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Steamy yet Sophisticated: How to Write the Perfect Kissing Scene

One of the most difficult scenes to write is a kissing scene, or really any scene when when things get hot and heavy.

Writers worry about being too obscene (will my mother read this?), or even worse, not vulgar enough (no one wants to be labeled a prude). 

Humans are private creatures when it comes to lust, and illustrating an intimate scene can still make the most seasoned writer nervous.

The perfect kissing scene is found smack dab between these two adjectives in the title — steamy and sophisticated — as it is the balance of coy and crude that can develop into a beautiful scene.

In order to craft the perfect kissing scene, it is important to look back on the work of others in order to see what works. I’m going to give you two examples and explain why both of them work.

Wait one second:

All writers absolutely need to read the best post I’ve ever written: “ 12 Steps to Write a Bestselling Novel. ”

Pause on your obsession with kissing and plunge headlong into the best guide post on novel writing.

You won’t regret it.

Dolphin-Slippery Kissing in Sophie’s Choice

Considered by many to be William Styron’s magnum opus, this story chronicles the friendship between a young Southern writer and a polish Auschwitz survivor. In this scene the young writer, affectionally named Stingo, is observing a painting beside a young jewish girl named Leslie.

“In the shadows her face was so close to mine that I could smell the sweet ropy fragrance of the sherry she had been drinking, and then her tongue was in my mouth. In all truth I had not invited this prodigy of a tongue; turning, I had merely wished to look at her face, expecting only that the expression of aesthetic delight I might find there would correspond to what I knew was my own. But I did not even catch a glimpse of her face, so instantaneous and urgent was that tongue. Plunged like some writhing sea-shape into my gaping maw, it all but overpowered my senses as it sought some unreachable terminus near my uvula; it wiggled, it pulsated, and made contortive sweeps of my mouth’s vault: I’m certain that at least once it turned upside down. Dolphin-slippery, less wet than rather deliciously mucilaginous and tasting of Amontillado, it had the power in itself to force me, or somehow get me back, against a doorjamb, where I lolled helpless with my eyes clenched shut, in a trance of tongue.”

In this selection Styron’s masterful description keeps the reader glued to the page for every swirl of young Leslie’s tongue. So let’s analyze what exactly worked …

Styron uses the element of surprise to initiate this kissing scene. The main character is still in the process of describing the odor of Ms. Leslie when she startles him with a kiss. By abruptly launching into the kiss mid-sentence, Styron is able to catch his readers off-guard. This helps allow the reader to experience the shock of an unexpected peck.

Another use of Styron’s unpredictable writing style centers around the metaphors and similes that take the reader by surprise with their effectiveness.

Who would of expected that describing a tongue as a “writhing sea-shape” trying to squirm its way out the back of your head would actually work? Or that, keeping with the nautical theme,  Styron would be able to make it sound natural when he illustrates a tongue as “dolphin-slippery”? 

Yet these depictions are such colorfully unconventional ways to describe the act of kissing, that they actually work despite their less-than-arousing sound.

Let’s take a look at another iconic kiss scene.

Star-Struck Kissing in The Great Gatsby

In “The Great Gatsby,” Fitzgerald’s story about wealthy Jay Gatsby’s ill-fated infatuation with the already married Daisy Buchanan, this scene describes a kiss between the two on a cool moonlight night.

“His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.”

What makes this scene so compelling is the distinct and bizarre analogy Fitzgerald employs in order to describe the moment. A tuning fork struck upon a star? That’s utterly unique.

But remember that the majority of this kissing scene is the anticipation before the kiss. This is what writers most often forget. They go straight to the physical action and forget that the literary foreplay is the majority of the pleasure.

His figurative language in the second sentence makes the process of leaning in for this kiss almost metaphysical, as the speaker explains how this kiss will act as an act of therapy to cure all of the anxieties that plagued his mind. 

In Fitzgerald, a kiss is never just a kiss.

It can be a cure, an epiphany, a disaster, a transformation.

Kiss & Tell: 7 Takeaways From These Kisses

So what have we learned by analyzing these two scenes side by side?

• Spend some time describing in straightforward language what is happening, but don’t shy away from using strange and unusual metaphors for a kissing scene. 
• Don’t rush. Only bad writers treat a kissing scene as just the physical action between two sets of lips. A true kissing scene is the tension between two people before the kiss, the psychology during the kiss, and the reactions afterwards.
• A kissing scene isn’t just about the physical act of kissing. It’s really about the relationship between these two characters. What are they thinking? What do they really want (and it’s not always sex. It could be a connection, it could be avoiding the feeling of loneliness). 
• There is the early sexual tension, the physical act of lips meeting, and the climax can come either in the character’s thoughts about the kiss or in what they do after they’ve separated from each other (like the lightening in the Jane Eyre example below).
• Both in Gatsby and in the Siddhartha example below, the act of kissing becomes something more: it becomes a kind of revelation, an epiphany. Don’t be afraid to have your kissing scene lead your character into a profound realization.
• Is one enjoying it and the other hating it? Is one overthinking it and the other swept up in the passion? 
• In the Lolita example below, you will find an example of a kissing scene where you don’t trust the person describing the kissing. In Humbert Humbert’s version of the kiss, 12-year-old Lolita is the instigator of the kiss. But can we really trust his version of events?

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5 Bonus Kissing Scenes

Gone with the Wind by Margaret Mitchell

Before she could withdraw her mind from its far places, his arms were around her, as sure and hard as on the dark road to Tara, so long ago. She felt again the rush of helplessness, the sinking yielding, the surging tide of warmth that left her limp. And the quiet face of Ashley Wilkes was blurred and drowned to nothingness. He bent back her head across his arm and kissed her, softly at first, and then with a swift gradation of intensity that made her cling to him as the only solid thing in a dizzy swaying world. His insistent mouth was parting her shaking lips, sending wild tremors along her nerves, evoking from her sensations she had never known she was capable of feeling. And before a swimming giddiness spun her round and round, she knew that she was kissing him back.

Siddhartha, by Hermann Hesse

She drew him toward her with her eyes, he inclined his face toward hers and lay his mouth on her mouth, which was like a freshly split-open fig. For a long time he kissed Kamala, and Siddhartha was filled with deep astonishment as she taught him how wise she was, how she ruled him, put him off, lured him back… each one different from the other, still awaiting him. Breathing deeply, he remained standing and at this moment he was like a child astonished by the abundance of knowledge and things worth learning opening up before his eyes.

Middlesex, by Jeffrey Eugenides

The rims of Clementine’s eyes were inflamed. She yawned. She rubbed her nose with the heel of her hand. And then she asked, “Do you want to practice kissing?”

I didn’t know what to answer. I already knew how to kiss, didn’t I? Was there something more to learn? But while these questions were going through my head, Clementine was going ahead with the lesson. She came around to face me. With a grave expression she put her arms around my neck.

The necessary special effects are not in my possession, but what I’d like for you to imagine is Clementine’s white face coming close to mine, her sleepy eyes closing, her medicine-sweet lips puckering up, and all the other sounds of the world going silent — the rustling of our dresses, her mother counting leg lifts downstairs, the airplane outside making an exclamation mark in the sky — all silent, as Clementine’s highly educated, eight-year-old lips met mine.

And then, somewhere below this, my heart reacting.

Not a thump exactly. Not even a leap. But a kind of swish, like a frog kicking off from a muddy bank. My heart, that amphibian, moving that moment between two elements: one, excitement; the other, fear. I tried to pay attention. I tried to hold up my end of things. But Clementine was way ahead of me. She swiveled her head back and forth the way actresses did in the movies. I started doing the same, but out of the corner of her mouth she scolded, “You’re the man.” So I stopped. I stood stiffly with arms at my sides. Finally Clementine broke off the kiss. She looked at me blankly a moment, and then responded, “Not bad for your first time.”

Lolita, by Vladimir Nabokov

Hardly had the car come to a standstill than Lolita positively flowed into my arms. Not daring, not daring let myself go — not even daring let myself realize that this (sweet wetness and trembling fire) was the beginning of the ineffable life which, ably assisted by fate, I had finally willed into being — not daring really kiss her, I touched her hot, opening lips with the utmost piety, tiny sips, nothing salacious; but she, with an impatient wriggle, pressed her mouth to mine so hard that I felt her big front teeth and shared in the peppermint taste of her saliva. I knew, of course, it was but an innocent game on her part, a bit of backfisch foolery in imitation of some simulacrum of fake romance, and since (as the psychotherapist, as well as the rapist, will tell you) the limits and rules of such girlish games are fluid, or at least too childishly subtle for the senior partner to grasp — I was dreadfully afraid I might go too far and cause her to start back in revulsion and terror.

Jane Eyre, by Charlotte Bronte

The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs. Fairfax emerged from her room. I did not observe her at first, nor did Mr. Rochester. The lamp was lit. The clock was on the stroke of twelve.

“Hasten to take off your wet things,” said he; “and before you go, good- night — good-night, my darling!”

He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. “Explanation will do for another time,” thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling; and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours’ duration, I experienced no fear and little awe. Mr. Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything.

Before I left my bed in the morning, little Adele came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

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139 comments

How does it feel to really kiss?

Its like opening up your soul, tasting feeling and seeing every colour of the rainbow in their own sensual way, almost like catching a smile in a bottle, its softness, its sweetness… Like breathing in the person like a cool inhalation of oxygen to warm the soul.. Like nothing in the world exist but u and the person… This feeling like ur levitating off the ground floating in the air… What ur feeling cannot be put into words, nor has there get been any part of speech or figure of speech invented to describe it.. Its like an aphrodisiac, mixed with a Pandoras box effect , fireworks glowing inside u from the touch of the persons lips on u.

Woah, dude. That’s deeper than any of the kissing scenes in the article.

That was beautiful.

Wow. That’s quite deep.

Kissing feels like pressing your lips against slightly slimy cardboard and waiting to get on with the reasoning behind the kiss

You should write a book

Wooaaaahhhhhh…. that is some deep stuff but I do find myself agreeing with you.

Love it, you have enlightened me, now back to work and this time I know i need to engage senses

Damn. I’m shook from how deep that was.

that was beautiful…

this was so beautifully written it made me tear up and crave to feel it firsthand

*ahem* could I use this for the book I’m writing because I have no other ideas??

i ask the same thing cause i havnt experienced

It feels as if your whole world has been waiting for this moment. As if all the love inside your soul, as well as your body (with the right person) combine into lust and passion. The feeling of a good kiss is when your person your kissing wraps their arms around you, you feel as if you were safe but are complete aware of how you look, and wanting to impress them. A TRUE GOOD KISS, is the feeling when you feel sick to the stomach but strong as well. That, Sadie, is what I consider to be a good kiss.

I think how it feels, is when they lean in and look you in the eyes, before their lips fall on yours. The feeling of love and passion fills your soul. As if that kiss was meant to be yours. As if the person and you were meant to kiss. When that person grabs you and holds you close and kisses you so passionately, it makes you feel safe and completely venerable to that person. You feel as if your body will explode with the feeling of happiness, the feeling of being rarely safe in the persons hold. As if this pacific person was meant for you. And when it’s over, you just know. No kiss will ever compare. That is a real kiss. To me at least, Sadie.

She leads me to a small clearing. I see the starlight, those beautiful pinpricks of light in the infinite dark expanse of the universe. “Wow…” I stutter. “Beautiful, isn’t it?” she asks, slipping behind me. She hugs me around the waist, and I cringe instinctively away from the unexpected contact. “It’s… stunning” I grasp desperately for the correct word. “Turn around, I have one more surprise” she commands. I turn around, and all I see is her, her vibrant, fiery hair glowing with the silver cascade of the moonlight, the glow of the stars in her amber eyes, her delicate smile and the deep blushing on her face. “You were right, babe, it’s beautiful” I say, and her cheeks redden further. “There’s more” she says, and leans in quickly. Her lips touch mine gently and affectionately. My mind immediately crowds with a million thoughts, but I push them away for the moment, desiring nothing more than to enjoy this moment. Almost immediately, she recoils shyly and blushes uncontrollably. I stand in shock, the swarm of thoughts flowing into my mind. She begins to retreat, fearing that she may have taken things too far, too quickly. I move quickly to her, brushing away her hair. I lean in and gently guide her head toward mine. Our kiss lasts mere moments, but it feels great. Thousands of thoughts are forced away to make room for one single idea. Hold on to this moment forever. I release and rest my forehead against hers. “I love you, babe.” I say, barely more than a whisper. She blushes more. “I love you too” she whispers. Our lips connect once more. Each moment, the feeling of her soft, perfect lips becomes more and more provocative. It is in this moment that I truly realize that I am hers and she is mine. I was meant for this, I was meant for her. This is the first time that I have ever felt that I truly belong. I swear to god, we actually transversed the infinite planes to one in which time does not exist, because I am sure that if we were in the world, my passion for her would be enough to stop time, to hold this moment, to hold her, for ever. I wish to stretch this moment out into a thousand, just to feel her body against mine. She is Ember, she is my Ember, and I belong entirely to her. The world is gone, and we float through an infinite expanse of nothing, just the two of us, Abby and Ember. We love each other and that’s all that we need. We can stay here through all time and eternity. Sadly, the world of the living was not done with us yet. We release our lip lock. “That was… that felt amazing…” I stumble for words again. “I love you, Abby” she says, and I lay down on the ground. She sets her head on my breasts. After hours of thinking, I finally accept the embrace of sleep.

@Sadie and some others asking what a kiss feels like:

You are, very understandably, asking the wrong question. A kiss is never just a kiss. It’s the circumstances that determine what kissing feels like (and the meaning of the kiss is where your story lies). The first time I kissed a boy, I did it because I wanted to know what it would be like. I’d just turned 13 and worldly deciding it was time, but then the kiss turned out to be a huge disappointment. Wet, gross, my nose awkwardly bumping into his; it wasn’t what I’d imagined at all. The way my classmate’s tongue swirled in my mouth reminded me of the spinning cycle of a laundry machine. Was this what the fuss was all about? I wasn’t in such a hurry to grow up after that.

Fast forward to my first real party as a freshman in college where I kissed a man to distract him from his efforts to rape me. He’d drugged me and I woke up as he was taking my clothes off. I asked him to stop, but he didn’t. The ice-cold fear shooting through my veins overruled the nauseating revulsion of his unwelcome mouth on mine as I frantically bought myself time to think up an escape.

Every kiss in my life was different. I clearly remember the first kiss by a man I was deeply in love with despite my resignation that he would probably never want me. I barely registered the shock of his warm lips on mine because my world imploded, a signal sounded and doors closed between us. When the train slowly left the station, I couldn’t even feel my legs and floated to my seat in the happiest of dazes.

I’ve trembled in fear when I could no longer deny a man who’d been patient through many dates with me. I was terrified a kiss might lead to real feelings for him because I was nowhere near ready for a relationship and the impulse to flee, to actually run out of my own apartment, was battering at me but I locked my knees and braved the kiss anyway.

Speaking of knees: they gave out when my secret lover kissed me behind a curtain at a very public party as he whispered promises in my ear about what would follow later that night.

I’ve hated the kisses that I felt obligated to give, the taste of them like overripe oranges. But I’ve also begged for kisses from the men I loved, both for sloppy ones in the shower and sunlit ones in the morning. I’ve danced like a stripper after midnight to gain the affections of complete strangers when I was drunkenly trying to get over an ex, the anonymous arms around me healing the crumpled pieces of me fearing I’d never be noticed again. Sometimes I missed a man so much, kissing him felt like I was taking my first full breath in days. I’ve tearfully kissed men goodbye. One kiss shattered me with the sudden realisation that the man I loved meant for it to be the last. I’ve steeled myself for kisses intending to leave all my walls firmly intact, deliberately concentrating on perfect technique instead. I’ve kissed men intending a quick peck only to be swept up in a wave of heat. Last year I said “I do” before kissing my husband, all the while gripping his hands- both to let him know I truly meant it and to hold on for dear life. You’d think that almost 2 decades’ worth of kisses would qualify me to tell you what it really feels like, but I couldn’t possibly. Because a kiss is never just a kiss. Trust me on this. A kiss can be a pledge of love or a declaration of war, and sometimes it’s both.

Some writers reduce kissing to a purely physical act, and the result is a bad scene because kissing simply isn’t. Walking or cycling or eating an apple tends to feel roughly the same every time. Why? Because basic stuff like eating or moving from point A to point B usually doesn’t MEAN very much (unless it’s the first time walking after losing your legs in a car accident or there’s suddenly a worm in your apple on a bad day). Kisses never really feel the same because they always mean something. Even if it’s just a hasty smack and a “drive safe” between a husband and a wife, a kiss means something.

I think it’s helpful to see kissing as a way to communicate. Think about it: you never really have the same conversation twice either. If someone were to ask you; “what does talking really feel like?”, you’d probably pause. Because talking is never just… talking. Sure, you’re moving your lips, forming words, noises come out, language is chosen, but that’s not what it FEELS like to have a conversation, nor what a conversation is really about. What talking feels like depends rather heavily on the situation and the person you’re having the conversation with. Kissing is just like that; it’s interaction. It’s human connection. That’s why metaphors work so well when describing kisses. I never really know where my hands are during a kiss, but my brain always automatically processes what the kiss means. So when writing, I’d prioritise meaning over logistics and even sensory input every time. Without meaning, your readers won’t feel much either. Ask yourself: why does this kiss matter to these characters?

Also: never underestimate a hug or a brush of fingers or other non-verbal interactions. With the right meaning attached, they can be ridiculously powerful. I think it’s one of the great misconceptions of our time that we seem to think that only stuff in the bedroom counts. Also quite idiotic: all the times we label that same stuff as ‘casual’. It rarely ever is.

Just my 2 cents as I’m trying to figure out how to work the first kiss in the story I’m writing. I thought the article was really helpful. It reminded me of the basic fact that the meaning of the kiss always takes precedence.

Oh wWOOOOOOWWWW!! NOW THIS IS BEAUTIFUL. This is beautiful.

God, I needed to write a comment after reading such an enlightening comment. Thank you so much for your thorough examples and explanations, know that somewhere on this planet someone will keep this in mind when they write their kissing scene <3

It depends a lot on the person.

I personally do not feel much stimulated by kissing, for me my partner’s stimulation turns me on af.

It feels warm, soft & very intimate.

Kissing is like communicating with your partner. It makes you feel certain emotions you have never felt before. It is like connecting with your partner’s soul, and feeling the warmth of your partner’s breath. It helps build a stronger bond with your partner, and makes them feel welcomed.

I think it’s like a really awkward moment of sucking face.

Your breath is all entangled (you can’t breath well because you’re so close) and you’re choosing to trust your partners oral hygiene (like don’t they ask themselves??)

But my friends in relationships say it’s addictive.

In truth, a little awkward. A chaste kiss is just a mouth against a mouth – warm, but not really something one has to get very descriptive about. Open-mouthed kisses without tongue are probably my favorite (wow, I never thought of that until now, actually!) because they’re not as invasive as a kiss with tongue but not as chaste as a closed-mouth kiss. This kiss feels soft, unless there’s lip biting involved (which is hot until someone starts bleeding). Warm, of course. It’s almost like a caress. As for kisses with a lot of tongue, I can’t be trusted to describe such a kiss without letting my bias show significantly.

I’m very late to this party, but this is a great article! It definitely helped me while writing these type of scene’s in my story and the examples given from stories were also very helpful.

what’s your story?

So you think that YOU’RE late? I am like late late lol. but nevertheless, the article was helpful no matter how late people come to it.

Yo, you think YOU’RE late? If you’re late late – I’m late late late late late! Gotta agree though, this article has helped out my writing loads.

You think YOU’RE late? if you’re late late late late late, I’m late late late late late late late! Yeah, this helped though

You think YOU’RE late?

You think You’re late? If you’re….. oh, never mind.

I agree with all, this is a fantastic article and has literally just helped my kissing/love-making scene. Thank you.

lmfao what?

Oh, you poor, oblivious souls. These days, Late takes poor, unsuspecting humans and infects them with the plague you know as the opposite of “punctuality”. No cure has been found for Late, unfortunately.

So this is part of a musical that I wrote for fun but…. So Kate and Thomas are married and she has been abused in the past so she locks him in the bathroom once she sees the bed because she gets scared. He escapes through the door that leads outside and has made his way back into the room (Thomas tries to sneak away but Kate spots him)

Kate(spoken): T-Thomas….. I—– (turns away as if to leave) Thomas(running over to her and kissing her, silencing the apology. She pulls back and he lets her): Shhhh…..it’s okay. He did more than just shove you a couple times didn’t he? What did he do to you? I want to know everything. ( Kate stares at her hands) Kate (whispered): Knives can fly (Thomas takes her hands in his and rubs them tenderly in a circular motion): Look I can wait until you’re ready to talk but I’m also not leaving this room until you tell me everywhere he hurt you and how he did it. Kate(whispered): okay (Her shoulders are trembling and he grabs them gently but firmly to steady them) Thomas( soothing): now where do you want to start? …… So the musical continues and he gets her to tell him everything. She is also subconsciously buttoning her blue jean jacket up as she talks …… * so to make this easier I’m turning the rest into a story format on here* Thomas shakes his head in anger,” that man better be praising the Lord that he is in jail because if not HE’D BE DEAD. Kate begins to tremble and pulls away.”Thomas, please you’re scaring me,” Thomas relaxes and a look of worry crosses his face. “Sorry baby, I just got a little mad. Look I can sleep on the couch until you’re ready” he starts to leave but she stops him “Don’t” her voice is steady now, no longer afraid. “We don’t have to, baby” he again goes to leave but she stops him again. ” Please,” she kisses him and he immediately pulls back, worry written all over his face. ” Katy-cat” ” I want to ” (I can’t italicize but the want is emphasized) she kisses him again. Thomas pulls back and stares her in the eyes, ” are you sure?” She hesitates the fear visible in her eyes for a brief second before determination takes over. ” Yes….just….go slow” His voice grows gentle but firm as he says ” okay. If you start to panic, I’m gonna stop immediately and go sleep on the couch. Deal?” “Yes” Thomas scoots closer and starts to unbutton her jacket. [The stage darkens. The last thing visible is Kate’s jacket falling to the floor]

That’s really good. Great job!!

Thanks….really helped.. I’m 15 writing my first novel that is romance but fiction based….looking for someone to sponsor me to act it probably during the August holiday.

17 and working on my own stuff my dude. Keep writing, be as consistent as you can manage. You got this.

15 and writing a novel too. It’s nice to see all the positivity around

14 and trying but keep getting distracted. I am hoping all of you get it done and published.

17 and about to write a romantic and dangerously feisty scene. Helping a ton!

13 and trying as well. It’s a fantasy but there’s lots of romance :happy-face:

I write books in my free time, and they’re romance books, so yeah, this article was pretty useful for future references, thanks so much. does anyone know how to get a book published?

Honestly, anything that uses the phrase ‘gaping maw’ and ‘dolphin slippery’ should not be used as a template for a good kiss scene. Unless you’re into making out with Lovecraftian monsters those aren’t phrases you use to describe kissing. Vore, maybe. Kissing, no.

Thank you. I read that and my nose wrinkled like “whaaaa???” Is it surprising, yes. Is it a scene that would make a reader sigh in bliss. Absolutely no. Wow. That is a descriptor I would 100% stay away from.

Damn it was just mind blowing!!

Yessssss @TheBoi yesssss! Like yesssssssssssssss

“Are you going to be okay?” I whispered. “Yeah. Let’s just get it over with.” She took off her sweater. “Okay.” I breathed. She wrapped her arms around my neck and teased me with her big green eyes. “Okay,” I repeated. I awkwardly put my arms around her waist. We stared into each other’s eyes for an awkward second. I leaned down, and she brought her head up. Our lips connected. She deepened the kiss. With one hand, she took the hat off my head and dropped it on the ground. She ran her hands through my dark pink hair. I had dyed it because I constantly had trouble with being kind. I had little sympathy for people, so the color pink reminded me that some people do hurt like I do. It reminded me to have compassion for others. I got made fun of a lot for having such a “girly” hair color. I never listened, though. It was a decision that I made to better myself, even if I got beaten up for it. We both shifted so that Ash was on my lap. I tugged at the bottom of her crop top. My hand slid up her spine. I felt a tremor go through her body. My hand slid back down her spine, resting at her hip. I unconsciously tilted my head to deepen the kiss. We kissed more and more passionately by the second. After a moment, I unintentionally slid my hand down and lightly touched her on the back of her thigh. She stopped moving. “Stop.” “What?” I pulled away. “What’s wrong?” “Just stop.” She pulled away and got up. Without looking back, she ran away. I stared after her in disbelief. It took a moment for it to click. “Oh, no. I’m a terrible person.” I put my head in my hands. “What did you do?” Victoria’s expression hardened. I beckoned to her. I whispered in her ear, “I touched her where he did.” She stared at me, horrified. “You are a terrible person.”

This is an excerpt of a story that I’m working on. This part is when one of the main characters, Alexei, and his best friend, Ashlynn, are playing Truth or Dare with their class at a party. Before they were playing, Ashlynn got assaulted by a classmate. Alexei knocked the classmate out in an attempt to protect Ashlynn. But anyway, Alexei gets dared to make out with Ashlynn, whom he affectionately calls “Ash.” At first he blatantly refuses, but Ashlynn insists that it doesn’t bother her, and so they make out. Victoria is Ashlynn’s other best friend, by the way.

