antithesis poetry definition

an-tith-uh-sis

Antithesis occurs when two contrasting ideas are put together to achieve a desired outcome.

E.g. The speaker's use of antithesis , contrasting freedom with captivity and knowledge with ignorance, added a compelling layer of depth to the philosophical debate.

Related terms: Juxtaposition , oxymoron , conflict , irony

The two opposites are accompanied by a parallel structure used to help unite the two phrases. When this rhetorical device is used, the reader should immediately become aware that this line is of particular importance. It allows the writer to emphasize something they know needs to be said to the best possible effect.  

A common example is: “You are easy on the eyes , but hard on the heart .” With this phrase, anyone should be able to come to the conclusion that the “you” in these lines is someone the speaker cares for and thinks is attractive, but is also often emotionally hurt by. Through the use of this structure, one is also able to break down complex feelings into something easier to understand.  

Explore Antithesis

• 1 Definition of Antithesis
• 2 Examples of Antithesis in Literature 
• 3 Antithesis and Juxtaposition 
• 4 Antithesis and Oxymoron
• 5 Related Literary Terms 
• 6 Other Resources 

Definition of Antithesis

Antithesis is used in everyday speech , novels , poems, short stories , plays, and more. The rhetorical device can be used in very different ways in order to achieve varied outcomes.

Parallelism is an important part of antithesis. The structure of the words around the contrasting ideas is usually identical, at least in part. This allows the juxtaposed words to be as powerful as possible.  

The word “antithesis” comes from the Greek “anithenai,” meaning “to oppose.”  

Examples of Antithesis in Literature  

Paradise lost by john milton.

In John Milton’s ‘ Paradise Lost,’ there is a great example of antithesis in the first book. Satan was up in Hell, imprisoned alongside a fiery lake, and he uses these words:

Here we may reign secure, and in my choyce To reign is worth ambition though in Hell: Better to reign in Hell , then serve in Heav’n

While speaking to Beelzebub, he says that it’s better to “reign in Hell, then serve in Heav’n.” Through this clever turn of phrase, he’s suggesting that he’d rather fulfill his role as “the devil” and control his own destiny than be under God’s thumb in Heaven. It’s important to remember when considering this quote that Satan was cast out of Heaven for questioning God. He craves the leeway his position in Hell affords him.

Read more John Milton poems .

A Tale of Two Cities by Charles Dickens

Charles Dickens’ famous novel , A Tale of Two Cities, has a wonderful example of antithesis at the beginning of the first chapter. Here is an excerpt from the novel that demonstrates, in several different ways, how the device might be used.  

It was the best of times, it was the worst of times, it was the age of wisdom , it was the age of foolishness , it was the epoch of belief , it was the epoch of incredulity , it was the season of Light , it was the season of darkness, it was the spring of hope , it was the winter of despair , we had everything before us, we had nothing before us, we were all going direct to Heaven , we were all going direct the other way .

The examples of antithesis are seen through the bolded words. “Best” contrasts with “worst” and “everything” with “nothing.” Through the use of this technique, Dickens is able to highlight the different perspectives and conflicts that are going to arise in the following pages.

This excerpt is also a good example of how parallel structures are used. He says, “It was the best of times” and “it was the worst of times.” The phrase “it was the” is used in both instances. The same can be said for the following example in which he uses “it was the age of” to refer to “foolishness” and “wisdom.”  

Explore Charles Dickens’ poetry .

Community by John Donne  

In this lesser-known Donne poem, the poet includes the following lines:  

Good we must love, and must hate ill, For ill is ill, and good good still; But there are things indifferent, Which we may neither hate, nor love, But one, and then another prove, As we shall find our fancy bent.

He presents “love” alongside “hate” in addition to “good” alongside “ill.” By showing the reader both sides, he’s able to emphasize why “we” love what we love and why we hate what we hate. He goes on, to state that, in contrast , it is a matter of choice whether one hates or loves the “things indifferent.”  

Read more of John Donne’s famous poems .

Hamlet by William Shakespeare  

The famous soliloquy from Hamlet is a good example of how antithesis can be used. In the “To be or not to be” speech, he uses the following lines:  

To be or not to be , that is the question: Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles,

In the first lines of this excerpt, he presents “to be or not to be” as an example of antithesis. The two opposites hinge on the use of “or” in between them. As the passage goes on, Shakespeare uses antithesis again with “to suffer” or “to take arms.”  

Discover William Shakespeare’s poetry .

Antithesis and Juxtaposition  

Antithesis is similar to juxtaposition in that they are both concerned with opposites and contrasting terms. When two ideas are juxtaposed, they are placed next to one another but not necessarily to create a relationship between the two. They may not have a more important meaning other than to add interest to the text.  

Antithesis and Oxymoron

Antithesis is also often confused with an oxymoron. The latter occurs when two words that contradict one another are placed together in order to reveal a deeper truth. For example, “sweet sorrow” or “living dead.” These are stand-alone statements in which two words that don’t seem to belong together are placed next to one another and then make sense.

In contrast, antithesis does not usually use two contrasting words next to one another. They’re usually more spread out, playing into the importance of parallelism.  

Related Literary Terms  

• Oxymoron : a kind of figurative language in which two contrasting things are connected together.  
• Juxtaposition : a literary technique that places two unlike things next to one another.
• Simile : a comparison between two unlike things that uses the words “like” or “as”.

Other Resources  

• Listen: Antithesis—Why Opposites Attract
• Watch: Oxymoron Definition and Examples  
• Watch: ‘To be or not to be’ Hamlet Speech

Home » Figurative Language » Antithesis

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Definition of Antithesis

Examples of antithesis in everyday speech, common examples of antithesis from famous speeches, examples of proverbs featuring antithesis, utilizing antithesis in writing, antithesis and parallelism, antithesis and juxtaposition, use of antithesis in sentences  , examples of antithesis in literature, example 1:  hamlet (william shakespeare).

Give every man thine ear, but few thy voice ; Take each man’s censure, but reserve thy judgment.

Example 2:  Paradise Lost  (John Milton)

Here at least We shall be free; the Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choice To reign is worth ambition though in Hell: Better to reign in Hell, than serve in Heaven.

Example 3:  Fire and Ice  (Robert Frost)

Some say the world will end in fire, Some say in ice. From what I’ve tasted of desire I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate To say that for destruction ice Is also great And would suffice.

Example 4: The Gettysburg Address by Abraham Lincoln

We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives so that nation might live.

The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract.

The world will little note, nor long remember what we say here, but it can never forget what they did here.

Function of Antithesis

Synonyms of antithesis, post navigation.

Antithesis Definition

What is antithesis? Here’s a quick and simple definition:

Antithesis is a figure of speech that juxtaposes two contrasting or opposing ideas, usually within parallel grammatical structures. For instance, Neil Armstrong used antithesis when he stepped onto the surface of the moon in 1969 and said, "That's one small step for a man, one giant leap for mankind." This is an example of antithesis because the two halves of the sentence mirror each other in grammatical structure, while together the two halves emphasize the incredible contrast between the individual experience of taking an ordinary step, and the extraordinary progress that Armstrong's step symbolized for the human race.

Some additional key details about antithesis:

• Antithesis works best when it is used in conjunction with parallelism (successive phrases that use the same grammatical structure), since the repetition of structure makes the contrast of the content of the phrases as clear as possible.
• The word "antithesis" has another meaning, which is to describe something as being the opposite of another thing. For example, "love is the antithesis of selfishness." This guide focuses only on antithesis as a literary device.
• The word antithesis has its origins in the Greek word antithenai , meaning "to oppose." The plural of antithesis is antitheses.

How to Pronounce Antithesis

Here's how to pronounce antithesis: an- tith -uh-sis

Antithesis and Parallelism

Often, but not always, antithesis works in tandem with parallelism . In parallelism, two components of a sentence (or pair of sentences) mirror one another by repeating grammatical elements. The following is a good example of both antithesis and parallelism:

To err is human , to forgive divine .

