memoir essay format

How to Write a Memoir: Examples and a Step-by-Step Guide

Zining Mok  |  January 29, 2024  |  35 Comments

If you’ve thought about putting your life to the page, you may have wondered how to write a memoir. We start the road to writing a memoir when we realize that a story in our lives demands to be told. As Maya Angelou once wrote, “There is no greater agony than bearing an untold story inside you.”

How to write a memoir? At first glance, it looks easy enough—easier, in any case, than writing fiction. After all, there is no need to make up a story or characters, and the protagonist is none other than you.

Still, memoir writing carries its own unique challenges, as well as unique possibilities that only come from telling your own true story. Let’s dive into how to write a memoir by looking closely at the craft of memoir writing, starting with a key question: exactly what is a memoir?

How to Write a Memoir: Contents

What is a Memoir?

• Memoir vs Autobiography

Memoir Examples

Short memoir examples.

• How to Write a Memoir: A Step-by-Step Guide

A memoir is a branch of creative nonfiction , a genre defined by the writer Lee Gutkind as “true stories, well told.” The etymology of the word “memoir,” which comes to us from the French, tells us of the human urge to put experience to paper, to remember. Indeed, a memoir is “ something written to be kept in mind .”

A memoir is defined by Lee Gutkind as “true stories, well told.”

For a piece of writing to be called a memoir, it has to be:

• Nonfictional
• Based on the raw material of your life and your memories
• Written from your personal perspective

At this point, memoirs are beginning to sound an awful lot like autobiographies. However, a quick comparison of Elizabeth Gilbert’s Eat, Pray, Love , and The Autobiography of Benjamin Franklin , for example, tells us that memoirs and autobiographies could not be more distinct.

Next, let’s look at the characteristics of a memoir and what sets memoirs and autobiographies apart. Discussing memoir vs. autobiography will not only reveal crucial insights into the process of writing a memoir, but also help us to refine our answer to the question, “What is a memoir?”

Memoir vs. Autobiography

While both use personal life as writing material, there are five key differences between memoir and autobiography:

1. Structure

Since autobiographies tell the comprehensive story of one’s life, they are more or less chronological. writing a memoir, however, involves carefully curating a list of personal experiences to serve a larger idea or story, such as grief, coming-of-age, and self-discovery. As such, memoirs do not have to unfold in chronological order.

While autobiographies attempt to provide a comprehensive account, memoirs focus only on specific periods in the writer’s life. The difference between autobiographies and memoirs can be likened to that between a CV and a one-page resume, which includes only select experiences.

The difference between autobiographies and memoirs can be likened to that between a CV and a one-page resume, which includes only select experiences.

Autobiographies prioritize events; memoirs prioritize the writer’s personal experience of those events. Experience includes not just the event you might have undergone, but also your feelings, thoughts, and reflections. Memoir’s insistence on experience allows the writer to go beyond the expectations of formal writing. This means that memoirists can also use fiction-writing techniques , such as scene-setting and dialogue , to capture their stories with flair.

4. Philosophy

Another key difference between the two genres stems from the autobiography’s emphasis on facts and the memoir’s reliance on memory. Due to memory’s unreliability, memoirs ask the reader to focus less on facts and more on emotional truth. In addition, memoir writers often work the fallibility of memory into the narrative itself by directly questioning the accuracy of their own memories.

Memoirs ask the reader to focus less on facts and more on emotional truth.

5. Audience

While readers pick up autobiographies to learn about prominent individuals, they read memoirs to experience a story built around specific themes . Memoirs, as such, tend to be more relatable, personal, and intimate. Really, what this means is that memoirs can be written by anybody!

Ready to be inspired yet? Let’s now turn to some memoir examples that have received widespread recognition and captured our imaginations!

If you’re looking to lose yourself in a book, the following memoir examples are great places to begin:

• The Year of Magical Thinking , which chronicles Joan Didion’s year of mourning her husband’s death, is certainly one of the most powerful books on grief. Written in two short months, Didion’s prose is urgent yet lucid, compelling from the first page to the last. A few years later, the writer would publish Blue Nights , another devastating account of grief, only this time she would be mourning her daughter.
• Patti Smith’s Just Kids is a classic coming-of-age memoir that follows the author’s move to New York and her romance and friendship with the artist Robert Maplethorpe. In its pages, Smith captures the energy of downtown New York in the late sixties and seventies effortlessly.
• When Breath Becomes Air begins when Paul Kalanithi, a young neurosurgeon, is diagnosed with terminal cancer. Exquisite and poignant, this memoir grapples with some of the most difficult human experiences, including fatherhood, mortality, and the search for meaning.
• A memoir of relationship abuse, Carmen Maria Machado’s In the Dream House is candid and innovative in form. Machado writes about thorny and turbulent subjects with clarity, even wit. While intensely personal, In the Dream House is also one of most insightful pieces of cultural criticism.
• Twenty-five years after leaving for Canada, Michael Ondaatje returns to his native Sri Lanka to sort out his family’s past. The result is Running in the Family , the writer’s dazzling attempt to reconstruct fragments of experiences and family legends into a portrait of his parents’ and grandparents’ lives. (Importantly, Running in the Family was sold to readers as a fictional memoir; its explicit acknowledgement of fictionalization prevented it from encountering the kind of backlash that James Frey would receive for fabricating key facts in A Million Little Pieces , which he had sold as a memoir . )
• Of the many memoirs published in recent years, Tara Westover’s Educated is perhaps one of the most internationally-recognized. A story about the struggle for self-determination, Educated recounts the writer’s childhood in a survivalist family and her subsequent attempts to make a life for herself. All in all, powerful, thought-provoking, and near impossible to put down.

While book-length memoirs are engaging reads, the prospect of writing a whole book can be intimidating. Fortunately, there are plenty of short, essay-length memoir examples that are just as compelling.

While memoirists often write book-length works, you might also consider writing a memoir that’s essay-length. Here are some short memoir examples that tell complete, lived stories, in far fewer words:

• “ The Book of My Life ” offers a portrait of a professor that the writer, Aleksandar Hemon, once had as a child in communist Sarajevo. This memoir was collected into Hemon’s The Book of My Lives , a collection of essays about the writer’s personal history in wartime Yugoslavia and subsequent move to the US.
• “The first time I cheated on my husband, my mother had been dead for exactly one week.” So begins Cheryl Strayed’s “ The Love of My Life ,” an essay that the writer eventually expanded into the best-selling memoir, Wild: From Lost to Found on the Pacific Crest Trail .
• In “ What We Hunger For ,” Roxane Gay weaves personal experience and a discussion of The Hunger Games into a powerful meditation on strength, trauma, and hope. “What We Hunger For” can also be found in Gay’s essay collection, Bad Feminist .
• A humorous memoir structured around David Sedaris and his family’s memories of pets, “ The Youth in Asia ” is ultimately a story about grief, mortality and loss. This essay is excerpted from the memoir Me Talk Pretty One Day , and a recorded version can be found here .

So far, we’ve 1) answered the question “What is a memoir?” 2) discussed differences between memoirs vs. autobiographies, 3) taken a closer look at book- and essay-length memoir examples. Next, we’ll turn the question of how to write a memoir.

How to Write a Memoir: A-Step-by-Step Guide

1. how to write a memoir: generate memoir ideas.

how to start a memoir? As with anything, starting is the hardest. If you’ve yet to decide what to write about, check out the “ I Remember ” writing prompt. Inspired by Joe Brainard’s memoir I Remember , this prompt is a great way to generate a list of memories. From there, choose one memory that feels the most emotionally charged and begin writing your memoir. It’s that simple! If you’re in need of more prompts, our Facebook group is also a great resource.

2. How to Write a Memoir: Begin drafting

My most effective advice is to resist the urge to start from “the beginning.” Instead, begin with the event that you can’t stop thinking about, or with the detail that, for some reason, just sticks. The key to drafting is gaining momentum . Beginning with an emotionally charged event or detail gives us the drive we need to start writing.

3. How to Write a Memoir: Aim for a “ shitty first draft ”

Now that you have momentum, maintain it. Attempting to perfect your language as you draft makes it difficult to maintain our impulses to write. It can also create self-doubt and writers’ block. Remember that most, if not all, writers, no matter how famous, write shitty first drafts.

Attempting to perfect your language as you draft makes it difficult to maintain our impulses to write.

4. How to Write a Memoir: Set your draft aside

Once you have a first draft, set it aside and fight the urge to read it for at least a week. Stephen King recommends sticking first drafts in your drawer for at least six weeks. This period allows writers to develop the critical distance we need to revise and edit the draft that we’ve worked so hard to write.

5. How to Write a Memoir: Reread your draft

While reading your draft, note what works and what doesn’t, then make a revision plan. While rereading, ask yourself:

• What’s underdeveloped, and what’s superfluous.
• Does the structure work?
• What story are you telling?

6. How to Write a Memoir: Revise your memoir and repeat steps 4 & 5 until satisfied

Every piece of good writing is the product of a series of rigorous revisions. Depending on what kind of writer you are and how you define a draft,” you may need three, seven, or perhaps even ten drafts. There’s no “magic number” of drafts to aim for, so trust your intuition. Many writers say that a story is never, truly done; there only comes a point when they’re finished with it. If you find yourself stuck in the revision process, get a fresh pair of eyes to look at your writing.

7. How to Write a Memoir: Edit, edit, edit!

Once you’re satisfied with the story, begin to edit the finer things (e.g. language, metaphor , and details). Clean up your word choice and omit needless words , and check to make sure you haven’t made any of these common writing mistakes . Be sure to also know the difference between revising and editing —you’ll be doing both. Then, once your memoir is ready, send it out !

