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The 33 Best Fonts for PowerPoint Presentations

• BY Bogdan Sandu
• 7 February 2024

Picture this: You’ve crafted the most compelling PowerPoint, your content’s pure gold. But wait, does your font scream snooze fest or radiate confidence?  That’s where I step in .

Slide design  isn’t just about pretty visuals; it’s the fine print too. Think about it, the  legibility ,  typography , and  sans-serif charm  that could make or break your presentation. We’re diving into a world where  Arial  isn’t the alpha, and  Calibri  has companions.

By the end of this deep-dive, you’ll be armed with  examples of the best fonts for PowerPoint presentations . Fonts that won’t just hold your audience’s gaze but glue it to the screen.

From  PowerPoint font styles  to mastering the  visual hierarchy in slides , I’ve got your back. We’re talking  readability , professionalism, and those oh-so-subtle nuances of  typeface selection .

Ready to transform your text from  meh  to  magnificent ? Let’s turn that tide with typeface.

Top Fonts for PowerPoint Presentations

Serif Fonts

Serif fonts are the old souls of typography. They’re classic, elegant, and have a touch of sophistication. Think of them like a fine wine – they just make everything look more refined.

Times New Roman

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Microsoft 365 Life Hacks > Presentations > Choosing the Right Font For Your PowerPoint Presentation

Choosing the Right Font For Your PowerPoint Presentation

Whether it’s for a professional conference or middle school book report, it’s important to know the best font to use for your PowerPoint presentation . Believe it or not, fonts are a big part of the overall design of your presentation —and they can make a world of difference! Some convey a lighthearted message, while others can show authority, and so on.

In this guide, we’ll take a closer look at:

• The different styles of fonts
• The 5 most popular fonts
• How to embed fonts, and more.

What are the different styles of fonts? Before we get too deep into each font and what looks best, let’s examine font styles and how they’re classified.

• Sans-serif fonts. Most serif fonts are easy to identify because of the tiny flags or projections on the ends of the characters. Serifs make distinguishing a lowercase L from a capital I in print easy.
• Serif fonts. Sans-serif fonts are commonly used in digital media because serifs can make letters difficult to see if an image or screen is low-resolution.
• Script fonts. Script fonts are also known as handwritten fonts because of the looping letters that make them look like cursive or calligraphy. Most people find it difficult to read more than a few sentences in a script font, so they’re best limited to a few words or a single phrase.
• Monospaced fonts. Even when writing by hand, you’ll notice that not all letters take up the same amount of space. Monospaced fonts buck this trend by allotting the same amount of space laterally for all letters, similar to a typewriter.
• Display fonts. Display fonts can also be known as fantasy or decorative fonts. These aren’t typically used for anything besides signage, banners, logos, or other text that’s isolated. Using display fonts for multiple sentences or a full paragraph isn’t a good practice because they can be hard to read or off-putting after a while.

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What are the 5 most popular fonts in presentations and why? A common theme you’ll notice when looking at the best fonts for PowerPoint is that they’re traditionally sans-serif fonts. Why? Well, this style is much easier to read from a distance and won’t feel cramped if letters are bolded. Additionally, the minimalistic style of sans-serif fonts isn’t distracting from the material or the speaker. Let’s look at five fonts that fit the best practices for a winning presentation .

Note: You’ll notice a serif font on this list, but we’ll address it when we get there.

• Roboto. Roboto is a sans-serif font that’s relatively basic, with sharp edges and rounded loops, counters, and bowls (the rounded parts of letters) without going overly bold or too thin. You can be safe using Roboto for just about any presentation.
• Verdana. Despite the font size you choose, not all fonts display the same. Verdana is a larger sans-serif font that can make it easier to display information without taking your font up an extra size.
• Helvetica. A point of differentiation between Helvetica and other sans-serif fonts is the weight toward the top of the letters. The top of every lowercase letter and the midpoint of every capital letter go to a thick midline’s upper edge. For instance, the top of every lowercase letter reaches the same horizontal point as the top of the crossbar on an H. This unique feature makes the Helvetica type look larger and bolder than it really is, which makes it great for headings and titles.
• Tahoma. Tahoma is different from the previous sans-serif fonts in that it is thinner than the others. While Tahoma might not have the same impact for a heading or title as Helvetica, it’s perfect for body text and fitting into smaller spaces without crowding.
• Palatino Linotype. Serif fonts have long been considered a no-no with digital publications, but with the advent of high-resolution computer monitors, tablets, smartphones, and TVs, they’re fine. What’s more, the serifs on Palatino Linotype aren’t incredibly prominent, so they make for a subtle nod to old-style fonts without over-embellishing.

How do you embed fonts in PowerPoint ? If you’re sharing your presentation with a friend, classmate, or colleague, you could be at risk of the fonts you used transferring properly to their device. For example, if you have a font you love using and installed it onto your computer, they might not have the same font. So, if you send your presentation to them, there could be formatting errors as their device defaults to a different font. Keep this from happening by embedding your font in PowerPoint using these easy steps:

• Click the “File” tab.
• Move down to the lower-lefthand corner of the window and click “Options.”
• Click “Save” on the left side of the screen.
• Scroll down to the section titled “Preserve fidelity when sharing this presentation:”
• Click the box next to “Embed fonts in the file.”
• If you or someone else will be using the presentation on a different device, then select the first option, “Embed only the characters used in the presentation (best for reducing file size).” If you or someone else will be editing the presentation on a different device, then select the second option, “Embed all characters (best for editing by other people).”
• Click “OK.”

There you have it! Choosing the best font for PowerPoint doesn’t have to be difficult. The most important part is making sure that the font is easy to read, and sans-serif fonts are usually a good way to go. By the way, it’s always a good idea to get a second set of eyes on your presentation before your big speech—and be sure to practice it a few times to iron out the kinks !

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Home Blog Design 20 Best PowerPoint Fonts to Make Your Presentation Stand Out in 2024

20 Best PowerPoint Fonts to Make Your Presentation Stand Out in 2024

What makes or kills a first impression during any presentation is your usage of typefaces in the slide design. There are common sins that we should avoid at all costs, but mostly, there are tactics we can learn to feel confident about designing presentation slides for success.

In this article, we shall discuss what makes a quality typeface to use in presentation slides, the difference between fonts and typefaces (two terms mistakenly used interchangeably), and several other notions pertinent to graphic design in an easy-to-approach format for non-designers. At the end, you will have a better idea of which are the best fonts to use for presentations. Let’s get started.

Table of Contents

Font vs. Typeface: What’s the difference?

Serif vs. sans serif, 6 elements you should consider when picking a typeface for presentation design, how to install a font in powerpoint.

• 20 Best PowerPoint Fonts

10 Best PowerPoint Fonts combinations for presentations

Considerations before presenting or printing a slide regarding typefaces, recommended font pairing tools & other resources, closing thoughts.

Most people are familiar with the term font , but what if we tell you it is wrongly used and you intend to say another word? Let’s start by defining each term.

A typeface is a compendium of design elements that set the style of any lettering medium. The misconception comes as the typeface is the set of rules that form a family in style, and the font is the implementation of those rules in practical elements. How so? Well, a font is part of a typeface family and can list variations , i.e., light, regular, bold, heavy, etc. 

Putting it into simpler terms, a font is part of a typeface, and typefaces are set to classes depending on their graphical elements. That categorization stands as:

• Blackletter

Up to this point, you may ask yourself: what is the whole point of the serif? Well, there’s a little bit of story behind it. Back in the old days, when writings were made in stone, engravers added extra glyphs at the end of each letter, as a consequence of the chisel mark. In 1465, with the development of the type printing press by Johannes Gutenberg , the Gothic’s overly-ornamented Blackletter style – used mostly for ecclesiastical purposes – was the go-to typeface to use as it mimicked the formal handwriting style. There was a problem, though, and it arose as such typefaces required lengthy space to produce a book, increasing printing costs. This is where the first pure serif types started to emerge, but readability remained a problem; especially when Renaissance’s calligraphy style didn’t offer an alternative.

These concepts were revised by the 18th century when a pursuit for aesthetics gave birth to newer, slim versions of the serif script. By 1757, John Baskerville introduced what we now know as Transitional typefaces, intended as a refinement to increase legibility. The end of the 18th century saw the inception of modern serif typefaces, which came from the hand of designers Firmin Didot and Giambattista Bodoni. Their work altered the appearance of standard serif typefaces to make the metal engraving process a high-quality process. This is what we now know as the Didone typeface family. 

19th century introduced the slab serifs , also known as Egyptian, which changed communication media as large-scale advertisement quickly adopted this style. In case you wonder if you ever saw this style, remember the large bold letters that newspapers used for headings. The evolution of this typeface style came in 1816, with William Caslon’s “ Caslon Egyptian ” style, or the two-lines style. This is the very first sans serif typeface ever recorded, and its continuity in style or alterations saw a massive process during the 20th century.

It is quite the process that led to what we now know as sans serif typefaces, and such a road was paved for the sake of legibility and style. Nowadays, there’s little doubt about these two typeface families as you can easily identify iconic styles such as “Times New Roman” and clearly differentiate them from sans serif families like “Arial.” In the graphic below, you can appreciate the glyphs that distinctively give the serif typefaces their style.

Moving on to the parts that pique our interest as presenters, you should consider some implicit rules before starting a PowerPoint design. 

Functionality

Let’s be hyper-clear on this point: not every typeface works for your intended purpose. Legibility should be your primal focus, way more than design, as what’s the point of using a cool-looking typeface if no one can get a clue of what’s written? 

Functionality refers to the usage of a typeface at different sizes across a document. Do you ever wonder why you see the same typeface on eye testing boards? Usually is a slab serif, with its sans serif alternative, and the same font is repeated, downscaling its size to test your visual acuity. If, said typeface, had “catchy” glyphs, you would require twice as much time actually to read the type below the average 24pt in a board.

Language support

This is a common, and painful, pitfall many non-English speakers do. They fall in love with a typeface after browsing an English-based website, but whenever they apply it to a personal project, they find they cannot use their average characters. Which characters are those?

• Ø – in Nordic languages.
• Ö – also known as umlaut in German, is commonly used in Turkish, Nordic, and Baltic languages.
• Á – the acute accent used in most Latin-based languages such as Spanish, Italian, Portuguese, and French.
• Ô – the circumflex, mostly used by Portuguese-speaking users but also French.
• Ç – the cedilla, used in Portuguese, French, Catalán, and Turkish (the ? character, for example).
• Ã – the tilde, common in Portuguese.

And those are just some examples extracted from the Latin alphabet. The problem even worsens if we intend to use Cyrillic, Greek, Hindi, or other Asiatic alphabets (which don’t fall into Chinese, Japanese, or Korean typical logographic style). For this reason, we emphasize testing the characters you will mostly use throughout a standard written text, just not to come across nasty surprises.

Some font families offer support for multi-language applications across the same alphabet. Others, restrict their compatibility in terms of certain characters (i.e., the acute accent in Spanish), but sometimes, that renders as a distorted character that looks awful at any written copy.

Multiple weights

We want to expose this point by first explaining what weight means for a font family. As previously mentioned, fonts are part of a typeface; they are their implementation in terms of style. Well, fonts include variations within the same specific family style that makes the text look thinner or bolder. That’s known as font weight and can be classified in two ways.

Name classification:

• Thin Italic
• Medium Italic
• Semibold (also known as Demi Bold)
• Semibold Italic
• Bold Italic
• Heavy (also known as Black)
• Heavy Italic

Web designers and graphic designers often use a number-based scale, which is inherited from CSS.

• 100 – Thin
• 200 – Extra Light
• 300 – Light
• 400 – Normal or Regular
• 500 – Medium
• 600 – Semibold
• 700 – Bold
• 800 – Extra Bold
• 900 – Black

Now you know the reason why some places like Google Fonts often show numbers next to the name definition of it.

Not every typeface can be used for any project. Some typefaces can be acquired for a fee through sites like MyFonts.com , but their usage does not allow commercial use. What exactly does this mean?

Let’s say you created a product, and you love the Coca-Cola lettering style. Well, you want to use the Coca-Cola typeface, which is trademarked, as the typeface for your logo. Everything sounds fantastic until your designer warns you that it’s impossible.

Brands that create typefaces for their logos, which is a common practice to deliver the originality factor into the brand, restrict the usage of their intellectual property for commercial use as they don’t want to be associated with the wrong kind of message. Okay then, what happens when a kid uses those typefaces on a school project? This writer sincerely doubts a company shall put their legal team to prosecute a student; most likely, they feel it is part of their brand awareness and cultural influence. That same argument won’t be used if a particular is intending to use the typeface to make a profit with a non-branded product, and you will be legally requested to ditch the design altogether. 

Therefore, before opting for a typeface, don’t fall prey to using a fancy, trademarked, typeface. 

The unknown-typeface strikes again

This is another common pitfall if you attend multiple presentations or if you work in the printing business. How often does a user feel annoyed that the presentation “looked different” at home? Fonts are the culprit for this.

Whenever you work on a presentation using local-based software, like PowerPoint, the typefaces you pick are the ones installed on your computer. Therefore, if you change devices, the typefaces won’t be available. We will retake this topic later, but consider always working with well-known typefaces available on any computer rather than innovation.

Sins of type

Finally, we want to conclude this section with the vices you should avoid at all costs whenever working with type in presentations. 

• Using multiple typefaces on the same document: As a rule, don’t use more than 3 typefaces across your presentation slides design. Increasing the number of typefaces won’t make it more appealing; quite the opposite, and you should be mindful that if your images contain text, they have to match the existing typefaces in the presentation. 
• DO NOT use Comic Sans: By all means, do yourself a favor. There are multiple reasons why designers feel like having a stroke whenever Comic Sans enters the scene, but if you want a straightforward reason why, it makes your work look childish, unprofessional, and unfit for its purpose.
• Script fonts for the body of text : Legible typefaces are required in long text areas to make the reader feel comfortable. Script fonts are not intended for readability but for design purposes. If your text is long, work with serif or sans serif typefaces (slab serif won’t do good as well).
• Excess tracking : Tracking refers in typography to the space between words, and the perfect way to point this out is by referring to the Justify paragraph alienation, which often leaves heavy white areas between words. Excess tracking makes the text look boring and hard to read.

Installing a font in PowerPoint doesn’t mean installing it as a third-party plugin; you must install the font family into the operating system (OS). 

Installing a font in Windows

Method 1 – Via Contextual Menu

• Download your desired font family. Extract the zip file you obtain.
• Right-click the font files you obtain from the zip (they can be in OpenType or TrueType format). Click on Install on the contextual menu. 
• You will be prompted to give admin rights to make changes to your computer. If you trust the source, then click yes. 

Method 2 – Via C: Drive

• Open a new File Explorer window. Search this path: C:\Windows\Fonts. That’s where fonts are stored in any Windows OS. 
• Copy the files from your extracted zip file or folder containing fonts.
• Paste the fonts by right-clicking inside the Fonts folder, then click Paste .

Relaunch the opened applications to see the effects of installing a font.

Installing a font on Mac

Mac OS requires a different procedure for installing fonts. First, access the Font Book app. 

After launching Font Book, go to File > Add Fonts to Current User . Double-click the font file. 

The Font Book app validates the integrity of the font file and if there are duplicate fonts. For more detailed instructions and troubleshooting on Mac font install procedures, check this guide by Apple .

20 Best Fonts for PowerPoint

Now it’s time to explore what you’ve been looking for: the best fonts for PowerPoint! This is a list of typefaces intended for multiple uses in slides, and it will certainly boost your PowerPoint design ideas for the greater.

#1 – Tahoma Font

This typeface is typically used in PowerPoint slides, emails, Word documents, and more. It resembles Verdana but with a smaller kerning (distance between characters). Due to that, it feels slimmer, professional and works perfectly on multiple devices. This is one of the best fonts for presentation that you can consider to use.

Recommended font pairing: Georgia, Brandon Grotesque, Helvetica Neue, Palatino, Arial.

#2 – Verdana Font

Verdana is a sans serif classic commonly used for citations, disclaimers, and academic documents. It is available on both Windows and Mac as a pre-installed font, which would solve your problems if you have to deliver presentations on multiple devices (which may not be yours).

Recommended font pairing: Arial, Lucida Grande, Futura, Georgia.

#3 – Roboto

Another delicate sans serif font that is ideal for text bodies. It is rated among the best fonts for PowerPoint readability and presentations, so you can easily pair it with more prominent font families. You may recognize this typeface as it is the default Google Maps uses.

Recommended font pairing: Oswald, Gill Sans, Garamond, Open Sans, Teko, Crimson Text.

#4 – Rockwell

Including visually attractive elements is crucial when looking for the best fonts for presentations, so why not combine a professional style with a slab serif typeface like Rockwell?

It is ideal for headings, especially if used in its bold font weight and paired with a sans serif for the body.

Recommended font pairing: Helvetica Neue, Gill Sans, Futura, DIN Mittelschrift.

#5 – Open Sans

This is easily one of the most versatile sans-serif fonts you can find! It is commonly used in presentation slides as both heading and body, varying font-weight, but you can also create powerful combinations with different typefaces.

Recommended font pairing: Roboto, Brandon Grotesque, Montserrat, Oswald, Lora, Raleway.

#6 – Lato

A typeface intended for digital mediums, one of its biggest advantages is its wide range of font weights – much like Open Sans. It is ideal for headings in minimalistic-themed presentations, but it can work perfectly as body text if paired with a serif font or a script one.

Recommended font pairing: Montserrat, Oswald, Roboto, Merriweather.

#7 – Futura

This sans serif typeface was designed by Paul Renner in 1927 and remains a preferred choice of designers thanks to its clean aspect with pure geometric shapes. It has inspiration from the Bauhaus in terms of styling, so any presenter that loves modern style will find in this typeface a loyal companion.

Recommended font pairing: Playfair Display, Lato, Book Antiqua, Helvetica, Open Sans.

#8 – Book Antiqua

A typeface widely used in the first years of the 2000s, its graphical elements are inspired by Renaissance’s handwritten style. Created in 1991 by The Monotype Corporation, it is known as a classic in design projects and won’t run out of fashion any time soon. Its italic variation is considered one of the most beautiful italic serif fonts.

Recommended font pairing: Myriad Pro, Baskerville, Georgia, Futura, Vladimir Script.

