difference between rhetorical analysis and synthesis essay

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Chapter Six: Analysis and Synthesis

What does it mean to know something? How would you explain the process of thinking? In the 1950s, educational theorist Benjamin Bloom proposed that human cognition, thinking and knowing, could be classified by six categories. 1 Hierarchically arranged in order of complexity, these steps were:

Since his original model, the taxonomy has been revised, as illustrated in the diagram below:

• Each word is an action verb instead of a noun (e.g., “applying” instead of “application”);
• Some words have been changed for different synonyms;
• One version holds “creating” above “evaluating”;
• And, most importantly, other versions are reshaped into a circle, as pictured above. 2

What do you think the significance of these changes is?

I introduce this model of cognition to contextualize analysis as a cognitive tool which can work in tandem with other cognitive tasks and behaviors. Analysis is most commonly used alongside synthesis . To proceed with the LEGO® example from Chapter 4, consider my taking apart the castle as an act of analysis. I study each face of each block intently, even those parts that I can’t see when the castle is fully constructed. In the process of synthesis, I bring together certain blocks from the castle to instead build something else—let’s say, a racecar. By unpacking and interpreting each part , I’m able to build a new whole . 3

In a text wrestling essay, you’re engaging in a process very similar to my castle-to-racecar adventure. You’ll encounter a text and unpack it attentively, looking closely at each piece of language, its arrangement, its signification, and then use it to build an insightful, critical insight about the original text. I might not use every original block, but by exploring the relationship of part-to-whole, I better understand how the castle is a castle. In turn, I am better positioned to act as a sort of tour guide for the castle or a mechanic for the racecar, able to show my readers what about the castle or racecar is important and to explain how it works.

In this chapter, you’ll learn about crafting a thesis for a text wrestling essay and using evidence to support that thesis . As you will discover, an analytical essay involves every tier of Bloom’s Taxonomy, arguably even including “judgement” because your thesis will present an interpretation that is evidence-based and arguable.

Chapter Vocabulary

So What? Turning Observations into a Thesis

It’s likely that you’ve heard the term “thesis statement” multiple times in your writing career. Even though you may have some idea what a thesis entails already, it is worth reviewing and unpacking the expectations surrounding a thesis, specifically in a text wrestling essay.

A thesis statement is a central, unifying insight that drives your analysis or argument. In a typical college essay, this insight should be articulated in one to three sentences, placed within the introductory paragraph or section. As we’ll see below, this is not always the case, but it is what many of your audiences will expect. To put it simply, a thesis is the “So what?” of an analytical or persuasive essay. It answers your audience when they ask, Why does your writing matter? What bigger insights does it yield about the subject of analysis? About our world?

Thesis statements in most rhetorical situations advocate for a certain vision of a text, phenomenon, reality, or policy. Good thesis statements support such a vision using evidence and thinking that confirms, clarifies, demonstrates, nuances, or otherwise relates to that vision. In other words, a thesis is “a proposition that you can prove with evidence…, yet it’s one you have to prove, that isn’t obviously true or merely factual.” 4

In a text wrestling analysis, a thesis pushes beyond basic summary and observation. In other words, it’s the difference between:

If you think of your essay as the human body, the thesis is the spine. Yes, the body can still exist without a spine, but its functionings will be severely limited. Furthermore, everything comes back to and radiates out from the spine: trace back from your fingertips to your backbone and consider how they relate. In turn, each paragraph should tie back to your thesis, offering support and clear connections so your reader can see the entire “body” of your essay. In this way, a thesis statement serves two purposes: it is not only about the ideas of your paper, but also the structure .

The Purdue Online Writing Lab (OWL) 5 suggests this specific process for developing your thesis statement:

• Once you’ve read the story or novel closely, look back over your notes for patterns of questions or ideas that interest you. Have most of your questions been about the characters, how they develop or change?

For example: If you are reading Conrad’s  The Secret Agent , do you seem to be most interested in what the author has to say about society? Choose a pattern of ideas and express it in the form of a question and an answer such as the following:

Question:  What does Conrad seem to be suggesting about early twentieth-century London society in his novel  The Secret Agent ? Answer:  Conrad suggests that all classes of society are corrupt.

Pitfalls: Choosing too many ideas. Choosing an idea without any support.

• Once you have some general points to focus on, write your possible ideas and answer the questions that they suggest.

For example: Question :  How does Conrad develop the idea that all classes of society are corrupt? Answer:  He uses images of beasts and cannibalism whether he’s describing socialites, policemen or secret agents.

• To write your thesis statement, all you have to do is turn the question and answer around. You’ve already given the answer, now just put it in a sentence (or a couple of sentences) so that the thesis of your paper is clear.

For example: In his novel,  The Secret Agent , Conrad uses beast and cannibal imagery to describe the characters and their relationships to each other. This pattern of images suggests that Conrad saw corruption in every level of early twentieth-century London society.

• Now that you’re familiar with the story or novel and have developed a thesis statement, you’re ready to choose the evidence you’ll use to support your thesis. There are a lot of good ways to do this, but all of them depend on a strong thesis for their direction.

For example: Here’s a student’s thesis about Joseph Conrad’s  The Secret Agent .

In his novel, The Secret Agent, Conrad uses beast and cannibal imagery to describe the characters and their relationships to each other. This pattern of images suggests that Conrad saw corruption in every level of early twentieth-century London society.

This thesis focuses on the idea of social corruption and the device of imagery. To support this thesis, you would need to find images of beasts and cannibalism within the text.

There are many ways to write a thesis, and your construction of a thesis statement will become more intuitive and nuanced as you become a more confident and competent writer. However, there are a few tried-and-true strategies that I’ll share with you over the next few pages.

The T3 Strategy

T3 is a formula to create a thesis statement. The T (for Thesis) should be the point you’re trying to make—the “So what?” In a text wrestling analysis, you are expected to advocate for a certain interpretation of a text: this is your “So what?” Examples might include:

In “A Wind from the North,” Bill Capossere conveys the loneliness of isolated life or Kate Chopin’s “The Story of an Hour” suggests that marriage can be oppressive to women

But wait—there’s more! In a text wrestling analysis, your interpretation must be based on evidence from that text. Therefore, your thesis should identify both a focused statement of the interpretation (the whole) and also the particular subjects of your observation (the parts of the text you will focus on support that interpretation). A complete T3 thesis statement for a text wrestling analysis might look more like this:

In “A Wind from the North,” Bill Capossere conveys the loneliness of an isolated lifestyle using the motif of snow, the repeated phrase “five or six days” (104), and the symbol of his uncle’s car. or “The Story of an Hour” suggests that marriage can be oppressive to women. To demonstrate this theme, Kate Chopin integrates irony, foreshadowing, and symbols of freedom in the story.

Notice the way the T3 allows for the part-to-whole thinking that underlies analysis:

This is also a useful strategy because it can provide structure for your paper: each justifying support for your thesis should be one section of your paper.

• Thesis: In “A Wind from the North,” Bill Capossere conveys the loneliness of an isolated lifestyle using the motif of snow, the repeated phrase “five or six days” (104), and the symbol of his uncle’s car.
• Section on ‘the motif of snow.’ Topic sentence: The recurring imagery of snow creates a tone of frostiness and demonstrates the passage of time.
• Section on ‘the repeated phrase “five or six days” (104).’ Topic sentence: When Capossere repeats “five or six days” (104), he reveals the ambiguity of death in a life not lived.
• Section on ‘the symbol of his uncle’s car.’ Topic sentence: Finally, Capossere’s uncle’s car is symbolic of his lifestyle.

Once you’ve developed a T3 statement, you can revise it to make it feel less formulaic. For example:

In “A Wind from the North,” Bill Capossere conveys the loneliness of an isolated lifestyle by symbolizing his uncle with a “untouchable” car. Additionally, he repeats images and phrases in the essay to reinforce his uncle’s isolation. or “The Story of an Hour,” a short story by Kate Chopin, uses a plot twist to imply that marriage can be oppressive to women. The symbols of freedom in the story create a feeling of joy, but the attentive reader will recognize the imminent irony.

The O/P Strategy

An occasion/position thesis statement is rhetorically convincing because it explains the relevance of your argument and concisely articulates that argument. Although you should already have your position in mind, your rhetorical occasion will lead this statement off: what sociohistorical conditions make your writing timely, relevant, applicable? Continuing with the previous examples:

As our society moves from individualism to isolationism, Bill Capossere’s “A Wind from the North” is a salient example of a life lived alone. or Although Chopin’s story was written over 100 years ago, it still provides insight to gender dynamics in American marriages.

