This is an interdisciplinary study encompassing elements of music, education, and aspects of philosophy and psychology. The principal aim of this research is to investigate ways of fostering musical creativity and wellbeing in primary schools, as well as providing curriculum guidelines and drawing out practical implications for Music Education in the present era.
Contemporary society represents a new wave of development in human affairs. Resting upon rapid technological innovation, it has created greater opportunities for revealing and experiencing creativity in forms that can then underpin enhanced states of human welfare. At the same time, these far-reaching changes have in many places become threats to human wellbeing, resulting from the dislocating social and emotional impact of new styles of living. As a consequence, ‘creativity’ and ‘wellbeing’ have arisen as important themes in the current era, chiefly as assets and attitudes required for human beings: to live, to respond, to cope, to prosper, and to succeed. In this turbulent context, education is tasked with nurturing both ‘creativity’ and ‘wellbeing’. These concepts are especially meaningful to be investigated through Music Education at the present time, since human beings have had an enduring relationship with sound and music in almost all cultures on record, even and especially those moving through great change.
From its basis in musical theory and Music Education, this research also develops a distinctive theoretical foundation in the concepts of ‘Romantic Aesthetics’ and ‘Romantic Irony’––which is a literary, aesthetic, and stylistic term that involves an advanced psychological concept of ‘self’ (e.g. Garber, 2014; Allen, 2007) very apposite to the current age. Specifically, for the present research, I wanted to apply these concepts and theories to the practices of contemporary Music Education, to help devise a useful curriculum for music classes in primary schools consistent with my wider interests in children’s creativity, and children’s wellbeing and resilience, when their lives are often under great pressure. The teaching methods and activities are researched, devised, implemented and evaluated encompassing what is recognised today as the four major components of Music Education: listening to music, singing, playing instruments, and composing.
The hypothesis within this research is that applying insights and approaches derived from ‘Romantic Irony’ to Music Education in modern primary schools can also be empowering in fostering pupils’ creativity and wellbeing. Across a broad cross-section of literature in different research areas––not only education but also philosophy and aesthetics, psychology, sociology––it is possible to set the premise that creativity and Romantic Irony are related in various vital aspects. Moreover, it is also possible, this thesis shows, to fashion and actualise a practice of Music Education in regular primary classrooms responsive not only to the rising emphasis on the concept of creativity but also to the pursuit of emotional resilience as a vital and life-supporting dimension of that creativity. Thus, this thesis will attempt to show that applying Romantic Aesthetics and Romantic Irony to Music Education for the development of pupil creativity and wellbeing may a constructive innovation within the compass of all teachers committed to the place of music in the primary curriculum.
With due reference to the educational environment and surroundings of Scotland, where this project was deliberately targeted and unfolded, the research herein consists of two types of interventions: a conceptual and an empirical strand. The first part of the research is allocated to investigating and critically assessing theories of creativity, emotion, Romantic Aesthetics, Romantic Irony, Health and Wellbeing, and music therapy––alongside the educational practices in that these concepts may be meaningfully applied or manifest. For the empirical part of the research, I adopted a ‘Vignette’ and ‘thematic approach’ partially indebted to both practioner enquiry and Action Research, to craft ways of enhancing creativity and wellbeing through Music Education in a number of classrooms where I had been previously welcome and active as a serving teacher. The classroom interventions were divided into 3 Vignettes to stimulate pupils’ innate musical creativity and to form relationships, to deliever basic theoretical knowledge, and then to provide opportunities to apply skills in relation to certain topics that appear in daily lives. Thereafter, important academic conversations with experts were conducted in order to examine deeper views of the researcher’s philosophy and approaches and to search for the directions that Music Education ought to follow in contemporary society.
The thesis concludes with the conviction that Music Education preserves a rich potential for realising and expressing the core values of progressive education today: promoting for the children in our schools the experiences of creativity, health, resilience and wellbeing which matter so much for surviving and attaining the good life in our protean 21st century society.