The two clauses of the sentence are parallel because each starts off with an infinitive verb and ends with an adjective ("human" and "divine"). The mirroring of these elements then works to emphasize the contrast in their content, particularly in the very strong opposite contrast between "human" and "divine."

Antithesis Without Parallelism

In most cases, antitheses involve parallel elements of the sentence—whether a pair of nouns, verbs, adjectives, or other grammar elements. However, it is also possible to have antithesis without such clear cut parallelism. In the Temptations Song "My Girl," the singer uses antithesis when he says:

"When it's cold outside , I've got the month of May ."

Here the sentence is clearly cut into two clauses on either side of the comma, and the contrasting elements are clear enough. However, strictly speaking there isn't true parallelism here because "cold outside" and "month of May" are different types of grammatical structures (an adjective phrase and a noun phrase, respectively).

Antithesis vs. Related Terms

Three literary terms that are often mistakenly used in the place of antithesis are juxtaposition , oxymoron , and foil . Each of these three terms does have to do with establishing a relationship of difference between two ideas or characters in a text, but beyond that there are significant differences between them.

Antithesis vs. Juxtaposition

In juxtaposition , two things or ideas are placed next to one another to draw attention to their differences or similarities. In juxtaposition, the pairing of two ideas is therefore not necessarily done to create a relationship of opposition or contradiction between them, as is the case with antithesis. So, while antithesis could be a type of juxtaposition, juxtaposition is not always antithesis.

Antithesis vs. Oxymoron

In an oxymoron , two seemingly contradictory words are placed together because their unlikely combination reveals a deeper truth. Some examples of oxymorons include:

• Sweet sorrow
• Cruel kindness
• Living dead

The focus of antithesis is opposites rather than contradictions . While the words involved in oxymorons seem like they don't belong together (until you give them deeper thought), the words or ideas of antithesis do feel like they belong together even as they contrast as opposites. Further, antitheses seldom function by placing the two words or ideas right next to one another, so antitheses are usually made up of more than two words (as in, "I'd rather be among the living than among the dead").

Antithesis vs. Foil

Some Internet sources use "antithesis" to describe an author's decision to create two characters in a story that are direct opposites of one another—for instance, the protagonist and antagonist . But the correct term for this kind of opposition is a foil : a person or thing in a work of literature that contrasts with another thing in order to call attention to its qualities. While the sentence "the hare was fast, and the tortoise was slow" is an example of antithesis, if we step back and look at the story as a whole, the better term to describe the relationship between the characters of the tortoise and the hare is "foil," as in, "The character of the hare is a foil of the tortoise."

Antithesis Examples

Antithesis in literature.

Below are examples of antithesis from some of English literature's most acclaimed writers — and a comic book!

Antithesis in Charles Dickens' A Tale of Two Cities

In the famous opening lines of A Tale of Two Cities , Dickens sets out a flowing list of antitheses punctuated by the repetition of the word "it was" at the beginning of each clause (which is itself an example of the figure of speech anaphora ). By building up this list of contrasts, Dickens sets the scene of the French Revolution that will serve as the setting of his tale by emphasizing the division and confusion of the era. The overwhelming accumulation of antitheses is also purposefully overdone; Dickens is using hyperbole to make fun of the "noisiest authorities" of the day and their exaggerated claims. The passage contains many examples of antithesis, each consisting of one pair of contrasting ideas that we've highlighted to make the structure clearer.

It was the best of times , it was the worst of times , it was the age of wisdom , it was the age of foolishness , it was the epoch of belief , it was the epoch of incredulity , it was the season of Light , it was the season of Darkness , it was the spring of hope , it was the winter of despair , we had everything before us, we had nothing before us, we were all going direct to Heaven , we were all going direct the other way —in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Antithesis in John Milton's Paradise Lost

In this verse from Paradise Lost , Milton's anti-hero , Satan, claims he's happier as the king of Hell than he could ever have been as a servant in Heaven. He justifies his rebellion against God with this pithy phrase, and the antithesis drives home the double contrast between Hell and Heaven, and between ruling and serving.

Better to reign in Hell than serve in Heaven.

Antithesis in William Shakespeare's Othello

As the plot of Othello nears its climax , the antagonist of the play, Iago, pauses for a moment to acknowledge the significance of what is about to happen. Iago uses antithesis to contrast the two opposite potential outcomes of his villainous plot: either events will transpire in Iago's favor and he will come out on top, or his treachery will be discovered, ruining him.

This is the night That either makes me or fordoes me quite .

In this passage, the simple word "either" functions as a cue for the reader to expect some form of parallelism, because the "either" signals that a contrast between two things is coming.

Antithesis in William Shakespeare's Hamlet

Shakespeare's plays are full of antithesis, and so is Hamlet's most well-known "To be or not to be" soliloquy . This excerpt of the soliloquy is a good example of an antithesis that is not limited to a single word or short phrase. The first instance of antithesis here, where Hamlet announces the guiding question (" to be or not to be ") is followed by an elaboration of each idea ("to be" and "not to be") into metaphors that then form their own antithesis. Both instances of antithesis hinge on an " or " that divides the two contrasting options.

To be or not to be , that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles, And by opposing end them ...

Antithesis in T.S. Eliot's "Four Quartets"

In this excerpt from his poem "Four Quartets," T.S. Eliot uses antithesis to describe the cycle of life, which is continuously passing from beginning to end, from rise to fall, and from old to new.

In my beginning is my end . In succession Houses rise and fall , crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass. Old stone to new building , old timber to new fires ...

Antithesis in Green Lantern's Oath

Comic book writers know the power of antithesis too! In this catchy oath, Green Lantern uses antithesis to emphasize that his mission to defeat evil will endure no matter the conditions.

In brightest day , in blackest night , No evil shall escape my sight. Let those who worship evil's might Beware my power—Green lantern's light!

While most instances of antithesis are built around an "or" that signals the contrast between the two parts of the sentence, the Green Lantern oath works a bit differently. It's built around an implied "and" (to be technical, that first line of the oath is an asyndeton that replaces the "and" with a comma), because members of the Green Lantern corps are expressing their willingness to fight evil in all places, even very opposite environments.

Antithesis in Speeches

Many well-known speeches contain examples of antithesis. Speakers use antithesis to drive home the stakes of what they are saying, sometimes by contrasting two distinct visions of the future.

Antithesis in Patrick Henry's Speech to the Second Virginia Convention, 1775

This speech by famous American patriot Patrick Henry includes one of the most memorable and oft-quoted phrases from the era of the American Revolution. Here, Henry uses antithesis to emphasize just how highly he prizes liberty, and how deadly serious he is about his fight to achieve it.

Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take: but as for me, give me liberty or give me death .

Antithesis in Martin Luther King Jr.'s Oberlin Commencement Address

In this speech by one of America's most well-known orators, antithesis allows Martin Luther King Jr. to highlight the contrast between two visions of the future; in the first vision, humans rise above their differences to cooperate with one another, while in the other humanity is doomed by infighting and division.

We must all learn to live together as brothers —or we will all perish together as fools .

Antithesis in Songs

In songs, contrasting two opposite ideas using antithesis can heighten the dramatic tension of a difficult decision, or express the singer's intense emotion—but whatever the context, antithesis is a useful tool for songwriters mainly because opposites are always easy to remember, so lyrics that use antithesis tend to stick in the head.

Antithesis in "Should I Stay or Should I Go" by The Clash (1981)

In this song by The Clash, the speaker is caught at a crossroads between two choices, and antithesis serves as the perfect tool to express just how confused and conflicted he is. The rhetorical question —whether to stay or to go—presents two opposing options, and the contrast between his lover's mood from one day (when everything is "fine") to the next (when it's all "black") explains the difficulty of his choice.

One day it's fine and next it's black So if you want me off your back Well, come on and let me know Should I stay or should I go ? Should I stay or should I go now? Should I stay or should I go now? If I go, there will be trouble If I stay it will be double ...