#9 – Bebas Neue

This typeface is strictly intended for headings or for body copy that doesn’t mind the usage of caps. The reason is that this typeface is entirely made of caps. It has no lowercase characters, but its slender shape and tight kerning have made it a popular choice among well-known designers like Chris Do. One creative usage of this typeface is to use it in outline format.

Recommended font pairing: Avenir, Montserrat, DIN Mittelschrift, Roboto.

#10 – Lora

This serif typeface can be used both in PowerPoint and Google Slides, as it is a free typeface offered by Google. Works perfectly for formal-styled headings, but it can adapt for text body as long as it remains a minimum of 15pt in size. It is an ideal option to pair with free PowerPoint presentation templates.

Recommended font pairing: Montserrat, Open Sans, Poppins, Avenir.

#11 – Montserrat

You most likely came across Montserrat at some point in your life, since it is an extremely popular choice among designers for presentations and packaging. Due to this, you won’t spark innovation but rather remain on the safe side for font pairings – which is ideal for corporate styling.

Recommended font pairing: Lora, Open Sans, Merriweather, Oswald, Georgia, Roboto.

#12 – Bentham

Another elegant serif font used for formal occasions, like wedding invitations, headings, or product descriptions. Its kerning makes it readable, unlike many other serif fonts, which is one of the reasons why you can work with this font for the body if you opt for a sans serif in the headings. 

Recommended font pairing: Futura, Open Sans, Lato, Raleway.

#13 – Dosis

It is a simple, monoline sans serif typeface, which works perfectly in its extra light and light font weights to make a drastic contrast with a bold sans serif typeface. Ideally, work with this typeface for subheadings.

Recommended font pairing: Lato, Montserrat, Roboto, Oswald, Raleway.

#14 – Baskerville

You can come across this serif typeface in the form of Libre-Baskerville, a free serif typeface offered by Google. It is ideal for headings, thanks to its traditional style closely resembling the original Baskerville typeface, so it is ideal to stick to it in uppercase mode.

Recommended font pairing: Montserrat, Poppins, Lucida Grande, Helvetica Neue, Open Sans.

#15 – Poppins

This sans serif typeface breaks with the formal style of families like Verdana and Open Sans, introducing some graphical cues that make it adept for more relaxed situations. Therefore, it is ideal to use in team meetings, product presentations, or non-business presentations as long as it remains for title headers.

Recommended font pairing: Raleway, Garamond, Merriweather, Droid Serif. 

#16 – Zenith Script

EnvatoElements is a great marketplace for typefaces; among the options, we can find this brush-style script typeface. Zenith Script is a powerful option to come up with creative title designs for non-corporate meetings, as long as the title remains short. It can also work for branding purposes, and certainly, you can use it as an asset if you are looking for how to start a presentation .

Recommended font pairing: Any sans serif font in uppercase format, with increased kerning. Options can be Open Sans, Bebas Neue (modified), Roboto, and Futura.

#17 – Amnesty

The second option we consider among script typefaces. Amnesty has that dramatic effect that resembles rusting handwriting from the old days. It is ideal for presentations that have to convey a strong emotional factor, like product releases for fashion brands, and we recommend limiting its usage to short titles, always paired with sans serif typefaces.

Recommended font pairing: As it is a custom-made font, we recommend pairing it with its Amnesty Sans listed in the product file.

#18 – Bodoni

This typeface dates all the way back to 1798 and is considered a transitional font type. Its name comes from Giambattista Bodoni, designer, and author of this typeface, whose work was heavily influenced by John Baskerville. As a didone typeface, you find elegant traces that instantly give the feel of a fashion magazine heading, and it is no coincidence that this was the selected typeface for the title of Dante Alighieri’s La Vita Nuova re-print in 1925 .

Recommended font pairing: Brandon Grotesque, Gill Sans, Playfair Display, Raleway, Courier.

#19 – Avant Garde

If you are looking for good presentation fonts, this geometric sans serif is the answer to your question. This typeface is based on the Avant Garde magazine logo and remains one of the most popular condensed sans serif options. Many brands use Avant Gard these days as part of their branding identity, such as Macy’s (lowercase usage), the Scottish rock band Travis, RE/MAX, among others.

Recommended font pairing: Helvetica Neue, Sentinel, Garamond, Neuzeit Grotesk.

#20 – DIN Mittelschrift

Our final typeface in this list is the DIN 1451 sans serif typeface, widely used in traffic signage and administrative/technical applications. Its denomination, Mittelschrift, comes from the German word for medium, which refers to the font weight. You can find it in Engschrift , which stands for condensed. 

Recommended font pairing: Open Sans, Didot, Helvetica Neue, Lucida Grande.

Keep in mind that if you are looking for a proper way how to end a presentation , working with graphics is much better than sticking with type, as you show extra care for the final element in your slide deck. 

Open Sans + Roboto

Didot + DIN Mittelschrift

Bodoni + Gill Sans

Rockwell + Bembo

Bebas Neue + Montserrat Light

Helvetica Neue + Garamond

Oswald + Lato

Baskerville + Montserrat

Lora + Poppins

Book Antiqua + Myriad Pro

Before concluding the technical aspects of this article on best presentation fonts, we want to mention some key elements that you should consider before delivering a presentation or printing it for physical format.

Working with accurate text si zing in presentations can make a difference in how the slides are perceived by the audience. First, let’s make one very valid clarification: a Point (pt, unit used in PowerPoint and other word processing software) equals 1.333 pixels, or we can say a pixel is 0.75 pt.

You can find multiple resources and rules on font sizing intended for web designers, so let’s resume the primary points here:

• Body text should remain 12 to 14pt for legibility. If the presentation is shown from afar, increase body size to 16pt.
• The ratio for headings and titles is twice as big as the body text.
• Subheadings should be between 3-4 pt smaller than headings to make a valid contrast but not compete with the body text.
• Keep an eye on leading , the space between lines of text. Double spacing makes it hard to read in most situations, so avoid it for the text body. 

Getting slides ready for print format

Remember what we mentioned above about not having your fonts installed on the computer? Well, this inconvenience can be easily solved by rastering type before leaving your home or exporting your presentation file. PowerPoint doesn’t offer a native option to do this, so if your presentation has sections that are bound to suffer from font issues, work with them as images, which can be exported from Adobe Acrobat or Adobe Photoshop/Illustrator. It is just like working with PowerPoint shapes , but you remain on the safe side of font compatibility issues. 

Word of advice : keep an editable copy instead of just the rastered version.

Color contrast and color testing

Accessibility is the number #1 rule to remember when working with text, as it enhances the performance of your visual communication tactics. In general, don’t work with pure white or pure black colors, since it induces eye strain whenever a spectator has to read your slides for a long while. You can work with color contrast resources such as WebAIM’s Contrast Checker .

If your presentation slides are going to be handed out in deliverable format, be sure to perform a color test before you bulk print the slides. Some colors can be misleading, especially in the conversion from RGB to CMYK color spaces. Also, some light grays may not be accurately printed if done with an inkjet printer. Take some extra time to ensure this process is done right, and avoid last-minute costly frustrations. 

If you need to purchase typefaces, opt for trustworthy marketplaces. Sites like MyFont.com offer an immense collection of font families available for you, plus extra services like WhatTheFont , their AI-based typeface recognition software, which allows you to scan and detect typefaces from documents, images, and more. It is extremely useful if you are looking for a typeface but cannot remember its name.

Alternatives: Fonts.com | Adobe Fonts | Google Fonts

Fontjoy.com

For those who seek to explore creative font pairing schemes, Fontjoy is the site to visit. It is a simple layout, in which you select the font for the Title, Subheading, and Body. You can randomly generate combinations based on the contrast between typeface styles, or start with a typeface you had in mind for one section – lock it – and click on the generate button. 

Keep in mind it has a limited number of typefaces, some of which we mentioned here may not be available.

Alternatives: fontpairings.com

When looking for inspiration to create visually attractive font pairings, Typ.io is a website intended for web font inspiration, meaning to guide designers with different font schemes by looking at the font’s name. 

You can look at some projects in detail, with their CSS code written for you, so you can analyze the font weight used or particular style details.

Typewar.com

Want to have fun while learning about font pairing? Well, an important part of that process is to learn by heart the most used typefaces. Typewar is a website that offers a quiz showing different characters in multiple typefaces, with the input to choose between two font families. It is ideal to practice classic typefaces, and you will increase your knowledge in design by a great deal if you practice 10 minutes a day.

Typescale.com

One crucial aspect of working with text is knowing how to scale it properly. Since readability is critical, you should know when and where to use each font size. Typescale is a website that is intended for web designers and can help convert typefaces from pixels to rem . How is this useful for presenters? Well, since we won’t dwell in pixels and other units besides points (pt), this tool is ideal to tell if a text is legible from distance at the current size you assigned, or whether you should upscale or downscale the body text to make a better contrast with the headings. 

Finally, we conclude this section by introducing Coolors , a palette generator tool that helps designers come up with beautiful color schemes for their work. As we discussed in our color theory for presentations article, it is important to keep an eye on the colors we manage as they contribute to the psychological impact the presentation has on the audience.

Get used to generating creative PowerPoint color palettes for each presentation to make them unique, or help your brand to tailor cooperative slides to the appropriate PowerPoint theme that matches the company’s logo. 

As you can see, getting ready to make a presentation isn’t just an easy feat that can be accomplished in minutes if you aim for custom-made solutions rather than sticking to PowerPoint templates . Increasing your knowledge of font pairing and its proper usage will certainly boost your performance as a presenter, making you less prone to a design faux-pas that diverts the attention from your content.

We recommend you to visit our tutorials on how to add fonts to PowerPoint and how to add fonts to Google Slides . We hope this guide brings light to a complex topic like working with design decisions in presentations and see you next time.

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By lyn January 3, 2024

12 Best Fonts for PowerPoint Presentations (2024)

What are the best fonts for PowerPoint presentations? That’s a question we want to answer in this post.

We list a dozen fonts suitable for presentations. We included different font styles to account for the different presentation styles you can create with Microsoft PowerPoint.

Some fonts are included in the application itself. Others are from marketplaces like Creative Market and Envato Elements.

Envato Elements is a subscription service that gives you access to an unlimited number of downloads of over 80,000 design elements for $16.50/month.

You can get started with a 7-day free trial. We wrote a review on Envato Elements if you’d like to learn more about it.

Let’s get into our list for now.

The Best Fonts for PowerPoint Presentations

01. visby cf.

Visby CF is a versatile sans-serif font fit for any PowerPoint presentation.

It’s easy on the eyes when used in lowercase format or lighter font styles.

When you use all uppercase or bold letters, your text becomes more audacious, lending itself to a more noticeable appeal.

This versatility makes this a suitable primary font for any presentation. Use it for headings and paragraph text alike.

The font comes packaged in an OTF file.

Tahoma is a sans-serif font. It was designed by Matthew Carter for Microsoft in 1994, after which it was included in the original edition of Windows 95.

It’s been a staple of Microsoft applications like PowerPoint ever since.

The font contains two Windows TrueType fonts in regular and bold weights.

It’s a versatile font perfect for headings and paragraph text as well as personal and professional projects.

03. Caridora

Caridora is a rounded, semi-condensed sans-serif font.

It’s an okay font for text, but it’d truly shine as a heading font, especially for casual or non-corporate presentations.

It comes with two styles in TTF and OTF file formats, meaning four files in total.

04. Palatino Linotype

Palatino Linotype is a modern take on a font by the same name, Palatino. Both the original and digital typefaces were designed by Hermann Zapf.

Hermann designed the original in 1950, after which it became one of the most popular fonts used around the world.

It’s a serif font and a safe option for headings and secondary text in professional presentations.

05. Bergen Sans

Bergen Sans is a big and bold sans-serif font. It’s one of the best fonts for PowerPoint presentations, especially for larger headings meant to grab your viewer’s attention.

This particular font comes packaged as a font family that consists of 6 individual fonts.

Because of this, you can easily use one font for headings and a lighter font from this family for text.

The fonts come in OTF format

Frunch is a bold script font with a vintage flair.

It’d make a great heading font, especially for those in-between slides that only have a simple heading and an accompanying graphic.

The font comes in OTF and TTF file formats and includes 389 glyphs.

07. Addington CF

Addington CF is one of the most elegant serif fonts for PowerPoint presentations.

It’s not too unlike Palatino Linotype, though this font does feature a more vibrant style.

It comes in OTF format and includes 6 font weights plus roman and italic font sets.

Price: Free with Envato Elements.

08. Fonseca

Fonseca is an art deco sans-serif font with a modern twist.

This makes it a suitable choice for headings and subheadings, especially for artistic presentations.

The font is packaged in OTF format with several font styles included. It has 345 glyphs.

09. RNS Camelia

RNS Camelia is a slab serif font. That makes it an incredibly suitable choice for headings right off the bat.

However, it’s also a great text font when used in a lighter font weight.

The font comes in OTF format with 14 styles included.

10. Verdana

Verdana is a classic Microsoft Windows font designed by Mattew Carter. This one, in particular, was one of the first fonts designed with on-screen displays in mind.

It’s a sans-serif font, but a rather plain one.

This makes it most suitable as a text font for professional, and especially corporate, presentations.

Price: Included with PowerPoint.

11. RNS Sanz

RNS Sanz is one of the best sans-serif fonts for PowerPoint presentations.

It’s multipurpose as you can use it as both a heading and text font for PowerPoint presentations.

The font comes in multiple styles and is packaged in OTF and TTF file formats.

Corbel is a rounded sans-serif font that first appeared in Microsoft applications with the release of Windows Vista.

It’s a simple font, but it’s versatile enough to be used as a heading font in professional presentations and a text font in all others.

How to Use Custom Fonts for PowerPoint Presentations

Microsoft PowerPoint Online does not allow you to use custom fonts. If you only have access to this version of PowerPoint, you’ll need to stick to the default fonts it comes with.

Based on our list, this means sticking to fonts that say “included with PowerPoint” in the Price section of each list item.

For the desktop version of PowerPoint , follow these steps to upload a custom font into the application:

• Download a copy of the font you want to add to PowerPoint.
• Custom fonts need to be in TTF (TrueType Font) or OTF (OpenType Font) file formats in order to use them in PowerPoint. If your font came in a ZIP folder, unzip the folder to extract the correct file format.
• Double click this file. This opens a window that contains a preview of the font you downloaded.
• Click the Install button in the window. It’s located toward the top.
• If your font came with additional styles (bold, italic, extra bold, etc.), you may see additional TTF and OTF files, one for each additional style. Go through the same process of double clicking and installing each one if you want to use them in PowerPoint.
• Restart your computer (or PowerPoint, at the very least).

That’s it! The font should now be available for use in PowerPoint.

The process is similar on a Mac.

After Step 2, open Font Book on your Mac. Then, drag and drop any files you want to use in PowerPoint from its original folder over to Font Book.

Embedding Fonts in PowerPoint Presentations

If you want to ensure your PowerPoint presentation features all of the custom fonts you used (instead of the app’s default ones), you need to embed them into your final presentation file.

Otherwise, custom fonts will only appear when you show the presentation on a computer that has the font installed.

Here are the steps for embedding fonts on a PC:

• Click File, then Options.
• Open the Save tab.
• Look for the “Preserve fidelity when sharing this document” setting. It’s located at the bottom.
• Make sure the “Embed fonts in the file” option is selected, then click OK.
• Save/export your presentation as usual.

Follow these steps to embed fonts on a Mac:

• Select Preferences.
• Look for the Output and Sharing section, then click Save.
• Look for the “Font Embedding” setting.
• Make sure the “Embed fonts in the file” option is selected.

How to Choose the Best Fonts for PowerPoint Presentations

PowerPoint presentations are akin to signs, posters and even billboards you see as you drive along the highway.

They’re filled with information but are often paired with visuals designed to grab your attention and complement the words they’re attributed to.

However, a good sign or billboard can grab your attention with either. Each slide in your presentation should do the same.

Yes, the visuals in your presentation do a lot, but don’t discredit the power typography can play when it comes to conveying a message or providing facts.

So, instead of choosing any old font to add to your PowerPoint, choose the best fonts for your presentation instead.

It’s best to choose no more than two fonts that complement each other: one for headings and a second for text.

Your heading font should captivate your viewers at a moment’s glance. It should also look good in larger font sizes.

Visby CF, Tahoma, Caridora, Frunch, Addington, and RNS Camelia are all great options for headings.

They each have different styles, though, so make sure you choose one that complements your presentation’s content as well.

For example, Addington is a bit of a fancier, more elegant font. It likely wouldn’t be suitable for a presentation on skateboarding.

It’s best to choose a simpler font for text.

This is because text in PowerPoint presentations is used to convey more information (and words) than headings.

Stick with sans-serif fonts for text since they’re easier to read.

Tahoma, Palatino Lintoype, Bergen Sans, Fonseca, and RNS Sanz are good choices.

Be sure to grab an Envato Elements subscription if you want more choices. They also have thousands of PowerPoint templates, all of which are free with your subscription.

You can get started with a 7-day free trial.

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15 Best Powerpoint Fonts That Make Your Presentation Designs Stand Out

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Microsoft PowerPoint serves as a crucial tool in the business world, employed by numerous experts for crafting slide decks, delivering presentations, and disseminating valuable insights among colleagues

s and clients. Like other powerful presentation tools, PowerPoint allows users to elevate their presentations using unique effects, animations, geometrical forms, color variations, transitional effects, and many enhancements.

Furthermore, with these advantages, PowerPoint provides an extensive collection of fonts that users can select to improve their presentations’ legibility and overall effectiveness. While fonts are generally classified into four primary categories—Serif, Sans Serif, Script, and Decorative fonts—PowerPoint offers an array of additional fonts that enable you to adeptly communicate your messages and work towards accomplishing your intended objectives.

In this blog, we will share the 15 best PowerPoint fonts you can easily use to make your presentations stand out and get your messages across. Let’s get started.

What are Presentation Fonts?

Presentation fonts refer to the specific typefaces or styles of lettering chosen and used in visual aids such as slideshows, slides, and other presentation materials. These fonts play a critical role in shaping the overall appearance, readability, and impact of the content presented.

Presentation fonts encompass a variety of characteristics, including letter shapes, sizes, spacing, and overall design, which collectively contribute to the visual appeal and effectiveness of the presentation. Selecting appropriate presentation fonts is essential for conveying information clearly, maintaining audience engagement, and enhancing the overall aesthetics of the materials.

