Belle Epoque offers a first-of-its-kind in the area entertainment and dining concept with excellent, tasty food. The interaction with live human actors from 1890s Paris is fascinating. The concept is not content to just deliver the service of good food and friendliness though. It offers colorful, haute culture actors by day, and an entertaining, optional Moulin de la Galette evening dinner show that will amaze and delight. Our table side service is extremely fun and unique. The wine bottle selection and daily, “by the glass,” wine card will be in addition to our selection of beer on tap and fully stocked bar. The catering will also entertain and thrill customers (i.e. bringing the show to their event).
Our main target market is quite simply the well known vacationing family or vacationing friends, lovers and fun-seekers. A smaller sub-section of locals will visit us as well.
The local winter season resident population is 250,000 people (Source: U.S. Census).
Tourism dollars generated in Bigsmalltown are $3.64 billion (Source: Rovelstad & Associates, Longwoods International)
TOURIST SEASON IS BASICALLY FIVE MONTHS LONG – FROM MAY TO SEPTEMBER
Bigsmalltown at a Glance as of 2003 – The Official Border County Government Report
We use this topic to explain the Market Analysis table and chart, below. Our analysis is based on a list of potential customer groups, each of which is a market segment.
There are two specific sub-groups of clientele within each of the listed segments: the lunch crowd, casual drinking (wine specifically, market encouraged), and our nightly “Admiral’s Table” crowd. Both of these segments (especially wine drinkers) are slightly more sophisticated; average bar drinking age is about 25 to 34-plus years old while the dining room averages 35 to 54-plus. Household income is upper middle, in the $75,000 and up range. We hold these specific two groups to be similar to McCormick & Schmick’s – a close match to our offerings (data as reported in Market Watch , October, 2003).
Teenagers sort themselves into marketing groups with names like, “preppies, dudes, gothic, jocks, and skaters.” Each of these labels actually stands for certain sets of behavior patterns, and has some value in segmentation. These segments will attend our offerings in groups for class trips and major events. They also will attend with their parents for general dining and we plan on marketing directly to their segment. An example of successful teenager marketing is the offering of bottled sodas instead of just fountain service. Teenagers are highly ranked for their liking of bottled soda over all other categories – due to its extra pep and fizz.
Marketing one simple item to a specific segment generates sales across the board. Especially when teens encourage parents to “go to Belle Epoque tonight.” This is only one, direct example of techniques to be employed for market domination via segmentation understanding. We have other areas and methods scheduled. Many are based on award-winning experience, financial success, and published books by noted experts.
Market Analysis | |||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |||
Potential Customers | Growth | CAGR | |||||
Weekly summer population | 5% | 225,000 | 235,000 | 245,000 | 255,000 | 265,000 | 4.18% |
Weekly winter population | 5% | 4,808 | 5,008 | 5,208 | 5,408 | 5,608 | 3.92% |
Long distance customers | 2% | 5,000 | 8,000 | 12,000 | 15,000 | 20,000 | 41.42% |
Total | 5.47% | 234,808 | 248,008 | 262,208 | 275,408 | 290,608 | 5.47% |
We cannot survive just waiting for customers to come to us. Instead, we must focus on the specific market segments whose needs match our offerings. Focusing on targeted segments is the key to our future. We will attract customers with live performances and distribution of brochures.
Therefore, we need to focus our marketing message and our product offerings. We need to develop our message, communicate it, and make good on it. The Marketing Strategy topic contains the details of our tactics and programs.
The restaurant and entertainment show business is dynamic and fast paced. It offers exciting food and dining experiences with high profit margins. Interested owners who have extensive multi-decade experience will almost always do well. Those who have theater and acting experience, combined with 20 to 30 years of business success, will do extremely well in profit, employee and customer happiness. This service business provides rewards via customer satisfaction surveys.
In one part of the restaurant market competition depends on reputation, advertising, and the dining experience of the customer. In another, competition centers around location and parking. In most cases the restaurant industry strongly relies on word-of-mouth recommendations over advertising. Word of mouth is the secret in retaining long-term satisfied customers. This, combined with changing drama shows each year, and other side acts, will ensure that diners return.
Customers will choose our business over others from the first time they see our actors dressed up in the mall handing out brochures or in parking lots staging mini-shows. We have extensive experience with free publicity. For instance, Chef Joachim recently appeared on the Today show. He has also filmed many other shows all over the world and in a number of different languages.
Appearances on the public boardwalks, streets and anywhere that is free – such as at huge events, competitions, conventions and more, will attract the public. Customers will definitely choose us due to our personal and face-to-face interaction in a dining experience. Host and serving staff will dress in period costumes, and those with a yen toward acting and performance will be encouraged to play the parts of denizens of Montmartre, during the Paris’ cultural heyday. Staff will regularly portray famous members of Parisian high society including Impressionist painters, theatre doyens, writers, philosophers, etc.
All too often the problem with today’s restaurants is that they look great, have waterfalls or beautiful physical decoration, or great motifs and themes, but are missing the human element…the host or server who is unpredictable and physically shakes your hand. The dining experience should not be another video simulator or Nintendo game. Even serious businessmen and businesswomen can get excited over a corporate event held in our Belle Epoque restaurant where they can talk with actors who believe that they are back in that era (called first person acting). What might someone say and what answer might come back? Something snappy or robust?
The buying patterns of our customers will be repeat patterns. Our pricing for food, taste, and product delivered will exceed local expectations. We rely on the world tastes and travels of Chef Joachim and team – difficult to equal or duplicate.
5.1 competitive edge.
Our competitive edge will be to cut wide open the competition with our amazing and exciting actors. We will be different from all others because of our creativity, presentation, marketing, advertising and delivery. We will stand out with sustainable value, something that we can maintain and develop over time – the transition from real life into fantasy escape. The competitive edge, that puts us ahead of most competitors is the opportunity to live and interact in history or another world. Stepping into our world will reveal discussion with people of the time and physically doing things with them – while enjoying a great meal and a show.
The ultimate edge is that we allow people to be in our show and to walk a few hours or days in history’s shoes. This is the opportunity for customers to gain instant fame on stage with the crowds cheering and clapping. That is a competitive edge, with benefit, that all humans dream of. But, beyond that, we also will offer the opportunity to live and work in our historic world for a reasonable price.
Patrons are not forced to attend the dinner show. They can still have dinner in our separate dining room.
Chef Joachim Oignons’ experience at the White House and at Camp David provide acclaim, reputation, and credibility when combined with his 30 years of naval service.
We start with a critical competitive edge: there are few competitors we know of that can claim anywhere near as much hype, attention to detail and people, excitement, dancing, singing or showmanship with historic proportions. The closest thing to our platform in this geographic area is The Capsized Sailor—Seafood on the Pier . Our positioning on this point is very hard to match, as long as we maintain this focus in our strategy, marketing, business development, and fulfillment. We are aware that the tendency to dilute this expertise with premature expansion will dull the importance of our competitive edge. Also, excessive changing of our plan and rollout could break the creative side of the operation.
Marketing will be our life blood of crowd draws and excitement. Our Marketing Strategy has been explained a bit already. Our Sales Strategy is the easiest of our plans.
Our Marketing Strategy first and foremost is born out of three governing functions:
Sales in our business is customer service. It is repeat business. One doesn’t just sell a glass or bottle of wine and boost the check price, one develops a proposal that works for the client, that convinces him or her to crave the wine. Direct-in house sales classes will be held to teach staff how to “get in with the smile,” “enjoy laughter with customers” and then go for the boost in the check price by selling that dessert, beer or wine. We can also make money with our extensive selections of tea, coffee, cheese and cigars.
With our innovative, drama sales platforms wallets will fly out of pants pockets and purses. Our independent tests and studies show that what sells most is human interaction and excitement. Paying attention to people, listening and talking with them, admiring their face and clothes – this adoration – this sales truth of genuine, heartfelt, over-the-top achievement – this is what makes dynamic drama sales happen. Our goal is extraordinary attention to reveal extraordinary sales.
We must always be aware of the big-company feeder phenomenon of the split between selling the restaurant and failure to fulfill the sale with entertainment and luscious food, which leads to client dissatisfaction. The human sale should be developed and scoped, sold, and fulfilled by the same people. If you see, run over to meet and greet Impressionist painter Edgar Degas and his retinue of Paris Ballet dancers on the mall as you are shopping, then you expect to see him that night at the restaurant. Our customers should never buy into a sale from one partner and have it delivered by anybody other than that same partner. The promise shall be fulfilled.
Lunch Hour Sales are figured on starting in April of 2005 with 27 available days of weather x 190 seatings (based @ 200 seats avail total over a three hour period with 1.0 turnovers – 10:30 AM to 1:30 PM) at $14.00 average check take. In May this rises to 220 covers or a 1.1 ratio. For the months of June, July and August this escalates to full capacity of the 200 seats and two turnovers, with a cap of 385 out of 400 in four hours and 27 days of good weather. The Direct Cost of Sales in this category is 38% of Sales Forecast.
Dinner Sales are figured on starting in April of 2005 with 27 available days of weather x 110 seatings (based @ 200 seats avail total over a four hour period with 1.0 turnovers – 6:00 PM to 10:00 PM) at $24.00 average check take. In May this rises to 140 covers. For the months of June, July and August this escalates to full capacity of the 200 seats and two turnovers, with a cap of 385 out of 400 in four hours and 27 days of good weather. The Direct Cost of Sales in this category is 36% of Sales Forecast.
Dinner Show Sales are figured on starting in April of 2005 with 27 available days of weather x 101 seatings (based @ 340 seats avail total over a three hour period with 1.0 turnovers – 7:00 PM to 10:00 PM) at $55.00 fixed ticket price. In May this rises to 201 covers. For the months of June, July and August this escalates to full capacity of 320 of the 340 seats and 27 days of good weather. The Direct Cost of Sales in this category is 25% of Sales Forecast.
Bar Sales are figured on 50 people per night at $20.00 for 15 nights in April, May, September and October. In June, July and August the bar will book out at 200 people per night and be filled with excitement and games from 6:00 PM to 2:00 AM. Average take is expected to be $35.00 per person. One of the primary pulls will be the two sunken pool tables. The Direct Cost of Sales in this category is 36% of Sales Forecast.
Be in the Show Sales are figured on 10 participants per night at $65.00 with 27 days of good weather. The Direct Cost of Sales in this category is 25% of Sales Forecast.
Catering Sales are not desired to be our strong suit or a strong sales platform. But, we do expect to do at least two events in the summer including the Boulevarier Festival. The Direct Cost of Sales in this category is 55% of Sales Forecast.
High Tea with a Lady, Wives of the Impressionist Painters Sales will be brisk at 30 people per afternoon for 27 days of good weather each month. Prix Fixe will be $18.00 per person from 2:00 PM to 4:00 PM each day. The Direct Cost of Sales in this category is 38% of Sales Forecast.