Following your occasion, state your position—again, this is your “So What?” It is wise to include at least some preview of the parts you will be examining.

As our society moves from individualism to isolationism, Bill Capossere’s “A Wind from the North” is a salient example of a life lived alone. Using recurring images and phrases, Capossere conveys the loneliness of his uncle leading up to his death. or Although Chopin’s story was written over 100 years ago, it still provides insight to gender dynamics in American marriages. “The Story of an Hour” reminds us that marriage has historically meant a surrender of freedom for women.

Research Question and Embedded Thesis

There’s one more common style of thesis construction that’s worth noting, and that’s the inquiry-based thesis. (Read more about inquiry-based research writing in Chapter Eight). For this thesis, you’ll develop an incisive and focused question which you’ll explore throughout the course of the essay. By the end of the essay, you will be able to offer an answer (perhaps a complicated or incomplete answer, but still some kind of answer) to the question. This form is also referred to as the “embedded thesis” or “delayed thesis” organization.

Although this model of thesis can be effectively applied in a text wrestling essay, it is often more effective when combined with one of the other methods above.

Consider the following examples:

Bill Capossere’s essay “A Wind from the North” suggests that isolation results in sorrow and loneliness; is this always the case? How does Capossere create such a vision of his uncle’s life? or Many people would believe that Kate Chopin’s story reflects an outdated perception of marriage—but can “The Story of an Hour” reveal power imbalances in modern relationships, too?

Synthesis: Using Evidence to Explore Your Thesis

Now that you’ve considered what your analytical insight might be (articulated in the form of a thesis), it’s time to bring evidence in to support your analysis—this is the synthesis part of Bloom’s Taxonomy earlier in this chapter. Synthesis refers to the creation of a new whole (an interpretation) using smaller parts (evidence from the text you’ve analyzed).

There are essentially two ways to go about collecting and culling relevant support from the text with which you’re wrestling. In my experience, students are split about evenly on which option is better for them:

Option #1: Before writing your thesis, while you’re reading and rereading your text, annotate the page and take notes. Copy down quotes, images, formal features, and themes that are striking, exciting, or relatable. Then, try to group your collection of evidence according to common traits. Once you’ve done so, choose one or two groups on which to base your thesis. Or Option #2: After writing your thesis , revisit the text looking for quotes, images, and themes that support, elaborate, or explain your interpretation. Record these quotes, and then return to the drafting process.

Once you’ve gathered evidence from your focus text, you should weave quotes, paraphrases, and summaries into your own writing. A common misconception is that you should write “around” your evidence, i.e. choosing the direct quote you want to use and building a paragraph around it. Instead, you should foreground your interpretation and analysis, using evidence in the background to explore and support that interpretation. Lead with your idea, then demonstrate it with evidence; then, explain how your evidence demonstrates your idea.

The appropriate ratio of evidence (their writing) to exposition (your writing) will vary depending on your rhetorical situation, but I advise my students to spend at least as many words unpacking a quote as that quote contains. (I’m referring here to Step #4 in the table below.) For example, if you use a direct quote of 25 words, you ought to spend at least 25 words explaining how that quote supports or nuances your interpretation.

There are infinite ways to bring evidence into your discussion, 6 but for now, let’s take a look at a formula that many students find productive as they find their footing in analytical writing: Front-load + Quote/Paraphrase/Summarize + Cite + Explain/elaborate/analyze.

What might this look like in practice?

The recurring imagery of snow creates a tone of frostiness and demonstrates the passage of time. (1) Snow brings to mind connotations of wintery cold, quiet, and death (2) as a “sky of utter clarity and simplicity” lingers over his uncle’s home and “it [begins] once more to snow” ( (3) Capossere 104). (4) Throughout his essay, Capossere returns frequently to weather imagery, but snow especially, to play on associations the reader has. In this line, snow sets the tone by wrapping itself in with “clarity,” a state of mind. Even though the narrator still seems ambivalent about his uncle, this clarity suggests that he is reflecting with a new and somber understanding.

• Front-load Snow brings to mind connotations of wintery cold, quiet, and death
• Quote as a “sky of utter clarity and simplicity” lingers over his uncle’s home and “it [begins] once more to snow”
• Cite (Capossere 104).
• Explain/elaborate/analysis Throughout his essay, Capossere returns frequently to weather imagery, but snow especially, to play on associations the reader has. In this line, snow sets the tone by wrapping itself in with “clarity,” a state of mind. Even though the narrator still seems ambivalent about his uncle, this clarity suggests that he is reflecting with a new and somber understanding.

This might feel formulaic and forced at first, but following these steps will ensure that you give each piece of evidence thorough attention. Some teachers call this method a “quote sandwich” because you put your evidence between two slices of your own language and interpretation.

For more on front-loading (readerly signposts or signal phrases), see the subsection titled “Readerly Signposts” in Chapter Nine.

Idea Generation: Close Reading Graphic Organizer

The first time you read a text, you most likely will not magically stumble upon a unique, inspiring insight to pursue as a thesis. As discussed earlier in this section, close reading is an iterative process, which means that you must repeatedly encounter a text (reread, re-watch, re-listen, etc.) trying to challenge it, interrogate it, and gradually develop a working thesis.

Very often, the best way to practice analysis is collaboratively, through discussion. Because other people will necessarily provide different perspectives through their unique interpretive positions, reading groups can help you grow your analysis. By discussing a text, you open yourself up to more nuanced and unanticipated interpretations influenced by your peers. Your teacher might ask you to work in small groups to complete the following graphic organizer in response to a certain text. (You can also complete this exercise independently, but it might not yield the same results.)

Thesis Builder

Your thesis statement can and should evolve as you continue writing your paper: teachers will often refer to a thesis as a “working thesis” because the revision process should include tweaking, pivoting, focusing, expanding, and/or rewording your thesis. The exercise on the next two pages, though, should help you develop a working thesis to begin your project. Following the examples, identify the components of your analysis that might contribute to a thesis statement.

Model Texts by Student Authors

(A text wrestling analysis of “Proofs” by Richard Rodriguez)

Songs are culturally important. In the short story “Proofs” by Richard Rodriguez, a young Mexican American man comes to terms with his bi-cultural life. This young man’s father came to America from a small and poverty-stricken Mexican village. The young man flashes from his story to his father’s story in order to explore his Mexican heritage and American life. Midway through the story Richard Rodriguez utilizes the analogies of songs to represent the cultures and how they differ. Throughout the story there is a clash of cultures. Because culture can be experienced through the arts and teachings of a community, Rodriguez uses the songs of the two cultures to represent the protagonist’s bi-cultural experience.

According to Rodriguez, the songs that come from Mexico express an emotional and loving culture and community: “But my mama says there are no songs like the love songs of Mexico” (50). The songs from that culture can be beautiful. It is amazing the love and beauty that come from social capital and community involvement. The language Richard Rodriguez uses to explain these songs is beautiful as well. “—it is the raw edge of sentiment” (51). The author explains how it is the men who keep the songs. No matter how stoic the men are, they have an outlet to express their love and pain as well as every emotion in between. “The cry of a Jackal under the moon, the whistle of a phallus, the maniacal song of the skull” (51). This is an outlet for men to express themselves that is not prevalent in American culture. It expresses a level of love and intimacy between people that is not a part of American culture. The songs from the American culture are different. In America the songs get lost. There is assimilation of cultures. The songs of Mexico are important to the protagonist of the story. There is a clash between the old culture in Mexico and the subject’s new American life represented in these songs.

A few paragraphs later in the story, on page 52, the author tells us the difference in the American song. America sings a different tune. America is the land of opportunity. It represents upward mobility and the ability to “make it or break it.” But it seems there is a cost for all this material gain and all this opportunity. There seems to be a lack of love and emotion, a lack of the ability to express pain and all other feelings, the type of emotion which is expressed in the songs of Mexico. The song of America says, “You can be anything you want to be” (52). The song represents the American Dream. The cost seems to be the loss of compassion, love and emotion that is expressed through the songs of Mexico. There is no outlet quite the same for the stoic men of America. Rodriguez explains how the Mexican migrant workers have all that pain and desire, all that emotion penned up inside until it explodes in violent outbursts. “Or they would come into town on Monday nights for the wrestling matches or on Tuesdays for boxing. They worked over in Yolo County. They were men without women. They were Mexicans without Mexico” (49).

