriage

Movie Review Help

Like other types of writing, movie reviews require patience and time. Being a student isn’t the easiest task in the world and you don’t have enough time to dedicate to one assignment only while neglecting others. There’s no need to despair; you can use the internet to get much-needed assistance with this assignment. Here’s how:

By Markers Expectations / Rubrics

Clear Organization – as stated above, the clear organization is vital for a well-structured movie review. You can use the Edusson website as a guide through this process via numerous posts about writing, self-help resources, and Essay Examples that serves as an excellent platform to sharpen writing skills and compose your paper.

RobotDon Essay Checker  platform proves to be handy when you complete the writing process and want to make sure it’s unique, without fluff and wateriness, repetitive words and expressions.

Let’s not fort that you can hire an essay writer  who will write a perfect review for you.

Use of Sources – just because it’s movie review, it doesn’t mean you should avoid using sources to support your claims. Sources are particularly important for reviews of documentaries or when you’re trying to connect the review with some problem in society. Research requires more time than any other part of the process and you can easily hire a professional i.e. a helper who will do that for you

Opinion – a movie review is about the equilibrium of unbiased report and personal opinion. While it’s okay to say what you think about the movie, you also have to approach certain aspects in an objective manner to help the reader get a better understanding of the motion picture. Finding the balance between subjective and objective writing can be frustrating, which is why professional service comes handy. All you have to do is to provide title, information, your opinion and a pro writer takes it from there

Essay Writing Service – there is no need to be stressed out because you have a ton of work to do when professional writer service can write movie review easily. Services like Edusson are used by students who can’t keep up with constant demands in school or college, but they don’t want to jeopardize their grades. With over 1000 writers, Edusson is a perfect assignment writing service . You have the full control of the project through set deadlines, choosing the writer for this task etc.

Essay Editing Service – sometimes students don’t need help with the writing process, but they need someone to edit it. Don’t ask your friends and family members to do it for you, hire professionals. Improve your paper. Raise your grades! Editors and proofreaders from Edusson correct grammar, spelling, syntax, punctuation mistakes, check the style, formatting, organization and other aspects of your work to boost its quality. You can also use RobotDon to edit an essay on your own.

Movie Review FAQ

Do I have to write a movie review in a certain formatting style? Everything depends on the instructions your teacher gives you. It often happens that a movie review can be free of academic formatting. But don’t exclude the possibility that you will have to complete this paper in MLA or get task writing a paper in APA .

Can I copy an existing movie review? Well, of course, it is important to look at examples of other movie reviews to get to know the structure and ways of ideas expressing better. But if you copy a film review directly from the other source, your curator will detect plagiarism in it.

My major is not moviemaking. Why am I assigned to write a film report? Students are assigned movie report writing, first of all, to broaden their mind and evaluate the way they can analyze material and express their opinion. Don’t feel confused if on the Psychology class your professor asks you to review a movie. It is a common practice for students who are completing their degree in various fields of study.

Will you just give me someone else’s review?

No, not at all! Edusson stands out as the writing service with full transparency. All essays and other papers are written from scratch by professional writers with strong work ethic and desire to help their clients get better grades. The movie review you receive is 100% original, which you can check with RobotDon’s plagiarism checker.

Will you send my review to someone else?

The answer is – no. Not only are the clients in control of the process, but author’s rights are transferred to them the moment the review is done. Once the writing process is over, the review is yours and can never be sent to someone else.

What if I need more edits?

If you need edits or want some specific info to be added, our writers will be happy to make necessary revisions.

I need more help with movie review service, how can I contact you?

Our customer service is always available through 24/7 live chat feature.

Do you like movies? Who doesn’t? Movie and documentary reviews give you a unique opportunity to improve your writing skills by combining school assignment with someone you really like. Although it’s not that difficult to compose a review of a motion picture or some educational/informative feature, feel free to use all the available resources to get the most out of your assignment. Use the advantage of the internet to work on your review for major benefits such as:

Improve Your Paper

Practice makes everything better and the internet allows you to make it happen. For instance, Edusson acts as a perfect tutorial + professional writing service platform as it allows you to improve writing skills while getting assistance from professional writers and editors when necessary . The do-it-yourselfers benefit greatly from RobotDon, a cute little helper that analyzes the review and identifies mistakes you need to correct. The result of using these resources is a well-written movie review that meets or exceeds your lecturer’s expectations.

Raise Your GPA (Grade)

Using multiple resources and platforms to your advantage can only be a good thing for your GPA. When you’re a student, everything you do counts and contributes to GPA. It all comes down to learning how to make student life easier for you and one way to do that is to incorporate online tools into your assignments. Your professor will appreciate the effort and thanks to the improved writing skills, good grades are unavoidable.

Related posts:

• How To Write A Good Compare And Contrast Essay: Topics, Examples And Step-by-step Guide
• Writing a Personal Statement Essay for Volunteer Job
• How To Write A Philosophy Paper On Education: Full Guide
• Explaining Appeal to Ignorance Fallacy with Demonstrative Examples

Improve your writing with our guides

How to Write a Scholarship Essay

Definition Essay: The Complete Guide with Essay Topics and Examples

Critical Essay: The Complete Guide. Essay Topics, Examples and Outlines

Get 15% off your first order with edusson.

Connect with a professional writer within minutes by placing your first order. No matter the subject, difficulty, academic level or document type, our writers have the skills to complete it.

100% privacy. No spam ever.

By providing your information, you agree to our Terms of Use and our Privacy Policy . We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.

The Best Movie Reviews We’ve Ever Written — IndieWire Critics Survey

David ehrlich.