Sales Forecast | |||
Year 1 | Year 2 | Year 3 | |
Unit Sales | |||
Lunch Sales | 78,975 | 86,873 | 95,560 |
High Tea Sales | 9,720 | 10,692 | 11,761 |
Dinner Sales | 66,335 | 72,969 | 80,265 |
Dinner Show Sales | 68,074 | 74,881 | 82,370 |
Bar Sales | 28,350 | 31,185 | 34,304 |
Be In the Show Sales | 3,240 | 3,564 | 3,920 |
Catering Sales | 4 | 4 | 5 |
Total Unit Sales | 254,698 | 280,168 | 308,185 |
Unit Prices | Year 1 | Year 2 | Year 3 |
Lunch Sales | $14.00 | $14.98 | $16.03 |
High Tea Sales | $18.00 | $19.26 | $20.61 |
Dinner Sales | $24.00 | $25.68 | $27.48 |
Dinner Show Sales | $55.00 | $58.85 | $62.97 |
Bar Sales | $28.57 | $30.57 | $32.71 |
Be In the Show Sales | $65.00 | $69.55 | $74.42 |
Catering Sales | $7,250.00 | $7,757.50 | $8,300.53 |
Sales | |||
Lunch Sales | $1,105,650 | $1,301,350 | $1,531,689 |
High Tea Sales | $174,960 | $205,928 | $242,377 |
Dinner Sales | $1,592,040 | $1,873,831 | $2,205,499 |
Dinner Show Sales | $3,744,070 | $4,406,770 | $5,186,769 |
Bar Sales | $810,000 | $953,370 | $1,122,116 |
Be In the Show Sales | $210,600 | $247,876 | $291,750 |
Catering Sales | $29,000 | $34,133 | $40,175 |
Total Sales | $7,666,320 | $9,023,259 | $10,620,375 |
Direct Unit Costs | Year 1 | Year 2 | Year 3 |
Lunch Sales | $5.32 | $5.53 | $5.81 |
High Tea Sales | $6.84 | $7.11 | $7.47 |
Dinner Sales | $8.64 | $8.99 | $9.43 |
Dinner Show Sales | $13.75 | $14.30 | $15.02 |
Bar Sales | $10.29 | $10.70 | $11.23 |
Be In the Show Sales | $16.25 | $16.90 | $17.75 |
Catering Sales | $3,987.50 | $4,147.00 | $4,354.35 |
Direct Cost of Sales | |||
Lunch Sales | $420,147 | $480,648 | $555,149 |
High Tea Sales | $66,485 | $76,059 | $87,848 |
Dinner Sales | $573,134 | $655,666 | $757,294 |
Dinner Show Sales | $936,018 | $1,070,804 | $1,236,779 |
Bar Sales | $291,600 | $333,590 | $385,297 |
Be In the Show Sales | $52,650 | $60,232 | $69,567 |
Catering Sales | $15,950 | $18,247 | $21,075 |
Subtotal Direct Cost of Sales | $2,355,984 | $2,695,245 | $3,113,008 |
The accompanying table lists important program milestones, with dates and managers in charge, and budgets for each. The milestone schedule indicates our emphasis on planning for implementation.
What the table doesn’t show is the commitment behind it. Our business plan includes complete provisions for plan-vs.-actual analysis, and we will hold monthly follow-up meetings to discuss the variance and course corrections.
Milestones | |||||
Milestone | Start Date | End Date | Budget | Manager | Department |
Business Plan | 10/18/2004 | 1/23/2005 | $709 | J. Oignons | BOD |
Property scouting | 12/18/2003 | 6/1/2004 | $580 | A. Spergras | Property |
Interior Design | 8/30/2004 | 10/30/2004 | $11,548 | T. Matto | Gourmet |
Print Design & Production | 9/22/2004 | 11/12/2004 | $45,723 | O. Bergene | Media & PR |
Script writing | 9/22/2004 | 9/22/2004 | $4,000 | C. Wensleydale | Theatrical |
Menu rollout | 2/4/2005 | 4/12/2005 | $430 | J. Oignons | F & B |
Stage design and build | 2/2/2005 | 3/28/2005 | $19,050 | C. Wensleydale | Theatrical |
Legal rollout | 1/1/2004 | 6/1/2004 | $22,288 | S. Prouts | Legal |
Design sketches | 12/22/2004 | 1/22/2005 | $300 | O. Bergene | Media & PR |
Logo design | 1/22/2005 | 2/12/2005 | $100 | J.Oignons | Media & PR |
Totals | $104,728 |
It will showcase the 1890s Paris high-society decor of the restaurant, and the exuberant, social elegance of the Moulin de la Galette show and costumes of our staff.
The website needs to be a simple yet classy and well designed website that, at the same time, is in keeping with the latest trends in user interface design. A site that is too flashy, or tries to use too much of the latest Shockwave or Flash technology can be over done, and cause potential customers to look elsewhere for online excitement as well as a meal or show. A particular, small section will offer a stunning and robust Flash MX presentation of the gay 90s Paris Impressionist arts scene.
To further show off its expertise the website may create a resources area, offering articles, research, re-enacting tips and sales to interested parties. We will accept reservations online as well as partner with Amazon, PayPal and book sellers to sell products while holding no inventory. Of course, all of the items will be totally Impressionist/Moulin Rouge/Age of Elegance in nature. We will accept all credit cards via our merchant accounts.
The key to the website strategy will be combining a very well designed front end, with a back end capable of recording leads and proposal requests, as well as running our own online marketing program.
We will sell targeted advertising to specific market groups, as well as partnering with online retailers to sell relevant products to the users.
Marketing for us will center primarily around distribution of our URL, initially via paper means. That will plug and pull unique hits on our real time database reporting and stats. Our restaurant concept will not rely on achieving first hit status for keywords to draw customers into the premises. Rather, a visit to the website will most always be an after-the-fact event. For instance, after visiting the restaurant or after reading our brochure or after hearing our commercial on the radio.
We will garner some specific unique entry hits via usage of our time proven keyword and html skills. These will result in number one placement across certain keywords and dozens of engines, worldwide. Such is our proven success of using numerous URLs, keyword generation and testing with the number one rated international “Web Position Gold 2” program. In addition to that, whole, separate websites are built specifically for precise search engines. The most intelligent designers are able to achieve #1 ranking via weekly updating across 1,200+ engines. Our primary goal model is the Google engine.
We will be linked to from hundreds of websites, including the Greater Bigmalltown Chamber of Commerce and US Chamber of Commerce.
The website will be initially developed with few technical resources. A simple hosting provider, Ludditeorgweb.com services, will host the site and provide the technical back end out of Sunscorch City, USA.
We will work with a contracted user interface designer to develop the simple, classy, yet Internet focused site. The user interface designer will work with a graphic artist to come up with the website logo, and the website graphics. A number of articles, photos and features will be provided based on our recreation of the 1890s Paris Boulevardier lifestyle.
The maintenance of the site will be done by the owner. As the website rolls out future development such as newsletters and downloadable games, a technical resource may need to be contracted to build the high-end items.
The initial management team depends on the founder, Joachim Oignons and his recruitment of managers. As we grow, we may take on additional consulting help, plus graphic/editorial, sales, and marketing. By opening, Belle Epoque’s management team will be composed of:
Executive Chef Joachim will manage the kitchen staff and oversee the financials
Serving Staff manager – T.O. Matto
Sommelier/Bar manager – A. Bisynthe
Performance manager – C. Wensleydale
* Management team resumes, confidential and proprietary information have been removed from this sample plan.
The following table summarizes our personnel expenditures for the first three years, with compensation increasing from less than $634K the first year to about $700K in the third.
Employees include hosts, kitchen staff, serving staff, performance staff, bartending staff, and dishwashing/cleanup staff, sufficient to cover the hours of operation, prep-time and cleanup. Restaurant serving hours begin at 10:30 AM, and the bar closes at 2:00 AM. A Bookkeeper/Office Assistant will also be hired.
We believe this plan is a fair compromise between fairness and expedience, and meets the commitment of our mission statement. The detailed monthly personnel plan for the first year is included in the appendices.
Personnel Plan | |||
Year 1 | Year 2 | Year 3 | |
Executive Chef Joachim Oignons-owner | $59,000 | $61,950 | $65,048 |
Serving Staff Manager | $36,000 | $37,800 | $39,690 |
Sommelier/Bar Manager | $36,000 | $37,800 | $39,690 |
Performance Manager | $36,000 | $37,800 | $39,690 |
Host/Serving Staff | $129,024 | $135,475 | $142,249 |
Kitchen Staff | $169,344 | $177,811 | $186,702 |
Performance Staff | $124,416 | $130,637 | $137,169 |
Bar Staff | $32,256 | $33,869 | $35,562 |
Bookkeeper/Office Assistant | $12,000 | $12,600 | $13,230 |
Total People | 0 | 0 | 0 |
Total Payroll | $634,040 | $665,742 | $699,029 |
We are assuming a low start-up funding figure of approximated $500,000. The business will grow exponentially by a net worth of about two million dollars per year and this growth is based off of sheer cash profits and managerial excellence. Growth will be self financed. No additional funding will be needed.
The financial plan depends on important assumptions, most of which are shown in the following table as annual assumptions. The monthly assumptions are included in the appendices. From the beginning, we recognize that our direct marketing will be critical to advertising, a factor we can influence easily. Weather and catastrophe cannot be so easily planned on and would delay project by a year (hurricane, tornado, etc…) At least we are planning on the potential problem, and dealing with it.
Interest rates, tax rates, and personnel burden are based on conservative assumptions.
Two of the more important underlying assumptions are:
One item of particular note is that we have set our cost of goods for food sales at high percentage factors of 30% to 36%. The majority of seasoned managers would raise an eyebrow at those percentages. We intend to beat these percentages and therefore bring in a windfall on our P & L. One important assumption is our capability to decrease food waste and costs.
General Assumptions | |||
Year 1 | Year 2 | Year 3 | |
Plan Month | 1 | 2 | 3 |
Current Interest Rate | 10.00% | 10.00% | 10.00% |
Long-term Interest Rate | 8.20% | 8.20% | 8.20% |
Tax Rate | 25.00% | 25.00% | 25.00% |
Other | 0 | 0 | 0 |
Start-up funding requirements come to just shy of $500,000. This presumes we can move into an established, equiped restaurant space. Expenses and asset purchases will increase dramatically if we must fully outfit and equip a space for its first use as a restaurant.
Funding will be through a combination of owner investment, outside investment, and long-term loans. A small amount of current borrowing (credit card purchases) complete the start-up funding.