Different fonts evoke different moods and convey varying levels of formality, influencing how the audience perceives and interacts with the presented content. As such, choosing the right presentation fonts is a strategic decision that can significantly contribute to the success of a presentation.

Creating an impactful presentation involves numerous elements, and one crucial aspect that significantly influences its effectiveness is the choice of fonts. Fonts are pivotal in determining how your audience perceives, understands, and retains your content. The right selection of fonts can transform an ordinary presentation into a visually appealing and engaging masterpiece.

Here are the 15 best fonts for presentations that can elevate your designs and make them stand out.

1. Helvetica Neue

Helvetica Neue is a popular sans-serif font known for its clean, modern, and versatile design. Created by designer Max Miedinger in 1983, Helvetica Neue retains the timeless appeal of the original Helvetica while incorporating subtle refinements. It’s balanced proportions and neutral letterforms make it a go-to choice for various design applications, including print and digital media.

The font’s simplicity and clarity contribute to easy readability, even at small sizes and on screens, making it an excellent choice for PowerPoint presentations. Helvetica Neue’s lack of decorative elements and inherent legibility make it suitable for conveying information with a straightforward and professional aesthetic. Its widespread availability across different platforms and devices ensures consistent presentation.

As a result, Helvetica Neue has become an iconic and widely used typeface in branding, advertising, and design, representing a harmonious blend of modernity and functionality.

Arial is a basic sans-serif font frequently employed in presentations for its simplicity and readability. Designed by Robin Nicholas and Patricia Saunders, it offers a clean and straightforward appearance that ensures legibility, even on screens or projectors.

Arial’s uniform stroke widths and basic letterforms contribute to a modern and professional visual impression, making it suitable for various content types, from titles to body text. It’s versatility and widespread compatibility across platforms and devices guarantee a consistent viewing experience.

While some critics view it as lacking distinctiveness, Arial’s ubiquity and familiarity make it a reliable choice for conveying information effectively in presentations, maintaining focus on content without distracting flourishes.

Calibri is a contemporary sans-serif typeface designed by Lucas de Groot for Microsoft. Introduced with Microsoft Office 2007, Calibri quickly gained popularity due to its exceptional legibility on both screens and in print. Its clean, rounded letterforms and consistent stroke widths create a smooth and modern appearance, contributing to an approachable and professional aesthetic.

Calibri’s optimized design for digital displays ensures clarity even at small sizes, making it a favored choice for body text in presentations. The font’s neutrality and balanced proportions offer versatility, suitable for various content styles, from formal reports to casual presentations.

Calibri’s inclusion as the default font in Microsoft Office has led to its widespread adoption, making it a standard choice for documents and presentations, particularly in digital contexts.

Georgia is a classic serif typeface designed by Matthew Carter and introduced by Microsoft in 1993. Drawing inspiration from traditional typefaces found in print, Georgia is designed for optimal legibility, particularly in digital environments.

Its distinctive features include high contrast between thick and thin strokes and bracketed serifs, giving it an elegant and timeless appearance. Georgia’s serifs help guide the reader’s eye along the text, making it suitable for longer passages and body text in presentations. It also features tall lowercase letters and gives presentations a classic look.

The font’s warmth and character evoke a sense of familiarity and tradition, which can lend a touch of sophistication to both print and digital materials. Its readability, versatility, and aesthetic appeal have made Georgia popular for conveying information with clarity and a touch of classic refinement.

5. Garamond

Garamond is a classic serif font with a rich historical lineage, named after the renowned French engraver Claude Garamond. The typeface we commonly refer to as Garamond is a modern interpretation of his work. Designed with an emphasis on elegance and readability, Garamond features balanced proportions and subtle variations in stroke width, creating a harmonious and refined appearance.

Its serifs, the small decorative flourishes at the end of letter strokes, contribute to a smooth reading flow and guide the eye across the text. Garamond’s design makes it particularly suitable for printed materials and documents where conveying a sense of tradition, sophistication, and authenticity is essential.

Garamond has seen various adaptations over the centuries, resulting in different variations. Each version maintains the essence of its historical roots while adapting to contemporary typographic standards. Garamond’s timeless charm and ability to evoke a sense of classic craftsmanship make it a popular choice for formal presentations, books, and other materials where an air of prestige and legacy is desired.

Futura is a geometric sans-serif font style that epitomizes modernity and minimalism in typography. Designed by Paul Renner in the 1920s, Futura broke away from traditional letterforms by embracing clean, geometric shapes with uniform strokes and simple, unadorned lines. Its distinctive design is characterized by circles, triangles, and rectangles, giving it a distinct futuristic appearance.

Futura’s bold, straight-edged letterforms exude a sense of order and efficiency. Its lack of serifs and the decorative extensions at the end of letter strokes enhance its clarity and readability, particularly in large display settings. Futura’s minimalist aesthetics have influenced a myriad of contemporary typefaces and design movements.

Futura’s versatility lies in its ability to convey both a sense of technological advancement and artistic expression. It is frequently used in modern designs, branding, advertising, and presentations seeking a sleek and forward-thinking visual identity. Futura’s timeless design has ensured its enduring popularity and continued relevance in various design contexts, making it an iconic choice for conveying a sense of progress and innovation.

Lato is a modern sans-serif font designed by Łukasz Dziedzic. Introduced in 2010, Lato has quickly gained popularity for its balanced and approachable design. Its name, “Lato,” is the Polish word for “summer,” which reflects the font’s friendly and warm character.

Lato is known for its clarity and legibility, making it suitable for various applications, including presentations. Its letterforms feature open proportions and rounded curves, contributing to a pleasant reading experience on print and digital screens. Lato comes in a variety of weights and styles, allowing for flexibility in design and layout.

The typeface’s versatility shines through in its clean, professional appearance and adaptability to different design contexts. Lato maintains a harmonious balance between formality and friendliness, whether used for headings, body text, or captions. This versatility, combined with its extensive character set and multilingual support, makes Lato an excellent choice for presentations that aim to convey information clearly while maintaining a modern and inviting visual style.

8. Rob o to

Roboto is a contemporary sans-serif font designed by Christian Robertson and introduced by Google in 2011. Engineered with the modern digital landscape in mind, Roboto strikes a delicate balance between simplicity, readability, and a touch of uniqueness. Its name is derived from the word “robot,” aligning with its clean and technical appearance.

Roboto’s letterforms exhibit a neutral, clean design characterized by consistent stroke widths and minimal embellishments. This design choice enhances legibility across various sizes and platforms, making Roboto an excellent choice for both digital and print applications, including presentations.

The typeface’s distinctive features, such as its open letter shapes and rounded terminals, add a subtle touch of character without sacrificing clarity. Roboto offers a range of weights and styles, allowing for versatile use in different sections of presentations, from titles to body text.

Its widespread adoption as the default font in many Google applications, including the Android operating system, has contributed to Roboto’s familiarity and recognition. Its pragmatic yet refined design makes it suitable for conveying information with a contemporary and professional demeanor while incorporating individuality into your presentation designs.

9. Montserrat

Montserrat is a contemporary sans-serif typeface designed by Julieta Ulanovsky, tailored to enhance your presentations. With its clean and modern aesthetic, Montserrat adds a touch of sophistication to your slides while maintaining readability. Its squared letterforms exude a professional yet approachable vibe, making it perfect for titles, headings, and body text.

This font’s versatility shines through its various weights, providing options for emphasis and hierarchy in your presentation. Montserrat’s geometric design ensures a polished look that captivates the audience’s attention. Whether projected on a screen or printed, Montserrat remains legible and stylish, contributing to a cohesive and visually appealing presentation.

Incorporating Montserrat into your slides elevates their visual impact, giving your content a contemporary edge that resonates with modern audiences. Its adaptability and charm make Montserrat an excellent choice for crafting captivating presentations that effectively convey your message while showcasing a touch of design flair.

10. Playfair Display

Playfair Display is an elegant and timeless serif typeface designed to add a touch of sophistication and class to your presentations. Created by Claus Eggers Sørensen, Playfair Display is reminiscent of traditional typography with its high contrast between thick and thin strokes, resembling calligraphic forms.

This typeface is like a well-dressed speaker on stage – its stylish serifs, and graceful curves lend an air of authority to your titles and headings. Playfair Display’s classic appearance evokes a sense of refinement, making it ideal for conveying important information or adding a touch of elegance to your slides.

Whether you’re aiming for a formal presentation or want to infuse a sense of luxury into your design, Playfair Display provides a distinct visual impact. It’s versatility and historical charm make it a favorite for adding a touch of sophistication to your presentation’s visual narrative, ensuring your content stands out with a touch of timeless elegance.

11. Century Gothic

Century Gothic is a sleek and modern sans-serif typeface designed to bring a contemporary edge to your presentations. With its clean lines and geometric shapes, Century Gothic exudes a sense of simplicity and professionalism, making it perfect for conveying a modern and minimalist aesthetic.

Imagine Century Gothic as the “less is more” of typography – its absence of serifs and uncluttered design adds a touch of sophistication without overwhelming your content. This typeface’s even letter spacing and consistent stroke widths ensure excellent readability, whether projected on a screen or printed.

Century Gothic’s versatility shines through in both titles and body text, making it a reliable choice for various presentation elements. Its simplicity and modernity allow your content to take center stage, while its contemporary flair adds a touch of visual interest.

Incorporating Century Gothic into your presentations offers a fresh and up-to-date look, capturing the essence of modern design. Its streamlined appearance creates a professional and polished impression, helping your content shine with a modern, clean, and confident visual identity.

12. Bebas Neue

Bebas Neue is a bold, attention-grabbing sans-serif font designed to inject impact and dynamism into your presentations. Created by Ryoichi Tsunekawa, Bebas Neue exudes a sense of confidence and strength with its striking letterforms and commanding presence.

Think of Bebas Neue as the font that demands to be heard – its all-caps design and strong lines make it perfect for titles, headers, or any element you want to emphasize. This typeface’s assertive personality adds an energetic and modern edge to your presentation, ensuring your content stands out.

Bebas Neue is like the bold speaker on stage who captivates the audience’s attention. Its no-nonsense appearance conveys a sense of urgency and importance, making it a powerful tool for making key points or driving home impactful messages.

Incorporating Bebas Neue into your presentations infuses them with vigor and visual intensity, instantly elevating your content’s presence. Its robust and powerful aesthetic ensures that your message is communicated with strength and authority, leaving a lasting impression on your audience.

13. Quicksand

Quicksand is a friendly and informal sans-serif font designed to infuse a touch of playfulness and creativity into your presentations. Created by Andrew Paglinawan, Quicksand’s rounded letterforms and approachable style create a welcoming and casual atmosphere.

Think of Quicksand as the font that brings a smile – it’s soft edges and gentle curves evoke a sense of friendliness, making it perfect for adding a warm, relaxed vibe to your slides. This typeface’s informal charm is like a friendly conversation that engages your audience in a comfortable and approachable way.

Quicksand is ideal for conveying approachability and approachability in presentations, whether you’re using it for captions, bullet points, or headings. Its youthful and cheerful appearance adds a touch of personality, capturing attention without overwhelming your content.

Incorporating Quicksand into your presentations adds a delightful and human touch, creating an atmosphere that encourages interaction and connection. Its informal yet professional flair ensures that your content is relatable and engaging, making your presentation a memorable and enjoyable experience for your audience.

Tahoma is versatile, legible, and one of the most popular sans-serif fonts designed for optimal readability in various digital and printed contexts. Created by Matthew Carter, Tahoma exudes a sense of clarity and professionalism, making it an excellent choice for presentations.

Imagine Tahoma as the dependable communicator – its well-defined letterforms and even spacing ensure straightforward and easy reading, whether on screens or in print. This typeface’s balanced proportions and clean design create a sense of order and organization, ideal for precisely conveying information.

Tahoma’s adaptability shines through in its versatility – it works seamlessly for both titles and body text, maintaining a consistent and cohesive visual identity. Its straightforward yet polished appearance ensures that your content remains the focus.

Incorporating Tahoma into your presentations provides a dependable and straightforward approach, allowing your information to be conveyed with accuracy and professionalism. It’s reliability and understated elegance make Tahoma a trustworthy companion for ensuring your content is clear, organized, and easily understood by your audience.

Corbel is a sans-serif font designed by Jeremy Tankard. With its clean and contemporary appearance, Corbel brings a sense of simplicity and readability to various design projects, including presentations.

Imagine Corbel as the modern communicator – its straightforward letterforms and even spacing ensure clear and easy reading, whether displayed on a screen or printed on paper. This typeface’s unpretentious yet sleek design balances professionalism and approachability, making it suitable for a wide range of applications.

Corbel’s versatility is evident in its various weights and styles, allowing for adaptability in design. It can seamlessly transition from titles to body text, maintaining a consistent look while adding visual interest.

Incorporating Corbel into your presentations offers a modern and functional approach where information is communicated clearly and efficiently. Its uncluttered elegance ensures that your content takes center stage, while its contemporary flair adds a touch of visual appeal. Corbel is like a dependable and modern companion that ensures your message is effectively communicated stylishly and readable.

10 Tips for Choosing the Best PowerPoint Presentation Fonts

Creating a visually appealing and effective PowerPoint presentation involves various elements, and one of the most crucial components is the choice of fonts. The fonts you select play a significant role in conveying your message, setting the tone, and enhancing the overall aesthetics of your presentation. Here are ten tips to guide you in choosing the best PowerPoint presentation fonts:

1. Readability is Key

Prioritize readability above all else. Choose fonts that are easy to read, even from a distance. Avoid overly intricate or decorative fonts that might distract or confuse your audience.

2. Consistency Matters

Maintain font consistency throughout your presentation. Limit yourself to a maximum of two or three font types to ensure a cohesive and polished look. Use one font for headings, another for body text, and perhaps a third for accents or emphasis.

3. Consider the Audience

Tailor your font choice to your audience. For professional or academic presentations, opt for classic and formal fonts. Experiment with more unique and expressive options for a creative or casual audience.

4. Reflect on the Content

The fonts you choose should reflect the content and message of your presentation. Formal content might call for a serif font, while contemporary or tech-related subjects may pair well with a modern sans-serif font.

5. Think About Branding

If your presentation represents a company or brand, align your font choices with their existing branding guidelines. Consistency in font usage reinforces brand identity and professionalism. If your brand has a modernized style, consider using a modern serif font to complement your brand style.

6. Pay Attention to Style

Different fonts convey different styles and moods. Serif fonts can evoke tradition and formality, while sans-serif fonts often feel modern and clean. Script fonts exude elegance, and decorative fonts add flair.

7. Balance Contrast

Pair fonts with contrasting characteristics. Combine a bold, attention-grabbing font for headings with a more understated font for body text. The contrast helps guide the reader’s eye and maintain visual interest.

8. Test for Legibility

Test your chosen fonts on different screens and devices to ensure legibility. What looks good on your computer might appear different when projected on a larger screen. For effective PowerPoint presentations, the best font size to use is:

• 36-44 points for titles
• 28-32 points for subtitles
• 24-28 points for body text
• 18-22 points for image captions
• 16 points for footnotes

Adjust to venue and audience. Prioritize readability to ensure your message is easily conveyed and understood.

9. Avoid Clashing

Steer clear of font combinations that clash or compete for attention. Fonts should complement each other and work harmoniously to enhance the overall design.

10. Trial and Feedback

Create sample slides with your selected fonts and gather feedback from colleagues or peers. Their input can provide valuable insights into your font choices’ overall impression and effectiveness.

Selecting the best PowerPoint presentation fonts involves a thoughtful and strategic approach. By prioritizing readability, consistency, and alignment with your content and audience, you can create a visually compelling and impactful presentation that effectively conveys your message and leaves a lasting impression. Remember that font choices are just one aspect of a well-designed presentation, so pair them with engaging visuals and well-crafted content for a comprehensive and successful result.

Bottom Line

Overall, the choice of fonts in your PowerPoint presentation plays a pivotal role in shaping your message’s visual impact and effectiveness. By carefully considering factors such as readability, style, and audience, you can create a harmonious and engaging visual experience. Remember that fonts are not just decorative elements; they are powerful tools that can enhance your content’s clarity, professionalism, and emotional resonance.

Whether you opt for classic serif fonts that exude tradition and authority, modern sans-serif fonts that convey a sense of clarity and innovation, playful scripts that infuse personality or work with custom fonts, your font choices should align with your content’s goals and context. Consistency and balance across font types, sizes, and styles contribute to a polished and cohesive presentation that captivates and informs your audience.

Ultimately, the art of selecting the right fonts involves a thoughtful blend of creativity and strategic intent. By adhering to the principles and perspectives discussed in this blog, you can boldly start exploring different blogs, transforming your PowerPoint presentations into compelling visual narratives that leave a lasting impression on your audience.

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Blog > How to find the best font for your PowerPoint presentation

How to find the best font for your PowerPoint presentation

07.26.21   •  #powerpoint #tips.

An important point for PowerPoint presentations is to choose a suitable font that is easy to read but at the same time shouldn't be boring. Are you still looking for a good font for your presentation? We have listed a few tips for you here.

Serif or Sans Serif font?

Serif fonts are fonts that have fine lines at the end of the letters, such as the Times New Roman font. They are especially used in print.

Fonts without serifs appear more modern and are easier to read, which is why it makes sense to use a sans serif font for the texts. The resolution of these fonts is also better on the beamer, which is why they are mostly used for presentations.

However, you should always pay attention to the topic you are giving your presentation on. Above all, you should bear in mind that serif fonts tend to look older, while sans-serif fonts look modern. Think about what you want to communicate with your presentation and then choose a suitable font.

Which fonts look good together?

To avoid your presentation looking messy or confusing, do not combine more than 2 fonts. It is best to use a different font for headings than for bullet points.

When combining different fonts, make sure that the two fonts are not too similar and that they differ from each other. The contrast between them should also not be too great, otherwise the whole thing will look inharmonious. It makes sense to combine a serif font with a sans serif font.

Another possibility is to combine fonts from the same font family. The contrast is usually created by different stroke widths and the text looks harmonious.

What is a good font size for PowerPoint presentations?

When choosing the font size, it is best to consider where the presentation will be given and how far away the audience is. The font should be large enough to be easily read from the very back.

Headings should be somewhere between 40pt and 50pt. The individual bullet points should not be smaller than 20pt and can be up to about 32pt.

To make the presentation easy to read, it is important to have a high contrast between the background and the font. It is best to always use a light font on a dark background or vice versa. The best contrast is between black and white.