Rodriguez uses the language in the story almost like a song in order to portray the culture of the American dream. The phrase “I will send for you or I will come home rich,” is repeated twice throughout the story. The gain for all this loss of love and compassion is the dream of financial gain. “You have come into the country on your knees with your head down. You are a man” (48). That is the allure of the American Dream.

The protagonist of the story was born in America. Throughout the story he is looking at this illusion of the American Dream through a different frame. He is also trying to come to terms with his own manhood in relation to his American life and Mexican heritage. The subject has the ability to see the two songs in a different light. “The city will win. The city will give the children all the village could not-VCR’s, hairstyles, drumbeat. The city sings mean songs, dirty songs” (52). Part of the subject’s reconciliation process with himself is seeing that all the material stuff that is dangled as part of the American Dream is not worth the love and emotion that is held in the old Mexican villages and expressed in their songs.

Rodriguez represents this conflict of culture on page 53. The protagonist of the story is taking pictures during the arrest of illegal border-crossers. “I stare at the faces. They stare at me. To them I am not bearing witness; I am part of the process of being arrested”(53). The subject is torn between the two cultures in a hazy middle ground. He is not one of the migrants and he is not one of the police. He is there taking pictures of the incident with a connection to both of the groups and both of the groups see him connected with the other.

The old Mexican villages are characterized by a lack of : “Mexico is poor” (50). However, this is not the reason for the love and emotion that is held. The thought that people have more love and emotion because they are poor is a misconception. There are both rich people and poor people who have multitudes of love and compassion. The defining elements in creating love and emotion for each other comes from the level of community interaction and trust—the ability to sing these love songs and express emotion towards one another. People who become caught up in the American Dream tend to be obsessed with their own personal gain. This diminishes the social interaction and trust between fellow humans. There is no outlet in the culture of America quite the same as singing love songs towards each other. It does not matter if they are rich or poor, lack of community, trust, and social interaction; lack of songs can lead to lack of love and emotion that is seen in the old songs of Mexico.

The image of the American Dream is bright and shiny. To a young boy in a poor village the thought of power and wealth can dominate over a life of poverty with love and emotion. However, there is poverty in America today as well as in Mexico. The poverty here looks a little different but many migrants and young men find the American Dream to be an illusion. “Most immigrants to America came from villages.

The America that Mexicans find today, at the decline of the century, is a closed-circuit city of ramps and dark towers, a city without God. The city is evil. Turn. Turn” (50). The song of America sings an inviting tune for young men from poor villages. When they arrive though it is not what they dreamed about. The subject of the story can see this. He is trying to come of age in his own way, acknowledging America and the Mexico of old. He is able to look back and forth in relation to the America his father came to for power and wealth and the America that he grew up in. All the while, he watches this migration of poor villages, filled with love and emotion, to a big heartless city, while referring back to his father’s memory of why he came to America and his own memories of growing up in America. “Like wandering Jews. They carried their home with them, back and forth: they had no true home but the tabernacle of memory” (51). The subject of the story is experiencing all of this conflict of culture and trying to compose his own song.

Works Cited

Rodriguez, Richard. “Proofs.” In Short: A Collection of Brief Creative Nonfiction , edited by Judith Kitchen and Mary Paumier Jones, Norton, 1996, pp. 48-54.

Normal Person: An Analysis of the Standards of Normativity in “A Plague of Tics” 9

David Sedaris’ essay “A Plague of Tics” describes Sedaris’ psychological struggles he encountered in his youth, expressed through obsessive-compulsive tics. These abnormal behaviors heavily inhibited his functionings, but more importantly, isolated and embarrassed him during his childhood, adolescence, and young adult years. Authority figures in his life would mock him openly, and he constantly struggled to perform routine simple tasks in a timely manner, solely due to the amount of time that needed to be set aside for carrying out these compulsive tics. He lacked the necessary social support an adolescent requires because of his apparent abnormality. But when we look at the behaviors of his parents, as well as the socially acceptable tics of our society more generally, we see how Sedaris’ tics are in fact not too different, if not less harmful than those of the society around him. By exploring Sedaris’ isolation, we can discover that socially constructed standards of normativity are at best arbitrary, and at worst violent.

As a young boy, Sedaris is initially completely unaware that his tics are not socially acceptable in the outside world. He is puzzled when his teacher, Miss Chestnut, correctly guesses that he is “going to hit [himself] over the head with [his] shoe” (361), despite the obvious removal of his shoe during their private meeting. Miss Chestnut continues by embarrassingly making fun out of the fact that Sedaris’ cannot help but “bathe her light switch with [his] germ-ridden tongue” (361) repeatedly throughout the school day. She targets Sedaris with mocking questions, putting him on the spot in front of his class; this behavior is not ethical due to Sedaris’ age. It violates the trust that students should have in their teachers and other caregivers. Miss Chestnut criticizes him excessively for his ambiguous, child-like answers. For example, she drills him on whether it is “healthy to hit ourselves over the head with our shoes” (361) and he “guess[es] that it was not,” (361) as a child might phrase it. She ridicules his use of the term “guess,” using obvious examples of instances when guessing would not be appropriate, such as “[running] into traffic with a paper sack over [her] head” (361). Her mockery is not only rude, but ableist and unethical. Any teacher—at least nowadays—should recognize that Sedaris needs compassion and support, not emotional abuse.

These kinds of negative responses to Sedaris’ behavior continue upon his return home, in which the role of the insensitive authority figure is taken on by his mother. In a time when maternal support is crucial for a secure and confident upbringing, Sedaris’ mother was never understanding of his behavior, and left little room for open, honest discussion regarding ways to cope with his compulsiveness. She reacted harshly to the letter sent home by Miss Chestnut, nailing Sedaris, exclaiming that his “goddamned math teacher” (363) noticed his strange behaviors, as if it should have been obvious to young, egocentric Sedaris. When teachers like Miss Chestnut meet with her to discuss young David’s problems, she makes fun of him, imitating his compulsions; Sedaris is struck by “a sharp, stinging sense of recognition” upon viewing this mockery (365). Sedaris’ mother, too, is an authority figure who maintains ableist standards of normativity by taunting her own son. Meeting with teachers should be an opportunity to truly help David, not tease him.

On the day that Miss Chestnut makes her appearance in the Sedaris household to discuss his behaviors with his mother, Sedaris watches them from the staircase, helplessly embarrassed. We can infer from this scene that Sedaris has actually become aware of that fact that his tics are not considered to be socially acceptable, and that he must be “the weird kid” among his peers—and even to his parents and teachers. His mother’s cavalier derision demonstrates her apparent disinterest in the well-being of he son, as she blatantly brushes off his strange behaviors except in the instance during which she can put them on display for the purpose of entertaining a crowd. What all of these pieces of his mother’s flawed personality show us is that she has issues too—drinking and smoking, in addition to her poor mothering—but yet Sedaris is the one being chastised while she lives a normal life. Later in the essay, Sedaris describes how “a blow to the nose can be positively narcotic” (366), drawing a parallel to his mother’s drinking and smoking. From this comparison, we can begin to see flawed standards of “normal behavior”: although many people drink and smoke (especially at the time the story takes place), these habits are much more harmful than what Sedaris does in private.

Sedaris’ father has an equally harmful personality, but it manifests differently. Sedaris describes him as a hoarder, one who has, “saved it all: every last Green Stamp and coupon, every outgrown bathing suit and scrap of linoleum” (365). Sedaris’ father attempts to “cure [Sedaris] with a series of threats” (366). In one scene, he even enacts violence upon David by slamming on the brakes of the car while David has his nose pressed against a windshield. Sedaris reminds us that his behavior might have been unusual, but it wasn’t violent: “So what if I wanted to touch my nose to the windshield? Who was I hurting?” (366). In fact, it is in that very scene that Sedaris draws the aforementioned parallel to his mother’s drinking: when Sedaris discovers that “a blow to the nose can be positively narcotic,” it is while his father is driving around “with a lapful of rejected, out-of-state coupons” (366). Not only is Sedaris’ father violating the trust David places in him as a caregiver; his hoarding is an arguably unhealthy habit that simply happens to be more socially acceptable than licking a concrete toadstool. Comparing Sedaris’s tics to his father’s issues, it is apparent that his father’s are much more harmful than his own. None of the adults in Sedaris’ life are innocent—“mother smokes and Miss Chestnut massaged her waist twenty, thirty times a day—and here I couldn’t press my nose against the windshield of a car” (366)—but nevertheless, Sedaris’s problems are ridiculed or ignored by the ‘normal’ people in his life, again bringing into question what it means to be a normal person.

