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An Essay on Man: Epistle I

To Henry St. John, Lord Bolingbroke Awake, my St. John! leave all meaner things To low ambition, and the pride of kings. Let us (since life can little more supply Than just to look about us and to die) Expatiate free o’er all this scene of man; A mighty maze! but not without a plan; A wild, where weeds and flow’rs promiscuous shoot; Or garden, tempting with forbidden fruit. Together let us beat this ample field, Try what the open, what the covert yield; The latent tracts, the giddy heights explore Of all who blindly creep, or sightless soar; Eye Nature’s walks, shoot folly as it flies, And catch the manners living as they rise; Laugh where we must, be candid where we can; But vindicate the ways of God to man. I. Say first, of God above, or man below, What can we reason, but from what we know? Of man what see we, but his station here, From which to reason, or to which refer? Through worlds unnumber’d though the God be known, ‘Tis ours to trace him only in our own. He, who through vast immensity can pierce, See worlds on worlds compose one universe, Observe how system into system runs, What other planets circle other suns, What varied being peoples ev’ry star, May tell why Heav’n has made us as we are. But of this frame the bearings, and the ties, The strong connections, nice dependencies, Gradations just, has thy pervading soul Look’d through? or can a part contain the whole? Is the great chain, that draws all to agree, And drawn supports, upheld by God, or thee? II. Presumptuous man! the reason wouldst thou find, Why form’d so weak, so little, and so blind? First, if thou canst, the harder reason guess, Why form’d no weaker, blinder, and no less! Ask of thy mother earth , why oaks are made Taller or stronger than the weeds they shade? Or ask of yonder argent fields above, Why Jove’s satellites are less than Jove? Of systems possible, if ’tis confest That Wisdom infinite must form the best, Where all must full or not coherent be, And all that rises, rise in due degree; Then, in the scale of reas’ning life, ’tis plain There must be somewhere, such a rank as man: And all the question (wrangle e’er so long) Is only this, if God has plac’d him wrong? Respecting man, whatever wrong we call, May, must be right, as relative to all. In human works, though labour’d on with pain, A thousand movements scarce one purpose gain; In God’s, one single can its end produce; Yet serves to second too some other use. So man, who here seems principal alone , Perhaps acts second to some sphere unknown, Touches some wheel, or verges to some goal; ‘Tis but a part we see, and not a whole. When the proud steed shall know why man restrains His fiery course, or drives him o’er the plains: When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt’s God: Then shall man’s pride and dulness comprehend His actions’, passions’, being’s, use and end; Why doing, suff’ring, check’d, impell’d; and why This hour a slave, the next a deity. Then say not man’s imperfect, Heav’n in fault; Say rather, man’s as perfect as he ought: His knowledge measur’d to his state and place, His time a moment, and a point his space. If to be perfect in a certain sphere, What matter, soon or late, or here or there? The blest today is as completely so, As who began a thousand years ago. III. Heav’n from all creatures hides the book of fate, All but the page prescrib’d, their present state: From brutes what men, from men what spirits know: Or who could suffer being here below? The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play ? Pleas’d to the last, he crops the flow’ry food, And licks the hand just rais’d to shed his blood. Oh blindness to the future! kindly giv’n, That each may fill the circle mark’d by Heav’n: Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurl’d, And now a bubble burst, and now a world. Hope humbly then; with trembling pinions soar; Wait the great teacher Death; and God adore! What future bliss, he gives not thee to know, But gives that hope to be thy blessing now. Hope springs eternal in the human breast: Man never is, but always to be blest: The soul, uneasy and confin’d from home, Rests and expatiates in a life to come. Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way; Yet simple nature to his hope has giv’n, Behind the cloud -topt hill, an humbler heav’n; Some safer world in depth of woods embrac’d, Some happier island in the wat’ry waste, Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To be, contents his natural desire, He asks no angel’s wing, no seraph’s fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company. IV. Go, wiser thou! and, in thy scale of sense Weigh thy opinion against Providence; Call imperfection what thou fanciest such, Say, here he gives too little, there too much: Destroy all creatures for thy sport or gust, Yet cry, if man’s unhappy, God’s unjust; If man alone engross not Heav’n’s high care, Alone made perfect here, immortal there: Snatch from his hand the balance and the rod, Rejudge his justice , be the God of God. In pride, in reas’ning pride, our error lies; All quit their sphere, and rush into the skies. Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel: And who but wishes to invert the laws Of order, sins against th’ Eternal Cause. V. ask for what end the heav’nly bodies shine, Earth for whose use? Pride answers, ” ‘Tis for mine: For me kind Nature wakes her genial pow’r, Suckles each herb, and spreads out ev’ry flow’r; Annual for me, the grape, the rose renew, The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot -stool earth, my canopy the skies.” But errs not Nature from this gracious end, From burning suns when livid deaths descend, When earthquakes swallow, or when tempests sweep Towns to one grave, whole nations to the deep? “No, (’tis replied) the first Almighty Cause Acts not by partial, but by gen’ral laws; Th’ exceptions few; some change since all began: And what created perfect?”