Best fonts for PowerPoint

So finding the best font for you depends on many factors. But we have listed a few fonts here that do well in presentations.

This is a rather new font and therefore optimised for the screen. Its particularly wide spaces make it easy to read.

Like Verdana, Segoe UI is particularly easy to read on the screen. Its narrower character spacing also makes it very suitable for headlines.

Corbel appears very organized, clear and serious. It has also been optimised for presentations and is still easy to read even at greater distances.

Palatino is a rather unusual font that stands out from all the default fonts. It looks very elegant and is easy to read.

This is one of the oldest fonts and is more of a font style that includes fonts such as Garamond ITC and Adobe Garamond.

Tahoma is a very legible and clear font that is especially popular for presentations.

Century Gothic

Century Gothic has a geometric style and is particularly suitable for headlines and small amounts of text.

Script, italic and decorative fonts tend to read slowly and interrupt the flow of reading. It is better to avoid such fonts in your presentations.

Download fonts for PowerPoint

Would you like to use a font that has perhaps not been seen that often? Then you can also search for a nice font for your PowerPoint presentation on Google Fonts and download it for free.

When you have found a suitable font, select it and click on Download. Then open the ".ttf file" and click on Install. You can now use the font in your PowerPoint presentation.

Embed fonts in PowerPoint

If you now use one of the fonts you have downloaded, there is only one problem you need to be aware of.

You may be giving the presentation on another computer that does not have the font installed. Your selected font will then simply be replaced by a standard font so that at least the text can still be read.

What you can do about this and how to embed fonts in PowerPoint can be read here.

What is the best font for PowerPoint?

Some fonts that will look good in your presentation are: Verdana, Segoe UI, Corbel und Tahoma. But finding the right font for your PowerPoint depends on many factors. We have written down some tips for you to find the best font.

What is the best font size for PowerPoint?

The font should be large enough to be easy to read even at greater distances. Headings should be somewhere between 40pt and 50pt in size. Bullet points should not be smaller than 20pt and can be up to about 32pt.

Which fonts look good together in presentations?

Do not combine more than 2 fonts in your presentation. Use one for headings and one for the bullet points. If you combine different fonts make sure that they are not too similar but also that the contrast between them is not too great. A good combination for example is Cambria and Calibri.

Related articles

About the author.

Helena Reitinger

Helena supports the SlideLizard team in marketing and design. She loves to express her creativity in texts and graphics.

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Glossophobia.

Glossophobia means the strong fear of public speaking.

.potx file extension

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25+ Best Fonts for Captivating Presentations

Presentations are a significant business tool utilized across numerous industries. Whether you’re delivering reports to shareholders or pitching innovative ideas to clients, a visually impactful presentation distinguishes you from the crowd. A key aspect of this is, of course, the choice of font. It plays a critical role in communicating your ideas effectively and setting the tone of your discourse.

In this post, we provide a comprehensive list of over 25 best-performing fonts suitable for modern and dynamic presentations. Whether you’re crafting some work in PowerPoint, Keynote or Google Slides, we’ve got you covered. We feature both free and paid options, allowing for a range of expressive and flexible typographies to match your content and audience.

Express your creativity while maintaining a polished sense of professionalism with our handpicked font selections. Truly dazzle your audience, as you pair your great content with captivating fonts that make your presentations stand out in memorable ways.

One Subscription: Unlimited Access to Stunning Premium Fonts

Get every varied font and typeface you could ever need with one simple subscription. From just $16, get unlimited access to thousands of fonts, typefaces, graphics, templates, photos and illustrations.

Script Fonts

Decorative Fonts

Handwritten Fonts

Condensed Fonts

Classic Fonts

Sans Serif Fonts

Salmond contemporary typeface.

Salmond Contemporary Typeface is a geometric, modern sans serif font with a distinct minimalist charm due to its tight letterspace. Offering six weights, from Light to Bold, in addition to Oblique styles and multilingual support, this versatile Font family suits various design needs, such as branding, titles, books, UI/UX, and powerful editorial work.

Variera Versatile Font

Variera Versatile Font is a geometric, semi-condensed sans serif typeface characterized by its unique charm and dynamic personality. Available in nine distinct weights, from delicate thin to impactful black, and equipped with matching italics, it’s perfect for head-turning headlines. With its design focused on visual impact, combined with multilingual support and an array of open type features, this versatile font enables captivating and distinctive designs.

Morsa Space Font

Morsa Space Font offers a perfect blend of modernity and futurism with its sleek sans serif design. It’s a versatile tool for creators, boosting the impact of digital designs, craft projects, presentations, and even greeting cards. Morsa infuses your work with an ultramodern vibe that engages viewers, adding a sharp and aesthetic touch to any creative endeavor.

Helena Display Font

Helena Display Font is a broadened sans serif typeface perfect for industry, fashion, and corporate needs. Its strong design makes it ideal for branding activities, from presentation titles and logo design to sign systems. Helena Display Font is not only aesthetic but also practical, adding a professional yet engaging edge to your editorial content.

Phoewage Creative Font

The Phoewage Creative Font is a robust and versatile typeface perfect for descriptions, covers, and various needs requiring similar aesthetic. Ideal for presentations within finance-related companies, its strong character enhances every slide. Moreover, it’s conveniently available in both .OTF and .TTF formats.

Zakesya Elegant Font

The Zakesya Elegant Font is a robust and bold font option, perfect for titles or any text that needs attention-drawing, large fonts. Its versatile design can be used to highlight the title or name of any creative work. Provided in .OTF and .TTF formats, this font does not include pictures. Its usage is only limited by your creativity.

Portlin Modern Display Font

The Portlin Modern Display Font is a versatile typeface designed by Designova, perfect for headlines, branding, logotypes, and graphic design. This adaptable font allows you to manipulate letterspacing for unique presentations and comes with extended language support. With 231 glyphs and four variants—Regular, Italic, Outline, and Outline Italic—it provides a range of options to bring a dynamic feel to your logos and promotional content.

Pulse Rounded Modern Typeface

The Pulse Rounded Modern Typeface, with its minimal yet classic sans serif design, offers a hint of character suitable for both headers and body text. The set comes with a full selection of Latin characters, numbers, special characters, and punctuation. It features ten fonts in OTF format, comprising five weights and five italics. Definitely a versatile choice for a variety of projects.

Quinn Minimal Sans Serif

Quinn is a contemporary, minimalist sans serif font with a subtly rounded design and a delightful character. Its versatility allows use in both headers and body text. Notably, it covers all Latin characters, punctuations, numbers, and special characters. The font family also gives you a broad selection of twelve OTF format fonts, including five weights and italics.

Ethos Nova Minimalist Typeface

Ethos Nova Minimalist Typeface, a neo-geometric sans-serif typeface family, offers 12 fonts, 312 glyphs, and a design that exudes modern elegance. This handcrafted typeface designed by Designova® caters to both Western European & Central European sets, and it is well-suited for an array of applications, from web and print design to branding and marketing graphics. With six weights and corresponding italic versions, Ethos Nova ensures exceptional versatility.

Stage Grotesk Modern Typeface

The Stage Grotesk Modern Typeface is an impeccably-crafted, sans-serif font family that prioritizes readability and simple design. With 14 different fonts including 7 weights and both upright and italic versions, this typeface also offers an impressive set of 618 glyphs for a creative edge. Ideal for web design, logotype projects, and graphic design needs, this typeface is highly versatile with extended language support. Includes OTF, TTF, and Web Fonts in the pack. Designed by Designova.

Augillion Soft Bold Serif

Augillion Soft Bold Serif is a contemporary, bold typeface designed to make your presentations or logos pop. Its unique features include multi-language support, a range of ligatures and alternates for each character, and PUA encoding. With both uppercase and lowercase options – as well as numbers and symbols – its versatility will surely enhance your creative projects.

Soraine Futuristic Font

Explore the cutting-edge with Soraine Futuristic Font. Drawing inspiration from tech visuals seen in logos, sci-fi films and games, Soraine offers a minimalist yet unique style. Its elegant touch and dynamic design make it an excellent choice for a variety of uses, including logos, labels, posters, packaging, and presentations. Use Soraine to give your work a dynamic, future-forward aesthetic.

Cragres Futuristic Typeface

Cragres Futuristic Typeface is a minimalist, technology-inspired font perfect for a multitude of creative purposes. With unique letterforms and an elegant touch, it enhances your design with a dynamic, futuristic feel. Ideal for logos, packaging, books, games, movie titles, and contemporary gadgets, it’s a versatile choice for injecting sleek sophistication into your projects.

Saphira Stylish Typeface

Meet Saphira Stylish Typeface, a bold and elegant font filled with various ligatures and alternates. This versatile font elevates presentations, logos, and wedding invitations with its striking design. It supports multiple languages, extends to both uppercase and lowercase, incorporates numbers and symbols, and is PUA encoded, making Saphira accent-rich and globally adaptable.

Aurelux Modern Luxury Sans

Aurelux Modern Luxury Sans is a contemporary, high-end sans-serif font with a sophisticated and sleek look. It features clean lines and a polished design that make it perfect for luxury brands and various designs. With six different styles, ranging from thin to black available in OTF format, you can utilize Aurelux to elevate and personalize your projects.

Bergen Text Typeface

Bergen Text Typeface is a charming, legible font, crafted for readability especially in small text sizes. Closely related to Bergen Sans, this font family consists of 6 unique fonts. Despite its compact composition, it provides an array of Open Type features, plus extended language support, including Latin, Greek, and Cyrillic, enhancing its professional use immensely.

Carter Layered Typeface

The Carter Layered Typeface, inspired by retro signage, ignites a vintage aesthetic in your projects. This resource provides multiple type layers for a versatile look, extending from Carters Regular to Carters Drop. Its variety of uppercase and lowercase letters along with numerals and punctuations makes it perfect for headlines, logos, signs, or even t-shirts. Transform your designs with the distinctly classic Carter Layered Typeface.

Coffee Morning Sans Font

Coffee Morning Sans Font is more than just an ordinary handmade sans serif type. It embraces its flaws with an imperfect, rough stroke, akin to the strong, bold flavor of morning coffee. Just like your daily coffee ritual, this unique typeface turns imperfectness into a robust and compelling flavor, creating a wonderful start to any project. Enjoy its distinctive taste.

RNS Camelia Elegant Typeface

The RNS Camelia Elegant Typeface is a unique, demi-slab display font family with a distinct, unexpected rhythm due to its reversed strokes. Breathing life into your projects, it draws inspiration from 1920s geometric fonts and 1930s egyptiennes and is designed for use in larger sizes. This versatile font includes 14 weights and styles and comes in otf, woff, woff2, and eot formats.

Austral Sans Stylish Font

The Austral Sans Stylish Font by Antipixel features an artistic, hand-drawn aesthetic and offers a range of textures and styles for a distinctive finish. It offers three weights—Regular, Light, and Thin—each tracing crooked lines and irregular strokes. Also, this versatile font comprises three unique sets of alphabets, both uppercase and lowercase, and includes comprehensive Open-Type features. Ideal for various projects, this font supports a myriad of global languages.

Brinnan Contemporary Font

Brinnan Contemporary Font is a stylish, wide sans-serif typeface perfect for your branding or editorial needs. With its ten varying weights, from an airy Thin to a dense Black, it offers surprising versatility. This dynamic font can adapt to a variety of projects and mediums, making it a flexible option for any designer’s toolkit.

Fonseca Art Deco Font Family

The Fonseca Art Deco Font Family is a refreshingly modern take on early 20th-century typography poster design. With its straight geometric lines and revamped letterforms, this all-caps family is ideal for presenting travel, history, and cultural content in a contemporary style. Headlines, logos, magazines, and packaging projects alike will all benefit from the modernized retro charm that the Fonseca family brings.

Frank Modern Typeface

The Frank Modern Typeface is a classic-inspired font that’s perfect for print, apparel, or poster design. Available in five weight varieties, this set includes normal, oblique and rough styles and supports over 300 unique Latin glyphs. The font files come in .OTF, .TTF, .WOF/.WOF2, and .EOT formats to accommodate various projects. It’s a mix of DIN, Eurostile, and a hint of Futura, for a stunningly versatile appeal.

Marinaio Family Typeface

The Marinaio Family Typeface is a unique, handcrafted design by Valerio Dell’Edera, inspired by rubber-stamping and carving. Its gentle curves and softened edges mimic a vintage, rubber-stamp aesthetic. Its narrow, low-contrast character and range of alternate ligatures make it ideal for business cards, custom stamps, coffee table books, letterheads, invites, and more.

10 best fonts to use in your next Google Slides presentation 

• Categories: Google Slides
• Comments: 53

When it comes to making presentations, visual slides are the most effective and compelling way to get your message across. However, even with visual slides you may still need a few words to help tell your story. Making that text easy for your audience to read, and in keeping with your tone, is crucial. So, finding the right Google Slides font may seem like a daunting task. There are so many options to choose from, and from a distance they can all look kind of similar.

Font choice is really important: it can dictate the entire look and feel of your presentation. The right font can make your slides look sleek and professional, but the wrong one can leave your deck looking rushed and amateurish. You need to choose fonts that are clean, readable, and professional to ensure that the content – and not a fancy font – remains the star of the show. In this article we’ll take a quick look at the Google font library, clear up some common font jargon, and introduce you to 10 of our favourite fonts, handpicked by our designers.

Google font library

Google Slides does not currently allow you to upload your own custom fonts. But the good news is that the most commonly used fonts in business are offered by both Microsoft and Google applications, so classics like Arial, Calibri, and Times New Roman will still be available to you while working in Google Slides. However, Google has some stylish alternatives that may appeal to you if you want to branch out and bring a touch of individuality to your work.

Despite the short list of standard fonts available in the Google Slides Font drop down, there are actually hundreds more fonts to choose from. Simply go to the Font drop down and click More fonts at the top.

This will open up a new panel with a large selection of different fonts: welcome to the Google font library!

To add a font to your default selection, just click the one you want, and it will highlight blue with a tick beside it. When you have highlighted all the fonts you want, click OK at the bottom of the panel.

Now, when you click the Font drop down again, you will see these new options. You can also use this technique to remove fonts that you know you will never use, by unticking them in the panel. You can also browse the complete Google font library here .

Some technical terms

You might encounter a bit of technical jargon when it comes to the particulars of different fonts. Here are some of the common terms that you should know:

Serif: A font where the letters have little flicks and tails at the edges that give it a traditional feel

Sans serif: A type of font that does not have these little flicks and tails, just using simple lines and curves

Humanist: A font whose design was originally based on human handwriting

X height: The dimensions of the letters in a font (i.e. their height and width)

Letter spacing: The width of the gaps in between individual letters

Our top ten Google Slides fonts

Lora is very similar to Times New Roman but has a more modern feel. It’s a serif font but brings a contemporary element to this otherwise fairly traditional style of lettering. The additional flourishes are rooted in calligraphy, giving a very elegant style, however it is subtle enough to maintain a strong element of simplicity and boldness.

This font is great when you are making a presentation which needs more of an artistic voice, where a geometric font would not do. It manages this while still keeping a clear and symmetrical feel, and so works well for the titles or main body text of a presentation.

Roboto – nicknamed the ‘Frankenfont’ due to its close similarity with other well-known types such as Helvetica and Myriad – has become one of the most popular fonts amongst designers, owing to its modern yet ‘friendly’ feel. While being bold enough to come across clearly, it still maintains a sleek and elegant feel to it throughout, with natural letter spacing to make the reading experience flow well.

You can use this versatile font in almost any presentation situation, whether you want your slides to look artistic and individual, or neat and professional.

Open Sans is a humanist sans serif font. This simple type was designed with an upright stress and an open appearance to create a straightforward, professional look, and an approachable and easily readable design. Its attractiveness earned it the position of the default font of WordPress , which, despite causing it to lose an element of distinctiveness, is a credit to its design, and brings with it an element of familiarity which audiences often respond well to.

This font was inspired by old-fashioned urban posters, billboards and street names from Buenos Aires. It captures the grandiose – yet fun – look of these carefully designed pieces from the old neighbourhood of Montserrat, using thick letters with wide spacing.

It is best used in all caps to bring out its poppy nature, but still looks good in lower case, working well for making short and punchy statements. This makes it ideal for being easily readable on a slide without distracting from visual elements in presentations. Montserrat is considered an alternative to Proxima Nova, another go-to design font in many industries.

Cabin has a classic look but includes a few subtle elements of modernism which keep it interesting. Like Open Sans, it is a humanist sans font, which incorporates its own unique touches, like a splashed M (‘splashed’ means having diagonal lines instead of straight ones) and shorter middle arms on F and E.

The simplicity and well-designed nature of this font make it ideal for complimenting other, more stylised fonts (like Montserrat or Ubuntu) that you may wish to incorporate onto your slides. You may notice that that thickness of the letters stands out compared to thinner fonts, like Montserrat. This works well for making statements with a heavier feel to them.

This font has a very unique and striking feel. It is sans serif with very minimalistic letters, but the curvy design makes it look modern and intriguing. The simplicity makes you feel like you could write each letter in a single stroke, while the sloping curves give it a more casual feel. This quirky appearance can be useful if you want your presentation to have a lighter tone.

The default letter spacing makes it one of the most legible fonts, allowing the reader to quickly and easily skim tricky looking words like ‘milliliter’ without tripping up over the letters. It is ideally suited to making text on slides instantly recognisable, so that your audience can quickly turn their focus to the visual elements of your presentation, instead of tripping over text labels.

Lato was designed to have a subtle and unobtrusive lower case but with the ability to make an eye-catching statement in upper case. The font is classically proportioned, with a sleek sans serif style, but the roundedness gives an open, friendly feel. It makes a distinctive statement with its thin curved letters and distinctive ‘g’.

Lato closely resembles another font called Avenir, considered to be a modern classic. However, while Avenir may be slightly overused, Lato offers a nice opportunity to branch out from the standard while maintaining a classic feel.

This font was created to be a minimalistic font for making clear statements in headings and titles. While also usable as a main text body font, this type comes into its own when used for bold, concise statements, because it is so plain and simple. The letter spacing of this font is slightly wider than most other fonts.

It might be tempting to try to capture attention through wacky and unique title fonts, but this can sacrifice the integrity of your presentation. Something simple and clear, like Muli, is a smarter choice!