In high school, Sedaris’ begins to take certain measures to actively control and hide his socially unacceptable behaviors. “For a time,” he says, “I thought that if I accompanied my habits with an outlandish wardrobe, I might be viewed as eccentric rather than just plain retarded” (369). Upon this notion, Sedaris starts to hang numerous medallions around his neck, reflecting that he “might as well have worn a cowbell” (369) due to the obvious noises they made when he would jerk his head violently, drawing more attention to his behaviors (the opposite of the desired effect). He also wore large glasses, which he now realizes made it easier to observe his habit of rolling his eyes into his head, and “clunky platform shoes [that] left lumps when used to discreetly tap [his] forehead” (369). Clearly Sedaris was trying to appear more normal, in a sense, but was failing terribly. After high school, Sedaris faces the new wrinkle of sharing a college dorm room. He conjures up elaborate excuses to hide specific tics, ensuring his roommate that “there’s a good chance the brain tumor will shrink” (369) if he shakes his head around hard enough and that specialists have ordered him to perform “eye exercises to strengthen what they call he ‘corneal fibers’” (369). He eventually comes to a point of such paranoid hypervigilance that he memorizes his roommate’s class schedule to find moments to carry out his tics in privacy. Sedaris worries himself sick attempting to approximate ‘normal’: “I got exactly fourteen minutes of sleep during my entire first year of college” (369). When people are pressured to perform an identity inconsistent with their own—pressured by socially constructed standards of normativity—they harm themselves in the process. Furthermore, even though the responsibility does not necessarily fall on Sedaris’ peers to offer support, we can assume that their condemnation of his behavior reinforces the standards that oppress him.

Sedaris’ compulsive habits peak and begin their slow decline when he picks up the new habit of smoking cigarettes, which is of course much more socially acceptable while just as compulsive in nature once addiction has the chance to take over. He reflects, from the standpoint of an adult, on the reason for the acquired habit, speculating that “maybe it was coincidental, or perhaps … much more socially acceptable than crying out in tiny voices” (371). He is calmed by smoking, saying that “everything’s fine as long I know there’s a cigarette in my immediate future” (372). (Remarkably, he also reveals that he has not truly been cured, as he revisits his former tics and will “dare to press [his] nose against the doorknob or roll his eyes to achieve that once-satisfying ache” [372.]) Sedaris has officially achieved the tiresome goal of appearing ‘normal’, as his compulsive tics seemed to “[fade] out by the time [he] took up with cigarettes” (371). It is important to realize, however, that Sedaris might have found a socially acceptable way to mask his tics, but not a healthy one. The fact that the only activity that could take place of his compulsive tendencies was the dangerous use of a highly addictive substance, one that has proven to be dangerously harmful with frequent and prolonged use, shows that he is conforming to the standards of society which do not correspond with healthy behaviors.

In a society full of dangerous, inconvenient, or downright strange habits that are nevertheless considered socially acceptable, David Sedaris suffered through the psychic and physical violence and negligence of those who should have cared for him. With what we can clearly recognize as a socially constructed disability, Sedaris was continually denied support and mocked by authority figures. He struggled to socialize and perform academically while still carrying out each task he was innately compelled to do, and faced consistent social hardship because of his outlandish appearance and behaviors that are viewed in our society as “weird.” Because of ableist, socially constructed standards of normativity, Sedaris had to face a long string of turmoil and worry that most of society may never come to completely understand. We can only hope that as a greater society, we continue sharing and studying stories like Sedaris’ so that we critique the flawed guidelines we force upon different bodies and minds, and attempt to be more accepting and welcoming of the idiosyncrasies we might deem to be unfavorable.

Teacher Takeaways

“The student clearly states their thesis in the beginning, threading it through the essay, and further developing it through a synthesized conclusion. The student’s ideas build logically through the essay via effective quote integration: the student sets up the quote, presents it clearly, and then responds to the quote with thorough analysis that links it back to their primary claims. At times this thread is a bit difficult to follow; as one example, when the student talks about the text’s American songs, it’s not clear how Rodriguez’s text illuminates the student’s thesis. Nor is it clear why the student believes Rodriguez is saying the “American Dream is not worth the love and emotion.” Without this clarification, it’s difficult to follow some of the connections the student relies on for their thesis, so at times it seems like they may be stretching their interpretation beyond what the text supplies.”– Professor Dannemiller

“I like how this student follows their thesis through the text, highlighting specific instances from Sedaris’s essay that support their analysis. Each instance of this evidence is synthesized with the student’s observations and connected back to their thesis statement, allowing for the essay to capitalize on the case being built in their conclusion. At the ends of some earlier paragraphs, some of this ‘spine-building’ is interrupted with suggestions of how characters in the essay should behave, which doesn’t always clearly link to the thesis’s goals. Similarly, some information isn’t given a context to help us understand its relevance, such as what violating the student-teacher trust has to do with normativity being a social construct, or how Sedaris’s description of ‘a blow to the nose’ being a narcotic creates a parallel to his mother’s drinking and smoking. Without further analysis and synthesis of this information the reader is left to guess how these ideas connect.”– Professor Dannemiller

Sedaris, David. “A Plague of Tics.” 50 Essays: A Portable Anthology , 4 th edition, edited by Samuel Cohen, Bedford, 2013, pp. 359-372.

Analyzing “Richard Cory” 10

In the poem “Richard Cory” by Edward Arlington Robinson, a narrative is told about the character Richard Cory by those who admired him. In the last stanza, the narrator, who uses the pronoun “we,” tells us that Richard Cory commits suicide. Throughout most of the poem, though, Cory had been described as a wealthy gentleman. The “people on the pavement” (2), the speakers of the poem, admired him because he presented himself well, was educated, and was wealthy. The poem presents the idea that, even though Cory seemed to have everything going for him, being wealthy does not guarantee happiness or health.

Throughout the first three stanzas Cory is described in a positive light, which makes it seem like he has everything that he could ever need. Specifically, the speaker compares Cory directly and indirectly to royalty because of his wealth and his physical appearance: “He was a gentleman from sole to crown, / Clean favored and imperially slim” (Robinson 3-4). In line 3, the speaker is punning on “soul” and “crown.” At the same time, Cory is both a gentleman from foot (sole) to head (crown) and also soul to crown. The use of the word “crown” instead of head is a clever way to show that Richard was thought of as a king to the community. The phrase “imperially slim” can also be associated with royalty because imperial comes from “empire.” The descriptions used gave clear insight that he was admired for his appearance and manners, like a king or emperor.

In other parts of the poem, we see that Cory is ‘above’ the speakers. The first lines, “When Richard Cory went down town, / We people on the pavement looked at him” (1-2), show that Cory is not from the same place as the speakers. The words “down” and “pavement” also suggest a difference in status between Cory and the people. The phrase “We people on the pavement” used in the first stanza (Robinson 2), tells us that the narrator and those that they are including in their “we” may be homeless and sleeping on the pavement; at the least, this phrase shows that “we” are below Cory.

In addition to being ‘above,’ Cory is also isolated from the speakers. In the second stanza, we can see that there was little interaction between Cory and the people on the pavement: “And he was always human when he talked; / But still fluttered pulses when he said, / ‘Good- morning’” (Robinson 6-8). Because people are “still fluttered” by so little, we can speculate that it was special for them to talk to Cory. But these interactions gave those on the pavement no insight into Richard’s real feelings or personality. Directly after the descriptions of the impersonal interactions, the narrator mentions that “he was rich—yes, richer than a king” (Robinson 9). At the same time that Cory is again compared to royalty, this line reveals that people were focused on his wealth and outward appearance, not his personal life or wellbeing.

The use of the first-person plural narration to describe Cory gives the reader the impression that everyone in Cory’s presence longed to have the life that he did. Using “we,” the narrator speaks for many people at once. From the end of the third stanza to the end of the poem, the writing turns from admirable description of Richard to a noticeably more melancholy, dreary description of what those who admired Richard had to do because they did not have all that Richard did. These people had nothing, but they thought that he was everything. To make us wish that we were in his place. So on we worked, and waited for the light,

And went without the meat, and cursed the bread…. (Robinson 9-12)

They sacrificed their personal lives and food to try to rise up to Cory’s level. They longed to not be required to struggle. A heavy focus on money and materialistic things blocked their ability to see what Richard Cory was actually feeling or going through. I suggest that “we” also includes the reader of the poem. If we read the poem this way, “Richard Cory” critiques the way we glorify wealthy people’s lives to the point that we hurt ourselves. Our society values financial success over mental health and believes in a false narrative about social mobility.