—Why then man? If the great end be human happiness, Then Nature deviates; and can man do less? As much that end a constant course requires Of show’rs and sunshine, as of man’s desires; As much eternal springs and cloudless skies, As men for ever temp’rate, calm, and wise. If plagues or earthquakes break not Heav’n’s design , Why then a Borgia, or a Catiline? Who knows but he, whose hand the lightning forms, Who heaves old ocean, and who wings the storms, Pours fierce ambition in a Cæsar’s mind, Or turns young Ammon loose to scourge mankind? From pride, from pride, our very reas’ning springs; Account for moral , as for nat’ral things: Why charge we Heav’n in those, in these acquit? In both, to reason right is to submit. Better for us, perhaps, it might appear, Were there all harmony, all virtue here; That never air or ocean felt the wind; That never passion discompos’d the mind. But ALL subsists by elemental strife; And passions are the elements of life. The gen’ral order, since the whole began, Is kept in nature, and is kept in man. VI. What would this man? Now upward will he soar, And little less than angel, would be more; Now looking downwards, just as griev’d appears To want the strength of bulls, the fur of bears. Made for his use all creatures if he call, Say what their use, had he the pow’rs of all? Nature to these, without profusion, kind, The proper organs, proper pow’rs assign’d; Each seeming want compensated of course, Here with degrees of swiftness, there of force; All in exact proportion to the state; Nothing to add, and nothing to abate. Each beast, each insect, happy in its own: Is Heav’n unkind to man, and man alone? Shall he alone, whom rational we call, Be pleas’d with nothing, if not bless’d with all? The bliss of man (could pride that blessing find) Is not to act or think beyond mankind; No pow’rs of body or of soul to share, But what his nature and his state can bear. Why has not man a microscopic eye? For this plain reason, man is not a fly. Say what the use, were finer optics giv’n, T’ inspect a mite, not comprehend the heav’n? Or touch, if tremblingly alive all o’er, To smart and agonize at ev’ry pore? Or quick effluvia darting through the brain, Die of a rose in aromatic pain? If nature thunder’d in his op’ning ears, And stunn’d him with the music of the spheres, How would he wish that Heav’n had left him still The whisp’ring zephyr, and the purling rill? Who finds not Providence all good and wise, Alike in what it gives, and what denies? VII. Far as creation’s ample range extends, The scale of sensual, mental pow’rs ascends: Mark how it mounts, to man’s imperial race, From the green myriads in the peopled grass : What modes of sight betwixt each wide extreme, The mole’s dim curtain, and the lynx’s beam: Of smell, the headlong lioness between, And hound sagacious on the tainted green: Of hearing, from the life that fills the flood, To that which warbles through the vernal wood: The spider’s touch, how exquisitely fine! Feels at each thread, and lives along the line: In the nice bee, what sense so subtly true From pois’nous herbs extracts the healing dew: How instinct varies in the grov’lling swine, Compar’d, half-reas’ning elephant, with thine: ‘Twixt that, and reason, what a nice barrier; For ever sep’rate, yet for ever near! Remembrance and reflection how allied; What thin partitions sense from thought divide: And middle natures, how they long to join, Yet never pass th’ insuperable line! Without this just gradation, could they be Subjected, these to those, or all to thee? The pow’rs of all subdu’d by thee alone, Is not thy reason all these pow’rs in one? VIII. See, through this air, this ocean, and this earth, All matter quick, and bursting into birth. Above, how high, progressive life may go! Around, how wide! how deep extend below! Vast chain of being, which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect! what no eye can see, No glass can reach! from infinite to thee, From thee to nothing!—On superior pow’rs Were we to press, inferior might on ours: Or in the full creation leave a void, Where, one step broken, the great scale’s destroy’d: From nature’s chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th’ amazing whole, The least confusion but in one, not all That system only, but the whole must fall. Let earth unbalanc’d from her orbit fly, Planets and suns run lawless through the sky; Let ruling angels from their spheres be hurl’d, Being on being wreck’d, and world on world; Heav’n’s whole foundations to their centre nod, And nature tremble to the throne of God. All this dread order break—for whom? for thee? Vile worm!—Oh madness, pride, impiety! IX. What if the foot ordain’d the dust to tread, Or hand to toil, aspir’d to be the head? What if the head, the eye, or ear repin’d To serve mere engines to the ruling mind? Just as absurd for any part to claim To be another, in this gen’ral frame: Just as absurd, to mourn the tasks or pains, The great directing Mind of All ordains. All are but parts of one stupendous whole, Whose body Nature is, and God the soul; That, chang’d through all, and yet in all the same, Great in the earth, as in th’ ethereal frame, Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees , Lives through all life, extends through all extent, Spreads undivided, operates unspent, Breathes in our soul, informs our mortal part, As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns, As the rapt seraph that adores and burns; To him no high, no low, no great, no small; He fills, he bounds, connects, and equals all. X. Cease then, nor order imperfection name: Our proper bliss depends on what we blame. Know thy own point: This kind, this due degree Of blindness, weakness, Heav’n bestows on thee. Submit.—In this, or any other sphere, Secure to be as blest as thou canst bear: Safe in the hand of one disposing pow’r, Or in the natal, or the mortal hour. All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good: And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.