Item Type: | Thesis (PhD) |
Qualification Level: | Doctoral |
Keywords: | creativity, wellbeing, music education, Scottish primary education, Romantic aesthetics, Romantic irony. |
Subjects: | > > |
Colleges/Schools: | > |
Supervisor's Name: | Davis, Professor Robert A. and Odena, Dr. Oscar |
Date of Award: | 2020 |
Depositing User: | |
Unique ID: | glathesis:2020-81729 |
Copyright: | Copyright of this thesis is held by the author. |
Date Deposited: | 16 Oct 2020 08:19 |
Last Modified: | 08 Sep 2022 08:44 |
Thesis DOI: | |
URI: | |
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Electronic Theses and Dissertations
Factors that lead students to study music education : a descriptive study..
Alexander T. Hamilton II , University of Louisville Follow
Date on Master's Thesis/Doctoral Dissertation
Document type.
Master's Thesis
Degree Name
Music Education
Degree Program
Music Education, MME
Committee Chair
Amchin, Robert
Committee Co-Chair (if applicable)
Acklin, Amy
Committee Member
Byrne, Greg
Author's Keywords
music education; career; motivation; influence
The purpose of this study was to survey music education students in their first year of undergraduate studies to learn what influences and/or musical experiences affected their choice in selecting music education as their major. Participants ( N = 28) were enrolled in an Introduction to Music Education course at a mid-sized metropolitan university. Subjects were asked to complete a survey and rate perceived degree of influences on the selection of the music education major. Participants were also asked to provide written responses on personal influences that led them to select music education as a major. Survey results indicated that 89.3% of the students were most influenced by their high school music instructor in their decision to pursue music education. Other results show from all participants that previous experiences in music ensembles also had an influence on their decisions.
Recommended Citation
Hamilton, Alexander T. II, "Factors that lead students to study music education : a descriptive study." (2016). Electronic Theses and Dissertations. Paper 2399. https://doi.org/10.18297/etd/2399
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Home > CCA > School of Music > School of Music Graduate Theses and Dissertations
School of Music Graduate Theses and Dissertations
Theses/dissertations from 2024 2024.
Selected Piano Etudes from the Mid-20th to 21st Centuries: A Catalogue , Min Ji Baek
When the Right Man Rings Them? , Alan Wayne Cline
Developing the 21st Century Piano Studio , Brianna Mae Eddy
Through the Keyhole , Anna Higgins
Uncovering the Emotional Line: An Analysis of Three David Maslanka Wind Ensemble Works Using Formal Emotive Intensity Analysis , Michael John Kahle
Choir Teacher Agency and Culturally Sustaining Pedagogy , Kaitlyn Schramm
Global Experiences: How Locality and Space Shape Pedagogical Practices and Experiences between Western Institutions and Ghanaian Musical Centers , Andrew Patrick Simonette
The Perceived Effects of Peer-Assisted Learning in a Collegiate Instrumental Pedagogy Classroom , Hannah Wagoner
Selected Chinese Art Songs from the 20th and 21st Centuries , Xinxin Zhang
Theses/Dissertations from 2023 2023
A Case Study Analysis of the Experiences and Perceived Learning Outcomes of Former Non-Music Majors in Applied Horn Lessons , Jordan Bennett
Unconventional Wisdom in Resonating Echoes of the Past: A Memoir on the Life and Music of royal hartigan , Joseph Elias Boulos
Composers at War: A Study of Composers Who Fought in World War I and World War II , Jason T. Hoffmann
Adventures in Flute Playing: A Literature Survey and Anticipated Beginning Flute Method , Sammy Holloman
American Art Songs in the 21st Century: A Catalogue of Selected Works , Islei Mariano Correa Hammer
Pedagogical Piano Works by Four Contemporary Composers: Emma Lou Diemer, Dianne Goolkasian Rahbee, Karen Tanaka and Chee-Hwa Tan , Manuel Alejandro Molina Flores
A Selective Guide to Solo Bass Trombone Repertoire from 1961 to Present , Andrew Amadeus Ortega