Source Sans Pro

This sans serif font brings a modern element to an otherwise simple type. It hits the mark of looking professional while still maintaining a friendly and open feel and works excellently for both titles and body text.

There is little that makes it particularly distinctive, however this quality is sometimes understated when it comes to presentations in Google Slides. Sometimes you may need a font for body text that looks good, while not distracting from other key elements of the presentation. Source Sans Pro does well here, subtly getting its message across, while standing up well to close inspection.

Libre Baskerville

This font was designed to work well for main body text. Its large x-height and wide counter spacing make for a very easy on-screen reading experience, especially when it comes to larger bodies of text. While the letters themselves are fairly large, the spacing in between them makes text look less intimidating and facilitates easy reading.

While we would not recommend filling up your slides with large blocks of text and distracting from visual elements, this font works well for those situations when you really have to have lots of text on screen.

There you have it, our top 10 Google Slides fonts! If you’re also a PowerPoint user, don’t forget to check out our top 10 presentation fonts for PowerPoint . And if you’re interested in learning more about fonts and add-ons for Slides, check out the Creating content in Google Slides: Text and fonts section in our Ultimate Guide for Google Slides!

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How to format text in google slides.

• Google Slides
• Comments: 5

If you want to make your latest presentation look more polished and professional, read this handy list of tricks and techniques showing you how to format text in Google Slides for quick visual wins!

Productivity tips and tricks for Google Drive

Your friendly neighborhood presentation nerds are back with an all-new article on Productivity tips and tricks for Google Drive to help you optimize your Google Drive experience and get the most out of Google Workspace.

The best free Google Slides templates

• Comments: 1

Google Slides templates are a great starting point to improve the look and feel of your presentation. They’re fab as they’re accessible and low cost, but it’s important to remember that even well-designed presentations can be ineffective if the content is text heavy.

This was very helpfull.

this was every kind of you to do that

i like the fonts ngl ty

What is your favorite font?

This was amazing

I think that Goudy Bookletter 1911 is also good. It is the font that most chapter books use.

Ya my favorite is chakra petch and happy monkey

The number 1 in Goudy Bookletter 1911 looks kind of like a shrunk capital i. Don’t get mixed up!

This was really helpful. What font are you using to type this website?

We use GT Walsheim – which is a paid font. We use different fonts for presentations.

I want aesthetic but thanks

I like the Arial black font I like it when you get bold it. It is so cool!!! I like dragon fire font too.

You got to add dragon fire font to it. To get it.

But I do like this font more than anything.

I like the GT Waldheim.

Spelled it wrong sorry about that.

I was here for aesthetic and pretty fonts, these are more plain or as some may say, professional, I enjoy using Dancing script, Caveat, and also, Calligraffitti, whitch are more fancy or some people would say, “Girly” , but I don’t think so, but thank you for these wonderful fonts anyways!

No Font is “Girly”

There are girly fonts like ”The girl next door” and ”Crafty Girls”

You should also try a font called “Hi melody”. ( If you are going for an aesthetic look). Please tell me if this was useful.

It was thanks

Omg, What font do you guys use?

On the website you mean? This is a paid font called GT Walsheim. We use it here and for print. We don’t use it for presentations though as we prefer to stick with standard fonts.

Thanks so helpful

It’s a Cool Font

I use Great Vibes

Amazing. Those are AWESOME fonts! I use all of those the most:):):)

I think Pacifico, Lobster are good for subtitles too and Caveat is great for essays What do you think?

I like Pacifico and Lobster too and I also like Faster One and Ewert they are really cool and I have all the Google Slides fonts.

And Audiowide

Wow, these fonts are so lit!

These are such great fonts I love them you guys definitely have my taste. This is going to help me with my financial presentation

I honestly like Mali it looks cute when you put bold on it.

The fonts are really pretty there even prettier with bold it helps me since I need font ideas for my upcoming presentation!

HELL YEA THESE ARE NICE

These are all actually the opposite of “Pretty” in my opinion

I don’t like these fonts. but i like caveat.

There is no more muli in google slides

What are the fonts used on this website?

It’s mostly GT Walsheim.

What about Indie flower I love it so muchhh

you are a teacher

This is very useful. I am looking for new ways to improve my projects for Harvard and I needed to find a font that was the right one. I prefer the Cabin font. It’s not too basic but it is unique. My professor commented on my font and told me that he was very impressed by it. Thank you for these recommendations.

Ella McCormickson

The fonts look amazing<3

sorry but all of these look the same and there kind of ugly

Than you for helping those who didn’t know how tochange the font. Although, the fonts you put all looked the same. No hate though!

these all look the same

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We have other people in our own business reaching out to say this is the best presentation they have seen. Sarah Walker Softchoice

The Five Best Fonts for Presentations and Why They Work So Well

Fonts, typefaces, and typography are topics covered in numerous books and articles. The majority of them describe fonts, typefaces, and how they appear in print. However, there are few books and articles that explain how to choose fonts for workshop presentations. I did some research and testing and found the five best fonts for presentations.

The 5 best fonts for presentations are Frutiger, Futura, Gill Sans, Helvetica, and Verdana. These fonts work because they are sans-serif fonts, with large x-heights and they are sharp and legible when displayed on a screen.

This article will show you how I choose these fonts that I use in my workshop presentations.

What are the five best fonts for presentations?

Over the years, I read a lot of books and articles about fonts, typefaces, and typography. Many of these books and articles explain the history and characteristics of numerous fonts and typefaces. These books and articles, however, are not particularly useful when I am looking for fonts to use in my development workshops.

Of the hundreds of fonts available, I choose fonts simply by selecting fonts that work for me. Below is what I did, and you may want to try variations of it in your search for the best fonts.

1. Find fonts that are suitable for presentations.

Since my task is to deliver an interesting development workshop, I want fonts that are good for displaying text clearly on the screen without being outlandish. This means sticking to serif and sans-serif fonts and excluding display, script, freehand, novelty, and calligraphic fonts. If you are new to fonts and typography and don’t know what are serif and sans-serif fonts, below are two examples of serif fonts and two examples of sans-serif fonts.

A serif font has small strokes (or serifs) attached to a longer stroke. Please see the serif fonts in the diagram above. Some examples of serif fonts are Baskerville and Times New Roman. A sans-serif font, on the other hand, does not have these small strokes. Some examples of sans-serif fonts are Frutiger and Gill Sans.

Since there are quite a large number of serif and sans-serif fonts, I need to narrow them down to a few. To find out which fonts are ‘better’, I showed many PowerPoint slides using serif and sans-serif fonts and I asked my workshop participants which fonts they preferred. Many preferred the slides using sans-serif fonts like Frutiger and Helvetica instead of slides using serif fonts like Baskerville and Times New Roman.

You may want to try out different fonts, including the newer Google Fonts like Roboto and Open Sans, and find out which fonts your workshop participants prefer.

2. Find fonts that are legible on the screen.

A font is legible if its characters are easily distinguishable from other characters. A common example is the letter ‘I’ should look different from the number ‘1’. Another example is the letter ‘O’ should look different from the number ‘0’. Yet another example is distinguishing between the letter ‘c’ and the letter ‘e’.

Unfortunately, many sans-serif fonts have the upper-case letter ‘I’ looking very similar to the lower-case letter ‘l’. For example, in the phrase “I like to …”, you can see the first two characters are identical although they are different letters. By the way, the font used in the phrase and in this article is Open Sans, a sans-serif font.

Font’s x-height

A font’s x-height is the height of a lowercase ‘x’ character, measured from its baseline. Fonts with a large x-height are more legible than fonts with a small x-height. Below are the x-heights of three fonts.

In the above diagram, the bottom black line is the baseline, the red line is the median line, and the top blue line is the ascender line. The x-height is the distance between the black baseline and the red median line, and the font height is the distance between the black baseline and the blue ascender line.

Frutiger has a larger x-height than Gill Sans and Times New Roman, making it more legible, especially at a distance than the other two fonts. So, choose fonts with an x-height for legibility.

For a classroom setting where participants are seated facing a screen, sans-serif fonts with font sizes from 24px to 32px are quite readable. So, choose fonts with sizes 24px and larger .

Although using this font size suggestion for readability is easy to do, the projector screen and the venue are usually beyond your control. A screen that is too big for a small classroom is ineffective. Neither is a small screen in a large room. There are many poorly designed lecture theatres that can seat 300 students but have screens that are meant for classrooms.

If the screen and the projector are movable, you can adjust the distance between them to get the sharpest text images that are readable on the screen. However, if the screen and projector are fixed on the wall or ceiling, there’s not much you can do to improve readability. You can enlarge or reduce the size of the fonts in your PowerPoint layouts, but that is likely to end up in a mess if you try to do that just before the start of the workshop.

Font’s line spacing

Line spacing is the space between two lines of text and it has an impact on readability. If the line spacing is small, it is harder to read, as shown in the diagram below.

A 1.1-line spacing is easier to read as compared to 1.0 (or single) line spacing. A 1.2-line spacing is even easier to read. However, the larger the line spacing, the few lines of text you can put on the screen.

Font and background colors

Many studies recommend using dark text on a light background. The most commonly used combination is black lettering on a white background. This combination is also recommended by the U.S. Dept. of Health and Human Services in their usability guidelines .

There are also studies that recommend using very dark gray (hex #444444) instead of black (hex #000000) for lettering on a white background, or using black lettering on an off-white (hex #F5F5F5) or ivory (hex #FFFF0) background.

The font and background color combination I find most readable are black letterings on a white background. Many of my workshop participants have no complaints about this combination. One interesting feedback I received from my participants is that many of them prefer black lettering on a white background over white lettering on a black background.

4. Fonts with special characters

If your workshop deals with numbers and mathematical equations, then you will need a font that has numbers, symbols, mathematical symbols, subscripts, superscripts, and Greek characters, to display mathematical equations effectively. Although most fonts have special characters and symbols, some may not have the ones that you require. So, you need to double-check.

A simple way to check whether the font you selected has the character you want is to go to the font’s Character Map .

To do this in Windows 10, click the Start button, scroll down to the Windows Accessories folder, expand the folder, and select Character Map. Select the font and see if it has the character that you want. If yes, select the character and copy it to your Powerpoint presentation.

Another way to get mathematical symbols is to download the Math Symbol Font (maths.ttf) and install it.

How to test the fonts you selected

Now that you’ve chosen a few fonts for presentations, the ‘best’ way to test them is to use them in your workshop and see which font your workshop participants prefer. So, when would be the best time to do this?

I do my font testing after the Q & A (Questions and Answers) session. Once I finished the Q & A session, I usually ask participants if there is anything that they think will make the workshop better, such as more examples, more individual exercises, more group activities, or more videos. Following that, I will show two PowerPoint pages with the same text but with different fonts and background colors, and ask which one they prefer. This test is far from perfect but it works for me.

The best fonts for workbooks and handouts

Many trainers give out handouts and notes during workshop sessions. Can those fonts for presentations be used in these printed materials? Yes, they can, although I prefer serif fonts for this.

Here’s why: I read Drew Whitman’s book Cashvertising a few years ago, and he quoted a font study that showed that people understand a paragraph set in a serif typeface better than the same paragraph set in a sans-serif typeface. That piqued my interest, and I did similar tests. I gave my workshop participants workbooks that used serif and sans-serif fonts. Surprisingly, many participants preferred workbooks using serif fonts like Minion and Times New Roman.

So, for printed materials like handouts, workbooks, and a list of references , I use Minion which is a serif font.

Font typeface, users, and designers

Here are some fun facts about the fonts I like to use in my presentations:

Frutiger , designed by Adrian Frutiger in 1975, has a humanist sans-serif typeface. The font is very legible from a distance and it is used on signs at numerous transportation hubs. Amtrak, National Health Service, Charles de Gaulle Airport, Port Authority of New York, Schiphol Airport, and Union Bank of Switzerland use Frutiger in their signage.

Futura , designed by Paul Renner in 1927, has a geometric sans-serif typeface. The font is based on geometric shapes, especially circles and ovals. Futura is used by companies such as Fox News, HP, Royal Dutch Shell, Swissair, and Volkswagen.

Gill Sans , designed by Eric Gill in 1927, has a humanist sans-serif typeface. It is a highly readable font and many people say that it has a distinctively British look. Initially designed for display purposes, Gill Sans is now used in posters and advertisements by companies such as Benetton, British Rail, and John Lewis.

Helvetica , designed by Max Miedinger in 1957, has a neo-grotesque sans-serif typeface. This font is very popular and it is highly legible because of its large x-height. BMW, GM, Lufthansa, Nestle, and Verizon are among the companies that use Helvetica.

Minion , designed by Robert Slimbach in 1989, has a neohumanist serif typeface. The font is designed for extended reading of body text and is used in many books.

Verdana , designed by Matthew Carter for Microsoft in 1996, has a humanist sans-serif typeface, similar to that of Frutiger. The font has a large x-height, making it very legible. It is also wider than most sans-serif fonts. Verdana is very readable on computer screens and many websites use it. Aston Martin, Concorde, and Jaguar are among the companies that use Verdana.

My five best fonts for presentations are:

• Frutiger for business and management workshops
• Futura for creativity and innovation workshops
• Gill Sans for workshops with lots of content
• Helvetica for workshops that are “conservative”
• Verdana for IT and high tech workshops

I select these fonts for presentations simply by displaying PowerPoint slides with these fonts to my workshop participants and asking them which ones they prefer. This way of selecting fonts is not scientific but, as they say, the proof of the pudding is in the eating, and it worked for me. I have been using these five fonts for years.

Try these fonts in your workshop presentation and let me know what your workshop participants think about them. Most importantly, have fun with fonts.

• Bringhurst, Robert. The Elements of Typographic Style . Hardley & Marks. 1997.
• Whitman, D E. Cashvertising . Career Press. 2008.

Latest Posts

40+ Best Headline, Header & Title Fonts

The headline or title can often be the most important part of a design. Which is why it’s always worth taking extra time to choose the best title font for your next project. The typeface you choose for your headline can draw people in, and grab their attention.

Well, you don’t have to waste any time searching for the perfect headline or title font because we did all the work for you. We put together this list of the best title fonts to use with all kinds of posters, flyers, websites, social media posts, and many other types of designs.

Plus, we’re sharing some tips for choosing a title font , to help point you in the right direction.

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FLIX – Unique Display Font

Flix is a modern and unique display font specially made for headlines and titles. It’s ideal for crafting titles for website headers, posters, flyers, and even greeting cards.

The font also comes in 2 different styles featuring regular and outline designs. This will allow you to combine the styles to create uncommon headlines for creative projects.

Why This Is A Top Pick

In addition to its sleek and creative design, this font is also a great choice for professional designers as it comes with both OpenType and TrueType fonts as well as in Web Font formats.

Hikou Regular – Bold Title Font

Hikou Regular is a bold and creative all-caps font that’s most suitable for design and fashion-related projects. Its thick and narrow spacing makes it a great choice for flyer designs.

Blue Fonte – Headline Font Duo

Blue Fonte is a pair of modern fonts that features fonts in two different styles including a sans-serif font and a script font. Both of which you can combine to create stylish headlines and subheadings for your banners and posters.

SPOT – Unique Display & Headline Font

Spot is an attractive and creative font you can use to create titles and headers that instantly grabs attention. The font features all-caps letters and comes in 4 styles including italic and outline versions.

Travel Sans – Narrow Title Font

Travel Sans is a narrow display font that features a bold design. It’s designed for crafting titles and headlines for flyers and posters. The font also comes in TTF and OTF formats.

Ace Sans – Modern Title Font Family

Ace Sans is a complete family of fonts that includes a total of 8 fonts featuring various weights ranging from thin to extra bold and more. You can use this font to create titles as well as paragraphs for luxury and high-end branding designs.

ACDA – Free Bold Title Font

ACDA is a professional title font crafted to perfection. The font includes both uppercase and lowercase letters and it’s completely free to use to with your personal and commercial projects.

Coldiac – Free Elegant Header Font

Coldiac is an elegant free font you can use to design titles for fashion and high-end branding designs. The font is free to use with your personal projects.

Gally  – Modern Decorative Title Font

Gally is a modern font that comes with a set of big and chunky letters. It’s great for crafting bold titles, headlines, and headings for all kinds of designs ranging from posters to websites and more.

Brauts – Classic Serif Font for Headlines

If you’re looking for a font to craft titles with a classical look and feel, this font is perfect for the job. It features a professional serif letter design that’s most suitable for modern brands, corporate businesses, and agencies.

Lakone – Elegant & Modern Title Font

Lakone is a beautiful font with elegant serif letters. It has the perfect look for crafting headings and titles for luxury brands and high-end businesses. You can use it to craft packaging designs, labels, logos, and much more.

Glasser – Extended Font for Headings

Glasser is a creative wide font with bold letters. This font will look amazing on posters, custom T-shirts, social media posts, and more. The font includes plenty of ligatures, alternates, and multilingual support for over 100 languages.

Gattos Breu – Free Font for Titles

This free font is perfect for designing retro-vintage-themed titles for various projects. The font has bold letters with a classic look, unlike any other font on our list. It’s free to use with personal projects.

Neonline – Retro Neon Font for Headlines

Adding a groovy retro look to your designs is much easier when you have this font at your side. It comes with a set of line-themed letters inspired by neon signs. The font includes all-caps letters with lots of alternate characters.

Quarters – Vintage Serif Title Font

This vintage serif font has a very unique character design that will add a bold and elegant look to your typography. The font includes all-caps letters that will make your designs stand out from the crowd.

Big Gummy – Bubble Font for Header Designs

This fun and quirky bubble font is perfect for giving your packaging designs a more creative look and feel. It features chunky letters that are ideal for big banners, posters, social media posts, and much more.

Canisper – Rounded Font for Titles

Canisper is a creative font with beautifully rounded letters. This font is a great match for crafting typography for classy brands, business cards, posters, flyers, and more. Use it to add a luxurious look to your headings.

Soffiti – Free Headlines Font

Soffiti is a cute graffiti-style font with a creative outline design. This font is great for crafting playful and fun typography for your feminine and chic-style designs. You can use it for free with personal and commercial projects.

Bogem – Bold Title Font

Bogem is an outstanding font that can be used for movie titles, posters, headlines, banners, and billboards. Don’t hesitate to take this incredibly remarkable font for a spin.

Quart – Unique Headline Font

Quart is an amazingly unique font for headlines, big text, branding, logotypes & display usage. This font is also perfect for creating outstanding logos, promotional content and marketing graphics that can really grab attention from your visitors.