Learn How to Write a Memoir at Writers.com

Writing a memoir for the first time can be intimidating. But, keep in mind that anyone can learn how to write a memoir. Trust the value of your own experiences: it’s not about the stories you tell, but how you tell them. Most importantly, don’t give up!

Anyone can learn how to write a memoir.

If you’re looking for additional feedback, as well as additional instruction on how to write a memoir, check out our schedule of nonfiction classes . Now, get started writing your memoir!

35 Comments

Thank you for this website. It’s very engaging. I have been writing a memoir for over three years, somewhat haphazardly, based on the first half of my life and its encounters with ignorance (religious restrictions, alcohol, and inability to reach out for help). Three cities were involved: Boston as a youngster growing up and going to college, then Washington DC and Chicago North Shore as a married woman with four children. I am satisfied with some chapters and not with others. Editing exposes repetition and hopefully discards boring excess. Reaching for something better is always worth the struggle. I am 90, continue to be a recital pianist, a portrait painter, and a writer. Hubby has been dead for nine years. Together we lept a few of life’s chasms and I still miss him. But so far, my occupations keep my brain working fairly well, especially since I don’t smoke or drink (for the past 50 years).

The Real Person!

Hi Mary Ellen,

It sounds like a fantastic life for a memoir! Thank you for sharing, and best of luck finishing your book. Let us know when it’s published!

Best, The writers.com Team

Hello Mary Ellen,

I am contacting you because your last name (Lavelle) is my middle name!

Being interested in genealogy I have learned that this was my great grandfathers wife’s name (Mary Lavelle), and that her family emigrated here about 1850 from County Mayo, Ireland. That is also where my fathers family came from.

Is your family background similar?

Hope to hear back from you.

Richard Lavelle Bourke

Hi Mary Ellen: Have you finished your memoir yet? I just came across your post and am seriously impressed that you are still writing. I discovered it again at age 77 and don’t know what I would do with myself if I couldn’t write. All the best to you!! Sharon [email protected]

I have been told by numerous people numerous times that I should write a book about my life. My first thought is always – what would I possibly write that would be interesting?

Yes, I have had lots of family trauma, grew up in Europe from middle school on, had a very successful career, married & divorced more than once, retired at 50 and now travel the world pretty much full time…. Maybe I can write an impactful story about all this that will be interesting, or moreso inspiring, to others.

Thank you for this… it’s my first step to wrap my head around the big picture.

I am up to my eyeballs with a research project and report for a non-profit. And some paid research for an international organization. But as today is my 90th birthday, it is time to retire and write a memoir.

So I would like to join a list to keep track of future courses related to memoir / creative non-fiction writing.

Hi Frederick,

Happy birthday! And happy retirement as well. I’ve added your name and email to our reminder list for memoir courses–when we post one on our calendar, we’ll send you an email.

We’ll be posting more memoir courses in the near future, likely for the months of January and February 2022. We hope to see you in one!

Very interesting and informative, I am writing memoirs from my long often adventurous and well travelled life, have had one very short story published. Your advice on several topics will be extremely helpful. I write under my schoolboy nickname Barnaby Rudge.

[…] How to Write a Memoir: Examples and a Step-by-Step Guide […]

I am writing my memoir from my memory when I was 5 years old and now having left my birthplace I left after graduation as a doctor I moved to UK where I have been living. In between I have spent 1 year in Canada during my training year as paediatrician. I also spent nearly 2 years with British Army in the hospital as paediatrician in Germany. I moved back to UK to work as specialist paediatrician in a very busy general hospital outside London for the next 22 years. Then I retired from NHS in 2012. I worked another 5 years in Canada until 2018. I am fully retired now

I have the whole convoluted story of my loss and horrid aftermath in my head (and heart) but have no clue WHERE, in my story to begin. In the middle of the tragedy? What led up to it? Where my life is now, post-loss, and then write back and forth? Any suggestions?

My friend Laura who referred me to this site said “Start”! I say to you “Start”!

Hi Dee, that has been a challenge for me.i dont know where to start?

What was the most painful? Embarrassing? Delicious? Unexpected? Who helped you? Who hurt you? Pick one story and let that lead you to others.

I really enjoyed this writing about memoir. I ve just finished my own about my journey out of my city then out of my country to Egypt to study, Never Say Can’t, God Can Do It. Infact memoir writing helps to live the life you are writing about again and to appreciate good people you came across during the journey. Many thanks for sharing what memoir is about.

I went to Egypt earlier this year. I aspire for my second book to document and tell the story of my travels of Africa, following the first – a memoir that led me to this post.

I am a survivor of gun violence, having witnessed my adult son being shot 13 times by police in 2014. I have struggled with writing my memoir because I have a grandson who was 18-months old at the time of the tragedy and was also present, as was his biological mother and other family members. We all struggle with PTSD because of this atrocity. My grandson’s biological mother was instrumental in what happened and I am struggling to write the story in such a way as to not cast blame – thus my dilemma in writing the memoir. My grandson was later adopted by a local family in an open adoption and is still a big part of my life. I have considered just writing it and waiting until my grandson is old enough to understand all the family dynamics that were involved. Any advice on how I might handle this challenge in writing would be much appreciated.

I decided to use a ghost writer, and I’m only part way in the process and it’s worth every penny!

Hi. I am 44 years old and have had a roller coaster life .. right as a young kid seeing his father struggle to financial hassles, facing legal battles at a young age and then health issues leading to a recent kidney transplant. I have been working on writing a memoir sharing my life story and titled it “A memoir of growth and gratitude” Is it a good idea to write a memoir and share my story with the world?

Thank you… this was very helpful. I’m writing about the troubling issues of my mental health, and how my life was seriously impacted by that. I am 68 years old.

[…] Writers.com: How to Write a Memoir […]

[…] Writers.com: “How to Write a Memoir” […]

I am so grateful that I found this site! I am inspired and encouraged to start my memoir because of the site’s content and the brave people that have posted in the comments.

Finding this site is going into my gratitude journey 🙂

We’re grateful you found us too, Nichol! 🙂

Firstly, I would like to thank you for all the info pertaining to memoirs. I believe am on the right track, am at the editing stage and really have to use an extra pair of eyes. I’m more motivated now to push it out and complete it. Thanks for the tips it was very helpful, I have a little more confidence it seeing the completion.

Well, I’m super excited to begin my memoir. It’s hard trying to rely on memories alone, but I’m going to give it a shot!

Thanks to everyone who posted comments, all of which have inspired me to get on it.

Best of luck to everyone! Jody V.

I was thrilled to find this material on How to Write A Memoir. When I briefly told someone about some of my past experiences and how I came to the United States in the company of my younger brother in a program with a curious name, I was encouraged by that person and others to write my life history.

Based on the name of that curious program through which our parents sent us to the United States so we could leave the place of our birth, and be away from potentially difficult situations in our country.

As I began to write my history I took as much time as possible to describe all the different steps that were taken. At this time – I have been working on this project for 5 years and am still moving ahead. The information I received through your material has further encouraged me to move along. I am very pleased to have found this important material. Thank you!

Wow! This is such an informative post packed with tangible guidance. I poured my heart into a book. I’ve been a professional creative for years to include as a writer, mainly in the ad game and content. No editor. I wasn’t trying to make it as an author. Looking back, I think it’s all the stuff I needed to say. Therapy. Which does not, in and of itself, make for a coherent book. The level of writing garnering praise, but the book itself was a hot mess. So, this is helpful. I really put myself out there, which I’ve done in many areas, but the crickets response really got to me this time. I bought “Educated” as you recommended. Do you have any blog posts on memoirs that have something to say to the world, finding that “something” to say? It feels like that’s theme, but perhaps something more granular. Thanks for this fantastic post. If I had the moola, I would sign up for a class. Your time is and effort is appreciated. Typos likely on comments! LOL

thanks. God bless

I am a member of the “Reprobates”, a group of seven retired Royal Air Force pilots and navigators which has stayed in intermittent touch since we first met in Germany in 1969. Four of the group (all of whom are in their late seventies or early eighties) play golf together quite frequently, and we all gather for reunions once or twice a year. About a year ago, one of the Reprobates suggested posterity might be glad to hear the stories told at these gatherings, and there have since been two professionally conducted recording sessions, one in London, and one in Tarifa, Spain. The instigator of these recordings forwarded your website to his fellow Reprobates by way of encouragement to put pen to paper. And, I, for one, have found it inspiring. It’s high time I made a start on my Memoirs, thank you.

Thank you for sharing this, Tim! Happy writing!

Hi, I’m Jo. I’m finally jumping in and writing the memoir that has been running alongside me for at least the last 5 years. I’m terrified, of what I’m not 100% sure. The story won’t leave me alone and right now is the time to start my first draft. I’m approaching half way through what nature may call natural life on Earth, mid-life sounds strange to say. It just feels like the right time to document the journey thus far – especially the last decade. It’s been a radical time for transformation, internally and externally. I’m afraid but your post and these comments have helped.

Good luck on your memoir, Jo! I’m excited to hear more.

Muy buen material es claro y preciso , es lo que buscaba, gracias

I awoke from a vivid dream this morning at 5:13 a.m.. I was talking with my grandmother – who passed on in 1986. We were in a room with a trunk full of papers. I pulled out a document and confessed that I had read it while she was away. It was something she had written about a time she moved through with her husband, my grandfather, who was very ill. I asked her about it, and she began in great detail to explain to me verbally what had happened when he was struggling with ??? a disease that was not one I had heard of before. My conversation with her was SO vivid and specific. I was so happy that I had asked her about it and had a chance to hear more of her story. I awoke, opened my computer, and hunted for information on how to write a memoire. It’s time. I have 2 little grandchildren and a son who may one day want to” talk with me” and hear the stories of the meaningful or dramatic times in my life. Thank you for your very clear and helpful step-by-step instructions and encouragement. Now, I believe, I can and must, at last, begin this adventure that I have fancied doing for quite some time. The overwhelm that clouds beginning has lifted. I’m relieved and inspired. And grateful for your ability to teach. Thank you!