That’s amazing!! I’m an aspiring (fan) fiction writer and hope to actually be as good as that one day ahahaha….

Same haha, i write alot of fanfiction but i’m moving on to an actual novel soon.

wow!! me too this article helped me a lot. im 13 and i write lots of fanfictions on wattpad and kissing scenes are the hardest to write.

Damn. I want more

I’m having a hard time writing my first kissing scene. This helps lot!

ok…? once i had a dream where i was playing Spin The Bottle (not that I’d ever do that in real life) with some acquaintances of mine, and I had to kiss this one guy that i don’t like very much. it was a pretty weird dream.

Lev snickered slightly as he put his forehead to mine. Our lips were so close I could have easily kissed them. I felt his breath on my lips and closed my eyes, cherishing the moment. He leaned in closer and placed his lips upon mine. We were like that for a minute until he heated things up a little. He Kissed me harder as he gently tugged at my hair. “L-lev!” I exclaimed, pulling away a little and gasping for air. My eyes met his and I relaxed. His Green eyes gave me a lustful look.

What do you think?

That’s cool!!!

personally i don’t believe in the zodiac, but if you use the zodiac kissing/cuddling/flirting styles that match your character it can really help, or at least i think so here’s a part of my writing: Bill and Ford sit on the grass. Bill presses his forehead against the side of her face. Stanford just pokes him in the cheek. Bill smiles and closes his eyes pulling Ford closer. She pushes him back a bit.

“Aw, what’s wrong?” Bill asks with a fake pout.

“Nothing.” She says softly while laying her head on his shoulder and scratching the back of his head. Bill begins to pick the wild buttercups and and evening primroses to weave a crown which he put on her head. Ford gently pecks him on the cheek and chuckles softly. He pulls her in closer again and kisses her. Her eyes widen at the surprise but she soon became familiar with his fiery aggressiveness. As they fell into the grass Stanford broke from his iron grip and started giggling.

“I know you’re incapable of fun, but you should try laughing more, its so cute.” He smiles.

She just chuckles some more. “I don’t know how to respond to that.” He grabs her chin and kisses her again, this time she expected the bite. He presses his forehead against hers and looks at her. “Your eyes are like swirling galaxies.”

“I’ve heard it before.” She says pulling his tie and poking his nose.

“I should become an an astronomer because I can’t stop studying them.” She hits him on the back of the head before giving him another peck on the cheek.

“Do you know how hard it is when you have no one to talk to? When you are the only one that is different? Do you know what it feels like when nobody is there to love you? I don’t think I can do this anymore.” Vladimir put his hand underneath my chin and made me look at him. His bright green eyes lit up by the mini him. “No one and nobody?” I could feel his fire burn through the coldness that I was feeling. His hand that was on my chin moved to my cheek and his other moved up my arm. He trailed his fingertips on my forearm barely even touching me. It made me shiver, he didn’t look away from me when a car honked. I was scared lost in the pools of his eyes, I didn’t know if I wanted my first kiss to be with the person I’m not even supposed to be attracted to. Before I could even think of his brother finding out his lips parted mine. It was gentle at first he wasn’t sure if I wanted it, then it got firmer as I didn’t pull back. His hand went behind my neck and pulled my closer to his face, the other hand laying my on the ground. I don’t know if I was expecting fireworks, but this felt different than what I had imagined my first kiss would feel like. My hands wrapped around his neck before I could even think about anything. This is what I wanted. I didn’t want his brother, I wanted him. I felt the sand in my hair as he rolled my on top of him. This is apart of my fiction story where this girl is engaged to the prince, but found out that she is more attracted to his brother. This had happened before with the brothers where Henry’s (The one that the girl is engaged to) ex-wife thought she was in love with Vladimir and Henry had her killed after he had found out that she was sleeping with Vladimir.

I love it so much! Is it being published? I would love to read it.

“Can I kiss you?” I bit down on my bottom lip, nodding. “Close your eyes.” I shut my eyes, tilting my head slightly. Her hand moved to the small of my back, steadying me. She tilted her head, and I felt her hair brush my elbow as her lips met mine. I moved my hand down her face, resting it on the back of her neck. She wrapped her arm around my waist as she moved her mouth against mine, anxiety and worries making way to numbness. It was the kind of kiss that was so intoxicating your brain couldn’t handle thinking about anything else. We only broke when we needed to breathe, and I briefly basked in the image of her heavy-lidded eyes and slightly messy hair before our lips met again. She deepened the kiss, pulling me on top of her so that my legs were straddling hers. It was so much and not enough all at once. A high pitched scream broke us apart, ringing through the entirety of the school grounds.

The second the door closed, Henry was on Michael in a heartbeat, pinning him against the wall. Already it was far out of bounds of public modesty. Michael could feel Henry ever so slightly brushing his tongue over his bottom lip, requesting entrance. Michael denied. Rejected but not disheartened, Henry moved down to Michael’s neck. A small moan slipped out from between his lips as Henry nipped just below his ear lobe, before he made his devious way down to suck a lovebite on Michael’s sunkissed skin. His slender fingers were gently caressing the curve of Michael’s hip, while the other was softly grasping his jaw. Henry suddenly had the power to turn his husband’s legs to jelly, leaving him undone with just a few kisses and some very strategic touching. Michael felt helpless, his eyes shut and his head lolling backwards against the wall in a trance of tongue. At last, Michael gave in to Henry’s wordless requests, and as his sweet lips toyed with his, he was finally granted entrance. Michael struggled to keep his footing as Henry’s tongue softly mapped every inch of his mouth. As they broke apart for air, Michael took the opportunity to sensibly suggest that it probably wasn’t the best idea to get intimate in the hallway, as much as he wanted to. Henry agreed.

“Do you want to take this upstairs, or finish it later?” He smirked, before turning to inspect the delicious red mark he had left on Michael’s neck. He seemed proud of his work, and Michael couldn’t disagree. He was shaking, and felt like if the wall behind him wasn’t there, then he would have collapsed ages ago.

Michael considered his options for a few seconds. He could either go upstairs and be rendered subject to Henry’s magic, or walk away and start cooking dinner, and risk his kids seeing the red mark on his neck. He didn’t think he had enough mental strength for the latter.

“Let’s go up…”

Michael went up the stairs first, so that Henry would be there to catch him if his knees gave way. When he reached the landing without falling, he couldn’t say he wasn’t a bit proud of himself. He opened the door on the left to their bedroom, and Henry stepped in after him. He slowly shut the door behind himself, a kind of hunger in his eyes which Michael couldn’t quite place. It was almost predatorial, but he liked it.

“Come here. Gosh, your lips look…. delicious.”

Michael obliged without word.

“Gosh, your lips are delicious.” Henry murmured, sending sparks and shivers up Michael’s spine.

i can’t stop reading this, it’s really well written. i always reference it when writing because of how good and descriptive it is. great job!

That’s soooooo awesome!!! If that book is coming out, I will buy it. I have been looking trough the comments for so long and this is until now the best of all. I just wrote my first kissing scene and I think it ended up pretty good. This gave me so many ideas and I hope it’s okay, if I copy it? That was just really good job!

I’ve never had the chance to ever kiss anyone so making one up is even more difficult then I could even imagine I don’t know how to describe it but this sort of helped

Same, I’ve never had a kiss before so it’s harder then it should be

he grabbed my hand and pulled me back inside his grip was firm and the next thing I knew he slammed his lips to mine and nearly knocked all wind from my lungs. I hardly had time to react before he pressed his tongue to the seam of my lips I opened my mouth in shock he delved inside my mouth. It was a very sloppy kiss with the strong scent of mint being exchanged in the intermingling of our billowing breaths. He let go of my lips and we took in a deep breath before he dulged back in I could feel his saliva as it rolled off my tongue and seeped down my throat with every push of his tongue against mine.

I’m working on a romance novel and these totally helped!! There are two characters. It’s being told from the girl’s perspective. Neither has had their first kiss. The girl is uninterested, but the boy really likes her. Gradually, she begins to like him but they aren’t dating. There is some low-key flirting and a few romantic moments but nothing serious. I’m planning to have to boy go in for a kiss, but I have no idea how I want to describe it. He’s kind and considerate, but he’s also been having feelings for her for a long time and he wants to go all in. Anyone here have something I can tweak that I can use?

Here is one that I have been working on:

We stared at the sunset for a minute. I stared at the rosy clouds and commented, “It looks like I can just pluck the clouds out of the sky and eat them. Don’t they look like cotton candy?” He laughs. “I love the way you think.” I sigh, stretching my arms above my head and then placing them behind my back on the soft mossy ground. I lean on my elbows, and then, eventually, lie down completely. I fold my hands behind my head and watch the last of the sun’s rays disappear below the horizon. The first stars begin to peek out from the black curtain sweeping above out heads and the light of the full moon. There aren’t any crater or bruises — just a polished sphere of white looking down at me. I glanced at Ethan, surprised to realize that he was looking at me. Or, more specifically, my lips. “Is something wrong?” I ask. “Is my make-up smudged?” “Or something,” he agrees, staring at me with something in his eyes that I hadn’t seen before. I couldn’t help but feel a little nervous. “Is something wrong?” my voice caught. He didn’t reply, instead leaning in closer. He lay down next to me, propped up by his elbow. His face was only a hair’s breadth away from mine. I turned to look at him and he pressed forward. He kissed me. I had known in my heart all along. He loved me. And now it it me full force. His hand crept up my spine, pulling me in close. His hand rested on my hip and behind my neck. His lips started to open mine. Trembling, I obeyed. I almost couldn’t breathe as his roving hands swept up my hips. I knew that he wanted me to kiss him back. I wanted to as well, but I was so shocked that I was completely immobilized. He pulled away. “Kiss me,” he whispered. I pressed my lips to his. My hand ran through his dark hair. I felt a tremor go through his body before he wrapped his arm around me. He slid his body on top of mine, bracing himself with his elbows so I didn’t get the full brunt of his weight. He kissed me harder, almost aggressively. His mouth opened mine. I swiveled my head back and forth, mapping out his mouth. I was wrapped up in the kiss, and I didn’t want it to stop. His hands clutched my forearms, preventing me from moving. His arms stopped carrying so much of the weight and he pushed down on top of me. He ran his fingers through my hair. I couldn’t breathe, what with my shock and his weight. I pushed off of the ground and he slid his body off of mine. In the process, his lips parted with mine and we both panted heavily. Then I scooted closer. I hadn’t been this close to someone before, and it made me feel safe. I kissed him gently, nothing fancy. I stood up, knowing that we couldn’t stay here forever. He did the same. “Goodbye,” I murmured, my lips wet. And before he could say anything, I took off, sprinting towards my house.

I really like the writing, just the “swiveled my head back and forth” part is a little weirdly worded.

Okay, I have a fanfiction that I’m working on, and I’m trying with the kiss scene. Please tell me your thoughts. The setting is they are laying on Will’s bed on their sides looking at each other: He cut me off with a sloppy kiss, due to our awkward position on the bed. I kissed back, grabbing his arm to pull him on top of me. Will nibbled my bottom lip making me let out a soft moan, which Will took as an opportunity to slip his tongue into my mouth. We moved in sync, passionately kissing each other. I felt connected to Will at that moment, more than I ever had before. He pulled off my lips and swiftly moved to my neck. He sucked and licked his way down, leaving marks that I’d later have to cover up later. I tugged at the hem of his shirt, and he knew what I wanted. In one quick motion he whipped off his shirt, and I sat up for a second to take off mine. There was a gleam in Will’s azure eyes that made chills crawl down my spine. He shoved me back down on the bed and kissed me again. I ran my hands through WIll’s golden locks, tugging at the back, making Will groan in response. Will had been hovering over me this whole time, but he now layed down, the weight of him crushing me, but in a good way. I could feel his boner digging into my thigh, which just turned me on even more. He left my lips again, kissing down my stomach. I was about to tell him to keep going when there was loud banging on the door. “WILLLLL!!! NICCOOOOO!! DINNER!!” Kayla yelled.

Oh my gods. Solangelo?

Oh my gods!!! Solangelo!!!

OMFG!!!!! SOLANGELOOO! LESSGOOO

wow nice touch really felt real

I am a complete and absolute bookworm. I am writing a novel [trying to] to enter in the young authors award. That article was really helpful as were the comments. I have a brief idea on how to write a kissing scene as though i am actually there. Thanks guys!

I’m writing a story, and I tried to write a kissing scene, but since I’ve never kissed anyone, I don’t know how good or bad this is.

“Well, I don’t know, there’s just something that I really wanna do,” he says, resting his hand on the back of his neck. Before I can ask what, he presses his lips to mine. At first, the kiss is sweet, kind of like a looooong peck. But all the innocence is stripped away as he parts my lips with his. He slides his tongue along my bottom lip, and I moan softly. He slips his tongue inside my mouth, and we battle for dominance as he leads me towards the bed. He gently pushes me down onto the bed. He climbs on top of me, resting on his elbows, careful to not put his full weight on me. He connects his lips to mine once again, and as soon as our tongues meet again, the door opens and we jump apart, Will quickly climbing off of me. I look over to see who interrupted our heated make-out session, and I see Connor standing there, smirking.

so ive been working on this story for a while now in 14 and never been kissed this website gave me a good idea of what to write could I maybe get some feedback . thanks guys 🙂 stay safe .

now im stood here in the middle of the hall looking around frantically , i need to find him right now . i take a step forward because i think i saw him but i was wrong then i take a step back in frustration and i bump into someone as i turn to apologise i see him his perfectly sculpted face.

for whats eens like eternitys we just stare directly into eachothers eyes most people would look at his eyes and see beautiful green baut at this very moment i see mountains and maps and thousands of miles of beautiful senary surrounded by coulors no one even knows exist and only i will ever see. i see myself and i see a future full of love as he looks down at my slightly parted lips. i know whats about to happen we both lean into eachother in slow motion only breaking eye contact for a few seconds to look down at his lips . our mouths touch the slightest bit and i pull away with anxiety then we begin closing the gap even more and then gradually this small peck becomes this much more passionate kiss with its own lifeline surviving by the slight movements of our toungs dancing in our mouths were connected body and soul in this moment the rest of the world spins so fast it becomes nonexistent in my mind . i lean further in to hold him and keep myself from melting into the floor, our eyes are closed but i can see clearer than i ever have. Its asif i can feel fireworks blazing , glowing and igniting something within me . were completely and utterly in sync in this very moment, i can feel his hands running through my hair and im tugging at his this moment couldn’t be anymore perfect. We both slow down and cautiously pull back i noow remember that everyone is staring at us and i can hear them clapping but i don’t care i look up into his eyes as i hug him and i realize he doesn’t care either we were together and thats all that mattered .

This will be the first kissing scene I’m going to write for my book, hope someone can give me a feedback. I’m a bit scared it’s not good enough..

And for a brief moment, they both just stared fondly at each other eyes.

Then Yoongi gently held Aen’s face with his other hand, tilts his head and slowly started leaning towards her.

Aen felt her heartbeat accelerate and when Yoongi’s face was just an inch away from her face, she abruptly close her eyes.

Yoongi felt the same, although his heart has been beating rapidly ever since Aen said she loves him for who he is. And when he saw her close her eyes, he smiled.

And finally the feelings they had for each other was sealed as their lips meet. 

They both felt happy and complete, and the 0 on their wrist glowed at the same time as well indicating their souls have bonded .

Aen feels Yoongi put her hand that was on his face behind his neck, then his hand was on her waist and pulled her a bit closer.

The kiss is sweet and is full of affection.

they shared made them feel like time had stop just for them and that this moment was already predestined to happen.

And as they both parted for a breather, they look at each other’s eyes and smiled.

The suprised studio date was really worth it.

I think it’s great, I myself don’t really like the very graphic kiss descriptions (that’s just me) but this is really good! make it a bit more consistent either past or present tense, as you’ve got “they both just stared fondly” and also “Aen feels Yoongi” so, just choose past or present tense and stick with one or the other is my advice.

I have never been kissed before im also working on something this is really good!!!!

Omg, guys! These are so good! I’m writing a novel, however, I have never been kissed before. Tell me what you think:

I stared at the sunset, the swirling twilight mixing with the dark purples and oranges and the red sun to make a spiraling masterpiece. I sighed with content, propping myself up with the heels of my hands. I turn my head to scratch an itch when I see Andrew staring at me. “What?” I ask, nervous. Then I clear my throat to try and remove the squeak in my voice. “Is something wrong?” It doesn’t work. Why am I nervous? I shouldn’t be nervous—nothing’s going on. After all, I’ve known him for a month now, and there haven’t been any sparks. Have there? My knees start trembling, and in an effort to retain our friendship—and my dignity— I smooth my skirt over them. In an effort to look casual, I say, “This looks like something you’d paint, Andrew.” He shakes his head and doesn’t elaborate. Eventually, he stands up and holds his hand out. I take it and gently pull myself up. “Audrey, there’s… something I should tell you.” He stares at me with that intense look in his eyes, that look where you can tell he’s thinking hard. His wide, blue eyes stare at me, and I reach for his hands. There’s something so irresistible about his stare. And before I can stop myself, I lean forward until my face brushes up against his. I wait a moment, in case he wants to pull away, but he doesn’t. And for a second, I doubt myself. My emotions are so tangled, no comb could straighten them. But there’s something that could. So I close that last bit of space and press my lips against his. I can tell he’s been waiting for this moment. And strangely, semi-consciously, so have I. He slides his hands down my hips and I shiver, and he senses it. He cradles me in his arms, tilting his head to deepen the kiss, and I part my lips. I wrap my arms around him, closing every last bit of space, and he picks me up; I’m much shorter than him. I run my hands through his thick, brown hair and smile. I never thought I’d be touching him like this before. He carries me to his house, setting me down on the porch. We part for a moment, breathing in, before indulging ourselves once more. I’ve always been so shy, but that part of me melts away. I tug at his shirt, urging him to take it off. With a sexy smile, he takes my hands, evading my efforts and leads me inside. We make it to his bedroom, not bothering to close the door before he scoops me up again. I feel so… brave in his arms. His hand slides up my back, warm and soothing. I melt into his touch and squeeze him to me. I want more but… I just can’t seem to get it. I pull away, and our eyes meet. He understands. He feels it too. And with that, he’s on top of me, tugging off my shirt and his. I run my hand down his chest, hard with muscle. I’m so indulged I vaguely sense him working at the button on my jeans. I lay back on the bed, stretching out my arms, inviting him to join me. He does, pressing his lips to mine, his minty breath is intoxicating, pulling me in, I scoot closer, my heart pounding. His lips part mine, and our tongues meet. I map out his mouth, feeling every inch. I slide my hands down his waist as his hands tangle in my hair. I haven’t been this close to anyone, ever. I don’t want anything else. I just need him. There’s no distractions, we dissolve into each other’s bodies. It all happened so fast, but I can’t feel anything else. There’s nothing else but Andrew.

Ok, are you a proffesional writer? Because it sure seems like you are . I mean seriously. How do you evn get that good?!

Ok, so this is a story that I finished a while ago, and I’m just gonna type up the kiss scene here, that is, if anyone can see it. My comments are kinda unapproved, so here goes. This story is about a girl named Amethyst who is secretly a hero named the Black Jaguar (not the Black Panther, that’s someone else.). She is friends (okay… more than that) with a guy named Easton. And as a superhero, Black Jaguar has a partner named Blue Tiger. This is the kissing scene between Amethyst and Easton, where they are in the woods, and (for some as yet unknown reason) they’re talking about their favorite types of kisses. This was my very first kissing scene I ever wrote, so please just read, and don’t judge. (the word are slightly changed from the original for this, btw.)

“I like the really slow kisses, the kind that go for a long time,” Easton said. “Shall I demonstrate?” Now Amethyst was completely shocked. Her heart began to hammer in her chest. “On me?!” she squeaked. Easton waggled his blonde eyebrows at her. “Of course on you, silly! Who else is there?” Easton said. Around them, the woods were mostly silent, except for the occasional bird song. “So do you want to?” Amethyst blushed fuchsia. In a very small voice, she said, “OK.” Easton then scooted over to her, his sea-green eyes filled with a smoldering passion as he came closer and closer, until he was less than an inch away from her. Amethyst’s heart was thumping hard, and her soft, freckled cheeks were a fiery shade of red. Easton placed his strong hands gently on her small shoulders, and lowered his face to hers. His forehead touching hers, he brought his lips to hers, and he kissed her gently, pressing his mouth to hers. The feeling of fire completely consumed Amethyst, and she was lost the kiss they shared. Their first kiss was a long one, full of mutual passion and a shared love. Easton buried his hands in her dark hair, running his fingers through it as he kissed her with an unearthly fire and passion. Amethyst felt herself falling backward, landing on the mossy ground with a slight thud. Amethyst ran her hands up his chest, it being surprisingly muscular for someone so slim, and Easton rolled to be on top of her, letting out a groan of delight. Easton’s hands moved out of Amethyst’s hair to keep himself up, and Easton gently opened Amethyst’s small mouth to let his tongue in. Amethyst’s violet eyes opened in surprise at the feel of his tongue in her mouth, but she eventually succumbed to Easton’s ministrations. Easton lifted his head up, long enough for him to whisper, “Amethyst, why don’t you kiss m–” but the rest of his sentence was cut off by Amethyst pressing her lips to his. Amethyst felt like her skin was on fire, as heat coursed through her veins, but she kept it up. She always wanted to be with this boy, she realized. Placing her hands on Easton’s strong shoulders, she sat up, and they stopped for a moment, the kissing having made them breathless but grinning. Amethyst swooped towards him, her mouth making contact in a moment, and she landed on top of him. With her on top of him, and Easton taking advantage of this moment to run his hands down her skirt-covered legs, and Amethyst placing her slender hands under his shirt and up his back. Finally, they broke apart, breathing heavily and lying on top of each other. “That was…great, for a first, second and third kiss,” Amethyst panted, getting off of Easton. Then they got up and ran hand in hand, into the distance, where destiny was calling their names.

In my book, it is pretty different than the rough draft, where someone sneaks up behind them and takes a picture of them kissing. And in the book, they have to cut the make-out session short to go change into their superhero costumes (but neither knows that the other is a superhero). Also, shouldn’t there be a stopping point in the kissing? I mean, I have standards for this stuff, so….. yeah. Anyway, hope you like it, and I hope I did it right!

(I’m a 15 year old girl and this is my first “spicy” scene as I like to call them XD.)

His breath is hot on my neck and I can feel a bulge pressed on my lower back. “What do you want me to do?” He whispers in my ear. Tingles shoot through my body from hearing those words. “I want you to show me you love me.” I say breathily.  His hands snake around my lower back to my stomach slightly pulling me closer. Soft kisses trail up my neck as he turns me around planting a passionate kiss on my lips.  Our lips move in unison changing from passionate to fiery lust. My hands touch his face bringing him closer to me deepening the kiss. He pulls away breathing heavily looking into my eyes.  “Let’s go to the bedroom.” He says with a husky voice. In one smooth sweep, I am carried into the air. We share teasing kisses as he walks slowly to the room. Sitting on the bed I straddle him, he grins before flipping me over with him on top. With a look in his eyes for approval, I nod. He kisses from my neck to between my breasts to my stomach then stops to look at me. He kisses lower and lower teasing my hot skin before opening my legs… (So, how was the scene?)

It goes very quickly. I think its too short. I don’t know where the clothes come off or if she’s nervous or if he’s excited or…

i would suggest maybe describing how the kisses feel (tingling, shocks, sparks, etc.) if you’re going to make this type of scene i advise to put more details in how they look. if they are blushing if they are taking in each other’s eyes (what colour are they?). adding what type of clothes they wear.

wow 😳 it’s crazy

Hey everyone, I’m really late to this, but please tell me what you think! I would love any feedback – this is just the middle bit of a kiss description. I realise it’s not that good but the only way I will improve is from your feedback.

Her skin was soft but her lips were chapped and weathered. As Michael ran his hand across her cheek he felt an irregularity, a scar of some kind. In his opinion it made her more beautiful and unique, like a gorgeous butterfly. She was new, yet felt oddly familiar. She fit perfectly into his arms, her lips seemed moulded to the shape of his and his hands curled around hers so perfectly he felt they had been made for him. Close up, she smelt familiar, somehow: wine, roses, honey… she reminded him of his home. She tasted like anything amorous. She tasted like tenderness, warmth and intimacy – he imagined holding her by a bonfire, watching the reflection of the flames dancing across her skin. She tasted like pure, clear water, as though it came straight from a spring. She tasted like passion, like pure, unrestrained passion. Whatever she tasted like, it made Michael want more.

Dang! This is soooo good. It’s really deep and descripitive. You don’t even need feedback!

DANG! It’s brilliant! Really deep and descriptive. I tried to think of feedback but it doesn’t need any; it’s so perfect. Great job dude!