• Share on Facebook
• Share to Flipboard
• Share on LinkedIn
• Show more sharing options
• Submit to Reddit
• Post to Tumblr
• Print This Page
• Share on WhatsApp

Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

While this survey typically asks smart critics to direct readers toward good movies, we hope that the reverse is also true, and that these posts help movies (good or bad) direct readers towards smart critics. 

In that spirit, we asked our panel of critics to reflect on their favorite piece of film criticism that they’ve ever written (and we encouraged them to put aside any sort of modesty when doing so).

Their responses provide rich and far-reaching insight into contemporary film criticism, and what those who practice it are hoping to achieve with their work.

Siddhant Adlakha (@SidizenKane), Freelance for The Village Voice and /Film

Let’s cut right to the chase. Christopher Nolan is probably my favourite working director, and going five thousand words deep on his career after “Dunkirk” was an itch I’d been waiting to scratch for nearly a decade. “The Dark Knight” was my dorm-room poster movie — I’m part of the generation that explored films through the IMDb Top 250 growing up — though as my cinematic horizons expanded and my understanding of storytelling grew, I didn’t leave Nolan’s work behind as I did the likes of “Scarface” and “The Boondock Saints.” What’s more, each new film by Nolan hits me like a tonne of bricks. I’m waiting, almost eagerly, for him to disappoint me. It hasn’t happened yet, and I needed to finally sit down and figure out why.

In “Convergence At ‘Dunkirk,’” by far the longest piece I’ve ever written, I’d like to think I unpacked a decade worth of my awe and admiration, for a filmmaker who uses the studio canvas to explore human beings through our relationship to time. Tarkovsky referred to cinema as “sculpting in time.” Time disorients. Time connects us. Time travels, at different speeds, depending on one’s relationship to it, whether in dreams or in war or in outer space, and time can be captured, explored and dissected on screen.

What’s more, Nolan’s films manipulate truth as much as time, as another force relative to human perception, determining our trajectories and interpersonal dynamics in fundamental ways. All this is something I think I knew, instinctively, as a teenage viewer, but putting words to these explorations, each from a different time yet connected intrinsically, is the written criticism that I most stand by. It felt like something that I was meant to write, as I interrogated my own evolving emotional responses to art as time went on.

Carlos Aguilar (@Carlos_Film), Freelance for Remezcla

At the 2017 Sundance premiere of Miguel Arteta’s “Beatriz at Dinner,” starring Salma Hayek, I found myself in shock at the reactions I heard from the mostly-white audience at the Eccles Theatre. I was watching a different movie, one that spoke to me as an immigrant, a Latino, and someone who’s felt out of place in spaces dominated by people who’ve never been asked, “Where are you really from?” That night I went back to the condo and wrote a mountain of thoughts and personal anecdotes that mirrored what I saw on screen.

This was a much different piece from what I had usually written up to that point: coverage on the Best Foreign Language Oscar race, pieces on animation, interviews with internationally acclaimed directors, and reviews out of festivals. Those are my intellectual passions, this; however, was an examination on the identity that I had to built as an outsider to navigate a society were people like me rarely get the jobs I want.

My editor at Remezcla, Vanessa Erazo, was aware of the piece from the onset and was immediately supportive, but it would take months for me to mull it over and rework it through multiple drafts until it was ready for publication in time for the film’s theatrical release. In the text, I compared my own encounters with casual racism and ignorance with those Hayek’s character faces throughout the fateful gathering at the center of the film. The reception surpassed all my expectations. The article was shared thousands of times, it was praised, it was criticized, and it truly confronted me with the power that my writing could have.

A few months later in September, when Trump rescinded DACA, I wrote a social media post on my experience as an undocumented person working in the film industry, and how difficult it is to share that struggle in a world were most people don’t understand what it means to live a life in the shadows. The post was picked up by The Wrap and republished in the form of an op-ed, which I hope put a new face on the issue for those who didn’t directly knew anyone affected by it before. Once again that piece on “Beatriz at Dinner” regained meaning as I found myself filled with uncertainty.

Ken Bakely (@kbake_99), Freelance for Film Pulse

Like many writers, I tend to subconsciously disown anything I’ve written more than a few months ago, so I read this question, in practice, as what’s my favorite thing I’ve written recently. On that front, I’d say that the review of “Phantom Thread” that I wrote over at my blog comes the closest to what I most desire to do as a critic. I try to think about a movie from every front: how the experience is the result of each aspect, in unique quantities and qualities, working together. It’s not just that the acting is compelling or the score is enveloping, it’s that each aspect is so tightly wound that it’s almost indistinguishable from within itself. A movie is not an algebra problem. You can’t just plug in a single value and have everything fall into place.

“Phantom Thread” is Paul Thomas Anderson’s dreamy cinematography. It is Jonny Greenwood’s impeccably seductive, baroque music. It is Vicky Krieps’s ability to perfectly shatter our preconceptions at every single turn as we realize that Alma is the movie’s actual main character. We often talk about how good films would be worse-off if some part of it were in any way different. In the case of “Phantom Thread,” you flat-out can’t imagine how it would even exist if these things were changed. When so many hot take thinkpieces try to explain away every ending or take a hammer to delicate illusions, it was a pleasure to try and understand how a movie like this one operates on all fronts to maintain an ongoing sense of mystique.