Summary of An Essay on Man: Epistle I

Analysis of literary devices used in “an essay on man: epistle i”.

“Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind.”

Analysis of Poetic Devices Used in “An Essay on Man: Epistle I”

“And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.”

Quotes to be Used

“ All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good.”

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An Essay on Man

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Summary and Study Guide

Alexander Pope is the author of “An Essay on Man,” published in 1734. Pope was an English poet of the Augustan Age, the literary era in the first half of the 18th century in England (1700-1740s). Neoclassicism, a literary movement in which writers and poets sought inspiration from the works of Virgil, Ovid, and Horace, influenced the poem. Writing in heroic couplets, Pope explores the connection between God, human nature , and society. The poem is philosophical and discusses order, reason, and balance, themes that dominated the era. Pope dedicated the poem to Henry St. John, one of his close friends and a famous Tory politician.

This is Pope’s final long poem. It was intended to be the first part of a book-length poem on his philosophy of the world, but Pope did not live to complete the book. Pope initially published “An Essay on Man” anonymously, as he had a fractious relationship with critics and wanted to see how people would respond to the work if unaware that he had written it. The work was praised highly when it was published, and is still esteemed as one of the most elegant didactic poems ever composed.

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Poet Biography

Alexander Pope was born in 1688 in London, England. His father was a wealthy merchant, but because he was Catholic and the Church of England was extremely anti-Catholic, his family could not live within ten miles of London, and Pope could not receive a formal education. As a result, Pope grew up near Windsor Forest and was self-taught. At the age of 12, he contracted spinal tuberculosis, which resulted in lifelong debilitating pain. He grew to be four and a half feet tall and was dependent on others.

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Despite these early challenges, Pope’s poetic talent enabled him to attain a higher social status. He began publishing poetry at the age of 16. He translated Homer’s The Iliad and The Odyssey , as well as the works of Shakespeare, and sold the translations for a subscription fee. From the profits of these translations, Pope purchased a grand mansion and large plot of land in Twickenham in 1719. Pope is famous for being the first poet able to support himself entirely on his writing. He valued his friendships, which were with some of the greatest minds of his time, including Jonathan Swift, the famous satirist and author of A Modest Proposal .  Pope also had many enemies due to his biting wit and talent for mocking the conventions of his era. For this, he was called “The Wasp of Twickenham.” His Essay on Criticism (1711) expressed his views on criticism and poetry. His mock-epic poem, The Rape of the Lock (1714), was one of his most famous satirical poems. His satire , The Dunciad (1728) lambasted the culture and literature of his day.

He died in 1744 at the age of 56 from edema and asthma. He never married and had no children. Pope is considered one of the greatest English poets of the 18th century and his style defined the Augustan age of poetry. After Shakespeare, he is the second most quoted writer in the Oxford Dictionary of Quotations .

Pope, Alexander. “ An Essay on Man .” 2007. Project Gutenberg .

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An Essay on Man

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• The Victorian Web - Alexander Pope's Essay on Man: An Introduction

An Essay on Man , philosophical essay written in heroic couplets of iambic pentameter by Alexander Pope , published in 1733–34. It was conceived as part of a larger work that Pope never completed.

The poem consists of four epistles. The first epistle surveys relations between humans and the universe; the second discusses humans as individuals. The third addresses the relationship between the individual and society, and the fourth questions the potential of the individual for happiness. An Essay on Man describes the order of the universe in terms of a hierarchy , or chain, of being. By virtue of their ability to reason, humans are placed above animals and plants in this hierarchy.

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An Essay on Man: Epistle I

To Henry St. John, Lord Bolingbroke

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Elegy to the Memory of an Unfortunate Lady

Eloisa to abelard, epistles to several persons: epistle ii: to a lady on the characters of women, epistles to several persons: epistle iv, epistle to dr. arbuthnot.

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The acknowledged master of the heroic couplet and one of the primary tastemakers of the Augustan age, British writer Alexander Pope was a central figure in the Neoclassical movement of the early 18th century. He is known for having perfected the rhymed couplet form of...