Wow that’s awesome! I’ve never written a kissing scene before nor have I been kissed but I’m doing my best to figure out the best way to do mine.

wow, that was really good!!! you put the right amount of decryption in every little action and you pinpoint every single detail beautifully

“Can you come here Ezlyn?” “Sure David.” We walked into the woods and David started speaking. “Over this year I have realised how I need you in my life. I realised that I woke up to see you smile and laugh. I can’t live without you, I need you by my side.” “David,” This was very odd for him. “No let me finish. I need to love you. You are so special to me, you can’t even know how much I love you. I love you so much.” He leaned forward and I took a step back to find my back against a tree. My nose breathed in his sandalwood cologne and I was immediately calmed. He wiped a strand of hair from my face and gently began to kiss my lips. He wrapped his hands around my neck and the kiss became more aggressive. My stomach flipped and knotted and my knees became weak. Time stopped and both of our personalities changed. David became bold, I became shy, and I loved it. David stopped to breathe and then came back to my face. His kisses were like black holes pulling you in until you are lost. It was a sweet but bruising kiss that left me wanting more, but it wasn’t enough. I grabbed his collar, pulled his blue shirt and himself closer. I slipped my hands through his hair, getting caught on knottes. He picked me up and leaned me against the tree. I wrapped my legs around his waist, supporting myself. His tongue pressed against my lips, asking for permission to enter my mouth. I granted it to him. His mouth tastes like a sweet mint, spicy but not overwhelming. His grip slipped and we fell to the ground, he chuckled. “Hey, that was n-not fun-ny.” I whispered in between kisses. “Then let me kiss the pain away.” “Deal.” He laid on top of me kissing me and making me forget. He made me forget the past year almost completely. David slowed down until he stopped, leaving a searing heat on my lips. “Well, that was, uhh, hot.” “Hot, that is the word you came up with David. What about ravishing, heated, sweet, thrilling or even exciting.” “Yeah those words are better.” “Consider yourself lucky.” “Why, Ezlyn?” “Well I don’t kiss a lot of people.” “You haven’t kissed anyone before me have you?” “No. That is very rude to say, but, it might be true.” I whispered. “I haven’t kissed anyone either.” I smiled knowing that David was mine and only mine. He wrapped his arm around my shoulder and I rested on his chest. We fell asleep like that and I slept better that night than I ever did in the past year. I am 12 and a horror writer. I have copyrights to the book.

It’s really good. David’s sweet and Ezlyn is super cool. Nice job!

These stories are awesome! You should all be very proud of yourselves! From Starlight,11

i am writing a book about a girl and a boy who have been friends forever and everyone ships them. she is asexual sadly. im going to be 13 in a few weeks, I’ve never been kissed before and don’t think i ever will cause im hideous, and writing kissing scenes are the hardest since ive never experienced it before i hope ya like it, (sry if it’s kinda cliche) so here it goes: it started to snow. i started to shiver to try to calm myself down so Luis wouldn’t notice, but he did. he grabbed his jacket and put it on my shoulders as we kept walking down the sidewalk. this was normal for us, to flirt a bit, we had been friends since we were 4 and i didn’t want that to change. “so i’ve been wanting to tell you something, for a while now, . .um” he said breaking the awkward silence “yeah?” “i really really… really like you, and i know what people say about us and that we’re only friends but i can’t hold it anymore” “don’t, no please, were just meant to be friends nothing else, i don want to ruin that” “Please, i have loved you ever since” his voice started to break “im sorry, i really am” “please, can we just try?” “im sorry im just, im really sorry i just can’t fake me feelings towards you, i can’t it would crush you. we would ruin it all! we wouldn’t be like the cute couples in movies where we just end up together” “can’t we just try” he was trying to hold back tears, challenging to fall down his cheeks “no we can’t, i would ruin it all, with my temper and and with everything that i am i would break you! even more than you are now!” “so now were just going to forget everything?” he said in a fierce tone “no! i love you i really do, but not in that way! i reall-” he cut me off by kissing me. iaccept the kiss. it started slow and passionate. i dipped my head getting a better angle of his mouth. we fought for lower lip but eventually calmed down. he took in my gray eyes when i pulled back. “what?” he asked “i thought we where-” “im sorry i can’t” i cut his off looking into his pale blue eyes “wait what?” he asked in confusion “im really sorry, i really am but you know what i am i can’t do this to you” “i can’t believe it. i can’t believe that i actually thought we where going to work out” “no, i don’t mean in that way!” “so we can try?” “no, im sorry i really am, but i cant” ~ this wasn’t really a true kissing scene i just want feedback on what i should do to make it more interesting, it’s terrible, i know but please leave critisism blow i would love to get more ideas…

I think one thing you could try is to make the dialogue less…just them talking, maybe describe how they’re feeling, what they’re doing, etc. It’s good!

Thanks! Your support helps me write.

I’m 12 and I’m attempting to write a romance/mystery novel. I haven’t ever been kissed before so do you guys have any tips for writing a kissing scene? If you do please comment them and I’ll try to use them in my scene. ONce I finish I’ll post it.

I just finished my kiss scene from the novel that I’m writing. So basically Niko and Cinder are from another universe but Cinder let and came to our universe. Niko is a shy soldier with a fierce side. She gets kidnapped and brought to our universe (more commonly known as Universe 27B to her) and is experimented on. She escapes and finds Cinder. There is a special bond between her and Cinder. So here it is.

Everything about her was perfect. The sheer softness of hair running through my hands like water running through a stream. The feel of her lips on mine is just like before. Just like the way she didn’t want to do this or the way that she passionately kisses. I push against her lips and I can sense this is what she wanted, no needed. I feel the pressure of her lips pushing me very slowly towards the edge of the couch. Her skin is cool like the air on an early morning walk. Ohh this is what I needed. I pull away knowing I’m about to fall off the couch. I grab her arm and pull her into the dark corner because that’s where it’s about to get even better. “Ohh Cinder” I hear her moan. All I’m focused on is her beautiful body. I slowly pull her arm towards the corner while still caressing her shoulders and neck and lightly press her against the wall. I pull away to tell her something but she just grabs me and presses her sweet lips against mine even harder to silence whatever I was trying to say. I don’t even know at this point. It’s so overwhelming I can’t remember what I was going to say. All I can think about is how much I’ve missed her. I open my eyes as she pulls away. “No baby, don’t leave.” “Never said I was.” She says with a smirk as she tugs at the hem of my shirt and slowly pulls it off. So this is what she wants.

This is just a first try so please let me know what you think. Thanks! I groan and try to get up. “Woah, Theo. You were just shot. Hold still and let me try to.” I start to chuckle, inducing another wave of pain. He nicknamed me Theo, short for Theodosia. Kinda always had a crush on him since that day 3 years ago. He knows that I’m more private, so he’s stuck playing nurse. “There are worse things than patching up a bullet wound you know,” he says as if reading my thoughts. “Like what? Having fun fighting?” I groan again as he pulls away the layers of clothes. He pauses for a second. “I’m going to roll your tank top, but it’s probably going to hurt. If the blood has started to dry yet, the wound will reopen. I nod and grit my teeth. He pulls up my tank top along with some dry blood. I gasp loudly and he grimaces. “Hey, at least it was just a graze.” “Shut up. You’re going to make me laugh and that hurts.” He smiles. “Okay I have some alcohol and that will work. Just don’t focus on it.” “Yeah, that made me pass out!” I say, closing my eyes. But he was already pouring it. I didn’t have time to think about something else before it started stinging. Until I felt lips on mine. I opened my eyes to him kissing me and my brain almost exploded. He pulled me closer to him, deepening the kiss. I loosely wrapped my arms around him. His rough hands slid up my back and helped support me upright. Cautiously moved my hands up to his face, and eventually his hair. My fingers tangled in until I couldn’t breathe anymore and broke the kiss. I could barely feel the gunshot now.

I’m writing a story, too. I’ve just posted the scene I’m writing and you guys have really helped me write it. I’m so grateful…thank you! your’e guys’s scenes are so great.

This is my story, and basically this girl is having her first kiss in the forest with her boyfriend.

My heart skips a beat and my knees get wobbly. I wasn’t standing up, so I couldn’t fall, but I’m sure I would if I was standing. I curl my hand around his neck, and the other one in his soft, curly hair. I open up and kiss him back, but I’m not quite sure if I’m doing it right. I close my eyes when it happens but secretly open one to see if he’s staring at me. His eyes are closed, too. I feel his cold hand touch my back and pull me a little closer. Shivers run down my spine. I feel my heart racing and my stomach jumps repeatedly. I’m pretty sure I just opened my mouth too wide. His warm breath on my face feels inviting. I can’t put in words how this kiss really feels. It’s like I’m floating, drifting away, and I feel happy…ready for this to end, but not just yet. I know it can’t work out with Caylen. I just want to cherish this one moment. We go on for a while…

What was that? Oh, he stopped. I make an uneasy face. When he smiles hopefully, I make a satisfied face. Caylen stands me up, walks me to my house, and gives me a kiss on the cheek before I excitedly run off to tell Emeline about the romantic adventure I had this afternoon.

Sorry, my story didin’t get posted. its unnaproved or something. but philo’s story is really good! amazing.

Wow. The talent you guys have is mind-blowing! I decided to write a bit of a kissing scene. So ya.

“What are you doing?”, hissed Noah, shutting the door behind them, his mind racing. “You weren’t there yesterday”, Kieran breathed, his eyes looking unearthly in the moonlight, “I wanted to see you”. Before he could reply, Kieran kissed him with such force that he was slammed against the wall. Noah didn’t resist, couldn’t resist, even as Kieran’s knee slipped in between his legs, parting them. The sweet smell of the boy he loved filled his nostrils, the scent calming his troubled mind, clearing it of all thoughts. Noah dragged him onto the bed, and they fell into each other, Kieran’s lips against his, tasting like peppermint and coffee and spices all rolled into one. Kieran paused to take his shirt off, and Noah shivered as he realised how broad his shoulders were. The shape of him, Kieran, took his breath away. And he wanted him all the more for it.

What do you think? It is only a snippet, but I think that it illustrates the characters’ relationship nicely. This is a great site. I HIGHLY recommend ‘Jane Eyre’. It rocks.

This is my character’s first kiss, it’s near the end of the book, so, some of the stuff they talk about might not make sense. This book is aimed at teens-preteens, so…let me know if you think this scene is ok for that age group. Well, here’s the kiss: “Hey!” Brook jumped, looking away from where she’d been watching Paleface and her foal Opal grooming each at the other side of the round pen. Dean was walking towards her. “Hey,” Brook replied, leaning slightly against the rails. “Um, it’s a lovely sunset, isn’t it?” Brook waved a hand around them, the farm and bushland around it was bathed in golden light. “Yes. Just beautiful.” Dean said. Brook was too busy gazing at the warm glow the setting sun left of the land and thinking about the wonderful sunset photos she’d gotten in her two week stay to notice Dean was looking at her. “How’s your arm?” Dean asked, pointing at her left arm, which was strapped in a sling. “Fine, it doesn’t hurt anymore unless I bump it or jar it, which I’m getting a little better at avoiding.” Brook said. She remembered the horrible pain when her arm had broken the evening before. “Jackson’s a real jerk doing that.” Dean said. ” But, you did really well, you were so brave.” He moved a little closer, laying his hand on Brook’s. “Thanks. In truth, I was terrified, but I knew I couldn’t just let him do that, I had to save Paleface and Opal.” “Does your arm hurt if I touch it?” Dean asked, reaching out and running his hand from her shoulder down to her wrist. “No,” Brook said. Dean stepped closer and put his arms around Brook, she buried her face in his shirt, there was something so comforting about Dean. He slipped a hand under her chin, raising her face. Brook gazed up at him, she noticed how gently he held her so he didn’t hurt her arm, and his smile, then he slightly titled his head, Brook did the same, in the other direction. Then she shut her eyes. Dean’s lips brushed softly against hers, she felt their lips lock, his breath soft on her cheek. She could stay like this forever. Then Dean pulled back gently and released her. “You…you kissed me?” Brook gasped. “Yes, I thought it would be okay…I’m sorry.” Dean looked flustered. “No, it’s fine, I was just surprised.” “I’ll really miss you when you leave tomorrow.” Dean whispered before turning and hurrying back to the house, leaving Brook gazing after him, unsure what to do next, or what would even happen next.

That’s it. What do you think? There is a lot of talking not much kissing, but, yeah…it is for younger readers. I’m not into all the “gaping maw” and stuff of one of the examples. I nearly puked when I read that. Anyway, Dean and Brook have known each for two weeks and been through a lot together (they’re teenagers, not adults, btw) and they have flirted a little but not anything serious. I’m thinking this will be a series and they may kiss again, but similar sort of kisses to the one I’m sending.

I think your kiss is great!

Okay, so I know I’m pretty late here, but here’s a scene from the novel I’m writing. I’ve never kissed anyone, so I was looking for some feedback. It’s a flashback of a time that the two main characters, Levi and Callisto, kissed. It’s told from Callisto’s perspective, and for a bit of background, they have been friends since they were seven. They had a falling out when they were thirteen, but the year before that is when the flashback takes place. In the current year (When L+C are 16) Callisto’s older sister, Emmeline, is getting married, so Callisto is kind of thinking about romance and the only time she’s kissed someone (which was Levi). So yeah, here it is:

I kissed Levi, once. It was about a year before the fight, back when Emmie had been dating Tristan for just a little while. We were sitting together on a set of concrete steps, near where we had first met. We weren’t really doing much, just sitting around, talking, enjoying one-another’s company. Or at least, I was enjoying his. I think he enjoyed my company, too, but I couldn’t quite tell. It was always hard to tell with Levi. “Has Henry ever kissed anyone?” I asked Levi. Henry was the same age as Emmie, so I figured he might have. Levi wrinkled his nose. “No.” He said it simply and matter-of-factually, like that was the end of the conversation. “Oh. Emmie has a boyfriend, now. His name is Tristan. He’s okay, but he and Emmie spend a lot of time kissing.” “That’s disgusting,” Levi said, shaking his head slightly, like he was disappointed that my sister would participate in such vulgar activity. For a moment, his face screwed up in thought, “No, Henry hasn’t kissed anyone.” He sounded as though he was trying to convince himself. “Have you ever kissed someone?” I asked. It seemed like the next question in what I thought was a rather logical train of thought. If it was possible, he looked even more disgusted. “No.” “Oh,” we were both quiet, for a minute, then I asked, “Do you want to try?” He looked confused. “Try what?” “Kissing.” He turned a little green. “No.” We were both quiet for another minute. I noticed he seemed unsure. Then, he seemed to be considering it. “Okay, maybe we should try it,” he resolved, speaking slowly and methodically, as though Congress had just reached the biggest decision of the century. “Great!” I exclaimed. I was excited to try it. Emmie sure seemed to like it. I leaned in towards him, but he pulled away. “Wait!” He yelped, “I don’t know how! I’ve never seen anyone kiss before.” That thought hadn’t occurred to me. “Never? Not even your parents?” He shook his head, his cheeks flushed pink. “Well, that’s okay, I’ll show you. I’ve seen Emmie do it, and Mama and Papa, too.” I leaned in again, and this time, he only shrunk back slightly. I put my hands on his shoulders. “There. And you put your hands on my waist.” He did what I said, looking immensely uncomfortable. “What now?” “Now, we close our eyes.” He squeezed his eyes shut, and I did the same. I leaned in slowly towards him. I opened my eyes slightly, to make sure he hadn’t leaned away. When our lips touched, he shrunk back a little, but we stayed like that for a minute, and he seemed to be more comfortable. Maybe it wasn’t a real kiss. Maybe we weren’t boyfriend and girlfriend like Tristan and Emmie, and maybe we never would be, but I felt a lot closer to him in that moment. I felt my heartbeat quicken and smelled the missing half of the butterscotch pudding I’d shared with him earlier. Then, the moment had passed, and we leaned away from each other. I was smiling, but he looked confused. “That was it?” he asked. “Did you like it?” He shrugged. “I don’t get what the big deal is.” That was when I realized that maybe he hadn’t felt it. Maybe he hadn’t felt the closeness, hadn’t felt his heartbeat quicken, or smelled the butterscotch on my breath. “Do you wanna do it again?” I asked. He shook his head. “No.” No, never again.

So yeah, it wasn’t much, just an innocent two-kids-kissing scene, but I’d still like feedback if anyone happens to read this. And I do have other stories where there will probably be more romance than this one, but I really don’t have much experience with writing kissing scenes (or kissing) so I thought this would be a good place to start. Anyway, let me know what you think of the scene!

Hey Katie, your story rocks. That’s all I have to say. You write like a pro. Have any tips for aspiring young writers?

Also, I like the way your character has a lot of personality. It really brings the story together and makes it more relatable. The comment about the butterscotch pudding is spot on, because it brings back the fact that they’re only twelve and still trying things out. This is my interpretation of the story; Levi is a mysterious and (possibly?) mildly autistic character. I say this because I’ve written and read about people like him, but it’s hard to know without context. Callisto is a slightly insecure, intelligent (but she doesn’t know it) and loving young girl in the story. My impression is that she is possibly now hardened by life and that she was hit with it in one big explosion of self-realisation. Possibly her fight with Levi? It she a soldier or someone who was exposed to a high level of experience all at once? Because that would make a lot of sense. If not, what is her story? It seems like it would be a really interesting one. Anyway, sorry about all this, but I couldn’t help myself. You’re writing like an experienced adult. Are you?

Okay, so basically, this is mine. So Jenny and Caylen travel to this magical world, and theres akwardness between them, but soon, Theres this war and stuff. (I’m not gonna get into the details.) But they both might die, so Caylen just goes for it. Although it’s told in Caylen’s perspective. Um…lemme know for comments and stuff. Hope u like it. today is my birthday anyway.

I stare deep into his hazel eyes. Did he feel the same way about me? As I did him? The truth is, I love him. He’s sweet, and kind…gentle, brave, handsome, funny, and he’s just…amazing. As he leaned closer, and closed his eyelids, I stared at him. Was he going to kiss me? He likes…me? Out of all the girls he could choose from. His lips get closer to mine, and I lean forward.

Our lips touched, and I somehow knew, from the moment, that he felt the same way. Time stopped and no one else existed but Caylen. My lips parted, and I kissed him. It was soft, at first. His lips brushed mine delicately, like butterfly wings. Then he pressed his lips on mine, a little harder, then he stopped, unsure. He kissed me again, and each time, I felt the excitement, and craving, of the kiss.

Lightning passed through me, and I felt lost, in a different universe, slowly flying away. I finally shut my eyes and really kiss him back. I curl my fingers into his brown, curly hair, the other around his neck. My heart beats fast, and my knees wobble. His cold hand creeps from my neck to my back, and he pulls me closer, deepening the kiss. A shiver runs down my spine as his other hand tangles in my hair. His delicate, innocent kiss, makes my heart flutter, and wiggle. Then my heart races, and my stomach jumps repeatedly, as his lips press against mine again. I breathe through my nose, so I don’t run out of breath. I let him kiss me as long as he wants. I let go, but then go back, and kiss him softly, determinedly, sweat dripping down my face.

No, you can’t. You have a war to fight.

I tell my conscience to let me cherish this moment. I curl both my arms on his neck, and put my hands together. I then get uncomfortable and put both on his shoulders. He stops kissing me, and I wonder if I moved too much.

“I…I can’t, I’m not sure if I..” I start, then trail off. I look away as I say it.

“I am sure,” Caylen says.

“Of…Of what?” I ask, worriedly.

“Of one thing..” He puts his arms on my shoulders, and he looks determined. “I…I love you, Jenny. You’re just…just awesome.”

I stare deep into his eyes again, until I kiss him again. This time it’s one peck, and we put our foreheads together and stare at the ground. I pant, until I look up at him and make an uneasy face. I ran out of breath. He picks me up, and I wrap my legs around his torso. I kiss his lips repeatedly, and then I stare down at him. He’s happy. That’s all I want right now. I kiss him another time, and then tell him,

“I have to go, I have to fight,” I say. I hold his hand and we walk to the battlefield.

Across the plain, I see Quests, Icicle people, Cavemen, dragons, bears, everyone fighting, with scratches, blood, and pain everywhere. There is a mixture of yells, screams, yelps for help. One person punches another, as somebody slices a sword through one. A bear with long claws slices a cavemens face. I worriedly look around for my mom, and Emeline, but I notice Rachel on top of a tree, hitting a caveman in the head, then kicking his balls, yelling in achievment. I start to run out to fight too, but I stop. I turn around.

“I love you too, Caylen.”

Thats it. You probably don’t understand, since it’s pert of the story, but you know. The kiss is the best part. Hppy late valentines day, now that I think about it. Thanks for your ideas, comment if u like it

This last one is told in Jenny’s perspective. I was thinking about the wrong thing. It’s a boy and a girl. And they’re not…you know, gay. So…yes

Ruby’s is really good. I never kissed anyone. before and it made me feel like i was actually there. and I like katie’s too, it feels like the kids are a little younger, and it wasn’t very….in the book, but it was a very good. scene. Very. I am an experienced writer, but I’m not THAT good.

I know this is super late, but This is from a fantasy story I am writing about crossover souls (fairies mixed with humans). Isaac and Nyx are on the way to the hospital under a white lie because Nyx doesn’t want to expose her position (who she is) and Isaac just been possessed in the pier bookshop.

As we wound round the different streets we had been to at some point or had no idea of, towards the hospital, the summer sun high in the late afternoon sky, I took his hand stroking it softly. Then as if were the opposite poles of a magnet we leaned in our faces touching. I could smell the sweat of the day’s memory on him, but I didn’t care. I could smell the off brand washing powder his mother used, but I didn’t care. All I cared about was his warmth against mine, to feel his wind chapped lips on mine. It was the sweetest few seconds, before he pulled back.

‘I’m sorry, I…’ he continued to contemplate a stray cat for a few minutes before moving on to the seemingly mundane green bushes of number 12. He was doing his best to avoid the awkwardness of looking in to my eyes. There was an awkward silence between us where the seconds, felt like hours. In that silence I contemplated the moss grown crack in the pavement and the smell of dogs breath that clung to the sea air. Then I spoke, I said what I knew he felt.

‘It was long overdue’, I pulled his face to look at mine, our lips meeting once again. We kissed in quicks succession under the dabbled light of the plane tree. It was as we were drowning in the elixir of love, stopping only to inhale the cold sharp air of the sea.

‘I love you’ he spoke with such sincerity it almost took me by surprise.

‘I love you too’ I said our hands interlocking

‘Well maybe that’s enough medicine…’ I cut across him

‘You’re still going to the hospital and don’t you dare try to wriggle out of it’ I said in a mock stern voice.

he chuckled ‘That’s why I love you’

I have never kissed (romanticly ) anyone before, so it would be good to get feedback on the start of this scene. sorry if there are any spelling or gramHe chuckledmar mistakes. I guess because I am 15, it is sort of like teen fiction. But I haven’t really put it in any age box because they are not always correct or need.

OK, so I know I’m a little (a lot ) late but I just want to say, Katie, your kissing scene was phenomenal. You write like a pro. I was here earlier, so here is my scene revised.

“What are you doing?”, breathed Noah, shutting the door behind them, his mind racing. “You weren’t there yesterday”, Kieran whispered, his eyes unearthly, the sharp edges of his jawline highlighted by the moonlight from the window. “Why didn’t you meet me?”, he whispered, as he forced his knee between Noah’s legs, parting them. “What were you doing that was so much more important?” Noah thought of the day before, of Livia, of Alex. The whirlwind of events. The memories. He had forgotten all about Kieran. Before he could reply, Kieran kissed him with such force that he was slammed against the wall. Noah didn’t resist, couldn’t resist. The sweet smell of the boy he loved filled his nostrils, the scent calming his troubled mind, clearing it of all thoughts. He didn’t have time to think. Noah dragged him onto the bed, and they fell into each other, Kieran’s lips against his, tasting like peppermint and coffee and spices all rolled into one. All too soon, Kieran tore himself away and Noah could see how hard it was for him, like he was starving and he was putting aside the only piece of food he had. Noah shivered, breathless, as he realised how broad Kieran’s shoulders were. It was late and the exhaustion in Noah’s eyes must have begun to show because the other boy lay down beside him and whispered in his ear, “Shh, go to sleep”. Noah closed his eyes. And he had no nightmares.

Sorry, I forgot to explain. Before this scene, Noah is friends with Alex (a girl) who likes him and he is wondering how he can tell her that he doesn’t back. But what he doesn’t know is that she has already seen Kieran and him together. Noah usually has nightmares because he was in a war with Alex(that was when they met). Noah and Kieran break up later on but it seems sad to talk about that now when their relationship is gong so well. As far as you know….. obviously that isn’t the whole plot of the story, but the rest of it is demons and death and betrayal and blood and I’m sure you don’t want to hear any of that 0.o

Sorry if there are any spelling or grammar mistakes, and I know it’s late but I wanted to test out and see if this would work as a kiss that never happened or should have.

Maybe If they had been older and not seemed like brother and sister, this is when they would have kissed. I would be telling you about the warmth of his lips, about the pimple on the left side of his nose, the smell of conditioner and the way the seconds felt like hours . I would try to imagine, what it felt like to be lost in someone’s breath, but then I wonder if maybe all  they would find would be an awkward silence. So in some ways I’m happy it never happened , at least not now. I’m  happy he only whispered ‘I love you’ before he  disappeared in to the silent street  lit only by the orange sodium lamps, until they merged into the bright white LED light, that the council have started putting up. All along his words felt right because kissing might have ruined the bubble they had created. But they had never asked each other if they wanted  the bubble to burst.  He had never asked her if she wanted to find his heart beating on her Brest and his lips making lasting memories . Maybe all along she had needed to find the courage to ask him herself because it seemed they each in turn had felt there was no path to ponder on.