Christian Blauvelt (@Ctblauvelt), BBC Culture

I don’t know if it’s my best work, but a landmark in my life as a critic was surely a review of Chaplin’s “The Circus,” in time for the release of its restoration in 2010. I cherish this piece , written for Slant Magazine, for a number of reasons. For one, I felt deeply honored to shed more light on probably the least known and least respected of Chaplin’s major features, because it’s a film that demonstrates such technical virtuosity it dispels once and for all any notion that his work is uncinematic. (Yes, but what about the rest of his filmography you ask? My response is that any quibbles about the immobility of Chaplin’s camera suggest an ardent belief that the best directing equals the most directing.) For another, I was happy this review appeared in Slant Magazine, a publication that helped me cut my critical teeth and has done the same for a number of other critics who’ve gone on to write or edit elsewhere. That Slant is now struggling to endure in this financially ferocious landscape for criticism is a shame – the reviews I wrote for them around 2009-10 helped me refine my voice even that much more than my concurrent experience at Entertainment Weekly, where I had my day job. And finally, this particular review will always mean a lot to me because it’s the first one I wrote that I saw posted in its entirety on the bulletin board at Film Forum. For me, there was no surer sign that “I’d made it”.

Richard Brody (@tnyfrontrow), The New Yorker

No way would I dare to recommend any pieces of my own, but I don’t mind mentioning a part of my work that I do with special enthusiasm. Criticism, I think, is more than the three A’s (advocacy, analysis, assessment); it’s prophetic, seeing the future of the art from the movies that are on hand. Yet many of the most forward-looking, possibility-expanding new films are in danger of passing unnoticed (or even being largely dismissed) due to their departure from familiar modes or norms, and it’s one of my gravest (though also most joyful) responsibilities to pay attention to movies that may be generally overlooked despite (or because of) their exceptional qualities. (For that matter, I live in fear of missing a movie that needs such attention.)

But another aspect of that same enthusiasm is the discovery of the unrealized future of the past—of great movies made and seen (or hardly seen) in recent decades that weren’t properly discussed and justly acclaimed in their time.”. Since one of the critical weapons used against the best of the new is an ossified and nostalgic classicism, the reëvaluation of what’s canonical, the acknowledgment of unheralded masterworks—and of filmmakers whose careers have been cavalierly truncated by industry indifference—is indispensable to and inseparable from the thrilling recognition of the authentically new.

Deany Hendrick Cheng (@DeandrickLamar), Freelance for Barber’s Chair Digital

It’s a piece on two of my favorite films of 2017, “Lady Bird” and “Call Me By Your Name”, and about how their very different modes of storytelling speak to the different sorts of stories we tell ourselves. Objectively, I don’t know if this is my best work in terms of pure style and craft, but I do think it’s the most emblematic in terms of what I value in cinema. I think every film is, in some way, a treatise on how certain memories are remembered, and I think cinema matters partly because the best examples of it are prisms through which the human experience is refracted.

Above everything else, every movie has to begin with a good story, and the greatest stories are the ones that mirror not just life, but the ways in which life is distorted and restructured through the process of remembering. Every aspect of a film, from its screenplay on down, must add something to the film’s portrayal of remembering, and “Lady Bird” and “Call Me By Your Name” accomplish this organic unity of theme with such charm yet in such distinct ways, that they were the perfect counterpoints to each other, as well as the perfect stand-ins for cinema as a whole, for me.

Liam Conlon (@Flowtaro), Ms En Scene

My favorite piece of my own work is definitely  “The Shape of Water’s” Strickland as the “Ur-American.”  I’m proud of it because it required me to really take stock of all the things that Americans are taught from birth to take as given. That meant looking at our history of colonialism, imperialism, racism, anticommunism and really diving into how all Americans, whether they’re liberal or conservative, can internalize these things unless they take the time to self-examine. Just as “Pan’s Labyrinth’s” despotic Captain Vidal was a masterful representation of Francisco Franco’s fascism, Richard Strickland represents a distinctly American kind of fascism. Writers Guillermo del Toro and Vanessa Taylor took great care in Strickland’s creation, and my piece was my own way of self-examining to make sure I never become or abide by a person like Strickland ever again.

Robert Daniels (@812filmreviews), Freelance

This is tricky, but “Annihilation” is definitely my favorite piece of film criticism that I’ve written. My writing style is a combination of criticism and gifs, and sometimes the words are better than the gifs, and the gifs are better than the words. With “Annihilation,” I thought the balance was perfect . My favorite portion: “Lena is just an idea, part of an equation that’s been erased from a chalkboard and rewritten with a different solution. The shimmer is part of her, even down to the DNA” is up there as one of my best. It was also a struggle to write because that film had more wild theories than the Aliens in Roswell. Also, the amount of research I had to do, combining Plato’s Ideal Forms, Darwin, the Bible, and Nietzsche, was absurd. However, it did make it easier to find matching gifs. The result made for my most studious, yet lighthearted read.

Alonso Duralde (@ADuralde), The Wrap

I’m the worst judge of my own material; there’s almost nothing I’ve ever written that I don’t want to pick at and re-edit, no matter how much time has passed. But since, for me, the hardest part of film criticism is adequately praising a movie you truly love, then by default my best review would probably be of one of my favorite films of all time, Charlie Kaufman’s “Synecdoche, New York.”

David Ehrlich (@davidehrlich), IndieWire

I can’t summon the strength to re-read it, but I remember thinking that my piece on grief and “Personal Shopper” was emblematic of how I hope to thread individual perspective into arts criticism.

Shelley Farmer (@ShelleyBFarmer), Freelance for RogerEbert.com and Publicist at Film Forum

My favorite piece is a very recent one: For this year’s Women Writers Week on Roger Ebert, I wrote about “Phantom Thread”, “Jane Eyre,” and twisted power dynamics in hetero romance . I loved that it allowed me to dig deep into my personal fixations (19th century literature, gender, romance as power struggle), but – more importantly – it was exciting to be part of a series that highlighted the breadth of criticism by women writers.