Analysis and Performance of Osvaldo Golijov’s Hebreische Milonga , Gerardo Sanchez Pastrana
Challenges and Solutions for Native Mandarin-Chinese Speakers in Singing German Lieder , Fei Xia
Developing Collaborative Skills in Piano Students , Linxi Yang
A Guide to Chinese Art Songs from 1970 to 2010 , Tingyu Yan
A Study of Six Selected Piano Variations by Czerny , Hao Zhang
Theses/Dissertations from 2022 2022
Investigating the Marketing Language among Online Retailers of Violin Strings to Determine the Implied Aesthetic , Kira Kay Browning
Stylistic Changes in the Music of Ruth Crawford Seeger , Xinlei Chu
The Most Common Vocal Fault in the Baritone Voice , Matthew Derek Cyphert
Diversifying Piano Literature: East Asian Music for Piano Study and Performance in the United States , Akina Kondoh
Playing-Related Medical Injuries and Health Conditions in Collegiate Saxophonists: A Survey of Saxophonists in North American Universities , Michael Anne Tolan
The Purpose and Process of Commissioning New Music for Low Brass Instruments: A Guide , Michael Kennard Waddell
Evocations of Nature in Selected Piano Works by Debussy , Heah Zi-Ling
Theses/Dissertations from 2021 2021
A Survey of Musical Expectations in the Marine Forces Reserve Band stationed in New Orleans, Louisiana , Brandon Paul Carbonari
A Selected Analytical Bibliography of Works for Saxophone by Composers Associated with the Darmstadt International Summer Courses for New Music: 1946-2021 , Christopher Mark DeLouis
"A Long Life in Music:" The Career and Legacy of Ann Schein , Anthony William Gray
Jerome Franke’s “Architectural Practice” Exercises for Mendelssohn’s Violin Concerto in E minor, Op. 62 and Lalo’s Symphonie Espagnole in D minor, Op. 21 , Yaniv Gutman
Fostering Music Performers in the 21st Century: A Contemporary Professional Perspective toward a New Curricular Agenda for Graduate Study in Music , Andre Januario
Francis Poulenc: The Compositional Influences of Les Six and Sergei Prokofiev on the Poulenc Oboe Sonata (1962) , Evan Klein
The Three Piano Sonatas by José de Almeida Penalva , Heron Alvim Moreira
Chamber Music Fundamentals and Rehearsal Techniques for Advancing String Students , Gabrielle Padilla
Touching Light: A Framework for the Facilitation of Music-Making in Mixed Reality , Ian Thomas Riley
The Joyful Path of Lifelong Mastery of the Piano , John Alan Rose
Hearing Ourselves Speak: Finding the Trans Sound in the Ohio River Valley , Gwendolyn Patricia Saporito-Emler
#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture , Gabriella Saporito
The Memorization, Preparation, and Performance of Piano Music: Cognitive Foundations and Current Neuro-Music Research , Amy M. Simpson
Selected Principles of Practicing for Security in Performance , Hsing-Yi Tsai
An Analysis of Amy Beach's Variations on Balkan Themes, Op. 60 , Yiwen Zhang
A Foundation for Collaboration: An Analysis of Robert Schumann’s Dichterliebe, Op. 48 , Kailang Zhan
A Selective Study on Chinese Art Songs after 1950 , Gehui Zhu
Theses/Dissertations from 2020 2020
It’s Just Muzak: Music, Activism, and Advertising. , Avery Brzobohaty
A Survey of Selected Classical Chinese Art Songs for Solo Voice and Piano from 1920 to 1950 , Tingting Chang
A Multifaceted Performance Model for the Multiple Percussion Performance Practice: Performance Analysis of Select Works toward Developing a Graduate Curriculum , Mitchell Joseph Greco
The Roman Catholic Ordinary Mass from circa 1750 to circa 1820: A Selected Bibliography , Letícia Gabriele Grützmann Januario
An Appraisal of the Evolution of Western Art Music in Nigeria , Agatha Onyinye Holland
Types and Causes of Physiological Injury in Piano Playing, with Emphasis on Piano Pedagogy in China , Ruixi Niu
Theses/Dissertations from 2019 2019
Contemporary Music Notation for the Flute: A Unified Guide to Notational Symbols for Composers and Performers , Ms. Eftihia Victoria Arkoudis
Core Curriculum for Orchestra , Andrew Thomas Aycoth
Hyperscales: Analysis, Historical Uses, and Possible Applications in Contemporary Music Composition , Douglas Wayne Brown