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Write a Great Memoir: How to Start (and Actually Finish) Your First Draft

by Joe Bunting | 1 comment

When I first started writing my memoir, Crowdsourcing Paris , about a real-life adventure I experienced with my wife and ten-month-old son, I thought it was going to be easy.

After all, by that point in my career, I had already written four books, two of which became bestsellers. I’ve got this, I thought. Simple.

It wasn’t. By the time Crowdsourcing Paris was published and became a #1 New Release on Amazon, it was more than five years later. During that time, I made just about every mistake, but I also learned a process that will reliably help anyone to start and finish writing a great memoir.

My memoir, Crowdsourcing Paris , as a #1 New Release on Amazon!

In this guide, I want to talk about how you can start writing your memoir, how you can actually finish it, and how you can make sure it’s good .

If you read this article from start to finish, it will save you hundreds of hours and result in a much better finished memoir.

Hot tip : Throughout this guide, I will be referencing my memoir Crowdsourcing Paris as an example. To get the most out of this guide and the memoir writing process in general, get a copy of the book to use as an example. Order your copy here »

But Wait! What Is a Memoir? (Memoir Definition)

How do you know if you're writing a memoir? Here's a quick memoir definition:

A memoir is a book length account or autobiography about a real life situation or event. It usually includes a pivotal experience in your life journey.

A key point to make is that memoir is a  true story . You don't have to get every piece of dialogue perfect, but you do have to try to tell the personal story or experience as best as you remember.

If you're looking to fictionalize your real life account you're writing a novel, not a memoir (and specifically a roman à clef novel ).

For more on the difference between a novel and a memoir, check out this coaching video:

How to Get Started With Your Memoir: 10 Steps Before You Start Writing

This guide is broken into sections: what to do before you start writing and how to write your first draft.

When most people decide to write a memoir, they just start writing. They write about the first life experience they can think of.

That’s sort of what I did too. I just started writing about my trip to Paris, beginning with how I first decided to go as a way to become a “real writer.” It turned out to be the biggest mistake I made.

If you want to finish your memoir, and even more, write a good memoir, just starting with the first memory you can think of will make things much harder for you.

Instead, get started with a memoir plan.

What’s a memoir plan? There are ten elements. Let’s break it down.

Get the memoir plan in a downloadable worksheet. Click to download your memoir plan »

1. Write Your Memoir Premise in One Sentence

The first part of a memoir plan is your premise. A premise is a one-sentence summary of your book idea.

You might be wondering, how can I summarize my entire life in a single sentence?

The answer is, you can’t. Memoir isn’t a full autobiography. It’s not meant to be a historical account of your entire life story. Instead, it should share one specific situation and what you learned from that situation.

Every memoir premise should contain three things:

• A Character. For your memoir, that character will always be you . For the purposes of your premise, though, it’s a good idea to practice thinking of yourself as the main character of your story. So describe yourself in third person and use one descriptive adjective, e.g. a cautious writer.
• A Situation. Memoirs are about a specific event, situation, or experience. For example, Marion Roach Smith’s bestselling memoir was about the discovery that her mother had Alzheimer’s, which at the time was a fairly unknown illness. My memoir, Crowdsourcing Paris , begins on the first day of my trip to Paris and ends on the day I left. You can’t write about everything, at least in this book. But you can write about one thing well, and save all the other ideas for the next book.
• A Lesson. What life lesson did you learn from this situation? How did your life change inexorably after going through this situation? Again, here you can’t write about everything you’ve ever learned. Choose ONE life lesson or emotional truth and focus on it.

Want to see how a premise actually looks? Here’s an example from my memoir Crowdsourcing Paris :

When a Cautious Writer is forced by his audience to do uncomfortable adventures in Paris he learns the best stories come when you get out of your comfort zone.

One thing to note: a premise is not a book description. My book description, which you can see here , is totally different from the premise. It’s more suspenseful and also less detailed in some ways. That’s because the purpose of a premise isn’t to sell books.

What is the premise of your memoir? Share it in the comments below!

2. Set a Deadline to Finish Your First Draft

Or if you’ve already finished a draft, set a deadline to finish your next draft.

This is crucial to do now , before you do anything else. Why? Because there are parts of the memoir plan that you can spend months, even years on. But while planning is helpful, it can easily become a distraction if you don’t get to the writing part of the process.

That’s why you want to put a time limit on your planning by setting a deadline.

How long should the deadline be?

Stephen King says you should write a first draft in no longer than a season. So ninety days.

In my 100 Day Book program, we’ve helped hundreds of memoir writers finish their book in just 100 days. To me, that’s a good amount of time to finish a first draft.

However, I wouldn’t take any longer than 100 days. Writing a book requires a level of focus that’s difficult to achieve over a long period of time. If you set your deadline for longer than 100 days, you might never finish.

Also set weekly milestones.

In addition to your final deadline, I recommend breaking up the writing process into weekly milestones.

If you’re going to write a 65,000-word memoir over 100 days, let’s say, then divide 65,000 by the number of weeks (about 14) to get your weekly word count goal: about 4,600 words per week.

That will give you a sense of how much progress you’re making each week, so you won’t be in a huge rush to finish right at the end of your deadline. After all, no one can pull an all-nighter and finish a book! Create a writing habit that will enable you to actually finish your book.

Keep track of your word count deadlines.

By the way, this is one reason I love Scrivener , my favorite book writing software , because it allows you to set a target deadline and word count. Then Scrivener automatically calculates how much you need to write every day to reach your deadline.

It’s a great way to keep track of your deadline and how much more you have to write. Check out my review of Scrivener to learn more.

3. Create Consequences to Make Quitting Hard

I’ve learned from experience that a deadline alone isn’t enough. You also have to give your deadline teeth .

Writing a book is hard. To make sure that you show up to the page and do the work you need to finish, you need to make it harder to not write.

How? By creating consequences.

I learned this from a friend of mine, writer and book marketing expert Tim Grahl .

“If you really want to finish your book,” he told me, “write a check for $1,000 to a charity you hate. Then give that check to a friend with instructions to send it if you don’t hit your deadline.”

“I don’t need to do that,” I told him. “I’m a pro. I have discipline.” But a month later, after I still hadn’t made any progress on my memoir, I finally decided to take his advice.

This was during the 2016 U.S. presidential election. So I wrote a $1,000 check to the presidential candidate that I most disliked (who shall remain nameless!), and gave it to a friend with instructions to send the check if I didn’t hit my final deadline.

I also created smaller consequences for the weekly deadlines, which I highly recommend. Here’s how it works:

Consequence #1 : Small consequence, preferably related to a guilty pleasure that might keep you from writing. For example, giving up a game on your phone or watching TV until you finish your book.

Consequence #2 : Giving up a guilty pleasure. For example, giving up ice cream, soda, or alcohol until you finish your book.

Consequence #3 : Send the $1,000 check to the charity you hate.

Each of these would happen if I missed three weekly deadlines. If I missed the final deadline, then just the $1,000 check would get sent.

After I put in each of these consequences, I was the most focused and productive I’ve ever been in my life. I finished my book in just nine weeks and never missed a deadline.

If you actually want to finish your memoir, give this process a try. I think you’ll be surprised by how well it works for you.

4. Decide What Kind of Story You’re Telling

Now that you’ve set your deadline, start thinking about what kind of book you’re writing. What is your story really about?

“Memoir is about something you know after something you’ve been through,” says Marion Roach Smith, author of The Memoir Project .

I think there are seven types of stories that most memoirs are about.

• Coming of Age. A story about a young person finding their place in the world. A great example is 7 Story Mountain  by Thomas Merton.
• Education. An education story , according to Kim Kessler and Story Grid, is about a naive character who, through the course of the story, comes to a bigger understanding of the world that gives meaning to their existing life. My memoir, Crowdsourcing Paris , is a great example of an education memoir.
• Love. A love story is about a romantic relationship, either the story of a breakup or of two characters coming together. Eat, Pray, Love by Elizabeth Gilbert is a great example of a love story memoir, as it tells the story of her divorce and then re-discovering herself and love as she travels the world.
• Adventure/Action. All adventure stories are about life and death situations. Also, most travel memoirs are adventure stories. Wild by Cheryl Strayed is a great example, and Crowdsourcing Paris is also an adventure story. (You can apply the principles from our How to Write Adventure guide here , too!)
• Performance. Performance memoirs are about a big competition or a competitive pursuit. Julie and Julia , Julie Powell’s memoir about cooking her way through Julia Child’s recipes, is a good example of a performance memoir. Outlaw Platoon , about the longest-serving Ranger platoon in Afghanistan, is another great performance story.
• Thriller. Memoirs about abuse or even an illness could fall into the crime, horror, or thriller arena. (Our full guide on How to Write a Thriller is here .)
• Society. What is wrong with society? And how can you rebel against the status quo? Society stories are very common as memoirs. I would also argue that most humor memoirs are society stories, since they talk about one person’s funny, transgressive view on society. Anything by David Sedaris, for example, is a society memoir.

For more on all of these genres, check out Story Grid’s article How to Use Story Grid to Write a Memoir .

Three Stories

Note that I included my memoir in two categories. That’s because most books, including memoirs, are actually a combination of three stories. You have:

• An external story. For example, Crowdsourcing Paris is an adventure story.
• An internal story . As I said, Crowdsourcing Paris is an education story.
• A subplot . Usually the subplot is another external story, in my case, a love story.