Antithesis in "My Girl" by the Temptations (1965)

In this song, the singer uses a pair of metaphors to describe the feeling of joy that his lover brings him. This joy is expressed through antithesis, since the singer uses the miserable weather of a cloudy, cold day as the setting for the sunshine-filled month of May that "his girl" makes him feel inside, emphasizing the power of his emotions by contrasting them with the bleak weather.

I've got sunshine on a cloudy day When it's cold outside I've got the month of May Well I guess you'd say, What can make me feel this way? My girl, my girl, my girl Talkin' bout my girl.

Why Do Writers Use Antithesis?

Fundamentally, writers of all types use antithesis for its ability to create a clear contrast. This contrast can serve a number of purposes, as shown in the examples above. It can:

• Present a stark choice between two alternatives.
• Convey magnitude or range (i.e. "in brightest day, in darkest night" or "from the highest mountain, to the deepest valley").
• Express strong emotions.
• Create a relationship of opposition between two separate ideas.
• Accentuate the qualities and characteristics of one thing by placing it in opposition to another.

Whatever the case, antithesis almost always has the added benefit of making language more memorable to listeners and readers. The use of parallelism and other simple grammatical constructions like "either/or" help to establish opposition between concepts—and opposites have a way of sticking in the memory.

Other Helpful Antithesis Resources

• The Wikipedia page on Antithesis : A useful summary with associated examples, along with an extensive account of antithesis in the Gospel of Matthew.
• Sound bites from history : A list of examples of antithesis in famous political speeches from United States history — with audio clips!
• A blog post on antithesis : This quick rundown of antithesis focuses on a quote you may know from Muhammad Ali's philosophy of boxing: "Float like a butterfly, sting like a bee."

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• Literary Terms
• Definition & Examples
• How to Use Antithesis

I. What is an Antithesis?

“Antithesis” literally means “opposite” – it is usually the opposite of a statement, concept, or idea. In literary analysis, an antithesis is a pair of statements or images in which the one reverses the other. The pair is written with similar grammatical structures to show more contrast. Antithesis (pronounced an-TITH-eh-sis) is used to emphasize a concept, idea, or conclusion.

II. Examples of Antithesis

That’s one small step for a man – one giant leap for mankind .  (Neil Armstrong, 1969)

In this example, Armstrong is referring to man walking on the moon. Although taking a step is an ordinary activity for most people, taking a step on the moon, in outer space, is a major achievement for all humanity.

To err is human ; to forgive , divine . (Alexander Pope)

This example is used to point out that humans possess both worldly and godly qualities; they can all make mistakes, but they also have the power to free others from blame.

The world will little note , nor long remember , what we say here, but it can never forget what they did  (Abraham Lincoln, The Gettysburg Address )

In his speech, Lincoln points out that the details of that moment may not be memorable, but the actions would make history, and therefore, never entirely forgotten.

Antithesis can be a little tricky to see at first. To start, notice how each of these examples is separated into two parts . The parts are separated either by a dash, a semicolon, or the word “but.” Antithesis always has this multi-part structure (usually there are two parts, but sometimes it can be more, as we’ll see in later examples). The parts are not always as obvious as they are in these examples, but they will always be there.

Next, notice how the second part of each example contains terms that reverse or invert terms in the first part: small step vs. giant leap; human vs. divine; we say vs. they do. In each of the examples, there are several pairs of contrasted terms between the first part and the second, which is quite common in antithesis.

Finally, notice that each of the examples contains some parallel structures and ideas in addition to the opposites. This is key! The two parts are not simply contradictory statements. They are a matched pair that have many grammatical structures or concepts in common; in the details, however, they are opposites.

For example, look at the parallel grammar of Example 1: the word “one,” followed by an adjective, a noun, and then the word “for.” This accentuates the opposites by setting them against a backdrop of sameness – in other words, two very different ideas are being expressed with very, very similar grammatical structures.

To recap: antithesis has three things:

• Two or more parts
• Reversed or inverted ideas
• (usually) parallel grammatical structure

III. The Importance of Verisimilitude

Antithesis is basically a complex form of juxtaposition . So its effects are fairly similar – by contrasting one thing against its opposite, a writer or speaker can emphasize the key attributes of whatever they’re talking about. In the Neil Armstrong quote, for example, the tremendous significance of the first step on the moon is made more vivid by contrasting it with the smallness and ordinariness of the motion that brought it about.

Antithesis can also be used to express curious contradictions or paradoxes. Again, the Neil Armstrong quote is a good example: Armstrong is inviting his listeners to puzzle over the fact that a tiny, ordinary step – not so different from the millions of steps we take each day – can represent so massive a technological accomplishment as the moon landing.

Paradoxically, an antithesis can also be used to show how two seeming opposites might in fact be similar.

IV. Examples of Verisimilitude in Literature

(adsbygoogle = window.adsbygoogle || []).push({}); Forgive us this day our trespasses as we forgive those who trespass against us . (The Lord’s Prayer)

The antithesis is doing a lot of work here. First, it shows the parallel between committing an evil act and being the victim of one. On the surface, these are opposites, and this is part of the antithesis, but at the same time they are, in the end, the same act from different perspectives. This part of the antithesis is basically just an expression of the Golden Rule.

Second, the antithesis displays a parallel between the speaker (a human) and the one being spoken to (God). The prayer is a request for divine mercy, and at the same time a reminder that human beings should also be merciful.

All the joy the world contains has come through wanting happiness for others . All the misery the world contains has come through wanting pleasure for yourself . (Shantideva, The Way of the Bodhisattva )

The antithesis here comes with some pretty intense parallel structure. Most of the words in each sentence are exactly the same as those in the other sentence. (“All the ___ the world contains has come through wanting ____ for ____.”) This close parallel structure makes the antithesis all the more striking, since the words that differ become much more visible.

Another interesting feature of this antithesis is that it makes “pleasure” and “happiness” seem like opposites, when most of us might think of them as more or less synonymous. The quote makes happiness seem noble and exalted, whereas pleasure is portrayed as selfish and worthless.

The proper function of man is to live , not to exist . I shall not waste my days in trying to prolong  (Jack London, Credo )

The opening antithesis here gets its punch from the fact that we think of living and existing as pretty similar terms. But for London, they are opposites. Living is about having vivid experiences, learning, and being bold; simply existing is a dull, pointless thing. These two apparently similar words are used in this antithesis to emphasize the importance of living as opposed to mere existing.

The second antithesis, on the other hand, is just the opposite – in this case, London is taking two words that seem somewhat opposed (waste and prolong), and telling us that they are in fact the same . Prolonging something is making it last; wasting something is letting it run out too soon. But, says London, when it comes to life, they are the same. If you try too hard to prolong your days (that is, if you’re so worried about dying that you never face your fears and live your life), then you will end up wasting them because you will never do anything worthwhile.

V. Examples of Verisimilitude in Pop Culture

Everybody doesn’t like something, but nobody doesn’t like Sara Lee. (Sara Lee pastry advertisement)

This classic ad uses antithesis to set up a deliberate grammatical error. This is a common technique in advertising, since people are more likely to remember a slogan that is grammatically incorrect. (Even if they only remember it because they found it irritating, it still sticks in their brain, which is all that an ad needs to do.) The antithesis helps make the meaning clear, and throws the grammatical error into sharper relief.

What men must know , a boy must learn . (The Lookouts)

Here’s another example of how parallel structure can turn into antithesis fairly easily. (The structure is noun-“must”-verb. ) The antithesis also expresses the basic narrative of The Lookouts , which is all about kids learning to fend for themselves and become full-fledged adults.

Shut Your Mouth and Open Your Eyes (the band “AFI” – album title)

The antithesis here is a juxtaposition of two different actions (opening and shutting) that are actually part of the same sort of behavior – the behavior of somebody who wants to understand the world rather than be the center of attention. It’s basically a restatement of the old adage that “those who speak the most often have the least to say.”

