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• 40 Useful Words and Phrases for Top-Notch Essays

To be truly brilliant, an essay needs to utilise the right language. You could make a great point, but if it’s not intelligently articulated, you almost needn’t have bothered.

Developing the language skills to build an argument and to write persuasively is crucial if you’re to write outstanding essays every time. In this article, we’re going to equip you with the words and phrases you need to write a top-notch essay, along with examples of how to utilise them.

It’s by no means an exhaustive list, and there will often be other ways of using the words and phrases we describe that we won’t have room to include, but there should be more than enough below to help you make an instant improvement to your essay-writing skills.

If you’re interested in developing your language and persuasive skills, Oxford Royale offers summer courses at its Oxford Summer School , Cambridge Summer School , London Summer School , San Francisco Summer School and Yale Summer School . You can study courses to learn english , prepare for careers in law , medicine , business , engineering and leadership.

General explaining

Let’s start by looking at language for general explanations of complex points.

1. In order to

Usage: “In order to” can be used to introduce an explanation for the purpose of an argument. Example: “In order to understand X, we need first to understand Y.”

2. In other words

Usage: Use “in other words” when you want to express something in a different way (more simply), to make it easier to understand, or to emphasise or expand on a point. Example: “Frogs are amphibians. In other words, they live on the land and in the water.”

3. To put it another way

Usage: This phrase is another way of saying “in other words”, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the reader achieve a better understanding of its significance. Example: “Plants rely on photosynthesis. To put it another way, they will die without the sun.”

4. That is to say

Usage: “That is” and “that is to say” can be used to add further detail to your explanation, or to be more precise. Example: “Whales are mammals. That is to say, they must breathe air.”

5. To that end

Usage: Use “to that end” or “to this end” in a similar way to “in order to” or “so”. Example: “Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings.”

Adding additional information to support a point

Students often make the mistake of using synonyms of “and” each time they want to add further information in support of a point they’re making, or to build an argument . Here are some cleverer ways of doing this.

6. Moreover

Usage: Employ “moreover” at the start of a sentence to add extra information in support of a point you’re making. Example: “Moreover, the results of a recent piece of research provide compelling evidence in support of…”

7. Furthermore

Usage:This is also generally used at the start of a sentence, to add extra information. Example: “Furthermore, there is evidence to suggest that…”

8. What’s more

Usage: This is used in the same way as “moreover” and “furthermore”. Example: “What’s more, this isn’t the only evidence that supports this hypothesis.”

9. Likewise

Usage: Use “likewise” when you want to talk about something that agrees with what you’ve just mentioned. Example: “Scholar A believes X. Likewise, Scholar B argues compellingly in favour of this point of view.”

10. Similarly

Usage: Use “similarly” in the same way as “likewise”. Example: “Audiences at the time reacted with shock to Beethoven’s new work, because it was very different to what they were used to. Similarly, we have a tendency to react with surprise to the unfamiliar.”

11. Another key thing to remember

Usage: Use the phrase “another key point to remember” or “another key fact to remember” to introduce additional facts without using the word “also”. Example: “As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to remember is that Blake was writing during the Industrial Revolution, which had a major impact on the world around him.”

12. As well as

Usage: Use “as well as” instead of “also” or “and”. Example: “Scholar A argued that this was due to X, as well as Y.”

13. Not only… but also

Usage: This wording is used to add an extra piece of information, often something that’s in some way more surprising or unexpected than the first piece of information. Example: “Not only did Edmund Hillary have the honour of being the first to reach the summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire.”

14. Coupled with

Usage: Used when considering two or more arguments at a time. Example: “Coupled with the literary evidence, the statistics paint a compelling view of…”

15. Firstly, secondly, thirdly…

Usage: This can be used to structure an argument, presenting facts clearly one after the other. Example: “There are many points in support of this view. Firstly, X. Secondly, Y. And thirdly, Z.

16. Not to mention/to say nothing of

Usage: “Not to mention” and “to say nothing of” can be used to add extra information with a bit of emphasis. Example: “The war caused unprecedented suffering to millions of people, not to mention its impact on the country’s economy.”

Words and phrases for demonstrating contrast

When you’re developing an argument, you will often need to present contrasting or opposing opinions or evidence – “it could show this, but it could also show this”, or “X says this, but Y disagrees”. This section covers words you can use instead of the “but” in these examples, to make your writing sound more intelligent and interesting.

17. However

Usage: Use “however” to introduce a point that disagrees with what you’ve just said. Example: “Scholar A thinks this. However, Scholar B reached a different conclusion.”

18. On the other hand

Usage: Usage of this phrase includes introducing a contrasting interpretation of the same piece of evidence, a different piece of evidence that suggests something else, or an opposing opinion. Example: “The historical evidence appears to suggest a clear-cut situation. On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day.”

19. Having said that

Usage: Used in a similar manner to “on the other hand” or “but”. Example: “The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an accurate account. Having said that, the archaeology tells a different story.”

20. By contrast/in comparison

Usage: Use “by contrast” or “in comparison” when you’re comparing and contrasting pieces of evidence. Example: “Scholar A’s opinion, then, is based on insufficient evidence. By contrast, Scholar B’s opinion seems more plausible.”

21. Then again

Usage: Use this to cast doubt on an assertion. Example: “Writer A asserts that this was the reason for what happened. Then again, it’s possible that he was being paid to say this.”

22. That said

Usage: This is used in the same way as “then again”. Example: “The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best.”

Usage: Use this when you want to introduce a contrasting idea. Example: “Much of scholarship has focused on this evidence. Yet not everyone agrees that this is the most important aspect of the situation.”

Adding a proviso or acknowledging reservations

Sometimes, you may need to acknowledge a shortfalling in a piece of evidence, or add a proviso. Here are some ways of doing so.

24. Despite this

Usage: Use “despite this” or “in spite of this” when you want to outline a point that stands regardless of a shortfalling in the evidence. Example: “The sample size was small, but the results were important despite this.”

25. With this in mind

Usage: Use this when you want your reader to consider a point in the knowledge of something else. Example: “We’ve seen that the methods used in the 19th century study did not always live up to the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in mind, let’s look at a more recent study to see how the results compare.”

26. Provided that

Usage: This means “on condition that”. You can also say “providing that” or just “providing” to mean the same thing. Example: “We may use this as evidence to support our argument, provided that we bear in mind the limitations of the methods used to obtain it.”

27. In view of/in light of

Usage: These phrases are used when something has shed light on something else. Example: “In light of the evidence from the 2013 study, we have a better understanding of…”

28. Nonetheless

Usage: This is similar to “despite this”. Example: “The study had its limitations, but it was nonetheless groundbreaking for its day.”

29. Nevertheless

Usage: This is the same as “nonetheless”. Example: “The study was flawed, but it was important nevertheless.”

30. Notwithstanding

Usage: This is another way of saying “nonetheless”. Example: “Notwithstanding the limitations of the methodology used, it was an important study in the development of how we view the workings of the human mind.”

Giving examples

Good essays always back up points with examples, but it’s going to get boring if you use the expression “for example” every time. Here are a couple of other ways of saying the same thing.

31. For instance

Example: “Some birds migrate to avoid harsher winter climates. Swallows, for instance, leave the UK in early winter and fly south…”

32. To give an illustration

Example: “To give an illustration of what I mean, let’s look at the case of…”

Signifying importance

When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such.

33. Significantly

Usage: Used to introduce a point that is loaded with meaning that might not be immediately apparent. Example: “Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius’ accounts of the same period.”

34. Notably

Usage: This can be used to mean “significantly” (as above), and it can also be used interchangeably with “in particular” (the example below demonstrates the first of these ways of using it). Example: “Actual figures are notably absent from Scholar A’s analysis.”

35. Importantly

Usage: Use “importantly” interchangeably with “significantly”. Example: “Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.”

Summarising

You’ve almost made it to the end of the essay, but your work isn’t over yet. You need to end by wrapping up everything you’ve talked about, showing that you’ve considered the arguments on both sides and reached the most likely conclusion. Here are some words and phrases to help you.

36. In conclusion

Usage: Typically used to introduce the concluding paragraph or sentence of an essay, summarising what you’ve discussed in a broad overview. Example: “In conclusion, the evidence points almost exclusively to Argument A.”

37. Above all

Usage: Used to signify what you believe to be the most significant point, and the main takeaway from the essay. Example: “Above all, it seems pertinent to remember that…”

38. Persuasive

Usage: This is a useful word to use when summarising which argument you find most convincing. Example: “Scholar A’s point – that Constanze Mozart was motivated by financial gain – seems to me to be the most persuasive argument for her actions following Mozart’s death.”

39. Compelling

Usage: Use in the same way as “persuasive” above. Example: “The most compelling argument is presented by Scholar A.”

40. All things considered

Usage: This means “taking everything into account”. Example: “All things considered, it seems reasonable to assume that…”

How many of these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in the comments below, or get in touch here to find out more about courses that can help you with your essays.

At Oxford Royale Academy, we offer a number of  summer school courses for young people who are keen to improve their essay writing skills. Click here to apply for one of our courses today, including law , business , medicine  and engineering .

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Words to Use in an Essay: 300 Essay Words

Hannah Yang

Table of Contents

Words to use in the essay introduction, words to use in the body of the essay, words to use in your essay conclusion, how to improve your essay writing vocabulary.

It’s not easy to write an academic essay .

Many students struggle to word their arguments in a logical and concise way.

To make matters worse, academic essays need to adhere to a certain level of formality, so we can’t always use the same word choices in essay writing that we would use in daily life.

If you’re struggling to choose the right words for your essay, don’t worry—you’ve come to the right place!

In this article, we’ve compiled a list of over 300 words and phrases to use in the introduction, body, and conclusion of your essay.

The introduction is one of the hardest parts of an essay to write.

You have only one chance to make a first impression, and you want to hook your reader. If the introduction isn’t effective, the reader might not even bother to read the rest of the essay.

That’s why it’s important to be thoughtful and deliberate with the words you choose at the beginning of your essay.

Many students use a quote in the introductory paragraph to establish credibility and set the tone for the rest of the essay.

When you’re referencing another author or speaker, try using some of these phrases:

To use the words of X

According to X

As X states

Example: To use the words of Hillary Clinton, “You cannot have maternal health without reproductive health.”

Near the end of the introduction, you should state the thesis to explain the central point of your paper.

If you’re not sure how to introduce your thesis, try using some of these phrases:

In this essay, I will…

The purpose of this essay…

This essay discusses…

In this paper, I put forward the claim that…

There are three main arguments for…

Example: In this essay, I will explain why dress codes in public schools are detrimental to students.

After you’ve stated your thesis, it’s time to start presenting the arguments you’ll use to back up that central idea.

When you’re introducing the first of a series of arguments, you can use the following words:

First and foremost

First of all

To begin with

Example: First , consider the effects that this new social security policy would have on low-income taxpayers.

All these words and phrases will help you create a more successful introduction and convince your audience to read on.

The body of your essay is where you’ll explain your core arguments and present your evidence.

It’s important to choose words and phrases for the body of your essay that will help the reader understand your position and convince them you’ve done your research.

Let’s look at some different types of words and phrases that you can use in the body of your essay, as well as some examples of what these words look like in a sentence.