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To Henry St. John, Lord Bolingbroke Awake, my St. John! leave all meaner things To low ambition, and the pride of kings. Let us (since life can little more supply Than just to look about us and to die) Expatiate free o’er all this scene of man; A mighty maze! but not without a plan; A wild, where weeds and flow’rs promiscuous shoot; Or garden, tempting with forbidden fruit. Together let us beat this ample field, Try what the open, what the covert yield; The latent tracts, the giddy heights explore Of all who blindly creep, or sightless soar; Eye Nature’s walks, shoot folly as it flies, And catch the manners living as they rise; Laugh where we must, be candid where we can; But vindicate the ways of God to man. I. Say first, of God above, or man below, What can we reason, but from what we know? Of man what see we, but his station here, From which to reason, or to which refer? Through worlds unnumber’d though the God be known, ‘Tis ours to trace him only in our own. He, who through vast immensity can pierce, See worlds on worlds compose one universe, Observe how system into system runs, What other planets circle other suns, What varied being peoples ev’ry star, May tell why Heav’n has made us as we are. But of this frame the bearings, and the ties, The strong connections, nice dependencies, Gradations just, has thy pervading soul Look’d through? or can a part contain the whole? Is the great chain, that draws all to agree, And drawn supports, upheld by God, or thee? II. Presumptuous man! the reason wouldst thou find, Why form’d so weak, so little, and so blind? First, if thou canst, the harder reason guess, Why form’d no weaker, blinder, and no less! Ask of thy mother earth , why oaks are made Taller or stronger than the weeds they shade? Or ask of yonder argent fields above, Why Jove’s satellites are less than Jove? Of systems possible, if ’tis confest That Wisdom infinite must form the best, Where all must full or not coherent be, And all that rises, rise in due degree; Then, in the scale of reas’ning life, ’tis plain There must be somewhere, such a rank as man: And all the question (wrangle e’er so long) Is only this, if God has plac’d him wrong? Respecting man, whatever wrong we call, May, must be right, as relative to all. In human works, though labour’d on with pain, A thousand movements scarce one purpose gain; In God’s, one single can its end produce; Yet serves to second too some other use. So man, who here seems principal alone , Perhaps acts second to some sphere unknown, Touches some wheel, or verges to some goal; ‘Tis but a part we see, and not a whole. When the proud steed shall know why man restrains His fiery course, or drives him o’er the plains: When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt’s God: Then shall man’s pride and dulness comprehend His actions’, passions’, being’s, use and end; Why doing, suff’ring, check’d, impell’d; and why This hour a slave, the next a deity. Then say not man’s imperfect, Heav’n in fault; Say rather, man’s as perfect as he ought: His knowledge measur’d to his state and place, His time a moment, and a point his space. If to be perfect in a certain sphere, What matter, soon or late, or here or there? The blest today is as completely so, As who began a thousand years ago. III. Heav’n from all creatures hides the book of fate, All but the page prescrib’d, their present state: From brutes what men, from men what spirits know: Or who could suffer being here below? The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play ? Pleas’d to the last, he crops the flow’ry food, And licks the hand just rais’d to shed his blood. Oh blindness to the future! kindly giv’n, That each may fill the circle mark’d by Heav’n: Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurl’d, And now a bubble burst, and now a world. Hope humbly then; with trembling pinions soar; Wait the great teacher Death; and God adore! What future bliss, he gives not thee to know, But gives that hope to be thy blessing now. Hope springs eternal in the human breast: Man never is, but always to be blest: The soul, uneasy and confin’d from home, Rests and expatiates in a life to come. Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way; Yet simple nature to his hope has giv’n, Behind the cloud -topt hill, an humbler heav’n; Some safer world in depth of woods embrac’d, Some happier island in the wat’ry waste, Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To be, contents his natural desire, He asks no angel’s wing, no seraph’s fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company. IV. Go, wiser thou! and, in thy scale of sense Weigh thy opinion against Providence; Call imperfection what thou fanciest such, Say, here he gives too little, there too much: Destroy all creatures for thy sport or gust, Yet cry, if man’s unhappy, God’s unjust; If man alone engross not Heav’n’s high care, Alone made perfect here, immortal there: Snatch from his hand the balance and the rod, Rejudge his justice , be the God of God. In pride, in reas’ning pride, our error lies; All quit their sphere, and rush into the skies. Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel: And who but wishes to invert the laws Of order, sins against th’ Eternal Cause. V. ask for what end the heav’nly bodies shine, Earth for whose use? Pride answers, ” ‘Tis for mine: For me kind Nature wakes her genial pow’r, Suckles each herb, and spreads out ev’ry flow’r; Annual for me, the grape, the rose renew, The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot -stool earth, my canopy the skies.” But errs not Nature from this gracious end, From burning suns when livid deaths descend, When earthquakes swallow, or when tempests sweep Towns to one grave, whole nations to the deep? “No, (’tis replied) the first Almighty Cause Acts not by partial, but by gen’ral laws; Th’ exceptions few; some change since all began: And what created perfect?”—Why then man? If the great end be human happiness, Then Nature deviates; and can man do less? As much that end a constant course requires Of show’rs and sunshine, as of man’s desires; As much eternal springs and cloudless skies, As men for ever temp’rate, calm, and wise. If plagues or earthquakes break not Heav’n’s design , Why then a Borgia, or a Catiline? Who knows but he, whose hand the lightning forms, Who heaves old ocean, and who wings the storms, Pours fierce ambition in a Cæsar’s mind, Or turns young Ammon loose to scourge mankind? From pride, from pride, our very reas’ning springs; Account for moral , as for nat’ral things: Why charge we Heav’n in those, in these acquit? In both, to reason right is to submit. Better for us, perhaps, it might appear, Were there all harmony, all virtue here; That never air or ocean felt the wind; That never passion discompos’d the mind. But ALL subsists by elemental strife; And passions are the elements of life. The gen’ral order, since the whole began, Is kept in nature, and is kept in man. VI. What would this man? Now upward will he soar, And little less than angel, would be more; Now looking downwards, just as griev’d appears To want the strength of bulls, the fur of bears. Made for his use all creatures if he call, Say what their use, had he the pow’rs of all? Nature to these, without profusion, kind, The proper organs, proper pow’rs assign’d; Each seeming want compensated of course, Here with degrees of swiftness, there of force; All in exact proportion to the state; Nothing to add, and nothing to abate. Each beast, each insect, happy in its own: Is Heav’n unkind to man, and man alone? Shall he alone, whom rational we call, Be pleas’d with nothing, if not bless’d with all? The bliss of man (could pride that blessing find) Is not to act or think beyond mankind; No pow’rs of body or of soul to share, But what his nature and his state can bear. Why has not man a microscopic eye? For this plain reason, man is not a fly. Say what the use, were finer optics giv’n, T’ inspect a mite, not comprehend the heav’n? Or touch, if tremblingly alive all o’er, To smart and agonize at ev’ry pore? Or quick effluvia darting through the brain, Die of a rose in aromatic pain? If nature thunder’d in his op’ning ears, And stunn’d him with the music of the spheres, How would he wish that Heav’n had left him still The whisp’ring zephyr, and the purling rill? Who finds not Providence all good and wise, Alike in what it gives, and what denies? VII. Far as creation’s ample range extends, The scale of sensual, mental pow’rs ascends: Mark how it mounts, to man’s imperial race, From the green myriads in the peopled grass : What modes of sight betwixt each wide extreme, The mole’s dim curtain, and the lynx’s beam: Of smell, the headlong lioness between, And hound sagacious on the tainted green: Of hearing, from the life that fills the flood, To that which warbles through the vernal wood: The spider’s touch, how exquisitely fine! Feels at each thread, and lives along the line: In the nice bee, what sense so subtly true From pois’nous herbs extracts the healing dew: How instinct varies in the grov’lling swine, Compar’d, half-reas’ning elephant, with thine: ‘Twixt that, and reason, what a nice barrier; For ever sep’rate, yet for ever near! Remembrance and reflection how allied; What thin partitions sense from thought divide: And middle natures, how they long to join, Yet never pass th’ insuperable line! Without this just gradation, could they be Subjected, these to those, or all to thee? The pow’rs of all subdu’d by thee alone, Is not thy reason all these pow’rs in one? VIII. See, through this air, this ocean, and this earth, All matter quick, and bursting into birth. Above, how high, progressive life may go! Around, how wide! how deep extend below! Vast chain of being, which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect! what no eye can see, No glass can reach! from infinite to thee, From thee to nothing!—On superior pow’rs Were we to press, inferior might on ours: Or in the full creation leave a void, Where, one step broken, the great scale’s destroy’d: From nature’s chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th’ amazing whole, The least confusion but in one, not all That system only, but the whole must fall. Let earth unbalanc’d from her orbit fly, Planets and suns run lawless through the sky; Let ruling angels from their spheres be hurl’d, Being on being wreck’d, and world on world; Heav’n’s whole foundations to their centre nod, And nature tremble to the throne of God. All this dread order break—for whom? for thee? Vile worm!—Oh madness, pride, impiety! IX. What if the foot ordain’d the dust to tread, Or hand to toil, aspir’d to be the head? What if the head, the eye, or ear repin’d To serve mere engines to the ruling mind? Just as absurd for any part to claim To be another, in this gen’ral frame: Just as absurd, to mourn the tasks or pains, The great directing Mind of All ordains. All are but parts of one stupendous whole, Whose body Nature is, and God the soul; That, chang’d through all, and yet in all the same, Great in the earth, as in th’ ethereal frame, Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees , Lives through all life, extends through all extent, Spreads undivided, operates unspent, Breathes in our soul, informs our mortal part, As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns, As the rapt seraph that adores and burns; To him no high, no low, no great, no small; He fills, he bounds, connects, and equals all. X. Cease then, nor order imperfection name: Our proper bliss depends on what we blame. Know thy own point: This kind, this due degree Of blindness, weakness, Heav’n bestows on thee. Submit.—In this, or any other sphere, Secure to be as blest as thou canst bear: Safe in the hand of one disposing pow’r, Or in the natal, or the mortal hour. All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good: And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.