VI. Related Terms

• Juxtaposition

Antithesis is basically a form of juxtaposition . Juxtaposition, though, is a much broader device that encompasses any deliberate use of contrast or contradiction by an author. So, in addition to antithesis, it might include:

• The scene in “The Godfather” where a series of brutal murders is intercut with shots of a baptism, juxtaposing birth and death.
• “A Song of Ice and Fire” (George R. R. Martin book series)
• Heaven and Hell
• Mountains and the sea
• Dead or alive
• “In sickness and in health”

Antithesis performs a very similar function, but does so in a more complicated way by using full sentences (rather than single words or images) to express the two halves of the juxtaposition.

Here is an antithesis built around some of the common expressions from above

• “ Sheep go to Heaven ; goats go to Hell .”
• “Beethoven’s music is as mighty as the mountains and as timeless as the sea .”
• “In sickness he loved me; in health he abandoned ”

Notice how the antithesis builds an entire statement around the much simpler juxtaposition. And, crucially, notice that each of those statements exhibits parallel grammatical structure . In this way, both Juxtaposition and parallel structures can be used to transform a simple comparison, into antithesis.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
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Literary Devices

Literary devices, terms, and elements, definition of antithesis, difference between antithesis and juxtaposition, common examples of antithesis, significance of antithesis in literature, examples of antithesis in literature.

HAMLET: To be, or not to be, that is the question— Whether ’tis Nobler in the mind to suffer The Slings and Arrows of outrageous Fortune, Or to take Arms against a Sea of troubles, And by opposing, end them?

( Hamlet by William Shakespeare)

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way…

( A Tale of Two Cities by Charles Dickens)

There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.

This case is not a difficult one, it requires no minute sifting of complicated facts, but it does require you to be sure beyond all reasonable doubt as to the guilt of the defendant.

( To Kill a Mockingbird by Harper Lee)

In Harper Lee’s novel To Kill a Mockingbird , Atticus Finch is a lawyer representing Tom Robinson. Atticus presents the above statement to the jury, setting up an antithesis. He asserts that the case is not difficult and yet requires the jury to be absolutely sure of their decision. Atticus believes the case to have a very obvious conclusion, and hopes that the jury will agree with him, but he is also aware of the societal tensions at work that will complicate the case.

Test Your Knowledge of Antithesis

WITCHES: Fair is foul, and foul is fair: Hover through the fog and filthy air.

MACBETH: Is this a dagger which I see before me, The handle toward my hand?

WITCHES: Something wicked this way comes.

4. Which of the following quotes from Heller’s Catch-22 contains an example of antithesis? A. There are now fifty or sixty countries fighting in this war. Surely so many counties can’t all be worth dying for. B. He had decided to live forever or die in the attempt, and his only mission each time he went up was to come down alive. C. You’re inches away from death every time you go on a mission. How much older can you be at your age? [spoiler title=”Answer to Question #4″] Answer: B is the correct answer.[/spoiler]

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• Fact Monster - Entertainment - Antithesis

antithesis , (from Greek antitheton , “opposition”), a figure of speech in which irreconcilable opposites or strongly contrasting ideas are placed in sharp juxtaposition and sustained tension, as in the saying “Art is long, and Time is fleeting.”

The opposing clauses, phrases, or sentences are roughly equal in length and balanced in contiguous grammatical structures.

The world will little note nor long remember what we say here, but it can never forget what they did here. (Abraham Lincoln, “Gettysburg Address” )

In poetry, the effect of antithesis is often one of tragic irony or reversal.

Saddled and bridled And booted rade he; A plume in his helmet, A sword at his knee; But toom [empty] cam’ his saddle A’ bloody to see, O hame cam’ his gude horse But never cam’ he! (“Bonnie George Campbell,” anonymous)

Antithesis Definition Antithesis, which literally means “opposite,” is a rhetorical device wherein opposite thoughts are prepare in a sentence to obtain a contrasting effect. Antithesis emphasizes the idea of assessment through parallel structures of the contrasted terms or clauses. The structures of terms and clauses are similar, so that it will draw the attention of the listeners or readers. For example: “Setting foot on the moon may be a small step for a person but a giant step for mankind.” The use of contrasting thoughts, “a small step” and “a massive step,” within the sentence above emphasizes the importance of one of the most important landmarks of human history. Common Antithesis Examples Some well-known antithetical statements have become part of our everyday speech, and are regularly used in arguments and discussions. Below is a listing of some commonplace antithetical statements: Give every man thy ear, however few thy voice. Man proposes, God disposes. Love is a really perfect thing, marriage a actual thing. Speech is silver, but silence is gold. Patience is bitter, however it has a sweet fruit. Money is the foundation of all evil: poverty is the fruit of all goodness. You are smooth on the eyes, but tough on the heart. Examples of Antithesis in Literature In literature, writers rent antithesis not simplest in sentences, but additionally in characters and events. Thus, its use is extensive. Below are a few examples of antithesis in literature: Example #1: A Tale of Two Cities (By Charles Dickens) The establishing lines of Charles Dickens’ novel A Tale of Two Cities provides an unforgettable antithesis example: “It become the first-class of times, it become the worst of times, it became the age of wisdom, it was the age of foolishness, it become the epoch of belief, it turned into the epoch of incredulity, it changed into the season of Light, it was the season of Darkness, it changed into the spring of hope, it was the wintry weather of despair, we had everything before us, we had nothing earlier than us, we were all going direct to Heaven, we were all going direct the opposite way.” The contrasting thoughts, set in parallel structures, markedly spotlight the battle that existed within the time discussed in the novel. Example #2: Julius Caesar (By William Shakespeare) In William Shakespeare’s Julius Caesar, we note antithesis within the characters of Mark Antony and Marcus Brutus. Brutus is portrayed as the “noblest of Romans,” near Caesar, and someone who cherished Rome and Caesar. Antony, at the contrary, is proven as a person with the evil intentions of harming Caesar, and taking charge of Rome. These antithetical characters spotlight the battle inside the play. Example #3: An Essay on Criticism (By Alexander Pope) Alexander Pope, in his An Essay on Criticism, says: “To err is human; to forgive divine.” Fallibility is a trait of humans, and God – the Creator – is most forgiving. Through those antithetical thoughts, Pope exhibits the simple nature of human beings. He wants to say that God is forgiving because his creation is erring. Example #4: Community (By John Donne) We find antithesis in John Donne’s poem Community: “Good we must love, and must hate ill, For unwell is ill, and correct desirable still; But there are things indifferent, Which we may neither hate, nor love, But one, and then another prove, As we shall discover our fancy bent.” Two contrasting words “love” and “hate” are combined within the above lines. It emphasizes that we love right due to the fact it is always top, and we hate bad due to the fact it's far always bad. It is a matter of desire to love or hate things that are neither good nor bad. Example #5: Paradise Lost (By John Milton) John Milton, in Paradise Lost, says: “Better to reign in Hell than serve in Heav’n.” The contrasting thoughts of reign/serve, and Hell/Heav’n are positioned on this sentence to acquire an antithetical effect. Function of Antithesis A literary tool, like antithesis, makes use of phrases to convey ideas in exceptional methods from the commonplace words and expressions of daily life. Thus, it conveys meaning greater vividly than regular speech. When contrasting thoughts are brought together, the concept is expressed extra emphatically. As a literary device, antithesis makes contrasts in an effort to observe pros and cons of a subject below discussion, and facilitates to bring on judgment on that precise subject.

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Most people can’t tell these 4 literary devices apart: your guide to paradox, oxymoron, antithesis & contrast

Following my post on comparative devices (simile, metaphor, analogy and conceit) , some readers have asked me to write a post on contrasting devices. 

In literature, contradictions take on different forms, and they often show up as examples of the literary devices below: 

•         Paradox 
•         Oxymoron 
•         Antithesis 
•         Contrast 
•         Irony 

I’ve previously written a post on irony and how to tell if something is ironic, which I encourage you to check out .