What three stories are you telling in your memoir?

5. Visualize Your Intention

One of the things that I’ve learned as I’ve coached hundreds of writers to finish their books is that if you visualize the following you are much more likely to follow through and accomplish your writing goals:

• Where you're going to write
• When you're going to write
• How much you're going to write

Here I want you to actively visualize yourself at your favorite writing spot accomplishing the word count goal that you set in step two.

For example, when I was writing Crowdsourcing Paris , I would imagine myself sitting at this one café that was eight doors down from my office. I liked it because it had a little bit of a French feel. Then I would imagine myself there from eight in the morning until about ten.

Finally, I would actively visualize myself watching the word count tracker go from 999 to 1,000 words, which was my goal every day. Just that process of imagining my intention was so helpful.

What is your intention? Where, when, and how much will you write? Imagine yourself actually sitting there in the place you’re going to write your memoir.

6. Who Will Be On Your Team?

No one can write a book alone. I learned this the hard way, and the result was that it took me five years to finish my memoir.

For every other book that I had written, I had other people holding me accountable. Without my team, I know that I would never have written those books. But when I tried to write my memoir, I thought, I can do this on my own. I don’t need accountability, encouragement, and support. I’ve got this.

To figure out who you need to help you finish your memoir, create three different lists of people:

• Other writers. These are people who you can process, with who know the process of writing a book. Some will be a little bit ahead of you, so that when you get stuck, they can encourage you and say, “I’ve been there. You’re going to get through it. Keep working.”
• Readers. Or if you don’t have readers, friends and family. These will be the people who give you feedback on your finished book before it’s published, e.g. beta readers.
• Professional editors. But you also need professional feedback. I recommend listing two different editors here, a content editor to give feedback on the book as a whole (for example, I recommend a Write Practice Certified Coach), and a proofreader or line editor to help polish the final draft. (Having professional editing software is smart too. We like ProWritingAid. Check out our ProWritingAid review .)

Just remember: it takes a team to finish a book. Don’t try to do it on your own.

And if you don’t have relationships with other writers who can be on your team, check out The Write Practice Pro. This is the community I post my writing in to get feedback. Many of my best writing friends came directly from this community. You can learn more about The Write Practice Pro here .

7. What Other Books Will Inspire You?

“Books are made from books,” said Cormac McCarthy. Great writers learn how to write great books by reading other great books, and so should you.

I recommend finding three to five other memoirs that can inspire you during the writing process.

I recommend two criteria for the books you choose:

• Commercially successful. If you want your book to be commercially successful, choose other books that have done well in the marketplace.
• Similar story type. Try to find books that are the same story type that you learned in step four.

For my memoir, I had four main sources of inspiration.

Eat, Pray, Love by Elizabeth Gilbert; The Innocents Abroad by Mark Twain; A Moveable Feast by Ernest Hemingway; and Midnight in Paris , the film by Woody Allen.

I referred back to these sources all the time. For example, when I was stuck on the climactic scene in the memoir, I watched one scene in A Midnight in Paris twenty times until I could quote the dialogue. I still didn’t come up with the solution until the next day, but understanding how other writers solved the problems I was facing helped me figure out my own solutions for my story.

8. Who Is Your Reader Avatar?

Who is your book going to be for? Or who is the one person you’ll think of when you write your book? When the writing gets hard and you want to quit, who will be most disappointed if you never finish your book?

I learned this idea from J.R.R. Tolkien, who wrote his novel The Hobbit for his three boys as a bedtime story. Every day he would work on his pages, and every night he would go home and read them to his sons. And this gave him an amazing way to get feedback. He knew whether they laughed at one part or got bored at another.

This helped him make his story better, but I also imagine it gave him a tremendous amount of motivation.

This Can Be You, Sort Of

I don’t think your reader avatar should be you. When it comes to your own writing, you are the least objective person.

There’s one caveat: you can be your own reader avatar IF you’re writing to a version of yourself at a different time. For example, I have friends who have imagined they were writing to a younger version of themselves.

Who will you write your memoir for?

9. Publishing and Marketing

How will you publish your book? Will you go the traditional route or will you self-publish? Who is your target market (check your reader avatar for help)? What will you do to promote and market your book? Do you have an author website ?

It might be strange to start planning for the publishing and marketing of your book before you ever start writing it, but what I’ve discovered is that when you think through the entire writing process, from the initial idea all the way through the publishing and marketing process, you are much more likely to finish your book.

In fact, in my 100 Day Book program, I found that people who finished this planning process were 52 percent more likely to finish their book.

Spend some time thinking about your publishing and marketing plans. Just thinking about it will help you when you start writing.

Start Building Your Audience Before You Need It

In the current publishing climate, most memoir agents and publishers want you to have some kind of relationship with an audience before they will consider your book.

Start building an audience before you need it. The first step to building an audience, and the first step to publishing in general, is building an author website. If you don’t have a website yet, you can find our full author website guide here .

(Building a website doesn’t have to be intimidating or time-consuming if you have the right guide.)

10. Outline Your Memoir

The final step of the planning process is your memoir outline . This could be the subject of a whole article itself. Here, I’ve learned so much from Story Grid, but if you don’t have time to read the book and listen to over 100 podcast episodes, here’s a quick and dirty process for you.

But First, for the Pantsers

There are two types of writers: the plotters and the pansters . Plotters like to outline. Pantsers think outlining crushes their creative freedom and hate it.

If you identify with the pantsers, that’s okay. Don’t worry too much about this step. I would still recommend writing something in this section of your memoir plan, even if you only know a few moments that will happen in the book, even recording a series of events might help as you plan.

And for you plotters, outline to your heart’s content, as long as you’ve already set your deadline!

Outlining Tips

When you’re ready to start outlining, here are a few tips:

• Begin by writing down all the big moments in your life that line up with your premise. Your premise is the foundation of your story. Anything outside of that premise should be cut.
• S eparate your life events into three acts. One of the most common story structures in writing is the three-act story structure. Act 1 should contain about 25 percent of your story, Act 2 about 50 percent of your story, and Act 3 about 25 percent.
• Act 1 should begin as late into the story as possible. In Crowdsourcing Paris , like most travel memoirs, I began the story the day I arrived in Paris.
• Use flashbacks, but carefully. Since I began Crowdsourcing Paris so late into the action, I used flashbacks to provide some details about what happened to lead up to the trip. Flashbacks can be overused, though, so only include full scenes and don’t info dump with flashbacks.
• Start big. The first scene in your book should be a good representation of what your book is about. So if you’re writing an adventure story (see Step 4), then you should have a life or death moment as the first scene. If you’re writing a love story, you should have a moment of love or love lost.
• End Act 1 with a decision. It is you, and specifically your decisions , that drive the action of your memoir. So what important decision did you make that will drive us into Act 2?
• Start Act 2 with your subplot. In Step 4, I said most books are made up of three stories. Your subplot is an important part of your book, and in most great stories, your subplot begins in Act 2.
• Act 2 begins with a period of “fun and games.” Save the Cat , one of my favorite books for writers, says that after the tension you built with the big decision in Act 1, the first few scenes in Act 2 should be fun and feel good, with things going relatively well for the protagonist.
• Center your second act on the “all is lost” moment. Great stories are about a character who comes to the end of him or herself. The all is lost moment is my favorite to write, because it’s where the character (in this case you ) has the most opportunity to grow. What is YOUR “all is lost” moment?
• Act 3 contains your final climactic moment. For Crowdsourcing Paris , this was the moment when I thought I was going to die. In a love story memoir, it might be when you finally work things out and commit to your partner.
• Act 3 is also where you show the big lesson of the memoir. Emphasis on show. Back in Step 1, you identified the lesson of your memoir. Act 3 is when you finally demonstrate what you’ve learned throughout the memoir in one major event.
• A tip for the final scene: end your memoir with the subplot. This gives a sense of completion to your story and works as a great final moment.

Use the tips above to create a rough outline of your memoir. Keep in mind, when you start writing, things might completely change. That’s okay! The point with your plan isn’t to be perfect. It’s to think through your story from beginning to end so that you’ll be prepared when you get to that point in the writing process.

Want to make this process as easy as possible? Get the memoir plan in a downloadable worksheet. Click to download your memoir plan »

That’s the end of the planning stage of this guide. Now let’s talk about how to write your first draft.

How to Write the First Draft of Your Memoir

If you’ve followed the steps above to create a memoir plan, you’ve done the important work. Writing a memoir, like writing any book, is hard. But it will actually be harder to not be successful if you’ve followed all the steps in the memoir plan.

But once you’ve created the “perfect” plan, it’s time to do the dirty work of writing a first draft.

In part two of our guide, you’ll learn how to write and finish a first draft.

1. Forget Perfection and Write Badly.

First drafts are messy. In fact, Anne Lamott calls them “shitty first drafts” because they are almost always terrible.

Even though I know that, though, any time I’m working on a new writing project, I still get it into my head that my first draft should be a masterpiece.

It usually takes me staring at a blank screen for a few hours before I admit defeat and just start writing.

If you’re reading this, don’t do that! Instead, start by writing badly.

Besides, when you’ve done the hard planning work, what you write will probably be a lot better than you think.

2. Willpower Doesn’t Work. Neither Does Inspiration. Instead, Use the “3 Minute Timer Trick.”

My biggest mistake when I began Crowdsourcing Paris was to think I had the willpower I needed as a professional writer and author of four books to finish the book on my own. Even worse, I thought I would be so inspired that the book would basically write itself.

I didn’t. It took not making much progress on my book for more than a year to realize I needed help.