Though the piece was written more than a century ago, the perceived message has not been lost. Money and materialistic things do not create happiness, only admiration and alienation from those around you. Therefore, we should not sacrifice our own happiness and leisure for a lifestyle that might not make us happy. The poem’s message speaks to our modern society, too, because it shows a stigma surrounding mental health: if people have “everything / To make us wish that we were in [their] place” (11-12), we often assume that they don’t deal with the same mental health struggles as everyone. “Richard Cory” reminds us that we should take care of each other, not assume that people are okay because they put up a good front.

“I enjoy how this author uses evidence: they use a signal phrase (front-load) before each direct quote and take plenty of time to unpack the quote afterward. This author also has a clear and direct thesis statement which anticipates the content of their analysis. I would advise them, though, to revise that thesis by ‘previewing’ the elements of the text they plan to analyze. This could help them clarify their organization, since a thesis should be a road-map.”– Professor Wilhjelm

Robinson, Edward Arlington. “Richard Cory.” The Norton Introduction to Literature , Shorter 12 th edition, edited by Kelly J. Mays, Norton, 2017, p. 482.

the cognitive process and/or rhetorical mode of studying constituent parts to demonstrate an interpretation of a larger whole.

a part or combination of parts that lends support or proof to an arguable topic, idea, or interpretation.

a cognitive and rhetorical process by which an author brings together parts of a larger whole to create a unique new product. Examples of synthesis might include an analytical essay, found poetry, or a mashup/remix.

a 1-3 sentence statement outlining the main insight(s), argument(s), or concern(s) of an essay; not necessary in every rhetorical situation; typically found at the beginning of an essay, though sometimes embedded later in the paper. Also referred to as a “So what?” statement.

EmpoWORD: A Student-Centered Anthology and Handbook for College Writers Copyright © 2018 by Shane Abrams is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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Tackling the AP English Language and Composition Essays: Part 3

As you may recall from Part 1 , the Synthesis and Argument essays require that you take an argumentative position on a topic. In the Synthesis Essay, you are given a topic or question (e.g., is the death penalty just?) and six sources addressing that topic or question. You will then be asked to take an argumentative position, citing at least three of the sources. In the Argument Essay, you are given a topic or idea typically in the form of an author’s quote: for example, a quote from a famous writer saying that, in modern society, it’s necessary to be a little bit unethical to succeed. You are then asked to take an argumentative position on this topic or idea. This time, though, there will be no sources for you to cite. All of your thinking about the topic must come from your own head.

We’ve already discussed the Rhetoric Essay, and how to go through the process of writing a good one. Much of the same advice still applies to these two essays! Here are the things that, when it comes the Synthesis and Argument Essay, remain the same:

• The grading rubric for the Synthesis and Argument Essays is the same as that for the Rhetoric Essay, awarding one point for thesis, four for evidence and analysis, and one for “sophistication.”
• For all three essays, you must make a clear argument, supply sufficient evidence, and explain that evidence well. 
• The six step process will also be the same for all three essays. Remember that the six steps are: (1) Organizing Your Time, (2) Reading and Annotating, (3) Outlining the thesis (4) Outlining the structure (5) Writing [paragraphs, evidence, analysis] (6) Writing [sentences].

But, lots of things are different, too. So, you need to go through the six steps of the process in a slightly different way for each essay...

The Synthesis Essay: Six Steps

1. organizing your time.

As discussed in Part 1 , the first 45 minutes of the essay section (including both the “reading” and “writing” periods) should be devoted to the Synthesis Essay. During the first 15 minutes, which are the designated “reading period,” you should read the question and six sources, and begin to brainstorm and outline your essay. As the “writing period” opens—the first thirty minutes of which you will now devote to the Synthesis Essay—you should be finishing your outline, and beginning to write. You should then write for about 25, reserving 5 minutes to proofread.

2. Reading and Annotating

As you read the six sources, keep a running list of the pro or con arguments that you encounter, and the corresponding evidence. I suggest you take a piece of paper and divide it into two columns, pro and con. As you read through the sources, you can use the columns to keep track of arguments and evidence. At the same time, you should underline particularly compelling pieces of evidence supplied for the arguments you’re recording, like statistics or particularly persuasive turns of phrase. 

As you proceed, you may start to feel like you know which side you want to defend. Great! At that point, I would start paying closer attention to the evidence supplied for arguments for that side, carefully noting which quotes or details you might cite. That being said, I would not stop recording the arguments for the other side. These are going to be the types of counter-positions you will need to answer in your essay.

By the time you’re done taking notes, you should have a good list of the arguments available for defending each side, as well as some evidence for those arguments. Now, you can use that material to make an outline.

3. Outlining Part 1: Thesis

Go look at the AP Lang test grading rubric (printed at the very end of this guide ), and look at the sample excellent theses that graders are given as models for earning the 1 thesis point. They all clearly take a stance on one side or another of the issue. This isn’t the time to be wishy-washy or even-handed. It’s a time to be decisive, and clearly take a side. Your thesis may address both sides of the issue, but only in the process of clearly deciding on one of those sides. It may for example, read something like: “Though use of public libraries will, in the digital age, no doubt dwindle, they remain essential to the future of our nation, and should be maintained.” It should not read like this: “Use of public libraries will start to dwindle in the digital age, but they do still seem in many ways essential.” In the first case, you acknowledge both sides, but it’s clear which side you stand on: this is the best strategy to use for this essay.

4. Outlining Part 2: Structure

Many different types of structures have earned perfect scores for the Synthesis Essay. That being said, there are a few guidelines to follow. 

First, you need to have multiple body paragraphs (aim for three, though two can be ok if they are robust). Each of those paragraphs needs to make one clear point, and each of those paragraphs’ points needs to be stated clearly and completely in an initial topic sentence. 

There are also some new rules to follow here. You must give at least two strong reasons for why your side is correct. And you must, in some way, address counterarguments: likely rebuttals of your points, or strong arguments for the other side.

There are many different structures you might use to do both of these things, and which structure you choose will depend on the arguments you want to make, as well as the strongest arguments the other side might marshal. Here are some possible structures that have all worked in perfectly scored essays:

• Provide three different reasons why your side is right, each with its own paragraph. Address any potential counterarguments or concerns about these reasons, where necessary, within the paragraphs. 
• Provide two reasons why your side is right, in two paragraphs. In a third paragraph, address and answer the strongest argument or case for the other side.

5. Writing Part 1: Paragraphs, Evidence, Analysis

When you go to write, make sure:

• Each paragraph has a topic sentence.
• Each paragraph supplies evidence to support that topic sentence’s argument.
• The evidence is analyzed. For more information on any of these points, see Part 2 of this series.

There is one extra thing, though: you have to cite your sources. There are two ways to cite. First, you can simply make a point that one of the readings made, without quoting. Or, you can quote! I suggest that you quote directly at least once. It ensures that you are citing in detail, and you want to be citing and engaging with the arguments in detail. Be sure to put “Source #” or the author name in parentheses after your paraphrase or quote in order to cite the source.

6. Writing Part 2: Sentence by Sentence

Proofread your sentences, in the last few minutes. All the same principles apply ( see Part 2 for details ).

The Argument Essay: Six Steps

1-2. managing your time + brainstorming.

You have 45 minutes. But this essay should take you a bit less time than the other two, since it gives you no passages to read. Spend 5-7 minutes reading the question and then brainstorming/outlining. Then, spend the rest of the time writing, with some time at the end for proofreading. If you finish this essay before your 45 minutes are up, use your extra time to proofread everything you’ve written (all three essays). 

3-4. Outlining: Thesis and Structure

The same rules for thesis and structure from the Synthesis Essay apply to the Argument Essay. You need to take a clear position on the topic, even if you acknowledge the other side. And you need to provide multiple reasons for that position, while also addressing counterarguments. 