But today, our focus is on the other four contrasting devices – paradox, oxymoron, antithesis, contrast. 

What do they mean? 

How can we tell them apart? 

And most importantly, how do we identify and analyse their use in poetry and prose? 

Paradox, oxymoron, antithesis and contrast – what do they mean?

More so than any other literary device, there appears to be more discrepancy between sources when it comes to explaining the differences between paradox and oxymoron, or antithesis and contrast.

This can be confusing for English learners, so in this section, I want to set the record straight once and for all. 

First, let us turn to our trusty ole’ Oxford Learners’ Dictionary for some definitions: 

Paradox : a statement containing two opposite ideas that make it seem impossible or unlikely, although it is probably true ; the use of this in writing

Oxymoron : a phrase that combines two words that seem to be the opposite of each other, for example a deafening silence

Antithesis : the opposite of something; a contrast between two things 

Contrast : a difference between two or more people or things that you can see clearly when they are compared or put close together

For the general reader, the definitions above could very well suffice. At most, we see that ‘antithesis’ and ‘contrast’ are synonyms, while ‘oxymoron’ is a more specific form of ‘paradox’. 

But for the English student who wants to write good literary analysis, this level of understanding is superficial at best, and misleading at worst. 

Instead, here’s a more clarifying explanation: 

• Contrast is an umbrella term for antithesis , paradox and oxymoron .
• While antithesis refers to a statement which contains two opposite ideas and a contrast that makes logical sense, paradox refers to a situation which contains two opposite ideas – but the contrast doesn’t seem to make logical sense until we understand the context.
• Oxymoron is the ‘mini’ version of a paradox , as it’s usually as a short phrase which contains two words of opposite meaning, and like paradox, the contrast doesn’t seem to make logical sense until we understand the context.

How do we tell these devices apart? 

To visualise their relationship, here’s a diagram to boot: 

Now, with examples: 

Contrast : “While I love a good double chocolate ice-cream, I hate how it’s basically just empty calories and sugar.”

Antithesis : “This double chocolate ice-cream is nutritionally deficient , but spiritually nourishing .” 

Paradox : “This double chocolate ice-cream is so good it’s evil .” 

Oxymoron : “This double chocolate ice-cream is wonderfully evil .” 

Paradox : You see, then, while it doesn’t seem to make sense for something to be good and evil at the same time (these two words being literal antonyms of each other), we understand from the context of someone eating a delicious but unhealthy double choco ice-cream that it is “good” because it tastes good, but also “evil” because it makes us fat and spikes our blood sugar. 

Oxymoron : Likewise, the oxymoronic phrase “wonderfully evil” is a combination of an adverb and an adjective that contain opposite meanings.

‘Wonderful’ means extremely good, so this contrasts with ‘evil’, which means extremely bad. As explained above, we are able to grasp the implication of the oxymoron once we understand the context. 

Antithesis and c ontrast : Here’s one tip to tell whether something you read is a general example of contrast or a more specific example of antithesis: 

It is most likely antithesis if the two opposite ideas are placed in grammatical and/or syntactical parallel. 

What does this mean? 

Let’s review the example of antithesis again: 

This double chocolate ice-cream is nutritionally deficient , but spiritually nourishing .

Notice that the phrases “nutritionally deficient” and “spiritually nourishing” contain the same set of parts of speech and are placed in the same word order (adverb followed by adjective). 

“Nutritionally” and “spiritually” are both adverbs placed front in the phrase, whereas “deficient” and “nourishing” are both adjectives placed at the back. 

Compare this to the example of contrast : 

  While I love a good double chocolate ice-cream, I hate how it’s basically just empty calories and sugar.

  While this sentence clearly contains a set of opposite ideas – love vs hate, it doesn’t follow a distinctive syntactical pattern. There’s no grammatical or syntactical parallelism between “a good double chocolate ice-cream” and “how it’s basically just empty calories and sugar”. 

Now that we’ve done some ground work on the concepts, let’s move on to close read some literary examples of these contrasting devices. 

Paradox in Wallace Stevens’ ‘The Snow Man’ (1921) 

  In Stevens’ poem ‘The Snow Man’ , the speaker ends with a sharp paradox to convey the beguiling presence of winter wind – 

One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place   For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is.  

What are we to make of the last three references to “nothing”?   

To start, the listener is characterised as “nothing himself”, and yet, he must be ‘something’ (or someone!) to have the visual capacity to “behold” whatever’s in front of him. This is our first paradox, because emptiness – “nothing” – possesses no human agency, let alone the ability to see.   

But what does the man see? 

“Nothing that is not there and the nothing that is”: it turns out that he can’t actually see anything, because wind is transparent and therefore ‘invisible’.

Yet, this cold winter wind isn’t entirely an atmospheric steppe of nothingness, because it very much asserts its presence in the aural and tactile sense. 

Interestingly, the person portrayed in this poem (who is separate from either the speaker or the poet, by the way!) is referred to as a “listener”. 

This perhaps brings us to a main point in the poem: the supremacy of the auditory over the visual faculty during a cold, hard winter. When all is awash in white, the speaker suggests, you get more out of the experience from hearing closely than you would from observing intently. 

After all, there’s not much to see, but a dynamic, albeit quiet, symphony plays on in the background of nature, even with the seeming suspension of life.

As such, Stevens leverages paradox to convey the idea of pregnant ‘nothingness’ (and here I use an oxymoron), which shows us that what we don’t see sometimes finds alternative, and indeed richer, expression in what we can instead hear. 

“The Snow Man” may seem bleak upon first reading, but if we make an attempt to immerse ourselves into the scene described, we are likely to detect an unlikely optimism – one which shines through in the naturalistic elegance of Stevens’ verse. 

Paradox and oxymoron in Alfred Lord Tennyson’s ‘Lancelot and Elaine’, from The Idylls of the King (1859-1885)

  Like much of Victorian literature, Tennyson’s The Idylls of the King is a long piece of work. As an epic poem comprising 12 narrative verse sections, Idylls retells the literary cycle of King Arthur’s legend, his love for Queen Guinevere and her betrayal of him with Lancelot, one of the Round Table Knights. 

In the sixth narrative titled ‘ Lancelot and Elaine ’, Guinevere’s remarks about her lack of love for Arthur is a great example of paradox – 

Arthur, my lord, Arthur, the faultless King, That passionate perfect, my good lord – But who can gaze upon the Sun in heaven?                                                       … to me He is all fault who hath no fault at all: For who loves me must have a touch of earth; The low sun makes the colour: I am yours, Not Arthur’s, as ye know, save by the bond.

To the Queen, it is precisely Arthur’s sheer ‘faultlessness’ – the fact that he is too perfect – which makes him more God than man, and as such, difficult to love.

So, despite him having “no fault at all” in the moral sense, “he is all fault” to Guinevere because as his wife, she cannot love him and therefore, must fail in her wifely duty. 

In the rest of this verse narrative, we learn that Elaine of Astolat harbours an unrequited love for Lancelot. After the Knight suffers serious wounds from partaking in a jousting tournament, he takes refuge in the hermit Sir Baudwin’s cave, during which Elaine, having actively sought him out, nurses him back to health.

While deeply grateful for Elaine’s attentiveness, Lancelot admits that he doesn’t love her, but is instead emotionally attached to Guinevere – 

And the sick man forgot her simple blush, Would call her friend and sister, sweet Elaine, Would listen for her coming and regret Her parting step, and held her tenderly, And loved her with all love except the love Of man and woman when they love their best, Closest and sweetest, and had died the death In any knightly fashion for her sake. And peradventure had he seen her first She might have made this and that other world Another world for the sick man; but now The shackles of an old love straitened him, His honour rooted in dishonour stood, And faith unfaithful kept him falsely true.

The final two lines in this section offer up perfect examples of paradox and oxymoron.