The best thing you can do to help you focus on the writing process for your second draft is what we talked about in Step 4: Creating a Consequence.

But if you still need help, try my “3 Minute Timer Trick.” Here’s how it works:

• Set a timer for three minutes. Why three minutes? Because for me, I’m so distractible I can’t focus for more than three minutes. I think anyone can focus for three minutes though, even me.
• Write as fast as you can. Don’t think, just write!
• When the timer ends, write down your total word count in a separate document (see image below). Then subtract from the previous word count to calculate how many words you wrote during that session.
• Also write down any distractions during those three minutes. Did the phone ring? Did you have a tough urge to scroll through Facebook or play a game on your phone? Write it down.
• Then, repeat the process by starting the timer again. Can you beat your word count?

This process is surprisingly helpful, especially when you don’t feel like writing. After all, you might not have it in you to write for an hour, but anyone can write for three minutes.

And the amazing thing is that once you’ve started, you might find it much easier to keep going.

Other Tools for Writers

By the way, if you’re looking for the tools I use and other pro writers I know use, check out our Best Tools for Creative Writers guide here .

3. Make Your Weekly Deadlines.

You can’t finish your book in an all-nighter. That being said, you can finish a chapter of your book in an all-nighter.

That’s why it’s so important to have the weekly deadlines we talked about in Part 1, Step 2 of this guide.

By breaking up the writing process into a series of weekly deadlines, you give yourself an achievable framework to finish your book. And with the consequences you set in Step 3 of your memoir plan, you give your deadlines the teeth they need to hold you accountable.

And as I mentioned above, Scrivener is especially helpful for keeping track of deadlines (among other things). If you haven’t yet, check out my review of Scrivener here .

4. Keep Your Team Updated.

Having a hard time? It’s normal. Talk to your team about it.

It seems like when you’re writing a book, everything in the universe conspires against you. You get into a car accident, you get sick, you get into a massive fight with your spouse or family member, you get assigned a new project at your day job.

Writing a book would be hard enough on its own, but when you have the rest of your life to deal with, it can become almost impossible.

Without your team, which we talked about in Step 6 of your book plan, it would be.

For me, I would never have been able to finish one book, let alone the twelve that I’ve now finished, without the support, encouragement, and accountability of the other writers whom I call friends, the readers who believe in me, and most of all, my wife.

Remember: No book is finished alone. When things get hard, talk about it with your team.

And if you need a team, consider joining mine. The Write Practice Pro is a supportive encouraging community of writers and editors. It’s where I get feedback on my writing, and you can get it here too. Learn more about the community here.

5. Finally, Trust the Process.

When I walk writers through the first draft writing process, inevitably, around day sixty, they start to lose faith.

• They think their book is the all-time worst book ever written.
• They get a new idea they want to work on instead.
• They decide the dream to write a book and become a writer was foolish.
• They want to quit.

A few do quit at this point.

But the ones who keep going discover that in just a few weeks they’ve figured out most of the problems in their book, they’re on their last pages, and they’re almost finished.

It happens every time, even to me.

If you take nothing else from this post, please hear this: keep going. Never quit. If you follow this process from start to finish, you’re going to make it, and it’s going to be awesome.

I’m so excited for you.

How to Finish Your Memoir

More than half of this guide is about the planning process. That’s because if you start well, you’ll finish well.

If you create the right plan, then all that’s left is doing the hard, messy work of writing.

Without the right plan, it’s SO easy to get lost along the way.

That’s why I hope you’ll download my Memoir Plan Worksheet. Getting lost in the writing process is inevitable. This plan will become your map when it happens. Click to download the Memoir Plan Worksheet.

More than anything, though, I hope you’ll never quit. It took me five years to write Crowdsourcing Paris , but during that time I matured and grew so much as a writer and a person, all because I didn’t quit.

Even if it takes you five years, the life lessons you’ll learn as you write your book will be worth it.

And if you’re interested in a real-life adventure story set in Paris, I’d be honored if you’d read Crowdsourcing Paris . I think you’ll love it.

Good luck and happy writing.

More Writing Resources:

• How to Write a Memoir Outline: 7 Essential Steps For Your Memoir Outline
• 7 Steps to a Powerful Memoir
• The Memoir Project by Marion Roach Smith
• Crowdsourcing Paris by J.H. Bunting

Are you going to commit to writing a memoir (and never quitting, no matter what)? Let me know in the comments .

Summarize your memoir idea in the form of a one-sentence premise. Make sure it contains all three elements:

• A character
• A situation

Take fifteen minutes to craft your premise. When you’re finished, share your memoir premise in the Pro Practice Workshop for feedback. And if you share, please be sure to give feedback to three other writers. Not a member? Join us .

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

Work with Joe Bunting?

WSJ Bestselling author, founder of The Write Practice, and book coach with 14+ years experience. Joe Bunting specializes in working with Action, Adventure, Fantasy, Historical Fiction, How To, Literary Fiction, Memoir, Mystery, Nonfiction, Science Fiction, and Self Help books. Sound like a good fit for you?

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Breaking Point, Back Story, Resolution: A Three-Part Structure for Memoir

Today’s post is by writer, editor, and book coach Jennifer Landau .

According to writer Jessica Ciencin Henriquez, many effective personal essays follow a three-part structure: breaking point, back story, resolution. This format works well for memoir, too. When writing your memoir, you begin at the point when something in your life has shifted and can no longer be ignored. You fill in the backstory—which is  not  your entire life story—that illuminates the breaking point. Then, you move your reader toward some form of resolution that offers closure, if not always catharsis.

Beginning at the breaking point

Salman Rushdie’s National Book Award-nominated memoir  Knife  opens with a literal breaking point: The author is stabbed multiple times by an assailant while giving a speech at an outdoor amphitheater about, of all things, how to keep writers safe. Rushdie is nearly killed. Among his injuries: a broken jaw.

At the start of Maggie Smith’s memoir  You Could Make This Place Beautiful  she is searching through her husband’s briefcase after he returns from a business trip. She finds a postcard addressed to a woman who lives in the town he just returned from. He tells the addressee that he doesn’t know the type of pinecone they picked up on their walk, a pinecone he then brought home to the young son he shares with Smith.

Sloane Crosley begins her memoir  Grief Is for People  with a one-two punch. Her apartment is burglarized when she is out running errands and, she tells us, exactly a month later her former boss and best friend Russell will commit suicide.

Starting a memoir at the breaking point immediately draws in the reader. In these three examples, many questions spring to mind. Was the attack on Rushdie related to the fatwa that the Ayatollah Khomeini had issued when Rushdie published  The Satanic Verses  thirty plus years ago? And why was there no security at the amphitheater? What made Smith decide to root through her husband’s briefcase that night? Did they have a fight before he left? Was there previous infidelity? Was Crosley singled out for a burglary or was it just a conveniently open window? And what led to her best friend’s suicide?

We read on, looking for answers.

When considering the breaking point in your own memoir, think back to what led you to write your story in the first place. That’s likely fertile ground. The events don’t have to be as dramatic as an assassination attempt or suicide, of course. But something has to happen that makes the reader wonder what led to this inflection point.

Keeping your backstory on track

Rushdie’s and Crosley’s books are slim volumes, just over and under two hundred pages, respectively. Smith’s memoir comes in at more than 300 pages, but many of those have a single paragraph or even a single line on them. All three write with surgical precision and use backstory solely as a way to serve the forward momentum of their memoirs.

In  Knife  Rushdie takes us back to the night before the stabbing to show us what he calls “his last innocent evening.” He takes us back to his younger years, too. There is mention of the fatwa for context, but he doesn’t linger there. We get a portrait of his drunk and abusive father, but only to show the reader that this chaotic relationship made it difficult for Rushdie to find stability in his personal life. That is until he meets his fifth wife, Eliza, who will play a major part in Rushdie’s grueling rehab. He is showing us their courtship and the life they built together to show the reader how hard he’s worked to find a sustaining love. And all that he has to lose should he not recover.

Smith uses backstory to show the cracks in the foundation of her home. Her husband­, a one-time playwright, is jealous of Smith’s success, especially after the poem that gives her memoir its title goes viral. When Smith calls home from a work-related trip she feels her husband’s anger at her taking time away from her duties as a wife and mother. As she puts it, “I didn’t feel missed as a person. I felt missed as staff.”

Smith is also clear about the details she  won’t  share. She does not recount the scene of her and her husband telling their children about the divorce, for example. Here she is able to set boundaries for the memoir, while also drawing the reader close. The moment her children find out, she says, “isn’t for you.” We are outside of her story, but also her confidantes.

Crosley gives us a brief description of the ring and amulet that were stolen and an only slightly longer one of the grandmother who passed them down: “abusive and creative about it.” The jewels matter because they are Crosley’s mother’s sole inheritance and because Crosley connects their loss to her friend Russell’s suicide. She fantasizes, even after he’s dead, that he will be the one to recover them.

Crosley goes on to paint a portrait of Russell as a charismatic, but troubled man. He had problems with his partner, with his conduct as a publicist at a major publishing house, with a wider literary scandal, and with a penchant for collecting that turns to hoarding­­. On the last night Crosley sees Russell alive, he recounts a fight with his partner who told him, “Whatever happens don’t kill yourself.” Unsurprisingly, that conversation haunts the author: “My friend was telling me something and I didn’t listen. For how long had he been telling me?”

When building your backstory, think of the clearest path to the breaking point. You don’t have to be spare, but you don’t want your readers to feel like they’re following you down a series of dead ends. Too many sidetracks and they may lose trust in you as a guiding hand. If you are using the beat sheets method from  Save the Cat , you can think of the breaking point as an “all is lost” beat and build out from there.