The difference, here, comes in the types of reasons you are going to give for your argument. In the Synthesis Essay, you were giving reasons largely supplied from the sources you read. Here, you have to come up with your own reasons and examples for them. In general, your reasons and examples are going to come from a few sources: 

• Your personal life and experience: you might tell a story from your own life to show why the principle you’re defending is true.
• Your knowledge of history, literature, or other nonfiction or school subjects: you might use an example of an event from a novel to support the point, or an anecdote from Renaissance history that you learned in school, or a tidbit from the biography of some inspiring person, like MLK or Marie Curie. 
• Your knowledge of current events: you might be able to supply a reason for your point that refers to some major, hot button issue of current events, like climate change, or Black Lives Matter, or the benefits and downsides of social media. 
• Your knowledge of other things: Know a lot about music? Or gardening? Or religion? Use examples from those domains.

What you might be gathering is that, in order to answer this essay question well, supplying arguments for general principles like “Money can’t buy happiness” or “quitters never win,” you need to know about…things. And as a teenager, you’ve only had so much time to get to know things. So, here’s what I advise: in preparation of the exam, make a list of 20 things that you are going to know about. Yes, you can choose common school topics like “The American Revolution” or The Scarlet Letter. But supplement those topics with the academic or political topics that you are actually interested in or passionate about, like the 1980s AIDS epidemic and struggle for LGBQT rights, or ancient Greek military history, or novels by Jane Austen or Toni Morrison, or the biography of an Olympic athlete. Passion speaks! Also, include some important or pivotal anecdotes from your life, especially times when you learned lessons. Once you have your list, make sure you actually know about these things. Know some details: dates, names, precise events, anecdotes, etc. Though you can’t predict what your Argument Essay question will be, having detailed knowledge of various topics will certainly help you out. 

5. Writing: Paragraphs (Evidence, Analysis)

As with the other essays, you still need topic sentences summarizing each paragraph’s argument (a reason for why your position is correct, drawing on some major example from history, culture, or personal life). You still need evidence for your argument (coming from your store of knowledge about…things). And you still need to analyze that evidence and explain why it proves your points, addressing counterarguments where possible. 

Only one more tip: when you supply your support, be detailed. Don’t refer to some event in your life in vague terms (“at first I found math hard, but then I practiced and got better”). Supply the details (“At first I found math hard, and in the first weeks of the term, I failed a test. Soon, however, I started to practice, drilling problems at my kitchen table every night, and asking my older brother to check over my work. By the end of the semester, I had greatly improved, and earned a B+ on the final exam.”). The same goes for historical or literary anecdotes: cite specific dates, names, events. In reading and writing, we call this “the reality effect”: an argument or story feels more real and more persuasive, when it includes little, hyper-specific details. “I ate some food,” doesn’t feel as real as, “Sitting on a bench in a park in West Palm Beach, I ate a banana and seven almonds.”

6. Writing: Sentence by Sentence

Proofread, at the end! The same tips from Part 2 apply.

Well, that just about covers the three AP Lang Essays! I have just two parting tips. First, practice, practice, practice. It will not feel easy writing three good essays at this pace the first time you do it (or the second, or the third). It will start to feel ok after many iterations, and that’s where you want to be. You don’t want your first, or even second time trying this out to be on test day. Second, try to have fun with it. Don’t go crazy, but psych yourself into getting into your essays. The readers can feel your enthusiasm. And they like it. Best of luck!

The   AP Exams are an opportunity for you to deepen your academic engagement, demonstrate your readiness for college learning, and earn college credit .  Our team of PhD candidates, composed of expert tutors like Tess, loves teaching AP material and helping students hone test taking strategies. Looking for customized AP support?

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How to Write the AP Lang Synthesis Essay + Example

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What is the ap lang synthesis essay, how will ap scores affect my college chances.

AP English Language and Composition, commonly known as AP Lang, is one of the most engaging and popular AP classes offered at most high schools, with over 535,000 students taking the class . AP Lang tests your ability to analyze written pieces, synthesize information, write rhetorical essays, and create cohesive and concrete arguments. However, the class is rather challenging as only 62% of students were able to score a three or higher on the exam. 

The AP Lang exam has two sections. The first consists of 45 multiple choice questions which need to be completed in an hour. This portion counts for around 45% of your total score. These questions ask students to analyze written pieces and answer questions related to each respective passage.  All possible answer choices can be found within the text, and no prior knowledge of literature is needed to understand the passages.

The second section contains three free-response questions to be finished in under two hours and 15 minutes. This section counts for 55% of your score and includes the synthesis essay, the rhetorical essay, and the argumentative essay.

• The synthesis essay requires you to read 6-7 sources and create an argument using at least three sources.
• The rhetorical analysis essay requires you to describe how a piece of writing evokes specific meanings and symbolism.
• The argumentative essay requires you to pick a perspective of a debate and create an argument based on the evidence provided.

In this post, we will take a look at the AP Lang synthesis essay and discuss tips and tricks to master this part of the exam. We will also provide an example of a well-written essay for review.  

The AP Lang synthesis essay is the first of three essays included in the Free Response section of the AP Lang exam. The exam presents 6-7 sources that are organized around a specific topic, with two of those sources purely visual, including a single quantitative source (like a graph or pie chart). The remaining 4-5 sources are text-based, containing around 500 words each. It’s recommended that students spend an hour on this essay—15 minute reading period, 40 minutes writing, and 5 minutes of spare time to check over work.

Each synthesis essay has a topic that all the sources will relate to. A prompt will explaining the topic and provide some background, although the topics are usually broad so you will probably know something related to the issue. It will also present a claim that students will respond to in an essay format using information from at least three of the provided sources. You will need to take a stance, either agreeing or disagreeing with the position provided in the claim. 

According to the CollegeBoard, they are looking for essays that “combine different perspectives from sources to form a support of a coherent position.” This means that you must state your claim on the topic and highlight relationships between several sources that support your specific position on the topic. Additionally, you’ll need to cite clear evidence from your sources to prove your point.

The synthesis essay counts for six points on the AP Lang exam. Students can receive 0-1 points for writing a thesis statement, 0-4 based on the incorporation of evidence and commentary, and 0-1 points based on the sophistication of thought and demonstration of complex understanding.

While this essay seems extremely overwhelming, considering there are a total of three free-response essays to complete, with proper time management and practiced skills, this essay is manageable and straightforward. In order to enhance the time management aspect of the test to the best of your ability, it is essential to divide the essay up into five key steps.

Step 1: Analyze the Prompt

As soon as the clock starts, carefully read and analyze what the prompt asks from you. It might be helpful to markup the text to identify the most critical details. You should only spend around 2 minutes reading the prompt so you have enough time to read all the sources and figure out your argument. Don’t feel like you need to immediately pick your stance on the claim right after reading the prompt. You should read the sources before you commit to your argument.

Step 2: Read the Sources Carefully

Although you are only required to use 3 of the 6-7 sources provides, make sure you read ALL of the sources. This will allow you to better understand the topic and make the most educated decision of which sources to use in your essay. Since there are a lot of sources to get through, you will need to read quickly and carefully.

Annotating will be your best friend during the reading period. Highlight and mark important concepts or lines from each passage that would be helpful in your essay. Your argument will probably begin forming in your head as you go through the passages, so you will save yourself a lot of time later on if you take a few seconds to write down notes in the margins. After you’ve finished reading a source, reflect on whether the source defends, challenges, or qualifies your argument.

You will have around 13 minutes to read through all the sources, but it’s very possible you will finish earlier if you are a fast reader. Take the leftover time to start developing your thesis and organizing your thoughts into an outline so you have more time to write. 

Step 3: Write a Strong Thesis Statement 

In order to write a good thesis statement, all you have to do is decide your stance on the claim provided in the prompt and give an overview of your evidence. You essentially have three choices on how to frame your thesis statement: You can defend, challenge or qualify a claim that’s been provided by the prompt. 

• If you are defending the claim, your job will be to prove that the claim is correct .
• If you are challenging the claim, your job will be to prove that the claim is incorrect .
• If you choose to qualify the claim, your job will be to agree to a part of the claim and disagree with another part of the claim. 

A strong thesis statement will clearly state your stance without summarizing the issue or regurgitating the claim. The CollegeBoard is looking for a thesis statement that “states a defensible position and establishes a line of reasoning on the issue provided in the prompt.”

Step 4: Create a Minimal Essay Outline

Developing an outline might seem like a waste of time when you are up against the clock, but believe us, taking 5-10 minutes to outline your essay will be much more useful in the long run than jumping right into the essay.

Your outline should include your thesis statement and three main pieces of evidence that will constitute each body paragraph. Under each piece of evidence should be 2-3 details from the sources that you will use to back up your claim and some commentary on how that evidence proves your thesis.