They had all-ways just excepted it wasn’t to be.

That is really cool, Iris! I love the way you describe the kiss how it would have been and how all the little details come together. Love. Just, love it.

Out of a sudden impulse of mine I moved my head right next to his while we were laying down and I kissed him. It was like a simple peck, in which he flinched and moved back. I got up swiftly and said in a panicky voice “Oh no I shouldn’t have done that, I-I’m sorry.” He got up and stared into my eyes intensely before grabbing my waist, pulling me in and pressing his firm lips against mine. In that moment it was like the world was still. It was just us against the world. The kiss became more intense as he started using his tongue as if claiming me he started moving his hand down to my lower back and continuing down. I felt as if this was right. He was the one, no doubt about it. I needed him; It didn’t matter if I chose him or Urca in that moment because it was just us. Us in this moment. We were the moment. I felt as though I would never need to come back up for air. I would drown in the deep unable to breathe for this kiss.

“We were the moment”. Love it.

woah this is truly amazin , every one of you have written so well, have put in you’re whole heart to it .I’m so happy as well as proud of y’all , kudos !! so I my writing is published on the platform Wattpad under the username : cursedsunshine. All my three books were well published last year , got so much hype but unfortunately someone hacked my account and I lost everything , but I didn’t stop there , writing gives me the freedom like no other .Hence I decided to go from the dust , it would mean a lot to me , if you are able to check out my story on Wattpad, thank you !

Just a side note, I have never kissed anyone or anything and this is my attempt at a kiss scene.

His breath is hot on my neck and I can feel a bulge pressed on my lower back. “What do you want me to do?” He whispers in my ear. Tingles shoot through my body from hearing those words.

“I want you to show me you love me,” I say breathily. 

His hands snake around my lower back to my stomach slightly pulling me closer. Soft kisses trail up my neck as he turns me around planting a passionate kiss on my lips. 

Our lips move in unison changing from passionate to fiery lust. My hands touch his face bringing him closer to me deepening the kiss. He pulls away breathing heavily looking into my eyes. 

“Let’s go to the bedroom.” He says with a husky voice.

In one smooth sweep, I am carried into the air. We share teasing kisses as he walks slowly to the room. Sitting on the bed I straddle him, he grins before flipping me over with him on top. With a look in his eyes for approval, I nod. He kisses from my neck to between my breasts to my stomach then stops to look at me. He kisses lower and lower teasing my hot skin before opening my legs…

*BEEP* *BEEP* *BEEP*

My hand shoots up to turn off the alarm on my phone while a loud groan escapes my mouth. God, my alarm couldn’t have waited a few more minutes. Nick hasn’t been on my mind for a while, that was a nice dream that I wish continued. I open one eye at a time adjusting to my bright room, curtains are next on the list of things to buy. With a stretch, I push my covers off and sit to get out of bed. If you are interested in reading the rest of the story, here is the link to it: https://booknet.com/en/book/outstanding-b144301 The story is free to read. 😛

I just recently turned 15 and I’m curious as to what different skill paths I should take to better my schooling and personal life. I’m not very confident in my writing skill, personally I think I’m not that good and what I write is a bit choppy, if I could get some feedback I’d be really appreciative (AKA I crave validation so feed me peasants). Also I changed the names of people so I don’t get killed. Tyler and Brandon it is.

“Never Tyler. Never ever. You’re amazing, and so strong. You hold all this pain in and still get up each day and push forward. I’m so inspired by you and how you are able to hold your head up from the water and get through each and every minute. You’re incredible, truely. I wish I had been there earlier, maybe then I could have helped you through everything thing you’ve been through, and I’m sorry that I wasn’t. But I’m here now and i’m not letting you go, even if you scream and push me away, I need you to know that I’ll always be here. I want to see you happy. I want to make you as happy as you make me and Ty… you make me really, really happy.” Brandon smiled, grip tightening around Tyler’s neck as he stared into the taller boy’s eyes.

Tyler’s brain short-circuited as he started into the pale blue of Brandon’s eyes, watching as the boy’s eyes shifted towards his own, pupils growing and flush rising up his cheeks. He slowly lifted his hand so it was resting on the side of Brandon’s jaw, rubbing his cheek delicately as the world around them slowed, freezing until it was just the two of them. Nothing else mattered in that moment as they stared into each other’s souls, their hearts. No words were spoken and yet, everything had been said. If any moment in his life had anchored his soul, Tyler was sure it would be this very second, gazing into the innocent and yet so devious eyes of the boy before him. He could all but feel his heart crumbling and falling into the hands of the other, every thought, every emotion that ran through his mind like a plague was now in the hands of the only person he would ever expect them to fall into. Because of course, who else to let himself be vulnerable with then this boy? How could he not trust him with his whole being? Tyler glanced down, watching as the boy licked his lips subconsciously. Raising his gaze once again he looked to Brandon for permission, letting out a harsh breath, he questioned. 

“Angel, if it’s okay with you, I’d really like to kiss you right now. May I?” The brunette spoke, tongue darting out over his own lips in anticipation as he sat, one hand on Brandon’s cheek and the other resting softly against his hip. “Please Ty.” The boy all but whispered in return, gripping slightly higher at Tyler’s hair from under the taller boy’s beanie. Tyler smiled slightly at the feeling of it, leaning in to let his lips just barely graze the other boy’s.

It was Brandon that closed the gap between them, fingers locking into place in Tyler’s hair as he pushed his lips against the older boy’s. Tyler felt like an addict, Brandon slowly becoming his drug. The smaller’s lips just felt so soft and plush against his own cracked and dry ones, creating a contrast that Tyler never expected to feel, but now that he had gotten a taste, he couldn’t get enough of it. In one swift movement the two of them became one, they clung to each other as if they were the only other thing in this world, and in a way, Tyler supposed they were. Brandon gripped him tighter, pulled him closer like he was the only solid being in a spinning world and Tyler in turn, let both his hands fall over the younger’s curves and onto the dancer’s waist, fearing that one wrong move would leave everything around them shattering to pieces. Both the boy’s took their time, holding onto one another and allowing themselves to fall into a rhythm. Breathing the other in like they had been deprived of air their whole lives, it was sweet, it was soft, and it was their’s. Their moment to forever hold and cherish. Their’s to dream of and smile at. Tyler felt as though nothing could ruin this. This was special, a moment that he would forever hold close to his heart. Just him and Brandon.

Late as all hell, and while I’ve been kissed, I haven’t done it enough to capture it well. I’m also writing this from a man’s perspective, instead of a woman’s, so I worry I’m doing it wrong…if there’s feedback, that would be lovely! Otherwise, feel free to make fun of my shoddy work, haha! (Please note, this is a fantasy/sci-fi narrative, with a mention of a fictional language in it!)

Could he tell her? Yes, he could. Should he was perhaps the question he was asking. His mind floundered for a single, logical thought. Find the pros and cons, weigh the outcomes, that was what he was supposed to be doing, but his brain had faded into a sluggish mush. He could recognize nothing but her hair, dotted with tiny jeweled snowflakes; her eyes, that held far too much softness for someone who was so unpredictable; her hands, trembling against his face.

Thantil took them, folding them within his. Her skin remained soft, even in the cold. He had seen how other’s hands had cracked, the flesh scuffed like rocks. Hers did not feel that way. It made him wonder, not for the first time, if she held some sort of magic within her. Surely she did. She had enchanted him in a way he had never thought possible.

He held her gaze, waiting for her to say no. It never came. Not when he pulled her closer to him. Not when he lifted her hands. Not even when his lips brushed over her knuckles. He watched her eyes close, her lips part –

“Nor ver ch’ah, vah bta rect’tin’ecot,” she mumbled.

Just kiss me.

He let go of her hands, yanked her forward, and did just that. Damn feeling, damn passion, it damned him to the thousandth depth of hell as yet another piece of the man he was meant to be crumbled into the vast ocean that was her.

Wow! All of your scenes are amazing! You are all really talented! Here’s one that’s a part of the novel I’m writing. But before that, I guess I should give some background. Basically, the story’s about the best track & field team in the state. Two of the best runners – Asa and Whitney – are pretty good at annoying the hell out of each other, but they’ve always kinda liked eachother. During an away meet against their team’s rival school, Whitney hides in the bathrooms for a couple minutes to get away from Asa, but he’s sent to look for her. They end up talking a couple things out and eventually kissing – and Whitney misses her event. Then Joseph, their coach, walks in on them Despite the trouble they’re already in…well, I mean, I’m not gonna spoil anything, so here’s the scene:

*CVHS = cade valley high school, that’s the team*

Surprisingly, we weren’t banned from sitting together on the bus. Joseph was at the very front, and instead of my usual seat with Laurel and Ashlyn, I sat in the very back with Asa. Luckily, I had the window seat. His arms were wrapped around me and I was holding both of his hands, a position I never expected to feel so comfortable. I looked up at him and we both smiled – just a little. I put my head on his shoulder and glanced out the window from the corner of my eye. I watched as we passed cars and trucks and houses, nothing I’d never seen. As soon as we pulled into CVHS, Asa and I got off the bus along with everyone else. But instead of walking me to my own car, he pulled me to his. Still wrapped up in each other, we slid into the backseat, and before we could bother to close the door, his mouth was on mine. It was dark outside, so it was likely that people could see us due to the lights that turned on in Asa’s car. But it didn’t matter, nothing mattered. Soon, he was on top of me and I was sinking into the leather car seats. I didn’t know where Joseph was or if he’d yell at us, but neither of us seemed to care. For a moment, Asa pulled away and muttered; “God, why did I wait so long to do this?” I wrapped my arms around his neck and pulled him back down to me. We pressed our foreheads together and I whispered “I don’t know” softly. I pressed my lips against his and ran my fingers through his thick hair. He lightly brushed his finger across my cheek, sending a tremor through my body. I didn’t care what the first or next person to see us thought, so what if I was kind of, sort of, definitely kissing my sarcastic and admittedly hot ex-enemy? Our lips separated and Asa got off of me, giving me room to sit up. I glanced at him, only to find that he was staring at me, smiling. “What?” I asked. “All this time spent annoying the shit out of you and I never took the time to notice that you’re really pretty,” he answered. I laughed weakly. I wanted to say I never thought you were capable of making me feel this way, but instead, I managed a quiet “thanks.” “I- th-this is crazy, I-I-I never thought-” he shook his head. “Never mind.” I’d never heard Asa stutter before. I laughed softly and kissed his lips. When I pulled away, he slid out of the open car and I followed. Then, in one swift motion, he pushed me against the side of the car and kissed me harder than the last time. Much harder. From there, everything went from affectionate to aggressive. Passionate to something more than lustful. Sweet and harmless to addicting and intoxicating. We were under some sort of trance, and I couldn’t breathe. Then, right there in the school parking lot, he pulled off his sweatshirt and then his jersey, tossing them both into the open car. It probably wasn’t the best idea to get this intimate considering our current location, but I was too caught up in the pleasurable pain Asa was inflicting on me. I felt like I could barely keep my footing, and if it weren’t for his grip on me, I’d be on the ground by now. He made his way down to my neck, placing rough kisses as he went. Breathing heavily, I felt his boner that I somehow hadn’t noticed digging into my leg, which only aroused me further. I lightly ran my thumb over his rough lips, and that made him grab my wrists and kiss me again. Suddenly, he let go of me and tugged at my jersey. Again, my mind went straight to the fact that we were in the school parking lot and anyone could be watching, but I removed it anyway. Asa closed every inch of space between us by wrapping his muscular arms around me and kissing me with an open mouth. We were skin-to-skin, and it felt good. Asa slid his hand into my bra, and for some reason I let him. We both slipped our tongues into each other’s mouths, and when they touched, it made me tingle all over. He tasted like spearmint gum and the red Gatorade I’d seen him drinking during the 4×4 relay. It wasn’t the best combination, but I still wanted more. I hoped I tasted alright. After all, I’d pounded popcorn and Kit-Kats after Joseph told me I wouldn’t be running my next event. Speak of the devil, Joseph’s car rolled right past us. I wouldn’t have noticed if it weren’t for him shouting, “What the hell? Asa, put a shirt on! Who’s that – Whitney? Wait, come on. Seriously, you two?” Both of us turned and stared in shock like a deer in headlights. “Honestly. Again? I JUST talked to you about this. Not okay.” Joseph shouted. “If you can’t keep your hands off each other, I’m going to have to separate you and kick one of you off the team. Or both of you. I don’t care.” “I- Joseph, Asa is one of our fastest runners.” I managed. “You can’t kick him off the team.” “You can’t kick Whitney off either. If we’re going to win fucking state again this year, then you’ll need both of us.” Asa added. Joseph shrugged. “We have others. And watch your language, Byers. AND I believe I told you to put a shirt on. You too, Whitney.” I picked my jersey up off the ground and slipped it over my head while Asa pulled his sweatshirt out of the car. “Are you happy now?” Asa snapped. “Watch your tone,” I warned him in a whisper. “We’re already at risk of being kicked off.” Asa shook his head. “See you at practice, Joseph,” he groaned, and started to walk away. “Nice try,” Joseph stopped him, “I’m suspending you from the team. Either you or Whitney.”

So there we go. It was obviously a little more than they both expected, but it turned out badly again. What do you guys think?

Okay, so it’s not exactly the ✨big kiss✨ but it’s the first kiss that doesn’t count, if you will. But it triggers a lot of contemplation later in the story.

I stood, hands on the rails of the fence, waiting for him. He’d told me over text he had a note to deliver to me. Why he couldn’t just text me the contents of the note, I wasn’t sure. Eventually, I felt a tap on my shoulder. “It’s me.” I easily recognized Aiden’s voice. My eyes traveled to his hand, balled up into a fist. The note. I expected him to hand it to me, but he didn’t. He grabbed my shoulder, pulled me up to him, and pressed his lips against mine. I knew it was just a coverup. Something to hide the exchange. I could tell by his hand slipping into my back pocket, shoving the crumpled note in there. It was only a coverup. But out of all the coverups, he kissed me. But then, he pulled away and slowly removed his hand from my pocket, careful not to make the note visible to the public. Aiden gave me a small nod as he walked away and I did the same, but walked in the opposite direction. The whole way down the trail, the note burned a hole in my pocket and the thought of our kiss burned a hole in my head. I told myself it didn’t count as a kiss, not a meaningful one. The kiss didn’t count. And that was the way it would be.

SoOoOoOo…whatcha think?

I have been writing Christian stories since I learned the alphabet. This is an excerpt from an old story I dug up when going through my computer. I was young, so not sure if this is any good, but let me know! Back story: The girl, (Corsorvia Blanche, AKA Page) and her crush who hasn’t spoken to her in months (Job Morgan) have been magically transported to the world of Obathia to help the creatures of the 7 Realms be freed from the eternal winter. Page thinks it’s just for them, but in reality, it’s drawing her closer to Elohim…and to Job. In this scene, they just escaped near death from Cloakers (tractor-sized wolves) and are continuing on their way through the barren, frigid wasteland of Obathia. The title of the book is ‘Edge of Obathia’ so this is the very last page and a half of the book. Everything inside of the *stars* is Elohim speaking to Page’s heart and mind, calming her fears. Anything in caps is what her fear is telling her. Let me know your thoughts, thanks! God bless!

“Do you remember snow days in England?” I laughed. “We would be so excited each morning it would snow, and the night before we would be fervently praying for snow. Now…oh well, now all that excitement is bloody gone.” “Ah, yes.” Job sighed. “This trip has certainly changed many things for us.” I smiled as I thought of the serene calm flowing through me. Yes, I knew there’d be danger ahead. Yes, I knew there’d be peril. But I was not afraid. I had the love of Elohim in me. *The Lord is your light and salvation—so why should you be afraid? The Lord is your fortress, protecting you from danger, so why should you tremble? I have loved you and protected you all the way, Corsorvia. I will love you and protect you the rest of the way, too.* I heard the small voice in my mind, never anything but a peaceful whisper. Meanwhile, the voice of fear always shouted in my mind. I CAN’T DO THIS. CLOAKERS WILL ATTACK ME, OR I’LL FALL IN ANOTHER LAKE AND SURELY DROWN THIS TIME! I CAN’T DO THIS! I CAN’T DO THIS!!! Still the whispering voice came like a soothing blanket. *Behold, I have given you authority to tread on serpents and scorpions, and over all the power of the enemy, and nothing shall hurt you. Do not fear them, for the Lord your God is the one fighting for you. The Lord will cause your enemies who rise against you to be defeated before you. They shall come out against you one way and flee before you seven ways. Do not be afraid or discouraged because of this vast army. For the battle is not yours, but mine. Lay your burdens down with me! and I will take care of you. I will not permit the godly to slip and fall.* Tears came to my eyes as I answered Job quietly, “Yes. Yes they have.” He slipped his hand into mine and squeezed it. He knew what I was hearing. He had heard it many times, too. “What has changed for you?” I asked him, swiping at my eyes. He let out a heavy breath. “I’ve only just begun to see the way Elohim sees; even though I took this journey years upon years ago.” He seemed to pause before adding, “I’ve also realized that those I love are always closest to me, no matter where I am.” This stopped all the voices I was hearing and almost stopped me. I tried not to hope for what that meant, but what could I do to help it? I kept walking, and tripped over nothing. “Woah!” He said, leaning over and offering me his hand. “Are you alright?” My face went red. “Yes.” I helped myself up, brushing snow off my parka. “Not sure what caused that.” Job grinned, raising an eyebrow. “I might.” I set my hands on my hips and glared at him. “You wish.” “I won’t deny it.” His answer caught me off guard and I tried not to show it. “Let’s not get cheeky.” “You say cheeky, I say honest.” The look on his face was sincere. I could only hope my own expression portrayed calm. My heart was beating wildly fast. “Ellie May interrupted me, and I intend to finish what I started.” He took a step closer. My mouth fell slightly open as I whispered his name. I didn’t get to finish my sentence before his strong hands were gently holding my neck, his lips pressed against mine. We were kissing. I was kissing Job. JOB was kissing ME. I had wanted to for years. It felt perfect, as if we were made for this moment. The moment his lips touched mine, my brain very nearly exploded and the air was smashed out of my lungs. My knees were weak and my hands trembled. All my senses seemed elevated, but I could barely think. To stop my hands from trembling, I slid them up his head and tangled my fingers in his long hair. He slid his foot forward just half a step, tilting his head. I took in a shaky breath through my nose and leaned into him. He assaulted my senses; the taste and smell of him closer to me than ever before left me wanting more and more. His caress on my neck was gentle but his kisses were rough and unapologetic, showing he had wanted this for a while. And so had I. My knees were about to give and I clung to him for dear life. Sheer delight shot through me as his hands glided down my body to the small of my back, then to my hips, sending shivers down my spine. The world (if there was one, because it seemed like only he and I existed as we stood there kissing for what felt like an eternity) was spinning around me like the tumbling cycle on a dryer. But his strong arms wrapped around my waist and held me tightly. I knew he wouldn’t let me fall. I nodded my head, deepening the kiss, showing him how much I needed him. He responded with a soft groan at the back of his throat. He drew me closer. Minutes later, he slowly pulled away as the sound of rushing water suddenly became known to us. I had been so caught up in the kiss I hadn’t heard the roar of the waterfall we both turned to look at. I held him a little tighter, staring at the monstrous outpour of icy water. “J-job…” I whispered. For some reason, it felt dangerous to speak at normal volume. “Where are we?” He looked at the waterfall like it was much more than it was. He replied in the same soft tone I had used. “We made it to our first benchmark, Page.” He swallowed. “We’ve reached the edge of Obathia.”

I’m a young writer and I’ve never been kissed. This is my first attempt at writing a kissing scene and I wanted to know what some other people think that aren’t my friends lol

I slowly walked to the doors and placed my sweaty palm on the doorknob, turned it, and pulled it open aggressively. When it swung open I saw Flynn standing there with his hand up like he was about to knock. We stared at each other for what seemed like hours. Neither one of us was sure what to say. He came in and closed the door behind him, slowly. I noticed him taking turns between looking me in the eyes and looking at my lips. “Hi-” I started to say something but when I blinked something made contact with my lips. I opened my eyes wide and saw Flynn, his eyes closed and relaxed like we were a married couple that has been doing this for years. All at once, it was like I was feeling, tasting, and seeing every color of the rainbow at the same time. My heart skipped a beat, and my hands got hot and sweaty. My emotions were so tangled, no comb could straighten them. He wrapped his strong arms around my waist and rested them on my hips. The kiss had enough power to force Flynn’s back up against the closed door. We stood with our bodies forced together against it as our lips were pressed into one. He pulled away from me and I stood with my hands relaxing on his chest. I stared into his deep brown eyes and he stared back, lovingly. He leaned his head down and kissed me again. This time, his lips didn’t separate from mine for a long time. They were warm and soft. I tangled my hands into his silky smooth ginger hair. When I pulled back for air, he smiled. No one said anything, but nothing needed to be said. I just hoped it wasn’t just a dream. Without moving off of him, he searched for the doorknob with his free hand. I untangled one of my hands from his hair and placed it on his. “I’ll let you know,” I whispered. He picked me up and carried me to my bed. When he gently threw me down, we sat next to each other. Just like I had hoped, he kissed me once again, stopping repeatedly for gasps of air. I felt him grab my knee like he needed help not falling over. He pressed his lips against mine with a fiery passion. I felt like I was in a Disney movie. I felt alive again. Like my parents still had their apartment, and my grandpa was still alive. This was my home, next to Flynn. The last thing I remember was combing my hand through his soft hair and him whispering to me: “I love you,”

Quote: This helps allow the reader to experience the shock of an unexpected peck.

A peck? A measly PECK? You read something of this caliber and that’s how you describe it?

A little further along, quote: Who would of expected that…

“would HAVE” — and this, on a website purporting to dispense advice?

Please don’t judge!

Jayla grabs my hand. I turn to her, eyebrows raised.

“What?” I ask. She flinches.

“I… Kagen… I… really like you.” She holds her breath, eyes not daring to meet mine. I straighten, and she takes my silence as a bad thing. Jayla shrinks away, shaking her head. I put out my hand to stop her from leaving.

“You like me?” It’s the only thing I can think to say. My mind is buzzing with thoughts. Then a small smile curls the corners of my lips up. I lift her chin with my finger, and pull her face towards mine. Our lips connect, hers warm and soft. I move my hand behind her neck and pull her closer, deepening the kiss. She places her hand in my hair, curling her fingers into it so she sends shivers racing down my spine. We brake away too soon. Her cheeks are rosy and her eyes are shining. I want to say something, but my mind is blank. Then, with a small smile, she scurries of.

I’m trying to write a romantic book where a couple struggle to survive because of an abhorrent war. How does this paragraph sound?

As Peter approached Layla, Layla began to shy away. “It’s ok.” Peter reassured. Layla stepped out of the shadows, and held Peter’s hand tightly. “Are you sure they’re gone?” Layla asked, searching the dark alley. “Yes,” Peter replied. “I’m sure.” Layla sighed. She laid her hand on Peter’s face, and then hugged him. “Thank you,” she said, motioning for a kiss. She placed her hand gently on Peter’s face, and then brought his face close to her’s. Then, she reached in for a kiss. Her pale, swollen lips gently brushed against Peter’s lips. Then, Layla nudged her lips closer to Peter until they finally kissed. People gathered around and cheered. The sky cleared away the thick layer of smoke. The war was finally over.

I’m trying to become a writer but have never been kissed before, so bear with me!

The world awakened as I wondered, staring as she flew, bounding through the forest like a doe. Her hands were flown out beside her as she danced through the rain, smiling at me through her sorrow. “Parch! Come here,” she beckoned, twirling around as she laughed. I slowly approached her, smiling unsurely as I stumbled about. “How can you be still while the world is so alive?” she cried, taking my hand and spinning me about. I hesitated, why, still today I do not know. She frowned, releasing me. “How can it be that you still are embarrassed with me?” I shook my head. “I’m not embarrassed, I’m just-“ “Then dance!” she laughed, shaking her head full of shiny wet hair. I sighed. What was I truly afraid of? Hurting my pride? She was right, I was a cowardly thing. But I wanted to please her, I guess that’s why I did it. I began to dance, twirling and spinning with her, my arms stretched wide as I began to sing. I was there, with her, and I would remember that moment for the rest of my days. In my mindlessness I stumbled, falling to the wet leaves of autumn. “Parch!” she shrieked, appearing at my side. “I’m ok-“ I started, before she lay down next to me. “Look at the sky,” she sighed, stretching her hands out as though if she tried hard enough she could grab the clouds and weave them into some beautiful dress. She then grabbed my hand. “Parch, you are unlike any boy I have ever met.“ Her eyes met mine. “ What do you mean?” I slipped my hand out of her’s, propping myself up under my elbow. “You, my friend, are afraid of me.” She laughed once more, sitting up herself. “A-afraid?” I sputtered, bilking out the rain. “Yes! You are. Or at least, if falling in love. Or perhaps to lose someone again.” “Again?” I looked at her. “Yes. Yes, I believe that is why you haven’t let down your guard. You are scared of accepting me, only to lose me. And suddenly I knew she was right. “But I won’t let you go, Parch Grant. I will keep you if you keep me.” And I knew she would. I nodded. She leaned into me, her breath sweet as the falling autumn rain. I squeezed my eyes shut, holding my breath. I didn’t know what this would bring, what this would mean- and then she kissed me. Her lips brought forth a marvelous firework of protection, of care. Her hand held my face as I relaxed, kissing her back. And the we broke apart, held by that moment until the end of all time.