Chalkie – Bold Title Font

If you are looking for an ultimate bold font and add more versatility to your content, then you should check out this font. The Chakie font comes in a variety of styles including, soft, outline, inline, shadow, and reduced heights, making it a perfect fit for headline applications, powerful headlines, bold statements, dramatic titles, and more.

Gayeng – Impressive Title Font

Gayeng is an outstanding headline font. It is known for its super bold style and contains up to 6 alternatives for each character. This great font includes regular, bold, oblique, and outline styles, making it an ideal choice for headlines, posters, merchandise, branding, and more.

Mia Love – Funky Title Font

Mia Love is a special brush font designed to look bold, with a perfect texture, suitable for today’s designs. Perfect for use in design titles such as invitations, signboards, book titles, stationery designs, quotes, branding, logos, greeting cards, packaging designs, posters, and more.

Visage Demolished – Textured Title Font

Visage features a very unique textured design with a slightly vintage look and feel. It’s perfect for crafting titles for posters and book covers. It’s an all-caps font with support for multilingual characters.

Media Times – Elegant Business Font

Media Times is an elegant serif font most suitable for designing titles and headers for high-end and luxury brands and businesses. The is also suitable for logos and newspaper-style headings as well.

Chillow – Hand-Drawn Title Font

Chillow is a creative title font that comes with a unique hand-drawn design. It’s a sans-serif font with a touch of retro vibes. This all-caps font comes in italic and regular styles as well as ligatures and alternates.

Okana – Sans Serif Font Family

Okana is a family of sans-serif fonts made for professionals. This font can be used to design both titles and body text of various design projects. It includes 8 fonts with matching obliques, making a total of 16 font styles.

Aqum – Creative Free Title Font

Aqum is another free font you can use to create unique and creative titles for posters and flyers. You can use it freely with personal and commercial projects.

MADE Kenfolg – Free Serif Display Font

This free serif font is perfect for crafting titles for banners, posters, and many other types of professional and business designs. The font is free to use with personal projects.

Etna – Sans Serif Title Font

Etna features a bold design with thick letters. You can use this font to craft attractive headlines for all kinds of print and digital designs. It also comes with 415 glyphs as well.

Colombo Sans – Creative Header Font

Colombo is a casual and creative title font that features a modern look and feel. The font is most suitable for designing titles for feminine and fashion designs as well as many others.

Simbox – Geometric Color Font

This is a unique font that comes with a colorful geometric design. This font is designed with color elements coded into the typeface to make your titles look more fun and attractive. It includes color alternates as well.

Maven – Handwritten Headings Font

Maven is another fun handwritten font that’s ideal for crafting headings for posters, website headers, and book covers related to children’s. You can also use it to design greeting cards and flyers as well.

Derkon – Modern Headline Font

Here we have a stunning headline font containing two full sets of all caps letters, two handcrafted styles: regular and shadow, 18 glyphs, and a range of other features for you to take advantage of.

Vlogger – Fun Headline Font

Vlogger is a fun and playful font that will really help you stand out in the daily flood of headline, thumbnail, and branding typeface designs we see on the internet. A great choice for YouTube projects that need a bit of a joyful element to grab the audience’s attention!

Gemosh – Impressive Title Font

Perfect for a variety of purposes, Gemosh is a creative and unique title font that is as impressive as it’s effective. It offers a vintage vibe and comes in two styles namely headline and extrude.

Acworth – Free Title Font

Clean, modern, and professional, Acworth is a typeface choice that will fit right into your header and titling needs. It comes with a wealth of features that really should be seen to be fully appreciated.

Marsek – Free Header Font

Wanting to get your hands on a great font style without having to pay a dime? Look no further than Marsek, an elegant and sophisticated display font suitable for headlines, titles, paragraphs, and similar purposes.

Comodo – Modern Display Typeface

Comodo is a modern and trendy font that fits in well with all types of modern titles designs, including social media posts, posters, branding designs, and much more.

Genuine – Free Modern Title Font

Genuine is a modern and bold title font you can use to create titles for both print and digital designs as well as website headers. It’s completely free to use.

Houston Sports – Free Display Font

This is a free version of a professional font you can use with your personal projects. It’s most suitable for sports and entertainment related designs.

Think Music – Free Display Script Font

Think Music is another great free display font featuring a script design. It’s ideal for designing titles for creative designs such as music flyers, band posters, and more.

4 Tips for Choosing a Title Font

Not sure which font to get for the titles of your designs? These tips will help you make the right decision.

1. Serif or Sans-Serif?

Your first challenge in finding a title font is deciding whether to use a serif font or a sans-serif font. While you are free to use either one in your designs, each font type is quite common in certain types of designs.

For example, a serif font is a perfect choice for a flyer or a poster you design for a luxury brand as it shows off elegance through the titles. For creative or casual design, a sans-serif font would be an ideal choice.

2. Use Thick Fonts for Bold Statements

To make your titles more visible above all else, consider using a font with thick weights. Even though it seems obvious, most fonts don’t give you too many choices when it comes to font weights. Be sure to pick a font family with multiple weights so that you can experiment with different styles.

3. Pick a Distinctive Font Design

The main goal of a title is to stand out from the rest of the design. To make it distinctive from all the other paragraphs, images, and shapes. The only way to achieve this goal is to pick a font with a unique design for the titles.

There are many different styles of fonts you can choose from like space fonts, futuristic fonts, narrow fonts, and more that come with creative design that turns people’s heads around.

4. Consider Readability

More importantly, don’t disregard the user experience and readability when choosing fonts. If you choose an unusual font with a weird design that makes your titles harder read, your entire design and project will go to waste. Find a unique font, but make sure it doesn’t affect readability.

For more great fonts, check out our best condensed and narrow fonts collection.

• Sans Serif fonts
• Serif fonts
• Display fonts
• Script fonts
• Slab Serif fonts
• Variable fonts
• Font tester
• Font licensing
• Font subscription
• Custom fonts
• Cyrillization
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• About TypeType
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20+ Best Headline Fonts: Fresh Ideas for Title and Header Design

What fonts are used in headings, how to choose a great font for heading: our recommendations, how to pair a headline font with a text one, how to use the same typeface for texts and headings, best fonts for headlines.

It can be a challenge to find the best headline font . A right expressive typeface will convey values, ideas, and the overall atmosphere of the entire project. The headline font is the cover your project will be judged by. That’s why it must make the necessary impression immediately, or else you are unlikely to get a second chance to attract users’ attention in our information-dense world.

What fonts are the most effective for headlines and which criteria to consider? This was the focus of the following article, where we provided the list of 20+ best options.

All fonts, according to their purpose, are subdivided into text and headline (display). Text fonts serve for typing running text, so they must be easy and convenient to read on any device. These typefaces look simple, neutral, and uncluttered. Maximum comfort for perception is the key factor in  choosing a font for reading . The usual point size for text fonts is from 6 to 14-16.

Display fonts , in turn, are utilized for texts set in large point sizes, headlines, and highlights in texts — their usage is targeted at capturing attention. These are expressive typefaces with a vibrant character. Their graphic is more complex and often full of eye-catching details. Unlike text fonts, typical point sizes for display typefaces range from 14 and up.

Among expressive typefaces, title fonts can be distinguished. They are used for title pages, covers, and headings. The character set of these fonts is often either reduced or consists of only uppercase letters. Typical sizes for title fonts range from 16 points up.

Interestingly, the requirements for text fonts are much more straightforward than for expressive ones. Moreover, depending on the layout, a text font can serve to design a headline. Typing running text in any display font, however, isn’t an option. If a font was initially designed for headings, it’s unlikely to replace a text one.

It turns out that almost any typeface can be expressive. How do you choose a suitable option, then? Let’s find out.

Selecting the best title font is a subjective process that is regulated by the goals and objectives you set. Always choose the font with your specific project in mind, not just the one you like. Different projects require different fonts—there aren’t any standardized rules. Luckily, there are several criteria worth considering.

A headline font should:

• Suit your project’s style and convey the corresponding emotions and values;
• Be different from your primary font to attract attention. The intensity of this difference depends on your goals and objectives;
• Appear correctly on all devices. A great headline font is technically well-crafted. Consider this criterion more carefully if you choose a free font.

If you already have a primary font and are looking for an expressive one to pair with it, or if you are choosing a complete font pair, we suggest following the recommendations below.

• Choose typefaces that would match the aesthetics and style of your project;
• Determine each font’s role: one will be primary, and another will be used to place accents. First, find a «workhorse» and then an expressive pair for it;
• Follow the principle of maximum contrast. The paired fonts should have the same idea but contrasting visuals.

To learn more about the principles of mixing and pairing typefaces, you can read our article “UniversiTTy: Lesson 5. Choosing and Mixing Typefaces: Theory and Practice” .

The process of pairing fonts can be compared to choosing an outfit. Suppose you are getting ready for an event and put on simple jeans as your outfit’s base. In your font wardrobe, a basic sans serif like TT Norms ® Pro will be your jeans. Depending on how you style it, you can elevate this neutral typeface to a more formal level or make it look more relaxed. If the event’s dress code is formal and even a little strict, you can pair your jeans with a blazer—and the overall mood of the outfit will shift to more traditional. This jacket in the font world is the TT Livret Display serif. The elegance of this font contrasts with the simplicity of  TT Norms ® Pro . However, the two typefaces look great together.

When resources are limited, you can use one typeface in different point sizes and weights for the main text and headings. In this case, you need a good text font that is comfortable to read in small point sizes and, at the same time, looks unusual and creates the necessary amount of contrast when you add weight and increase point size. TT Neoris is a great example of such a typeface. This modern basic Neo-Grotesque looks good in big text blocks. Its bold font styles also perform nicely the role of a headline font. Besides, TT Neoris boasts quite captivating shapes that come alive in larger point sizes.

Here, we made a list of headline fonts crafted by  TypeType and other studios. In this list, you will find various expressive fonts that can be used for newspaper, magazine, and online media headings, in website header design, and in many other projects.

TT Espina

TT Espina is a charming and eye-catching display serif. This typeface is marked by high contrast, expressive serifs, and distinctive diamond-shaped bowls that make the font particularly captivating. This beautiful typeface will be a great match for projects in the domains of art, beauty, or decorative design. Any heading with TT Espina will turn out slightly mysterious and romantic.

TT Ricks

Stylish, bold, and modern TT Ricks is a vibrant display serif. This typeface boasts a cool character, narrow forms, high contrast, and attention-grabbing sharp serifs. TT Ricks will harmonize with the environment where you want to emphasize boldness and add a touch of rebellion.

TT Moons

TT Moons is an elegant Modern serif. It’s marked by high contrast, narrow proportions, and expressive but relatively calm character. This typeface is perfect for magazine layouts, book title pages, and newspaper layouts. A heading or title in TT Moons will catch attention without being too fancy.

TT Geekette

TT Geekette is a friendly variable serif with fluid forms. It was created as part of an experimental project, so it’s so unique. If you are looking for a stylish, unusual, and distinctive display font, TT Geekette is the best option! This typeface is a perfect choice for printing and web design.

TT Alientz

An alien family TT Alientz includes a super-expressive serif and a simpler sans serif that can be used as a pair. TT Alientz Serif is a dynamic, stretchy, and spiky font with an enigmatic character. It’s an excellent match for projects that blend elements of rational and irrational. This may be the domains of art, selective perfume, or esotericism. The typeface’s personality is also quite cool and bold, so both creative sides of TT Alientz can be experimented with.

TT Phobos

A display serif TT Phobos is marked by a soft and gentle nature. This typeface features fluid forms, medium contrast between bold and thin strokes, asymmetrical serifs, and counterclockwise rotation of inner ovals. TT Phobos is an excellent choice for various projects like home goods or confectionery websites.

TT Marxiana Elzevier

TT Marxiana Elzevir was created as part of the reconstruction project of a font set used for the magazine called «Niva,» published in Saint-Petersburg during the late 19th to early 20th century. This title or headline font remains modern and versatile despite its historical roots. TT Marxiana Elzevir is a particularly good choice for newspaper and magazine layouts, book design, and literature projects.

TT Ricordi Allegria

TT Ricordi Allegria draws inspiration from the remains of plaques and inscriptions found within the Basilica di Santa Croce, Florence. This typeface is a high-contrast sans with hyperbolically dynamic proportions, high contrast, and wedge-shaped stroke ends. Besides, it doesn’t feature traditional serifs. TT Ricordi Allegria will emphasize your project’s elegance and exquisiteness.

TT Ricordi Greto

TT Ricordi Greto is the first sans serif in our selection. However, some of the Antiqua qualities and hints of serfs remain in this typeface. TT Ricordi Greto is also inspired by a floor plaque dating to 1423, found within the Basilica di Santa Croce, Florence. A blend of historical features and contemporary visual solutions makes this typeface so distinctive. TT Ricordi Greto is a perfect font for magazine covers, poster headings, branding, and web design.

TT Ricordi Marmo

One more serif from the TT Ricordi collection, also inspired by the remains of inscriptions in Basilica di Santa Croce, Florence. This typeface boasts modernity and a free spirit—the features that make it neutral and unusual at the same time. Due to its unique features, TT Ricordi Marmo is rather versatile and will work great in both formal and informal projects.

In addition to the list of TypeType typefaces, here are some free and paid fonts for headings from other studios. This list features captivating and unusual fonts as well as neutral options.

• Futura by Linotype
• Nexa Rust by Fontfabric
• Bree Serif by Type Together
• Proxima Nova by Mark Simonson Studio
• Cooper Black by Adobe Originals
• Museo by exljbris
• Bodoni by Paratype
• Gilroy by Radomir Tinkov
• Helvetica by Linotype
• ITC Avant Garde Gothic by  ITC

Choosing a font for headings is always a personal process that depends entirely on your project’s context. In this article, we covered the main criteria of headline font selection and suggested some specific display typefaces. However, don’t be afraid to break the rules and experiment. Analyze other designers’ projects and avoid getting fixated on just one way of mixing typefaces, even if it seems the best option for you. Only through this will you discover your unique style and learn to understand fonts!

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Best Fonts for Reading: Top 10

Looking for the most convenient and easy-to-read font for reading from a phone screen or e-book? Check out the TypeType list of the best fonts for reading! Find out which font boasts the best readability.

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30+ Best Headline Fonts – Perfect for Headers & Titles

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If you’re in the market for the best headline fonts , this feature is for you!

Whether you want to grow your blogging design , magazine, newspaper, tabloid, or any other article, the best headline font can set the tone for your content .

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They can generate interest and appeal to your readers, making your content grow , be worth reading, and keep visitors returning to your site repeatedly.

Finding the best heading or title font for your content can be a time-consuming task. Hence, to cut the clutter, we bring you a collection of the best headline fonts for headers and titles that you can use for any type of content.

Check out our compilation of the best headline fonts, which outlines the best fonts for headers and titles. Some of the fonts are free, and some are premium.

10+ Best Fonts for Headlines, Headers & Titles

• Olive Village – Vintage Font
• Lütschine Font Mega Family
• Point Panther
• Bellada Script Font
• Fiver – Multiline Display Font
• Rolling Beat – Modern Bold Script
• Bugaki – Elegant Serif Font
• Milgran Sans Font Family
• Procerus Font Family

Scroll on for the full list.

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Top 30+ Best Headlines Fonts – Perfect for Titles & Headers

1. olive village – vintage font.

One thing we love about the Olive Village vintage font is its thick and heavy curves that give off a 70’s groovy vibe with a touch of modernity.

Olive Village has a bold and inviting look. The letters are thick and heavy, making them easy to notice. The curves in the characters give the font a friendly and approachable feel. Whether you use it for small or large text, it remains easy to read.

What’s really cool about Olive Village is that it comes with lots of extra options. You can switch out different characters or use ligatures to create unique combinations. This means you can keep your designs fresh and interesting.

You get two versions of this font: regular and italic. This gives you flexibility in your designs. Use the regular version for a classic look, and the italic version for a more slanted, contemporary style.

Olive Village is great for a variety of design projects. It’s not just for headers. It works well in advertising, branding, packaging, titles, etc. It effortlessly blends a modern and vintage vibe to give your projects a unique touch.

If you want an ultimate bold font to add more versatility to your content, you should check out this font.

Buffalo boasts a robust and edgy look, making it ideal for creating designs with a cinematic feel.

We were delighted by its strong and forceful presence, which captured the essence of dramatic visuals. Its striking appearance ensures that it won’t go unnoticed.

What sets Buffalo apart is its versatility. It offers a range of styles, including soft, outline, inline, and shadow variants.

Buffalo is your go-to font for projects that demand a bold and attention-grabbing presence.

Whether you’re working, with powerful headlines, punchy branding , dramatic titles, or any design that requires a strong visual impact, Buffalo delivers. Its cinematic essence brings an element of drama and excitement to your creative works.

3. Lütschine Font Mega Family

When it comes to typography that leaves a lasting impression, the Lütschine Font Mega Family is a standout choice that effortlessly combines form and function.

Buffalo Font’s letterforms are a testament to modern design sensibilities. Each character is beautifully crafted, striking a perfect balance between contemporary aesthetics and timeless appeal.

The elegance of its letterforms ensures that your headlines will always look polished and captivating. One of the standout features of the Lütschine Font Mega Family is its meticulous attention to spacing and kerning.

Every character is thoughtfully placed to create a harmonious flow of text. This precision not only enhances readability but also adds a touch of professionalism to your headlines.

The Lütschine Font Mega Family offers an astonishing array of styles, with 126 variations in total. These include 63 upright and 63 italic styles, allowing for endless possibilities in your designs.

Whether you prefer a narrow, condensed, or normal width, The Lütschine Font Mega Family has you covered.

The italics of Buffalo Font are a true work of art. Hand-drawn and carefully adjusted, they create beautiful lines that add a touch of elegance to your headlines. Whether it’s for editorial design or logo creation, these italics are a valuable asset.

4. Point Panther

Point Panther is a headline font. It is known for its super bold style and contains up to 6 alternatives for each character.

This great font includes regular, bold, oblique, and outline styles, making it an ideal choice for headlines, posters, merchandise, branding, and more.

This contemporary sans-serif typeface is designed to bring a fresh and extended look to your text, while its bold nature adds a sense of confidence and prominence.

However, we recommend its regular font style is ideal for body text, ensuring readability and a modern feel in documents, websites, and various content.