Transition Words and Phrases

Transitioning from one argument to another is crucial for a good essay.

It’s important to guide your reader from one idea to the next so they don’t get lost or feel like you’re jumping around at random.

Transition phrases and linking words show your reader you’re about to move from one argument to the next, smoothing out their reading experience. They also make your writing look more professional.

The simplest transition involves moving from one idea to a separate one that supports the same overall argument. Try using these phrases when you want to introduce a second correlating idea:

Additionally

In addition

Furthermore

Another key thing to remember

In the same way

Correspondingly

Example: Additionally , public parks increase property value because home buyers prefer houses that are located close to green, open spaces.

Another type of transition involves restating. It’s often useful to restate complex ideas in simpler terms to help the reader digest them. When you’re restating an idea, you can use the following words:

In other words

To put it another way

That is to say

To put it more simply

Example: “The research showed that 53% of students surveyed expressed a mild or strong preference for more on-campus housing. In other words , over half the students wanted more dormitory options.”

Often, you’ll need to provide examples to illustrate your point more clearly for the reader. When you’re about to give an example of something you just said, you can use the following words:

For instance

To give an illustration of

To exemplify

To demonstrate

As evidence

Example: Humans have long tried to exert control over our natural environment. For instance , engineers reversed the Chicago River in 1900, causing it to permanently flow backward.

Sometimes, you’ll need to explain the impact or consequence of something you’ve just said.

When you’re drawing a conclusion from evidence you’ve presented, try using the following words:

As a result

Accordingly

As you can see

This suggests that

It follows that

It can be seen that

For this reason

For all of those reasons

Consequently

Example: “There wasn’t enough government funding to support the rest of the physics experiment. Thus , the team was forced to shut down their experiment in 1996.”

When introducing an idea that bolsters one you’ve already stated, or adds another important aspect to that same argument, you can use the following words:

What’s more

Not only…but also

Not to mention

To say nothing of

Another key point

Example: The volcanic eruption disrupted hundreds of thousands of people. Moreover , it impacted the local flora and fauna as well, causing nearly a hundred species to go extinct.

Often, you'll want to present two sides of the same argument. When you need to compare and contrast ideas, you can use the following words:

On the one hand / on the other hand

Alternatively

In contrast to

On the contrary

By contrast

In comparison

Example: On the one hand , the Black Death was undoubtedly a tragedy because it killed millions of Europeans. On the other hand , it created better living conditions for the peasants who survived.

Finally, when you’re introducing a new angle that contradicts your previous idea, you can use the following phrases:

Having said that

Differing from

In spite of

With this in mind

Provided that

Nevertheless

Nonetheless

Notwithstanding

Example: Shakespearean plays are classic works of literature that have stood the test of time. Having said that , I would argue that Shakespeare isn’t the most accessible form of literature to teach students in the twenty-first century.

Good essays include multiple types of logic. You can use a combination of the transitions above to create a strong, clear structure throughout the body of your essay.

Strong Verbs for Academic Writing

Verbs are especially important for writing clear essays. Often, you can convey a nuanced meaning simply by choosing the right verb.

You should use strong verbs that are precise and dynamic. Whenever possible, you should use an unambiguous verb, rather than a generic verb.

For example, alter and fluctuate are stronger verbs than change , because they give the reader more descriptive detail.

Here are some useful verbs that will help make your essay shine.

Verbs that show change:

Accommodate

Verbs that relate to causing or impacting something:

Verbs that show increase:

Verbs that show decrease:

Deteriorate

Verbs that relate to parts of a whole:

Comprises of

Is composed of

Constitutes

Encompasses

Incorporates

Verbs that show a negative stance:

Misconstrue

Verbs that show a positive stance:

Substantiate

Verbs that relate to drawing conclusions from evidence:

Corroborate

Demonstrate

Verbs that relate to thinking and analysis:

Contemplate

Hypothesize

Investigate

Verbs that relate to showing information in a visual format:

Useful Adjectives and Adverbs for Academic Essays

You should use adjectives and adverbs more sparingly than verbs when writing essays, since they sometimes add unnecessary fluff to sentences.

However, choosing the right adjectives and adverbs can help add detail and sophistication to your essay.

Sometimes you'll need to use an adjective to show that a finding or argument is useful and should be taken seriously. Here are some adjectives that create positive emphasis:

Significant

Other times, you'll need to use an adjective to show that a finding or argument is harmful or ineffective. Here are some adjectives that create a negative emphasis:

Controversial

Insignificant

Questionable

Unnecessary

Unrealistic

Finally, you might need to use an adverb to lend nuance to a sentence, or to express a specific degree of certainty. Here are some examples of adverbs that are often used in essays:

Comprehensively

Exhaustively

Extensively

Respectively

Surprisingly

Using these words will help you successfully convey the key points you want to express. Once you’ve nailed the body of your essay, it’s time to move on to the conclusion.

The conclusion of your paper is important for synthesizing the arguments you’ve laid out and restating your thesis.

In your concluding paragraph, try using some of these essay words:

In conclusion

To summarize

In a nutshell

Given the above

As described

All things considered

Example: In conclusion , it’s imperative that we take action to address climate change before we lose our coral reefs forever.

In addition to simply summarizing the key points from the body of your essay, you should also add some final takeaways. Give the reader your final opinion and a bit of a food for thought.

To place emphasis on a certain point or a key fact, use these essay words:

Unquestionably

Undoubtedly

Particularly

Importantly

Conclusively

It should be noted

On the whole

Example: Ada Lovelace is unquestionably a powerful role model for young girls around the world, and more of our public school curricula should include her as a historical figure.

These concluding phrases will help you finish writing your essay in a strong, confident way.

There are many useful essay words out there that we didn't include in this article, because they are specific to certain topics.

If you're writing about biology, for example, you will need to use different terminology than if you're writing about literature.

So how do you improve your vocabulary skills?

The vocabulary you use in your academic writing is a toolkit you can build up over time, as long as you take the time to learn new words.

One way to increase your vocabulary is by looking up words you don’t know when you’re reading.

Try reading more books and academic articles in the field you’re writing about and jotting down all the new words you find. You can use these words to bolster your own essays.

You can also consult a dictionary or a thesaurus. When you’re using a word you’re not confident about, researching its meaning and common synonyms can help you make sure it belongs in your essay.

Don't be afraid of using simpler words. Good essay writing boils down to choosing the best word to convey what you need to say, not the fanciest word possible.

Finally, you can use ProWritingAid’s synonym tool or essay checker to find more precise and sophisticated vocabulary. Click on weak words in your essay to find stronger alternatives.

There you have it: our compilation of the best words and phrases to use in your next essay . Good luck!

Good writing = better grades

ProWritingAid will help you improve the style, strength, and clarity of all your assignments.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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Essay Extender for Students

Have you ever struggled to reach the specific word count while writing an essay? Our online essay extender can help you get the desired word count with just a few simple steps. All you have to do is:

• Copy and paste your essay.
• Choose how many words you need in your paper.
• Click the "Extend" button.

💎 5 Key Advantages of the Essay Extender

🙋 when to use the ai essay extender, 📜 essay extender free examples, 🖇️ essay word extender tips, 🔗 references.

Our essay word extender offers a range of benefits that can enhance your writing experience. Here are some of them:

With its user-friendly interface, our online essay extender can assist you in various ways. Check out these ideas on how you can use the tool.

1. To Increase the Word Count

One of the most common uses of our essay extender is to increase an essay's word count. You add words to the entire text or a specific part, for example, introduction, conclusion, or body paragraphs. This gives you more control over where you want to expand an essay and helps you tailor the extension to the academic requirements .

Our tool adds words without compromising the quality of their writing. Since it uses advanced AI algorithms, it extends the text while maintaining the coherence and flow of the original content.

2. To Add a New Part

AI essay extender can also help you add a new part to your essay. For example, if you have already written the introduction and body paragraphs but are struggling with the conclusion, our tool can generate it.

Similarly, if you need to add a new body paragraph to support your argument , our essay extender can generate a paragraph based on your prompt. This feature is particularly useful when you are short on time and need to complete your essay quickly.

3. To Get New Ideas

Sometimes, you only need a fresh perspective to improve your writing. Our essay extender can generate unique ideas by developing a body paragraph on any topic. This feature is helpful for those who are stuck with their writing and need some inspiration to continue. You can use this generated paragraph as a starting point and further develop it according to your ideas and arguments.

Wanna see how essay extender generator works in practice? Let's try it together. Imagine you're writing an argumentative essay on "Should all internships be paid?" We'll use our tool to add some words to a body paragraph and then develop an effective introduction.

All internships should be paid for the simple fact that interns are providing valuable work and skills to the company. It is unfair to expect young workers, who are often already struggling with student debt, to work for free. Interns are not just shadowing or observing; they actively contribute to the company's operations and success. By not compensating them, companies are perpetuating a cycle of unpaid labor and exploiting the enthusiasm and eagerness of young workers. Furthermore, paying interns shows that their time and contributions are valued, allowing them to gain practical experience without financial strain.

All internships should be paid for the simple fact that interns are providing valuable work and skills to the company. It is unfair to expect young workers, who are often already struggling with student debt, to work for free. Interns are not just shadowing or observing; they actively contribute to the company's operations and success. For example, a student who is completing an unpaid internship at a marketing firm may be responsible for creating social media content, conducting market research, and assisting with client meetings. These tasks require time, effort, and skills, and the intern should be compensated for their contributions. By not compensating them, companies are perpetuating a cycle of unpaid labor and exploiting the enthusiasm and eagerness of young workers. Moreover, unpaid internships often come with hidden costs that can be a significant burden for students. For instance, a student interning in a different city may have to cover transportation, housing, and other expenses on top of working for free. Furthermore, paying interns shows that their time and contributions are valued, allowing them to gain practical experience without financial strain. Companies should recognize the contributions interns bring to their organization and compensate them accordingly for their hard work.

Internships have become a common way for students to gain practical experience and valuable skills in their chosen field. However, the issue of whether these internships should be paid or not has sparked a debate. While some argue that unpaid internships provide valuable learning opportunities, others believe that all internships should be paid to ensure fair treatment of young workers. In this essay, we will explore why all internships should be paid, including the value that interns bring to organizations and the hidden costs of unpaid internships.

Check out these helpful tips to work on your academic writing skills and extend an essay manually.

• Expand your arguments . Instead of simply stating your point, provide more detailed examples to support your ideas.
• Use transitional phrases . Transition phrases such as "in addition," "furthermore," and "moreover" can help you connect your ideas and add more depth to your essay.
• Include relevant statistics and data . Adding statistics and data from reliable sources can boost the credibility of your essay and help you expand your arguments.
• Incorporate quotes . Including quotes from experts or authoritative individuals adds depth and weight to your essay.
• Provide background information . If you feel that certain concepts need more explanation, you can provide background information to help the reader better understand your points.

Remember, when expanding on your arguments, it is essential to do so smartly. This means providing detailed explanations and relevant examples that add length to your essay and strengthen your points.

❓ Essay Extender FAQ

Updated: Apr 12th, 2024

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On this page, you can find a free essay extender for students. With the help of this tool, you can increase the word count of any text – paste it into the related field and add the necessary details. The essay extender can add particular paragraphs or double your words in two clicks! Don’t miss the helpful tips and examples of text expansion.