This is my first attempt at a kissing scene. I’d love to know someone else’s feedback on it!

An arm strong and gentle stole about Katelyn’s waist, pulling her towards him. Liam’s hands gently grabbed her slender waist. She fit perfectly in his arms. The warmth of his touch drew her closer. So close she could feel his soft breath against her cheek. His eyes were a magnet the desire in his eyes drawing her towards him. Liam’s fingers brushed her cheek. She flinched at his touch. For an instant, he hesitated, afraid that she might pull away. Then, leaning towards him, she surrendered herself to him. His eyes searched her face in a questioning gaze. Her expression held no reserve or hesitancy, only perfect trust, and tender love. As Liam pulled her close, her hands slid up his chest around his neck. A shy, gentle touch. His gaze traveled to her lips. He glanced into her eyes, silently asking permission. She nodded. Tender and affectionate, his hand caressed her cheek. Willing herself to stop trembling, she leaned into him. Slipping his hand under her chin, Liam drew her lips towards his. She yielded to his touch as if the whole world melted away in the embrace of his arms. His lips brushed hers. The touch was hesitant. A tremor ran through her body. The rush of warmth surged through her, drawing every sense towards him in that impassioned moment. She pressed her mouth to his, the sensation of his lips against hers assaulting her senses. His left hand glided up from her waist to the small of her back, pressing her body to him. Liam held her in his arms, willing the moment to go on forever. He felt her longing, reserve, and passion, melt away in the safety of his arms. He drew back, their lips parting, but he didn’t let go of the delicate frame. Her heart beat against his chest. She was his. So small, so weak. And in that moment he swore to protect her from every pain and heartbreak he could keep her from. He would love this girl for eternity. Brushing back her hair, he kissed her forehead and whispered to the angel he held in his arms, “I love you.” He spoke in low, tender tones, his eyes saying far more than his words. Katelyn’s voice was soft but unhesitating. “I love you too, Liam,” she murmured shyly.

Listen, I love your insight. And it’s right. Yes! It really is. The stages are okay. It’s just that the examples used have to be the most boring kissing scenes.

They focus more on before and after the kiss instead of emotions during the kiss. Which I find a bit boring.

Maybe it’s not the vibe I’m looking for.

The first kissing scene is like, yes a surprise but, it’s as if a fish out of water (literally). those tongues flip and they flop and they wiggle. GHAADD!

The next kiss is like the character couldn’t wait to get it over with then buttered it up with a bunch of nice words. Like how you’d describe a nice soup that you’re not really in the mood to have.

But personally, I did like the stages you put out. It makes writing more of a science but it does give some more insight. So thank you.

I am a young author and I am writing hate-to-love romance for the first time. I would love a few tips on this scene. The setting is that they are lying side by side on a bed while Ethan reads a book to Skye.

Please, i’d like your comments on this.

Suddenly he became very aware of their position, there on the bed, under the sheets. Ethan’s gaze slid to Skye, who looked back. ‘Only … Only if you want it,’ he said uncertainly. ‘Kissing a prince is not on my to-do list, mind you,’ she replied flatly. Ethan blushed violently and turned away from her, holding the book in front of his face as best he could. ‘Did I embarrass you now?’ said Skye. ‘You’re mean,’ he said. He swatted at her with the book before hiding behind it again. She laughed softly. ‘Well, kissing a prince may not be on my to-do list, but…’ Ethan’s heart skipped a few beats as she pushed his book down. The lump in his throat widened as Skye’s face came closer. He stiffened completely and didn’t dare move a fin, afraid of doing something wrong and thus breaking the magic of the moment. He knew nothing more and then just waited, completely overwhelmed. ‘Only if you want,’ she whispered, her lips even more a few millimeters from his. He felt her warm breath brush past him and get lost in the storms of her eyes. Of course he wanted it, with all his body and all his heart. But his yes came out in the form of a choked squeak, since his throat was completely constricted. She smiled and leaned in even further. Ethan’s heart thudded against his ribs and his head exploded. Skye’s mouth was surprisingly soft. She smelled of the crisp night air and the stars, if that made any sense. Electric shocks slid down his spine, obscuring his thoughts. The one, scattered particle of his brain that still made an attempt to work told him to do something. Ethan flung the book away, wrapped his arms around her waist and pulled her to him, answering the kiss passionately. Skye put her hands flat against his chest and pushed him down on the bed. He gasped against her lips, displacing all thoughts, and let his hand slide into her raven-black hair. He tilted his head and deepened the kiss. Their surroundings became a blur until only Skye was there, the girl he loved. She tugged at the hem of his shirt, whereupon he sat up straight for a moment to pull it off, catching his breath in the process. As soon as he had it off Skye kissed him again. He let himself fall back into the sheets. It all happened naturally, as if it was meant to be. It wasn’t hard to believe that, either. His hands slid to her vest and unbuttoned it. He couldn’t care less about the consequences. It made them feel good to be able to be bad. He had jumped off the cliff. All he could do now was hope there was a safety net.

Terrific article, and very interesting comments. A very important thing is missing, though. Consent. It’s so important (and sexy!) to ask for permission to touch another person. I’m not sure why it’s left out here – maybe because the examples are from older novels – but there are so many reasons why touching another person without their permission can harm them. If we want to see more compassion, respect, and healthy sexual relationships in the world, we as authors, need to model them. It doesn’t “kill the mood” to ask to touch or kiss or anything else – harming someone with your touch kills the mood far worse.

Thank you for the tip! I will see what i can do

Sorry if this is even worse. I am a bit nervous when writing stuff like this and most of the time i just hope its not stupid or childish. But anyway, here is the fixed version of it. I hope it is better.

Suddenly he became very aware of their position, there on the bed, under the sheets. Ethan’s gaze slid to Skye, who looked back. ‘Only … Only if you want it,’ he said uncertainly. ‘Kissing a prince is not on my to-do list, mind you,’ she replied flatly. Ethan blushed violently and turned away from her, holding the book in front of his face as best he could. ‘Have I embarrassed you now?’ said Skye. ‘You’re mean,’ he said. He swatted at her with the book before hiding behind it again. She laughed softly. ‘Well, kissing a prince may not be on my to-do list, but…’ Ethan’s heart skipped a few beats as she pushed his book down. The lump in his throat widened as Skye’s face came closer. He stiffened completely and didn’t dare move a fin, afraid of doing something wrong and thus breaking the magic of the moment. He knew nothing more and then just waited, completely overwhelmed. ‘Only if you want,’ she whispered, her lips even more a few millimeters from his. He felt her warm breath brush past him and get lost in the storms of her eyes. Of course he wanted it, with all his body and all his heart. But his yes came out in the form of a choked squeak, since his throat was completely constricted. She smiled and leaned in even further. Ethan’s heart thudded against his ribs and his head exploded. Skye’s mouth was surprisingly soft. She smelled of the crisp night air and the stars, if that made any sense. Electric shocks slid down his spine, obscuring his thoughts. The one, scattered particle of his brain that still made an attempt to work told him to do something. Ethan flung the book away, wrapped his arms around her waist and pulled her to him, answering the kiss passionately. Skye put her hands flat against his chest and pushed him down on the bed. He gasped against her lips, displacing all thoughts, and let his hand slide into her raven-black hair. He tilted his head and deepened the kiss. Their surroundings became a blur until only Skye was there. Suddenly she pulled back. She looked at him breathlessly, and for a moment he had no idea of time or place. ‘Is … Sorry, I’m too quick.’ She wanted to scribble straight already. ‘No, it’s okay,’ he said, before he knew it. She stiffened. ‘Seriously? ‘I wouldn’t say it otherwise,’ he smiled. He had never seen her so shy. ‘I-I’ve just never really done this before-you know…’ “Do you trust me? She hesitated for a moment, but then nodded. He realized how hard this had to be, after Leo and all the things that had happened. He let his hand slide down her neck and kissed her again, but more quietly, more calmly. He felt her relax. He leaned back a little. “Sure? I understand if you’re…’ ‘Yes, yes I’m sure.’ ‘Okay.’ She tugged at the hem of his shirt, whereupon he sat up straight for a moment to take it off, catching his breath in the meantime. As soon as he had it off Skye kissed him again. He let himself fall back into the sheets. It all happened naturally, as if it was meant to be. It wasn’t hard to believe that, either. His hands slid to her vest and unbuttoned it. He couldn’t care less about the consequences. It made them feel good to be able to be bad. He had jumped off the cliff. All he could do now was hope there was a safety net.

Your examples suck, two were about underage characters, one involved way too much tongue propaganda, and the others were just boring to read. Maybe next time try reading a book by a woman and not an incel from the 1920s.

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How Do You Create a Compelling Description of a Kiss in Creative Writing?

Kissing scenes are critical junctures in a story that illustrate a shift in a character’s life or are pivotal turning points in a narrative. However, describing a kiss creatively can be quite a challenge. Here are some tips to detail out a kissing scene effectively, enabling you to captivate your readers’ attention throughout the scene.

Character’s Perspectives and Emotions

The first step to describing a kiss is to delve into the characters’ feelings, emotions, and thoughts . Establishing the characters’ individual perspectives builds the context for the kiss. Try to determine who initiates the kiss and what emotions trigger this.

Additionally, the emotions before and after a kiss are significant in extending its impact.

Settings and Circumstances

The characters’ surroundings also play a vital role in shaping a kiss. Whether it’s a passionate embrace under a starry sky or an impromptu kiss amid a busy crowd, the setting can stimulate various emotions around the kiss. Make the setting come alive with sensory details, describing the atmosphere, sound, smell , and the mood of the scene.

Physical Descriptions

Detailing the physical gestures of the characters can also bring the scene to life. Describe how the characters’ bodies inch closer. Other gestures – the closing of their eyes, a light flicker of their eyelashes, or the faint drawings of breath – can amplify the moment’s intensity.

Use imaginative and clear language to detail the physical happenings, like the brush of lips, the intertwining of fingers, or the sensation of a rapid heart beat.

Don’t just focus on the lips. A kiss involves the whole body. Try and tap into other bodily sensations like the fluttering heart rate , the dilating of the eyes , and the touch of a soft or hard skin .

The texture and feel of the hair too can add a more intimate touch to the scene.

Sensory Details and Metaphors

Writing about a kiss should engage all senses. Describe the sight, sound, taste, smell, and touch associated with the kiss. Use imaginative prose to illustrate the taste and texture of the kiss.

Be it the description of lips as ‘petal-soft’ or a kiss ‘as sweet as honey’, use innovative metaphors and similes to steer clear of cliches.

Post-Kiss Reactions

End the kissing scene with the characters’ reactions post-kiss. The characters’ subsequent actions, their speech or silence, can convey the after-effects of a shared kiss. Their thought process after the kiss is also essential to highlight, as it provides insight into their state of mind.

Conclusions

Writing a kissing scene requires a balance of passion and precision. It is as much about the build-up and the aftermath as it is about the kiss itself. Through the characters’ emotions, the setting, physical and sensory details, and fresh metaphorical expressions, a writer can depict a kiss that not only feels genuinely intimate but also advances the story fittingly.

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How to Write a Kissing Scene: A Delicate Dance of Words

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The art of writing, especially in romantic contexts, requires a gentle touch and a nuanced understanding of human emotions. One of the most pivotal moments in many stories, irrespective of their primary genre, is the kissing scene.

It’s not just the physical act of two lips meeting but a culmination of tension, emotion, and anticipation. Writing it well can elevate a story, drawing readers into the depth of the characters’ feelings. Let’s embark on a journey to learn the step-by-step process of penning down that perfect, spine-tingling kiss.

How to Write a Kissing Scene (Step-by-Step)

Build the Tension:

A kiss rarely happens out of the blue. The moments leading up to it can be filled with anticipation. Build on this tension through subtle hints like lingering glances, playful teasing, or a heightened sense of proximity. This emotional buildup provides a foundation, making the eventual kiss all the more satisfying for your readers.

Remember, the slow burn often leads to the most rewarding flames.

Context Matters:

The circumstances surrounding the kiss will shape its mood and significance. A stolen kiss in a time of war will feel different from a passionate embrace in a romantic setting.

Ask yourself: What has led these characters to this moment? Is there history? Is it a moment of solace, passion, or a blend of various emotions? By establishing the context, you provide depth and layers to the scene.

Stay True to the Characters:

Remember the personal histories, temperaments, and past experiences of your characters. A shy character might hesitate, taking longer to lean in, while a more assertive character might initiate without hesitation. Their individual journeys should influence their actions. This ensures that the kiss feels genuine and true to the narrative you’ve built around each character.

Engage the Senses:

A kiss is a sensory experience. Describe the softness of their lips, the taste of a recently consumed drink, or the faint scent of their perfume or cologne. Maybe there’s a distant sound that contrasts the closeness of the moment, like a bird’s call or city traffic.

Expert Tip: By painting a multi-sensory picture, you immerse the reader completely, making them feel as if they’re right there with the characters.

Avoid Clichés:

While clichés became popular for a reason, they can make a scene feel uninspired if overused. Instead of falling back on stock phrases, strive to capture the unique essence of this specific kiss between these particular characters. How is it different from any other kiss in any other story?

Keep It Real:

Perfection can sometimes be dull. Maybe the characters are out of breath from running, or one of them gets a bit nervous and has to clear their throat. These tiny, real-life details can make the scene more relatable and endearing.

Convey Emotional Reactions:

After the physical connection ends, the emotional journey begins. Dive into the whirlwind of feelings. Is there a sense of euphoria? Or a sudden realization? Maybe one character is analyzing the implications of the kiss, while the other is lost in the moment. The aftermath often holds as much weight as the act itself.

Consider the Setting:

The environment is a silent participant in the scene. Whether it’s a quiet corner in a bustling city, a serene lakeside, or a rainy street corner the setting can amplify the emotions. Use descriptive language to paint the surroundings, giving readers not just the act of the kiss, but the world in which it unfolds.

Revise and Refine:

First drafts are just that a starting point. Once you’ve penned down the scene, take a break, then come back with fresh eyes. Reading it aloud can also help you catch any awkward phrasings or pacing issues. Feedback from trusted friends or beta readers can provide new perspectives, helping you fine-tune the scene to perfection.

Crafting a compelling kissing scene requires patience, insight, and a touch of creativity. By deepening your understanding of context, character, and emotion, you can write a scene that not only captures a pivotal moment but resonates deeply with readers, making them root for your characters even more.

How to Get Rid of Clichés and Write a Heartfelt Kissing Scene (9 Tips)

Understand the Characters:

Before setting pen to paper, delve deep into the psyche of your characters. What are their fears, desires, and histories? A well-understood character will naturally steer clear of clichéd responses. The more you know about them, the more original and authentic their reactions and feelings will be during the kiss.

Engage in People-Watching:

Observe real-life couples or watch realistic romantic films and series. Notice the nuances, the hesitations, and the ways people react differently to intimate moments. Drawing inspiration from real life can lend a sense of authenticity to your scene.

Use Unique Metaphors:

Instead of “fireworks exploded” or “butterflies in the stomach”, think of fresh metaphors that resonate with your story’s setting or your characters’ experiences. If a character is a pianist, maybe the kiss feels like a perfect chord. If they’re from a coastal town, perhaps it’s like the gentle pull of the tide.

Highlight the Imperfections:

Real life is messy, and real kisses can be too. Maybe their noses bump or they laugh midway because of a stray hair. These little imperfections can make the moment feel genuine and lived-in, as opposed to the over-idealized versions often portrayed.

Set the Scene with Originality:

While moonlit beaches or rainy rooftops have their charm, think of settings that are unique to your story. Perhaps it’s in a quiet bookstore aisle, amidst the aroma of old books, or during a hike when they’ve reached a viewpoint, surrounded by the sounds of nature.

Dive Deep into Sensory Descriptions:

Move beyond just the feel of their lips. Describe the warmth shared between their faces, the texture of a thumb brushing against a cheek, or the rhythmic sound of their breath syncing. Dive deep into sensory details to bring the scene to life.

Capture the Emotional Aftermath:

A kiss isn’t just about the physical act; it’s about what comes after. Delve into their introspection. Are they reevaluating their relationship? Is there an epiphany? Maybe it’s just a surge of warmth or a moment of vulnerability. This aftermath can be as profound as the kiss itself.

Be Conscious of Pacing:

Don’t rush to the moment. The buildup, the crescendo, and the eventual calm after the storm all have their place. By controlling the pacing, you allow readers to experience the entire emotional rollercoaster, making the scene more impactful.

Revise with Fresh Eyes:

After writing, take a break and return to it later. Approach the scene as a reader rather than a writer. Ask yourself: Does it feel genuine? Are there any phrases or descriptions that feel overused? Revising with a fresh perspective can help identify and eliminate clichés.

A heartfelt kissing scene is not about creating a picture-perfect moment, but rather a genuine, emotional experience for both the characters and the readers.

Expert Tip: By rooting the scene in authenticity, focusing on the characters’ unique perspectives, and drawing from real-life inspirations, you can craft a memorable, cliché-free moment that resonates deeply.

How to Write a Kiss Expression:

Writing about a kiss goes beyond just describing the physical act. It’s about capturing the feelings, sensations, and emotions of the characters. When you express a kiss in writing:

Focus on the Lead-up:

A lot can be said in the seconds before lips meet. The nervous glance, a shaky breath, the closing of eyes, or a hand reaching to cradle a face. These actions can say as much, if not more, than the kiss itself.

• Example: “She hesitated, her gaze flitting to his lips before meeting his eyes. Drawing a shaky breath, she tilted her head slightly, inviting the inevitable.”

Describe the sensory experience. The softness or roughness of lips, the scent enveloping them, the faint tastes, the sounds in the backdrop.

• Example: “His lips were surprisingly soft, a contrast to the rough stubble of his chin. She could taste the lingering hint of mint, and in the distance, a song played, wrapping them in its melody.”

Convey Emotion:

Dive into what the characters are feeling. Is it a mix of fear and excitement? Is there relief in finally having the moment or apprehension of the consequences?

• Example: “As they parted, a flurry of emotions raced through her – elation, surprise, and a hint of sadness, wondering why they hadn’t crossed this threshold sooner.”

How Actors Fake Kissing Scenes:

Actors often have to portray intimate scenes on screen that may not mirror their real-life relationships with their co-stars. Here’s how they typically approach kissing scenes:

• Discussion and Consent: Before filming, actors, directors, and sometimes intimacy coordinators discuss the scene to ensure everyone is comfortable. Boundaries are set, and it’s essential to ensure mutual respect and understanding.
• Technical Approach: Actors often approach kissing scenes technically. They’ll discuss who turns which way, how close they get, and other logistical details. This technical focus helps to separate personal feelings from the act.
• Use of Camera Angles: Filmmakers can use camera angles and blocking to create the illusion of a kiss without the actors’ lips meeting. From the right angle, it can look like a deep kiss when it’s just a near-miss.
• Minimal Tongue: In many on-screen kisses, especially between actors who aren’t in a relationship off-screen, the use of the tongue is minimal or non-existent. This is a professional courtesy and often a mutual decision made before filming.
• Intimacy Coordinators: More and more film and TV sets are employing intimacy coordinators to ensure the comfort and safety of actors during intimate scenes. They help choreograph the scene to look genuine while ensuring actors’ boundaries are respected.
• Mental Separation: Actors train to separate their professional tasks from personal feelings. While they aim to portray genuine emotion, it’s essential to remember that they’re in character and the emotions aren’t necessarily their own.
• Aftercare: After shooting an intimate scene, actors might engage in small rituals or practices to shake off the character’s emotions, like changing clothes, washing their faces, or even just taking a moment to breathe and reset.

In both writing a kiss and portraying it on screen, the goal is authenticity. Whether it’s through words or acting, the aim is to capture the emotion and significance of the moment, making it resonate with the audience.

Do actors get turned on during makeout scenes?

Acting is a profession, and actors train extensively to portray emotions and physical actions without necessarily internalizing them. However, actors are also human, so physical reactions can sometimes occur, just as they might in any close-contact situation.

That being said, most actors approach intimate scenes professionally and focus on the technical aspects, such as camera angles, movement coordination, and delivering the scene effectively. It’s essential to understand that there’s a difference between an actor’s portrayal on screen and their personal feelings or reactions.

Why do more actors refuse to kiss on screen?

There are various reasons why an actor might refuse to participate in on-screen kissing or intimate scenes:

• Personal Beliefs: Some actors, due to religious or personal convictions, choose not to engage in on-screen intimacy. They might believe that certain acts should be reserved for personal relationships or view them as sacred.
• Comfort Levels: Intimate scenes can be demanding both emotionally and physically. Not every actor feels comfortable performing such scenes, and it’s crucial to respect their boundaries.
• Past Trauma: Some actors might have had traumatic experiences in the past, and on-screen intimacy might trigger those memories or emotions. Avoiding such scenes can be a way of protecting their mental and emotional well-being.
• Typecasting: Actors often avoid being pigeonholed into specific roles or being recognized only for certain kinds of scenes. By refusing to participate in intimate scenes, they might be trying to diversify their roles and avoid being typecast.
• Health Concerns: Sometimes, actors might refuse a kissing scene due to health reasons, such as if they or their co-star are sick or if there’s a risk of transmitting contagious illnesses.
• Contractual Stipulations: Some actors have specific clauses in their contracts that prohibit certain types of scenes, including intimacy.
• Professional Image: Some actors believe that participating in intimate scenes might affect their professional image or the way their fans perceive them. They might refuse such scenes to maintain a particular public image.
• Increase in Intimacy Coordinators: With the rise of intimacy coordinators in the film industry, there’s more awareness and discussion about boundaries and consent. This has made it more acceptable for actors to voice their concerns and set limits regarding on-screen intimacy.

Expert Tip: Actors’ choices to engage or not engage in specific scenes, including intimate ones, should be respected. Their decisions often stem from a combination of professional judgment and personal reasons.

How do actors mentally prepare themselves before performing intimate scenes?

Before performing intimate scenes, actors often undergo various mental preparation techniques. They may engage in dialogue with their co-stars to establish mutual trust and understanding. It’s essential to ensure that both parties are on the same page regarding the scene’s demands.

Some actors may also practice mindfulness techniques, like meditation, to calm their nerves and remain focused on the character and scene rather than personal emotions. Additionally, reviewing the script and understanding the significance of the scene in the story’s context can also help. It reinforces the idea that the intimate scene serves a narrative purpose, not just a gratuitous act.

Are there specific workshops or training sessions that actors attend to handle intimate scenes better?

Yes, there are specialized workshops and training sessions tailored to help actors navigate the complexities of intimate scenes. With the rise of intimacy coordinators in the film and theater world, many training programs aim to teach actors how to maintain boundaries, communicate effectively, and approach intimate scenes with professionalism and sensitivity.

These workshops may involve role-playing, discussions on consent, and techniques to establish physical and emotional safety.

How does the rise of the #MeToo movement impact the portrayal of intimate scenes in modern cinema?

The #MeToo movement has had a profound impact on the entertainment industry, shedding light on issues of harassment, coercion, and the importance of clear boundaries. As a result, there’s been a significant shift in how intimate scenes are approached. The movement emphasized the importance of consent, communication, and respect.

This led to the rise of intimacy coordinators on set, professionals who ensure that actors feel safe and that intimate scenes are choreographed to respect everyone’s boundaries. Moreover, scripts and storylines are now more scrutinized to ensure that intimate scenes are essential to the narrative and not just included for shock value or titillation.

How do directors ensure that intimate scenes align with the broader narrative of the story and aren’t gratuitous?

Directors, in collaboration with scriptwriters and sometimes intimacy coordinators, evaluate the significance of every scene in the context of the story.

For intimate scenes, they consider questions like Does the scene advance character development? Does it serve a thematic purpose? Does it move the plot forward? If the scene doesn’t meet such criteria, it might be deemed gratuitous and potentially be revised or removed.

The aim is to ensure that every element of the film or TV show, including intimate scenes, serves the broader narrative.

How do film crews ensure discretion and respect during the filming of intimate scenes?

Film crews often take several measures to maintain discretion during intimate scenes. Closed sets, where only essential crew members are allowed, are commonly used. This ensures that the actors are exposed to the smallest number of people possible. Crew members are often briefed beforehand about the sensitive nature of the scene and reminded to act professionally.

Monitors might be positioned such that only the director and essential personnel can view the scene as it’s being filmed. Overall, the aim is to create a safe, respectful environment where actors can perform without feeling overly exposed or uncomfortable.

Do intimacy coordinators work exclusively on intimate scenes, or do they have broader roles on set?

While the primary role of an intimacy coordinator is to oversee intimate scenes, ensuring the comfort and safety of actors, their responsibilities often extend beyond just those moments. They might collaborate with directors and actors on scenes that are emotionally charged or potentially triggering, even if they don’t involve physical intimacy.

They may also provide guidance on other sensitive topics portrayed in the script, ensuring respectful and accurate representation. Furthermore, intimacy coordinators may also offer training or workshops for crew members, fostering a set-wide environment of awareness and respect.

What role do costume departments play in facilitating comfortable intimate scenes?

Costume departments play an integral role in ensuring actor comfort during intimate scenes. They might provide actors with specific undergarments or barriers that allow for the portrayal of intimacy while ensuring a level of separation between actors.