Given the adulterous nature of Guinevere and Lancelot’s feelings for each other, Lancelot’s “honour” – his integrity – as one of the Arthurian Round Table Knights, is “rooted in dishonour”, because his ultimate allegiance should be to King Arthur. 

Yet, by falling in love with Guinevere, he has made the King a cuckold.

As such, Lancelot suffers the paradox of being a loyal lover to the Queen, but also a disloyal servant to the King. 

The two examples of oxymoron in the last line expose the irony of Lancelot’s misguided love: it is his “faith” in Guinevere’s love that perpetuates both his and the Queen’s “unfaithful[ness]” – one in allegiance and the other in matrimony. 

  Likewise, the adverb “falsely” in “falsely true” bears two connotations: first, his steadfastness in love is morally ‘false’. Worse, it is wrong and misjudged, as he’ll eventually realise that it is Elaine, not Guinevere, who truly loves him. 

By the time he understands this, however, it’ll be too late, as Elaine will have died from the heartbreak of her spurned love.  

Antithesis in Charles Dickens, A Tale of Two Cities (1859) 

Most would agree that one of the most iconic openings to any book is housed in Charles Dickens’ A Tale of Two Cities .

In a series of neatly contrasted superlatives, the prolific Victorian novelist captures the zeitgeist of the French Revolution era – 

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way — in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Best vs worst, wisdom vs foolishness, belief vs incredulity, Light vs Darkness, spring vs winter, hope vs despair, everything vs nothing, Heaven vs the euphemistic “the other way” (Hell), good vs evil. 

In this short introduction alone, Dickens packs in nine pairs of antithetical ideas. 

In hindsight, the French Revolution is probably the single most defining event in Western political history, having ushered in the rise of republican and democratic government, a ruling model which continues to prevail in the Anglosphere today. 

Like most historical watersheds, the French Revolution was a period of extraordinary anomalies, which came about as a result of extreme behaviour, tectonic changes and paradigm shifts in politics, society and culture. 

From the ashes of protracted war and mass sacrifice, however, emerged a better world order and the advancement of civilisation in the long run. This wouldn’t have happened had the late 18th century been an era of vanilla neutralities, but it did because it was one of jerking extremities. 

This, from a stylistic angle, makes antithesis an apt device for portraying the energies of the time. 

By framing his introduction with a string of antithesis, Dickens also hints at the model of character behaviour in the rest of his novel. 

And as we find out, many characters in Two Cities do act in ways that are absolute, Manichean and ‘all or nothing’:

For instance, Charles Darnay disowns his aristocratic birth name Evremonde and leaves France for England out of disgust at his family’s poor treatment of French peasant; Dr Manette makes shoes obsessively as a way to distract himself from deep bouts of misery; and most memorably, Sydney Carlton sacrifices his life to protect Darnay, Lucie and their family – deemed criminal by aristocratic association – from execution at the hands of the brutal Revolutionaries. 

Perhaps the idea here, then, is that only in extremes can real greatness come about, and despite any losses incurred along the way, it is those periods and people that demonstrate maniacal intensity in the pursuit of a cause which will eventually prevail in memoriam. 

Confused about other literary devices? Check out my other posts below!  

• Hyperbole vs caricature : what’s the difference? Reading Charles Dickens’ ‘Hard Times’ to find out
• Form vs structure : what’s the difference? Reading Elizabeth Barrett Browning’s ‘Sonnet 29’ and Lewis Carroll’s ‘Alice in Wonderland’ to find out
• Personification , anthropomorphism and pathetic fallacy : what’s the difference? Reading John Milton’s ‘Paradise Lost’ to find out
• How to write an awesome analysis on sound: your guide to alliteration , assonance and consonance

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4 thoughts on “ Most people can’t tell these 4 literary devices apart: your guide to paradox, oxymoron, antithesis & contrast ”

Would Juxtaposition be considered on this list?

Yes – it would be a good addition…!

This is a superb explanation. I was getting very confused about the difference between paradox and oxymoron and not getting any clarity from from anywhere else on the internet.

Thank you so much – I’m so pleased to hear that this helped you 🙂

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Definition of antithesis

Did you know.

Writers and speechmakers use the traditional pattern known as antithesis for its resounding effect; John Kennedy's famous "ask not what your country can do for you—ask what you can do for your country" is an example. But antithesis normally means simply "opposite". Thus, war is the antithesis of peace, wealth is the antithesis of poverty, and love is the antithesis of hate. Holding two antithetical ideas in one's head at the same time—for example, that you're the sole master of your fate but also the helpless victim of your terrible upbringing—is so common as to be almost normal.

Examples of antithesis in a Sentence

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'antithesis.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Late Latin, from Greek, literally, opposition, from antitithenai to oppose, from anti- + tithenai to set — more at do

1529, in the meaning defined at sense 1b(1)

Dictionary Entries Near antithesis

anti-theoretical

Cite this Entry

“Antithesis.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/antithesis. Accessed 5 Jul. 2024.

Kids Definition

Kids definition of antithesis, more from merriam-webster on antithesis.

Nglish: Translation of antithesis for Spanish Speakers

Britannica English: Translation of antithesis for Arabic Speakers

Britannica.com: Encyclopedia article about antithesis

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What is antithesis? A guide with examples

Find out how to use antithesis to improve your writing and see examples of antithesis being used in literature, poetry and advertising.

Introduction

This blog post is part of the Semantix copywriters’ toolkit, which is a great resource for writing professionals and all those looking to improve their writing, including language and marketing students. Firstly, we’ll discuss the definition of antithesis, including how it differs from similar rhetorical devices . Then, we’ll look at how other writers have used antithesis to set contrast and add impact to their work, including some famous examples of antithesis in literature, poetry and marketing.

What is antithesis?

The word antithesis is sometimes used to mean ‘opposite’. For example, “She is slim and sporty – the very antithesis of her brother”. However, ‘antithesis’ (or ‘antitheses’ if plural) is also the name given to a particular rhetorical or literary device. In this blog post, we’ll be looking at ‘antithesis’ in its role as the rhetorical and literary device.

The word ‘antithesis’ comes from the Greek for ‘setting opposite’. It means to express a concept by creating contrast. This can be done in different ways according to different definitions: either using only the content of the expression, or the content and the grammatical structure. Using the content can be as simple as using words with opposite meanings in close proximity to each other, or more complex by describing concepts that contrast with one another. This draws the reader’s attention to the differences between the two things.

Antithesis often presents opposing ideas and presents those ideas in a parallel grammatical structure. This is unlike general parallelism, which presents a balance of elements in a structure (sentence, clause or other) without necessarily involving the content. Antithesis is usually created in two parts, but can also be formed by three or more opposing clauses.

Writers can use antithesis to communicate a concept that is best expressed through opposites. It’s a simple yet effective way to really drive a point home. As with other literary devices , the rules aren’t set in stone, it’s more about using the device in ways that create impact and bring the words to life.

Examples of antithesis in literature

What makes a good piece of writing truly great? You might argue that the key ingredients include memorability, impact and the beauty of a rhythmical grammatical structure – deliverables that can be served skillfully with antitheses.

When you put two antithetical concepts together in a short phrase, you get drama. And drama is what keeps the reader turning the pages.

In addition, the parallel structure often used in antithesis makes the words stand out from the other text on a page. Working like a mental stop sign, it compels the reader to notice the contrasting ideas and consider the meaning of that contrast.

Using antithesis, writers can present contradictions by balancing opposing words and statements. This builds contrasting images in a reader’s mind and creates a powerful impression of either a character or circumstance.

A good portion of the best-known writers in history have been masters of antithesis. For example, antithesis plays a big part in the language used by William Shakespeare. In fact, nearly every character he created uses it. For example, in Mac beth the witches chant, “Fair is foul, and foul is fair” – a simple but dramatic antithesis. One of the best-known Shakespearean quotes of all time is an antithesis from the play Hamlet , when the prince says, “To be, or not to be...”. In just six words Shakespeare creates a perfect contrast between existing and not existing, inviting the audience to ponder the meaning of life itself.