Johannes Brahms’s Fünf Ophelia-Lieder Performance history, cultural context, and character study as it pertains to Johannes Brahms’s Fünf Ophelia-Lieder: A Performer’s Perspective , Caryn Alexis Crozier
The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) , Emmett Curtis Goods
A Pedagogical Guide to Kapustin’s Eight Concert Etudes, Op. 40 , Yanjing Gu
Prizes, Winning, and Identity: Narrative Vocal Music of the Pulitzer Prize, 2008–2018 , Julia K. Kuhlman
Folk-song to formal performance: Interpreting the songs of Jean Ritchie for voice recital , Julianne E. Laird
Contemporary Collaborative Piano Practices in Korea: Five Case Studies , Jiyeon Lee
Music Technology, Gender, and Sexuality: Case Studies of Women and Queer Electroacoustic Music Composers , Justin Thomas Massey
The Inclusion of Organ Within the Concert Band Instrumentation with an Annotated Listing of Original Works for Concert Band and Organ , Matthew Justin McCurry
The "organ-accompanied solo motet" in in La Maîtrise, 1857–1861 , John David O'Donnell
Musical and Cultural Perspectives of Héctor Campos Parsi: An examination of his influences and analysis of selected vocal works , Cynthia Ortiz-Bartley
Latin American Influences on Selected Piano Pieces by Louis Moreau Gottschalk and Darius Milhaud , Hyejeong Seong
A Compendium of Opera in Spain and Latin America , Michelle S. Smith
Pedagogical Thoughts on Album des Six: a piano set by Les Six to represent French Nationalism , Dipendra Sunam
Examining Musical Hybridity and Cultural Influences in Valerie Coleman’s Wish Sonatine and Fanmi Imèn , Brittany Marie Trotter
Discovering the "Finnish Chopin"—Selim Palmgren's 24 Preludes, op. 17, and Tres Piezas para Piano, op. 54 , Sijia Wang
Mindfulness for Musicians: Bringing sport psychology and mindfulness-based therapies to the practice room and the concert stage , Lauretta M. Werner
Listening for the Cosmic Other: Postcolonial Approaches to Music in the Space Age , Paige Zalman
How does the pronunciation of native languages affect beginning singers? A research focusing on native Mandarin Chinese and American English speaking singers , Ruobing Zhao
Theses/Dissertations from 2018 2018
An Exploration of Paul Bowles' Piano-Solo Pieces , Juan Carlos Rios Betancur
The Life And Work Of Barbara Nissman , Giuliana Paola Contreras Ampuero
Lynne Ramsey, Violist: Biography, Pedagogical Background, Teaching Techniques, and Career Advice , Ignacio Cuello
Listening for Yes: Consent in the Contemporary Country Love Song , Phoebe E. Hughes
Form in the Music of John Adams , Michael Ridderbusch
Study of the Resonance Spectrums of the Flute and the Effect of Different Stable Vowels on Formant Tuning with Violin and Clarinet , Alyssa M. Schwartz
It Takes a Village: Collaborative Social Justice Through Choral Musicking , Natalie Shaffer
Staying Original: A Case study for Film Composers Working with Temp Tracks , Kyle Maurits Simpson
Chinese Elements and Influence in Tan Dun's Eight Memories in Watercolor , Qian Xu
Theses/Dissertations from 2017 2017
A Study in Songs: Comparative Analyses of 20th century settings of William Blake's "Songs of Innocence and of Experience": Selections from Vaughan Williams's "Ten Blake Songs", Britten's "Songs and Proverbs of William Blake", and Rochberg's "Blake Songs: For Soprano and Chamber Ensemble" , Jennifer Berkebile
The Treatment of the Piano in Six Selected Chamber Works by Colombian Composers in the Twenty-First Century , Javier Camacho
The Paganini Variations: A Study of Selected Works by Liszt, Brahms, Rachmaninoff, Lutoslawski, and Muczynski , Youna Choi
A Survey of Selected Piano Concerti for Elementary, Intermediate, and Early-Advanced Levels , Achareeya Fukiat
Jesus de Monasterio (1836-1903): An Essential Figure in the Artistic and Technical Development of Violin Playing in the Second Half of the Nineteenth Century at the Madrid Royal Conservatory , Diego Gabete-Rodriguez
A Transcription for the Viola of Three Violin Works by Amy Beach: A Historical, Theoretical, and Pedagogical Analysis , Courtney Erin Grant