Summary of An Essay on Man: Epistle I

Analysis of literary devices used in “an essay on man: epistle i”.

“Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind.”

Analysis of Poetic Devices Used in “An Essay on Man: Epistle I”

“And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.”

Quotes to be Used

The lines stated below are useful to put in a speech delivered on the topic of God’s grandeur. These are also useful for children to make them understand that we constitute just a part of the whole.

“ All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good.”

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Alexander Pope is the author of “An Essay on Man,” published in 1734. Pope was an English poet of the Augustan Age, the literary era in the first half of the 18th century in England (1700-1740s). Neoclassicism, a literary movement in which writers and poets sought inspiration from the works of Virgil, Ovid, and Horace, influenced the poem. Writing in heroic couplets, Pope explores the connection between God, human nature , and society. The poem is philosophical and discusses order, reason, and balance, themes that dominated the era. Pope dedicated the poem to Henry St. John, one of his close friends and a famous Tory politician.

This is Pope’s final long poem. It was intended to be the first part of a book-length poem on his philosophy of the world, but Pope did not live to complete the book. Pope initially published “An Essay on Man” anonymously, as he had a fractious relationship with critics and wanted to see how people would respond to the work if unaware that he had written it. The work was praised highly when it was published, and is still esteemed as one of the most elegant didactic poems ever composed.

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Poet Biography

Alexander Pope was born in 1688 in London, England. His father was a wealthy merchant, but because he was Catholic and the Church of England was extremely anti-Catholic, his family could not live within ten miles of London, and Pope could not receive a formal education. As a result, Pope grew up near Windsor Forest and was self-taught. At the age of 12, he contracted spinal tuberculosis, which resulted in lifelong debilitating pain. He grew to be four and a half feet tall and was dependent on others.

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Despite these early challenges, Pope’s poetic talent enabled him to attain a higher social status. He began publishing poetry at the age of 16. He translated Homer’s The Iliad and The Odyssey , as well as the works of Shakespeare, and sold the translations for a subscription fee. From the profits of these translations, Pope purchased a grand mansion and large plot of land in Twickenham in 1719. Pope is famous for being the first poet able to support himself entirely on his writing. He valued his friendships, which were with some of the greatest minds of his time, including Jonathan Swift, the famous satirist and author of A Modest Proposal .  Pope also had many enemies due to his biting wit and talent for mocking the conventions of his era. For this, he was called “The Wasp of Twickenham.” His Essay on Criticism (1711) expressed his views on criticism and poetry. His mock-epic poem, The Rape of the Lock (1714), was one of his most famous satirical poems. His satire , The Dunciad (1728) lambasted the culture and literature of his day.

He died in 1744 at the age of 56 from edema and asthma. He never married and had no children. Pope is considered one of the greatest English poets of the 18th century and his style defined the Augustan age of poetry. After Shakespeare, he is the second most quoted writer in the Oxford Dictionary of Quotations .

Pope, Alexander. “ An Essay on Man .” 2007. Project Gutenberg .

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Essay on Man 

Contents in the Article

Essay on Man 

Explanations of “Essay on Man”

Know then…………………is man..

In these lines from “Essay on Man” the poet Alexander Pope, advises man to confine his studies to himself and to his kind. Man should try first to know and understand himself. There are lots of things that need to be explored. He is a great riddle. Over the ages philosophers have tried to explicate his thought and behaviour but the work is still incomplete. So if man wants to study, he should study himself first. He shouldn’t venture to question the design of God. For man, he himself is the most proper subject of study.

Placed on this…………………….Stoic’s pride.

Reference -These lines occur in Essay on Man’ composed by Alexander Pope

Context – In these lines the poet makes an ironic comment on man as a social animal.

Explanation – About man’s position the poet says that he holds an intermediate place in the chain of being. He is sandwiched between the animal and heavenly worlds. He is ignorant but he calls himself wise. He is rude and insolent but claims to be great.

In fact it is very difficult to rank man. It is not that he is an utter fool but he is not wise even. He is placed somewhere between the two extremes. His knowledge in enough to disappoint scepties as they denied the possibility of knowledge. At the same time his weaknesses are too many to allow Stoics to take pride in him because they endured pain or hardship without complaint. Man thus defies definition

Notes : ‘Darkly wise; and ‘rudely great’ ar good examples of Oxymoron.

He hangs between………………..but to err.

Reference – This passage has been extracted from ‘Essay on Man’ composed by Alexander Pope.

Context – The poet is of the view that man occupies a middle state in God’s scheme of things. In these lines he holds his intermediate place responsible for his vacillating nature.