100 Words and Phrases to use in an Essay

Thomas Babb

Writing a compelling essay involves much more than simply putting your thoughts on paper. It demands the use of a precise vocabulary that not only enriches your content but also structures it in a way that is both logical and engaging. The right words and phrases can transform your essay from a basic assignment to an insightful and persuasive piece of writing.

This guide introduces you to 100 essential words and phrases recommended by expert English tutors that will help you convey your ideas more effectively. From adding information to expressing contrasts, and from illustrating examples to summarising your points, these carefully selected terms will enhance the clarity and impact of your essays.

Adding Information

When crafting an essay, integrating additional details effectively can enrich the written content and present a well-rounded argument. Here's how you can use each phrase under this category:

1. Furthermore - Use this to add weight to a point already mentioned, providing further evidence without redundancy.

2. Moreover - Similar to "furthermore," it introduces information that not only adds to the argument but enhances it.

3. Similarly - This indicates that the upcoming point shares notable characteristics with the previous one, aiding in drawing parallels.

4. Additionally - Introduces extra information or arguments that augment the current discussion.

5. Also - A simpler form of "additionally" that integrates extra facts smoothly.

6. Likewise - Indicates similarity and supports points by showing how they relate to each other in terms of qualities or actions.

7. In addition - This phrase is useful for contributing additional supportive details in a clear manner.

8. As well as - Functions to include another subject or item into your discussion without diverging from the main topic.

9. Not only... but also - A powerful structure for emphasizing not just one, but two important points, enhancing the depth of the argument.

10. Alongside - Implies that the information being added runs parallel to the already established facts, reinforcing them.

These phrases, when used correctly, help to build a strong, cohesive narrative flow in your essays, guiding the reader through a logical progression of ideas. For more on enhancing your writing with effective information addition, explore resources like Oxford Royale's Essay Writing Tips .

Introducing Examples

Introducing concrete examples is crucial in illustrating and supporting your claims effectively in an essay. Here’s how to use each word or phrase linked to this category:

11. For instance - Introduces a specific example that illuminates a broader point, helping to clarify complex ideas.

12. For example - Functions similarly to "for instance," offering a direct illustration to support or demonstrate a claim.

13. Such as - Prepares the reader for an example that is part of a larger category, typically used to list items or concepts.

14. Like - Introduces comparisons or examples in a casual and relatable manner.

15. Particularly - Highlights an example that is especially relevant to the argument, focusing attention on significant details.

16. In particular - Similar to "particularly," but often used to introduce a standout example that underscores a critical point.

17. Including - Serves to add examples to a list that may already be understood to be part of the topic being discussed.

18. Namely - Specifies and introduces exact and often multiple examples or details directly related to the point.

19. Chiefly - Points to the most important or significant examples or reasons in support of an argument.

20. Mainly - Indicates that the examples provided are the primary ones to consider, focusing on the most relevant instances.

Effective use of these phrases not only clarifies your points but also strengthens your arguments by making abstract concepts tangible. For detailed guidance on how to incorporate examples effectively in your essays, refer to academic resources like Harvard College Writing Center .

Demonstrating Contrast

IB English tutors suggest that Using contrast effectively in your essays can highlight differences that clarify your points or show alternative perspectives. Here’s how to use each phrase to demonstrate contrast:

21. Conversely - Signals a stark contrast to what has just been discussed, often introducing an opposing viewpoint.

22. However - A versatile tool to introduce a contradiction or counterpoint, breaking from the previous line of reasoning.

23. Nevertheless - Indicates persistence of a stated fact or opinion despite the contrasting information that follows.

24. On the other hand - Used to present a different perspective or an alternative to the argument previously mentioned.

25. Although - Begins a sentence where the main clause contrasts with the lesser significant, conditional clause.

26. Even though - Similar to "although," but often emphasizes a stronger degree of contrast between the conflicting elements.

27. But - A simple and direct way to introduce a contradiction to the preceding statement.

28. Yet - Suggests a contrast that is surprising or unexpected based on the previous statements.

29. Instead - Introduces an alternative action or thought in response to what has been previously discussed.

30. Rather - Used to correct or propose a different idea from what was initially stated or understood.

These phrases are essential for essays where comparing and contrasting ideas, arguments, or perspectives is necessary to deepen understanding or enhance the argument’s complexity. To learn more about using contrast in writing, visit educational resources such as Purdue Online Writing Lab .

Showing Cause and Effect

A-Level English tutors point out that effectively indicating cause and effect relationships in your essays helps clarify the reasons things happen and the consequences that follow. Here’s how to use each word or phrase to illustrate these relationships:

31. Consequently - Signals a direct result from the action or situation mentioned, highlighting the effect or outcome.

32. Therefore - Used to introduce a logical conclusion or result that follows from the reasoning presented earlier.

33. Thus - Indicates a conclusion or result that is a natural consequence of the facts previously mentioned.

34. Hence - Similar to "thus," it conveys a consequence that is a logical extension from the argument or data presented.

35. Accordingly - Shows that an action or decision is a logical response to the circumstances or facts discussed.

36. As a result - Directly points out the outcome or effect resulting from a specific cause or set of conditions.

37. This leads to - Introduces a sequence where one event or fact causes another, often used to chain multiple effects.

38. It follows that - Used when deducing a conclusion that logically arises from the preceding argument or evidence.

39. Leading to - Connects an initial action or decision directly with its consequences, highlighting a progression of events.

40. Contributing to - Indicates that the action or event adds to a situation, leading to a particular result or effect.

Mastering the use of these phrases can enhance the persuasive power of your writing by clearly linking actions and their consequences.

Adding Emphasis

Effectively emphasising key points in your essays can make your arguments more compelling and memorable. Here’s how to appropriately use each word or phrase to add emphasis:

41. Significantly - Indicates that something is of great importance or consequence, drawing the reader's attention to the gravity of the point being made.

42. Importantly - Prioritises the following information as crucial for understanding the argument or situation.

43. Indeed - Reinforces the truth of a statement, often used to confirm and agree with a previously mentioned point that might be surprising or emphatic.

44. Absolutely - A strong affirmation that leaves no doubt about the veracity or importance of the statement.

45. Definitely - Communicates certainty about a fact or opinion, strengthening the author's stance.

46. Certainly - Similar to "definitely," it expresses a high degree of assurance about the information being provided.

47. Undoubtedly - Suggests that there is no doubt about the statement, reinforcing its truth and relevance.

48. Without a doubt - A more emphatic form of "undoubtedly," eliminating any ambiguity about the point’s validity.

49. Particularly - Highlights specific information as especially significant within a broader context.

50. Especially - Used to indicate that something holds more significance than other elements, often emphasizing exceptional cases or instances.

Using these expressions strategically can enhance the persuasive impact of your writing by underscoring the most critical elements of your argument. To see more words and further explore techniques for adding emphasis in academic writing, visit resources like Cambridge Dictionary Blog .

Explaining and Clarifying

In academic essays, clearly explaining and clarifying complex ideas is essential for effective communication. IGCSE tutors and GCSE tutors suggest that each of these phrases can be used to enhance understanding:

51. That is to say - Used to introduce a rephrasing or elaboration on something that has just been stated.

52. In other words - Helps clarify a statement by expressing it in different terms for better understanding.

53. To put it another way - Similar to "in other words," it offers an alternative explanation or perspective to ensure clarity.

54. To clarify - Directly states the intent to make something clearer or to resolve any misunderstandings.

55. To explain - Introduces a detailed explanation aimed at enhancing understanding of a complex issue or point.

56. This means that - Connects a statement or idea to its implications or necessary interpretations.

57. This implies - Suggests a deeper, often unspoken consequence or meaning behind the given information.

58. Put simply - Introduces a simpler or more straightforward version of what has been discussed, making it more accessible.

59. In simpler terms - Another phrase to ease comprehension by breaking down complex concepts into basic language.

60. Thus - Concludes an explanation by summarizing the logical result or conclusion derived from the argument made.

Using these phrases effectively can help articulate intricate arguments in a more digestible format, aiding the reader’s understanding and engagement.

Summarising and Concluding

Expert IB tutors and A-Level tutors recommend that effectively summarising and concluding your essays is crucial for reinforcing your main points and providing a satisfying closure to any persuasive essay. Here’s how to use each word or phrase to effectively wrap up your discussions:

61. In conclusion - Signals the beginning of the final summary, clearly stating that the argument is drawing to a close.

62. To sum up - Introduces a concise summary of the key points discussed, often used before the final conclusion.

63. Ultimately - Indicates a final, overarching conclusion derived from the arguments and evidence presented.

64. Finally - Marks the introduction of the last point or an additional important point that concludes the discussion.

65. Lastly - Similar to "finally," it is used to introduce the final argument or point in the list.

66. To conclude - Directly states the intent to wrap up the essay, leading into a summary of the main findings.

67. In summary - Offers a recap of the essential elements discussed, reinforcing the thesis without introducing new information.

68. All things considered - Provides an overall conclusion, taking into account all the points made throughout the essay.

69. In the final analysis - Suggests a thorough consideration of all aspects discussed, leading to a concluding viewpoint.

70. After all - Implies that the conclusion takes into account all arguments and evidences previously presented.

Mastering the use of these concluding phrases ensures that your essay ends on a strong note, summarising key points and reinforcing your argument.

Discussing Similarities

Highlighting similarities effectively can enhance your argument by showing connections and parallels between ideas or topics. Here’s how to use each phrase to discuss similarities in your essays:

71. Similarly - Indicates that what follows is in alignment with the previous statement, reinforcing the connection between two points.

72. Likewise - Also used to show agreement or similarity, it confirms that the upcoming point supports the previous one in terms of characteristics or outcomes.

73. Just as - Introduces a comparison, suggesting that the situation or argument is equivalent to another.

74. As with - Used before mentioning another example, indicating that it shares properties or conditions with what has been discussed.

75. Equally - Implies that two or more elements are on the same level in terms of importance, quality, or characteristics.

76. Analogous to - Introduces a more formal comparison, indicating that one situation is comparable to another, often used in more scientific or technical discussions.

77. Comparable to - Suggests that two things can be likened to each other, providing a basis for comparison.

78. In the same way - Confirms that the action, process, or idea mirrors another, reinforcing the similarity.

79. Just like - A more casual phrase used to draw a direct comparison, making the similarity clear and understandable.

80. Similarly important - Asserts that the importance or relevance of two or more aspects is equal, emphasising their comparative significance.

Utilising these phrases allows you to effectively link concepts and arguments, showing how they complement or mirror each other, which can strengthen your overall thesis. For further reading on comparing and contrasting ideas effectively, the University of North Carolina Writing Center offers excellent resources.

Providing Alternatives

Offering alternatives in your essays can demonstrate critical thinking by showing different possibilities or approaches. Here’s how to use each word or phrase to introduce alternative ideas:

81. Alternatively - Introduces a different option or suggestion, providing another route or perspective.

82. On the contrary - Used to present a direct opposition to the previously mentioned idea, emphasising a contrasting point.

83. Rather - Suggests a preference for one choice over another, typically used to propose a different approach or opinion.

84. Conversely - Indicates a reversal of what has been previously stated, introducing an opposing viewpoint.

85. Instead - Specifies a substitute or replacement, clearly stating that one option is to be considered in place of another.