Chris Feil (@chrisvfeil), Freelance for The Film Experience, This Had Oscar Buzz Podcast

My answer to this would be kind of a cheat, as my favorite work that I do is my weekly column about movie music called Soundtracking that I write over at The Film Experience. Soundtracks and needle drops have been a personal fascination, so the opportunity to explore the deeper meaning and context of a film’s song choices have been a real labor of love. Because of the demands and time constraints of what we do, it can be easy to spend our all of our energy on assignments and chasing freelance opportunities rather than devoting time to a pet project – but I’ve found indulging my own uncommon fascination to be invaluable in developing my point of view. And serve as a constant check-in with my passion. Pushed for a single entry that I would choose as the best, I would choose the piece I wrote on “Young Adult”‘s use of “The Concept” by Teenage Fanclub for how it posits a single song as the key to unlocking both character and narrative.

Candice Frederick (@ReelTalker), Freelance for Shondaland, Harper’s Bazaar

“ Mother ” written for Vice. It’s one of my favorites because it conveys how visceral my experience was watching the movie. It’s truly stifling, uncomfortable, and frantic–and that’s what my review explains in detail. I wanted to have a conversation with the reader about specific aspects of the film that support the thesis, so I did.

Luiz Gustavo (@luizgvt), Cronico de Cinema

Well, I recently wrote a piece for Gazeta do Povo, a major outlet at Paraná state in Brazil, about Guillermo del Toro’s “The Shape of Water” (it is not on their site, but they were kind enough to let me replicate on my own website ). I don’t know the extent of the powers of Google Translator from Portugese to english, so you have to rely on my own account: is a text in which I was able to articulate de cinematographic references in the work of Mr. Del Toro, as well his thematic obsessions, the genre bending and social critique. All of this topics were analyzed in a fluid prose. On top of that, it was really fun to write!

This article continues on the next page.

Continue Reading: The Best Movie Reviews We’ve Ever Written — IndieWire Critics Survey Next »

Most Popular

You may also like.

Quick Guide on How to Write a Movie Review Essay

What Is a Movie Review

The internet has revolutionized the realm of film criticism. No matter a movie's level of quality, it is always worth analyzing. Despite the growing number of individuals attempting to write about movies, few are successful. Most people do not provide insightful analysis, instead simply state how much they liked or disliked the film.

A movie criticism, usually composed by a professional in film studies, takes a comprehensive look at the film from a historical, social, political, or theoretical standpoint. This is unlike the opinion or suggestion given in a movie review, which is shorter and more concise.

A remarkable aspect of a good film review is that it doesn't just rate the movie but provides explicit views that form the critique's basis. This form of writing, like crafting essays, research papers, and term papers, should be insightful and draw the reader in quickly. It's important to discuss the reputation of the lead actors and directors and to write about what you expected and if they were met. The reviewer must explain a story's development without recalling major plot points and endings. The review must be concise, engaging, and should involve metaphors, specific words, analogies, etc.

Movie Review Purpose

Most film reviews are intended to guide readers in deciding whether to view, rent, or purchase the film. They should provide the necessary information to aid readers in deciding without divulging any fundamental details, such as the storyline or any surprises. This paper is common in schools because the lecturer wants to evaluate the student's ability to think critically and report the event easily for others to understand.

Movie reviews typically present a brief summary of the film's storyline. They provide readers with an overview of the characters, relationships, and scenarios but do not convey the complete narrative. Perusing the review should be different from seeing the movie. Nonetheless, feel free to highlight the essential moments or pivotal points that make the film worthwhile viewing.

Our college essay writing service has put together some advice on composing a movie review essay like a real critic, so let's explore the article further!

How to Write a Movie Review: Movie Review Outline

The structure is key when it comes to the quality of your paper. Don't neglect the power of a good outline, no matter what paper you're writing. Outlines help you stay on track and make sure your paper flows well.

Taking the time to arrange your ideas before starting to write is an effective way to save time further down the line. With a well-structured plan already in place, you won't have to worry about other elements. This will also make the writing process less stressful. Here is a guide on how to organize your movie review outline:

How Do You Start a Movie Review Essay: Introduction

The introductory paragraph is the first obvious step in crafting a movie review essay outline. Here, you want to quickly captivate the reader. Deliver your viewpoint instantly and make it unambiguous. Don't leave the audience wondering whether you enjoyed the film. Tell them right off the bat so you have time to justify your assessment throughout the remainder of the process.

In the introduction movie review should also describe your thesis. Develop the main concept for your essay that you can support using your perceptions of the movie's various aspects. The reader should be able to tell from this statement if you thought the film was fantastic, awful, or simply alright. By including a thesis statement, you may move your analysis beyond the plot synopsis phase into the movie critique category, which is considered a separate creative process.

Crafting Your Essay Movie Review Analysis

According to our research paper service , film analysis is similar to building a case. You're attempting to influence the reader to follow your recommendation to watch or disregard the film. So, you must ensure your essay movie review will be convincing. Giving instances that demonstrate the validity of your personal opinion is the only method to do this. If you find any dialogue in the movie that you think best exemplifies whether the work is strong or not, utilize quotes. This also applies to all of the movie's artistic decisions. But, just because a movie's narrative isn't strong or engaging doesn't indicate the rest of the film is worthless. Carefully highlight how some factors might undermine the movie in your explanation.

The movie's plot is only one component and shouldn't dominate the overall piece. The following are the important aspects to include in your movie review structure:

Cinematography - Cinematography covers much more than simply camera angles. It includes how the picture is lit, how it moves, appears, and what lenses are used. Here you can try the following analysis: 'Warm, gentle colors are used throughout the film, combined with soothing whites and grays, to simultaneously create and gradually tear away the characters' romantic sentiments for one another. There is a painting-like quality to each image.'