Reaching for a resolution

Resolutions in memoir are by their very nature artificial because, except in the case of posthumous works, life continues. As Smith moves through the messy dismantling of her marriage, she acknowledges that her healing is a work in progress. She hopes that by the time her memoir is published she will be in “a place of forgiveness.”

Crosley seeks resolution by traveling to Australia to jump off a cliff, a feat she failed to complete a decade earlier. She stops herself at the edge of the cliff each time, a move known as suicide drills. Here she reveals her actual motive for returning: to see something of what her friend Russell saw as he “peered into an abyss.” She takes out half a gold chain, all that remained after the burglary, and throws it over the edge of the cliff. This is where Russell is, she decides, even if she never goes back again. Months later, she finds the other half of the chain behind a bookcase in her apartment. But Russell’s half is still at the bottom of the ocean. Their separation continues.

Rushdie has the tidiest ending. He literally returns to the scene of the crime thirteen months after the attack. He stands outside the jail where his assailant is being held and then goes back to the amphitheater to recreate the scene for his wife. He makes peace with the attack and with his life. “We’re done here,” he tells Eliza. “Let’s go home.”

However you choose to resolve your memoir, make sure that it feels true to the story you’ve been telling rather than tacked on. Readers crave closure, not manipulation. Be clear about where you’ve planted yourself at the end of your memoir’s journey. Are you still in the thick of it? If so, be upfront about that. It’s a tricky stance, but workable, and can make your memoir feel alive on the page. If you’re ten years past the events of the memoir, you’ll likely have more perspective. Just guard against tying everything up in a pretty bow. Even the most joyous endings have echoes of what came before. Find this balance and you’ll be sure to leave your readers satisfied.

Jennifer Landau is writer, editor, and Author Accelerator-certified book coach with a master’s degree in creative writing from New York University. Her essay “Without Me” was published in Literary Mama and featured on the award-winning Writing Class Radio podcast. As a book coach, she works with women writing memoir and literary and upmarket fiction, with a particular focus on caregivers who need guidance and accountability on their creative journey. You can find her at jenniferlandau.com .

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This is an enjoyable way to learn about structure. The stories are immediately engaging. Thanks Jennifer.

Thanks so much, Miki! Glad you enjoyed it.

The way you present your ideas suits my style of learning. If the knowledge comes to me in stories, I can recall it easily.

Thanks for sharing this approach to memoir structure and noting where the the breaking point is if we follow the Save the Cat beat sheets. So helpful!

Thanks, Kathryn! I know how popular Save the Cat is, so I wanted to include it.

• Writing Resources
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How to write a memoir essay

Writing a memoir essay is a great strategy to see if your idea for a book-length work is interesting, relevant and relatable. In this article, I’m going to explain the purpose of writing a memoir essay, and the most important keys to getting it published. Over the years I’ve written dozens of first-person essays and opinion pieces for print and digital publications, so I’ll share some examples of my own published memoir essays, to show you how to structure your memoir essay.

First, what is a memoir essay?

A memoir is a personal narrative that reflects on specific experiences you’ve had in your life in line with a relevant and universal theme or topic.

So your memoir essay would naturally involve personal narrative style (first-person, generally) around a specific experience or theme that’s connected to your proposed book-length memoir.

If you’ve been in my world for awhile, you’ll know that I recommend a personal essay or first-person article as a great strategy for accelerating your publishing timeline. Writing a first-person essay for a blog is also how I secured a literary agent and offers of publication for my second book, A Letter From Paris . In just a few weeks!

Writing a memoir essay is a great strategy to get you a publishing deal 

Getting a memoir essay or first-person piece published is such an empowering alternative to the usual publishing timeline for writers… Because writing an article or essay on your experience and the theme you wish to develop into a book-length work (or ARE developing) works to clarify and boost your confidence around your writing skills, and will give you valuable feedback from publishing professionals (and visibility amongst them). You might find that editorial insights from your essay or article is better than a thousand critiques on your manuscript, AND could even lead to an offer from an agent or publisher, depending on other elements.

Getting a memoir essay published (which could take anywhere from a month to three) is also MUCH quicker than the common path taken by memoir writers which I see a LOT with memoir particularly…

• Spending five years on your manuscript,
• Spending two years on your book proposal….
• Paying for endless critiques or constantly workshopping either of the two and getting confused, dejected, and losing confidence and enthusiasm entirely….

My favourite publishing strategy particuarly for nonfiction authors, is to leverage a published non-fiction piece – say, a blog post, an essay, an Op-Ed or an article – and turn it into a book deal.

This is how I found an agent and publisher for A Letter From Paris , it’s how dozens of authors I know have secured incredible book deals. You also earn money (if you pitch to a paying publication), improve your writing skills, build your platform and make impressive connections, learn a lot, and more.

Publishing a non-fiction piece either in a top publication or even a lesser-known outlet is also a great way to boost your writing profile (AKA that dreaded thing called ‘platform’ for the introverts among us!), gauge interest in your memoir topic or particular threads of the story, improve your google-ability (yes this IS a thing – be assured any agent or editor will google you before they do anything else!), add fantastic clips and extra material to your book proposal , finesse your story and improve your writing skills.

How do you write a memoir essay?

When you’re writing a memoir essay with the express goal to get interest in your book for a publishing deal, the key writing tips for a memoir essay also apply to your book itself, but with one MAJOR caveat: do NOT give away the entire story. You want to leave readers – and potential publishers – in no doubt that there is MUCH more to the story.

HOW TO WRITE A MEMOIR ESSAY

Step 1: clarify your hook [because this helps you structure the essay].

The most important thing you need to get right for your memoir essay is also the most important thing you need in a book-length memoir: a strong hook. Having a strong hook also implies bravery and strength in your writing voice, because until you’re willing to put your unique perspective and your personality  and your point-of-view into your personal story, it won’t stand out among the thousands of other essays or story pitches on that topic or common experience theme.

Put simply, a hook is something unique, unusual, contrasting, strange, personal and compelling about your specific experience. And it’s ALSO very personal, for a memoir essay. Your hook is that part of your story that your friends say “WTF?” when you explain that the same day you lost your dog and your husband, you also won the lottery.

It’s that part of your story that beggars belief but also elicits intrigue from your audience. It raises questions and interest and also compels a reader to RELATE to your story because it’s what’s unique about a universal theme.

Of course, you may not have lost your dog and your husband but also won the lottery on the same day, but generally if a story is important enough for you to want to share a story with the wider world, you have something very deep, meaningful and affecting to say. What is it? Why does this matter to you so much? It must be fresh and unique and you need to find that very fine balance between the universal and the personal.

And, as I’ve said before, with memoir – personal narrative – being PERSONAL – means you must reveal something… PERSONAL about yourself.

Writing a memoir essay for publication is humbling and vulnerable. I shared about my late father in my memoir essay and I hadn’t even said many of those things out loud to old friends, at that point. It’s usually where there’s some unresolved pain and you’ve needed to really work through an issue much harder than someone else. Or in a very unique or different way to many others who have experienced the same thing. The hook could just be one little detail of the story – for example, when you look at thousands of stories of an experience of tragedy such as the September 11 attacks or the Bali Bombings, it’s usually the little personal details that start the story of an individual experience. That pulls us in and helps us relate.

Practise finding your story hook by talking about your story with friends. What do they find most compelling? What is the question at the heart of your hook? You will spend the rest of the essay or article or series of blog posts exploring this.

A BIG MISCONCEPTION AROUND STORY HOOKS

You need a hook to both successfully pitch the memoir essay and ALSO to write it well. And this is why writing a memoir essay for publication is such a great practise point for getting a memoir published! You can’t just say “I’m pitching an essay about my mother” or about “my experience with grief” – you need to be more specific than that. You need to show the relatable theme and the premise of the story – what you’re going to explore and give the reader that they haven’t ever seen or felt or known about this, before.

Memoir essay pitching tip : Don’t just say “the essay is about my mother.” Or – “the essay is about my hunt for a house and how hard it was”. There has to be some kind of contrast and specific detail that makes us see immediately how different this story is to the many others on this theme or experience. Even in a lyrical, prosaic memoir essay, you need to explore the internal grapplings with something  – well, gripping. Even the most stunning prose needs a hook!

Memoir essay writing tip: Start observing yourself when you watch a movie – how is the beginning of the story presented? What about stories and first-person essays (memoir essays) you read through to the end – what is it about these essays that gets you invested? Make note.

Step 2: Great memoir essays include both an inner AND an outer journey in the story structure

Christopher Vogler in one of my favourite writing books, The Writer’s Journey   writes:

“Good stories show two journeys, outer and inner…”

When I read a compelling memoir essay or article, I’m struck by how the narrator weaves the inner journey with what’s going on in their physical or outer world, and how the two reflect and build upon each other. Memoir essays can be written chronologically (so, from Monday to Friday as you lived the experience, for example). Or, you could write your memoir essay thematically (say, a collection of examples from the author’s life as relating to the topic or theme of the experience). You could also do what’s called a braided essay, where you weave multiple threads together cohesively, so that the essay works as a whole. I personally find braided essays the most satisfying to read, and most challenging to successfully write, and it’s the same with braided memoirs. I do think that the 6 storytelling principles still apply as I teach them in THE ART OF MEMOIR , because I braided research on my late father with historical data with present-day experience to tell the story of A LETTER FROM PARIS . And the essays that I published before the book came out needed to do the same. It’s tricky! It’s almost like writing three different essays. At once! But as long as you know the way you’ll bring the beginning, the middle and the end together cohesively, which is exactly why i created the visual map I use to structure memoir inside THE ART OF MEMOIR, you have a map to use.