86. On the flip side - Introduces a contrasting scenario or viewpoint in a more informal manner, often used in conversational or less formal writing.

87. Rather than - Presents a comparison between two choices, highlighting a preference for one over the other.

88. As an alternative - Explicitly states the introduction of a different option or method, providing variety to the discussion.

89. Either...or - Sets up a choice between two distinct options, forcing a decision that impacts the argument’s direction.

90. Neither...nor - Used to deny two possibilities simultaneously, often restructuring the argument by excluding common options.

Incorporating these phrases allows you to explore and present multiple facets of an issue, enriching the essay’s depth and persuasiveness. For tips on effectively presenting alternative arguments, visit Harvard College Writing Center .

Expressing Conditions

Effectively expressing conditions in your essays can help outline scenarios where certain outcomes or arguments hold true. Here’s how to use each word or phrase to specify conditions:

91. If - Introduces a conditional statement, setting up a scenario where a specific result depends on a preceding condition.

92. Unless - Specifies an exception to a general rule or statement, indicating that a condition will change the outcome if not met.

93. Provided that - Sets a stipulation or requirement for a scenario to occur, emphasizing that certain conditions must be satisfied.

94. Assuming that - Suggests a hypothesis or a precondition that needs to be accepted before proceeding with an argument or conclusion.

95. In case - Prepares for a situation that might occur, setting up precautions or actions based on potential scenarios.

96. Even if - Acknowledges that even under certain circumstances, the primary argument or conclusion still holds.

97. Only if - Restricts the conditions under which a statement or outcome is valid, narrowing down the scenarios to very specific ones.

98. Whether - Presents alternatives, usually offering a choice between possibilities within the condition stated.

99. As long as - Indicates that a condition is contingent upon the duration or continuation of a specified situation.

100. Given that - Introduces a premise as a fact, assuming its truth for the sake of argument or to advance the discussion.

Final Thoughts

In crafting compelling essays, the strategic use of specific words and phrases can significantly enhance both the clarity and persuasiveness of your writing. By mastering the use of these 100 essential terms, students can effectively structure their essays, convey complex ideas, and articulate contrasts and comparisons with precision. Each category of phrases serves a unique purpose, from adding information to providing alternatives, which empowers writers to construct well-rounded arguments and engage their readers more deeply.

As you continue to refine your essay-writing skills, remember that the power of your arguments often lies in the details—the precise words and phrases you choose to express your thoughts. The power of a well crafted essay introduction and precise essay conclusion should also not be overlooked. By integrating these tools into your writing repertoire, you are better equipped to present clear, persuasive, and engaging essays that stand out in academic settings.

How can I improve my essay planning process?

Effective essay planning begins with a clear understanding of the essay question. Break down the question to identify key terms and the required response. Create an outline to organise your main points and supporting arguments logically. Consider using a mind map to visually plot connections between ideas, which can spur creative thinking. Allocate time for research, writing, and revision within your plan. Practising essay plans for different questions can enhance your ability to organise thoughts quickly and efficiently, a crucial skill especially under exam conditions.

What makes an essay introduction effective?

An effective introduction grabs the reader's attention, sets the tone, and provides a clear thesis statement. Start with a hook such as a provocative question, a startling statistic, or a compelling quote. Provide some background information to set the context, ensuring it's directly relevant to the essay's question. The thesis statement should be concise and outline your main argument or response to the question. This setup not only intrigues but also informs the reader about the essay's focus, establishing your understanding and control of the subject.

How do I choose the best evidence for my essay?

The best evidence is relevant, credible, and supports your thesis directly. Use primary sources where possible as they provide first-hand accounts that you can analyse directly. When primary sources are not available, rely on peer-reviewed journals and reputable publications. Diversify your sources to avoid over-reliance on a single type of evidence, and critically evaluate sources for bias and reliability. Properly integrating this evidence into your argument involves summarising, paraphrasing, and quoting sources while always linking back to your main argument.

How can I make my essay arguments more persuasive?

To make your arguments more persuasive, begin with a clear, assertive thesis statement. Structure your essay so each paragraph introduces a single point supporting your thesis. Use credible evidence and explain how this supports your argument. Address potential counterarguments to show the depth of your understanding and strengthen your position by demonstrating why your approach is preferable. Employing a confident but respectful tone and precise language also enhances the persuasiveness of your essay.

What are common pitfalls in essay writing to avoid?

Common pitfalls in essay writing include poor structure, weak thesis statements, and lack of coherence. Avoiding these starts with a robust plan and clear outline. Stay on topic by linking each paragraph back to your thesis statement. Avoid plagiarism by properly citing all sources. Overly complex sentence structures can confuse readers, so strive for clarity and conciseness. Finally, neglecting proofreading can leave typographical and grammatical errors, which diminish the quality of your work, so always review your essay thoroughly.

How do I manage time when writing an essay under exam conditions?

Time management in exams is crucial. Allocate about 10% of your time for planning, 80% for writing, and 10% for revising. Quickly outline your main points to structure your essay from the start. Write your body paragraphs first, as these contain the bulk of marks, then your introduction and conclusion. Keep an eye on the clock and pace yourself to ensure you have enough time to adequately develop your arguments and conclude effectively.

What are the best practices for editing and proofreading essays?

After writing your essay, take a break before you start editing to give you a fresh perspective. Read your essay aloud to catch awkward phrasing and sentences that don't flow logically. Check for consistency in tense and point of view throughout the essay. Use spell-check tools, but do not rely on them solely—manually check for homophones and commonly confused words. Consider having someone else read your work to catch errors you might have overlooked and to provide feedback on the clarity of your arguments.

How can I develop a strong thesis statement?

A strong thesis statement is clear, concise, and specific. It should express one main idea that is debatable, meaning there is potential for argument. Reflect on the essay prompt and decide on your position regarding the topic. Your thesis should guide the reader through your arguments and indicate the rationale behind your viewpoint. It serves as the backbone of your essay, so ensure it is robust and directly linked to the question asked.

How do I handle counterarguments in my essays?

Handling counterarguments effectively involves acknowledging them and then refuting them with stronger evidence or reasoning. Present them fairly and objectively, then use logical, fact-based arguments to demonstrate why your position remains valid. This not only shows critical thinking but also strengthens your original argument by showing you have considered multiple perspectives.

What is the role of a conclusion in an essay?

The conclusion of an essay should effectively summarise the main arguments discussed while reaffirming the thesis statement. It should synthesise the information presented rather than introducing new ideas. Provide a final perspective on the topic or suggest implications, further research or practical applications to leave the reader with something to ponder. A strong conclusion can reinforce your argument and leave a lasting impression on the reader.

How can I ensure my essay flows logically?

To ensure logical flow, each paragraph should seamlessly connect to the next with clear transitions. Focus on structuring paragraphs around one main idea that supports your thesis. Use transitional words and phrases to show the relationship between paragraphs. Consistency in your argumentation style and maintaining a clear focus throughout the essay will help keep your writing coherent.

What techniques help maintain reader interest throughout an essay?

To maintain reader interest, start with a strong hook in your introduction and use engaging content like relevant anecdotes, striking statistics, or interesting quotes throughout your essay. Vary your sentence structure and use active voice to keep the narrative dynamic. Also, ensure your topic is relevant and your arguments are presented with passion and clarity.

How can I integrate quotes effectively in essays?

To integrate quotes effectively, introduce the quote with a sentence that sets up its relevance to your argument, then follow the quote with analysis or interpretation that ties it back to your main point. Do not rely heavily on quotes to make your points; use them to support your arguments. Ensure that every quote is properly cited according to the required academic style guide.

What are the differences between descriptive and argumentative essays?

Descriptive essays focus on detailing a particular subject to give the reader a clear image or understanding of the topic through vivid language and sensory details. In contrast, argumentative essays aim to persuade the reader of a particular viewpoint or position using evidence and reasoning. The former is more about painting a picture, while the latter is about convincing through argument.

How can I use feedback to improve my essay writing skills?

Feedback is invaluable for improving essay writing skills. Actively seek out feedback from teachers, peers, or tutors and focus particularly on recurring themes in their comments. Reflect on this feedback critically and apply it to your future essays. Regularly revisiting and revising your work based on constructive criticism allows you to develop a more refined and effective writing style over time.

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Written by: Thomas Babb

Thomas is a PhD candidate at Oxford University. He served as an interviewer and the lead admissions test marker at Oxford, and teaches undergraduate students at Mansfield College and St Hilda’s College. He has ten years’ experience tutoring A-Level and GCSE students across a range of subjects.

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100+ Useful Words and Phrases to Write a Great Essay

By: Author Sophia

Posted on Last updated: October 25, 2023

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How to Write a Great Essay in English! This lesson provides 100+ useful words, transition words and expressions used in writing an essay. Let’s take a look!

The secret to a successful essay doesn’t just lie in the clever things you talk about and the way you structure your points.

Useful Words and Phrases to Write a Great Essay

Overview of an essay.

Useful Phrases for Proficiency Essays

Developing the argument

• The first aspect to point out is that…
• Let us start by considering the facts.
• The novel portrays, deals with, revolves around…
• Central to the novel is…
• The character of xxx embodies/ epitomizes…

The other side of the argument

• It would also be interesting to see…
• One should, nevertheless, consider the problem from another angle.
• Equally relevant to the issue are the questions of…
• The arguments we have presented… suggest that…/ prove that…/ would indicate that…
• From these arguments one must…/ could…/ might… conclude that…
• All of this points to the conclusion that…
• To conclude…

Ordering elements

• Firstly,…/ Secondly,…/ Finally,… (note the comma after all these introductory words.)
• As a final point…
• On the one hand, …. on the other hand…
• If on the one hand it can be said that… the same is not true for…
• The first argument suggests that… whilst the second suggests that…
• There are at least xxx points to highlight.

Adding elements

• Furthermore, one should not forget that…
• In addition to…
• Moreover…
• It is important to add that…

Accepting other points of view

• Nevertheless, one should accept that…
• However, we also agree that…

Personal opinion

• We/I personally believe that…
• Our/My own point of view is that…
• It is my contention that…
• I am convinced that…
• My own opinion is…

Others’ opinions

• According to some critics… Critics:
• believe that
• suggest that
• are convinced that
• point out that
• emphasize that
• contend that
• go as far as to say that
• argue for this

Introducing examples

• For example…
• For instance…
• To illustrate this point…

Introducing facts

• It is… true that…/ clear that…/ noticeable that…
• One should note here that…

Saying what you think is true

• This leads us to believe that…
• It is very possible that…
• In view of these facts, it is quite likely that…
• Doubtless,…
• One cannot deny that…
• It is (very) clear from these observations that…
• All the same, it is possible that…
• It is difficult to believe that…

Accepting other points to a certain degree

• One can agree up to a certain point with…
• Certainly,… However,…
• It cannot be denied that…

Emphasizing particular points

• The last example highlights the fact that…
• Not only… but also…
• We would even go so far as to say that…

Moderating, agreeing, disagreeing

• By and large…
• Perhaps we should also point out the fact that…
• It would be unfair not to mention the fact that…
• One must admit that…
• We cannot ignore the fact that…
• One cannot possibly accept the fact that…

Consequences

• From these facts, one may conclude that…
• That is why, in our opinion, …
• Which seems to confirm the idea that…
• Thus,…/ Therefore,…
• Some critics suggest…, whereas others…
• Compared to…
• On the one hand, there is the firm belief that… On the other hand, many people are convinced that…

How to Write a Great Essay | Image 1

How to Write a Great Essay | Image 2

Phrases For Balanced Arguments

Introduction

• It is often said that…
• It is undeniable that…
• It is a well-known fact that…
• One of the most striking features of this text is…
• The first thing that needs to be said is…
• First of all, let us try to analyze…
• One argument in support of…
• We must distinguish carefully between…
• The second reason for…
• An important aspect of the text is…
• It is worth stating at this point that…
• On the other hand, we can observe that…
• The other side of the coin is, however, that…
• Another way of looking at this question is to…
• What conclusions can be drawn from all this?
• The most satisfactory conclusion that we can come to is…
• To sum up… we are convinced that…/ …we believe that…/ …we have to accept that…

How to Write a Great Essay | Image 3

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Add Words to My Essay

How often do you lack words to meet an essay word count? Indeed, finding the correct phrases to add to your essay can be a challenge, especially when the deadline is soon.