Explanation – The poet says than man is always in a state of dilemma. He cannot decide whether to act or to be inert. He doesn’t know whether he should consider himself a god or a beast. He is not certain whether he should be a spiritualist or a materialist. He is born only to die. He reasons out things only to make more mistakes.

Alike in ignorance………………….or disabused.

Reference – These lines have been taken from Essay on Man’ composed by Alexander Pope.

Context – The poet thinks that man is in a perpetual state of dilemma. Here, he is trying to diagnose man’s make-up. .

Explanation – The poet says that man’s mental faculties are such that he always remains ignorant whether he thinks too little or too much. Born with an inherent combination of thought and passion, he always remains confused. He first conceives false notions and then tries to get rid of them. This cycle of committing mistakes and correcting them goes on until he breathes his last.

Created half to rise………………..riddle of the world.

Reference – This passage has been taken from “Essay on Man” composed by Alexander Pope.

Context – In these lines the poet tries to sum up his views on man.

Explanation – The poet says that man a bundle of contradictions. He is gifted with noble and base elements in equal measure. He is both angelic and demoniac. He is master of all things yet a prey to each one of them. He is the victor and the victim both. He is the only creature that can distinguish right from wrong yet he goes on committing mistakes endlessly He is the pride as well as the butt of the world. He remains a riddle plausible explanation.

Go, wondrous creature!……….. and regulate the sun.

Reference to the Context- These lines have been taken from the poem “Essay on Man” composed by Alexander Pope. The poem has been extracted from “Epistle II- Man in himself” Which deals with the power of man. Here the poet highlights the glory of man.

Explanation – Man is the prized creation of God, who created him in his own image. That is to man is nearer to God in caliber and capability. The poet address man as a wondrous creature and exhorts him to take strides. Man should mount higher and higher with the help of science. He should use scientific knowledge and win laurels. He can and therefore he should measure the earth, weight air and fathom the depth of ocean. Man is endowed with godly power. He should, therefore establish his supremacy over nature and unearth secrets. Armed with his superior scientific knowledge he can instruct the stars is known to him. He should known the secret of nature and all about the sun. With such knowledge at his command, he will be able to adjust time everywhere. It is the glory of man. We take pride in the power of man, which all of us naturally must possess.

Go, soar with Plato to…………quitting sense call imitating God.

Reference to the Context- These lines have been taken from the poem “Essay on Man” composed by Alexander Pope. The poem contains philosophical ideas of the poet on the existence of man. Here the poet hints at the capability of man.

Explanation- The poet exhorts man to compete with the famous philosopher Plato who would not rest contented with down to earth ideas. Plato soar high in the heavenly regions with his thoughtful mind. He would also does the same as he has the samne mental ability? He thinks of the world in such a way as make it good, perfect and fair. Alternatively, man acts as the followers of Plato. The followers of Plato went on the complicated philosopher ways of thinking. They left the wordly common sense and imitated the ways of God. In their vanity they imagined themselves as the Lord of the universe and posed as God themselves. Today’s man also sometimes does the same. He imitates the ways of God. But he is not God. The lesson he must learn is that he is merely a link in the great chain of God’s impartial order.

As Eastern priests in………into thyself, and be a fool!

Reference to the Context- These lines have been taken from the poem “Essay on Man” composed by Alexander Pope. It is a philosopher poem wherein the poet his speculative thought about man.

Explanation – The poet suggests man to work like eastern priests. They seem to be overwhelmed by excitement a pleasure and go round the world imitating the ways of the sun. They like the sun scatter eight of wisdom and teach the society to adopt ethical and moral living. Many may also do the same. He may show his fellow beings the path to morality and good living. He should really do this. He should teach eternal wisdom to the society at large. He should teach people how to regulate life for self-good. But this is not all. Man should not think that this was the only work for which he was sent to earth. He has got another pious duty to perform. Which he owes to himself. After fulfilling his obligations to the society and people, he must turn inward and peep into his own self. He has finally to leave all outward duties and sit quietly alone like a fool. As if he has nothing to do with the world outside. He now takes an inward journey to known his own-self. That is to say he has to attain self-knowledge which is the ultimate good of life.

English Literature- Important links

• Critical review of Sonnet Writing of William Shakespeare
• “The Canonization” by John Donne- Summary & Line by line Explanation
• Critical appreciation of ‘The Canonisation’ (Poem by John Donne)
• John Donne- As a Poet, Poet of Love, a Metaphysical Poet
• “Paradise Lost” (Lines 242-272) John Milton | Summary & Analysis
• Characteristics of John Milton’s Poetry (with reference to Paradise Lost)
• “PARADISE LOST” as an Epic- By John Milton
• Critical appreciation of Paradise Lost- Theme, Styles, Cosmology etc.
• Speeches of Satan in Book I of Paradise Lost (By John Milton)
• Absalom and Achitophel (John Dryden)- Introduction & Summary
• Explanations of Absalom and Achitophel (Line by line analysis)
• Critical appreciation of “The False Achitophel” by John Dryden
• Dryden as a Satirical Poet
• Poetry of Dryden: As Classical Poet, As Versatile Genius etc.

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10 of 10. Quiz yourself with questions and answers for Poetic Structure in Pope's "Essay on Man" Quiz - 80%, so you can be ready for test day. Explore quizzes and practice tests created by teachers and students or create one from your course material.

Check all that apply. Antithesis is used to emphasize contrast. Antithesis is the combination of two opposing ideas. Antithesis is usually dependent upon parallelism. Alexander Pope's "An Essay on Man" argues that. man has no control over the chaos of society. Read the lines from An Essay on Man. In doubt to deem himself a god, or beast;

Line From An Essay On Man (Poem) - MCQs - English XII Mcqs from Poetry Section "Line From An Essay On Man" Practical Centre for class 12th, XII, Second Year

A. Science is the best way to understand nature and human beings. B. Citizens must consent to be ruled by their political leaders. C. Democracy and human rights are fundamental in society. D. Customs and traditions should be discarded if they are not useful. Question 4 Answer: A. repetition. Read the lines from An Essay on Man.