Modesty garments, such as flesh-toned underwear or nipple covers, are commonly used to give the illusion of nudity or near-nudity while preserving the actor’s modesty.

The costume department collaborates closely with the director, actors, and intimacy coordinators to ensure that wardrobe choices align with the scene’s requirements while prioritizing actor comfort and dignity.

In the intricate tapestry of filmmaking, portraying intimacy is an art that requires a delicate balance of narrative purpose, actor comfort, and audience perception. As cinema evolves, the industry’s approach to intimate scenes is becoming more nuanced, prioritizing respect, consent, and authenticity.

The rise of specialized roles like intimacy coordinators, coupled with increased awareness and training, signifies a positive shift towards holistic storytelling. Whether you’re a viewer, writer, director, or actor, understanding the intricacies behind these scenes enriches your appreciation of the craft.

In the end, the goal remains the same: to tell compelling, genuine stories that resonate with audiences, even in moments as intimate as a kiss.

About Sara Cook

Hi, I am Sara! I am the founder of TheWritersHQ! I have loved writing and reading since I was a little kid! Stephen King has my heart! I started this site to share my knowledge and build on my passion!

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A Lady’s Guide to Writing Swoon-Worthy Kiss Scenes

by Jessica Kate,  @jessicakate05

Writing kisses—some of us love it, some of us can’t stop giggling, and some of us squirm. 

But all of us want to deliver a powerful emotional experience for the reader that will stay with them long after they’ve closed the book. So here my #1 guiding principle that takes a kiss scene from ‘that was nice’ to ‘I MUST TELL EVERYONE ABOUT THIS!’:

Emotion is everything.

A kiss scene’s power comes from the emotional connection between the two characters—not the physical descriptions. That’s why even non-kiss scenes get gushed over—like the one where Mr. Darcy takes Lizzie’s hand to help her into the carriage. 

So, without further ado, here are three tips to help increase the emotional charge in your kiss scenes:

• History between the characters. It can be romantic history (The Notebook, Sweet Home Alabama, Jane the Virgin), conflict-ridden history (North and South, The Hating Game, Sweet Home Alabama) or friendship (New Girl, When Harry Met Sally, Emma, Anne of Green Gables and SWEET HOME ALABAMA!). 

The important thing is, that history had to include emotional intimacy. Ideally, these characters have, at some point, relied on one another. At the very least, they know one another better than most and have a strong (though sometimes begrudging) respect for one another.

• The kiss is communicating a message. Some of the most interesting kiss scenes are the ones that represent a major shift for a character. Take Leap Year for example. For most of the movie, Amy Adam’s control-freak character has driven Matthew Goode’s laid-back character crazy. But in the previous scene, she opened up to him and told him about her unreliable father and the burden of responsibility she’s carried from a young age. He now understands her, respects her, and is coming to admire her. At this point in the movie, they’re pretending to be a couple (for reasons too complicated to explain here), and their hosts start cheering for them to kiss.

Up till this point, Matthew’s been none-to-careful with this annoying lady’s feelings. But now he gently takes her jaw and kisses her. It’s warm (he feels strongly about her) but also gentle and respectfully brief (he’s taking care of her in a way that previous men in her life never did). 

And on Amy’s part, up until this point, she’s never trusted Matthew. But now she trusts him enough to let him kiss her—and when he pulls back, she responds and kisses him again. Now she’s told him that maybe there’s more to her than the control freak, and maybe she cares more about him than she’s let on.

Different physical actions can communicate different messages:

• Hand holding jaw = you are treasured (Leap Year)
• Slow lean in = confident enough to build the anticipation slowly, and also giving the other person the chance to communicate their interest/disinterest (While You Were Sleeping)
• 90/10 rule = same as above (Hitch)
• Start with a kiss on the cheek = I-want-to-kiss-you-but-am-not-sure-how-it-will-go-so-I’ll-test-with-this-first OR I-want-to-kiss-you-and-you-want-to-kiss-me-but-I’m-too-chicken-to-just-go-for-it OR I-want-to-kiss-you-but-we-can-never-be-together.
• Talking between kisses = Often indicates friendship and is usually funny (The Amazing Spiderman)
• Smile during a kiss = Indicates friendship and emotional intimacy (I’ll sneak in a plug for my upcoming rom-com A Girl’s Guide to the Outback because I totally used that one in there!)

• The more anticipation, the better. This is why almost-kisses are such a powerful tool. It’s also a great time for a character to remember a previous interaction in a new light. You can use some of the moves above (slow lean in, kiss on the cheek, etc.), to draw out the moment and keep the reader frantically turning pages.

When you combine as many of these elements as possible into a kiss, you pack one powerful emotional punch. Now your characters aren’t just kissing, they’re communicating and showing how much they mean to one another. This communication means so much more when it’s carrying the weight of history and has been preceded by a slow build-up. 

If you’d like to see these techniques in action, check out my short story The Kiss Dare, available free when you sign up for my newsletter at https://jessicakatewriting.com . The great thing is, if you’re someone who shies away from kiss scenes altogether, most of these principles can be applied to sizzling hand-holding scenes, or maybe even a smoking hot stroke of the cheek! 😉  

So let’s get out there and write some romance! <3 

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Jessica Kate’s hilarious, romantic debut novel proves that some mistakes—including love—are begging to be made again and again. Natalie Groves once had big dreams. But soon after her fiancé, Jeremy Walters, inexplicably broke off their engagement and left town, her father was diagnosed with cancer. Now tasked with keeping her family afloat, Natalie’s grand plans have evaporated . . . and God feels very far away. Fast-forward seven years, and Jeremy is back in Charlottesville with an infant son and years of regrets. When his niece, Lili, lands on his doorstep in need of a place to stay, Jeremy needs help—and fast. An internship opening finally presents Natalie a chance at her dream job, but she needs a second income to work around it—and the only offer available is Jeremy’s. They could be the solutions to one another’s problems, provided they don’t kill each other in the process. When they join forces, sparks fly. But they both know there’s a thin line between love and hate . . . and that love will turn out to be the best decision—or the biggest mistake—of all. “A stunning debut . . . This tale of love and redemption will stay with you long after you’ve closed the book. A must-read.” —Rachel Hauck, New York Times bestselling author of The Wedding Dress “Witty. Charming. Heartfelt. I could go on and on about Jessica Kate’s debut novel.” —Melissa Tagg, Carol Award-winning author of Now and Then and Always and the Walker Family series

She packs her novels with love, hate, and everything in between—and then nerds out over her favorite books, movies and TV in the StoryNerds podcast. When she’s not writing or discussing fiction, she’s hunting the world for the greatest pasta in existence.

Her debut novel Love and Other Mistakes released July 2019, while A Girl’s Guide to the Outback hits shelves in January 2020.

Receive her sassy short The Kiss Dare FREE when you sign up for her newsletter at jessicakatewriting.com. 

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How to Write Kiss Scenes: Pucker Up for Smooch Success

By: Author Paul Jenkins

Posted on April 24, 2023

Categories Writing

Are you ready to take your readers on a passionate journey of love and lust? As a writer, crafting a kiss scene can be a daunting task. But fear not, fellow wordsmiths! With the right techniques, you can create an unforgettable moment that will leave your audience breathless and yearning for more.

From the gentle touch of lips to the fiery passion of a deep embrace, a well-written kissing scene can add depth to your characters’ relationships and elevate your story to new heights. But beware, a mediocre kiss scene can ruin the moment and disconnect your readers from the story.

So, let’s dive into the art of literary osculation and explore some tips and tricks that will help you construct a solid smooch scene that will make your readers swoon.

Kiss Scene Foundations

We all know that writing a kiss scene can be a daunting task. But fear not, dear writer, because we’re here to help you lay the foundations for a swoon-worthy smooch. Let’s dive right into the key elements you must consider for a memorable kiss scene: Character, Sexual Tension, and Romantic Tension.

Creating multi-dimensional, exciting characters is crucial for any story, but it’s even more critical when writing a heated, lip-locking moment. How our characters experience and express their emotions will greatly influence the atmosphere in the kissing scene. So, we need to know our characters inside and out, from their passions and insecurities to how they hold their breath when anticipation is building.

As we develop our characters, let’s keep in mind their quirks and idiosyncrasies. These traits can add depth to the scene, making it more vivid and engaging. And most importantly, our characters should have chemistry – that undeniable spark that makes our readers root for them to finally kiss.

Sexual Tension

Ah, sexual tension – the tantalizing build-up that has us all flipping pages frantically. Sexual tension is the secret ingredient that makes a kiss scene sizzle. To ensure we’re turning up the heat, we need to focus on the physical reactions our characters experience when they’re around each other.

Consider the following points:

• Do they get butterflies in their stomach?
• Does their heart race uncontrollably?
• Are they hyperaware of each other’s presence?

We can create an atmosphere thick enough to cut with a knife by emphasizing these sensations. Remember, anticipation is the name of the game!

Romantic Tension

Now let’s tackle the romantic aspect of our kiss scene. Romantic tension is like a slow dance between our characters, where every glance, touch, and innuendo is a step closer to that climactic smooch. We must skillfully balance the emotions and desires of our characters to create a satisfying, heart-fluttering kiss.

For a truly swoon-worthy scene, consider these tips:

• Let the moment unfold slowly (a lingering gaze, a gentle touch)
• Show vulnerability and emotional honesty
• Employ meaningful dialogue that deepens their connection

By weaving these elements together, we can create a kiss scene that will leave our readers breathless and begging for more. Now, grab your keyboard and write some steamy, soul-stirring lip action!

Crafting the Perfect Kiss

As the mystical sculptors of kiss scenes, we must chisel our way through the marble of romantic masterpieces. With our artisanal precision, we reveal the foundation fundamentals: Physical Sensations, Body Language, and Emotions. These three elements work together like a dream team to create that perfect, memorable kiss scene your readers will swoon over.

Physical Sensations

When crafting a mouthwatering kiss, savor the details in bite-sized morsels. Describe the feel of your characters’ lips meeting, the warmth of their breath, and the electricity shooting through their very souls. Don’t be stingy with those tantalizing tidbits:

• The graze of a fingertip along a jawline
• The acute awareness of each other’s heartbeats
• The tingling anticipation before lips touch

Zoom in and intensify every goosebump and shiver. Readers will relish each savory morsel, and their imaginations will soar.

Body Language

Ah, the ballet of love! Our characters’ bodies communicate volumes without saying a word. Let’s twirl our pens and pirouette through the choreography of body language, shall we?

Weave gravity-defying lifts, gentle caresses, and synchronized sways into your romantic pas de deux.

Let’s dive into the swirling storm of raw, unbridled emotion that sustains the life force of our kiss scene. Explore vulnerability, passion, or even insecurity. Channel your characters’ mindsets like this:

• How do they feel before, during, and after the kiss?
• What insecurities or fears may sting like bees beneath their bravado?
• What momentous realization might dawn on them mid-smooch?

Delve into the emotional depth that makes the heart sing, cry, and flutter in ecstasy.

Now, my fellow artisans of amore, allow these fundamentals to guide you in sculpting the perfect kiss – one worthy of its own Hallmark movie and a legion of devoted fans.

Injecting Romance and Passion

If you want your kiss scenes to sizzle and capture the heart of your readers, injecting romance and passion is essential. This section will discuss how to weave love story elements and romantic subplots into your narrative to create much-needed tension and anticipation before the kiss.

Love Story Elements

Let’s start with the basics. No romance is complete without a few key love story elements intertwined in your plot. These serve as the foundation for that steamy lip-lock moment:

• Attraction : A little spark goes a long way in building romantic tension. Make sure to convey the physical and emotional attraction between the characters with subtle hints and playful banter. Remember, it doesn’t have to be love at first sight, but it should make the reader go, “Ooh la la!”
• Conflict : Romance isn’t all sunshine and roses. Add some obstacles and challenges to make the love story more intriguing. Maybe it’s a forbidden romance, or one character is already in a relationship. The struggle will make their eventual union all the more satisfying.
• Connection : Showcase shared moments, inside jokes, and common interests between the characters to highlight their compatibility. Nobody wants to ship a couple with no chemistry (unless you’re into that sort of thing).

Romantic Subplots

Now that you’ve built a solid love story foundation let’s dive into crafting romantic subplots that will further heat up your kiss scenes:

• Secret Admiration : Nothing screams romance like characters who secretly pine after each other. It keeps the reader on their toes as they wonder when (or if) the characters will finally confess their feelings and share that long-awaited smooch.
• Rivals-to-Lovers : This trope never gets old. Characters who started as adversaries being drawn to each other adds an extra layer of anticipation for the big kiss. Your readers will be huddled in a blanket, muttering, “Just kiss already!”
• Second Chances : Sometimes love needs a do-over. Incorporating a subplot of rekindling a lost romance brings nostalgia and emotion into the scene, making that reunion kiss even more powerful.

By carefully entwining these love story elements and romantic subplots into your narrative, your lip-locks will drip with passion and make your readers’ hearts flutter. Remember, the key to writing an excellent kiss scene is capturing both the heart and the senses, so don’t hold back and let your characters’ love shine.

Captivating Description

Now let’s dive into the captivating description. This is where we really sink our teeth into the nitty-gritty of describing that perfect smooch. As always, we’ll inject a bit of humor to liven things up!

Mouth and Lips Mechanics

First, let’s tackle the mechanics of a good kissing scene. We must be aware of the lip-on-lip action to ensure our descriptions don’t look like a tag-team wrestling match. When describing the initial contact, phrases like “their lips gently brushed” or “soft lips met” will set a dreamy tone. No “lip-bashing” here, please!

As for the tongue, let’s not get too graphic. Remember, subtlety is our friend. We can use words like “exploration” or “dance” to hint at the role of the tongue without going overboard. Be mindful that it’s not all about the mouth, either! Integrate other senses—touch, taste, smell—to make the scene come alive.

Metaphors and Imagery

Wading into metaphors and imagery, we want to paint a vivid picture without slipping into clichés. Comparing a kiss to a blossoming flower? Yawn. Instead, let’s think outside the box. Perhaps the warmth of the kiss reminds the characters of the first rays of sunshine on a summer day. Or maybe the intensity of the spark between them feels like the flicker of distant fireworks.

Metaphors may be a tremendous tool, but our writing should also include more direct description. Words like “tender,” “hesitant,” or even “ravenous” can convey the mood and emotions of the characters engaging in the kiss. Think about how a pressure or lip movement change can communicate their feelings.

With these tips in mind, our kiss scene will have enough description to captivate even the most discerning of readers! Remember that the key is balance—combine mechanics with metaphors, and don’t shy away from interjecting humor when appropriate to make your kissing scenes truly memorable.

The Good, the Bad, and the Awkward

As writers, we know that a deliciously executed kissing scene can make our readers swoon, while a poorly executed one can leave them cringing. In this section, we’ll explore the good, the bad, and the awkward aspects of writing kissing scenes.

Passionate Moments

Let’s start with the good. When we pen the perfect kissing scene, it’s all about capturing the moment’s intensity. Our characters should be entranced by each other, their chemistry palpable. We can skillfully incorporate their mutual attraction and shared emotions into the scene, adding the right dose of chemistry and connection. Done correctly, this perfect kiss will leave our readers breathless and eager for more.

Awkward Encounters

Now, let’s discuss the bad and the awkward. Sometimes, our characters’ kisses might not be straight out of a fairy tale – and that’s just fine. We can use these awkward encounters to showcase our characters’ vulnerability, clumsiness, or lack of experience. These instances can make our story more relatable and engaging, whether it’s their first kiss, an awkward peck on the cheek, or a full-blown clumsy smooch.

One great way to create an awkward kissing scene is to focus on the miscommunication factor – for instance, when one person leans in for a kiss. Still, the other pulls away or turns their head at the last moment, resulting in a cheek peck instead of a passionate lip lock. We can also highlight the humorous aspects of an awkward encounter, like accidental head bumps, nose collisions, or braces getting stuck together (if our characters are of that age).

When writing kissing scenes, whether a passionate moment or an awkward encounter, we aim to make our readers feel the characters’ emotions and connect with their experiences. So let’s create some unforgettable kisses – the good, the bad, and the delightfully awkward.

Creating Connection and Intimacy

Oh, romantic tension! How we love it! And nothing quite captures it like a well-written kissing scene. But before the magic happens, we need to create connection and intimacy between our two characters. Buckle up because we’re diving into the sea of emotion!

Dialogue and Banter

Build that connection and intimacy with some witty repartee between our main character and their soon-to-be-kissing partner! A well-placed quip or teasing comment can draw the reader in and have them rooting for the romantic outcome.

Remember, genuine dialogue helps fuel the chemistry! So, let’s make sure our characters drop hints about their growing affection in their conversations. Our heroine and her partner can start discussing each other’s embarrassing childhood stories or how their eyes sparkle like stars under the moonlit sky.

Character Development

Oh, character development, the beating heart of our story, and crucial to setting up the perfect kiss. As we bring our characters closer to one another, never forget to reveal a softer side to the rough-around-the-edges hero or an inner strength in our sweet and demure heroine. Showcase these changes after pivotal events or shared experiences.

Let’s have the hero take off his seemingly impenetrable emotional armor in our romantic scene, show vulnerability, and open up about a closely guarded secret. On the other hand, have the heroine step up to the challenge and show the depth of her courage, proving that she’s not the damsel in distress we might have first assumed she was.

With these ingredients, that lip-lock will feel like the natural outcome of our characters’ undeniable chemistry. Get ready to watch the sparks fly between their irresistibly connected souls!

Author’s Insights

With all the tips and tricks we’ve covered, we’d like to add two cents about writing that perfect kiss scene. Bear with us as we share some a writer’s perspective and help you avoid common pitfalls.

Writer’s Perspective

For us writers, it’s important to remember that we’re not just creating a scene; we’re crafting an experience for our readers. We want them to feel the heat of passion, the longing of desire, and the delicate play of breath between characters. We focus on details that make the scene feel more alive and engaging to achieve this effect.

Remember, the sexual attraction between characters is paramount in a kiss scene. Put yourself in the reader’s shoes and ask yourself, “Would I be swept up in the moment?” When you read the scene out loud or in your mind, you should feel the same excitement as your characters.

Avoiding Common Pitfalls

Writing a kissing scene isn’t without its challenges. We’ve encountered our fair share of pitfalls, and we’d like to share them with you so you can learn from our mistakes:

• Avoid clichés: Kissing in the pouring rain? That’s been done to death. Create fresh, creative scenarios for your characters to lock lips in. Don’t be afraid to push boundaries and break the mold!
• Less is more: Sure, the temptation to describe every detail can be strong, but not every breath and movement needs to be documented. Focus on the essential things that amplify the emotions and leave the superfluous details out.
• Keep it authentic: Ask yourself if the situation and dialogue feel genuine while writing. If the characters’ actions or words seem forced or unrealistic, go back to the drawing board and revise until the scene rings true.

And there you have it! Our gift to you, fellow writers, is the power to create swoon-worthy kiss scenes. Keep these insights in mind, and don’t forget to have fun with it – after all, writing is an art best served with a side of humor and passion.

KathySteinemann.com: Free Resources for Writers

Word lists, cheat sheets, and sometimes irreverent reviews of writing rules. kathy steinemann is the author of the writer's lexicon series..

600+ Ways to Describe Lips, Mouths: A Word List for Writers

(Discover even more words in The Writer’s Body Lexicon .)

First Impressions

Your first mental image when thinking about lips or mouths might be a passionate kiss. Percy Bysshe Shelley said, “Soul meets soul on lovers’ lips.” However, lips and mouths are more than kissing (or eating) machines. This post provides hundreds of ways to describe them in creative writing and poetry.

Emotion Beats and Physical Manifestations

The way people move their lips and mouths reflects overt or hidden emotions.

Pouting might indicate agitation, aggravation, confusion, contemplation, disapproval, disbelief, dislike, exasperation, flirtatiousness, impatience, irritability, nervousness, pessimism, resentment, sadness, skepticism, suspicion, wariness, worry, etc.

In fact, pouting can imply so many emotions that it’s probably best to consider alternative body language.

A few more emotions mirrored by lips and mouths include:

Adulation, arousal, flirtatiousness parted lips running tongue over one’s lips

Anticipation of a delicious snack or entrée smacking one’s lips watering/salivating mouth

Determination pressing one’s lips into a thin line

Dislike pressing one’s lips into a thin line

Fear bad taste in one’s mouth chewing on one’s lips clenched mouth dry mouth gaping mouth gulping huge mouthfuls of air licking one’s lips trembling lips

Impatience pinched lips

Repressed hatred pressing one’s lips into a thin line

Shyness pinched lips

Skepticism biting one’s lips

Stubbornness tight lips or mouth

Uncertainty forceful exhalation through pursed lips

If you need additional beats, consult a body language dictionary . (As an Amazon Associate, I earn from qualifying purchases.)

Adjectives (1)

Adjectives such as haughty save words by telling about a character’s motives or personality . Use sparingly — although they function well in flash fiction or third-person omniscient point of view, and when you want to speed the pace.

Several adjectives, when describing lips, may suggest something different when describing mouths.

Provocative lips might indicate a seductive tone, but a provocative mouth might be aggravating.

Demanding lips evoke a sexual image, whereas a demanding mouth implies an overbearing character.

Generous lips might be large, or they might be yielding and responsive. Provide context if necessary.

Rather than modify lips or mouth , a number of the following words could refer to faces, expressions, or motivations.

Many skin attributes also perform well as lips and mouth descriptors.

A and B active, adulterous, adventurous, affectionate, aflame, aggressive, alluring, amorous, amorphous, ample, appealing, ardent, audacious, avid, awkward, barbarous, belligerent, bewitching, bitchy, bitter, bloody, bone-dry, bony, Botoxed, boyish, brash, brutal, busy

C cadaverous, callous, capable, capacious, careworn, carnivorous, caustic, cautious, cavernous, chaste, cheerful, cheery, childlike, clumsy, coarse, coherent, cold, complacent, conspicuous, contemptuous, corrugated, critical, crooked, cruel, crumpled, cynical

D and E dainty, dead, delectable, delicate, delicious, demanding, demure, desirous, desiccated, determined, devilish, disdainful, dispirited, disrespectful, dissatisfied, doll-like, dour, downcast, droll, dry, eager, effeminate, elastic, electric, eloquent, energetic, enigmatic, enthusiastic, evil, expectant, experienced, expressionless, expressive, exquisite

F and G fascinating, fevered, feverish, fine, firm, flaccid, flat, flawless, fleshy, flexible, flirtatious, foolish, forceful, formless, foul, fragile, fragrant, frigid, frothy, full, furrowed, furtive, generous, gentle, girlie, girlish, glassy, glib, glossy, gnomish, goofy, grave, greasy, greedy, grim, grotesque

H and I hard, haughty, heartless, heavy, helpless, heretical, hesitant, honeyed, hungry, icy, impassioned, impassive, impatient, imperious, impertinent, impetuous, implacable, impudent, incoherent, inflamed, inflexible, innocent, insatiable, inscrutable, insubstantial, intractable, inviolate, irreverent

J to M juicy, kissable, lax, leathery, lecherous, lewd, libelous, libidinous, licentious, lifeless, loathsome, loose, lopsided, lovable, luscious, lush, lustful, malicious, manly, masculine, masterful, meager, meaty, merciless, merry, mischievous, misshapen, moist, motionless, mute, mutinous

N to P narrow, nasty, naughty, nervous, numb, obstinate, oily, oversized, passionate, pathetic, pebbly, perfect, perfumed, petulant, pinched, piquant, playful, pliable, pliant, plump, practiced, prim, prodigious, profane, proficient, prominent, proud, provocative, puffy, pugnacious

Q and R querulous, randy, rapacious, ravenous, raw, relentless, reluctant, repulsive, resolute, responsive, restless, reticent, reverent, rigid, ripe, rough, rubbery, ruthless

S sacrilegious, sad, sarcastic, sardonic, sassy, satirical, saucy, savage, scabrous, scaly, scornful, scurrilous, seductive, sensitive, sensuous, serious, sexy , shapeless, shrunken, silent, silky, sinful, skillful, slack, slick, slippery, sloppy, smooth, soft, sore, sour, spicy, stained, starving, stern, sticky, stiff, stony, strong, stubborn, submissive, succulent, sulky, sullen, sultry, sunken, sweet, swollen

T and U talented, tense, tentative, thick, thin, thirsty, tight, timid, toothless, tough, traitorous, tremulous, truculent, ugly , uncertain, uncooperative, unrelenting, unresponsive, unsatisfied, unsmiling, unwilling, unyielding, upturned

V to Y vacuous, virgin, voluble, voluptuous, voracious, vulgar, wanton, warm, waspish, waxen, well-cut, wet, wide, willing, winsome, wistful, withered, witty, wormy, worshipful, wrinkled, wry, yielding, youthful

Adjectives (2): Upper Lip

Although some of these adjectives might suit lips or mouth , they excel for describing the upper lip:

B to W bifurcated, bushy, clean-shaven, furry, hairless, hairy, long, mustachioed, naked, perspiring, short, stubbly, sweaty, whiskered

Adjectives (3): Lower Lip

Likewise for the lower lip:

D to S droopy, exaggerated, floppy, generous, missing, non-existent, pendulous, sagging, soul-patched, split, square-cut

Adjectives (Misc.)