Start-up Funding | |
Start-up Expenses to Fund | $178,420 |
Start-up Assets to Fund | $317,000 |
Total Funding Required | $495,420 |
Assets | |
Non-cash Assets from Start-up | $267,000 |
Cash Requirements from Start-up | $50,000 |
Additional Cash Raised | $420 |
Cash Balance on Starting Date | $50,420 |
Total Assets | $317,420 |
Liabilities and Capital | |
Liabilities | |
Current Borrowing | $5,420 |
Long-term Liabilities | $40,000 |
Accounts Payable (Outstanding Bills) | $0 |
Other Current Liabilities (interest-free) | $0 |
Total Liabilities | $45,420 |
Capital | |
Planned Investment | |
Owner | $50,420 |
Investor | $400,000 |
Additional Investment Requirement | $0 |
Total Planned Investment | $450,420 |
Loss at Start-up (Start-up Expenses) | ($178,420) |
Total Capital | $272,000 |
Total Capital and Liabilities | $317,420 |
Total Funding | $495,840 |
The following table shows the projected businesses ratios. We expect to maintain healthy ratios for profitability, risk, and return. The Standard Industrial Classification (SIC) Code for the industry we chose is French Restaurant (5812.0104), though there is no SIC that accurately describes our offering platform of dinner theatre. We used the Industry Ratios report for Eating Places (5812) to generate the industry profile shown in the following table.
Ratio Analysis | ||||
Year 1 | Year 2 | Year 3 | Industry Profile | |
Sales Growth | 0.00% | 17.70% | 17.70% | 7.60% |
Percent of Total Assets | ||||
Inventory | 1.79% | 1.00% | 0.73% | 3.60% |
Other Current Assets | 0.46% | 0.22% | 0.14% | 35.60% |
Total Current Assets | 95.58% | 98.01% | 98.84% | 43.70% |
Long-term Assets | 4.42% | 1.99% | 1.16% | 56.30% |
Total Assets | 100.00% | 100.00% | 100.00% | 100.00% |
Current Liabilities | 5.68% | 4.70% | 3.46% | 32.70% |
Long-term Liabilities | 0.90% | 0.33% | 0.13% | 28.50% |
Total Liabilities | 6.58% | 5.03% | 3.60% | 61.20% |
Net Worth | 93.42% | 94.97% | 96.40% | 38.80% |
Percent of Sales | ||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 69.27% | 70.13% | 70.69% | 60.50% |
Selling, General & Administrative Expenses | 32.12% | 34.20% | 34.10% | 39.80% |
Advertising Expenses | 1.12% | 1.10% | 1.08% | 3.20% |
Profit Before Interest and Taxes | 56.94% | 59.34% | 61.10% | 0.70% |
Main Ratios | ||||
Current | 16.82 | 20.84 | 28.56 | 0.98 |
Quick | 16.50 | 20.63 | 28.35 | 0.65 |
Total Debt to Total Assets | 6.58% | 5.03% | 3.60% | 61.20% |
Pre-tax Return on Net Worth | 126.67% | 74.25% | 56.06% | 1.70% |
Pre-tax Return on Assets | 118.34% | 70.52% | 54.04% | 4.30% |
Additional Ratios | Year 1 | Year 2 | Year 3 | |
Net Profit Margin | 42.67% | 44.48% | 45.81% | n.a |
Return on Equity | 95.01% | 55.69% | 42.04% | n.a |
Activity Ratios | ||||
Inventory Turnover | 24.00 | 38.04 | 38.21 | n.a |
Accounts Payable Turnover | 17.85 | 12.17 | 12.17 | n.a |
Payment Days | 27 | 24 | 28 | n.a |
Total Asset Turnover | 2.08 | 1.19 | 0.88 | n.a |
Debt Ratios | ||||
Debt to Net Worth | 0.07 | 0.05 | 0.04 | n.a |
Current Liab. to Liab. | 0.86 | 0.93 | 0.96 | n.a |
Liquidity Ratios | ||||
Net Working Capital | $3,313,676 | $7,081,367 | $11,450,067 | n.a |
Interest Coverage | 1,354.42 | 2,241.85 | 3,837.09 | n.a |
Additional Ratios | ||||
Assets to Sales | 0.48 | 0.84 | 1.13 | n.a |
Current Debt/Total Assets | 6% | 5% | 3% | n.a |
Acid Test | 16.50 | 20.63 | 28.35 | n.a |
Sales/Net Worth | 2.23 | 1.25 | 0.92 | n.a |
Dividend Payout | 0.03 | 0.06 | 0.10 | n.a |
The following chart and table summarize our break-even analysis. We expect to reach break-even a few months into the business operation. With favorable response from PR exposure and teaser advertising, in the first month we open, April of 2005, we may achieve goal and break even.
The break-even assumes variable costs of 38% percent of revenue. This assumption is probably too high, and therefore conservative. With initial monthly expenses of over $86,600 we will need averaged monthly revenues of about $140,000 to break-even.
Break-even Analysis | |
Monthly Units Break-even | 127,018 |
Monthly Revenue Break-even | $127,018 |
Assumptions: | |
Average Per-Unit Revenue | $1.00 |
Average Per-Unit Variable Cost | $0.38 |
Estimated Monthly Fixed Cost | $78,751 |
Our advertising budget pulls data from several tables; the fact that we are spending less than the industry average will be due to getting such great reviews in the consumer and press related magazines and newspapers. Also, of specific note is our unique marketing stunts and plan that does not rely on traditional advertising schemes.
We are profitable in the first year at just over $3 million. As with the break-even, we are projecting very conservatively regarding cost of sales and gross margin. Our cost of goods should be much lower, and gross margin higher, than in this projection. We prefer to project conservatively so that we make sure we have enough cash.
Based on 30+ years of restaurant experience we have budgeted for continued computer and equipage purchases. If we do open in a previously equipped restaurant space we know we will need replacements. If we must open with brand new, guaranteed equipment, we will not have replacement expenses as soon. Normal wear and tear and breakage of plates, glasses, tableware, etc. are budgeted monthly.
Labor costs may be lower than the pro forma projects – but we are planning on worst-case scenario of our attention being diverted as we grow into exactly what we need and when. Later years may be lower as we learn more about how much labor is truly critical. Conversely, if our dinner and show concept is well received, we may have to increase staff (and therefore labor costs) to serve the customer demand.
The Gross Margin Percentage holds steady from year to year due to holding menu and show prices with minimal increases to cover increased food costs and operating expenses. This may be unrealistic – the quandary is – do we want to raise our prices each year or hold them fast. Customer response surveys combined with economic condition analysis will yield the answer to this after the first twelve months. Either way, at worst, we forecast profits between $3-$4 million per annum.
Pro Forma Profit and Loss | |||
Year 1 | Year 2 | Year 3 | |
Sales | $7,666,320 | $9,023,259 | $10,620,375 |
Direct Cost of Sales | $2,355,984 | $2,695,245 | $3,113,008 |
Other Production Expenses | $0 | $0 | $0 |
Total Cost of Sales | $2,355,984 | $2,695,245 | $3,113,008 |
Gross Margin | $5,310,336 | $6,328,013 | $7,507,367 |
Gross Margin % | 69.27% | 70.13% | 70.69% |
Expenses | |||
Payroll | $634,040 | $665,742 | $699,029 |
Sales and Marketing and Other Expenses | $92,807 | $81,632 | $81,632 |
Depreciation | $12,000 | $12,000 | $12,000 |
MICROS syterm, phones, security, fire, computer upgrades | $10,000 | $10,000 | $10,000 |
Exterminating | $300 | $300 | $300 |
Ceramic/Glass/Silver Upkeep | $2,400 | $2,400 | $3,000 |
Maintenance/Repairs | $22,000 | $20,000 | $22,000 |
Linen and Dry Cleaning | $2,100 | $2,400 | $2,700 |
Dish and Cleaning Supplies | $4,800 | $5,000 | $5,250 |
Office Products Upkeep | $2,400 | $2,500 | $2,600 |
Paper Products Upkeep | $9,600 | $10,000 | $11,000 |
Utilities | $28,160 | $30,160 | $32,160 |
Insurance | $8,604 | $9,104 | $9,604 |
Rent | $49,800 | $54,800 | $56,800 |
Employee Healthcare | $36,000 | $38,000 | $40,000 |
Comps/Donations/Handouts | $30,000 | $30,000 | $30,000 |
Payroll Taxes | $0 | $0 | $0 |
Total Operating Expenses | $945,011 | $974,038 | $1,018,075 |
Profit Before Interest and Taxes | $4,365,325 | $5,353,975 | $6,489,292 |
EBITDA | $4,377,325 | $5,365,975 | $6,501,292 |
Interest Expense | $3,223 | $2,388 | $1,691 |
Taxes Incurred | $1,090,525 | $1,337,897 | $1,621,900 |
Net Profit | $3,271,576 | $4,013,690 | $4,865,701 |
Net Profit/Sales | 42.67% | 44.48% | 45.81% |
The plan projects a $11,340,000 net worth by 2007 (three years of operation in a high activity vacation environment). The plan anticipates full staffing, a small management team, and maximum acceptance by the dining public. The highest sales will be in the prime summer vacation months, but we believe our unique offering will draw customers to Belle Epoque all year long.
If our sales and profits forecasts prove accurate Chef Joachim will expand his management team and accelerate the long-term plan of opening a second and third Belle Epoque restaurants in other demographic markets. The opening of the second venue will be financed by the profits from this restaurant, and the third site will be financed by the profits from the first two ventures. Obviously this will result in substantial changes in the cash flow and profit figures in year two and year three of this plan.
Cash flow projections are critical to our success. The monthly cash flow is shown in the illustration, with one bar representing the cash flow per month, and the other the monthly cash balance. The annual cash flow figures are included here and the more important detailed monthly numbers are included in the appendices.
Pro Forma Cash Flow | |||
Year 1 | Year 2 | Year 3 | |
Cash Received | |||
Cash from Operations | |||
Cash Sales | $7,666,320 | $9,023,259 | $10,620,375 |
Subtotal Cash from Operations | $7,666,320 | $9,023,259 | $10,620,375 |
Additional Cash Received | |||
Sales Tax, VAT, HST/GST Received | $536,642 | $631,628 | $743,426 |
New Current Borrowing | $0 | $0 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 |
New Investment Received | $0 | $0 | $0 |
Subtotal Cash Received | $8,202,962 | $9,654,887 | $11,363,802 |
Expenditures | Year 1 | Year 2 | Year 3 |
Expenditures from Operations | |||
Cash Spending | $634,040 | $665,742 | $699,029 |
Bill Payments | $3,530,306 | $4,194,008 | $4,996,678 |
Subtotal Spent on Operations | $4,164,346 | $4,859,750 | $5,695,707 |
Additional Cash Spent | |||
Sales Tax, VAT, HST/GST Paid Out | $536,642 | $631,628 | $743,426 |
Principal Repayment of Current Borrowing | $5,400 | $0 | $0 |
Other Liabilities Principal Repayment | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $6,900 | $8,000 | $9,000 |
Purchase Other Current Assets | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $0 |
Dividends | $100,000 | $250,000 | $500,000 |
Subtotal Cash Spent | $4,813,288 | $5,749,378 | $6,948,133 |
Net Cash Flow | $3,389,674 | $3,905,508 | $4,415,668 |
Cash Balance | $3,440,094 | $7,345,603 | $11,761,271 |
The balance sheet in the following table shows managed but sufficient growth of net worth, and a sufficiently healthy financial position. The monthly estimates are included in the appendices.