About This Quiz & Worksheet. An Essay on Man is an influential piece of literature published by Alexander Pope, and this quiz/worksheet combo will help you evaluate your comprehension of the poem ...

Alexander Pope's "An Essay on Man". One of the pinnacles of neoclassical poetry, Alexander Pope's " An Essay on Man " is a profound investigation of the human spirit. Written in 1734, the poem ...

This video contains the MCQ's from Poem # 4 "An Essay on Man" by Alexander Pope. It includes the past papers of the last 10 years of Science and Commerce. Th...

By Alexander Pope. To Henry St. John, Lord Bolingbroke. Awake, my St. John! leave all meaner things. To low ambition, and the pride of kings. Let us (since life can little more supply. Than just to look about us and to die) Expatiate free o'er all this scene of man; A mighty maze! but not without a plan;

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Popularity of "An Essay on Man: Epistle I": Alexander Pope, one of the greatest English poets, wrote 'An Essay on Man' It is a superb literary piece about God and creation, and was first published in 1733. The poem speaks about the mastery of God's art that everything happens according to His plan, even though we fail to comprehend His work. It also illustrates man's place in the ...

Poem Section Mcqs Test (14 Mcqs) Lines From An Essay On Man Chapters List | Summary | Short Questions Answers | Detailed Question Answers | Mcqs | Online Mcqs

A central theme of the poem is that the universe has an order to it created by God. As part of the order, all God's creatures are put on Earth for a purpose. Man may not always be able to see the order because only God truly understands it. The speaker also suggests that God's hand is apparent in what people have come to view as instinct.

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Overview. Alexander Pope is the author of "An Essay on Man," published in 1734. Pope was an English poet of the Augustan Age, the literary era in the first half of the 18th century in England (1700-1740s). Neoclassicism, a literary movement in which writers and poets sought inspiration from the works of Virgil, Ovid, and Horace, influenced ...

An Essay on Man | Quotes. 1. But vindicate the ways of God to man. The stated purpose of the poem is to vindicate God for how God chooses to treat man and beast. Pope echoes John Milton, who wrote in Paradise Lost that he would "justify" the ways of God. Pope means to answer the question of why God, if God exists and is benevolent, allows evil ...

The Essay on Man is a philosophical poem, written in heroic couplets and published between 1732 and 1734. Pope intended this poem to be the centrepiece of a proposed system of ethics that was to be put forth in poetic form. It was a piece of work that Pope intended to make into a larger work; however, he did not live to complete it. The poem is ...

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Reference to the Context- These lines have been taken from the poem "Essay on Man" composed by Alexander Pope. The poem has been extracted from "Epistle II- Man in himself" Which deals with the power of man. Here the poet highlights the glory of man. Explanation - Man is the prized creation of God, who created him in his own image.

Man never Is, but always To be blest. The soul, uneasy, and confin'd from home, Rests and expatiates in a life to come.". ― Alexander Pope, An Essay on Man. tags: hope , poetry. 225 likes. Like. "Act well your part; there all the honour lies.". ― Alexander Pope, An Essay on Man.

Mr. Clooney is an actor, director and film producer. I'm a lifelong Democrat; I make no apologies for that. I'm proud of what my party represents and what it stands for. As part of my ...

Questions Answers from Poems Section "Line From An Essay On Man" Practical Centre for class 12th, XII, Second Year. ... Mcqs | Online Mcqs. Next Post Previous Post . English Notes XII,English Questions Answers XII. Popular Posts. Physics 10th - Practical Centre Preparation Paper 2024. Sindhi 10th - Practical Centre Preparation Paper 2024.

Detailed Questions Answers from Prose Section "Lines From An Essay On Man" Practical Centre for class 12th, XII, 2nd year. ... Short Questions Answers | Detailed Question Answers | Mcqs | Online Mcqs. Next Post Previous Post . English Detailed Questions Answers XII,English Notes XII. Popular Posts. Urdu 11th - Practical Centre Preparation Paper ...

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9th Class Guess paper Essays 2018

• Blessings of Science
• Advantages and Disadvantages of Internet
• Advantages and Disadvantages of Computer
• My Aim in life
• A Memorable day of my life
• War Against Terrorism

10th Class Guess paper Essays 2018

• Load-shedding of CNG
• An Exciting Cricket match
• My Favourite personality
• Natural Disasters on Earth Quake
• Importance of Leisure time Activities
• Importance of Discipline in Life
• Role of Media in Every Day Life
• Traffic Hazards in Karachi

11th Class Guess Paper Essay 2018

• Terrorist Activities in Pakistan
• The Value of Discipline
• Power Breakdown
• Use and Abuses of Internet
• Unforgettable Incident of Your Life
• Importance of Media
• Muslim Unity

12th Class Gues paper Essays 2018

• The Role of Media
• Science a Curse or a Blessing
• Mobile Phone A Curse or Blessing
• Problems of Karachi City
• Rights of Women in Islam