Step 5: Write your Essay

Use the remaining 30-35 minutes to write your essay. This should be relatively easy if you took the time to mark up the sources and have a detailed outline.  Remember to add special consideration and emphasis to the commentary sections of the supporting arguments outlined in your thesis. These sentences are critical to the overall flow of the essay and where you will be explaining how the evidence supports or undermines the claim in the prompt.

Also, when referencing your sources, write the in-text citations as follows: “Source 1,” “Source 2,” “Source 3,” etc. Make sure to pay attention to which source is which in order to not incorrectly cite your sources. In-text citations will impact your score on the essay and are an integral part of the process.

After you finish writing, read through your essay for any grammatical errors or mistakes before you move onto the next essay.

Here are six must-have tips and tricks to get a good score on the synthesis essay:

• Cite at least four sources , even though the minimum requirement is three. Remember not to plagiarize and cite everything you use in your arguments.
• Make sure to develop a solid and clear thesis . Develop a stable stance for the claim and stick with it throughout the entire paper.
• Don’t summarize the sources. The summary of the sources does not count as an argument. 
• You don’t necessarily have to agree with the sources in order to cite them. Using a source to support a counterargument is still a good use of a source.
• Cite the sources that you understand entirely . If you don’t, it could come back to bite you in the end. 
• Use small quotes , do not quote entire paragraphs. Make sure the quote does not disrupt the flow or grammar of the sentence you write. 

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Here is an example prompt and essay from 2019 that received 5 of the 6 total points available:

In response to our society’s increasing demand for energy, large-scale wind power has drawn attention from governments and consumers as a potential alternative to traditional materials that fuel our power grids, such as coal, oil, natural gas, water, or even newer sources such as nuclear or solar power. Yet the establishment of large-scale, commercial-grade wind farms is often the subject of controversy for a variety of reasons.

Carefully read the six sources, found on the AP English Language and Composition 2019 Exam (Question 1), including the introductory information for each source. Write an essay that synthesizes material from at least three of the sources and develops your position on the most important factors that an individual or agency should consider when deciding whether to establish a wind farm.

Source A (photo)

Source B (Layton)

Source C (Seltenrich)

Source D (Brown)

Source E (Rule)

Source F (Molla)

In your response you should do the following:

• Respond to the prompt with a thesis presents a defensible position.
• Select and use evidence from at least 3 of the provided sources to support your line of reasoning. Indicate clearly the sources used through direct quotation, paraphrase, or summary. Sources may be cited as Source A, Source B, etc., or by using the description in parentheses.
• Explain how the evidence supports your line of reasoning.
• Use appropriate grammar and punctuation in communicating your argument.

[1] The situation has been known for years, and still very little is being done: alternative power is the only way to reliably power the changing world. The draw of power coming from industry and private life is overwhelming current sources of non-renewable power, and with dwindling supplies of fossil fuels, it is merely a matter of time before coal and gas fuel plants are no longer in operation. So one viable alternative is wind power. But as with all things, there are pros and cons. The main factors for power companies to consider when building wind farms are environmental boon, aesthetic, and economic factors.

[2] The environmental benefits of using wind power are well-known and proven. Wind power is, as qualified by Source B, undeniably clean and renewable. From their production requiring very little in the way of dangerous materials to their lack of fuel, besides that which occurs naturally, wind power is by far one of the least environmentally impactful sources of power available. In addition, wind power by way of gearbox and advanced blade materials, has the highest percentage of energy retention. According to Source F, wind power retains 1,164% of the energy put into the system – meaning that it increases the energy converted from fuel (wind) to electricity 10 times! No other method of electricity production is even half that efficient. The efficiency and clean nature of wind power are important to consider, especially because they contribute back to power companies economically.

[3] Economically, wind power is both a boon and a bone to electric companies and other users. For consumers, wind power is very cheap, leading to lower bills than from any other source. Consumers also get an indirect reimbursement by way of taxes (Source D). In one Texan town, McCamey, tax revenue increased 30% from a wind farm being erected in the town. This helps to finance improvements to the town. But, there is no doubt that wind power is also hurting the power companies. Although, as renewable power goes, wind is incredibly cheap, it is still significantly more expensive than fossil fuels. So, while it is helping to cut down on emissions, it costs electric companies more than traditional fossil fuel plants. While the general economic trend is positive, there are some setbacks which must be overcome before wind power can take over as truly more effective than fossil fuels.

[4] Aesthetics may be the greatest setback for power companies. Although there may be significant economic and environmental benefit to wind power, people will always fight to preserve pure, unspoiled land. Unfortunately, not much can be done to improve the visual aesthetics of the turbines. White paint is the most common choice because it “[is] associated with cleanliness.” (Source E). But, this can make it stand out like a sore thumb, and make the gargantuan machines seem more out of place. The site can also not be altered because it affects generating capacity. Sound is almost worse of a concern because it interrupts personal productivity by interrupting people’s sleep patterns. One thing for power companies to consider is working with turbine manufacturing to make the machines less aesthetically impactful, so as to garner greater public support.

[5] As with most things, wind power has no easy answer. It is the responsibility of the companies building them to weigh the benefits and the consequences. But, by balancing economics, efficiency, and aesthetics, power companies can create a solution which balances human impact with environmental preservation.

More examples can be found here at College Board.

While AP Scores help to boost your weighted GPA, or give you the option to get college credit, AP Scores don’t have a strong effect on your admissions chances . However, colleges can still see your self-reported scores, so you might not want to automatically send scores to colleges if they are lower than a 3. That being said, admissions officers care far more about your grade in an AP class than your score on the exam.

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Yvonne Bruce, Melanie Gagich, and Svetlana Zhuravlova

Synthesis as  Conversation Among the Authors of Your Source Materials

To synthesize is to combine ideas and create a completely new idea. That new idea becomes the conclusion you have drawn from your reading. This is the true beauty of reading: it causes us to weigh ideas, to compare, judge, think, and explore—and then to arrive at a moment that we hadn’t known before. We begin with simple summary , work through analysis , evaluate using critique , and then move on to synthesis .

How do you synthesize?

Synthesisis a common skill we practice all the time when we converse with others on topics we have different levels of knowledge and feeling about. When you argue with your friends or classmates about a controversial topic like abortion or affirmative action or gun control, your overall understanding of the topic grows as you incorporate their ideas, experiences, and points of view into a broader appreciation of the complexities involved. In professional and academic writing, synthesizing requires you to seek out this kind of multi-leveled understanding through reading, research, and discussion. Though, in academic writing, this is another kind of discussion: you set the goal for the discussion, organize the discussion among the authors of your found researched materials, orchestrate the progress of the discussion, provide comments and build logical guidance for your audience (readers of your Synthesis Essay), and finally you draw your conclusion on the topic.

Below are some steps you can use to help you synthesize research:

• Determine the goal(s) for your discussion such as reviewing a topic or supporting an argument
• Organize the discussion among the authors of your found researched materials
• Lead the discussion among the authors of your sources
• Provide comments and build logical guidance for your audience
• Summarize the most vivid of the authors’ examples and explanations
• Finally, draw your unique conclusion on the topic: in fact, the answer to your research question

See Appendix B for examples

What synthesis is NOT

Synthesizing does not mean summarizing everyone’s opinion: “Julia is pro-life, and Devon is pro-choice, and Jasmine says she thinks women should be able to have abortions if their life is in danger or they’ve been the victims of rape or incest.”

Synthesizing does not mean critiquing opinions: “Rick tried to defend affirmative action, but everyone knows it’s really reverse racism.”

Synthesizing does not simply comparative  texts (unless assigned as such by your instructor). You are neither evaluating nor comparing the effectiveness of the authors’ presentations.

What synthesis IS

Instead, synthesis demonstrates YOUR full, objective, empathetic understanding of a topic from multiple perspectives. When you synthesize, you “cook” the ideas and opinions of others by thinking, talking, and writing about them, and what comes out is a dish full of many blended flavors but uniquely your recipe: “Because feelings about gun control are so strong on all sides, and because outlawing semi-automatic weapons will not solve the problem of illegal handguns that are implicated in most gun crimes in the United States, any solution to the problem of our gun violence will likely require greater efforts to reduce illegal weapons, greater responsibility taken by gun manufacturers, and better enforcement of existing legislation rather than new legislation or constitutional change.”

Notice that this synthesis does not crouch behind limited and thoughtless positions: “You can’t change the Second Amendment!” “Ban all guns!” This synthesis instead tries to depict hard reality: guns are an integral part of American culture, and so is gun violence, and limiting the latter can not be done without impacting the former. This synthesis reserves judgment and aims for understanding.