Pro Forma Balance Sheet | |||
Year 1 | Year 2 | Year 3 | |
Assets | |||
Current Assets | |||
Cash | $3,440,094 | $7,345,603 | $11,761,271 |
Inventory | $66,090 | $75,607 | $87,326 |
Other Current Assets | $17,000 | $17,000 | $17,000 |
Total Current Assets | $3,523,184 | $7,438,209 | $11,865,597 |
Long-term Assets | |||
Long-term Assets | $175,000 | $175,000 | $175,000 |
Accumulated Depreciation | $12,000 | $24,000 | $36,000 |
Total Long-term Assets | $163,000 | $151,000 | $139,000 |
Total Assets | $3,686,184 | $7,589,209 | $12,004,597 |
Liabilities and Capital | Year 1 | Year 2 | Year 3 |
Current Liabilities | |||
Accounts Payable | $209,488 | $356,823 | $415,509 |
Current Borrowing | $20 | $20 | $20 |
Other Current Liabilities | $0 | $0 | $0 |
Subtotal Current Liabilities | $209,508 | $356,843 | $415,529 |
Long-term Liabilities | $33,100 | $25,100 | $16,100 |
Total Liabilities | $242,608 | $381,943 | $431,629 |
Paid-in Capital | $450,420 | $450,420 | $450,420 |
Retained Earnings | ($278,420) | $2,743,156 | $6,256,847 |
Earnings | $3,271,576 | $4,013,690 | $4,865,701 |
Total Capital | $3,443,576 | $7,207,267 | $11,572,967 |
Total Liabilities and Capital | $3,686,184 | $7,589,209 | $12,004,597 |
Net Worth | $3,443,576 | $7,207,267 | $11,572,967 |
Sales Forecast | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Unit Sales | |||||||||||||
Lunch Sales | 0% | 5,130 | 5,940 | 10,395 | 10,395 | 10,395 | 5,940 | 5,130 | 5,130 | 5,130 | 5,130 | 5,130 | 5,130 |
High Tea Sales | 0% | 810 | 810 | 810 | 810 | 810 | 810 | 810 | 810 | 810 | 810 | 810 | 810 |
Dinner Sales | 0% | 2,970 | 3,780 | 10,395 | 10,395 | 10,395 | 5,000 | 5,000 | 4,000 | 3,700 | 3,500 | 3,700 | 3,500 |
Dinner Show Sales | 0% | 2,727 | 5,427 | 8,640 | 8,640 | 8,640 | 7,000 | 6,000 | 5,000 | 5,000 | 4,000 | 3,000 | 4,000 |
Bar Sales | 0% | 1,350 | 1,350 | 5,400 | 5,400 | 5,400 | 1,350 | 1,350 | 1,350 | 1,350 | 1,350 | 1,350 | 1,350 |
Be In the Show Sales | 0% | 270 | 270 | 270 | 270 | 270 | 270 | 270 | 270 | 270 | 270 | 270 | 270 |
Catering Sales | 0% | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 | 0 | 0 | 0 |
Total Unit Sales | 13,257 | 17,577 | 35,910 | 35,911 | 35,911 | 20,370 | 18,560 | 16,560 | 16,262 | 15,060 | 14,260 | 15,060 | |
Unit Prices | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Lunch Sales | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | $14.00 | |
High Tea Sales | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | $18.00 | |
Dinner Sales | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | $24.00 | |
Dinner Show Sales | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | $55.00 | |
Bar Sales | $20.00 | $20.00 | $35.00 | $35.00 | $35.00 | $20.00 | $20.00 | $20.00 | $20.00 | $20.00 | $20.00 | $20.00 | |
Be In the Show Sales | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | $65.00 | |
Catering Sales | $0.00 | $0.00 | $0.00 | $9,000.00 | $10,000.00 | $0.00 | $0.00 | $0.00 | $5,000.00 | $0.00 | $0.00 | $0.00 | |
Sales | |||||||||||||
Lunch Sales | $71,820 | $83,160 | $145,530 | $145,530 | $145,530 | $83,160 | $71,820 | $71,820 | $71,820 | $71,820 | $71,820 | $71,820 | |
High Tea Sales | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | $14,580 | |
Dinner Sales | $71,280 | $90,720 | $249,480 | $249,480 | $249,480 | $120,000 | $120,000 | $96,000 | $88,800 | $84,000 | $88,800 | $84,000 | |
Dinner Show Sales | $149,985 | $298,485 | $475,200 | $475,200 | $475,200 | $385,000 | $330,000 | $275,000 | $275,000 | $220,000 | $165,000 | $220,000 | |
Bar Sales | $27,000 | $27,000 | $189,000 | $189,000 | $189,000 | $27,000 | $27,000 | $27,000 | $27,000 | $27,000 | $27,000 | $27,000 | |
Be In the Show Sales | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | $17,550 | |
Catering Sales | $0 | $0 | $0 | $9,000 | $10,000 | $0 | $0 | $0 | $10,000 | $0 | $0 | $0 | |
Total Sales | $352,215 | $531,495 | $1,091,340 | $1,100,340 | $1,101,340 | $647,290 | $580,950 | $501,950 | $504,750 | $434,950 | $384,750 | $434,950 | |
Direct Unit Costs | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Lunch Sales | 38.00% | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 | $5.32 |
High Tea Sales | 38.00% | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 | $6.84 |
Dinner Sales | 36.00% | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 | $8.64 |
Dinner Show Sales | 25.00% | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 | $13.75 |
Bar Sales | 36.00% | $7.20 | $7.20 | $12.60 | $12.60 | $12.60 | $7.20 | $7.20 | $7.20 | $7.20 | $7.20 | $7.20 | $7.20 |
Be In the Show Sales | 25.00% | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 | $16.25 |
Catering Sales | 55.00% | $0.00 | $0.00 | $0.00 | $4,950.00 | $5,500.00 | $0.00 | $0.00 | $0.00 | $2,750.00 | $0.00 | $0.00 | $0.00 |
Direct Cost of Sales | |||||||||||||
Lunch Sales | $27,292 | $31,601 | $55,301 | $55,301 | $55,301 | $31,601 | $27,292 | $27,292 | $27,292 | $27,292 | $27,292 | $27,292 | |
High Tea Sales | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | $5,540 | |
Dinner Sales | $25,661 | $32,659 | $89,813 | $89,813 | $89,813 | $43,200 | $43,200 | $34,560 | $31,968 | $30,240 | $31,968 | $30,240 | |
Dinner Show Sales | $37,496 | $74,621 | $118,800 | $118,800 | $118,800 | $96,250 | $82,500 | $68,750 | $68,750 | $55,000 | $41,250 | $55,000 | |
Bar Sales | $9,720 | $9,720 | $68,040 | $68,040 | $68,040 | $9,720 | $9,720 | $9,720 | $9,720 | $9,720 | $9,720 | $9,720 | |
Be In the Show Sales | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | $4,388 | |
Catering Sales | $0 | $0 | $0 | $4,950 | $5,500 | $0 | $0 | $0 | $5,500 | $0 | $0 | $0 | |
Subtotal Direct Cost of Sales | $110,097 | $158,529 | $341,882 | $346,832 | $347,382 | $190,699 | $172,640 | $150,250 | $153,158 | $132,180 | $120,158 | $132,180 |
Personnel Plan | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Executive Chef Joachim Oignons-owner | 0% | $4,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 | $5,000 |
Serving Staff Manager | 0% | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 |
Sommelier/Bar Manager | 0% | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 |
Performance Manager | 0% | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 |
Host/Serving Staff | 0% | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 | $10,752 |
Kitchen Staff | 0% | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 | $14,112 |
Performance Staff | 0% | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 | $10,368 |
Bar Staff | 0% | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 | $2,688 |
Bookkeeper/Office Assistant | 0% | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 |
Total People | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | |
Total Payroll | $51,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 |
General Assumptions | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Plan Month | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
Current Interest Rate | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | 10.00% | |
Long-term Interest Rate | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | 8.20% | |
Tax Rate | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | 25.00% | |
Other | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Pro Forma Profit and Loss | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | $352,215 | $531,495 | $1,091,340 | $1,100,340 | $1,101,340 | $647,290 | $580,950 | $501,950 | $504,750 | $434,950 | $384,750 | $434,950 | |
Direct Cost of Sales | $110,097 | $158,529 | $341,882 | $346,832 | $347,382 | $190,699 | $172,640 | $150,250 | $153,158 | $132,180 | $120,158 | $132,180 | |
Other Production Expenses | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Cost of Sales | $110,097 | $158,529 | $341,882 | $346,832 | $347,382 | $190,699 | $172,640 | $150,250 | $153,158 | $132,180 | $120,158 | $132,180 | |
Gross Margin | $242,118 | $372,966 | $749,458 | $753,508 | $753,958 | $456,591 | $408,311 | $351,701 | $351,593 | $302,771 | $264,593 | $302,771 | |
Gross Margin % | 68.74% | 70.17% | 68.67% | 68.48% | 68.46% | 70.54% | 70.28% | 70.07% | 69.66% | 69.61% | 68.77% | 69.61% | |
Expenses | |||||||||||||
Payroll | $51,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | |
Sales and Marketing and Other Expenses | $2,846 | $3,671 | $3,671 | $3,671 | $3,671 | $3,671 | $12,671 | $13,671 | $13,671 | $14,251 | $13,671 | $3,671 | |
Depreciation | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 | |
MICROS syterm, phones, security, fire, computer upgrades | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $10,000 | $0 | $0 | |
Exterminating | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | $25 | |
Ceramic/Glass/Silver Upkeep | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | |
Maintenance/Repairs | $0 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | |
Linen and Dry Cleaning | $175 | $175 | $175 | $175 | $175 | $175 | $175 | $175 | $175 | $175 | $175 | $175 | |
Dish and Cleaning Supplies | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | $400 | |
Office Products Upkeep | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | $200 | |
Paper Products Upkeep | $800 | $800 | $800 | $800 | $800 | $800 | $800 | $800 | $800 | $800 | $800 | $800 | |
Utilities | $1,430 | $1,430 | $1,430 | $1,430 | $1,430 | $1,430 | $2,430 | $3,430 | $3,430 | $3,430 | $3,430 | $3,430 | |
Insurance | $717 | $717 | $717 | $717 | $717 | $717 | $717 | $717 | $717 | $717 | $717 | $717 | |
Rent | $1,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | $4,400 | |
Employee Healthcare | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | $3,000 | |
Comps/Donations/Handouts | 15% | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 | $2,500 |
Payroll Taxes | 15% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Operating Expenses | $66,613 | $73,438 | $73,438 | $73,438 | $73,438 | $73,438 | $83,438 | $85,438 | $85,438 | $96,018 | $85,438 | $75,438 | |
Profit Before Interest and Taxes | $175,505 | $299,528 | $676,020 | $680,070 | $680,520 | $383,153 | $324,872 | $266,262 | $266,154 | $206,752 | $179,154 | $227,333 | |
EBITDA | $176,505 | $300,528 | $677,020 | $681,070 | $681,520 | $384,153 | $325,872 | $267,262 | $267,154 | $207,752 | $180,154 | $228,333 | |