The Piccolo in the 21st Century: History, Construction, and Modern Pedagogical Resources , Keith D. Hanlon
Tear Down the Wall: Long-Form Analytical Techniques and the Music of Pink Floyd , Christopher Everett Jones
Revolutionary Pedagogy: A Historical Perspective on Improvising in Beethoven , Julia Kinderknecht
Philosophical Approaches to Compositional Technique in Isang Yun's Works for Solo Flute , Mirim Lee
Taiwanese Composer Tyzen Hsiao: Pedagogical Aspects of Selected Piano Solo Works , Tzu-Nung Lin
Researching History and Performance Practice Regarding Improvisation and Ornamentation in Mozart's Keyboard Works, with Special Attention to Cadenzas , Josiane Merlino
A Study of Nikolai Kapustin's Sonata No. 12, Op. 102: A Contemporary Jazz Sonata In Two Movements , Mark Peters
Selected Manufacturer's Professional Trumpet Component Specifications: A Compendium of Measurements, Materials, and Playing Characteristics , Kenneth H. Piatt
A Conductor's Perspective on Stravinsky's "Danse sacrale" from "Le Sacre du printemps": Evaluation of Revisions, Analysis and Considerations for Conducting , Hanjin Sa
Hungarian Elements in Selected Piano Compositions of Liszt, Dohnanyi, Bartok, and Kodaly , Helga Scheibert
A Pedagogical Study of Selected Piano Music of Miguel del Aguila , Sornsuang Tangsinmonkong
Performance Practice and Overview of Selected Piano Works of Barbara Kolb , Chiao Su Joyce Wang
A Transcription for Soprano Saxophone and Piano of Chen Yi's "Chinese Folk Dance Suite", Originally for Violin and Orchestra , Tak Chiu Wong
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Home > ETD > 6824
Thesis Format
Integrated Article
Music Education in a Liquid Social World: The Nuances of Teaching with Students of Immigrant and Refugee Backgrounds
Gabriela Ocádiz Velázquez , The University of Western Ontario Follow
Doctor of Philosophy
Schmidt, Patrick
This integrated-article dissertation explores the multiple ways in which music teachers, community facilitators, and students engage in music teaching and learning in social contexts prone to change due to human mobility. Drawing upon Bauman’s sociological understanding of modern societies as liquid and the larger implications of processes of human mobility in schools and communities, this research focuses on exploring music education as it happens within an increasingly diversifying Canadian society.
In the first article, a philosophical research study, I conceptualize the notion of coping with discomfort as a form of response possibly experienced by music teachers. Here, I draw from psychological understandings of coping and a Foucauldian understanding of discomfort to view coping mechanisms as a form of pedagogy that may help or hinder music teachers in their responses to newcomer students in the music classroom. The second article, a multiple case study, uses and expands this framework to analyze the current pedagogies, reflective practices and adaptive processes experienced by two school music teachers working in highly diversifying school settings. The third article, an autoethnography, sets the investigative parameters of my own experiences teaching music at the Youth Music Program (YMP), a program of music education developed for newcomer children and youth in partnership with two community centres that provide settlement services in Canada. Finally, in the fourth article, I focus solely on the perspectives and experiences of newcomer youth and outline their understandings during and after their participation at the YMP.
The findings from all these articles draw attention to the nuances of individual perceptions, assumptions and preconceptions that guide actions. I emphasize the relevance of reflective practices in the processes of adaptation that may be experienced by music teachers and facilitators when engaging with the multiplicities of their students, and the importance of considering the particularities of developing more complex understandings of pedagogy and processes of reflection and adaptation.