Fortunately, our online Add-Words-to-My-Essay Tool is here to help. With just three clicks, you can quickly expand your essay to meet the required word count without sacrificing quality or coherence. Keep reading to learn more about the tool and tips on increasing word count.

• 📝 What Does It Mean to Add Words?
• ❇️ Add Words to My Essay – Benefits

✍️ How to Add More Words to an Essay

🙅‍♀️ how not to add more words.

• 💯 How to Add 100 Words

✒️ Other Ways to Increase Word Count

🔎 references, 📝 add words to essay – what does it mean.

Wondering how you make your essay longer? Here are some of the best ways that can help increase your word count while keeping the piece logical and well-structured.

• Expand on your idea. Take the time to develop your main points fully, providing more detail to your analysis.
• Include more research. Conduct additional research to find more sources and information to incorporate into your essay, adding more depth to your writing.
• Provide additional examples and evidence. Support your arguments with more examples and evidence to strengthen your points and add more words.

❇️ Add Words to My Essay – Tool Benefits

Many benefits make our Add-Words-to-Essay Tool stand out among similar essay expanders. Let's consider the main advantages:

If you're struggling to meet the word count for your essay, there are several tips you can try to add more content and strengthen your arguments. Have a look!

• Add more analysis . Offer deeper analysis, delving into the implications and significance of your findings .
• Use transitional phrases . Include phrases like "moreover," "in addition," and "furthermore" to connect your paragraphs, creating a more cohesive essay.
• Expand on your introduction and conclusion . Provide a more comprehensive introduction that sets the stage for your essay and a conclusion that offers a deeper reflection on the significance of your arguments.
• Address potential counterarguments . Anticipate and reflect on possible counterarguments to your essay, demonstrating a deeper understanding of the topic.
• Provide more detailed explanations . Offer deeper explanations of key concepts and ideas, ensuring that your readers thoroughly understand the material.
• Consider different formatting options . If the instructions allow, explore various formatting options , including subheadings or bullet points.
• Seek feedback from others . Ask for feedback from peers or instructors to identify areas where you can expand or elaborate on your ideas to make the essay longer and more thorough.
• Include relevant statistics or data . Consider incorporating specific numbers, research findings, and case studies that support your claims.
• Rewrite the text using longer phrases . Instead of using short, concise sentences, rephrase your ideas using more elaborate and descriptive language .
• Use quotations . Incorporating quotes from relevant sources can add authority to your writing and contribute to a more comprehensive discussion.
• Provide some background information . Introducing background information about the topic, such as historical context, relevant theories, or key concepts, can add depth to your essay.
• Incorporate personal experiences or anecdotes . By sharing stories or examples from your personal experience, you can present the real-world implications of your arguments.

When increasing an essay's word count, it is essential to add words purposefully without ruining the quality of your essay. Avoid these common mistakes:

• Repetitive statements. Don’t repeat the same points over and over in different ways to fill up space.
• Irrelevant information. Don’t include unrelated facts or details that do not contribute to the overall argument.
• Filler sentences. Don’t add meaningless sentences that do not add any value to the content of the essay.
• Excessive adjectives and adverbs. Don’t overload sentences with unnecessary descriptive words to artificially inflate the word count.
• Lengthy personal anecdotes. Don’t share long personal stories that are not directly related to the topic.
• Overly complex language. Avoid convoluted and verbose language .
• Long-winded quotations. Don’t insert lengthy quotes from sources without adding any meaningful analysis or insight.

💯 How to Add 100 Words to an Essay

Wanna see how the Add More Words to My Essay tool works? Let's try to make a longer body paragraph for the "The Psychological Harm of Social Media" essay.

Besides the Add Words Generator, other useful tools can increase the word count of your essay and maintain coherence. We recommend checking them out!

• Attention grabber generator An online attention grabber generator can be helpful by providing intriguing and concise introductory statements or hooks. These attention grabbers serve as a starting point for establishing a solid narrative and contribute to more in-depth exploration and elaboration.
• Transition phrase generator A free transition phrase maker can add more connecting phrases and words within the text. Utilize this tool to introduce more seamless transitions between ideas, paragraphs, and sections, enhancing the essay's overall flow.
• Introduction generator You can use an online introduction generator to expand the initial content as you get more background information, context, and details related to the essay's topic. You can delve into deeper analysis by using the generated introduction as a springboard.
• Conclusion generator A free conclusion generator can offer effective ideas that you can further develop with additional analysis and exploration. The tool also generates concluding remarks, reflections, or suggestions, further expanding the word count of your essay.
• Essay paraphraser An online essay paraphraser can provide alternative ways to rephrase and expand upon existing content. Using a paraphraser, you can present the same concepts in various ways, incorporating synonyms, different sentence structures, and additional descriptive language.
• How to Increase or Decrease Your Paper’s Word Count | Grammarly
• 3 Ways to Increase Word Count - wikiHow
• On Paragraphs - Purdue OWL® - Purdue University
• Paragraphs and Transitions - Essay Writing - Monroe College LibGuides at Monroe College
• Academic Language - San José State University Writing Center

10 Ways to Increase Your Essay Word Count (AI Included)

Table of contents

One of the biggest challenges students face is writing long-form essays of 2,000 words or more.

Someone brought this up at a recent webinar I attended, and I couldn't help but think back to my freshman year. Several years ago, I had to write a long essay on an interesting but unfamiliar subject. It took me a lot longer than it should.

After writing hundreds of articles, essays and reports, I've developed my own list of 'smart hacks' to help increase word count on any written piece. 

Instantly increase your word count with this FREE AI tool > Instantly increase your word count with this FREE AI tool >

Let's dive into the word count expansion strategies I use today when I write various texts.

How NOT to increase word count

Adding fluff words.

Adding meaningless words only confuses the core arguments and distracts the evaluator. Whatever merit your actual content may have had will be obscured by a mountain of meaningless words.

The sentence in my essay read,

"Violent acts by adults are often caused by childhood exposure to violence.".  

If I try to forcedly add fluff words to expand the text, my sentence would sound stretched:

“Violent acts are often associated with the fact that adults who commit violent acts - acts that are seen as savage, harsh, rough, physically abusive, or otherwise unacceptable in society - have been exposed to similar harsh or extreme violence during their childhoods or when they were young”.

Voice and tone

Although passive voice makes a sentence longer, I have found that my writing is much sharper when I use active voice. Also, do not confuse the need to use a formal or academic tone with passive voice.

Quoting without context

This one is like digging yourself into a hole. I quoted so many out-of-context references that I found my essay running on all sorts of tangents. After spending hours trying to connect the dots between the tangents, I ended up having to rewrite the entire piece because I was unable to justify the distracting content. 

Mindless paraphrasing

You hear it from your professor, and spew it back at her. Mindlessly repeating content in different sections of an essay - as if your teacher wouldn't notice, won't really help you ace your courses.

Even more mistakes

After asking some of my classmates, I found out that some of them had resorted to even worse hacks that eventually got them in trouble:

• Using filler words - In order to fill more pages, some diverge from the specified format and increase fonts, margins, and spacing. You will lose credibility if you do this, and you will also lose points if you deviate from the writing style specified.
• Plagiarism - Plagiarizing large chunks from others' essays or research papers was not only seen as lazy, but it was a fast way from a not-so-great grade to a failed grade.
• Other sneaky tricks - These included whitening out gibberish text and increasing the size of periods. Teachers have seen it all and know every trick in the book.

The right way to increase word count

Eventually, my word count increased in a way that makes each word actually count (pardon the pun), and it turns out there are some pretty cool tricks to do that.

With the right tools and techniques, you spend less time on the heavy lifting, more time on the actual writing, and at the end of the day, you have a much more comprehensive essay that is a delight to read. 

1. Use an AI writing tool

Skip the manual paraphrasing and use a smart AI writing tool. For example, I added almost 50 words to a 125-word paragraph using Wordtune’s text expand feature .

How to add more sentences to a paragraph

One method to expand your word count is to find short paragraphs and adding more sentences that clarify what they mean. This task used to be pretty frustrating, but with the use of AI it's made simple. Start by going over the essay, and notice if there's a paragraph that stands out in terms of being lean and overly simplified. Paste that paragraph into the Wordtune editor, and click the 'Plus' icon.

You'll be able to expand the article in any number of ways, including adding a statistical fact, a joke, example, analogy, or a simple continuation of your idea. Then, simply scroll through the different suggestions that AI produces, and find the best one.

2. Take advantage of outlines

It may seem counter-intuitive, but completing your outline can help you meet your word count goal.

Say you need to turn a 200-word article into a 1,500-word essay. Make an outline of the article before trying to tackle this seemingly impossible task of writing the whole piece.This will give you a clearer picture of how your entire thesis works and how to logically support it.

As an example, suppose we're writing an essay on why kids shouldn't play phone games.

To begin, you need to summarize your message in a few sentences. For example:

‍ “Kids have susceptible brains, and games can change the whole chemistry of their brains in a bad way, causing them to go off on tantrums and screaming fits. Moreover, these games form addictive habits that will persist when the kids become older. By continuing to play phone games, the kids fail to develop emotionally, and may become unsocial introverted people. Moreover, there are signs that games make kids more violent and emotionally unstable. Since phones are always at reach, kids can continuously play throughout the day, not stopping even when eating lunch or when attending a school class.”

Before expanding it, write an outline to get a sense of its structure and flow. As a result, you can easily determine how much text is needed for each section, which ones require expanded text, and which ones can be kept brief.  This clarity not only helps me reduce anxiety, but also gives me a clear plan of action to finish this essay!

For example, for the paragraph on video games, my outline would look something like this:

Introduction (include statistics and research to argue that video games are harmful for kids) and state the thesis (250 words) Negative effects of video games on children: first build larger categories and then substantiate with smaller points, evidence and data within each point: - Effects on emotional development (200 words) - Effects on physical development (200 words) - Effects on social development (200 words) - Effects on intellectual development (200 words) Give counter-views Cite research that talks about potential positive effects of video games, if used the proper way and under supervision (250 words) Give solutions State why parents find it so hard to keep kids away from video games, especially mobile video games, and offer concrete solutions to set better boundaries with kids for video game usage (250 words) Conclusion Offer a strong conclusion that brings all of the essay together in a summary (250 words)

Note that I’ve planned to write a few hundred more words than the prescribed word limit, so I have scope to edit and tighten later on. 