Besides describing lips and mouths, writers can:

• Describe the teeth , or mention missing teeth
• Describe a person’s smile .

Similes and Metaphors

When creating comparisons, familiar animals are a good place to start. Readers know what they look like and will conjure an immediate image of the lips so compared.

Some of the following act as adjectives, while others function best in as or like similes. For example:

Fred had horse lips .

Fred had lips that looked like they belonged on a horse .

A to Z angel fish, apish, baboon, baboon’s butt, bestial, bovine, camel, Cheshire cat [cliché], chimpanzee, chipmunk, dead fish, duck, frog, giraffe, goldfish, horse, largemouth bass, leeches, lizard, porcupine’s back, raw oysters, reptilian, serpentine, simian, squirrel, toad, twin slugs, zebra

Other comparisons could include:

A to V ancient prunes, angel’s cheek, blow-up doll’s maw, bread dough, cherries, embers, glue, lily petals, overstuffed sausages, pincushion, pinecone, plum, pomegranate blossoms, raspberries, raw liver, rose petals, rosebuds, rubies, sandpaper, satin, suction cups, twin cacti, velvet, vise grips

And here are a few more thought starters:

awkward as a newborn trying to find Mama’s nipple

big ger than someone’s ego

deader than a slab of cement

dry as the Sahara

foul as an overflowing cesspit

fragile as butterfly wings

large as Texas

like a cow chewing its cud

moist like morning dew

more brutal than a pounding sledgehammer

smelly as an old sock

Foods excel as color substitutes. Words such as cherry , bubble-gum , and tangerine capture color, scent, and taste.

In a modern novel, lipstick and stage makeup allow lips to be almost any color. Not so in a Victorian-era piece.

A to W anemone-pink, ashen, bloodless, bubble-gum, burgundy, carnelian, cherry, colorless, coral, coralline-red, cotton-candy, crimson, flamingo, florid, freckled, golden, grey/gray, licorice-twist, pale, pallid, pasty, peach, pink, purple, red, rosy, ruddy, seashell-pink, sunburnt, sunset-scarlet, swarthy, tangerine, vermillion, wan, wine-red

See also 1000+ Ways to Describe Colors .

Many of the following words function well in similes or can be converted to adjectives by adding suffixes such as –like , -ish , or –esque .

A to Y apical, asymmetrical, bleeding heart, blimp, bow, cherry pie, cinnamon roll, cinnamon-heart, doughnut, fishy, goldfish, heart, inner tube, O-ring, peaked, petal (name specific flower), shapeless, shapely, sharp, stop sign, unsymmetrical, toilet boil, urinal, watermelon, wedding ring, yield sign

Some verbs relay feelings or senses of the POV character, while others are appropriate for secondary players.

Consider antonyms. Rather than belittle , a mother’s lips might praise her child. Instead of relaxing his lips, an uptight worrywart might tense them.

You might prefer to pair many of these verbs with characters themselves rather than their body parts. Listen to your writer’s voice and choose what works best for you.

B to R belittle, blister, burn, caress, clamp, clench, close, coax, coerce, compress, contort, crack, crimp, criticize, curl, denounce, deprecate, dribble, drool, entice, force, fuse, gossip, graze, heal, insult, kiss, loosen, lure, meld, open, perspire, practice, press, pucker, purse, quirk, relax, respond

S to Y salivate, scrunch, seal, slaver, slide, slither, slobber, smart, smooch, sparkle, spasm, spit, squirm, squish together, sting, stretch, suck, sweat, swell, tempt, throb, tighten, tingle, turn down, turn up, twist, ulcerate, unlock, yield

Inventing nouns to replace lips or mouth can lead to silent snickers while you hunch over your keyboard or pore through your favorite thesaurus. Try some of these.

B to Y bazoo, blower, bragger, cakehole, chops, doughnut disposal, doughnut hole, flycatcher, flytrap, food vacuum, gob, hatch, hot-air vent, jabberjaw, kisser, laughing gear, maw, motormouth, mug slit, mush, muzzle, nagger, oral cavity, oral orifice, phiz slit, pie hole, puss, skull cave, soup sucker, trap, woofer, word hole, yap, yapper, yodeler

Add humor, suspense, or atmosphere with well-chosen props.

Does your protagonist notice a roll of duct tape on the counter in his apartment, then whip around to see a face -masked intruder with a gag in hand? Duct tape + gag = kidnapping. Or maybe an amorous encounter. Or__________?

A to W acne, asthma inhaler, baby bottle, blueberries, chewing tobacco, cigar, cigarette, coughing fit, dirt, duct tape, electric razor, facemask, flute, gag, glitter, handkerchief, intubation tube, kazoo, lipstick, mouth guard, mouth organ, mud pie, mustache, muzzle, nebulizer, oboe, piercings, pimples, pipe, razor, scar, scuba regulator, sneezing, snorkel, soot, soother, spit, spit up, stain, straw, teeth, thumb, tic, tissue, tongue, toothpaste, toothpick, trumpet, veil, wart, whistle

Clichés and Idioms That Include Lips or Mouth

Some narrators might warrant trite phrases, but it’s usually best to avoid them — except in dialogue.

all mouth and trousers: arrogant, brash, brazen

born with a silver spoon in one’s mouth: privileged, wealthy

by word of mouth: orally, verbally, via gossip

down in the mouth: dejected, depressed, glum, sad

on everyone’s lips: popular [topic of conversation], trending, widely discussed

slip of the lip: inadvertent mistake [while speaking]

stiff upper lip: fortitude, resignation, stoicism

straight from the horse’s mouth: from a reliable source

through word of mouth: orally, person to person, verbally

to button one’s lip: hush, keep quiet, shut up, stop talking

to foam at the mouth: fume, rage, rant, seethe

to give some lip: disrespect, sass, speak rudely

to have a stiff upper lip: display fortitude, exercise restraint, remain resolute [in the face of adversity]

to have one’s heart in one’s mouth: be afraid , alarmed, apprehensive, or terrified

to leave a bad taste in one’s mouth: nauseate, repulse, disgust

to live hand to mouth: barely get by, eke out an existence, subsist

to lock lips: French kiss, kiss, smooch

to look a gift horse in the mouth: be ungrateful, find fault with a gift

to mouth off: rant, sass, sound off, spout

to pay lip service: agree in public while personally dissenting, pretend to agree

to put one’s foot in one’s mouth: blurt, say something tactless; blunder

to seal one’s lips: keep a secret, keep classified

to shoot one’s mouth off: boast, brag, talk indiscreetly

to talk out of both sides of one’s mouth: contradict oneself, lie [usually to please the most people]

to zip one’s lip: hush, say nothing, shut up, stop talking

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2 thoughts on “ 600+ Ways to Describe Lips, Mouths: A Word List for Writers ”

Hi Kathy, Much more interesting and informative than just ‘asking Google!’ Even with a fertile imagination, there are times when it fails to ‘serve up the goods,’ and time can be wasted searching the, hopefully, temporarily diminished brain-box. That’s the fun part of writing, giving your characters suitable characteristic expressions (and to suit the moment…), and various tics etc., Many thanks. Cheers.

Thanks, Joy.

I find interesting ideas at images.google.com. The trick is to create a search that will give appropriate results. Some are hilarious.

Continued success with your writing and poetry!

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How to Describe a Kiss

Last Updated: June 18, 2024 Fact Checked

This article was reviewed by Gerald Posner . Gerald Posner is an Author & Journalist based in Miami, Florida. With over 35 years of experience, he specializes in investigative journalism, nonfiction books, and editorials. He holds a law degree from UC College of the Law, San Francisco, and a BA in Political Science from the University of California-Berkeley. He’s the author of thirteen books, including several New York Times bestsellers, the winner of the Florida Book Award for General Nonfiction, and has been a finalist for the Pulitzer Prize in History. He was also shortlisted for the Best Business Book of 2020 by the Society for Advancing Business Editing and Writing. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 395,810 times.

There are as many ways to describe a kiss as there are snowflakes in a storm. But if you want to create an effective and well-written kiss, it's important to set the scene and create a build up, as well as a strong description of the kiss itself, to ensure the kiss has emotional resonance to your reader or listener.

Setting the Scene

• Keep in mind you don’t necessarily have to have two people kissing each other, as it could be multiple characters kissing each other or one person kissing themselves in the mirror. In any event, it's a good idea to identify the characters in the kissing scene.

• By figuring out the setting of the kiss, you can create a lot of implied meaning. The setting will help you establish a certain mood or atmosphere, and you can show your audience a certain mood, as opposed to telling them.
• For example, a kiss in a dark empty parking lot has a completely different mood or atmosphere than a kiss at a party. One setting implies a more intimate mood and one setting implies a more exposed or open mood.

• This is a good moment to also think about how your characters are going to be positioned in the scene. Maybe one person is going to be standing beside someone else in a room. Or maybe both characters are going to be sitting side by side.
• Think about the physical presence of your characters and how they are going to move around in the kissing scene.

• Re-evaluate how and why you have reached this point in the story where the characters are in a kissing scene. Did you establish their relationship well in the early stages of the story, so a kiss between them makes sense? And if you are going for the element of surprise, ask yourself if you created enough character details so the kiss will throw readers off guard but will not throw them out of the story.

Creating a Build Up

• This could be a past love that reappears in a character’s life or a previous scene where one character sees another character do something that they find attractive or compelling. Remember, a kiss is usually an indication of desire, so make sure your characters desire each other, if only for a moment, to make the kiss seem believable.
• Don’t neglect all the hard work you’ve put into building up your characters. Instead, use characterization to your advantage and build off of previous conflicts or scenes to create build up.

• You can do this by having two characters accidentally bump into each other, or have one character plan to run into another character. There are many ways you can move your characters physically so they are in a setting and mood that feels appropriate for a kiss, but the point is to get them close to each other.
• Focus on the body movements of your characters. A quick, fast move towards each other will likely indicate intense longing or desire, and a slower, more labored move towards each other will likely indicate a more unsteady or unsure passion between the characters.

• For example, your character could notice the other character has a speck of green in their eyes, a freckle on their nose, or a small birthmark on their neck.

Describing the Kiss

• Sight is probably one of the easiest senses to describe; simply write what the character is seeing during the kiss.
• Sound could mean background noise like music at a party or the character’s loud, excited heartbeats. Depending on the duration of the kiss, you could also include soft moans or other noises of pleasure (or disgust), as appropriate to your character.
• Smell could be what your character smells in the air or on the other person as they kiss them, such as perfume, cologne, or a natural scent.
• Touch is a very important aspect to describing a kiss. Focus on tactile details like how the character’s skin feels and how their lips feel.
• Taste can be broad or very specific when describing a kiss. Keep in mind describing a kiss as sweet implies it was enjoyable and describing a kiss as sour or bitter implies it may not have been enjoyable at all.

• Lips: perhaps the most important physical detail in a kissing scene, focus on the texture of the character’s lips or how they feel against another character’s lips.
• Tongue: another very important physical detail in a kissing scene that can indicate aggressive desire (lots of tongue) or unsure, gentle desire (no tongue). Think about what type of kiss you’re trying to convey and include or do not include tongue descriptions accordingly.
• Heads: most people tilt their head to one side when they kiss. Of course, if you’re going for a more awkward kiss, it may be beneficial to have a moment of bumping foreheads.
• Eyes: are your characters’ eyes opened or closed? Open eyes usually indicates a surprised reaction or a detached reaction. Consider the emotions of your characters and decide from there.
• Noses: keep in mind that though your characters may tilt their heads when they kiss, their noses will likely still brush against each other or against the side of their faces.
• Hands and arms: during the kiss, a character’s hands could be up in the air (usually indicating an unwelcome or surprised kiss) or wrapped around the character’s body (usually an indication of an enjoyable kiss). They could also run their fingers through a character’s hair, hold the back of their head, rub their lower back, etc.

• If the kiss happens early in your story, you will likely need another conflict to arise to complicate the kiss and create enough tension to keep your audience interested.
• If the kiss happens towards the end of your story, think about how your characters might feel after the kiss and how the kiss affects their emotions towards the other character.

Community Q&A

• One of the best ways to get better at describing a kiss is to look for kissing scenes done by other writers that seem effective to you as a reader. Imitate or mimic the set up, build up, and descriptions used to practice creating a good kissing scene. Thanks Helpful 1 Not Helpful 0
• Depending on what audience you are aiming for, you may not want to include any detailed descriptions of French kissing, as it might seem inappropriate for a younger audience. Describe what your characters are feeling rather than what exactly they are doing. Thanks Helpful 1 Not Helpful 0

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• ↑ https://lets-get-fictional.tumblr.com/post/165557244465/how-to-write-a-kiss-scene-an-illustrated-guide
• ↑ http://literarydevices.net/mood/
• ↑ https://referenceforwriters.tumblr.com/post/65872120991/how-to-write-a-kissing-scene
• ↑ https://authority.pub/write-kissing-scene/#2-2-build-tension-before-the-kiss-
• ↑ https://selfpublishingresources.com/how-to-write-a-kissing-scene/

About This Article

To describe a kiss, replace excess adjectives with descriptions of what the characters are feeling through all five of their senses. That could include things like the background noise of a party, the smell of the other person’s perfume, or the softness of the other person’s skin. Use body language to build on that by showing how the characters are reacting to the kiss. To accomplish that easily, describe how they are moving specific parts of their body, like what they are doing with their hands or whether they pull away. If you want to learn how to set a scene for your characters, keep reading the article! Did this summary help you? Yes No

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How to Write A Heart-Stopping Kissing Scene

There comes a time in writing a romance novel (even writing a YA romance! ) when it’s time to, well, kiss and tell. Even if you’re writing a romance with no clichés, a first kiss is pretty much a given. Your characters are dying for it, your readers are definitely dying for it, and all the action of the story has built to this one moment. So how do you write a love scene that starts out with a kiss—and delivers everything the reader wants?

Build to the kiss to create romantic tension. By the time your characters lock lips, they should be desperate to do it—whether they’re conscious of it or not. Each scene that precedes the kissing scene should build on the characters’ budding desire for each other, and the subtler, the better. Ground your character’s reactions in the physical (racing heart, fluttery stomach, hyperawareness of the other person’s presence) so that your reader knows they want to kiss the romantic interest long before they do.

Pick a good scene location. Maybe your story naturally lends itself to the kiss occurring in a particular place— writing a fantasy romance with a long voyage? They’ll probably just have to kiss on the windswept face of a mountain—but if you can be flexible, try to change it up. Where’s a location that both characters feel comfortable? How about uncomfortable? What about a place they can’t stay in for long—tension! Or a place that’s just plain hilarious.

Throw a curveball. Similarly, maybe there’s a reason your characters get to—or have to!—kiss that isn’t motivated by their own desires for each other. A school play, a need to create a distraction, a dare, a few too many beers…start with a convoluted premise and let the feelings play out. The suddenness of the kiss will shock the reader…and then delight her.

Don’t get too mushy. “Is this a kissing book?” Well, yes, but that doesn’t mean you have to get goopy with your language. Keep your prose lean and your adjectives to a minimum; forget all the “limpid pools” and “soft as rose petals” and let your character’s authentic voice shine through. If they’re sarcastic, let them be a little funny and wry. If they’re angsty, let them struggle with the onslaught of emotion. Temper the romance with reality to keep it grounded and authentic.

Try not to name too many feelings. Kissing is an overwhelming act of physical affection—so much so that people don’t tend to verbalize their emotions while they’re doing it. A character isn’t going to think “I’m so happy!” “This must be love!” when she’s kissing that cutie for the first time, so don’t take that shortcut for the sake of telegraphing to the reader what she’s feeling. Instead…

Use all your senses. The great part about kissing (ahem) is that it involves so many physical sensations—touch, of course, but also (ahem again) taste. But don’t limit yourself to the obvious: consider what your characters are hearing, what their kissing partner looks and smells like, and generally what’s going on around them. How does the air feel around them? The couch they’re sitting on? THe smell of the sweaty house party? Don’t editorialize the kissing scene with too many labels; just notice every sensation they’re feeling and transcribe it to the page.

Leave your reader wanting more. The first kiss isn’t the time for eternal promises. Even if this couple is going to get the happily ever after they deserve, the first kiss isn’t when they figure that out. Ending your first kiss scene with a pledge of fidelity isn’t just moving too fast—it’s boring. Without the question of whether the couple will end up together hanging in the air, the romance loses all its tension. Writing a good romantic scene at this stage in the manuscript (unless the first kiss is literally the last scene, or close to) means giving your reader a reason to keep going—and the only way to do that is to withhold the resolution.

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19,898 quotes, descriptions and writing prompts, 4,964 themes

kiss - quotes and descriptions to inspire creative writing

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In that kiss was the sweetness of passion, a million loving thoughts condensed into a moment.

In the emotion of the kiss a volume of passion is spoken that transcends the works of the great poets combined.

In the moment of the kiss we are our pure and vulnerable selves.

In his kiss I am home.

In that moment of the kiss our chemistry becomes an ever-bright flame.

His kiss is not at all the same as those movie stars, but one steeped in a passion that ignites. It is the promise of realness, of the primal desire that lives in us all. And with it he tells me that he is awake, connected within, that he embraces himself rather than hide as a copy of those romantic idols.

In his kiss is the promise of years and the sweetness of waiting for real love.

In that moment of the kiss we are in each others protective cocoon.

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How to Write a Kissing Scene in a Romance Novel

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Before your characters can get to 'happily ever after,' they have to get together. This almost invariably involves at least one kissing scene - and that is a scene you have to get right. If the kiss is a fail, so is the romance.

A Kiss Is Still a Kiss

You may have impeccable real life credentials when it comes to kissing, but writing about it? Whole different story. There is nothing clunkier than a kissing scene blundered into and floundered out of - no fun for you or your romantically challenged characters. And your readers, who have read toward this catharsis with breathless anticipation, will send you hate mail and blacken your name for letting them down with such a ham-handed thud. So, park an heirloom rose in a vase on the corner of your desk, light a scented candle, put on the soundtrack from Pride and Prejudice and scribble some sex into that joyride through the fictional hearts of your couple.

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• 12 Memorable Ways to Kiss Your Boyfriend

Writing is as much muscle memory as mind trick, so stretch and strengthen that muscle for kissing scenes by playing with words and images. Collect material to inspire and inform you next time you sit down with a purple plumed pen and a blank mind.

• Open a good thesaurus and look up every possible word related to kissing and romance. Make a list of the juicy ones. Use them as writing prompts and to fill in the blanks when you get stuck.
• Read as many of your favorite kind of romance novels as you can - and highlight the kissing scenes. Research is a tough job but somebody's got to do it. Real-time research with your amour du jour is good, too.

With Bated Breath…

You've assembled your arsenal and written your hero and heroine right up to the moment of truth. Best practices to bear in mind as this love story unfolds will help you to get it right - and avoid endless rewrites. Make sure your kissing scene hits all the marks.

• The kiss exists for a reason. It advances the plot, reveals hidden emotion, heightens the tension, resolves a misunderstanding. Continuity and context are important here. No random smooching or you risk killing the pace of your romance. The lead-up to the moment is everything. Weave those kisses into the plot so it is impossible to imagine the story without them.
• Determine whose point of view (POV) the kiss is seen through. Is it hers and is she stunned at her own response? Is it his and does he give into a tenderness he has been avoiding? If we see through the lens of an omniscient narrator, your kiss risks being, well … dry. If you're not in one of the lover's heads relating the experience, find something external and symbolic to describe that enhances or colors the moment. Just don't head-hop between the two of them. Pick a POV and stick with it or you confuse the reader and weaken the impact of the scene.
• "His hands slipped down the smooth curve of her sides to rest on her hips as he drew her in."
• "Her heart was beating so wildly she could only take little sips of breath."
• "Neither of them noticed the snowflakes melting like tears on their burning skin."
• "His face bent down into hers in slow motion, like a dream, blurred, and then disappeared as she felt his hot mouth close over hers."
• The senses are your secret weapons. Use them. All of them. How does she taste? What's the scent of the hot sun on his salty skin? How green are his eyes close-up? Are her lips soft and full? Is a car alarm blasting away in the background? Try for at least three senses in every kissing scene.
• Setting is almost a character. An unlikely setting makes the kiss more poignant or thrilling. A romantic setting is full of sensual details to add to the ambience. You're writing a movie in your reader's head. For that you need location, location, location.
• A romance is first an emotional ride. The physical attraction is critical - and you want to set it up from the first encounter - but a strictly sexual coupling is erotica, not romance. So, bookend your kissing scene with the emotions of your POV character. That kiss colors his or her relationship; it really matters. A kiss with that kind of power is unforgettable, and a writer who remembers this delivers the literary goods every time.

Heat Levels

Romance novels range from warm and fuzzy to scalding. The sex determines the heat level, and the heat level sets the parameters for your kissing scene.

• Sensual - The happy couple gets it on in a sensual book but you don't get the play-by-play. There is usually one big sex scene that is part of the conflict - lots of sexual tension, lots of emotion, but not lots of graphic detail. The kissing can get very passionate to advance the sexual tension in the plot, but it takes a back seat to relationship concerns in general and doesn't hog the page.
• Sizzling - Very sexy and steamy, although the sex is not the point - the romance is the main game. You have time for long drawn-out kissing scenes here and they may lead straight to the bedroom - or any convenient surface. This couple kisses well and often so you'll get to use all your newly acquired expertise.
• Erotic Romance - Non-stop sex, very graphic, but always the classic romantic plot and the HEA (happily ever after). These kissing scenes can be erotic events in themselves - think props, sensual settings, boundary-pushing and no big build-up to the first kissing episode. It might even open the book.
• Erotica - All about the consensual sex, in every possible incarnation, minus the complication of romance. If you choose erotica over romance, your kissing scenes will be explicit, beyond steamy, maybe even kinky - and they won't stop at kissing.

Example Kissing Scene

Real life kisses aren't separate events that start and stop at clearly defined points. They are a progression of intensity, and the sensations experienced and thoughts that arise are particular to the players. Because of that, a kissing scene should be deeply revealing, without stating every last thing about the couple. Use both senses and spaces to invoke tension.

Consider this steamy example of a kissing scene:

"She stood, legs braced to counter the pitch of the hill, the frigid air swirling around her, the sky black as anthracite, each star a hard chip of broken glass ablaze in white light. They were crowded against each other on their small outcropping, the heavy telescope on its tripod shared between them, their arms protected by thick parkas, touching from shoulder to elbow.

Her arm, where it pressed against his, burned. She shivered, cold penetrating all the rest of her. She thought about the stars - the ones shooting across the night trailing arcs of light, the ones too far or too dark to see.

"Your turn." He shifted slightly and for a moment she wavered off-balance. Then his arm went around her, drawing her back from the edge, and his face bent to meet hers as she looked up, startled. Two eyes, black as night, glinting with reflected stars, full lips a heartbeat away, no distance at all.

Those lips met hers and her world exploded into shards of molten light. His grip tightened across her shoulders, pulling her into him, pressing himself into her. She knew his other hand steadied the scope, knew the pull of his constellations, his star world. She didn't care. Her hungry mouth melded into his, the arctic chill forgotten. The tip of his tongue brushed her lips, insisted, and she opened to let him in, welcomed the urgent thrusting that sent a wildfire of searing flames racing through her body.

She clung to him in some alternative universe of longing.

Held on for her life.

Remembered.

A wave of darkness washed over her and she shuddered and pushed him away.

There were inches between them on their precarious perch. There may as well have been worlds.

"We're going to miss something." For the space of a held breath there was silence. Then his voice floated over to her from a distant galaxy.

"We already have."

Practice Makes Perfect

Practice writing , that is. What you do on your own time is your business. The more romantic kissing scenes you write, the better you get at writing re-read-it-25-times lip-locks that will send your palpitating fans into a buying frenzy. Have some fun with this!

• Take two characters from a favorite book who don't go all hot and heavy and invent a kissing scene for them.
• Recall a beloved movie and describe the kissing scenes in your own words, as if you were writing the novelization.
• Pick a couple of characters an author failed to connect and write some fan fiction in which you fix that oversight.
• Take your own hero and heroine - or hero and hero, or heroine and heroine - and have them mashing mouths at key moments in your story when that doesn't actually happen.

Pretty soon, knocking out a convincing kissing scene will be no big deal. So pucker up and type on. You got this.

Scholastic’s blog about books and the joy of reading

How to write the perfect first kiss scene

Brooke shearouse  //  aug 21, 2017.

Do you remember when you were a kid, how you’d take Barbie’s and Ken’s heads and smash them together because you had no idea how to kiss but you knew it must involve full facial contact? No? Am I the only one that did that? I guess I was always destined to write romance. But here’s the thing I had to learn when I grew up: kissing needs context. Sure there are times I’d love to just smash my characters faces together and get on with it, but writing a good kiss involves so much more than that. So what makes a good kissing scene?

Number One: Personal History. A good kiss starts way before lips ever touch. A reader has to want it to happen just as much as the character does. How do you make a reader want it? Give the reader a reason to root for your character. For example: “Her only kiss, the result of a dare, was given to her in a dark closet by a boy who wished he was kissing her best friend instead.” Ouch. That’s some sad personal history. And this history doesn’t have to be just kissing history to win over a reader’s loyalty. Another example: “That was the bus stop where he’d stood in the rain for three hours because his parents forgot about him.” Sounds like both of these characters deserve some goodness in their lives.    