Editing - The editing is arguably the absolute star of what creates a good movie review example. It affects both the duration and the flow of a movie. Without effective editing, there would be uncomfortable gaps between pictures and many errors.

Costuming - The clothing the characters wear is called a costume, but there are a number of things to consider while evaluating movie costumes. You should be able to decide if the outfits suit the characters and the movie's atmosphere.

Casting and Acting - Finding the ideal performers to bring characters to life is the goal of casting. This sometimes entails seeing performers portray both familiar personas and figures who are entirely at odds with who they are. Casting, therefore, involves more than just finding talented performers. You can assess the acting in the following way: 'Even though he excels while on the go, his stoic behaviorism causes him to fall short of his co-star during calm scenes where he keeps a blank look on his face.'

Once you have finished analyzing the acting, directing, cinematography, setting, etc., wrap up with concise, stimulating wording to sustain readers' attention. Don't forget to provide a few examples to support your statements about the film.

Concluding Your Essay Movie Review

Finalize your review by coming full circle. Close the review by returning to your introductory fact or thesis. Give your readers a refresher on the movie's most intriguing aspects. It's important to remember that before choosing a movie, viewers check reviews. Finish with a statement indicating whether it is worthwhile for them to view. Be specific about who this movie will be more fascinating to and why in your suggestions. Remember that your ending is your last shot at influencing your audience, so use it wisely.

No matter the kind of movie review you have to complete, our professional specialists are willing to help you. Directly forward your needs to our research paper service and get it done quickly.

Need Help With MOVIE REVIEW WRITING?

No matter what type of movie review you want, our qualified specialists are ready to assist you.

Short Movie Review Form

If you are currently working on a new or old movie review, reading our suggestions should be sufficient to help you earn an A. So what if you'll be writing many reviews in the future? In this situation, we advise you to develop a uniform movie review template, which will enable you to save time and complete your upcoming projects successfully.

So, how to write a movie review template, you may ask? Well, our essay helper prepared a simple yet great movie review template you may use as a foundation for your own writing if you need some help getting started:

Example Papers

Once you know how to review a movie and learn the most valuable tips to handle this assignment, it is time to look at some movie review examples to get you on the right track.

Check out the following pieces to see which of these movie review essay examples you might want to keep at hand when working on your own assignment:

Helpful Tips on Writing Movie Reviews

Here are some extra helpful tips to keep in mind when unsure how to write a movie review essay:

• Add Your Own Personal Feel to Your Movie Critique - You might not have much spare time for your pastime of reviewing. You won't be able to write a movie review, though, if you just wing it without reading what others have said. Make a note of the things that intrigued you, alarmed you, made you uncomfortable, or caused you to pause and consider something, and then use that list as the basis for your research.
• Develop a Distinctive Writing Style - Have an idol—it's good for you. You must be careful not to just paraphrase and duplicate what they say without adding your own original viewpoint. Instead, in order to stand out from the throng, you must discover your own voice. When writing movie reviews, you should also have a distinct writing style.
• Include Extensive Information -Mention the film's photographer, special effects designer, and director. Your review might be significantly impacted by this. Then you may list all the memorable movie moments that also stuck with you.
• Voice Your Views and Back Up Your Criticism - Give your own assessment of the film. Make sure you have evidence to support your criticisms. Use the movie's details that most shocked or humiliated you. Review genuine information rather than merely expressing your opinions without supporting details.

Final Thoughts

Composing a good movie review essay sample is easy if you follow this article's main steps and techniques. Furthermore, we strongly believe that this guide will assist you in achieving remarkable outcomes and ease your writing process. The staff at EssayPro is always available to provide a helping hand if you need a little additional push with movie review examples or even if it's simply coming up with a catchy essay title .

Order an essay and await excellent results! Contact our expert writers and ask them to ' write my essay for me ' – and they will ensure your academic success!

Do You Require a Skilled Professional Writer?

Our writers take extra measures to make sure that your essay is created precisely in accordance with your specifications.

FAQs on Writing an Essay Movie Review

Here are the most frequently asked questions on how to write a movie review. We provided extra details on movie analysis to simplify writing film reviews.

What are the 6 Important Things to Include in a Film Review?

How long should a movie review be, what are the 5 c's in film.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

Related Articles

Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors.

Now streaming on:

Like a great iron Sphinx on the ocean floor, the Titanic faces still toward the West, interrupted forever on its only voyage. We see it in the opening shots of “Titanic,” encrusted with the silt of 85 years; a remote-controlled TV camera snakes its way inside, down corridors and through doorways, showing us staterooms built for millionaires and inherited by crustaceans.

These shots strike precisely the right note; the ship calls from its grave for its story to be told, and if the story is made of showbiz and hype, smoke and mirrors--well, so was the Titanic. She was “the largest moving work of man in all history,” a character boasts, neatly dismissing the Pyramids and the Great Wall. There is a shot of her, early in the film, sweeping majestically beneath the camera from bow to stern, nearly 900 feet long and “unsinkable,” it was claimed, until an iceberg made an irrefutable reply.

James Cameron's 194-minute, $200 million film of the tragic voyage is in the tradition of the great Hollywood epics. It is flawlessly crafted, intelligently constructed, strongly acted and spellbinding. If its story stays well within the traditional formulas for such pictures, well, you don't choose the most expensive film ever made as your opportunity to reinvent the wheel.

We know before the movie begins that certain things must happen. We must see the Titanic sail and sink, and be convinced we are looking at a real ship. There must be a human story--probably a romance--involving a few of the passengers. There must be vignettes involving some of the rest and a subplot involving the arrogance and pride of the ship's builders--and perhaps also their courage and dignity. And there must be a reenactment of the ship's terrible death throes; it took two and a half hours to sink, so that everyone aboard had time to know what was happening, and to consider their actions.