Interest Expense | $311 | $303 | $295 | $288 | $280 | $272 | $265 | $257 | $249 | $242 | $234 | $226 | |
Taxes Incurred | $43,799 | $74,806 | $168,931 | $169,946 | $170,060 | $95,720 | $81,152 | $66,501 | $66,476 | $51,628 | $44,730 | $56,777 | |
Net Profit | $131,396 | $224,419 | $506,793 | $509,837 | $510,180 | $287,161 | $243,456 | $199,504 | $199,429 | $154,883 | $134,190 | $170,330 | |
Net Profit/Sales | 37.31% | 42.22% | 46.44% | 46.33% | 46.32% | 44.36% | 41.91% | 39.75% | 39.51% | 35.61% | 34.88% | 39.16% |
Pro Forma Cash Flow | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Cash Received | |||||||||||||
Cash from Operations | |||||||||||||
Cash Sales | $352,215 | $531,495 | $1,091,340 | $1,100,340 | $1,101,340 | $647,290 | $580,950 | $501,950 | $504,750 | $434,950 | $384,750 | $434,950 | |
Subtotal Cash from Operations | $352,215 | $531,495 | $1,091,340 | $1,100,340 | $1,101,340 | $647,290 | $580,950 | $501,950 | $504,750 | $434,950 | $384,750 | $434,950 | |
Additional Cash Received | |||||||||||||
Sales Tax, VAT, HST/GST Received | 7.00% | $24,655 | $37,205 | $76,394 | $77,024 | $77,094 | $45,310 | $40,667 | $35,137 | $35,333 | $30,447 | $26,933 | $30,447 |
New Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Other Liabilities (interest-free) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Long-term Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Investment Received | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Received | $376,870 | $568,700 | $1,167,734 | $1,177,364 | $1,178,434 | $692,600 | $621,617 | $537,087 | $540,083 | $465,397 | $411,683 | $465,397 | |
Expenditures | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Expenditures from Operations | |||||||||||||
Cash Spending | $51,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | $52,920 | |
Bill Payments | $4,932 | $152,261 | $288,870 | $619,528 | $539,007 | $527,194 | $229,424 | $273,304 | $237,848 | $251,615 | $214,824 | $191,498 | |
Subtotal Spent on Operations | $56,852 | $205,181 | $341,790 | $672,448 | $591,927 | $580,114 | $282,344 | $326,224 | $290,768 | $304,535 | $267,744 | $244,418 | |
Additional Cash Spent | |||||||||||||
Sales Tax, VAT, HST/GST Paid Out | $24,655 | $37,205 | $76,394 | $77,024 | $77,094 | $45,310 | $40,667 | $35,137 | $35,333 | $30,447 | $26,933 | $30,447 | |
Principal Repayment of Current Borrowing | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $450 | $450 | |
Other Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Long-term Liabilities Principal Repayment | $575 | $575 | $575 | $575 | $575 | $575 | $575 | $575 | $575 | $575 | $575 | $575 | |
Purchase Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Dividends | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100,000 | |
Subtotal Cash Spent | $82,532 | $243,411 | $419,209 | $750,497 | $670,046 | $626,449 | $324,035 | $362,386 | $327,126 | $336,007 | $295,701 | $375,890 | |
Net Cash Flow | $294,338 | $325,289 | $748,525 | $426,867 | $508,388 | $66,151 | $297,581 | $174,701 | $212,957 | $129,390 | $115,981 | $89,507 | |
Cash Balance | $344,758 | $670,047 | $1,418,571 | $1,845,438 | $2,353,826 | $2,419,978 | $2,717,559 | $2,892,260 | $3,105,216 | $3,234,606 | $3,350,587 | $3,440,094 |
Pro Forma Balance Sheet | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Assets | Starting Balances | ||||||||||||
Current Assets | |||||||||||||
Cash | $50,420 | $344,758 | $670,047 | $1,418,571 | $1,845,438 | $2,353,826 | $2,419,978 | $2,717,559 | $2,892,260 | $3,105,216 | $3,234,606 | $3,350,587 | $3,440,094 |
Inventory | $75,000 | $55,048 | $79,265 | $170,941 | $173,416 | $173,691 | $95,349 | $86,320 | $75,125 | $76,579 | $66,090 | $60,079 | $66,090 |
Other Current Assets | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 | $17,000 |
Total Current Assets | $142,420 | $416,807 | $766,312 | $1,606,513 | $2,035,854 | $2,544,517 | $2,532,327 | $2,820,879 | $2,984,385 | $3,198,795 | $3,317,696 | $3,427,666 | $3,523,184 |
Long-term Assets | |||||||||||||
Long-term Assets | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 | $175,000 |
Accumulated Depreciation | $0 | $1,000 | $2,000 | $3,000 | $4,000 | $5,000 | $6,000 | $7,000 | $8,000 | $9,000 | $10,000 | $11,000 | $12,000 |
Total Long-term Assets | $175,000 | $174,000 | $173,000 | $172,000 | $171,000 | $170,000 | $169,000 | $168,000 | $167,000 | $166,000 | $165,000 | $164,000 | $163,000 |
Total Assets | $317,420 | $590,807 | $939,312 | $1,778,513 | $2,206,854 | $2,714,517 | $2,701,327 | $2,988,879 | $3,151,385 | $3,364,795 | $3,482,696 | $3,591,666 | $3,686,184 |
Liabilities and Capital | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Current Liabilities | |||||||||||||
Accounts Payable | $0 | $143,016 | $268,127 | $601,560 | $521,090 | $519,598 | $220,272 | $265,393 | $229,420 | $244,427 | $208,469 | $184,274 | $209,488 |
Current Borrowing | $5,420 | $4,970 | $4,520 | $4,070 | $3,620 | $3,170 | $2,720 | $2,270 | $1,820 | $1,370 | $920 | $470 | $20 |
Other Current Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Subtotal Current Liabilities | $5,420 | $147,986 | $272,647 | $605,630 | $524,710 | $522,768 | $222,992 | $267,663 | $231,240 | $245,797 | $209,389 | $184,744 | $209,508 |
Long-term Liabilities | $40,000 | $39,425 | $38,850 | $38,275 | $37,700 | $37,125 | $36,550 | $35,975 | $35,400 | $34,825 | $34,250 | $33,675 | $33,100 |
Total Liabilities | $45,420 | $187,411 | $311,497 | $643,905 | $562,410 | $559,893 | $259,542 | $303,638 | $266,640 | $280,622 | $243,639 | $218,419 | $242,608 |
Paid-in Capital | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 | $450,420 |
Retained Earnings | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($178,420) | ($278,420) |
Earnings | $0 | $131,396 | $355,815 | $862,608 | $1,372,444 | $1,882,624 | $2,169,785 | $2,413,241 | $2,612,745 | $2,812,173 | $2,967,057 | $3,101,247 | $3,271,576 |
Total Capital | $272,000 | $403,396 | $627,815 | $1,134,608 | $1,644,444 | $2,154,624 | $2,441,785 | $2,685,241 | $2,884,745 | $3,084,173 | $3,239,057 | $3,373,247 | $3,443,576 |
Total Liabilities and Capital | $317,420 | $590,807 | $939,312 | $1,778,513 | $2,206,854 | $2,714,517 | $2,701,327 | $2,988,879 | $3,151,385 | $3,364,795 | $3,482,696 | $3,591,666 | $3,686,184 |
Net Worth | $272,000 | $403,396 | $627,815 | $1,134,608 | $1,644,444 | $2,154,624 | $2,441,785 | $2,685,241 | $2,884,745 | $3,084,173 | $3,239,057 | $3,373,247 | $3,443,576 |
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Movie Theater
Back to All Business Ideas
Written by: Natalie Fell
Natalie is a business writer with experience in operations, HR, and training & development within the software, healthcare, and financial services sectors.
Edited by: David Lepeska
David has been writing and learning about business, finance and globalization for a quarter-century, starting with a small New York consulting firm in the 1990s.
Published on May 28, 2022 Updated on June 5, 2024
Investment range
$135,500-$324,600
Revenue potential
$195,000 - $520,000 p.a.
Time to build
0 - 3 months
Profit potential
$59,000 - $156,000 p.a.
Industry trend
There’s nothing quite like seeing a movie on the big screen. The cinematic experience of watching a film in a theater feels larger than life! Although streaming services have made it easier to watch the latest blockbusters at home, improved technology and new innovations keep people coming back to the theater.
As the pandemic recedes, people are heading back out on the town, and the US movie theater industry is expected to grow 4.8% annually through 2028.
Right now is a great time to start the cinema of your dreams, but it’s important to make sure you have the business fundamentals down before you dive in. Luckily, this step-by-step guide contains all the information and insight you need to put you and your new movie theater on the path to success.
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Pros and cons.
Before you decide to start your own movie theater, it’s important to consider the pros and cons.
Industry size and growth.
Trends within the movie theater industry include:
Challenges within the movie theater industry include:
Startup costs for a movie theater range from $135,000 to $325,000. Major costs include theater rental, equipment, labor, and the cost to license the films you feature. You may be able to keep costs low by renting equipment or purchasing used items and licensing older films instead of new releases.
You’ll need a handful of items to successfully launch your movie theater, including:
Start-up Costs | Ballpark Range | Average |
---|---|---|
Licenses and permits | $100-$300 | $200 |
Insurance | $100-$300 | $200 |
Marketing and advertising | $500-$1,000 | $750 |
Website | $1,000-$2,000 | $1,500 |
Software | $500-$1,000 | $750 |
Theater Rental | $5,000-$10,000 | $7,500 |
Digital Projector & Sound Equipment | $125,000-$300,000 | $212,500 |
Film Licensing Fees | $300-$2,000 | $1,150 |
Employee Wages | $2,000-$5,000 | $3,500 |
Concessions | $1,000-$3,000 | $3,500 |
Total | $135,500-$324,600 | $230,050 |
The average cost of a movie ticket is $15. Movie-goers often purchase concessions when they’re available and spend an additional $10. After costs, your profit margin should be around 30%.
In your first year or two, assuming a two screen theater, you could show two screenings per week to 75 patrons each. You could charge $15 a ticket and sell $10 worth of concessions to each person, bringing in $195,000 in annual revenue. This would mean $59,000 in profit, assuming that 30% margin. As your movie theater becomes more popular, you could draw 200 people per screening, bring in $520,000 in annual revenue, and make an impressive profit of $156,000.
There are a few barriers to entry when starting a movie theater. Your biggest challenges will be:
Step 2: hone your idea.
Now that you know what’s involved in starting a movie theater, it’s a good idea to hone your concept in preparation to enter a competitive market.
Market research will give you the upper hand, even if you’re already positive that you have a perfect product or service. Conducting market research is important, because it can help you understand your customers better, who your competitors are, and your business landscape.