For a more in-depth explanation of what synthesis writing is, what its goals are and how you can approach synthesis, visit the Writing Commons article “ Identifying a Conversation “

5.2 Synthesizing in Your Writing by Yvonne Bruce, Melanie Gagich, and Svetlana Zhuravlova is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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AP English Language and Composition: Sample Rhetorical Analysis and Synthesis Questions

April 9, 2024.

The Rhetorical Analysis and Synthesis Essays are two of the three essays you’ll need to write as part of the AP English Language and Composition Exam . Read on for a sample of each, as well as tips for how to answer them. 

AP English Language and Composition: Sample Rhetorical Analysis Question

Read the following passage published back in 1967 by The New York Times. Then write an essay in which you analyze how the structure of the passage and the use of language help convey the writer’s views.

Sample Question Instructions:

• Respond to the prompt with a thesis that may establish a line of reasoning.
• Select and use evidence to develop and support the line of reasoning.
• Explain the relationship between the evidence and the thesis.
• Demonstrate an understanding of the rhetorical situation.
• Use appropriate grammar and punctuation in communicating the argument.

Americans and Western Europeans, in their sensitivity to lingering problems around them, tend to make science and progress their scapegoats. There is a belief that progress has precipitated widespread unhappiness, anxieties, and other social and emotional problems. Science is viewed as a cold mechanical discipline having nothing to do with human warmth and the human spirit. 

But to many of us from the nonscientific East, science does not have such repugnant associations. We are not afraid of it, nor are we disappointed by it. We know all too painfully that our social and emotional problems festered long before the age of technology. To us, science is warm and reassuring. It promises hope. It is helping us at long last gain some control over our persecutory environments, alleviating age-old problems—not only physical but also, and especially, problems of the spirit.

Shiraz, for example, a city in southern Iran, has long been renowned for its rose gardens and nightingales; its poets, Sadi and Hafiz; and its mystical, ascetic philosophy, Sufism. Much poetry has been written in glorification of the spiritual attributes of this oasis city. And to be sure, Shiraz is a green, picturesque town, with a quaint bazaar and refreshing gardens. But in this “romantic” city thousands of emotionally disturbed and mentally retarded men, women, and children were, until recently, kept in chains in stifling prison cells and lunatic asylums. 

Every now and again, some were dragged, screaming and pleading, to a courtyard and flogged for not behaving “normally.” But for the most part, they were made to sit against damp walls, their hands and feet locked in chains, and thus immobilized, without even a modicum of affection from their helpless families and friends, they sat for weeks and months and years—often all their lives. Pictures of these wretched men, women, and children can still be seen in this “city of poetry,” this “city with a spiritual way of life.” 

It was only recently that a wealthy young Shirazi who, against the admonitions of his family, had studied psychology at the University of Tehran and foreign universities, returned to Shiraz and after considerable struggle with city officials succeeded in opening a psychiatric clinic, the first in those regions. After still more struggle, he arranged to have the emotionally disturbed and the mentally retarded transferred from prison to their homes, to hospitals, and to his clinic, where he and his staff now attend them. 

They are fortunate. All over Asia and other backward areas, emotionally disturbed men and women are still incarcerated in these medieval dungeons called lunatic asylums. The cruel rejection and punishment are intended to teach them a lesson or help exorcise evil spirits. 

The West, still bogged down in its ridiculous romanticism, would like to believe that emotional disturbances, dope addiction, delinquency are all modern problems brought on by technological progress, and that backward societies are too spiritual and beautiful to need the ministrations of science. But while the West can perhaps afford to think this way, the people of backward lands cannot. . . . 

. . .The obstacles are awesome, the inertia too entrenched, the people’s suffering too anguished, their impatience too eruptive. Moreover, the total cultural reorganizations such as Asia and Africa are undergoing inevitably engender their own temporary dislocations and confusions. But their goals, the direction, remain constant. We are on the move, however awkwardly at first, to a saner, better world.

How to Answer the AP English Language and Composition Rhetorical Analysis Question

Go back to the original question, which asks you to analyze two features of the passage: (1) its structure, or organization, and (2) its language. The first aspect is fairly specific. As you read the passage, you need to observe what the author discusses first, second, third, and so on. Your essay should explain not only the order of ideas but the reasons the author may have chosen that order. 

The second part of the question is more general. It invites you to analyze the use of language, which may include the author’s choice of words (diction), syntax (word order), figures of speech, use of evidence (such as statistics or logical reasoning), sentence structure, rhythm, sound, tone, or just about any other characteristics of style and rhetoric you choose. 

Although the question directs you to write about two different aspects of the passage, the essay itself should be unified. That is, a good essay should not consist of, say, two disparate paragraphs, one exclusively devoted to structure and another to language. Rather, the essay should include material that shows the interrelationship of structure and language in the passage and how those elements contribute to the meaning and effect of the passage. This might be covered in a separate paragraph, or it could be woven into the overall fabric of the essay. 

Before you begin to write, read the passage at least twice: once for an overview and once as you write your analysis. You may notice early on that the opening paragraph contains generalizations about Westerners’ concepts of science and progress. Then the author contrasts the Western view of science and progress with the Eastern view. Immediately, you see that the author, by using the first-person pronoun (as in “many of us”) is speaking from the perspective of an Easterner. Consequently, his discussion of Eastern views is apt to come across as more well-informed, more authoritative, perhaps more personal. 

To support his position, the author gives an extended example—the city of Shiraz—to illustrate just how different the East is from the West. The description and vivid images of Shiraz memorably convey the idea that the “spiritual way of life” has a side to it that many Westerners don’t know about. This is the heart of the passage. The use of quotation marks around “romantic” and “city of poetry” is meant to point out the discrepancy between the idealized and real versions of Shiraz. 

Nearing the end, the author reiterates his initial contrast between West and East, with emphasis on the East. The last paragraph offers a generalized statement about conditions in Asia and Africa, reminding the reader of the contrast made at the very beginning of the passage. Tying the end to the beginning of the passage creates a sense of unity—a desirable feature in any piece of writing.

AP English Language and Composition: Sample Argument Question

The following paragraph is adapted from Mirror for Man, a book written by anthropologist Clyde Kluckhorn in the middle of the twentieth century. Read the passage carefully. Then, write an essay that examines the extent to which the author’s characterization of the United States holds true today. Use appropriate evidence to support your argument. 

Sample Question Instructions: 

• Respond to the prompt with a thesis that may establish a line of reasoning. 
• Select and use evidence to develop and support the line of reasoning. 
• Explain the relationship between the evidence and the thesis. 
• Demonstrate an understanding of the rhetorical situation. 

Technology is valued as the very basis of the capitalistic system. Possession of gadgets is esteemed as a mark of success to the extent that persons are judged not by the integrity of their characters or by the originality of their minds but by what they seem to be—so far as can be measured by their wealth or by the variety and material goods which they display. “Success” is measured by their investments, homes, and lifestyles— not by their number of mistresses as in some cultures.

How to Answer the AP English Language and Composition Argument Question

Whether you agree, disagree, or have mixed views on the content of the passage, your job is to write a convincing argument that expresses your opinion. Initially, the word argument may suggest conflict or confrontation. But rest assured that your essay need not be combative. Rather, make it a calmly-reasoned explanation of your opinion on a debatable subject. Your goal is to persuade the reader that your opinion, supported by examples, facts, and other appropriate evidence, is correct. 

If you have strong feelings about the topic, of course you should state them in your essay. But express them in calm, rational language. Be mindful that the essay should not be an emotional rant for or against the issue. 

Consider first whether you agree with Kluckhorn’s definition of “success.” Is it, as Kluckhorn asserts, measured by income and material possessions? Or do you think that a more accurate standard of success in today’s America should be determined by less tangible criteria—things such as happiness or self-respect? Or do you stand somewhere in between those two extremes? 

The actual position you take on the issue is less crucial than your ability to support it fully by drawing from your knowledge, background, experience, or observation. Regardless of your position, be sure to include more than one example. An argument that relies on a single example, however compelling, will fall flat. 

In the prompt, Kluckhorn’s notion of success seems to refer broadly to American society. Resist responding in kind. That is, a short essay shouldn’t focus on the whole of society but only on an identifiable segment—perhaps college-educated professionals or urban, blue- collar Americans. The point is that a narrowly focused essay on a limited topic will always turn out better than one that tries to cover too much ground in just a few paragraphs.

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