3. Expand your text with intros and conclusions

I use this method all the time to get unstuck and write longer articles without worrying about word counts.

Let's say you finish expanding your outline, and the article is still short a few hundred words.

Two places you should consider expanding are the introduction and conclusion.

How does this work?

• In the introduction and conclusion, you can add free-flowing stories, ideas and paragraphs, without having to validate each sentence with technical reference, sources and quotes.
• You can use anecdotes, personal experiences, news articles, and research findings to introduce your topic, or to close it.
• You can also go into detail about why you were motivated to explore the topic in more depth and why it has helped you to develop your argument. We wrote about essay hooks in more detail here, so be sure to check it out.
• Remind readers why this entire argument matters at the human level in the conclusion. This is done by repeating the topic, the core of your argument, and why you have justified your thesis. 

Add these elements to your introduction and conclusion, and you will quickly reach your essay quota.

Here's an example from the Wordtune blog of an anecdote placed as part of the intro:

4. Use examples to illustrate your point

It is always helpful to provide examples to illustrate complex academic or technical points. As well as adding color and descriptiveness to your own words, examples help your arguments come to life in a way that academic writing cannot. Having read several essays about the same topic, your evaluator will probably find it enjoyable to read something more creative and genuine. 

Examples also help readers visualize your narrative. The situations can be real or imagined, but they must be authentic, relatable, and most importantly, relevant to your topic. Providing examples from your real-life experience will demonstrate to the teacher that you understand your topic.

I started this article by describing my experience as a freshman. The challenges I faced as a student are similar to those you are currently facing, so sharing my journey will help you learn from my mistakes.

5. Invest in serious research 

Research is the most effective way to increase a paper's word count. 

The more research you conduct, the more ideas, perspectives, and information you have to base your arguments on. 

Research takes time and effort, which you may or may not have. 

Here's where my smart tools come into play.

No matter how long a paper is, Wordtune Read will give you all the key highlights.

The following is a composite screenshot of how Wordtune Read summarized the effects of video games on children from a long and complex article. The key highlights on the right help you distill the core messages of the research in minutes, condensing hours of reading into minutes.

In just a few steps, you can add at least two supporting arguments or stats for each point you have in your outline. And just like that, you have several hundred very relevant words, added almost effortlessly to your essay.

6. Ask 'Why' questions

At this stage, the research has already provided you with some solid perspectives, but there's nothing like adding some original perspectives to the existing body of research. Asking ‘why’ questions is an effective way to do this. In addition to strengthening your arguments, it will also enhance your essay with relevant and original content.

Think back to the example of the negative effects of video games on children. Let's say one of the arguments you have is "phone games cause emotional issues". Use a series of 'why' questions to dig deeper into the text. 

Ask questions like: "why is that true?", "Why is it important?", etc. For each answer, ask another why question and develop some original angles based on the insights that may emerge. 

While it beats manual paraphrasing in terms of speed, I felt it also improved the overall quality of the writing.

7. Address the counter view

It's a foolproof way to score brownie points with tutors and also add some value - and word count - to your essay. 

Counter views or counterpoints are positions diametrically opposed to your own.

I argue, for example, that video games negatively affect children in the essay about video games. There is always some literature available (and there is always some literature available) on the counter-side of why and under what circumstances video games can actually have a positive impact on children. I am able to write a pretty solid section on that topic. 

By balancing the pros and cons of both arguments, I will also be able to bridge the two points of view.

Just like that, you've added about 200 words to your essay!

8. Use quotes and references

While the bibliography section doesn’t usually count towards the overall essay word count, there are some easy tricks you can use to maximize the references. Once you are done with the essay, run through your list of citations and find interesting quotes that you may have missed, which you can now incorporate.

9. Get feedback from a friend

If you're like me, working on the same essay for a long time with complete immersion means you develop blind spots to obvious misses and flaws in your text. This could be especially problematic for non-native English speakers .

Ask a trusted friend or peer to look over your essay again. Share your essay on Gdoc with your friends and find out if they spot something that seems missing, out of place, or that stands out like a sore thumb.

Also, ask them to question your assumptions in the essay - this may give you new angles and perspectives to explore, thus expanding the word count even further.

Your friends will help you find the problematic paragraphs in your writing and make them more concise and effective .

10. Add text while editing

Once you have finished writing your essay, you can use the review stage to edit and add text to your essay.

This is another great opportunity to use your AI writing tool, and get suggestions for ways to make your sentences more fluent . You can also replace superfluous words with stronger vocabulary, and pick alternative ways to word sentences that contain repetitive words.

Try and spot long, convoluted sentences and break them up to smaller sentences.

Keep it long and interesting

Essays that meet the prescribed criteria, including word count, indicate to your teachers that you not only possess subject matter knowledge, but also writing, grammar, logic, research, and communication skills.

You can find interesting angles even in the most mundane sounding topics if you challenge yourself to do the work and not worry too much about the word count. With the 11 smart hacks - including use of the smart writing tools - essay writing and meeting the specified word count becomes much easier! 

Learning how to expand a text in an interesting way - and not just by adding fluff - makes you a better writer regardless of the format - essays, reports, statements of purpose - even books! 

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COMMON QUESTIONS

How many pages is 600 words.

How many pages will 600 words take up? The short answer is about one and one-third of page single spaced, and two and two thirds of a page double spaced.

How Many Pages is 2500 Words?

What is the page count of 2500 words? 2500 words is about 5 pages single spaced and 10 pages double spaced.

How Many Pages is 3500 Words?

How many pages is 3500 words? A word count of 3500 yields around 7 pages single spaced and roughly twice that—14 pages—double spaced.

How Many Pages is 8000 Words?

How many pages is 8000 words? Single spaced 8000 words is around 16 pages; double spaced about 32.

About Word Counter

Word Counter is an easy to use online tool for counting words, characters, sentences, paragraphs and pages in real time, along with spelling and grammar checking. Get started by typing directly into the text area above or pasting in your content from elsewhere. Word and character counts will display at the top, any writing mistakes will be underlined and your most frequently used keywords will appear to the right.

You can also use Word Counter to track your text length against common web standards like Twitter's tweet character count (140), Google's meta description (300), and Facebook's average post display length (~250). If your text is longer than 360 characters the counter will show you the number of sentences, paragraphs and pages instead; useful metrics for blog posts, articles, papers, essays, dissertations and other long-form content.

Essay Word Counter

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What Is Essay Word Counter?

An essay word counter is a simple yet powerful tool that has the ability to quickly count the number of characters and words within an essay. While the primary goal of an essay word counter is to measure characters and words, this tool allows you to determine the number of sentences and paragraphs that your essay consists of.

If you're tasked with reading your essay aloud in front of a classroom, this online word counter can help you prepare by providing you with an estimated speaking time and reading time. If you're asking yourself "How do I count the words in my essay?", plugging your essay into an online word counter will allow you to receive nearly instantaneous results.

Benefits of Using This Tool Compared to Alternatives

Online word counter tools offer the functionality you need to determine what your current essay word count is. There are several additional tools that can provide you with similar functionality, which include Microsoft Word, Google Docs, and PDF documents. Even though all of these alternatives allow users to measure the word count and character count for their essay, they lack many of the extra features that set the online tool apart from the competition.

Wordcounter vs Microsoft Word

When comparing this online word counter to Microsoft Word, the online word counter allows users to paste any kind of text into the box. Even if the text comes from a PDF file, it can be easily copied into the word counter. Among all of the alternatives for an essay word counter, Microsoft Word may be the most comprehensive of the three. Along with measuring the number of words, it can also count characters, pages, lines, and paragraphs. The main issue with Word, however, is that it's less intuitive than using an online tool.

When you click on word count in Microsoft Word, you'll be provided with data on the lines, paragraphs, words, and other aspects of your essay. However, the word count extends to every page of the Word document. To identify the number of words and characters in a specific section, you'll need to highlight the section and select the word count option again.

Wordcounter vs Google Docs

As for Google Docs, this tool doesn't display a status bar that tells you how many words are present in the document. To receive an updated word count, you must select the "Tools" tab that's found in the "Menu" section. From here, you'll be able to select "Word Count". When compared to the online word checker tool, Google Docs doesn't include information about how many sentences are in your essay or the frequency of a specific word.

Wordcounter vs PDF Tool

When it comes to a PDF document, you'll find that these documents are similar to Google Docs in that they don't include a status bar. You're also unable to access any kind of menu that allows you to view the word count of the essay you're writing. There are two distinct options for identifying the word count in your essay. First, you can convert the PDF file into what's known as the Rich Text Format, which makes it easier for you to count the words. You could also upload the file directly into this online word counter, which will give you an accurate word total.

The primary benefit of using the online word counter tool is that there are a number of exclusive features like speaking time and reading time that can't be found in other tools like Microsoft Word and Google Docs.

Essay Length Best Practices

Whether you're writing an essay for a high school class or for graduate school, there are some best practices that can guide you through the process and help you write the best essay. The most important element of writing an essay is getting the length right. If the essay is too long, there's a good chance it isn't as succinct and direct as it should be. The essay length guidelines you should adhere to include:

High school essay

The average essay word count for a high school essay is 300-1,000 words. Most high school essays are five paragraphs long with an introductory paragraph, three total body paragraphs, and a conclusion paragraph.

College admission essay

This essay should be around 200-650 words long. Along with having a set word limit, these essays should include a look at your motivations and interests.

Undergraduate essay

This essay can be around 1,500-5,000 words long. The content and length depend on the college and program you're entering.

Graduate admission essay

An admission essay should be 500-1,000 words in length. Make sure you include a lengthy personal statement that details your motivations and academic achievements.

Graduate school essay

This extended essay word count is usually around 2,500-6,000 words. The assignment you receive depends on the course you're in. Most graduate-level essays are lengthy and can involve research papers.

IB extended essay

The IB extended essay word count is 4,000 words. This essay is mandatory for every student of the International Baccalaureate program and is based on independent research.

How to Start a College Essay: 5 Effective Techniques

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Impressionable Openers

Descriptions and demonstrations, show vulnerability, be authentic, stay personal, fun & quirky, common mistakes to avoid in your college essay.

• Ways to Overcome Writer's Block

Frequently Asked Questions About Starting a College Essay

College essays are a huge part of your college career. If not huge, one of the biggest, and for someone who has been there and done that, I know the amount of pressure the beginning of a college essay, as well as the entire essay, can put on your shoulders.

Not only are you trying to juggle things like word count and grammar errors, but you're also trying to create the perfect college essay introduction that will attract admissions officers to your application or professors to your writing skills. And that, itself, can feel impossible, fill you with dread and self-doubt, but just breathe. I am here to help all present and future students know how to start a college essay.

Today is all about starting a college essay. I have come up with five easy and effective techniques that will help you create essays so good you're going to leave your readers wanting more , starting with your opening sentence! So, this is for all college students and college applicants. Stress no more! This guide was created to help you write a successful college essay. Let's get into it.