• Essay Writing MCQs

Important Essay Writing MCQs. All of these are types of essays, except? (A). Narrative essay (B). Personal essay (C). Argumentative essay (D). Descriptive essay (E). None of these Answer: b The introductory paragraph of an essay requires the topic, thesis and (A). main ideas (B). supporting details (C). both a and b (D). a and b (E). None of these Answer: a An essay is a (A). song with a novel or a story (B). poem that has multiple stanzas (C). some kind of writing that has organized paragraphs (D). some kind of writing that requires research (E). None of these Answer: c Which of the following essays describes a subject? (A). Narrative essays (B). Reflective essays (C). Argumentative essays (D). Expository essays (E). None of these Answer: d A good essay has the characteristics except? (A). Fakeness (B). Dignified style (C). Brevity (D). Personal touch (E). None of these Answer: a Which of the following is the essay that uses to increase the imagery of the setting? The five senses means the sense of taste, sound, touch, smell, and sight. (A). Narrative essays (B). Expository essays (C). Descriptive essays (D). Argumentative essays (E). None of these Answer: c Which of the following essay tells a Story? (A). Argumentative essay (B). Descriptive essay (C). Reflective essay (D). Narrative essay (E). None of these Answer: d We can write a short or long essay. (A). True (B). False (E). None of these Answer: a Which of the followings essays are a set of one’s thoughts. (A). Reflective (B). Expository (C). Argumentative (D). Narrative (E). None of these Answer: a A good write must avoid in a good essay? (A). Brevity (B). Dignified words (C). Slang (D). Unity (E). None of these Answer: c Descriptive essays explains a person or a place. (A). True (B). False (E). None of these Answer: a The writer concludes by logical reasoning in ____ essays. (A). Narrative essays (B). Reflective essays (C). Argumentative essays (D). Descriptive essays (E). None of these Answer: c

Narrative Essay MCQs

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George Clooney says Biden not the man he was in 2020, should drop out

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• Actor, a leading fundraiser, says he views Biden as a friend
• But Clooney says Democrats cannot win in November with Biden

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North Korea's Kim sacks 'irresponsible' officials over new town project

North Korean leader Kim Jong Un has sacked or demoted some senior officials for their "irresponsible" handling of his flagship project to build a new town in the country's north, state media KCNA said on Sunday.

Free Mcq's Biology, Chemistry, English, Physics, Urdu, Islamiat for IX, X, XI, XII Classes.

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11 February 2013

English xii - [lines from an essay on man] - mcqs, english xii - [lines from an essay on man] mcqs.

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• Biology 9th
• Computer 9th
• Islamiat 11th
• Islamiat Objective 11th
• English 12th
• Biology 12th

9th Class Guess paper Essays

• Blessings of Science
• My Favourite personality
• Advantages and Disadvantages of Internet
• Advantages and Disadvantages of Computer
• My Aim in life
• An exciting cricket match
• Health is Wealth
• A Memorable day of my life

10th Class Guess paper Essays

• Load-shedding of CNG
• An Exciting Cricket match
• Natural Disasters on Earth Quake
• Importance of Leisure time Activities
• Importance of Discipline in Life
• Role of Media in Every Day Life
• Traffic Hazards in Karachi

11th Class Guess Paper Essay

• Terrorist Activities in Pakistan
• The Value of Discipline
• Power Breakdown
• Use and Abuses of Internet
• Unforgettable Incident of Your Life
• Importance of Media
• Muslim Unity

12th Class Gues paper Essays

• The Role of Media
• Science a Curse or a Blessing
• Mobile Phone A Curse or Blessing
• Problems of Karachi City
• Rights of Women in Islam

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• Who wrote “An Essay on Man”?
• The Essay entitled “What is Enlightenment” is written by……………………..
• Who wrote the essay What is Enlightenment?
• The essay Of Studies stresses on the need for------
• Name the essay from which the extract ‘On Good Resolutions’ is taken
• The essay ’On Good Resolutions’ brings out-------
• The essay On Good Resolutions was published in the year--------
• Which of these is an essay by Robert Lynd.
• The word ‘essay’ is derived from
• …….form of essay is usually used in philosophy

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Lines From An Essay On Man - Detailed Questions Answers - English XII

Detailed questions answers from prose section "lines from an essay on man" practical centre for class 12th, xii, 2nd year.

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Guest Essay

George Clooney: I Love Joe Biden. But We Need a New Nominee.

By George Clooney

Mr. Clooney is an actor, director and film producer.

I’m a lifelong Democrat; I make no apologies for that. I’m proud of what my party represents and what it stands for. As part of my participation in the democratic process and in support of my chosen candidate, I have led some of the biggest fund-raisers in my party’s history. Barack Obama in 2012 . Hillary Clinton in 2016 . Joe Biden in 2020 . Last month I co-hosted the single largest fund-raiser supporting any Democratic candidate ever, for President Biden’s re-election. I say all of this only to express how much I believe in this process and how profound I think this moment is.

I love Joe Biden. As a senator. As a vice president and as president. I consider him a friend, and I believe in him. Believe in his character. Believe in his morals. In the last four years, he’s won many of the battles he’s faced.

But the one battle he cannot win is the fight against time. None of us can. It’s devastating to say it, but the Joe Biden I was with three weeks ago at the fund-raiser was not the Joe “ big F-ing deal ” Biden of 2010. He wasn’t even the Joe Biden of 2020. He was the same man we all witnessed at the debate.

Was he tired? Yes. A cold? Maybe. But our party leaders need to stop telling us that 51 million people didn’t see what we just saw. We’re all so terrified by the prospect of a second Trump term that we’ve opted to ignore every warning sign. The George Stephanopoulos interview only reinforced what we saw the week before. As Democrats, we collectively hold our breath or turn down the volume whenever we see the president, whom we respect, walk off Air Force One or walk back to a mic to answer an unscripted question.

Is it fair to point these things out? It has to be. This is about age. Nothing more. But also nothing that can be reversed. We are not going to win in November with this president. On top of that, we won’t win the House, and we’re going to lose the Senate. This isn’t only my opinion; this is the opinion of every senator and Congress member and governor who I’ve spoken with in private. Every single one, irrespective of what he or she is saying publicly.

We love to talk about how the Republican Party has ceded all power, and all of the traits that made it so formidable with Ronald Reagan and George H.W. Bush, to a single person who seeks to hold on to the presidency, and yet most of our members of Congress are opting to wait and see if the dam breaks. But the dam has broken. We can put our heads in the sand and pray for a miracle in November, or we can speak the truth.

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