Research movie theaters in your area and online to examine their services, price points, and customer reviews. You’re looking for a market gap to fill. For instance, maybe the local market is missing a theater with a full-service restaurant or arcade.
You might consider targeting a niche market by specializing in a certain aspect of your industry, such as independent films or private events.
This could jumpstart your word-of-mouth marketing and attract clients right away.
At your movie theater, you’ll be selling tickets to the films you decide to feature. Due to licensing fees, blockbuster new releases are more expensive to show than older films. Offering concessions or a full bar with alcoholic beverages would increase revenue.
Some theaters also have arcade games onsite. You could also consider renting your theater out for corporate events or private screenings.
Movie tickets typically cost between $12 and $20. You can charge a discount for a matinee show or a premium price for weekend showings. In terms of concessions, you could charge anywhere from $5 to $12 for candy, popcorn, and sodas. If you decide to offer alcoholic beverages, you can charge between $10 and $20 per drink.
Once you know your costs, you can use this Step By Step profit margin calculator to determine your mark-up and final price points. Remember, the prices you use at launch should be subject to change if warranted by the market.
Your target market will be individuals and families who enjoy viewing films in a theater. Movie-goers come in all ages, shapes, and sizes, so spread your marketing efforts across social media platforms like TikTok, Facebook, and Instagram.
Ideally, you’ll want to lease an existing theater that’s already designed for showing films. Look for a theater in a desirable location that’s easily accessible with plenty of parking. Theaters attached to malls and shopping centers are convenient for patrons.
As your business grows or if you acquire additional theaters, you’ll likely need to hire workers for various roles and may need to rent out a separate office. You can find commercial space to rent in your area on sites such as Craigslist , Crexi , and Instant Offices .
When choosing a commercial space, you may want to follow these rules of thumb:
Here are some ideas for brainstorming your business name:
Once you’ve got a list of potential names, visit the website of the US Patent and Trademark Office to make sure they are available for registration and check the availability of related domain names using our Domain Name Search tool. Using “.com” or “.org” sharply increases credibility, so it’s best to focus on these.
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Finally, make your choice among the names that pass this screening and go ahead with domain registration and social media account creation. Your business name is one of the key differentiators that sets your business apart. Once you pick your company name, and start with the branding, it is hard to change the business name. Therefore, it’s important to carefully consider your choice before you start a business entity.
Here are the key components of a business plan:
If you’ve never created a business plan, it can be an intimidating task. You might consider hiring a business plan specialist to create a top-notch business plan for you.
Registering your business is an absolutely crucial step — it’s the prerequisite to paying taxes, raising capital, opening a bank account, and other guideposts on the road to getting a business up and running.
Plus, registration is exciting because it makes the entire process official. Once it’s complete, you’ll have your own business!
Your business location is important because it can affect taxes, legal requirements, and revenue. Most people will register their business in the state where they live, but if you are planning to expand, you might consider looking elsewhere, as some states could offer real advantages when it comes to movie theaters.
If you’re willing to move, you could really maximize your business! Keep in mind, it’s relatively easy to transfer your business to another state.
Business entities come in several varieties, each with its pros and cons. The legal structure you choose for your movie theater will shape your taxes, personal liability, and business registration requirements, so choose wisely.
Here are the main options:
We recommend that new business owners choose LLC as it offers liability protection and pass-through taxation while being simpler to form than a corporation. You can form an LLC in as little as five minutes using an online LLC formation service. They will check that your business name is available before filing, submit your articles of organization , and answer any questions you might have.
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The final step before you’re able to pay taxes is getting an Employer Identification Number , or EIN. You can file for your EIN online or by mail or fax: visit the IRS website to learn more. Keep in mind, if you’ve chosen to be a sole proprietorship you can simply use your social security number as your EIN.
Once you have your EIN, you’ll need to choose your tax year. Financially speaking, your business will operate in a calendar year (January–December) or a fiscal year, a 12-month period that can start in any month. This will determine your tax cycle, while your business structure will determine which taxes you’ll pay.
The IRS website also offers a tax-payers checklist , and taxes can be filed online.
It is important to consult an accountant or other professional to help you with your taxes to ensure you are completing them correctly.
Securing financing is your next step and there are plenty of ways to raise capital:
Bank and SBA loans are probably the best option, other than friends and family, for funding a movie theater. You might also try crowdfunding if you have an innovative concept.
Starting a movie theater requires obtaining a number of licenses and permits from local, state, and federal governments.
Federal regulations, licenses, and permits associated with starting your business include doing business as (DBA), health licenses and permits from the Occupational Safety and Health Administration ( OSHA ), trademarks, copyrights, patents, and other intellectual properties, as well as industry-specific licenses and permits.
You may also need state-level and local county or city-based licenses and permits. The license requirements and how to obtain them vary, so check the websites of your state, city, and county governments or contact the appropriate person to learn more.
You could also check this SBA guide for your state’s requirements, but we recommend using MyCorporation’s Business License Compliance Package . They will research the exact forms you need for your business and state and provide them to ensure you’re fully compliant.
This is not a step to be taken lightly, as failing to comply with legal requirements can result in hefty penalties.
If you feel overwhelmed by this step or don’t know how to begin, it might be a good idea to hire a professional to help you check all the legal boxes.
Before you start making money, you’ll need a place to keep it, and that requires opening a bank account .
Keeping your business finances separate from your personal account makes it easy to file taxes and track your company’s income, so it’s worth doing even if you’re running your movie theater as a sole proprietorship. Opening a business bank account is quite simple, and similar to opening a personal one. Most major banks offer accounts tailored for businesses — just inquire at your preferred bank to learn about their rates and features.
Banks vary in terms of offerings, so it’s a good idea to examine your options and select the best plan for you. Once you choose your bank, bring in your EIN (or Social Security Number if you decide on a sole proprietorship), articles of incorporation, and other legal documents and open your new account.
Business insurance is an area that often gets overlooked yet it can be vital to your success as an entrepreneur. Insurance protects you from unexpected events that can have a devastating impact on your business.
Here are some types of insurance to consider:
As opening day nears, prepare for launch by reviewing and improving some key elements of your business.
Being an entrepreneur often means wearing many hats, from marketing to sales to accounting, which can be overwhelming. Fortunately, many websites and digital tools are available to help simplify many business tasks.
You may want to use industry-specific software, such as Veezi , JACRO , or Ticketor , to manage ticketing, develop mobile apps, and create digital signage.
Website development is crucial because your site is your online presence and needs to convince prospective clients of your expertise and professionalism.
You can create your own website using services like WordPress, Wix, or Squarespace . This route is very affordable, but figuring out how to build a website can be time-consuming. If you lack tech-savvy, you can hire a web designer or developer to create a custom website for your business.
They are unlikely to find your website, however, unless you follow Search Engine Optimization ( SEO ) practices. These are steps that help pages rank higher in the results of top search engines like Google.
Here are some powerful marketing strategies for your future business:
Unique selling propositions, or USPs, are the characteristics of a product or service that sets it apart from the competition. Customers today are inundated with buying options, so you’ll have a real advantage if they are able to quickly grasp how your movie theater meets their needs or wishes. It’s wise to do all you can to ensure your USPs stand out on your website and in your marketing and promotional materials, stimulating buyer desire.
Global pizza chain Domino’s is renowned for its USP: “Hot pizza in 30 minutes or less, guaranteed.” Signature USPs for your movie theater could be:
You may not like to network or use personal connections for business gain. But your personal and professional networks likely offer considerable untapped business potential. Maybe that Facebook friend you met in college is now running a movie theater, or a LinkedIn contact of yours is connected to dozens of potential clients. Maybe your cousin or neighbor has been working in the film industry for years and can offer invaluable insight and industry connections.
The possibilities are endless, so it’s a good idea to review your personal and professional networks and reach out to those with possible links to or interest in movie theaters. You’ll probably generate new customers or find companies with which you could establish a partnership.
If you’re starting out small from a home office, you may not need any employees. But as your business grows, you will likely need workers to fill various roles. Potential positions for a movie theater include:
At some point, you may need to hire all of these positions or simply a few, depending on the size and needs of your business. You might also hire multiple workers for a single role or a single worker for multiple roles, again depending on need.
Free-of-charge methods to recruit employees include posting ads on popular platforms such as LinkedIn, Facebook, or Jobs.com. You might also consider a premium recruitment option, such as advertising on Indeed , Glassdoor , or ZipRecruiter . Further, if you have the resources, you could consider hiring a recruitment agency to help you find talent.
As movie-goers head back to the big screen, it’s the perfect time to start your own cinema. It will take hard work, but it’s a rewarding way to make a living, and your movie theater could become everyone’s favorite hang-out spot!
Now that you’ve done your homework, it’s time to put your entrepreneurial insights to good use and spark up that projector.
Yes, movie theaters can be profitable. The key to increasing revenue is to offer and upsell concessions to your customers. You might also consider renting out your theater space for private events.
To differentiate your movie theater, focus on providing a unique and immersive movie-watching experience through features like state-of-the-art technology, comfortable seating, enhanced sound systems, specialized screenings (e.g., 3D, IMAX), curated film selections, and offering a variety of alternative content such as film festivals or special events.
Identify and secure movie distribution deals for your theater by networking with film distributors, attending industry events and film markets, utilizing online platforms for industry connections, showcasing your theater’s capabilities and audience reach, and negotiating licensing agreements directly with movie studios or independent filmmakers.
Offer discounts or loyalty programs such as discounted ticket prices for matinee screenings, special pricing for student or senior citizens, bulk ticket purchases for groups, loyalty cards with rewards or points-based systems that can be redeemed for future movie tickets or concessions, and exclusive access to advanced screenings or special events.
Provide a range of food and drink offerings in your movie theater, including traditional concessions like popcorn, candy, and soda, as well as expanded options like gourmet snacks, specialty coffees, artisanal ice cream, healthy snack choices, and even a full-service dining experience with a menu tailored to the movie theme or audience preferences.
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Business steps:, 1. perform market analysis., are movie theater businesses profitable, 2. draft a movie theater business plan..
Creating a detailed business plan is a critical step in the journey to open a movie theater, as it serves as a roadmap for your venture and is essential for securing investors or loans. Your plan should outline your business's strategic direction, financial projections, and operational guidelines. Here's what you should include in your movie theater business plan:
3. develop a movie theater brand., how to come up with a name for your movie theater business, 4. formalize your business registration., resources to help get you started:, 5. acquire necessary licenses and permits for movie theater., what licenses and permits are needed to run a movie theater business, 6. open a business bank account and secure funding as needed., 7. set pricing for movie theater services., what does it cost to start a movie theater business, 8. acquire movie theater equipment and supplies., list of software, tools and supplies needed to start a movie theater business:, 9. obtain business insurance for movie theater, if required., 10. begin marketing your movie theater services., 11. expand your movie theater business..
By henry sheykin, live theater bundle.