Summary for Lay Audience
My research focuses on observing and providing understandings of what is currently happening in music education within diversifying Canadian communities. In four articles, I studied how music teachers, facilitators, and students interacted with one another through music education. I focused on studying schools and communities that were receiving large populations of immigrant and refugee backgrounds. Using the metaphor of water that is naturally fast-flowing and moving continuously, as in rivers, I explain how these communities have and continue to change.
In the first article, I viewed c oping as a psychological process that helps individuals act in particular ways, and discomfort as an emotion that may help individuals to interrogate their own thoughts and actions. I then established the concept of coping with discomfort, suggesting a process that may help music teachers to be more responsive to changes in population in their communities. In the second article, I analyzed how two music teachers reflected on their teaching practices, and what their adaptive processes were while they were working in schools with a highly diverse population. In the third article, I narrated my experiences teaching music with young newcomers at the Youth Music Program (YMP), a program implemented in two community centres that provide settlement services in Canada. Finally, in the fourth article, I studied the perspectives, experiences and understandings of the students who participated at the YMP. I explained and narrated how their experiences with immigration were relevant or not to music education and placed their musical learning as an example of adaptation.
Findings from these articles helped me suggest that thinking deeply about past and present events may support more intricate adaptive processes; that teachers and facilitators working in societies which are changing due to increasing immigration need to interrogate themselves about their perceptions, assumptions, and preconceptions to engage with newcomers in more meaningful ways, and that understanding how, for what end, and for whom they teach may bring about more complex understandings of what it means to teach, to reflect, and to adapt to societies that are continuously changing.
Recommended Citation
Ocádiz Velázquez, Gabriela, "Music Education in a Liquid Social World: The Nuances of Teaching with Students of Immigrant and Refugee Backgrounds" (2020). Electronic Thesis and Dissertation Repository . 6824. https://ir.lib.uwo.ca/etd/6824
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| Jul 11, 2024 | | 2024-2025 SUNY Potsdam Academic Catalog | | | 2024-2025 SUNY Potsdam Academic Catalog | | Students entering the Master of Music in Music Education degree are required to have a Bachelor of Music in Music Education degree or another Bachelor of Music degree with New York State (or equivalent) music teacher certification. For those persons holding initial certification to teach music K-12 in the State of New York, the Master of Music, Music Education degree is designed to fulfill the academic requirements for Professional Certification to teach music K-12. Program Student Learning Outcomes:Music Education K-12 M.M. students will be able to: • utilize inquiry tools to critically examine core topics and issues in their field of study. • develop and design a curriculum. • develop and present a synthesis of learning based upon the content of their graduate courses and their professional interests. Program RequirementsCourse requirements. A minimum of 30 credit hours with an overall grade point average of 3.0 or higher is required for the granting of the Master of Music, Music Education degree. A minimum of 30 credit hours with an overall grade point average of 3.0 or higher is required for the granting of the Master of Music, Music Education degree. A minimum of 24 credit hours for 30-hour programs must be earned in courses offered by SUNY Potsdam. Students may select one of two options: with Thesis (Option A) or without Thesis (Option B). Upon entering the program all students are placed in the Option B (without thesis) program. If a student would like to transfer to the Option A (with thesis) program they should request the change after taking Introduction to Graduate Study. Option A: Music Education with ThesisThe 30 credit hours are divided as follows. All courses are 3 credits unless noted. - MUCE 601 - Philosophy and Issues in Music Education 3 Credit(s)
- MUCE 608 - Curriculum Development in the School Music Program 3 Credit(s)
- MUCH 611 - Introduction to Graduate Study 3 Credit(s) (should be taken during the first semester of study.)
- MUCE 699 - Thesis Graduate Research Project in Music Education 3 Credit(s) (taken twice)
- MUCE 5xx or 6xx A course in Music Education
- MUCH 5xx or 6xx A course in Music History & Literature
- MUCT 5xx or 6xx A course in Music Theory
- A music content course (Music History, Theory, or Performance)
- Elective- A course in Education or Music Education
Note: Composition Courses ( MUCT 601 , MUCT 602 , MUCT 603 , MUCT 611 , MUCT 612 , MUCT 613 ) cannot be used to fulfill the Music Theory requirement. Thesis or Graduate Research Project- A thesis or appropriate graduate project is required of all students in the M.M. Music Education, Option A degree program.