Here are two examples of memoir essays I wrote before A LETTER FROM PARIS was published: The initial post which braided astrology with personal experience and letters of my late father…

A longer travel essay along the theme of ‘time travel’ which braided history and current-day…

Read this essay by Lauren Hough which was published in Huffington Post for an example of a thematic essay. What’s so human, and so compelling (and by the way, it led to a book deal for LEAVING ISN’T THE HARDEST THING , her memoir-in-essays from Vintage!), are the contrasts between her physical and working environment (being a “cable guy”) and the internal life she leads: left-leaning, queer, empathetic…

It’s the personal contrasts that keep you reading (as well as the vivid examples she gives!). The characters she meets in her job (external) show who she is and what she believes (internal). Do you see what I mean?

Coming back to the hook element – it’s not enough to ‘explain’ something that happened to you – eg. I did this, I went here, I felt like this…. Plenty of these pieces get published. They’re clickbait, they’re quickly-forgotten, and you don’t want them on your clip list. Instead you need to deep-dive into how the external influenced the internal – to show those two journeys, inner and outer… To explore your own empathy, if you will.

Memoir essay Tip: Use the outer to provoke the inner. What do I mean? If you’re writing a story about meeting your real father for the first time at age 19 in a dive bar in New Orleans, relate the external reality of being in New Orleans with why and how you came to be meeting your father there…

Step 3: Only include what’s relevant [and eliminate all that does not connect to the focal point of the story]

In memoir essays, as with book-length memoirs and personal narratives, you must always remember that this is a STORY you’re weaving. And to make it highly readable, everything must connect to the central premise or narrative thread. A key pointer to an early versus a later draft is including relevant material. Essays need to be clean and concise – you don’t have an entire chapter to introduce a character, you have a few sentences or a paragraph. Even in long-form essays, the story needs to be relatively tight. So, if your essay is about meeting your father in New Orleans (as the above example suggests), only include anecdotes, references, observations and material that relates to said meeting or how you dealt with said meeting.

Memoir writing tip: Often (always?) you need to write out a whole heap of irrelevant material before you can get rid of it. You need to ‘write’ your way into the story. That’s fine! But make sure you leave it for a couple of days so you can assess what needs to go, when you come back to revise the essay – and/ or the pitch – for publication. Often you’ll find much of what you thought mattered, has nothing to do with the central premise of the story, AND, because you’ll have only 1000 to 3000 words to explore this experience, you want to keep things tight. And – remember to leave people wanting more!

Step 4: End on a summary or new understanding of the problem or issue, and/or show a clear transformation

The most important part in a memoir essay is that you show some sort of transformation in your character or point-of-view or change from beginning to end of the story. While you might be exploring a topic, question or theme in your story, you need to show that you, as a character, have changed or at the very least learnt and reflected from your journey. If it’s a non-fiction article, the ending will generally be a summary of what you’ve learnt, but with memoir it can be a little more subtle. You could end with a surprise realisation or moment of movement, to leave the reader on a high note. Again, if you’re using this memoir essay as part of a strategy to get a publishing deal or literary agent representation, you won’t want to end your memoir essay with everything explained and neatly resolved. There needs to be more to uncover and explore, for a publisher or an agent to want to see material for a book-length work.

STEP 5: Revise your memoir essay and the pitch, before you send it out

Here are some general revision tips, which I teach in much more detail inside the editing component of THE ART OF MEMOIR:

• Never ever send your first draft to an editor – leave your memoir essay or article for a few days and come back to it.
• Edit for repetition and relevance: It always amazes me how much I repeat certain words in my writing. You only see this when you’ve left it a few days, and if you use that wonderful ‘search and replace’ tool in Word.  So look for repetition of certain words and delete or change them, if need be. Be ruthless.
• Edit for relevance – As I touched on, above, if you’re aiming for a word count of 1200, for example (very standard for essays in publications such as the New York Times Ties section), and trying to lop 400 words off, what is LEAST relevant chunk to the main question or theme of your article? Remember: You can include the whole story in your book. This is a strategic published piece to elicit interest and engage in the most compelling elements of your story.
• Don’t take a huge ‘run up’ – Just as a huge issue many editors see in memoir manuscripts submitted to publishing houses is that they take too long to get to the point of the story – so you should jump right into the inciting incident, or compelling event, in the beginning of your essay. Don’t write three paragraphs of beautiful poetry about what you did the day before the big event. You don’t have a lot of words to waste in an essay or article.
• Study other essays – this should really be my number one piece of advice. Whatever outlet you choose to pitch to, study what has been published for that particular section of that particular outlet so you can get an overview of how the story should be styled and structured.
• Read it out loud. This is a great tip one of my first newspaper editors gave me (particularly when you have a low word count of anything under 1000 words). Reading out loud helps you see what needs to go, and what doesn’t work, very quickly.

WRITING A Memoir Essay for Publication, in summary:

Writing a memoir essay for publication is a great way to develop your writing style and visibility for your potential book deal. It’s also going to strengthen your writing voice, because to get a personal story published, you need a writing voice that shows personality, point-of-view and perspective on the experience. Whether you want to write a memoir essay OR a book-length narrative, THE ART OF MEMOIR , my signature writing programme, is going to show you exactly how to structure and revise a nonfiction narrative for professional publication. Sign up for the masterclass below to learn more about what’s included in the programme and whether or not it’s right for you.

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Hi The detailed blogs are extremely helpful for memoir writing. Thank you so much for sharing your insight and the effort. much appreciated. ive been trying to download things and its unsuccessful.

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Last updated on Apr 14, 2023

How to Write a Memoir: Turn Your Personal Story Into a Successful Book

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Martin Cavannagh

Head of Content at Reedsy, Martin has spent over eight years helping writers turn their ambitions into reality. As a voice in the indie publishing space, he has written for a number of outlets and spoken at conferences, including the 2024 Writers Summit at the London Book Fair.

About Tom Bromley

Author, editor, tutor, and bestselling ghostwriter. Tom Bromley is the head of learning at Reedsy, where he has created their acclaimed course, 'How to Write a Novel.'

Writing a memoir can be a meaningful way to reflect on your life's journey and share your unique perspective with people around you. But creating a powerful (and marketable) book from your life's memories — one that can be enjoyed by readers across the world — is no easy task. 

In this article, we'll explore the essential ingredients that make up an impactful and commercially viable memoir and provide you with tips to craft your own.

Here’s how to write a memoir in 6 steps: 

1. Figure out who you’re writing for

2. narrow down your memoir’s focus, 3. distill the story into a logline , 4. choose the key moments to share, 5. don’t skimp on the details and dialogue, 6. portray yourself honestly.

Before you take on the challenge of writing a memoir, make sure you have a clear goal and direction by defining the following:

• What story you’re telling (if you’re telling “the story of your life,” then you may be looking at an autobiography , not a memoir),
• What the purpose of your memoir is,
• Which audience you’re writing it for.

Some authors write a memoir as a way to pass on some wisdom, to process certain parts of their lives, or just as a legacy piece for friends and family to look back on shared memories. Others have stronger literary ambitions, hoping to get a publishing deal through a literary agent, or publishing it yourself to reach a wide audience. 

Whatever your motivation, we’d recommend approaching it as though you were to publish it. You’ll end up with a book that’s more polished, impactful, and accessible 一 even if it’ll only ever reach your Aunt Jasmine.

🔍 How do you know whether your book idea is marketable? Acclaimed ghostwriter Katy Weitz suggests researching memoir examples from several subcategories to determine whether there’s a readership for a story like yours.

Know your target reader

If you’re not sure where to start it doesn’t hurt to figure out your target audience 一 the age group, gender, and interests of the people you’re writing it for. A memoir targeted at business execs is a very different proposition from one written to appeal to Irish-American baseball fans. 

If you want a little help in asking the right questions to define your audience, download our author market research checklist below. 

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Now that you know who you’re writing for, you need to clearly define which (yummy) slice of your life you want to share with them. 

When writing a memoir, there's always the temptation to cover broad periods of your life, from that time in first grade when Mrs. Taylor laughed at your painting, to your third divorce, and everything in between. But remember, this is not a biography. You should try to choose specific experiences or aspects of your life that form a red thread or a central theme. The narrower the focus, the better your memoir will resonate with others. 

For example, a memoir could be about the time you hiked the Appalachian Trail, became a Jiu-Jitsu master, or volunteered in a refugee camp. Naturally, anecdotes from other parts of your life may intertwine with your main narrative, but there needs to be a focused center to your book.

Not only will a narrower slice of life help you concentrate your efforts, it will also make it easier to shift the focus from your personal story to specific, relatable things you experienced , making it easier for readers to care and take something away from the book.

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A broader theme readers can relate to

Unless you’re a celebrity, you can’t expect people to just want to read your memoir 一 you have to give them a reason to carve time out of their busy schedule and sit with your book. People are drawn to stories that they can relate to or that teach them something about themselves and the world. 

So, before you get to writing, identify the broader themes behind your personal experiences and center the book around them. For example, a story about hiking the Appalachian Trail could be a story about spiritual growth. A book about learning Jiu-Jitsu may be about building confidence and overcoming fear. A memoir about working with refugees could be about cultivating empathy and overcoming structural inequality. 

These are themes that people from different ages, gender, and cultures can relate to. They will make your memoir much more universal. Figure out what readers can learn from your experiences, whether that’s something about resilience, trauma, parenting, self-discovery, or other, and center your book around that .    

💡 Listen to 3-time memoir author Paul Bradley Carr explain the importance of nailing your memoir’s focus from the get-go in this advice-packed Reedsy Live.