$169$99 | $59$39 | $39$29 | $15$9 | $25$15 | $15$9 | $15$9 | $15$9 | $19 |
Introduction.
Theater has been a part of human culture for centuries and continues to be a beloved art form in the digital age. According to Statista, the live theater industry in the US generated over $1.8 billion in revenue in 2019, and there were more than 39 million admissions to Broadway shows alone. This is a testament to the enduring power and appeal of live theater to audiences. However, for those considering starting a live theater business, the question of startup costs may loom large.
Opening a live theater business involves various one-time costs that must be carefully budgeted for. These costs can be challenging for those newly starting in the industry, and it's essential to have an understanding of them to prepare and plan properly. Some of the expenses that we'll be exploring in this blog post include renting theater space and equipment, paying creative professionals and performers, marketing and advertising costs, costume and prop expenses, licensing fees for scripts and music, insurance costs, office equipment and supplies, building and website design costs, and legal and accounting fees.
While the costs of starting a live theater business can be significant, it's important to keep in mind the potential for success and growth that comes with it. With careful planning and execution, starting a live theater business can be a rewarding and fulfilling venture. Let's dive deeper into the startup expenses that one could expect to face when opening a live theater business and explore how much it may cost to start one.
Starting a live theater production company requires a significant amount of investment upfront. You'll need to budget for various expenses such as renting theater space, paying employees, marketing, and advertising, among other things. Here's a breakdown of the average startup costs for a live theater production company.
Expense | Average Amount (USD) |
---|---|
Renting theater space and equipment | $25,000 - $50,000+ |
Paying creative professionals and performers | $10,000 - $20,000 per show |
Marketing and advertising costs | $10,000 - $15,000+ |
Costume and prop expenses | $5,000 - $10,000+ |
Licensing fees for scripts and music | $2,000 - $5,000+ |
Insurance costs | $1,000 - $2,000+ |
Office equipment and supplies | $1,000 - $2,000+ |
Building and website design costs | $10,000 - $15,000+ |
Legal and accounting fees | $2,000 - $5,000+ |
Note that these startup costs are only estimates and can vary depending on various factors such as location, equipment, and personnel costs. It's important to do extensive research and create a detailed business plan to calculate your specific startup costs and ensure that you have adequate funding before launching your live theater production company.
One of the biggest expenses for a live theater production company is renting theater space and equipment. The cost of renting a theater can vary greatly depending on the location, size, and amenities of the venue. In major metropolitan areas like New York City, the average cost of renting a theater space can range from $5,000 to $20,000 per week. This cost includes basic production equipment like lighting and sound systems.
However, if a production company is looking to rent a theater for an extended period of time, they may be able to negotiate a lower rate. For example, a company that runs a series of shows over several months may be able to negotiate a lower weekly rate. Some theaters may also offer discounts for non-peak performance times, such as mid-week matinees.
Additional equipment costs can also add up quickly. Depending on the production, a theater production company may need to rent additional equipment such as costumes, props, and set pieces. These costs can range from a few hundred dollars to several thousand dollars per show.
In addition to renting theater space and equipment, production companies may also need to pay for marketing and advertising costs. These costs can vary greatly depending on the size and scope of the production. For example, a small theater production may only need to spend a few hundred dollars on marketing and advertising, while a large-scale Broadway production can spend millions of dollars.
In conclusion , the cost of renting theater space and equipment is one of the biggest expenses for a live theater production company. However, by negotiating rates and carefully managing other expenses, a production company can make their shows profitable and successful.
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One of the main expenses for any live theater production company is paying the creative professionals and performers involved in each production. The amount spent on hiring these individuals can vary greatly depending on the size and scope of the production, as well as the experience and fame of the individuals hired.
According to recent statistics, the average salary for a theater actor in the US is around $50,000 per year . This can vary greatly depending on the size and success of the production, as well as the experience and reputation of the actor. For more experienced actors, salaries can range from $100,000 to $200,000 per year .
When it comes to directors, the average salary in the US is currently around $70,000 per year . Again, this can vary greatly based on experience and reputation, with top directors commanding salaries of $200,000 or more per year .
The cost of hiring creative professionals such as set designers, sound designers, and lighting designers can also vary depending on experience and reputation. Recent data suggests that the average salary for a set designer in the US is around $60,000 per year , with experienced designers earning salaries of up to $100,000 per year .
It's worth noting that many creative professionals and performers in the live theater industry work on a freelance or project-by-project basis, meaning that the cost of hiring them is often factored into the overall budget for each production. These costs can quickly add up, however, and it's important for production companies to carefully manage their budget to ensure they are able to pay all individuals involved fairly.
In addition to salaries, production companies may also be responsible for providing benefits such as health insurance and retirement plans for their employees. These costs can add up quickly, but are important for ensuring that employees are taken care of and can continue to work in the industry without worry over health or financial stress.
Marketing and advertising costs can vary widely depending on the target audience, the size of the production, and the location of the theater. According to recent reports, the average cost to promote a Broadway show in New York City is $4.8 million .
Marketing and advertising expenses typically include print and online advertising, social media campaigns, email marketing, billboards, and television and radio spots. In addition, there may be costs associated with creating promotional materials such as posters, flyers, and playbills.
It is important for production companies to budget for marketing and advertising costs in order to ensure that their shows reach as many potential audience members as possible. On average, a live theater production can expect to spend between $50,000 and $200,000 on marketing and advertising .
However, there are ways to reduce these costs. For example, production companies can leverage social media platforms to promote their shows and reach a larger audience without spending a lot of money. They can also partner with local businesses to cross-promote and generate buzz.
In addition, some production companies may opt to hire a marketing and advertising agency to help them create and execute a comprehensive strategy. While this can be more expensive upfront, it may be more cost-effective in the long run as agencies have the expertise and resources to create impactful campaigns.
Ultimately, marketing and advertising costs should not be overlooked when launching a live theater production. While it can be a significant expense, it is essential to reaching a wider audience and generating buzz for the show.
One of the most significant expenses for live theater production companies is the cost of costumes and props. According to industry data, the average production company spends between $1,000-$3,000 on costumes for a single show. This cost accounts for costume design, creation, and alteration for each actor in the production.
In addition to costume expenses, theater companies must also consider the cost of purchasing or renting props for each show. Industry reports estimate that the average theater production spends between $500-$1,500 on prop expenses per show. This amount covers the cost of prop creation, design, rental, or purchase, depending on the individual needs of the production.
It is important to note that the cost of costumes and props can vary significantly depending on the production. For example, a production that requires elaborate costumes or extensive use of props may cost significantly more than the industry averages mentioned above. Factors such as the size of the cast, the complexity of the script, and the available budget can all impact the overall cost of costuming and props.
Production companies should also consider the longevity of their investments in costumes and props. It is common for theaters to reuse costumes and props from previous productions to save money. Costume and prop storage and maintenance can be budget-friendly alternatives to constantly creating new costumes and props for every show. The cost of costume and prop maintenance is typically less than the cost of creating new items from scratch.
Overall, when starting a live theater production company, it is important to allocate a portion of the budget to costume and prop expenses. While the cost can be significant, investing in high-quality costumes and props can greatly enhance the overall production and attract more audience members. Companies should research costume and prop resources and compare costs to find the best options for their budget and production needs.
When producing live theater, licensing fees for scripts and music can add up quickly. For a well-known Broadway show, the licensing fee for the script can range from $5,000 to $75,000 , depending on factors such as the length of the show and the size of the theater. Music licensing fees can also vary widely depending on the show and the length of the run. For a popular musical, the licensing fee can range from $10,000 to $20,000 per week.
It's important to note that licensing fees are only one aspect of the cost of producing live theater. Other costs may include salaries for actors and creative team members, venue rental, marketing expenses, and production costs such as costumes, sets, and lighting.
Some theater companies choose to produce original works, which can eliminate the need for expensive licensing fees. However, creating an original production can also come with its own set of challenges and expenses, such as hiring a writer and developing a new script.
In addition, theater companies may have to pay additional fees if they want to make changes to the script or music of a licensed show. These fees can range from $500 to $2,500 and may be required for each change made.
It's important for theater companies to budget carefully when considering their production options. This may involve researching licensing fees for multiple shows and comparing costs, as well as exploring ways to reduce expenses through creative marketing strategies or cost-sharing agreements with other production companies.
Insurance is an important expense to consider when opening a live theater business. The cost will vary depending on the size and type of theater, as well as the level of coverage needed. According to recent statistical information, insurance costs for live theater businesses can range from $500 to $10,000 per year.
The cost of liability insurance is one of the most significant expenses for a live theater business. Liability insurance is designed to protect the business in case of accidents or injuries that occur on the property. The cost of liability insurance can vary widely depending on the level of coverage needed and other factors like the size and location of the theater. In general, insurance providers suggest allocating 2% to 5% of the total annual revenue for liability insurance costs.
In addition to liability insurance, other types of insurance that live theater businesses may need to consider include property insurance, workers' compensation insurance, and production insurance. Property insurance covers the theater building and contents in case of fire, theft or other types of damage. Workers' compensation insurance is required by most states and covers medical expenses and lost wages for employees injured on the job. Production insurance is designed to protect the business in case of unforeseen events that could impact the production, such as illness, weather, or technical problems.
In some cases, insurance policies may also include coverage for cancellation of shows, cast or crew illness, or production delays. However, this type of coverage can be costly and may not be necessary for all theater businesses. To determine the appropriate level of insurance coverage, it's important to consult with an experienced insurance agent who specializes in live theater businesses.
When starting a live theater business, it's important to consider the cost of office equipment and supplies. These items are essential for running the day-to-day operations of the business. According to recent statistics, the average cost of office equipment and supplies for a small business is around $700 per month.
Office furniture: One of the biggest expenses when setting up an office is purchasing furniture. This includes desks, chairs, filing cabinets, and bookshelves. The cost of furniture can range from $500 to $10,000 depending on the quality and quantity needed.
Computers and software: Every business needs a computer for basic tasks such as email, word processing, and accounting. The cost of a computer can range from $500 to $2,000 depending on the specifications. In addition, software such as Microsoft Office and accounting software can cost up to $500 per year.
Printers and supplies: Printing is essential for a theater company as it requires printing scripts, flyers, posters, and other promotional material. Printers can range from $50 to $500 depending on the features and quality. Additionally, ink and toner can cost up to $100 per month.
Office supplies: Lastly, office supplies such as pens, paper, staples, and sticky notes may seem like a minor expense, but they can add up quickly. On average, small businesses spend around $200 per month on office supplies.
In conclusion, the cost of office equipment and supplies for a live theater business can vary depending on the size and specific needs of the company. However, budgeting for these expenses is crucial to ensure the smooth operation of the business.
When starting a live theater production company, one of the most important aspects to consider is the cost of building and designing a website. With the trend of online ticket sales on the rise, a well-designed website can be a valuable tool in attracting potential audience members and increasing revenue.
According to recent statistics, the average cost for building a website for a small business ranges from $2,000 to $10,000. This cost can vary depending on the complexity of the site, the number of pages, and the features required, such as e-commerce capabilities and mobile optimization.