Regarding headlines and titles, the bold style shines, making a strong visual impact and commanding attention. The oblique style offers a touch of elegance and emphasis for specific words or phrases within your text.

We suggest using the outline style as a unique and decorative option, best used sparingly for creative headers, logos, posters, or any design element where you want to create a striking visual contrast or highlight a particular aspect of your design.

This font’s versatility and contemporary aesthetic make it a valuable choice for a wide range of design and typographic applications.

The stylistic alternatives of this font are compatible with Adobe Illustrator , Photoshop, InDesign, or Inkscape software.

5. Bellada Script Font

The Bellada font , with its clean brush stroke style and overlapping letters, exudes a unique artistic quality that can be a standout choice for decorative elements, artistic titles, or headings where you want to infuse creativity and style.

However, it’s worth noting that due to its overlapping nature, Bellada may not be the best option for lengthy body text, as it could compromise readability.

To maintain a harmonious and visually pleasing design, consider pairing Bellada with the Procerus Font Family and Calvier – Headline Sans Family.

By combining these fonts, you can craft a well-balanced and visually appealing design. This blend seamlessly merges creativity, style, and readability, ensuring that your content effectively captivates and engages your audience.

This font is compatible with Adobe Photoshop , Adobe Illustrator CS3, and higher versions.

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6. Fiver – Multiline Display Font

The Fiver font consists of the best parts of both the vintage and modern into a single style. One of the exciting features of this font is that it pairs perfectly with any modern sans serif font such as Montserrat, among others.

It is a multi-line display font, which comes with uppercase characters, and that makes it best suited for large display sizes including, headlines, logos, advertising, packaging, and more.

7. Rolling Beat – Modern Bold Script

Rolling Beat is a one-of-a-kind, carefully handcrafted bold script font.

Because of its casual charm, the font appears amazingly down-to-earth, readable, and, ultimately, incredibly versatile. The font is PUA encoded- meaning you can access all of the glyphs and swashes easily.

Additionally, the font also comes with ligatures, numerals, punctuations, and multilingual support. Overall, Rolling Beat is perfect for use in standalone headlines or busy backgrounds.

8. Bugaki – Elegant Serif Font

Designed by Kulokale Studio, Bugaki is a modern and elegant serif font.

It comes in two versions- Regular and italic. This stylistic font is best suited for titles, headlines, advertising, packaging, logotypes, and more.

To use the stylistic alternates of this font, you’ll require professional design software such as Adobe Illustrator, Photoshop, InDesign, or Inkscape.

9. Milgran Sans Font Family

A modern and elegant sans-serif font, Milgran is a stylish font created to suit your every need. This font comes with a family of 10 fonts and matching italics.

It includes regular, condensed, expanded, italic, expanded italic, semi-expanded italic, and more.

You can use this font with ease in your titles, headlines, advertising, logotypes, editorial design, among other projects.

10. Procerus Font Family

Designed to achieve maximum impact on a narrow ground with ultra-compressed letterforms, Procerus comes with a collection of 18 fonts in the family that range from thin to black weights along with their italic counterparts.

This font finds its use in titles, headlines, and logo designs; however, you can also use it for poster designing, book covers, and advertisement.

Moreover, this font supports Baltic, Central/Eastern Europe, English, Romanian, Turkish, Western European languages.

11. Leyton Typeface

Leyton Typeface is a modern serif font that is a perfect fit for sleek and elegant titles, headlines, custom logotype designs, and more.

It is a beautiful typeface, and it comes with upper and lowercase characters, numerals, and a large range of punctuation.

Interestingly, the bold version of the font gives more impact and helps the font stand out on busier backgrounds and designs requiring a stronger text presence.

12. Chakie | Headline Font

Chakie belongs to the sans-serif family of typefaces, making your font look bold and strong. It comes with normal and expanded spacing and can you can optimize it to any size.

The easy-to-install font is PUA encoded and supports up to 23 languages. You can use this font for headlines, posters, branding, labeling, and much more.

13. Derkon Headline

Derkon is a handcrafted digital typeface that lets you create impressive and beautiful pieces of work.

This font belongs to the serif family and comes with normal spacing, helping you add a human touch to your projects.

It includes all-caps letters in two different styles- handmade regular & shadow, 18 glyphs, vintage style letters, and more. The font is best for use in headlines, typography, among other designs.

14. Showbiz, Sharp Fancy Headline Font

This font belongs to the family of sans-serif typefaces and is great for use in headlines, packaging, posters, and much more.

It is a normal-spaced font that comes with a unique style to enhance the appearance of the font.

The Showbiz, Sharp Fancy Headline font also comes with a user guide with helpful instructions to maximize the usage of the font.

15. Gemosh – Headline and Extrude

A display typeface, Gemosh comes in two styles- headline and extrude. This normal-spaced font belongs to the sans-serif family, and you can optimize it to a large size.

It is perfect for use in retro or vintage nuances such as headlines, movie titles, signage, book covers, labeling, printing, and much more.

16. MARXURE – A Bold Headline Typeface + Web Fonts

Need a bold and beautiful headline typeface for modern web and print designs? Then, the Marxure font that comes with only uppercase letters along with all numbers and symbols is exactly what you are looking for.

It is available in normal spacing and comes with two weights- bold and extra bold, with all formats including web fonts.

17. Vlogger – Fun Headline Youtube Handwritten Font

Vlogger is a specially crafted font that is perfect for headlines, thumbnails, or merchandise. It belongs to the sans-serif family of typefaces, and you can optimize it to any size.

This fun-hand brush font comes with a Vlogger font, all characters from A to Z, numbers, punctuations, and more.

You can also use this easy-to-use font for various design projects such as posters, banners, website designs, product packaging, merchandise, among other projects.

18. Calvier – Headline Sans Family

Designed for an impactful and elegant visual impression mainly for headlines, logos, and posters, Calvier is a great addition to the sans-serif family of typefaces.

This font has semi-geometric and semi-humanist details with multilingual support. It comes in four weights- regular, light, hollow, and bold, making it an ideal choice for print and video headlines, social media, and more.

19. Futurama Modern Titling

Futurama is a great addition to the serif font family. The bold and unique display font includes 20 fonts, ligatures, uppercase-lowercase characters, punctuations, and numbers.

You can use it conveniently in titling, film title, big title, branding, logo, promotion, among other things.

20. Nootdorp | Headline Typeface

Inspired by modern sans and powerful typeface, Nootrdrop is an easy-to-use font that comes with normal and expanded spacing. This font comes with three styles- regular, italic, and outline.

Moreover, this easy-to-install font is PUA encoded- meaning you can access all of the glyphs easily. This font supports up to 23 languages, including English, German, French, Italian, Spanish, Portuguese, etc.

Nootdorp is a versatile font that you can use in headlines, magazines, headers, packaging, branding, websites, and much more.

21. EXPANSE – Unique Display / Headline Typeface

Expanse belongs to the sans-serif font family of typefaces. It is an all-caps unique display font, which is perfect for headlines, big text, displays, and logotypes.

It has normal, monospace, condensed, and expanded spacing, and thus, the font is ideal for creating unique monograms, logos, and identities with combinations.

Being a headline-specific font, Expanse comes with two weights- regular and bold and italic counterparts.

Moreover, this typeface comes with extended Latin character sets including, Central European, South-Eastern European, and Western European character sets (a total of 252 glyphs).

With so many features, this is a must-have typeface in your collection.

22. QUART – Unique Display / Headline Typeface

QUART is another excellent addition to the sans-serif font family of typefaces. This font comes with a single weight but includes two styles- regular and outline.

Moreover, it comes in normal, monospace, and expanded spacing options, and you can optimize it to a large size.

QUART is a perfect choice for headlines, big text, display, branding, and logotypes with its amazing and unique appearance.

You can also use this font to create promotional content and marketing graphics that can truly grab the attention of viewers.

23. Marry Gold

Inspired by retro aesthetics, Marry Gold is a display font that comes from the 70s style.

This normal-spaced font belongs to the sans-serif font family of typefaces. It comes with unique glyphs, multilingual character support, uppercase and lowercase characters, numerals, punctuations, symbols, and much more.

This font’s retro vibe and stylish appearance make it perfect for use in headlines, movie titles, brandings, magazine covers, posters, book covers, quotes, lettering, and much more.

24. SIGNAL – Modern Display / Headline Typeface

A new-age typeface, Signal is a normally-spaced font that belongs to the sans-serif font family. It is an all-caps typeface by default and can be optimized to any size, making it perfect for headlines, big text, displays, branding, and logotypes.

This font comes with five weights- normal, light, bold, extra-bold, and heavy. Moreover, you can also use this eye-catching font to create world-class logos, marketing graphics, promotional content, etc.

25. Maxwell Sans Demi Bold

Maxwell belongs to the sans-serif font family of typefaces. It is a condensed font that is inspired by similar retro fonts of the 1950s.

This font comes in regular and small-cap versions and includes stylistic alternatives. The fractions, old-style numerals, and scientific inferiors in this font can be accessed via the glyph panel.

Maxwell font comes with multilingual support such as Greek, Latin, and other Western and Central European languages. You can use this font easily for headlines or paragraph text.

26. Brutalista

The Brutalista font is designed by Jorge Cisterna. He took architectural brutal style as an inspiration to design this font.

This font is ideal for headlines, titles, and brands. It looks simple but is effective for headlines & titles.

27. Hst- Vermiga Del Rose

The Vermiga Del Rose font works best for headlines and titles. It looks antique, vintage, and elegant.

You can also use the Vermiga font on invitations, newspapers, and formal letters. It has a unique design with a vintage serif typeface, perfect for headers.

28. Whiskey Joint Vintage Font 

Are you fond of vintage fonts? Whiskey Joint Vintage Font is a vintage font that gives an aesthetic feel like some of the most common vices such as whiskey, and cannabis.

It comes in four styles regular, outline, worn, and worn outline. It is an ideal choice for projects that requires a display face and is not ideal good for full-body text or smaller projects.

This vintage display font works wonders when you use it for logotypes, headlines, titles, callouts, and other short lines of text.

It is also well-suited for campaigns, branding, packaging, editorial design, and modern and vintage design.

29. Tolyer Typeface

If you are looking for a font with many styles, Tolyer Typeface comes with an abundance of contrast, styles, weights, and special effects in one place with good quality.

It is a perfect choice for powerful headlines, titles, posters, masculine brand names, and logotypes.

In addition to these, it is also an ideal choice for low to high-contrast outline projects, uprights, obliques, 3D effects, and also different artistic textured styles.

It even suits the best letterpress, high embossing, contrasting backgrounds, and textured paper which also gives diverse, expressive, and attractive.

30. Swifted – Chic & Stylish Sans

To add some cute stylish and chic kind of font to your designs, Swifted font with unique details is an ideal choice.

As it is specially designed in a bigger size it works great for headlines, titles, or shorter texts. This font makes your designs more stunning with the ligatures and their alternates.

As it is cute, stylish, and beautiful with unique details in every character, it will make the font more fashionable which can also be used for fashion, branding, and logotypes.

It comes with essential ligatures to make your designs stunning and stand out from the crowd.

31. BISMARK – Display / Headline / Logo Typeface

The BISMARK headline font complements your creativity and is marked by a distinctive typeface.

It can be used for exhibition purposes, branding, large text, and logotypes. There are some intriguing lowercase equivalents as well.

The fantastic logos, marketing graphics, and promotional materials that highlight the design’s creative elements should be created using this all-caps typeface.

The font comes with Italic versions of each of its three weights (Light, Normal, and Bold), which are designed to help you write a headline that stands out.

32. TWIG – Unique Display / Headline / Logo Typeface

Searching for the ideal font for displays, large text, branding, and logotypes? TWIG is an easy-to-read, endearing typeface that aids in the creation of gorgeous logos, interesting marketing graphics, and engaging promotional materials.

TWIG is available in one weight and four different styles (Regular, Italic, Outline, Outline Italic) to help you accomplish all you wish to create.

33. SPOT – Unique Display / Headline / Logo Typeface

If you are fond of bold fonts that easily attract attention, SPOT is the ultimate choice, as it is a distinct and contemporary all-caps typeface that is used in display applications, huge text, branding, and logotypes.

This typeface is ideal for generating stunning logos, marketing images, and other content that will definitely catch your audience’s attention.

Featuring a single weight but four styles (Regular, Italic, Italic, Outline Italic), SPOT is all set to create stunning designs.

34. ARTIS – Unique Display / Headline / Logo Typeface

Do you want to grab visitors’ attention? With ARTIS , a stunning display typeface made with a unique touch, it is possible.

This typeface is perfect for use in displays, branding, logotypes, large amounts of text, and headlines.

This font’s single weight (Regular) makes it ideal for creating stunning logos, advertisements, and marketing graphics.

35. Palmore

We absolutely adore Palmore ! It’s a vintage retro condensed display typeface with rounded proportions in its letterforms.

The blend of condensed glyphs with large-rounded O and C, along with a few alternates, creates a strong rhythm, making it perfect for headlines and titles.

If you’re a fan of classic or vintage letter designs, then Palmore is the ideal choice for you.

36. The Awesome Serif

Next, we have Awesome Serif ! It brings style with a touch of retro charm.

This font is incredibly versatile, fitting both delicate and sophisticated projects as well as bold and edgy retro designs. Take your pick and let your creativity soar!

Try it out with the type tester below to see how it looks with your text.

37. Marti Sans

Lastly, we have Marti Sans font, a versatile typeface that offers elegance across various weights.

From its bold slant and unique elements in heavier variants to subtle details in lighter weights, Marti Sans maintains refinement throughout.

With balanced width and reduced ascender height, it ensures harmonious compositions in both body text and headlines, enhancing readability and line spacing.

Marti Sans is the perfect choice for achieving polished typographic designs.

Our Favorite Headline Fonts

Still undecided? Below we’ve hand-selected our favorite 12 headline fonts from the list.

Frequently Asked Questions

What should i consider when selecting a headline font.

When choosing a headline font, consider factors such as legibility, compatibility with your overall design, the message you want to convey, and the target audience . Different fonts evoke different emotions and styles, so select one that aligns with your content.

Should I choose serif or sans-serif fonts for headlines?

Choosing between serif and sans-serif fonts depends on the design's aesthetics and readability goals. Serif fonts are often associated with tradition and elegance, while sans-serif fonts convey a modern and clean look. Consider your brand and audience when deciding.

Can I use multiple headline fonts in one design?

Multiple headline fonts can add visual interest and hierarchy, but be consistent in their application. Pair fonts that complement each other and maintain harmony in your design.

Top 30+ Best Headlines and Title Fonts

The headlines and titles are usually just one line of text. Yet, you have to properly present and format it to grab the attention of your readers . Hence, choosing the right font for your headlines and titles is of utmost importance.

We hope this list of the 30 best fonts for headlines and titles will meet your requirements for your creative projects.

More Top Fonts for Graphic Design

• Best Sans Serif Fonts
• Best Serif Fonts
• Best Slab Serif Fonts
• Best Script Fonts
• Best Handwritten Fonts
• Best Vintage Fonts

About Jacob Cass

Jacob Cass is a brand designer & strategist, educator , podcaster , business coach and the founder of JUST Creative, an award-winning branding & design consultancy that doubles as an industry-leading blog. Get in touch .

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Research Poster Presentation

• Planning & Preparation
• Layout & Content
• Color Scheme
• Images & Graphics
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Beginning Graphic Design: Typography

Best Practices

Choose your fonts

For maximum impact, choose different fonts for the header and body of your poster. Select a serif font for your title and a sans serif font for the body. Serif fonts, such as Times New Roman and Garamond, have short lines at the ends of the strokes in a letter (as indicated by the arrows in the images below); sans serif fonts, such as Helvetica and Arial, do not. 

Some common font pairings and recommended font sizes can be found below.

Size appropriately

• 33 perfect font pairings
• The art of mixing typefaces - Google Fonts edition
• The ultimate guide to font pairing
• Poster Design And Layout: From Font Sizes To Color Contrast
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• Last Updated: Jun 15, 2023 4:50 PM
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Headline and Title Fonts: Most Popular Typefaces, Best for Webfonts

Freebies Andrian Valeanu • January 07, 2023 • 7 minutes READ

Headline fonts have to set the tone of the entire document. Magazines, spreadsheets, tabloids, and even blogs use headlines to create intrigue and to appeal to the reader about the content. The use of proper headline fonts can make the content looking more urgent, relevant, essential and worth reading.

While fonts only are canisters for fonts, they must be able to create the necessary image, evoke emotions or express urgency to the reader. A headline is limited to a short phrase, so the impact is supplemented by using a good typeface . Headline fonts do that task. They are not excessively special but when used properly, they can shock, inform, or create sensation.

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One of the most important factors in producing aesthetically appealing and engaging content is the typeface you select for the title. The effective communication of the intended message depends greatly on the choice of typeface in attracting the reader’s attention.

Although there are many font choices, not all of them are created equal. It’s crucial to pick a typeface that is readable, simple to read, and matches the content’s overall style and tone. Some of the top headline fonts to help your content stand out are listed below:

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• Serif fonts are a common option for classic and traditional designs since they contain little lines or flourishes at the ends of the letters. They are ideal for formal or serious content since they are great at projecting a sense of authority and professionalism.
• Sans-Serif Fonts : Used for modern designs, these fonts have a crisp, contemporary appearance. They are ideal for informal or casual material since they are great at conveying a sense of simplicity and minimalism.
• Display fonts: These fonts are made to draw the reader’s attention and are therefore perfect for headlines and titles. They can be used to convey a variety of moods and tones and available in a variety of styles, from bold and dramatic to playful and whimsical.
• Script typefaces are a common option for attractive and sophisticated designs since they closely resemble handwriting and calligraphy. They are ideal for special occasions or high-end products since they are great at evoking feelings of romance, creativity, or luxury.

The typeface you select must reflect the overall tone and purpose of your text. A serif font can be the greatest option if you’re crafting a serious or professional work. A display or script font can be better suited if you’re crafting a lighthearted and entertaining work. Make sure the font you chose is readable and easy to read across all platforms and devices.

It has to catch the eye of the reader

While headlines may be just one line of text, it has to be properly formatted for the eyes to catch the news. Eye-catching could mean anything, but it has to serve a purpose.

Choose headline font that are designed for their purpose. For headlines, the most common types include Caslon, Mercury Display and Kis. Headlines must be properly spaced and must be legible. Some level of contrast will also help in creating emphasis. Some fonts are thick enough to be used as is but depending on your choice of font, you could also use the bold format to create more emphasis.