- Students must register for MUCE 699 - Thesis Graduate Research Project in Music Education every semester after they begin the project until its completion.
- Students will receive “In-Progress” (IP) on their transcript each semester until the project is completed.
- A proposal must be submitted to a three-member committee by the end of the second semester or second summer of study. A student may not register for coursework beyond the second semester until the proposal has been approved.
Music Education Final Oral ExamFor students in Option A, the thesis will be discussed and defended during the final oral examination. More information about the final oral exam and the exam committee can be found in the Crane Student Handbook. Option B: Music Education without Thesis- MUCH 5xx or 6xx A course in Music History/Literature
- A music content course (Music History, Theory or Performance)
- General Electives: 6 credits
Note: Composition Courses ( MUCT 601 , MUCT 602 , MUCT 603 , MUCT 611 , MUCT 612 , MUCT 613 ) cannot be used to fulfill the Music Theory requirement. Upon entering the program, students in Option B will create a list of 3 questions: one question based on curriculum work, one question based on historical/philosophical influences, and one question self-generated. These questions will frame the graduate learning experiences and culminate with a presentation during the final oral exam. Four weeks before the final oral exam, students will submit an outline of their final oral presentation along with a bibliography. For the final oral meeting, students will create a half-hour presentation which highlights how their graduate journey has answered the questions posed at the beginning of the degree work and illustrate how the student has synthesized their learning. The presentation will end with the student’s vision for future learning. Following the presentation, committee members will have 45 minutes to question the candidate about the presentation or any aspect of their degree program. Presentation and documentation will be evaluated on the following: - Thoroughness in addressing the questions submitted.
- Synthesis of understanding through application of learning to future teaching and a plan for implementation of new ideas.
- Artistry in presentation so that what is presented is synthesized and artfully arranged.
- General scholarship and organization.
- The three-person oral examination committee will confer immediately following the examination and announce the results to the student.
- For the student whose performance during the final examination is satisfactory, each committee member will sign the Final Oral Examination Completion form. The recommendation of the committee must be unanimous in order for a student to pass the final oral examination.
- For the student whose performance during the final examination is unsatisfactory, the committee has two options:
- The student must retake the oral examination, presenting the entire oral presentation or the portion(s) of the presentation that the committee found to be unsatisfactory followed by the questions from the committee. A student is allowed on rehearing. A third examination will not be given.
- The student must prepare a formal paper focusing on the portion(s) of the examination that the committee found to be unsatisfactory. The paper will be evaluated either by the full committee or by one designated member of the committee. The paper must be submitted within two semesters of the original examination date. A student is only allowed one opportunity to submit a paper. A second paper will not be considered.
More information about the final oral exam and the exam committee can be found in the Crane Student Handbook. Piano Pedagogy ConcentrationGraduate students enrolled in a Master of Music degree program can also apply to complete a concentration in piano pedagogy. Click here for more information about this option. Total Credit Hours Required: 30 | | | |
COMMENTS
Theses/Dissertations from 2005. The Effect of Conducting Gesture on Expressive-Interpretive Performance of College Music Majors, Ronald Wayne Gallops. Effect of Age on 11- to 18-Year-Olds' Discrimination of Nuances in Instrumental and Speech Phrase Interpretations, Andrew Sioberg.
Learn about the Frost School of Music's graduate student research in music education
This thesis discusses methods used by music teachers that teach elementary students who have been diagnosed with learning differences in a self-contained program.
Theses/Dissertations from 2022 PDF Social Music Interactions and Vocal Music Improvisations in a Serve and Return Music Community, Kathleen Kaye Arrasmith PDF Comfort Food for the Ears: Exploring Nostalgic Trends in Popular Music of the Twenty-First Century, April K. Balay PDF A Performance Guide to "Four Piano Pieces, Opus 1" By Evgeny Kissin, Andrew Choi PDF Timeless Light: A Singer's ...