All of those elements are present in Cameron's “Titanic,” weighted and balanced like ballast, so that the film always seems in proportion. The ship was made out of models (large and small), visual effects and computer animation. You know intellectually that you're not looking at a real ocean liner--but the illusion is convincing and seamless. The special effects don't call inappropriate attention to themselves but get the job done.

The human story involves an 17-year-old woman named Rose DeWitt Bukater ( Kate Winslet ) who is sailing to what she sees as her own personal doom: She has been forced by her penniless mother to become engaged to marry a rich, supercilious snob named Cal Hockley ( Billy Zane ), and so bitterly does she hate this prospect that she tries to kill herself by jumping from the ship. She is saved by Jack Dawson ( Leonardo DiCaprio ), a brash kid from steerage, and of course they will fall in love during the brief time left to them.

The screenplay tells their story in a way that unobtrusively shows off the ship. Jack is invited to join Rose's party at dinner in the first class dining room, and later, fleeing from Cal's manservant, Lovejoy ( David Warner ), they find themselves first in the awesome engine room, with pistons as tall as churches, and then at a rousing Irish dance in the crowded steerage. (At one point Rose gives Lovejoy the finger; did young ladies do that in 1912?) Their exploration is intercut with scenes from the command deck, where the captain ( Bernard Hill ) consults with Andrews ( Victor Garber ), the ship's designer and Ismay ( Jonathan Hyde ), the White Star Line's managing director.

Ismay wants the ship to break the trans-Atlantic speed record. He is warned that icebergs may have floated into the hazardous northern crossing but is scornful of danger. The Titanic can easily break the speed record but is too massive to turn quickly at high speed; there is an agonizing sequence that almost seems to play in slow motion, as the ship strains and shudders to turn away from an iceberg in its path--and fails.

We understand exactly what is happening at that moment because of an ingenious story technique by Cameron, who frames and explains the entire voyage in a modern story. The opening shots of the real Titanic, we are told, are obtained during an expedition led by Brock Lovett ( Bill Paxton ), an undersea explorer. He seeks precious jewels but finds a nude drawing of a young girl. Meanwhile, an ancient woman sees the drawing on TV and recognizes herself. This is Rose (Gloria Stuart), still alive at 101. She visits Paxton and shares her memories (“I can still smell the fresh paint”). And he shows her video scenes from his explorations, including a computer simulation of the Titanic's last hours--which doubles as a briefing for the audience. By the time the ship sinks, we already know what is happening and why, and the story can focus on the characters while we effortlessly follow the stages of the Titanic's sinking.

Movies like this are not merely difficult to make at all, but almost impossible to make well. The technical difficulties are so daunting that it's a wonder when the filmmakers are also able to bring the drama and history into proportion. I found myself convinced by both the story and the saga. The setup of the love story is fairly routine, but the payoff--how everyone behaves as the ship is sinking--is wonderfully written, as passengers are forced to make impossible choices. Even the villain, played by Zane, reveals a human element at a crucial moment (despite everything, damn it all, he does love the girl).

The image from the Titanic that has haunted me, ever since I first read the story of the great ship, involves the moments right after it sank. The night sea was quiet enough so that cries for help carried easily across the water to the lifeboats, which drew prudently away. Still dressed up in the latest fashions, hundreds froze and drowned. What an extraordinary position to find yourself in after spending all that money for a ticket on an unsinkable ship.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

Now playing

Glenn Kenny

Boy Kills World

Simon abrams.

Back to Black

Peyton robinson.

Unsung Hero

Christy lemire.

Terrestrial Verses

Godfrey cheshire.

Brian Tallerico

Film credits.

Titanic (1997)

Rated PG-13 For Shipwreck Scenes, Mild Language and Sexuality

194 minutes

Leonardo DiCaprio as Jack Dawson

Kate Winslet as Rose Dewitt Bukater

Billy Zane as Cal Hockley

Kathy Bates as Molly Brown

Bill Paxton as Brock Lovett

Written and Directed by

• James Cameron

Latest blog posts

Handmade Magic: Jason and the Argonauts

House of the Dragon Returns with a Captivating Yet Convoluted Second Season

Hulu's Queenie is a Masterful Study of Self-Growth

Fear, Hope, and Joy: Ramata-Toulaye Sy on Banel and Adama

• Cast & crew
• User reviews

A 17-year old girl is forced to move with her family to a resort where things are not what they seem. A 17-year old girl is forced to move with her family to a resort where things are not what they seem. A 17-year old girl is forced to move with her family to a resort where things are not what they seem.

• Tilman Singer
• Astrid Bergès-Frisbey
• Hunter Schafer
• Dan Stevens
• 4 User reviews
• 23 Critic reviews
• 58 Metascore
• 1 win & 2 nominations

• The Hooded Woman

• Gretchen's Friend

• Henry's Wife
• All cast & crew
• Production, box office & more at IMDbPro

More like this

Did you know

• Trivia Originally scheduled to release on May 3, however it was delayed to August 9 for undisclosed reasons.
• Goofs When Gretchen uses the word "message" in sign language, she uses a gesture similar to texting on a cell phone. Cell phones with a keyboard hadn't been invented yet in the era the movie is set in.
• Connections Referenced in Amanda the Jedi Show: Everyone in ABIGAIL is DUMB... and I love them | Explained (2024)

User reviews 4

• Feb 16, 2024

New and Upcoming Horror

• How long is Cuckoo? Powered by Alexa
• August 2, 2024 (United States)
• United States
• Wuppertal, North Rhine-Westphalia, Germany
• Fiction Park
• Waypoint Entertainment
• See more company credits at IMDbPro

Technical specs

• Runtime 1 hour 42 minutes

Related news

Contribute to this page.