Number Two: Build-up. Have the characters spend time together not kissing. Have them not kiss the crap out of each other. Their pasts have been laid out, we now need them to make some history together on the page. They don’t even have to be almost-kissing for this build-up to resonate with your readers. “Next on their scavenger hunt list was ‘ten spiders in a glass jar’. She shuddered at the thought but met his eyes. They were both too competitive to wimp out now.”    

Number Three: Tension. There are obviously reasons — from page one of the book up until the inevitable kiss — why the characters aren’t, in fact, kissing. These need to be good reasons. Conflicts. Maybe they hate each other. Maybe they are off-limits to each other. Maybe the feelings aren’t reciprocated. Whatever the conflict, it makes your reader want the kiss that much more. “He couldn’t look at her like that, had never looked at her like that before. She was his best friend’s sister.”

Number Four: Emotions. Hopefully, with the use of all of these devices, you’ve tugged at your readers’ emotions, made them feel things, made them long for the payoff. The characters also need to share their emotions. The readers’ emotions combined with the characters’ emotions is the perfect time for the kiss to happen. “Her heart was beating so fast she couldn’t get a decent breath. His head that just seconds before had been full of unasked-for thoughts was now buzzing with anticipation. She felt his breath on her cheeks. He watched her eyelids flutter, then close. Then their lips met.”     

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Ways To Describe a Kiss in Your Writing

A kiss is a simple gesture of affection that can say a great deal, often only requiring two interlocked lips miming what words cannot express.  Some even consider kissing more intimate than sex. As a writer, you deal with the paradox that you need to put on paper what words cannot express. A cache filled with various smooching terms is essential, especially if you’re writing a romance novel.

The Xlibris Author Advice has come across this list of various kisses and their meanings, from which you may also coin your own.

Types of Kisses and their Meanings

This is the kind that you give or get if a first date didn’t go well. However, it could also be a prelude to a more promising romantic contact in the future.

I want to kiss you and — hopefully, sometime soon — make out, but it’s early and we’re not there yet, so this peck on the lips is a suggestion that there is to be much more smooching in our future.

A long peck

Your date went very well, but you want to take things slow, so you somehow give an assurance that the next date is something to look forward to.

A lingering, closed-mouth kiss on the lips. Very sensual, yet still somewhat chaste and restrained … This extended peck is usually followed by a knowing smirk and, sometimes, an audible “mmmm.” 

This is like a playful long peck, demonstrating a lot of affection without allowing things to get too hot and heavy . It’s also deemed PDA-appropriate.

Rapid-fire pecks. Playful and cute, these say, “I really like you, a lot, but I don’t want to get myself all randy right now.”

Who doesn’t know about the desirably infamous French? And who knew there are various ways to kiss French-style?

• Standard  – brushing one’s lips against another with a little tongue action here and there.
• Tongue Tango – Tongues too can dance with as much fiery passion as terpischoreans do moving to the tango tune.
• He’s Eating My Mouth – a kissing turnoff, also called the washing-machine kiss that will leave your entire face smothered in saliva. Basically, the kisser opens his or her mouth as wide as possible, rolls their tongue all around and down their partner’s throat and then, inexplicably, slides it all over their poor partner’s face.

The mark that says you’re taken and you love it even when there’s a teeny weenie of pain involved.

I Love You/I Hate You

A kind of a no-choice, make-up, passionate kiss all rolled into one. You can’t stand being together but are equally fond of each other and cannot imagine life apart.

Hard-mouth-closed

The kissee shows resistance to the smooch as the kisser forcefully plants a kiss to teach the former a lesson. It could also indicate that the kisser is simply being a brute because the kissee is secretly asking for it.

The Bend Back 

Many women who are fond of classic romantic movies must have fantasized being kissed this way by the man of their dreams.

Old-fashioned and romantic, he leans in to you and bends you backward, often with one hand holding the small of your back, and the other placed gently against the side of your face. Swoony. 

Learn free writing, editing, and book marketing advice from Xlibris authors on the  Xlibris Blog  and the  Xlibris Indie Authors Roundup . More free tips are also on the  Xlibris Writer’s Workshop .

Cat love bites

Unlock the Art of Kissing: A Guide to Describing the Perfect Kiss [With Expert Tips and Stats]

What is how to describe kissing.

How to describe kissing is the act of using language to convey the physical and emotional sensations experienced during a kiss between two people.

Some must-know facts about describing a kiss include using sensory language, focusing on body movements, and acknowledging the emotional connection between partners. Descriptors like “soft,” “wet,” and “passionate” can be used to capture different types of kisses. Additionally, paying attention to factors such as hand placement or intensity can help create a more vivid picture in words.

Step by Step Guide on How to Describe Kissing for Writers

Kissing is a beautiful and intimate moment that can speak volumes about two people’s emotional ties. It’s a scene often included in romance novels, but describing it right can be quite challenging for writers. Writing more than “they kissed” requires attention to detail as well as skillful use of adjectives.

So how do you write an effective kissing scene ? Here’s your step-by-step guide:

Step 1: Set the Mood

Set the mood with vivid details surrounding the characters- illumination, sounds or smells will set up everything perfectly . All around them its too dim light or sound of waves crashing against rocks on beach nearby might add some visuals effects to what goes on inside their bodies while they kiss each other.

Step 2: Build Up The Tension

Tension is key when creating memorable moments between characters so let’s focus here must start slowly through descriptive sentences concerning body language such like “might’ve noticed her tilt gaze,” , until at last our protagonist leans towards lover closing eyes letting sliver of smile across face anticipating impact.The emotions leading up this point should build anticipation in reader , heightening tension before release comes quickly during actual kissing motion…whew!

Step 3: Let Your Characters Speak Through Their Actions

Kissing convey personality just as much dialogue does so take time offer insights into character motivation by describing things like touch hair behind ear flirtatiously or run fingers lightly down cheek partner tenderly.You’ll want readers feel deeply invested emotionally into both parties who engaged kiss which means taking liberties depictions stimulate those senses instead skimping over important aspects….don’t hold back now – let passion loose!

Step 4 : Describe the Moment In Detail

Describe every significant movement throughout each phase breathless journey capturing fullness event. Pause frequently make notes sequence happens organically– subtle changes nuances physical contact (arms wrapping tighter). See concept anatomy paying close ATTENTION onto detailed rendering unfolding story arc without sacrificing real-life emotions characters experiencing exploratory nature kissing .

Step 5 : Make it Memorable

Last but not least, take time to make the scene memorable. Give it something unique that is yours when developing an original kiss include all five senses – smell/taste (scent next perfume hint strawberries lingers lips), touch(skin hot flushed pressed against hand), sound(heady deep breath) – this will bring much more authenticity to their intimacy.

In summary a sensational kiss involves being descriptive observant throughout your character’s interaction . Remember, writing about two people sharing tender moment highlights both inner & outer traits of each person involved so don’t be afraid dive into soulful stuff in confident yet smooth style- after all description of human emotions mimicking endless sky; beautifully complex inscrutable. A very special act should be treated with care factored with attention striking balance between too little or too much leaving reader yearning for more insight towards couple’s love adventure anticipating what new sensation could reveal themselves by the end…now that’s how tell tale worth telling!

Frequently Asked Questions about Describing Kissing

Kissing is a beautiful and intimate act that can express emotions, passion, and desire in the most poetic way. It’s an art form that has been portrayed in movies, books, songs, and poetry for centuries. Describing kissing may seem like an easy task but it’s not always as simple as just saying “they kissed”. Sometimes finding the perfect words to describe such a personal experience requires some thought and creativity.

Here are some of the frequently asked questions about describing kissing:

1) How do I describe a passionate kiss ?

A passionate kiss is all about intensity. Use descriptive language to convey the heated moment; you might use phrases like “their lips met with fiery intensity” or “their tongues danced passionately together.” Be sure to paint a vivid picture of what’s happening so your reader can feel lost in the heat of the moment.

2) What are some ways I can add sensory details when describing kissing ?

When writing about kissing, be sure to include as many sensory details as possible – sound effects included! You could say something like “the smacking sound echoed throughout the room” if you want readers to hear how loud or intense things were getting between two people . Including smells (i.e., freshly brushed teeth or perfume), sensations felt on different body parts (i.e., hair being pulled softly), texture (i.e., rough stubble against soft skin) can also add depth and realism to your descriptive text.

3) How would someone communicate restraint when it comes to describing kissing scenes?

Some readers may prefer more modest descriptions rather than graphic content that makes them blush. In this case, less is often more – focus only on highlighting things which contribute subtly toward creating an atmosphere full of anticipation without giving too much away regarding their physical interactions.

4) Can dialogue enhance descriptions related  to Kissing ?

Absolutely! Dialogue adds another level of storytelling by revealing characters’ personalities and inner struggles as they engage with one another. Think about what each character might say before, during or after a kiss to add depth and humor to the scene .

Kissing may be an everyday occurrence for some, but writing about it requires careful thought and consideration. By using vivid language, sensory details, restraint (if needed), and dialogue you can create rich descriptions that transport readers into the moment !

Top 5 Facts on How to Master the Art of Describing Kissing

Kissing is an art, and not everyone can master it. Whether it’s a first kiss with someone special or a passionate moment of intimacy between two lovers, describing kissing in believable detail requires skill and practice. So if you want to become a true wordsmith when it comes to writing about locking lips – here are the top 5 facts on how to master this art:

1) The Power of Sensory Details – One key aspect of mastering the art of describing kissing is using sensory details that create vivid pictures in your reader’s mind. It’s all about painting scenes with language while incorporating descriptive adjectives as well: “The way our lips locked together was electric, her breath warm against my face, sending shivers down my spine.”

2) Never Forget the Emotions – Describing kisses is just as much about conveying emotions as it is physical sensations. Sometimes so little needs saying because what needs feeling resonates clearly enough: “When we kissed I felt like fireworks were exploding inside me.” Being able to convey deeper intimate feelings will allow readers to connect with characters more closely.

3) Use Metaphors & Similes – Another great way to describe a kiss is by using metaphors and similes. This allows writers/creatives expand beyond than standard phrases such as “she tasted sweet,” instead consider creating an image comparison for example:”Explosive tastes erupted from her mouth like sparkling champagne.” Still hinting at flavor yet expressing much depth through comparisons.

4) Experiment With Rhythm – Kissing involves different rhythms; exploring this rhythm shift can be another creative approach.”He kissed me softly at first then his movements became sharper and faster; passion surging between us.” As each person brings their own unique movement whilst understanding sensitive variations when things intensify.

5) Play With Dialogues- In description there’s no need for dialogue but adding ne keeps up pace with storytelling . Not all kisses have accompanied dialogues except when creating tension to be released in the exciting moment when they finally kiss or right before that.”I’ve never kissed anyone like that before”, her words were a whisper against my lips as she leaned in for more.

In conclusion, mastering the art of describing kissing requires creativity and knowing how to create a belief within readers. By using visualization through sensory details, playing with rhythm and considering emotions & dialogues can elevate story beyond generic cliches to something far more genuine. So get practicing!

The Power of Words: How to Effectively Describe a Kiss

As a writer, you know that words have power. They can move mountains, stir up emotions and even bring two people together. If you’re trying to write a romantic scene in your novel or screenplay, one of the most important things you need to describe is the kiss shared between the characters.

But how do you effectively describe a kiss ? How do you convey those intimate details without sounding cliché or cheesy?

The first step is to pay attention to your senses – what does kissing feel like? Is it soft and tender or fiery and passionate? Use sensory language to paint a picture of what’s happening:

“He kissed her gently, his lips caressing hers as if they were made for each other.”

“They collided in a flurry of passion, tongues intertwining as their bodies pressed together.”

“She felt his breath against her skin before he touched her lips with his own, sending shivers down her spine.”

In addition to using sensory language, consider adding action verbs that show movement and intensity:

“Their mouths met hungrily as he pulled her closer.”

“Her heart was racing as he leaned in for another kiss.”

As well as adjectives that capture the moment:

“The sweetness of their connection lingered long after they parted ways.”

“He tasted like peppermint and desire all at once.”

Another helpful tip is to vary your sentence structure – don’t rely on short sentences alone. Instead incorporate longer sentences using semicolons.

“His touch sent electricity coursing through her body; she couldn’t believe how much just touching him affected her so deeply.”   Lastly focus on specificity- every kiss should be unique reflecting both character development,and story advancement

“She hesitated before pressing forward into Justin’s arms where everything fell away except this one slow motion moment too perfect for any dream realm—a scorching-hot-meet-my-soul-right-now-kiss” (excerpt from Rachel Van Dyken’s Ruin series.)

With these tips in mind, you can effectively describe a kiss without sounding cliché or cheesy. Whether it’s your characters’ first kiss or their hundredth, use your words to convey the passion and intimacy of the moment – and let that power bring them together.

Using Sensory Details in Describing a Kiss: Tips and Tricks

Kissing. It’s an intimate act that can be both passionate and tender at the same time. But how do you describe that feeling, that connection between two people, in words? Well, my friend, it all comes down to using sensory details.

Sensory details are those little things that help bring a scene to life for your reader or listener. They create vivid imagery by engaging the senses – sight, sound, touch, taste and smell – making a kiss more than just a simple physical action.

So let’s dive right into some tips and tricks on how to use sensory details effectively when describing a kiss:

1) What does it look like?

Firstly, start with visual cues such as facial expressions or body language. Maybe their eyes were closed blissfully shut or maybe one hand was cupping the other person’s chin ever so gently. Paint this picture of two people drawn together in complete surrender to each other’s embrace.

2) Describe what is being felt physically

Next up is touch…the gentle caress of fingers over lips; the heat emanating from bodies pressed against each other; arms wrapped tightly around another person…these all add depth and texture to your description.The subtle way someone smells also heightens our experience: sweaty palm prints smudging onto clothing (hopefully washed after!), shampoo scent lingering in hair…

3) Use descriptive terms related to sounds

Now let’s talk about sound! The wet pop of parted lips breaking apart; tiny moans escaping through noses as pressurized breaths exhale from within; percussive taps heartbeats sounding out beneath clothing– these help translate quiet romantic moments into full-on symphonies engulfing everything but themselves!

4) Add Flavourful words

Finally we have taste – there’s nothing quite like enjoying the slightly sweet-tinged saliva kissed off fingertips which resolutely lingers long afterwards.Or draw readers closer into savoring elements surrounding the kiss such as rose petals near bedsides or aroma therapy candles whose scent lingers on which never disappoint.

Overall, using sensory details when describing a kiss can really elevate your writing and transport readers into the moment itself. So next time you’re trying to capture that elusive feeling of two people coming together in an intimate embrace, consider incorporating these tips and tricks – it’s sure to make for some truly steamy descriptions!

From Tenderness to Passion: Describing Different Types of Kisses

Kisses are one of the most intimate forms of physical affection in human relationships. They can transmit love, passion, tenderness and even desire; kissing is a universally known way for expressing different levels of feelings between two individuals.

There is an art and skill to a kiss that many people overlook or underestimate. When you become intentional about your kisses with your partner, it creates an entirely new level of intimacy bonding which strengthens your relationship .

If you want to spice up your makeout sessions or understand what all this buzz around types and styles of kisses is about – read on! Here are some tips and tricks from tender pecks to passionate lip-locks:

1. The Tender Kiss: The gentlest form of kissing is also referred to as the ‘peck’. A quick yet beautiful gesture that barely brushes over each other’s lips creating immense warmth while conveying tenderness towards one another.

2. French Kiss (Tongue Kissing): The French kiss, aka tongue-kissing involves opening mouths wide enough such that both partners’ tongues touch each other together.You can also use variation by gently biting their lower lip or running fingers through their hair.An excellent technique when exploring heightened passion with someone special without necessarily taking it further than just frenching!

3. Single Lip Kiss Similar but more intense than the regular peck.The mouth will be slightly opened so those provocative nibbles make their appearance.Sensual touches spark into flames as they focus instead on only engaging one set of lips at once.It creates amazing tension building experience in lovers .

4.Lizard Kiss/Teasing Snake Bite: In this type,you stick out tip-of-your-tongue while lightly holdingtheir bottomlip inside.The person being kissed makes sensual movements or aggressive gestures ,provoking,and instilling strong emotions making things blissful.Teasing snake bite simulates partial pain thus irresistibly exciting your partner by mixing pain & rapture.

5.Bite and Nibble: Biting does not need to be hard or painful; it can act as foreplay before the more intimate actions take place. These types of kisses are usually on the lips, neck or ear.Couples should keep things flirtatious yet entertaining though trying different gradations from soft & sweet nibbles to passionate chomps appropriately

6.Flying Kiss: It’s when you blow a kiss toward someone instead of actually kissing them physically.A lovely gesture for long distance relationships where partners might not have access for immediate intimacy.An unexpected flying kiss at times adds spice in personal romantically happening moments too.

7.Eskimo Kiss: The eskimo kiss is unique as both partners rub their noses against each other without involving mouth “smooching”. It’s an affectionate way to show love towards one another with tenderness and humor being key components! Plus points- no lipstick smear!

In conclusion, whether a kick-off thing on date nights,or after several years into many romantic smooches – exploring different ways to add fun excitements plays important role between two people.Most importantly, kissing creates an emotional bond that positively benefits couples’ physical relationship while keeping the spark going strong!.

How to Describe Kissing

Table with Useful Data:

Information from an expert: Kissing is a complex mixture of sensations and emotions that varies greatly depending on the individuals involved. It involves both physical elements, such as the sensation of lips on skin and the taste and scent of the partner, as well as emotional components like attraction, intimacy, and passion. Describing kissing fully requires attention to these many layered aspects. Ultimately, each kiss is unique and special in its own way – so it’s best left to experience for oneself rather than trying to put into words!

Historical fact:

In ancient Rome, kissing had a much more widespread and meaningful role in society than it does today. It was used as a form of greeting between acquaintances, a sign of respect from subordinates to their superiors, and even as an expression of political alliances or agreements.

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graveleye Senior Member

Kissing...really kissing..

Discussion in ' Word Mechanics ' started by graveleye , Apr 10, 2019 .

googletag.cmd.push(function() { googletag.display('funpub_cd83e014f8463a0db21822fe05d8c1a5'); }); Help me out folks. I can think of a few ways to describe kissing, but there must be more. Unfortunately for me, I've done more writing with kissing in it than I have read kissing scenes. Gentle caresses are easy to describe. Soft lips, tender moments blah blah... Easy-peasy. Feverishly and passionately, now that's a different story, and I'm afraid those are about the only two words I can think of to describe the kind of kissing that is probably going lead to, well...you know...relations. I know how to kiss tenderly, feverishly and passionately, and perhaps without abandon. I'm pretty good at it too (or so I've been told lol). But I want to know some more creative ways to describe that sort of kissing. I know..."feverishly" is probably a little weird, but it's hot to me for some strange reason. Ideas? (Mods, if this is not in a good subforum, please feel free to move it to a more appropriate section.)  

Reece Senior Member

googletag.cmd.push(function() { googletag.display('funpub_cd83e014f8463a0db21822fe05d8c1a5'); }); Hunger/thirst, desperation, crushing, frantic  

The Dapper Hooligan (V) ( ;,,;) (v) Contributor

googletag.cmd.push(function() { googletag.display('funpub_cd83e014f8463a0db21822fe05d8c1a5'); }); If this is romantic kissing, I'd personally focus less on just the physical kissing and more on the emotional side of it. Not only does it write as more romantic, but there are a lot more ways to describe emotions than smooshing faces.  

Shenanigator Has the Vocabulary of a Well-Educated Sailor. Contributor

googletag.cmd.push(function() { googletag.display('funpub_cd83e014f8463a0db21822fe05d8c1a5'); }); Good stuff, kissing...Some might say magical. But I digress... I usually mix it up to describe the effect the kissing is having as well as the kissing itself. Some cliches in here, but things like: breathing or pulse quickening, losing all track of time, space, or where hands might be wandering, kissing deeply, kisses growing more intense or insistent, mouths locked together more passionately, ETA: hungrily is a really good one. yadda, yadda, and yadda.  

big soft moose An Admoostrator Admin Staff Supporter Contributor Community Volunteer

googletag.cmd.push(function() { googletag.display('funpub_cd83e014f8463a0db21822fe05d8c1a5'); }); There's a good Jenna Moreci video on kissing scenes ( I know some people have issues with Jenna as an expert.. blah de blah but this one is decent) In essence its about 10% about what goes where and 90% about how it feels - the same is true for sex scenes, way to many people go for "the insert tab a into hole b and tighten with an 8mm allen key" approach rather than concentrating on sensations and emotions  

googletag.cmd.push(function() { googletag.display('funpub_cd83e014f8463a0db21822fe05d8c1a5'); }); I posted this right before I left work and regretted it the whole way home. Oh no what have I done...again? Lol OK I’ve used deeply and tentatively. I actually like tentatively. Oh and Hooligan, yes I do focus more on the emotional in the scenes, the few I have, than the physical. But I still feel I need to describe the kiss to set the emotional mood. On the other hand maybe I don’t, but it feels right in my writing style and voice to set the emotional stage, briefly at least.  

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Writing Creatively to Make Sense of the Times We Live In

Journalist katrin schumann talks about why she writes fiction..

Updated July 12, 2024 | Reviewed by Davia Sills

• Studies show that the act of all kinds of writing hones our reflective abilities.
• Creative writing stretches our imagination, increases emotional resilience, and alleviates stress.
• Writers of nonfiction examine complex issues that are relevant to our times.
• Novelists examine the issues using characters as a vehicle for empathy.

Studies show that the act of writing hones our reflective abilities, stretches our imagination , increases emotional resilience , and alleviates stress . In my conversation with journalist-turned-novelist Katrin Schumann, we discuss how creative writing, in particular, is a worthy pursuit to understand the issues of our time. Schumann is the author of the nonfiction books Mothers Need Time Outs Too and The Secret Life of Middle Children, as well as the novels The Forgotten Hours and This Terrible Beauty .

You’re a trained journalist and the author of nonfiction books. Why, in the last few years, have you focused on writing fiction?

Writing nonfiction has been a way for me to examine complex issues that are relevant to our times, including psychological ones, but I’ve found that in recent years, I’ve been drawn to fiction because it allows me to get closer to the subject. In exploring thorny issues like loyalty and trust or co-dependency , I’m able to do more of a deep dive in fiction. The form allows me to sit with the complexities, to live in the gray areas with my characters.

I can’t always do this with nonfiction, where I’m approaching the topic from a specific angle, seeking solutions. In fiction, I have space to explore nuances that fascinate and confuse me and try to make sense of the inevitable contradictions. It’s messier and more delicate than nonfiction. For me, this feels more true to the human experience.

All writing involves deep reflection. Do you find the act of writing fiction to be a different kind of therapy?

Yes. Spending years creating characters and situations that grapple with serious, real-world problems lets me explore my own difficult experiences. For instance, I’d been wrestling with the aftermath of dealing with a narcissist when I started writing my first novel. By fictionalizing those challenges, I was able to find the courage to linger in the dark areas, examining them from all angles in order to find where the light might get in.

I discovered greater empathy and resilience in myself while also being able to acknowledge the trauma I’d been through. It’s using my imagination, combined with researching some very real and current psychological challenges, that ultimately feels most powerful to me and an effective way to reach readers.

How does fictionalizing the story give you more latitude or depth in exploring topics? You write about things like self-reliance and depression, and I’m wondering why not just write articles about it.

I write to figure out my own issues and to learn, but also to share. For me, fiction writing makes me work harder and go deeper. I’m trying to change people’s minds and hearts in subtler ways. I’m reflecting on experiences I’ve had, wrestling with what they mean, and how we can all learn from them and come out the better for it.

Yet, I don’t want to be prescriptive; I want people to draw their own conclusions. I research deeply about whatever topic I’m tackling.

To write my last novel, I studied the history of neuropsychology, dissecting studies on substance abuse . I conducted interviews. For all my books, I gather and study facts and figures, but with novels, I take that a step further. I put those facts and figures into play with my imagined characters to explore what happens. I imbue the impersonal with empathy and allow readers to try to figure out how they feel about how the characters contend with the issue. This approach leads me to meaningful personal discoveries while also taking the reader along on the emotional journey.

How do you decide whether to approach a topic in a nonfiction book or in a novel?

The more I’m personally involved with the topic, the more I want to explore it in fictional form. Ironically, for fiction, I feel like I should have an even better understanding of some of these psychological challenges than if I were covering them through straight nonfiction reportage. I first have to understand the topic and its history so my story is not only realistic but feels authentic.

I want readers to trust me, which means I have to be thorough. It’s my aim to take them on a ride that’s compelling as well as informative. And I love learning something new when I’m immersed in researching and writing fiction.

If writing fiction is about wrestling with your own demons, why not simply journal?

Journaling is, without question, a beneficial reflective activity. Yet what differentiates this kind of work from journaling about our problems or writing blog posts is that novelists are committing more time and energy to the deep dive on a specific topic. My last novel took almost three years to write, and during that time, I was reading everything I could get my hands on about the topic in order to distill it so that readers might find it relevant to their own lives.

At that stage, it’s not really about me anymore; it’s about the human condition. And in the end, that’s what readers relate to, I think. It’s what makes them call their friends and say, “I just finished this great book. You’ve got to read it.”

More about Katrin Schumann 's work

Lynne Griffin, R.N., M.Ed. , researches family life and is a novelist.

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