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The beginning of your essay should, first and foremost, always have a strong opening sentence . This sentence sets the tone for not only your readers but for the entire essay. Having a wobbly, almost interesting opener can steer an admissions officer and/or professor away, so you want it to be strong. And it doesn't have to be complicated! Less is more in this situation. Here are a couple of ways you can accomplish this.

• Look within and be relatable
• Use your real life for inspiration
• Think about ways to evoke emotion

Here are some examples of impressionable openers:

• Example 1: When I was 11 years old, my mother told me she had cancer over breakfast.
• Example 2: Maybe yellow isn't my favorite color.
• Example 3: I sat next to this girl in class who made me feel stupid.

DISCLAIMER : your opener should ALWAYS adhere to the essay prompts. These are just a few examples that can capture your reader's attention almost immediately.

In order to keep readers interested, visuals are key . Image-based descriptions will not only add value to your writing, it will give your readers front seats to your essay's journey. These descriptions let actions speak for themselves.

Here is an example of a description and demonstration in an essay:

• Example 1: "I was sitting on a bar stool when the word 'cancer' hit me like the smell of her coffee brewing on the stove. The Rice Krispies were popping in my cereal bowl, and MTV Jams was playing in the background, yet all I could hear was the sound of doom all around me. The lips of my mother were moving, but I was frozen, crumbling on this stool like my mother's health. She was sick, and I didn't know how sick or what that even meant, and that terrified me."

Why This Works:

Here you can clearly feel the writers emotional state: shocked, still, scared. Not only is this moment at breakfast traumatic, you feel frozen in time with the writer. Using descriptions like this will evoke so much emotion and leave your reader wanting more.

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Something one of my teachers told me in high school was any good essay will have personal elements in it, no matter the topic. That always stuck with me and became the way I approached my college essays. Showing vulnerability in your writing will always guarantee interest. It also evokes emotion.

You can show vulnerability by:

• Being honest
• Explaining what's going on inside underneath the exterior
• Describe what's going on around you at the moment
• Letting go of the fear of being seen
• Connecting with the topic
• Being transparent about mistakes/flaws

Examples of showing vulnerability:

• Example 1 : My mother telling me she had cancer over breakfast was not on my bingo card this year.
• Example 2 : I never thought losing someone I love would change me.
• Example 3: I had to lose everything in order to gain everything.

I know being vulnerable can be tough for some , but showing this side of you to college admissions officers and/or professors will not only make you stand out, but it can also help free you of things that might be weighing on your mind. Not to sound corny, but it can be therapeutic and make you a better writer . Just make sure you are staying on track with the essay prompt, and you're set!

Whether it's believed or not, an admissions officer wants to see pieces of you in your personal statement, so starting your essay by showing authenticity is a major major key. Along with being vulnerable, there are a few ways you can achieve this.

• Reflect : Take the time to reflect on your experiences, values, and beliefs that have shaped who you are today. Let your values, passions, and interests shine through in your writing.
• Mind Your Voice : Write in your own voice and avoid trying to sound like someone you're not. Authenticity comes from being genuine and true to yourself.
• Tell Your Story : Share personal anecdotes and insights that show your unique perspective.
• Be True to You : Focus on what matters to YOU (as long as you're on topic!). Write about what is meaningful and important to you rather than what you think admissions officers want to hear.

Above all, be open . Showing introspection and self-awareness in your essay will show any admissions committee who you are beneath the surface, as well as your personal growth.

You can also begin your essay being as random and silly as you'd like . It goes hand-in-hand with other important factors like vulnerability and authenticity. But don't get too crazy . Beginning your essay with something strange will definitely draw readers in. Let me show you what I mean.

• Example 1 : I start my mornings off in silence and solitude to keep people away from me.
• Example 2 : Sometimes, I like to circle big words in complex articles to learn new words. Yeah, but to also keep one in my back pocket for later use.
• Example 3 : Being the youngest child means getting away with everything you want, and that's exactly how I like it.

Do you see how each sentence draws you in? Not only are they light-hearted, but they also make you want to know why you want to keep people away in the morning and what kind of weapon you're forming against others with new words. And every youngest sibling will attest to feeling that exact same way. All of these examples are sure to make your essay fun, show who you are, and leave readers wanting more.

Years of writing college essays have taken me through every high and low of the process possible. And when they're good, they're great! But for some reason, my mistakes stick out more than anything. So, I've compiled a list of common mistakes to avoid when writing your college essay .

• Avoid Being Cliche - While you want to be captivating, you want to avoid overly used syntax and phrases that could potentially lose your reader's curiosity. For example, "in today's day and age," "follow my heart," "don't judge a book by its cover," etc. are all cliches that can be avoided by thinking outside of the box.
• Using Vocabulary to be Impressive - I know you want to impress the admissions committees, but it's important to stick to what you know and not what you can allude to. That is, use verbiage that resonates with your personality. Using extravagant words can work against you, and they can also sound forced. College admissions officers want to see the real you, so show it to them.
• Steer Clear of Controversy - Though it's not said enough, your college essay should tell your personal story and not touch on things that can stir the pot. For instance, talking about politics and religious beliefs may not be the route you want to take UNLESS it's called for in the college essay topic. And if so, stay on track with the essay prompts.
• Procrastinating : Waiting until the last minute to start writing your essay will bite you in the butt. You will feel rushed and end up writing a poorly crafted piece. Give yourself enough time to complete an essay draft, edit the draft, and repeat this two-step cycle until your essay is complete.
• Lack of originality : This goes hand-in-hand with avoiding cliches. Your college essay should exude a lot of your personality, so show admissions officers and teachers who you are! Include your cultural background, test scores that you're proud of, any future aspirations, etc. This all depends on the essay prompts, of course, but in my experience, every essay topic has room to show who you are.
• Ignoring the prompt : This is a major key. STAY ON TRACK. Make sure to carefully read and understand the essay prompt, and write your essay accordingly. The last thing you want to do is write a college essay that has nothing to do with the prompt. Reading is essential here.
• Lack of focus : If you want to know how to start a college essay, that means knowing how to stay focused. Find a quiet space, turn off electronics, hide your phone, and really nestle into how you want to capture your reader's attention. This will help you use your five senses clearly, keep your writing strong and not write an overly wordy essay. Focus is the tool here.
• Poor organization : Make sure your essay has a strong structure with clear transitions between paragraphs. An outline will work best to accomplish this. If you go into starting your college essay without a plan, be prepared to hit all roadblocks.
• Neglecting to Revise and Edit : Like procrastinating, don't fail to revise and edit your work. Always, always, always proofread your essay for grammar, spelling, and punctuation errors , as well as clarity and coherence.
• Not Seeking Feedback : Listen, I know that completing an essay is an accomplishment in itself, and you immediately want to submit it, but it's so beneficial to have others read your essay for feedback. You can only spot so many holes in your work when your eyes are constantly reviewing it, so a second, third, or even fourth set of eyes can help point out areas for improvement.

Above all, trust the writing process. Though I do want you to be aware of your jargon, don't get too wrapped up in thinking you're making a mistake. That's what editing is for! Once you complete your college essay, you should always revise and edit accordingly . What you thought sounded good might make you edit it to sound great. Just keep in mind that many colleges are looking for honesty and authenticity vs how well you can sound on paper . So, if you're aware of these factors, you'll be good to go.

Ways to Overcome Writer's Block

Take it from someone who has suffered from chronic writer's block, it's a pain to get through . Imagine being on a writing streak so good that when you stop, the entire essay writing process stops as a whole. It's definitely a challenge, but after 10 years of writing essays and really honing my craft, I learned a few things that have helped me get through even the thickest of writer's blocks, and I want to share them with you. Check them out:

• Take a break : This works every single time. Take a short break and step away from your computer to clear your mind and come back with a fresh perspective. For me, 15 minutes is all I ever need. If you need more time, that's okay. Just try not to make your break a rest.
• Freewriting : Sometimes, I'd start writing without worrying about my structure or grammar to get the ideas flowing, and surprisingly enough, I found my essay taking a pleasant turn.
• Change your environment : Move around. Don't underestimate the effects of a different location or workspace to stimulate creativity. Try coffee shops, bookstores, a park, or a new room in your house. New environment, new energy.
• Set small goals : This one is actually the most important. Some people get overwhelmed with the word "essay" for things like lack of proper writing skills, pressure to write a great essay, etc. But if you try breaking down your writing task into smaller, manageable chunks to make it less overwhelming, it can help. For example, set a goal of three paragraphs one day, take a day to edit those paragraphs, two more the next day, and so forth. Find a formula that works for you.
• Brainstorming : Write down all your ideas--everything. No matter how small you think the idea is, write it down. Even if these ideas seem unrelated, they will help you generate new thoughts and connections.
• Read or listen to music : It took me a while to realize this helps, but engaging in other forms of art can inspire new ideas and break through mental blocks. And new creativity can lead you to impress admissions officers.
• Talk it out : As a writer, it's hard to let people in on the creative process, but discussing my ideas with a friend, family member, or colleague helped me gain new perspectives and insights.
• Relax and Meditate : Hear me out: it works! Practice deep breathing and/or meditation to reduce stress and anxiety that may be contributing to writer's block.

I won't sugarcoat it: the college application process can be intimidating , but it doesn't have to throw you off your game. When it comes to college essays, I see them as opportunities to be fun and expressive. Trust me when I say if you have fun with it, you'll attract the reader's attention , paint vivid details, and write an essay that will leave the admissions officer wanting you at their school. So, take it one step at a time and watch your personal statement come to life.

How can I make my college essay stand out to admissions officers?

Simply put, be yourself. As long as you stay on track with the essay's topic, showing pieces of yourself will allow admissions officers to know more about who you are. Essays are meant to show readers who you are, how you feel, and what you think naturally, not robotically, so be authentic in your writing, and you'll be sure to stand out amongst the rest.

What are some common mistakes to avoid when writing a college essay?

Some common mistakes to avoid in your essay are using cliches and boring wording. You also want to avoid procrastinating, wasting time, not focusing, not editing, etc. When writing your essay, you want to make sure you give your writing the time and attention it deserves, so make sure you're aware of what is pulling you away from your writing. This will help you stay focused. If you have any other doubts, refer to the section about mistakes in this article and let it guide you to success.

How important is the college essay in the admissions process?

Your college essay is key in the admissions process . It's an admissions committee's first impression of you as a writer and potential student, so it should be taken very seriously. Trying to cut corners or rush through the writing process will be obvious, and it will stand out more than things like test scores, academic achievements, extracurricular activities, and any other positive influence you've had in your life. So, don't take the easy way out and really work on your essay.

Feeling confident in your college essay skills and want to explore some other essay content? Explore our blog on the comma splice to enhance your technical writing skills!

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Guest Essay

America’s Military Is Not Prepared for War — or Peace

By Roger Wicker

Mr. Wicker, a Republican, is the ranking member of the U.S. Senate Armed Services Committee.

“To be prepared for war,” George Washington said, “is one of the most effectual means of preserving peace.” President Ronald Reagan agreed with his forebear’s words, and peace through strength became a theme of his administration. In the past four decades, the American arsenal helped secure that peace, but political neglect has led to its atrophy as other nations’ war machines have kicked into high gear. Most Americans do not realize the specter of great power conflict has risen again.

It is far past time to rebuild America’s military. We can avoid war by preparing for it.