• See more gaps
• Learn more about contributing

More to explore

Recently viewed.

• Share full article

Advertisement

Supported by

8 New Movies Our Critics Are Talking About This Week

Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.

By The New York Times

Critic’s Pick

‘Bad Boys,’ good flick.

‘Bad Boys: Ride or Die’

Directed by Adil El Arbi and Bilall Fallah, the latest installment of this buddy cop franchise follows Officers Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) as they set out to clear their late captain’s name after he’s falsely linked to a drug cartel.

From our review:

Smith and Lawrence also make this adventure a riotous triumph. These stars embody the care and anxieties their characters feel for each other, wielding their chemistry to smooth over abrupt tonal shifts. For example, an all-out firefight looping in a Barry White needle drop is a major highlight. And a run-in with racist good old boys, inspiring a Reba McEntire cover of the film’s theme song, makes for another memorable scene. This violent franchise has rarely felt so assured, so relaxed and knowingly funny.

In theaters. Read the full review .

A fairy tale without the happily ever after.

In this feature debut from Daina O. Pusic, a mother (Julia Louis-Dreyfus) and her terminal daughter, Tuesday (Lola Petticrew), meet and contend with Death, as embodied by a mystical parrot (voiced by Arinzé Kene).

Without much to distract from the three central characters, “Tuesday” can feel overlong and a little claustrophobic. Yet this compassionate fairy tale works because the actors are so in sync and the imagery — as in one shot of the bird curled like an apostrophe in a dead woman’s tear duct — is often magical. … The sum is a highly imaginative picture that, while considering one family’s pain, also asks us to ponder the possibility that a life without end means nothing less than a world without a future.

Out of the closet and into her 30s.

Dakota Johnson plays Lucy, an introverted and repressed 30-something who comes out (of her shell and the closet) after her best friend, Jane (Sonoya Mizuno), announces that she’s moving away and pushes Lucy to leave her comfort zone.

Directed with a light and understated touch by a power couple — the comedian Tig Notaro and the actress Stephanie Allynne — the movie feels very lived-in, the banter fresh and funny, even if sometimes it feels like it’s standing in place a bit too long.

Watch on Max . Read the full review .

The killer’s fake, the charisma’s real.

Gary (played by Glen Powell) is a reserved professor who finds himself posing as a hit man for a sting operation. While in disguise, he falls for a potential client (Adria Arjona). This Richard Linklater comedy opened in theaters a few weeks ago, but it hits Netflix Friday.

If I see a movie more delightful than “Hit Man” this year, I’ll be surprised. It’s the kind of romp people are talking about when they say that “they don’t make them like they used to”: It’s romantic, sexy, hilarious, satisfying and a genuine star-clinching turn for Glen Powell, who’s been having a moment for about two years now. It’s got the cheeky verve of a 1940s screwball rom-com in a thoroughly contemporary (and slightly racier) package. I’ve seen it twice, and a huge grin plastered itself across my face both times.

Watch on Netflix . Read the full review .

Psychological horror that’s stuck in Psych 101.

‘the watchers’.

This feature debut from Ishana Night Shyamalan (daughter of M. Night) stars Dakota Fanning as Mina, a woman who gets trapped in the Irish countryside with three strangers who are all subject to observation by mysterious creatures at night.

Ishana is 24, and “The Watchers” shows that she truly is Jung at heart: At times the movie feels as if an eager undergraduate patched it together from the greatest hits of the Swiss psychoanalyst Carl Jung, most notably the forest as both physical and psychological place, the mirror as revelator and the presence of the double. Fine, so this is a lofty way to say that the film is a little bit frightening and a big bit comically grandiose.

A love story with rich textures.

‘banel & adama’.

In this love story directed by Ramata-Toulaye Sy, the titular couple (played by Khady Mane and Mamadou Diallo) make a life in their Senegalese village and struggle against tradition.

Sy has a terrific eye and, working with her cinematographer, Amine Berrada, she quickly hooks you with the beauty of Banel and Adama’s world, pulling you into their everyday life with hints of drama and myth, though mostly with the graceful compositions and the region’s natural riches, its green fields and blue skies. … Yet [Banel], like so much of this movie, remains frustratingly opaque, a cluster of blurry ideas about gender, tradition and mythology.

A depression film we love.

‘i used to be funny’.

Rachel Sennott stars as Sam, a stand-up comedian struggling with PTSD who learns that a girl she used to nanny, Brooke (Olga Petsa), has gone missing in this dramedy from Ally Pankiw.

The film is peppered with happier flashbacks to when Sam and Brooke were best pals, a team-up that annoyed Brooke’s humorless dad (Jason Jones). We track time through the perkiness of Sam’s posture and ponytail. Depression films can be a drag. Fortunately, Sennott is entertaining even as a mope. The script takes an annoyingly long time revealing what went wrong (and then rushes the resolution). Pankiw is more focused on the aftereffects of trauma on a character who wields quips as both weapon and shield. A former stand-up herself, Sennott holds a stage with command.

Make it make sense.

When Daniel (Richard Gere) meets up with a former partner, he learns that he unknowingly fathered a child with her — a son who has just died at 19 in a car accident.

Plausibility complaints always feel cheap, but “Longing” strains credulity well past the breaking point. This is the Israeli writer-director Savi Gabizon’s second try at this premise — he is remaking his 2017 feature of the same title — but it is difficult to imagine that it ever made sense.

Compiled by Kellina Moore .