Another famous use of antithesis is the expression, “To err is human; to forgive, divine”, which was written in 1711 by English poet Alexander Pope in ‘ An Essay on Criticism, Part II ’. After the original creation of the statement, further iterations have added the word ‘is’ so, “To err is human; to forgive is divine”, which, arguably, improves the rhythm by creating an equal number of words in each part of the sentence.

And it’s not just the writers of old who wield the sword of antithesis so well: their modern counterparts are equally aware of its power. For example, the Green Lantern comic writers use antithesis at the start of Green Lantern’s oath in order to emphasise his mission to defeat evil at all costs:

In brightest day , in blackest night , No evil shall escape my sight. Let those who worship evil’s might Beware my power – Green Lantern’s light!

Antithesis in poetry.

Poetry is perhaps the writing genre where we find the most graceful use of words. That’s why there are lots of antitheses used in poetry throughout history.

Take a look at the two-part structures and conceptual contrasts from some of the world’s best-known poems:

"Better to reign in Hell , then serve in Heav’n" – Paradise Lost , John Milton, 1667

“much madness is divinest sense ” – 620, emily dickinson, “some say the world will end in fire / some say in ice ” – fire and ice, robert frost, 1920.

Occasionally, a writer might even make use of a triple antithesis:

“Herein lives wisdom, beauty , and increase ; / Without this, folly, age , and cold decay ” – Sonnet 11, William Shakespeare, 1609

Antithesis in speeches.

Of course, what works on paper often works in its spoken form too. Some of the best speeches of all time can thank, at least in part, antithesis for their success.

“That’s one small step for a man – one giant leap for mankind” – Neil Armstrong, 1969

“we must learn to live together as brothers or perish together as fools ” – martin luther king jr, 1964, “on this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord ” – barack obama, 2009, antithesis in advertising.

Marketers love to make us remember how truly wonderful their services or products are. Antithesis provides marketers with a powerful tool: contrast to underline a unique selling proposition (USP) and a memorable rhythm. That’s why you’ll find the path to marketing gold is littered with antitheses: the antithesis is the life-blood of the tagline or slogan.

Take a look at how each of these taglines uses a parallel structure and creates opposition:

“ Small business. Big future” – Santander

“ heavy on features. light on price” – apple, “ tough on stains. gentle on skin” – persil, “ less calories; more taste” – so good, “inspired by yesterday , built for tomorrow ” – nokia, “ all of the taste. none of the sugars” – alpro, “ smart listens to the head. stupid listens to the heart” – diesel, antithesis, chiasmus and parallelism – what are the differences.

Parallelism, sometimes called parallel structure or parallel construction, is the repetition of grammatical structures in a piece of writing in order to create a balanced, harmonious effect.

Parallelism requires only the repeated grammatical structure, while antithesis uses the content – you can’t set up opposing concepts by only using the structure!

Look at this example, “They have plundered our seas, ravaged our coasts, burnt our towns – all while caring for their own oceans and cities.” The beginning of this statement repeats the same structure while changing the verbs and nouns. It doesn’t create a contrast between each clause or suggest any form of opposition. That’s the key difference between other forms of parallelism and antithesis: parallelism doesn’t need to present opposites, but antithesis is all about the opposites.

If a similar phrase was written using antitheses, it might read something like this. “They have plundered our seas; but have nurtured their seas. They ravaged our coasts; they cared for their own. They burnt our towns while they built their cities.” In the ‘antithesis version’, each clause is juxtaposed with another concept to create impact. You can hear how much more powerful the second phrase is if you read both versions out loud.

While antithesis is parallelism, not all parallelism is antithesis! For example, chiasmus is also a form of parallelism. In fact, it’s sometimes described as an inverted parallelism and happens when word order or grammatical structure is reversed in two phrases. For example, the phrase, “Do I love you because you are beautiful? Or are you beautiful because I love you?” qualifies as a parallelism and a chiasmus but there’s no opposition so it’s not an antithesis.

Semantix’s copywriting toolkit

Our copywriting toolkit is a valuable resource for anyone aiming to improve their writing skills. It contains definitions and examples of rhetorical devices in action, with guidelines on how and why they are used.

Using rhetorical devices, such as antitheses, is a time-proven method of taking your writing to another level and making sure that your words are impactful, memorable and effective. Whether you’re writing for pleasure or writing for business, they create drama and keep your readers or listeners engaged.

Semantix’s copywriting services

As the leading language solution provider in the Nordics, language is our passion. Every day, we help our clients reach new target audiences and enter new global marketplaces. We believe that language should be used as an opportunity to boost business and never be seen as a barrier.

Our copywriting services are available in more than 200 languages, and we only work with native-speaking translators . By matching you with a multilingual copywriter with experience in your specific industry, we’ll help you make every word work hard for your business in every language.

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Further reading.

• A Handlist Of Rhetorical Terms – Richard Lanham, University of California Press, 2013
• Simplified Glossary Of Literary Terms/Devices: An Easy-To-Use Source Of Definitions, Examples And Exercises For Students And Teachers – Victor Igiri, 2022
• The Oxford Dictionary Of Literary Terms (Oxford Quick Reference) 4th Edition – Chris Baldick, OUP Oxford, 2015
• The Elements Of Eloquence – Mark Forsyth, Icon Books, 2013
• The Elements Of Rhetoric – Ryan N S Topping, Angelico Press, 2016
• The Penguin Dictionary Of Literary Terms And Literary Theory – J A Cuddon, Penguin, 2014
• The Rhetorical Device: Literary Resources For The Writer Vol. 1 of 2 – Paul F Kisak, CreateSpace Independent Publishing Platform, 2016
• Writing With Clarity And Style: A Guide To Rhetorical Devices For Contemporary Writers – Robert A Harris, Routledge, 2017
• The Use Of Rhetorical Devices In Selected Speeches by Clinton & Trump: Discourse From The Electoral Campaign 2016 – Larissa Wolf, AV Akademikerverlag, 2018
• American rhetoric (online) Antithesis blog post
• Studiobinder (online) ‘What is antithesis’ blog post
• The Oxford Dictionary O f Literary Terms (Oxford Quick Reference) 4th Edition – Chris Baldick, OUP Oxford, 2015
• Voltaire, The Project Gutenberg EBook Of A Philosophical Dictionary, Volume 4 (of 10).
• Toastmasters (online) ‘The Crafting of Eloquence’ blog post .

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Literary devices list: examples of literary devices and how to use them

• Scriptwriting

What is Antithesis — Definition & Examples in Literature & Film

I f you’ve ever heard sentence structure, met characters, or witnessed ideas that seem diametrically opposed, you’re actually pretty familiar with the idea of the antithesis. But there is more to it than just juxtaposing ideas. Read on to learn exactly what is antithesis, how this tool is used, and how you can include an antithesis in your next project. 

Antithesis Definition

First, let’s define antithesis.

There are a number of terms often confused for antithesis (like paradox or oxymoron ). But an antithesis has a particular grammatical structure that helps differentiate it from the rest. So, here’s the antithesis definition and then we'll look at specific examples:

ANTITHESIS DEFINITION

What is antithesis.

An antithesis is a rhetorical and literary device with parallel grammar structure but which establishes a nearly complete or exact opposition in ideas or characters. It can be effective in emphasizing drastic differences between opposing concepts.

How to pronounce antithesis: [an-TITH-uh-sis]  

Familiar antithesis examples:

• “That’s one small step for man, one giant leap for mankind.”
• “No pain, no gain.”
• “Out of sight, out of mind.”

The word “antithesis” comes from the Greek word meaning “setting opposite,” which is an idea that has been used in various forms. Let’s look at those various forms in more antithesis examples.

Antitheses Examples

How do we use antithesis today.