The cost of website design is also crucial to consider. In addition to the technical aspects of building a website, the design and layout play a significant role in attracting and retaining visitors. A professional website design can cost anywhere from $500 to $5,000 or more, depending on the level of customization and expertise needed.
It is important to note that while the initial investment in building and designing a website can seem daunting, the long-term benefits can be significant. A well-designed website can help establish a professional image, increase visibility and credibility, and ultimately lead to higher ticket sales and revenue.
In addition to building and designing a website, there are also ongoing website maintenance costs to consider. This includes regular updates, security measures, and website hosting fees. These costs can range from a few hundred to a few thousand dollars per year, depending on the website's complexity and traffic volume.
To minimize costs, it may be beneficial to consider using website templates or hiring a freelance web designer to create a custom design. There are also website building platforms, such as Wix or Squarespace, that offer affordable options for small businesses.
In summary, when starting a live theater production company, building and designing a website should be a top priority. The costs associated with website development and maintenance can vary depending on the complexity of the site and the level of customization required. However, investing in a well-designed, professional website can lead to increased visibility, credibility, and revenue in the long run.
Launching a live theater business requires attention to legal and accounting details. According to recent data, the average cost for legal and accounting fees ranges from $5,000 to $10,000 for small businesses in the United States. This price range includes services such as setting up the legal structure, obtaining business licenses, and tax filings.
When launching a live theater business, it is essential to have a legal structure in place. The most common structures include a sole proprietorship, partnership, limited liability company (LLC), or corporation. The legal structure chosen will determine the tax obligations, liability protections, and operational requirements of the business. Legal and accounting professionals can advise on which legal structure is best suited for the live theater business idea and guide through the process of setting up the structure, which may cost between $2,000 and $5,000.
Gaining the right licenses and permits is another crucial legal step when starting a live theater business. This includes acquiring permits for building and zoning as well as obtaining a business license. Legal fees for obtaining licenses and permits can cost between $500 and $2,000, depending on the location and regulations.
Accounting fees are also necessary for a live theater business idea, especially in managing the financial records of the business. Professional accounting services can assist in managing financial statements, tax filings, payroll processing, and bookkeeping. The average cost of accounting fees ranges between $1,500 and $4,000 per year.
In summary, the legal and accounting fees for launching a live theater business idea can range from $5,000 to $10,000. This amount includes services such as setting up the legal structure of the business, obtaining necessary licenses and permits, and managing financial records of the business. It is essential to ensure compliance with local and federal regulations while launching a live theater business. Legal and accounting professionals can help in this process and provide valuable guidance for the success of the business.
Opening a live theater business involves a significant investment of both time and money. The startup costs associated with theater production are numerous and require careful consideration. However, with a well-planned budget and strategy, launching a business in the theater space can be a fulfilling and financially sustainable venture.
The expenses involved in launching a live theater business can vary widely based on location, size of the production, and the particular business model chosen. However, some of the key expenses we've explored in this blog post include renting theater space and equipment, paying creative professionals and performers, marketing and advertising costs, costume and prop expenses, licensing fees for scripts and music, insurance costs, office equipment and supplies, building and website design costs, and legal and accounting fees.
It's essential to remember that the key to success in the theater business lies not only in a strong financial foundation but in the ability to produce quality shows that resonate with audiences. As such, investing in hiring talented professionals and selecting compelling productions can pay dividends in the form of loyal followings and steady income streams.
Launching a live theater business is undoubtedly a challenging task, but the growth potential and rewards are significant. With careful research, planning, and execution, anyone with a passion for the theater can successfully launch a live theater production company.
If you're considering starting a live theater business, we hope this blog post has provided valuable insights into the essential startup costs involved. With a clear understanding of these expenses, you can budget and strategize accordingly and set your production company on a path to long-term success.
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Escape to a random place.
Written by Lanette Mayes
Modified & Updated: 01 Jun 2024
Reviewed by Jessica Corbett
Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.
This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.
So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.
Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.
Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.
Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.
The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.
Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.
Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.
Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.
Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.
Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.
The city is known for its well-established educational institutions, providing quality education to students of all ages.
Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy , materials science, and engineering.
The city is blessed with numerous beautiful lakes , offering scenic views and recreational opportunities for locals and visitors alike.
Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.
Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.
Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.
Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.
Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.
The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.
Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.
Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.
Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.
The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.
The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.
Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.
Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.
Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.
The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.
The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.
Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development .
Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.
Elektrostal is proud of its sports legacy , with several successful sports teams competing at regional and national levels.
Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.
Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.
Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.
The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.
Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.
Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.
The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.
The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.
Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.
In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.
Q: What is the population of Elektrostal?
A: As of the latest data, the population of Elektrostal is approximately XXXX.
Q: How far is Elektrostal from Moscow?
A: Elektrostal is located approximately XX kilometers away from Moscow.
Q: Are there any famous landmarks in Elektrostal?
A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.
Q: What industries are prominent in Elektrostal?
A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.
Q: Are there any universities or educational institutions in Elektrostal?
A: Yes, Elektrostal is home to XXXX University and several other educational institutions.
Q: What are some popular outdoor activities in Elektrostal?
A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.
Q: Is Elektrostal well-connected in terms of transportation?
A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.
Q: Are there any annual events or festivals in Elektrostal?
A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.
Elektrostal's fascinating history, vibrant culture, and promising future make it a city worth exploring. For more captivating facts about cities around the world, discover the unique characteristics that define each city . Uncover the hidden gems of Moscow Oblast through our in-depth look at Kolomna. Lastly, dive into the rich industrial heritage of Teesside, a thriving industrial center with its own story to tell.
Our commitment to delivering trustworthy and engaging content is at the heart of what we do. Each fact on our site is contributed by real users like you, bringing a wealth of diverse insights and information. To ensure the highest standards of accuracy and reliability, our dedicated editors meticulously review each submission. This process guarantees that the facts we share are not only fascinating but also credible. Trust in our commitment to quality and authenticity as you explore and learn with us.
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Writing a theater business plan is a crucial step toward the success of your business. Here are the key steps to consider when writing a business plan: 1. Executive Summary. An executive summary is the first section planned to offer an overview of the entire business plan. However, it is written after the entire business plan is ready and ...
2.3 Company Locations and Facilities. The Market Plaza Theater is located at 150 Market Plaza in Trinity, Texas. Family Fair proposes to purchase the 11,385 sq. ft. building and associated land area (18,923 sq. ft.). The facility is structurally sound and was built in 1946 for movie theater operations.
Live theater in the US is a flourishing industry, with a dedicated audience and a wide range of productions to choose from. According to Statista, the total revenue generated by the theater industry in the US reached a staggering $11.74 billion in 2019, with growth expected to continue in the coming years.So, if you have a passion for the performing arts and are considering starting a business ...
Start a theatre company by following these 10 steps: Plan your Theatre Company. Form your Theatre Company into a Legal Entity. Register your Theatre Company for Taxes. Open a Business Bank Account & Credit Card. Set up Accounting for your Theatre Company. Get the Necessary Permits & Licenses for your Theatre Company.
Music Theater Business Plan. Market Plaza Showplace is a start-up company that restores an old theater as a new music performance venue. It's time for your curtain call! Bring your drama business dreams to life and prepare to run your own theater with our theater sample business plans. Explore our library of Theater Business Plan Templates ...
A carefully written marketing plan gives you a roadmap for finding ways to keep filling the seats of your live theater. Or you may want to produce a plan for each play your theater plans to ...
Conduct a thorough analysis of the market, identifying target demographics and preferences. Simultaneously, analyze the competitive landscape to discern what makes your theatre company unique. 4 ...
For these reasons, outsourcing the theater business plan to a business plan writer should be considered carefully, weighing both the advantages and disadvantages of hiring outside help. Ultimately, it may be the right decision for some businesses, while others may find it beneficial to write their business plan using online software.
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Looking for funding to buy a live performance theater venue? Potential investors and lenders will want to see your Business Plan. Get started with this easy template. The purpose of the Business Plan is to secure financing for either purchasing an existing theater building or constructing a new facility to provide performance spaces, rehearsal studios, classrooms, carpentry workshop and ...
Writing ACE funding applications. When starting your theatre company, you will need to think about how to fund the company and its productions. Producer, Spoken Word Artist and Loop Vocalist Koko Brown shares some tips on how to navigate Arts Council England funding applications, from creating your account to setting a budget and writing your ...
Live theaters, write that marketing plan. We can always rely on our big sister newspaper, the Houston Chronicle, for blog posts worth borrowing: A carefully written marketing plan gives you a roadmap for finding ways to keep filling the seats of your live theater. Or you may want to produce a plan for each play your theater plans to produce.
Our Live Theater Business Plan is your ultimate guide to success. Led by experienced theater producer John Smith, our venture focuses on producing and selling tickets for limited-run shows, catering to the growing demand for unique and immersive experiences. Don't miss out, get your Live Theater Business Plan in Word today!
June 17, 2024. Business Plan. Creating a comprehensive business plan is crucial for launching and running a successful movie theater. This plan serves as your roadmap, detailing your vision, operational strategies, and financial plan. It helps establish your movie theater's identity, navigate the competitive market, and secure funding for growth.
According to the latest statistical information, the average marketing and advertising expenses for live theater productions in the US range from $10,000 to $50,000 per show. These expenses cover a wide range of activities aimed at promoting the show and reaching the target audience.
Explore a real-world dinner theater business plan example and download a free template with this information to start writing your own business plan. ... He later was asked by the Navy to live around the world, in Asia, Arabia and in Europe - cooking for Admirals in Japan, at NATO and for Lords, Prime Ministers, Kings and Queens, royalty ...
Step 4: Create a Movie Theater Business Plan. Here are the key components of a business plan: Executive Summary: A brief summary outlining the movie theater business's main highlights and goals. Business Overview: A concise description of the movie theater, its location, and its mission.
2. Draft a movie theater business plan. 3. Develop a movie theater brand. 4. Formalize your business registration. 5. Acquire necessary licenses and permits for movie theater. 6. Open a business bank account and secure funding as needed. 7. Set pricing for movie theater services. 8. Acquire movie theater equipment and supplies. 9.
Props - $200 to $2,000 per show. Set Pieces - $1,000 to $10,000 per show. In addition to renting theater space and equipment, production companies may also need to pay for marketing and advertising costs. These costs can vary greatly depending on the size and scope of the production.
Elektrostal is a city in Moscow Oblast, Russia, located 58 kilometers east of Moscow. Elektrostal has about 158,000 residents. Mapcarta, the open map.
40 Facts About Elektrostal. Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to ...
State Housing Inspectorate of the Moscow Region Elektrostal postal code 144009. See Google profile, Hours, Phone, Website and more for this business. 2.0 Cybo Score. Review on Cybo.
Black Raptor Pro Elektrostal postal code 144006. See 3 social pages including Youtube and Instagram, Hours, Phone, Website and more for this business. 2.5 Cybo Score. Review on Cybo.