Lifetime’s ‘The Life and Murder of Nicole Brown Simpson’ Gives Voice to a Victim Overshadowed by OJ’s Celebrity: ‘It Was Always About Him’

By Addie Morfoot

Addie Morfoot

Contributor

• Sandbox Films to Theatrically Release Penny Lane’s ‘Confessions of a Good Samaritan’ (EXCLUSIVE) 6 hours ago
• Croatia International Film Festival to Launch in August With Rooney Mara’s ‘La Cocina’ in the Lineup (EXCLUSIVE) 2 days ago
• Salman Rushdie Documentary Set Based on His Memoir ‘Knife,’ With Alex Gibney Directing (EXCLUSIVE) 4 days ago

In the upcoming Lifetime docuseries “The Life and Murder of Nicole Brown Simpson ,” audiences will get to hear from O.J. Simpson ‘s ex-wife Nicole, who was found murdered alongside Ronald Goldman in 1994 outside her Brentwood condominium, in ways most viewers have not before. Most of the nation associates her voice with the 911 call she made in October of 1993 to tell a dispatcher that Simpson had broken into her home. In “The Life and Murder of Nicole Brown Simpson,” however, audiences will hear Nicole speaking to her children Sydney and Justin, her father, Lou Brown, as well as friends including Kris Jenner.

Related Stories

The ad market is not ready for the imminent streaming sports boom, eminem debuts 'houdini' live during surprise detroit performance, brings out jelly roll for 'sing for the moment', popular on variety.

When the doc’s executive producer Melissa Moore met Denise Brown a decade ago, she approached her about working on a project that honored Nicole.

“I would say to Denise, ‘I really don’t know anything about Nicole,'” recalls Moore. “I told her that we really should do something to bring awareness to who she was because if you close your eyes and try to think of her voice you can’t.”

Denise, who had been approached on numerous occasions about making a documentary about Nicole, was hesitant. She didn’t want the doc to be all about O.J. But last year Moore was able to gain Denise and her siblings’ trust, and together they began working on “The Life and Murder of Nicole Brown Simpson.” (The Brown sisters did not serve as producers on the project.)

Variety spoke to Denise, Dominique and Tanya Brown.

There have been many docs made about O.J. and Nicole, including the ESPN docuseries “OJ: Made in America,” which won the Oscar for best feature documentary in 2017. Now there is this highly anticipated docu. What do you attribute the ongoing fascination around the case to? Denise: I think the fascination around Nicole is because people don’t know who Nicole was. They only know him (O.J.). It was always about him. It was always about the trial. People don’t understand that this was a woman and her friend (Goldman) who were murdered in the most horrific way and then they were put down so much. They were just described so poorly and so ugly and so nasty. But that was to try to get somebody off going to prison. People need to understand that these were real people. Loving wonderful people who had families and who were loved and who were fun loving.

Dominique, in the documentary you mention that you and Denise didn’t speak for years because you thought that by her speaking out against O.J. during the trial and her activism around domestic violence post trial it put a spotlight on Nicole’s children, who don’t like media attention. How do you feel about this doc coming out in terms of them and the media attention it could lead to for them?

Dominique: We have been transparent with them and have been communicating with them, so they know about (this documentary). I stay in communication with the kids a lot. I know what’s going on in their lives, except for that I didn’t know how ill their father was. That came as a shock. But we have been totally transparent with them as far as this documentary being a beautiful portrayal of their mother and that it was made to humanize her. Her love for her children shines through.

When O.J. Simpson died in April, did any of you feel relief?

Tanya: No. I was sad. I was really sad. It was just different emotions. I went over to Minnie’s (Dominique) and we cried and we hugged. Then what came after that was kind of  acceptance.

Dominique: It was very complicated. It was very confusing. Naturally everybody was responding in different ways on social media and asking if you are okay? What’s happening? One person said, “Maybe you all can move on from this now,” but my heart was with Sydney and Justin. That’s where my heartache and my tears came from.

Fifty people were interviewed for this documentary. Did you all have say over who was and who was not interviewed?

Denise: Yes. We did. What I wanted to see in this documentary was not the same people that always talk (about this case). That was really, really important to us because it was about telling new stories and having Nicole in a new light.

I was surprised that Faye Resnick was interviewed for the doc given her relationship to the case in terms of the book she wrote four months after Nicole’s murder and the archival clip in the film where, Denise, you roll your eyes when she is mentioned.

Dominique: The way that Lifetime had explained it to us was that there were a lot of gaps. There was a period of time — Nicole growing up in Germany and Laguna — that we had a lot of stories about . But there was a period of time when Nicole was in L.A. where she would entertain people and have dinner parties and things at her house and Faye was one of the people that was included in that. So, Faye brought life to and a different perspective to a part of Nicole life when she was (living) in her freedom.

In an archival clip in the film O.J. tells Denise that he essentially funded your parents life. During the trial that was the narrative. Is there any truth to that?

Dominique: O.J. was very charismatic, and very friendly. He became part of the family right away. We did everything together as a family.

Denise: But money wasn’t a part of that.

More from Variety

‘yellowstone’ begins production on final episodes; season 5 still set to resume in november, netflix, roku accelerate streaming momentum in sports rights deals, new bundles point to broadband’s growing power in svod packaging, more from our brands, ‘surviving r. kelly’ executive producer ‘begged’ diddy to confess to alleged assaults on cassie, a new biopic toasts the pioneering woman behind veuve clicquot, nba finals off to a tepid tv start as celtics clobber mavs in opener, the best loofahs and body scrubbers, according to dermatologists, i apparently inspired a scene in a million little things’ series finale — watch how i found out, verify it's you, please log in.