Theses/Dissertations from 2021. PDF. School Music Administration During the COVID-19 Pandemic: Trauma, Loss, Meaning, Change, and Innovation, Christopher Burns. PDF. Development and Validation of a Scale to Measure Songwriting Self-Efficacy (SSES) with Secondary Music Students, Patrick K. Cooper. PDF.
Engagement in Music Education in the Upper Elementary Grades. A Quantitative Research Methods Proposal Presented to the Graduate Faculty of Minnesota State University Moorhead By Abigail Jirik. In Partial Fulfillment of the Requirements for the Degree of Master of Science in Curriculum and Instruction. May 2021.
Music education readies students for learning by helping to develop their basic mental skills and capacities. Music instruction impacts learning in the following ways:
INTRODUCTION Completing a thesis is the culminating activity in the Master of Music Education degree program. For some students the experience of writing a thesis can be a rewarding one and can serve as a critical point of entry into doctoral study. For others, writing a thesis can be a daunting task.
This thesis explores and analyses the discipline of music education by situating it within a transdisciplinary contextual framework. Its aim is to develop a simple, practical model to help teachers, particularly generalist classroom teachers, reflect
The thesis concludes with the conviction that Music Education preserves a rich potential for realising and expressing the core values of progressive education today: promoting for the children in our schools the experiences of creativity, health, resilience and wellbeing which matter so much for surviving and attaining the good life in our ...
PDF | Effective teaching is an essential condition for fostering learning in instrumental and vocal music education. The role of the teacher in music... | Find, read and cite all the research you ...
In this literature review, the effect of music education on child development and. academic success was evaluated. The claim that music education is beneficial to both child. development and academic success has grown as a popular idea in recent decades.
The Benefits of Music Education on Academic, Behavioral, and Communicative Skills with Middle School Students with Autism Spectrum Disorder Sarah V. Foley
Theses & Dissertations Below is a collection of theses and dissertations by graduates of the LSU Music Education program, dating back to 1990.
Impact of Music Education on Student Performance By Justin Prentiss. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of. Masters of Science Applied Economics. At. The University of Wisconsin-Whitewater. ct. ber, 2018TA. OF.
This thesis focusses specifically on creativity within music education policy, discussing how this aspect of the curriculum has progressed, from the publication of the Education Charter (2012), to the development of Creative Ireland, and the release of the new Junior Cycle Music Curriculum (2017).
The purpose of this study was to survey music education students in their first year of undergraduate studies to learn what influences and/or musical experiences affected their choice in selecting music education as their major. Participants (N = 28) were enrolled in an Introduction to Music Education course at a mid-sized metropolitan university. Subjects were asked to complete a survey and ...
argued that education in music can boost test scores, attendance, attitudes toward school, reduce discipline referrals, and increase overall academic achievement. The purpose of this study was to quantify general education claims by examining high
Abstract Understanding music and musical meaning is a central question in various domains such as philosophy, anthropology, social sciences, semiotics and music education.
Theses/Dissertations from 2023. PDF. A Case Study Analysis of the Experiences and Perceived Learning Outcomes of Former Non-Music Majors in Applied Horn Lessons, Jordan Bennett. PDF. Unconventional Wisdom in Resonating Echoes of the Past: A Memoir on the Life and Music of royal hartigan, Joseph Elias Boulos. PDF.
Ocádiz Velázquez, Gabriela, "Music Education in a Liquid Social World: The Nuances of Teaching with Students of Immigrant and Refugee Backgrounds" (2020). Electronic Thesis and Dissertation Repository. 6824. This integrated-article dissertation explores the multiple ways in which music teachers, community facilitators, and students engage in ...
ABSTRACT The study aimed at examining the impact of music on students' academic performance. Music education has been decimated in schools around the globe, due to competition with academic subjects and an increasing lack of funding. These days, the opportunity to learn an instrument is seen as more of a luxury than a necessary part of education. It was discovered in this study that students ...
This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University.
The College currently enrolls approximately 3,600 undergraduate and graduate students. Home to the world-renowned Crane School of Music, SUNY Potsdam is known for its challenging liberal arts and sciences core, distinction in teacher training and culture of creativity.