A certain conviction should be present with the font choice

When you make the choice earlier on for a publication or maybe certain themes, it will help create a consistent image for the magazine or any other project you are doing. For blogs, this could be the selection of fonts for the title page. Making choices will allow you to experiment on different styles. Always make sure that the font will work well with the body copy and if you have a separate font for the name of your project, the headline must be able to stand out, but still look natural with other fonts. Some publications are known to change fonts every now and then and it has become an acceptable method, but at the end of the day, it would be good to have a go-to font for much of your content.

Most Usable Headline Fonts for Titles

Bombshell pro.

Soin Sans Pro

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Encorpada Pro

Graublau Sans Pro

Rama Gothic

Feel Script

Unicod Sans

Cpl Kirkwood

Love Potion

Core Sans N

Ambassador Plus

Some tips in choosing good typefaces and fonts for titles

• Appropriateness of a font will really vary depending on the personal taste of the creative director, blogger or other person who might be in charge of the project. First, it is necessary to have an understanding of your intention. It pays to study about popular funny fonts and know where they are used and how they are perceived. With so much information available, it would be unwise not to make informed decisions on fonts. Some people will feel strongly about certain types or favor serifs over sans serifs. It really has to flow well with the intention or the overall project.
• The typeface also represents different segments of society. If you are making a blog about typography and you want a standout headline all the time, it would be unwise to go for a random font for kicks. For a serious headline, calligraphic or casual script fonts might not appeal to the serious mood of readers. For someone reading an article on luxury products, the headline must be able to evoke that glamour and appeal. Some fonts are neutral in nature and are ideal form general topics. Financial news or articles might benefit from the esteemed and disciplined look of the Bembo.
• What is the headline all about? Does it say something funny? Does it want to relax you? Does the headline want to share something dramatic? Is it a horrifying story? Depending on the slant you want to make with the article, the font can reinforce a certain emotion that could complement or contradict the text. You might want to be sarcastic about a certain headline, so instead of being obvious, you can use the font so more intuitive readers could get the point. If you want to evoke drama, bolder, and thicker strokes can make imposing statements. Creating the right impression should be based on your intent and how you want people to react.

The right typeface for headlines is not just about its form, but how it is used and how it is laid on to the paper. While the right choice can surely improve the message, it is also necessary to be observant on the natural flow of the page, the presence of white space, the hierarchy of the fonts and how they are distinguished from each other.

One can use almost similar fonts, but the format will definitely determine what is important and what should be emphasized. If you want a groundbreaking headline all the time, mastering typography can help you become better as a communicator by playing with the eyes and appealing to the emotions with the help of a good font style.

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Andrian Valeanu

Andrian is a skilled web designer, email marketer, and SEO expert with over 20 years of experience. He founded Designmodo, a reputable company specializing in website and email building. Andrian shares his knowledge through guest lectures, interviews, and online publications, and is a respected voice in the industry.

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• Mar 9, 2021

Which Fonts to Use on Your Scientific Poster

Choosing the right font (A.K.A. typeface) for your scientific poster is all about two things: readability and style.

But with thousands of fonts to choose from, it can be overwhelming.

So where do you start? You’ve come to the right place.

Here is what you need to know to choose a clear and stylish font for your scientific poster.

Serif or sans serif?

A serif font is one with those little bits on the end of the characters, the little moustaches. And, like a moustache, those little bits are just for style - they might be cool, but they’re not necessary.

What’s more, a serif font tends to give off a sophisticated, yet dated, vibe. As you want to your poster to reflect the innovative and contemporary research you’re conducting, it’s a good idea to stay away from serif fonts.

You need a font that is without serif, that’s sans serif. We recommend downloading your next favourite Sans Serifs fonts at Creative Fabrica . 👈

How many fonts?

Like so much of good design: less is more.

One or two fonts is all you need. If you have more fonts than this, your poster will look like a ransom note received in the mail.

As you know, it’s a good idea to make the headers clearly visible so help the viewer navigate the poster.

You can do this by making the headings bold or ALL CAPS. If you like the look of all caps, I strongly recommend against using any long headings. Long chucks of all caps is very difficult to read. So keep your headings short.

Decorative fonts

Look, I get it. You found the Disney font and you want to use it on your poster. A decorative font may be tempting, but it’s just not helpful - they’re very rarely easier to read than the standard sans serif fonts available. Take a look below to see what I mean.

Comic Sans?

Comic Sans is a sans serif font, it’s also fun - can we use it on our scientific posters?

Every time a scientist uses Comic Sans a graphic designer dies

BUT there is one exception. That is if your poster IS a comic!

If that’s the case, go for it! In this context Comic Sans is perfect and it would almost be a crime not to use it. Here’s a comic-style graphical abstract that is a perfect partner for the much maligned Comic Sans.

Bigger is better. At Animate Your Science, we believe posters are best served as a visual representation of your abstract. It’s about starting a conversation and that’s it - the rest is up to you.

So a poster with few elements, that can be seen from across the room, is perfect.

For this we recommend the following font sizes as a minimum for your text (based on an A0 size):

Headers : 40

Body text : 36

Your body text should be easily readable from 1 metre away.

To check that you have the right sizes, I suggest zooming in on your poster to 100 %. Then, take a step back to a metre or so. If you can clearly read the body text, then at a minimum, your text is big enough. You can use the same technique to test the sizes of your headers and title too.

Some suitable fonts

You have plenty of fonts to choose from. You’re not even limited to those default fonts installed on your computer. Check out Font Squirrel , Dafont , and 1001freefonts where you can download some new fonts for free.

For some ideas, check out these fonts:

That’s plenty of info dedicated to fonts for your scientific poster, so thanks for hanging in there with me.

But, we’ve only just scratched the surface on what makes a great scientific poster.

To properly cover this topic, we’ve developed a whole online course: How to Design an Award-Winning Scientific Poster. You can learn at your own pace and arm yourself with the tools, templates, skills and knowledge to create your own award-winning scientific posters. We’ve had excellent feedback on the 33 video lessons, 3 hours of learning and 8 templates & downloads included - so we’re confident that you’ll love it too.

Take-Away Points

One or two fonts

Sans serif is your friend

Make it large enough to be easily readable

Dr Tullio Rossi

Dr Flynn Slattery

#scicomm #poster #science

Related Posts

How to select the best images for your scientific poster

How to write engaging headings to make your scientific poster pop!

How to effectively incorporate citations into your scientific poster

Home » Fonts » 25 All-Time Best Fonts in Microsoft Word

25 All-Time Best Fonts in Microsoft Word

• January 11, 2024

• Written by a professional

Summary: While exploring the vast Microsoft Word's font library, I've handpicked 25 fonts that are my all-time favorite. My top three choices include:

• Impact : A bold choice, perfect for making strong, eye-catching headlines and statements.
• Goudy Old Style : Offers an elegant, traditional feel, ideal for formal documents.
• Century Gothic : Clean and modern, it's great for contemporary designs.

Diving into the diverse world of Microsoft Word's fonts, this selection of 25 is tailored for various needs and aesthetics. From enhancing business documents to giving a stylish edge to creative projects, these fonts cover a broad range of uses. Eager to discover these font gems? Join me in exploring their distinctive styles and practical applications, and see how they can transform your Word documents!

TOP 25: best fonts in Microsoft Word

• Goudy Old Style
• Century Gothic
• Baskerville Old Face
• The Serif Hand
• Cooper Black
• Gill Sans Nova
• Alasassy Caps
• Avenir Next LT Pro
• Century Schoolbook
• Georgia Pro
• Verdana Pro
• Vivaldi Italic
• Chamberi Super Display Regular
• Mystical Woods Smooth Script
• Tisa Offc Serif Pro
• Britannic Bold
• Baguet Script Regular
• Modern No. 20
• Modern Love Caps

• About Impact: Ideal for headlines and short titles, Impact is perfect for designs needing a bold, assertive font that captures attention instantly.

2. Goudy Old Style

• About Goudy Old Style: Best suited for formal documents, like legal and academic papers, where a traditional and professional typeface is required.

3. Century Gothic

• About Century Gothic: A clean and modern sans-serif font, great for business and academic documents that require a sleek, contemporary look.

4. Baskerville Old Face

• About Baskerville Old Face: Perfect for literary and academic publications, this font offers a classic, elegant feel that enhances the readability of extensive texts.

5. The Serif Hand

• About The Serif Hand: Ideal for casual, personal documents or creative projects that benefit from a relaxed, handwritten appearance.

6. Cooper Black

• About Cooper Black: A great choice for playful and bold designs, like posters and book covers, where a friendly and eye-catching font is needed.

7. Gill Sans Nova

• About Gill Sans Nova: Suitable for both corporate and creative documents, this versatile font offers a modern, clean look for various applications.

8. Alasassy Caps

• About Alasassy Caps: Perfect for artistic or elegant designs, such as wedding invitations or stylish branding materials, where a decorative touch is desired.

9. Avenir Next LT Pro

• About Avenir Next LT Pro: A modern and versatile font, great for corporate branding, digital content, and user interfaces requiring a clean, approachable look.

10. Century Schoolbook

• About Century Schoolbook: Often used in educational materials and children's books, this font is designed for high readability and a comfortable reading experience.

11. Georgia Pro

• About Georgia Pro: An excellent choice for both print and digital media, this font is renowned for its readability and classic elegance.

12. Verdana Pro

• About Verdana Pro: Ideal for web content and screen reading, offering exceptional clarity and legibility even at small sizes.

13. Vivaldi Italic

• About Vivaldi Italic: Best for formal invitations and certificates, this font adds a touch of elegance and sophistication with its ornate, script style.

14. Chamberi Super Display Regular

• About Chamberi Super Display Regular: A bold, modern font, perfect for impactful headlines, advertising, and any design needing a elegant and sophisticated feel.

15. Garamond

• About Garamond: This timeless font is suited for formal documents and publishing, offering a professional and classic appearance.

16. Broadway

• About Broadway: Great for theatrical posters, event announcements, and designs requiring a retro, 1920s flair.

17. Tw Cen MT

• About Tw Cen MT: A versatile font that works well for both headings and body text, suitable for a variety of professional and creative applications.

18. Gungsuh

• About Gungsuh: This font is ideal for documents requiring an Asian aesthetic, offering a unique, stylized appearance for multilingual projects.

19. Mystical Woods Smooth Script

• About Mystical Woods Smooth Script: Perfect for fantasy-themed designs and creative projects that require a whimsical, handcrafted script style.

20. Tisa Offc Serif Pro

• About Tisa Offc Serif Pro: A contemporary serif font, excellent for editorial content, offering great readability and a modern yet professional look.

21. Britannic Bold

• About Britannic Bold: This font is a strong and assertive font, perfect for headlines and branding that require a modern, yet slightly playful and approachable character.

22. Rockwell

• About Rockwell: A strong, slab-serif font, ideal for headlines and statements in both print and digital media that require a solid, authoritative presence.

23. Baguet Script Regular

• About Baguet Script Regular: This elegant script font is perfect for wedding invitations, formal events, and branding where a touch of sophistication is desired.

24. Modern No. 20

• About Modern No. 20: Ideal for formal documents, such as certificates and awards, offering a traditional, refined style.

25. Modern Love Caps

• About Modern Love Caps: Great for fashion and lifestyle branding, where a stylish, contemporary font can add a chic, modern touch.

Want more amazing fonts?

If you want to find more fonts and get access to milions of elements for Canva, browse my favorite site: Envato Elements .

They have all kinds of assets such as:

• Fonts (40,000+)
• Stock photos (9,3M+)
• Graphic templates (270,000+)
• Presentation templates (110,000+)
• Stock videos (5,1M+)
• Video templates (96,000+)
• 3D elements (210,000+)
• WordPress assets (6,500+)
• Royalty-free music (140,000+)

How to choose the best font in Microsoft Word?

• Consider the Purpose: Different documents require different fonts; a formal report may need a more professional font, while a creative flyer might benefit from a more decorative one.
• Readability: Choose fonts that are easy to read, especially for long texts. Sans-serif fonts are often more readable, particularly on digital screens.
• Audience and Context: Consider who will be reading the document and in what context. A young audience or a casual event might allow for more playful fonts.
• Pairing Fonts: If using more than one font, ensure they complement each other. A common approach is pairing a serif font for headings with a sans-serif for body text.
• Branding and Consistency: For business or personal branding, select fonts that align with the brand's style and use them consistently across all documents.

What are Microsoft Word fonts usually used for?

• Professional and Formal Documents: Certain fonts are favored for their clean and clear appearance, making them suitable for official reports, business correspondence, and academic writing.
• Creative and Decorative Purposes: Some fonts offer a more decorative or unique style, which is ideal for designing invitations, posters, and marketing materials that require a creative touch.
• Digital and Screen Readability: There are fonts specifically designed for digital readability, ensuring clarity and ease of reading on computer screens, tablets, and smartphones.
• Educational Content: For educational materials, especially those aimed at young learners, fonts that are simple, clear, and easy to read are often chosen to facilitate better comprehension and learning.
• Branding and Marketing Consistency: In branding and marketing, selecting a consistent font style across all materials is crucial as it helps in maintaining brand identity and recognition in all forms of communication and documentation.

Concluding our exploration of the 25 best fonts in Microsoft Word, the top picks that stand out for me are Impact , Goudy Old Style , and Century Gothic . However, it's important to remember that the term ‘best' is subjective and greatly depends on the specific needs and tone of your project. The ideal font choice will vary based on what you're creating and the ambiance you wish to convey. Approach this journey with excitement and allow your creative instincts to guide you. Each font has its own unique charm and character, ready to enhance and uplift your specific design aesthetic. Embrace this typographic adventure with enthusiasm and discover the perfect font to express your vision!

Hana Terber

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Create Your Vision

Piktochart starts, you put the finishing touches

Our AI sets the stage with a professionally crafted poster, then passes control to you, allowing you to modify and refine each detail to amplify your visual impact while keeping true to your brand.

Posters created using Piktochart’s AI-powered poster maker

Professionals like you use Piktochart’s free online poster maker to:

• Create eye-catching promotional materials that align with brand identity, ideal for advertising campaigns, product launches, and trade shows.
• Design captivating posters for corporate events, webinars, and conferences.
• Communicate new offers, services, or store openings.

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• Internal announcements, motivational quotes, or event notifications.
• Job advertisements and onboarding materials to attract and welcome new employees.
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• Announce charity events, workshops, and seminars.

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• Showcase healthcare services, specialist departments, and new medical technologies available at healthcare facilities.
• Display important health and safety protocols within healthcare settings.

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Briefly describe (within 120 characters) the purpose behind your poster. Whether it’s for promotion, making an announcement, driving awareness, or sharing health information.

2. Select from Our Varied Poster Designs

Jumpstart your project with our array of ready-to-use poster templates, perfect for shining a spotlight on any subject. After picking your preferred design, you’ll find yourself in our editing suite.

3. Tweak the Design with Piktochart Editor

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Advertising posters

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Reference Examples

More than 100 reference examples and their corresponding in-text citations are presented in the seventh edition Publication Manual . Examples of the most common works that writers cite are provided on this page; additional examples are available in the Publication Manual .

To find the reference example you need, first select a category (e.g., periodicals) and then choose the appropriate type of work (e.g., journal article ) and follow the relevant example.

When selecting a category, use the webpages and websites category only when a work does not fit better within another category. For example, a report from a government website would use the reports category, whereas a page on a government website that is not a report or other work would use the webpages and websites category.

Also note that print and electronic references are largely the same. For example, to cite both print books and ebooks, use the books and reference works category and then choose the appropriate type of work (i.e., book ) and follow the relevant example (e.g., whole authored book ).

Examples on these pages illustrate the details of reference formats. We make every attempt to show examples that are in keeping with APA Style’s guiding principles of inclusivity and bias-free language. These examples are presented out of context only to demonstrate formatting issues (e.g., which elements to italicize, where punctuation is needed, placement of parentheses). References, including these examples, are not inherently endorsements for the ideas or content of the works themselves. An author may cite a work to support a statement or an idea, to critique that work, or for many other reasons. For more examples, see our sample papers .

Reference examples are covered in the seventh edition APA Style manuals in the Publication Manual Chapter 10 and the Concise Guide Chapter 10

Related handouts

• Common Reference Examples Guide (PDF, 147KB)
• Reference Quick Guide (PDF, 225KB)

Textual Works

Textual works are covered in Sections 10.1–10.8 of the Publication Manual . The most common categories and examples are presented here. For the reviews of other works category, see Section 10.7.

• Journal Article References
• Magazine Article References
• Newspaper Article References
• Blog Post and Blog Comment References
• UpToDate Article References
• Book/Ebook References
• Diagnostic Manual References
• Children’s Book or Other Illustrated Book References
• Classroom Course Pack Material References
• Religious Work References
• Chapter in an Edited Book/Ebook References
• Dictionary Entry References
• Wikipedia Entry References
• Report by a Government Agency References
• Report with Individual Authors References
• Brochure References
• Ethics Code References
• Fact Sheet References
• ISO Standard References
• Press Release References
• White Paper References
• Conference Presentation References
• Conference Proceeding References
• Published Dissertation or Thesis References
• Unpublished Dissertation or Thesis References
• ERIC Database References
• Preprint Article References

Data and Assessments

Data sets are covered in Section 10.9 of the Publication Manual . For the software and tests categories, see Sections 10.10 and 10.11.

• Data Set References
• Toolbox References

Audiovisual Media

Audiovisual media are covered in Sections 10.12–10.14 of the Publication Manual . The most common examples are presented together here. In the manual, these examples and more are separated into categories for audiovisual, audio, and visual media.

• Artwork References
• Clip Art or Stock Image References
• Film and Television References
• Musical Score References
• Online Course or MOOC References
• Podcast References
• PowerPoint Slide or Lecture Note References
• Radio Broadcast References
• TED Talk References
• Transcript of an Audiovisual Work References
• YouTube Video References

Online Media

Online media are covered in Sections 10.15 and 10.16 of the Publication Manual . Please note that blog posts are part of the periodicals category.

• Facebook References
• Instagram References
• LinkedIn References
• Online Forum (e.g., Reddit) References
• TikTok References
• X References
• Webpage on a Website References
• Clinical Practice References
• Open Educational Resource References
• Whole Website References