The purpose of antithetical language is not just mentioning the existence of opposing ideas, but rather emphasizing the stark differences between them.  The often lyrical and rhythmic nature of this device helps accentuate the parallel grammatical structure.

Watch the video below to learn more about how we use antitheses today. 

Antithesis Definition, Examples and Techniques

We use this device in that pure form today (see the examples above) in everyday turns of phrase. But there are more in-depth ways (in actions and story in general) that fit the antithesis definition. 

People and characters can act in an antithetical manner to their beliefs.

Antithesis Examples in Behavior: 

• A character who says they love animals but wears real fur coats.
• Someone who says they are vegetarian but eats a big steak for dinner.
• A person who uses a “Shop Small” tote bag but does their holiday shopping at Walmart. 

In addition, characters in literary or scripted works, much like people, can be antitheses to each other in and of themselves. In fact, this is often how great villains are created.

Check out the video below to see more on writing great villains , and how antagonists can mirror or juxtapose protagonists . 

Page to Picture: How to Write a Villain  •   Subscribe on YouTube

Protagonists can be an “antihero,” or the villain of a story can be portrayed separately as a parallel to the protagonist; therefore, the protagonist and antagonist highlight each other’s strengths and weaknesses, and evil and benevolent qualities. Some classic examples of this pseudo-mirrored antagonist concept are: 

Snow White and the Queen

Batman and Joker

Dumbledore and Voldemort

As you can see, the antithesis is typically the ultimate antagonist, even if the character they are meant to parallel isn’t the protagonist, as is the case in the Harry Potter series. 

Both a strong example of antithesis and nuanced portrayal of complicated character relationships, the Harry Potter series showcases a number of moral ambiguities as they pertain to Dumbledore and Voldemort.

We imported the script into StudioBinder’s screenwriting software to see exactly how this juxtaposition is first established.

Read Full Harry Potter and the Sorcerer's Stone Script

Harry Potter and the Sorcerer’s Stone masterfully establishes the characteristics that Harry and Voldemort share, but it also establishes similarities between Dumbledore and Voldemort.

Throughout the series, these shared traits influence Dumbledore and Voldemort in their objectives and decisions. 

For instance, in the Sorcerer’s Stone , we are introduced to how Voldemort and Dumbledore move through the world. Hagrid tells Harry early on about Voldemort’s rise to power: he was a wizard “who went as bad as you can go [...] anyone who stood up to him ended up dead.” Hagrid frames Voldemort as a powerful wizard, capable of massive destruction. 

Antithesis Example in Harry Potter  •   Read Full Scene

Alternatively, towards the end of the first film Dumbledore explains his tactics in his work with Nicolas Flamel on the Sorcerer’s Stone . “Only a person who wanted to find the stone—find it, but not use it—would be able to get it.” Dumbledore respects power and the laws of magic, and his actions reflect that. 

Further into the series, in Order of the Phoenix , we see what happens when Dumbledore’s tremendous abilities collide with Voldemort’s formidable power in their epic Ministry of Magic duel.

Voldemort’s spells all aim to destruct, whereas Dumbledore’s are equally amazing, but meant to disarm, distinguish, or defend. 

The series is a remarkable example of how antitheses can be essential to a story, and the respective backstories, unique abilities, and of course choices of Voldemort and Dumbledore prove it.  

Implementing Antitheses

How to use antithesis.

With all the ways you can implement and define antithesis, it’s good to have a number of tricks or rules of thumb to keep in your back pocket. Whether you’re writing a short story or your next feature screenplay, here are some things you can keep in mind. 

1. Aim for Moderation

If you’re using antithesis in the form of a rhetorical device, try to keep the number of antitheses to a minimum unless it’s a crucial character trait of the speaker. Using a similar literary device too often can leave your writing predictable or even annoying. The more you use a tool, like antithetical language, the less meaning it can have. 

2. Similar Structure

Keep the structure of your antithesis as similar as possible if you want to highlight the differences more intensely. And try to keep the phrasing itself balanced. Both variables of the equation don’t have to be exact, but the lyrical phrasing can help your antithesis shine and stick long after the read. 

3. Focus on Differences

Focus on contrast but remember to find ways to draw the parallels. How can the characters be compared to the point where their differences become obvious? How can their differences lead to conversation about how the characters may actually be similar? 

Antitheses via characters and sentence structure can assist in not just interesting writing, but memorable writing. They can make your message more understandable and retainable, which should be a top goal in any written work. You never want to give you reader a reason to stop reading.

So, now that you’ve learned more about how an antithesis can strengthen your work, you can implement it  into your next project like a pro.

After all, no guts, no glory. 

What is Irony?

Antithesis is a rhetorical device you can use in everyday speech. Much like an antithesis, we encounter several types of irony in everyday life, too. Keep reading to learn about the types of irony and how they’re used in TV and Film. 

Up Next: Irony Explained →

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• Figures Of Speech

Antithesis: Meaning, Definition and Examples

Figures of speech , otherwise known as rhetorical devices, are used in the English language to beautify and make your language look and sound a lot more effective rather than a literal presentation of information. Each figure of speech has its function and is meant to perform its roles giving the context a unique effect. In this article, you will learn about one such figure of speech called antithesis. Read through the article to learn more about what antithesis is, its definition and how it differs from an oxymoron. You can also check out the examples and analyse how it is written for an in-depth understanding of the same.

Table of Contents

What is antithesis – meaning and definition, what differentiates an antithesis from an oxymoron, some common examples of antithesis, frequently asked questions on antithesis.

An antithesis is a figure of speech that states strongly contrasting ideas placed in juxtaposition. They contain compound sentences with the two independent clauses separated by a comma or a semicolon , in most cases. However, there are also instances where the antithesis is a compound sentence with a conjunction . An antithesis is mainly used to portray the stark difference between the two opposing ideas.

Antithesis, according to the Oxford Learner’s Dictionary, is defined as “a contrast between two things”, and according to the Cambridge Dictionary, “a difference or opposition between two things”. The Merriam-Webster Dictionary gives a more explanatory definition. According to it, antithesis is “the rhetorical contrast of ideas by means of parallel arrangements of words, clauses, or sentences”.

Knowing the difference between an antithesis and an oxymoron will help you comprehend and use both the rhetorical devices effectively. Take a look at the table given below to learn more.

Here are some of the most common examples of antithesis for your reference.

• Hope for the best; prepare for the worst.
• Keep your mouth closed and your eyes open.
• “It was the best of times, it was the worst of times. It was the age of wisdom, it was the age of foolishness.” – Charles Dickens
• “That’s one small step for a man, one giant leap for mankind.” – Neil Armstrong
• “Better to reign in Hell, than to serve in Heaven.” – John Milton
• Speech is silver, but silence is gold.
• “Give every man thy ear, but few thy voice.” – William Shakespeare
• Keep your friends close; keep your enemies closer.
• “To err is human; to forgive divine.” – Alexander Pope
• Money is the root of all evil: poverty is the fruit of all goodness.

What is antithesis?

An antithesis is a figure of speech that states strongly contrasting ideas placed in juxtaposition. They contain compound sentences with the two independent clauses separated by a comma or a semicolon, in most cases. However, there are also instances where the antithesis is a compound sentence with a conjunction.

What is the definition of antithesis?

What is the difference between antithesis and oxymoron.

The main difference between an antithesis and an oxymoron is that antithesis refers to the use of two contrasting ideas or thoughts conveyed in two independent clauses placed in juxtaposition, separated by a comma, a semicolon or a conjunction; whereas, the term ‘oxymoron’ refers to the use of two opposite words within a phrase to create an effect.

Give some examples of antithesis.

Here are a few examples of antithesis for your reference.

• “Love is an ideal thing, marriage a real thing.” – Goethe
• “Folks who have no vices have very few virtues.” – Abraham Lincoln
• “Man proposes, God disposes.”
• Beggars can’t be choosers.
• Be slow in choosing, but slower in changing.

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