At this point, you’re probably fired up and stretching your fingers to start writing. But there are a few more steps to take to ensure you’re set up for success. 

Memory lane isn’t a straight path — it’s a winding road with many off-ramps and distractions. So before you start drafting, make a note of where you’re going by encapsulating your memoir in a sentence or two. Ask yourself: if I were to pitch it to a stranger on an elevator, how would I summarize it? The purpose of this exercise is to help you weave the main themes into a clear narrative arc, which is essential to turn your life into a captivating story. 

Here are some example loglines from famous memoirs for inspiration: 

Take some time with your logline and whittle your story down to its purest form. If it helps, start by writing what you think the back cover blurb will be. Then boil it down further and further, until you can finally pitch it in just a few sentences.

The logline is the North Star that will guide you as you start to collect the moments of your life to include in the book. 

Now that you have a direction and some central themes, it’s time to pick the best tales from your buffet of life experiences. It’s natural to look back at your life chronologically and select memories in a linear fashion, but really, what’s important is to pick the most meaningful moments, whether big or small, that propel your memoir forward.

For example, Trevor Noah’s Born a Crime is a collection of stories about growing up as a mixed-raced child in Apartheid South Africa. The book shares how Noah questioned his mother’s religious beliefs, spoke multiple languages to bridge cultural differences, made and sold CDs to escape poverty, and more. Each story is a different window into his world and how it shaped him, but all of them build on the book’s central themes of faith, identity, and resilience.

Look for moments of high emotion

When you’re mining your memory for stories, look for those with moments of high emotion and meaning. Whether it was a funny, sad, or embarrassing memory, the ones that shaped who you are and how you see the world tend to be the most emotionally charged.

To discern the gems from mediocre stories, consider working with a professional editor and take advantage of their editorial wisdom. 

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Now close your eyes, and dig deep into your memories to repaint your stories on the blank page as colorfully (and accurately) as possible. 

To make your memoir deeply engaging, experiment with different storytelling techniques and use sensory details, actions, and dialogue, as opposed to explicitly stating what you did or how you felt. This falls into the classic writing advice of ‘Show, don’t tell.’

When revisiting your memories, be thorough in your research and try to collect as many details as possible: 

• Read back your journal entries (if you kept one) to see how you felt in the moment.
• Get your hands on photos or videos from that period in your life (either digital or analog.)
• Interview your family members, friends, and other people relevant to your story.
• Revisit locations and settings from the past that you plan on writing about.
• Look up anything that can be verified or fact-checked (e.g. dates, social media posts, or world news.)

Once you've collected the raw material, organize these memories in a way that makes sense for you. Being systematic in your research will pay serious dividends when you actually start working on your manuscript.

You’re allowed some creative license with dialogue

One thing that is particularly important to get right is dialogue. Obviously, you don't have to write dialogue exactly as it happened — our memories are fallible after all. However, you do need to accurately capture the essence of what was said (and how). As long as you’re faithful to what happened (or at least honest about how you experienced it) you can take some liberties with the precise wording. 

To write believable dialogue, take inspiration from your favorite writers, or take our free course below for tips. 

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😱 Inevitably, when you write about other people there’s always a risk of portraying them in a way they don’t appreciate. As general advice, tell them you’re writing this story, or prepare to lose some relationships. And if you’re really pushing some boundaries, discuss it with your lawyer! 

Next, it’s time to look inwards and flesh out a compelling and relatable protagonist: you!  

The best memoirs read like novels, which means they hinge on the protagonist’s voice and personality 一 their quirks, values, and goals, and how they rise to life’s challenges. Just as in a novel, your memoir needs a relatable protagonist that undergoes some change.

It takes a good dose of courage to portray yourself as a multidimensional character 一 one with both strengths and weaknesses, one who sometimes wins and sometimes loses. 

Do background work on yourself

To infuse a dose of humanity to your own character, you’ll have to do the background work as if you were a character in a novel. Take note of everything from your physical appearance, cultural background, psychological traits, and more. This exercise will help you bring to surface details about your personality that you’d otherwise look over, and depict a much more well-rounded protagonist. To facilitate the process, use our free character development template which will guide you with specific prompts and questions.  

Reedsy’s Character Development Template

A story is only as strong as its characters. Fill this out to develop yours.

Define your character’s arc

Additionally, it's helpful to define your own character's arc 一 how you’ve matured through the life experiences highlighted in the memoir. There are specific steps you can follow to define your personal hero's journey , but among other questions, you’ll have to answer: 

• What inciting incident set you on a journey?
• What were the obstacles you encountered?
• Which mentors helped you along the way?
• What were the lessons you needed to learn?
• How have you changed as a result?

These questions will help you strengthen your memoir’s narrative, hooking the readers in like the best novels do. 

To give an example, Cheryl Strayed's journey in Wild begins after the death of her beloved mother and other family problems, which lead her on a path of self-destruction, culminating in a divorce and addiction to heroin. Having reached the bottom, she decides to hike the Pacific Crest Trail for three months in order to find herself. The path is filled with challenges 一 from her hiking inexperience, to losing her boots, to fellow hikers warning her that it's not safe to go on alone. Through resilience (and some help) she is able to overcome her physical and emotional challenges, find forgiveness and rediscover her inner strength. 

Take inspiration from Wild and other memoirs, and deconstruct how your own experiences might fit into these all-important story elements. 

You now have all the ingredients: a specific memoir topic that touches on universal themes (as summarized by your logline), a selection of vivid and relevant memories, and a multidimensional character with an interesting story arc. It’s time to put it all together by outlining the structure of your memoir, which is exactly what we’ll cover in our next post.

15 responses

CourtneySymons says:

11/01/2018 – 15:26

This was exactly the article I needed today! I've just begun a new career path as a ghostwriter and am finding it difficult to find learning resources (conferences, courses, books, networks of ghostwriters, etc.). If any readers have advice on where I should be looking or who I should be talking to, I would be forever grateful! Thanks so much!

M. Thomas Maxwell says:

11/01/2018 – 15:28

I had no intention of writing a book but encouraged by my grandson I embarked on a story telling venture that led to Grandfather's Journal, www.captaintommaxwell.com. It truly is a series of life stories shared with my grandson. Published by Westbow press in 2015 I used many Reedsy tips and am very pleased with the results.I have since encouraged others to consider doing the same. It took over a year and was a pleasant experience.

Don Karp says:

11/01/2018 – 16:06

As a self-published memoir writer, I read this with appreciation. I do not agree with all that's said here. For example, "2. Do Your Research." Of course certain events--those experienced publicly by a large number of people--need to be accurate. But even the word, "memoir," says it's about memory, not accuracy. This is one of the major differences from an autobiography which does require research. I looked up the dictionary definition and got confirmation on this. Perhaps you need to re-examine this and get it right?

↪️ Reedsy replied:

11/01/2018 – 17:00

I would agree that memoirs are indeed based on memory — and in some way that's why historians are often forced to question the reliability of memoirs as a primary source. I would say, however, that modern readers to expect memoirs to be as factually-correct as possible. Editors at publishers will go to great pains to ensure that — or face a public backlash. If you say anything in a memoir that can be disproved by a basic google search will seriously compromise your relationship with a reader. The other benefit with research is that it can do a lot to jog your memories. Unreliable recollections can often be set straight once you remind yourself of certain facts. Thanks for commenting!

↪️ Don Karp replied:

11/01/2018 – 17:28

Thanks for your response. This brings up two points for me. First, what is more powerful, a memory of an experience or the actual experience? Different people interpret the same experience differently. Second, what do you propose to do with the dictionary definition of "memoir?" Since the word is based on memory and not research, perhaps you can suggest some alternate word form?

↪️ The Red Lounge For Writers replied:

05/12/2018 – 08:14

I think looking at the idea of the 'voice of innocence' and the 'voice of experience' could really help with this distinction between fact and memory. As writers of memoir, we are expected to write what we remember. We can do this using the voice of innocence, and use the voice of experience to write about the factual context.

Stu Mountjoy says:

11/01/2018 – 21:48

A group I used to attend, on a Friday, started people off with the basic exercise of writing a story about one thing that happened to you, and I did one about a race at school. I am always impressed by the first page I read of Alan Alder's bio (actor in M*A*S*H TV series) - "Hi I'm Alan Alder, and when I was six, my mother tried to kill my father." - wow.

31/01/2018 – 10:15

Alda's a great writer — "Things I Overheard While Talking to Myself" is such a fantastic name for a memoir too.

Robbie Cheadle says:

31/01/2018 – 04:48

A very useful and interesting post on writing a memoir.

31/01/2018 – 10:14

I'm glad you like it Robbie :)

The Red Lounge For Writers says:

05/12/2018 – 08:10

All great advice. Memoir is probably my favourite genre to read, and some of my favourite books are memoirs. I'm of the opinion that everyone has a story to tell; it's just a matter of figuring out how to do it really well.

James Soil says:

15/07/2019 – 13:16

Thank you very much I just finished my Memoir titled Addicted it will be out this summer after reading this article I feel much better about it I pretty much did what the article says.

Izaura Nicolette says:

04/08/2019 – 04:50

Self-published Author, Izaura Nicolette. 'Within The Mountains: A Mormon Reform School Experience.' Published January, 2019. Seeking legit Publishing House or Agent. I still have not received any royalties due to publishers being fraudulent. I want to speak publicly about my memoir. Hundreds to thousands can back me up. This is a true story. I hold too close to my heart. Hoping to heal by sharing this experience, and opening door for many others.

Magzley says:

08/08/2019 – 02:14

Can I *breathe* life into my story instead?

Cassandra Janzen says:

20/12/2019 – 04:35

Very helpful, thank you!

Comments are currently closed.

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