When America’s senior military leaders testify before my colleagues and me on the U.S. Senate Armed Services Committee behind closed doors, they have said that we face some of the most dangerous global threat environments since World War II. Then, they darken that already unsettling picture by explaining that our armed forces are at risk of being underequipped and outgunned. We struggle to build and maintain ships, our fighter jet fleet is dangerously small, and our military infrastructure is outdated. Meanwhile, America’s adversaries are growing their militaries and getting more aggressive.

In China, the country’s leader, Xi Jinping, has orchestrated a historic military modernization intended to exploit the U.S. military’s weaknesses. He has overtaken the U.S. Navy in fleet size, built one of the world’s largest missile stockpiles and made big advances in space. President Vladimir Putin of Russia has thrown Europe into war and mobilized his society for long-term conflict. Iran and its proxy groups have escalated their shadow war against Israel and increased attacks on U.S. ships and soldiers. And North Korea has disregarded efforts toward arms control negotiations and moved toward wartime readiness.

Worse yet, these governments are materially helping one another, cooperating in new ways to prevent an American-led 21st century. Iran has provided Russia with battlefield drones, and China is sending technical and logistical help to aid Mr. Putin’s war. They are also helping one another prepare for future fights by increasing weapons transfers and to evade sanctions. Their unprecedented coordination makes new global conflict increasingly possible.

That theoretical future could come faster than most Americans think. We may find ourselves in a state of extreme vulnerability in a matter of a few years, according to a growing consensus of experts. Our military readiness could be at its lowest point in decades just as China’s military in particular hits its stride. The U.S. Indo-Pacific commander released what I believe to be the largest list of unfunded items ever for services and combatant commands for next year’s budget, amounting to $11 billion. It requested funding for a raft of infrastructure, missile defense and targeting programs that would prove vital in a Pacific fight. China, on the other hand, has no such problems, as it accumulates the world’s leading hypersonic arsenal with a mix of other lethal cruise and attack missiles.

Our military leaders are being forced to make impossible choices. The Navy is struggling to adequately fund new ships, routine maintenance and munition procurement; it is unable to effectively address all three. We recently signed a deal to sell submarines to Australia, but we’ve failed to sufficiently fund our own submarine industrial base, leaving an aging fleet unprepared to respond to threats. Two of the three most important nuclear modernization programs are underfunded and are at risk of delays. The military faces a backlog of at least $180 billion for basic maintenance, from barracks to training ranges. This projects weakness to our adversaries as we send service members abroad with diminished ability to respond to crises.

Fortunately, we can change course. We can avoid that extreme vulnerability and resurrect American military might.

On Wednesday I am publishing a plan that includes a series of detailed proposals to address this reality head-on. We have been living off the Reagan military buildup for too long; it is time for updates and upgrades. My plan outlines why and how the United States should aim to spend an additional $55 billion on the military in the 2025 fiscal year and grow military spending from a projected 2.9 percent of our national gross domestic product this year to 5 percent over the next five to seven years.

It would be a significant investment that would start a reckoning over our nation’s spending priorities. There will be conversations ahead about all manner of budget questions. We do not need to spend this much indefinitely — but we do need a short-term generational investment to help us prevent another world war.

My blueprint would grow the Navy to 357 ships by 2035 and halt our shrinking Air Force fleet by producing at least 340 additional fighters in five years. This will help patch near-term holes and put each fleet on a sustainable trajectory. The plan would also replenish the Air Force tanker and training fleets, accelerate the modernization of the Army and Marine Corps, and invest in joint capabilities that are all too often forgotten, including logistics and munitions.

The proposal would build on the $3.3 billion in submarine industrial base funding included in the national security supplemental passed in April, so we can bolster our defense and that of our allies. It would also rapidly equip service members all over the world with innovative technologies at scale, from the seabed to the stars.

We should pair increased investment with wiser spending. Combining this crucial investment with fiscal responsibility would funnel resources to the most strategic ends. Emerging technology must play an essential role, and we can build and deploy much of it in less than five years. My road map would also help make improvements to the military procurement system and increase accountability for bureaucrats and companies that fail to perform on vital national security projects.

This whole endeavor would shake our status quo but be far less disruptive and expensive than the alternative. Should China decide to wage war with the United States, the global economy could immediately fall into a depression. Americans have grown far too comfortable under the decades-old presumption of overwhelming military superiority. And that false sense of security has led us to ignore necessary maintenance and made us vulnerable.

Our ability to deter our adversaries can be regained because we have done it before. At the 50th anniversary of Pearl Harbor, in the twilight of the Soviet Union, George H.W. Bush reflected on the lessons of Pearl Harbor. Though the conflict was long gone, it taught him an enduring lesson: “When it comes to national defense,” he said, “finishing second means finishing last.”

Regaining American strength will be expensive. But fighting a war — and worse, losing one — is far more costly. We need to begin a national conversation today on how we achieve a peaceful, prosperous and American-led 21st century. The first step is a generational investment in the U.S. military.

Roger Wicker is the senior U.S. senator from Mississippi and the ranking member of the Senate Armed Services Committee.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

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“You Are My Friend” Early Androids and Artificial Speech

By Jessica Riskin

Centuries before audio deepfakes and text-to-speech software, inventors in the eighteenth century constructed androids with swelling lungs, flexible lips, and moving tongues to simulate human speech. Jessica Riskin explores the history of such talking heads, from their origins in musical automata to inventors’ quixotic attempts to make machines pronounce words, converse, and declare their love.

May 29, 2024

Design for parts of a speaking machine from a 1791 treatise by Wolfgang von Kempelen. The bellows act as lungs feeding air into the voice box, which is fitted with a vibrating reed whose sounds are shaped by opening and closing valves. Not pictured here is a rubber “mouth” attachment, which connects to “ o ” with a flange that bears holes resembling nostrils — Source .

The word “android”, derived from Greek roots meaning “manlike”, was the coinage of Gabriel Naudé, French physician and librarian, personal doctor to Louis XIII, and later architect of the forty-thousand-volume library of Cardinal Jules Mazarin. Naudé was a rationalist and an enemy of superstition. In 1625 he published a defense of Scholastic philosophers to whom tradition had ascribed works of magic. He included the thirteenth-century Dominican friar, theologian, and philosopher Albertus Magnus (Albert the Great), who, according to legend, had built an artificial man made of bronze. 1

This story seems to have originated long after Albert’s death with Alfonso de Madrigal (also known as El Tostado), a voluminous commentator of the fifteenth century, who adapted and embellished the tales of moving statues and talking brazen heads in medieval lore. 2 El Tostado said that Albert had worked for thirty years to compose a whole man out of metal. The automaton supplied Albert with the answers to all of his most vexing questions and problems and even, in some versions of the tale, obligingly dictated a large part of Albert’s voluminous writings. The machine had met its fate, according to El Tostado, when Albert’s student, Thomas Aquinas, smashed it to bits in frustration, having grown tired of “its great babbling and chattering”. 3

Naudé did not believe in Albert’s talkative statue. He rejected it and other tales of talking automaton heads as “false, absurd and erroneous”. 4 The reason Naudé cited was the statues’ lack of equipment: being altogether without “muscles, lungs, epiglottis, and all that is necessary for a perfect articulation of the voice”, they simply did not have the necessary “parts and instruments” to speak reasonably. 5 Naudé concluded, in light of all the reports, that Albert the Great probably had built an automaton, but never one that could give him intelligible and articulate responses to questions. Instead, Albert’s machine must have been similar to the Egyptian statue of Memnon, much discussed by ancient authors, which murmured agreeably when the sun shone upon it: the heat caused the air inside the statue to “rarefy” so that it was forced out through little pipes, making a murmuring sound. 6

Despite disbelieving in Albert the Great’s talking head, Naudé gave it a powerful new name, referring to it as the “android”. 7 Thus deftly, he smuggled a new term into the language, for according to the 1695 dictionary by the French philosopher and writer Pierre Bayle, “android” had been “an absolutely unknown word, & purely an invention of Naudé, who used it boldly as though it were established.” 8 It was a propitious moment for neologisms: Naudé’s term quickly infiltrated the emerging genre of dictionaries and encyclopedias. Bayle repeated it in the article on “Albert le Grand” in his dictionary. 9 Thence, “android” secured its immortality as the headword of an article — citing Naudé and Bayle — in the first volume of the supplement to the English encyclopedist Ephraim Chambers’ Cyclopaedia . 10 In denying the existence of Albert’s android, Naudé had given life to the android as a category of machine.

“The Talking Head of Albertus Magnus”, plate from J. H. Pepper’s Cyclopædic Science Simplified (1885) — Source .

But the first actual android of the new, experimental-philosphical variety for which the historical record contains rich information — “android” in Naudé’s root sense, a working human-shaped assemblage of “necessary parts” and instruments — went on display on February 3, 1738. The venue was the opening of the annual Saint-Germain fair on Paris’ Left Bank. This android differed crucially from earlier musical automata, the figures on hydraulic organs and musical clocks, in that it really performed the complex task it appeared to perform, in this case, playing a flute, rather than merely making some suggestive motions. The device was, in this sense, a novelty, but it must have looked familiar to many of the fairgoers, being modeled on a well-known statue that stood in the entrance to the Tuileries Gardens and that is now at the Louvre Museum: Antoine Coysevox’s Shepherd Playing the Flute .

Like the statue, the android represented a faun, half man and half goat. The mechanical faun, like the marble one at the Tuileries, held a flute. The second faun, though, became suddenly animate and began to play its instrument, executing twelve tunes in succession. At first, skeptical spectators were persuaded this must be a music box, with an autonomous mechanism inside to produce the sound, while the external figure merely pretended to play. But no, the android actually did play a real flute, blowing air from its lungs (three sets of bellows), and exercising flexible lips, a supple tongue, and soft, padded fingers with a skin of leather. It was even reported that one could bring one’s own flute, and the machine would oblige by playing that one too. 11

The flute-playing android was the work of an ambitious young engineer named Jacques Vaucanson. The last of ten children of a Grenoble glove maker, Vaucanson had been born in the bitterly cold winter of 1709, at the waning of Louis XIV’s long reign, in the midst of a terrible famine and the bloodiest year of a war that France was losing. Emerging from this dark moment, Vaucanson’s life and the Enlightenment would take shape in tandem, and his work would become a point of reference for the world of letters.

As a child, he had liked to build clocks and repair watches. While a school boy, he had begun designing automata. After a brief stint as a novice in Lyon, ending when a church dignitary ordered Vaucanson’s workshop destroyed, he had come to Paris at the age of nineteen to seek his fortune. Thinking he might train as a doctor, he had attended some courses in anatomy and medicine, but had soon decided to apply these studies to a new area of research: re-creating living processes in machinery. The Flutist was the result of five years’ labor. 12 When it was finished, Vaucanson submitted a memoir explaining its mechanism to the Paris Academy of Sciences. This memoir contains the first known experimental and theoretical study of the acoustics of the flute. 13

“Vaucanson”, plate from Alfred des Essarts’ The Great Ancient and Modern Inventors (1864) — Source .

Following an eight-day debut at the Saint-Germain fair, Vaucanson moved his android to the Hôtel de Longueville, a gilded hall in a grand sixteenth-century mansion at the center of the city. There it attracted about seventy-five people a day, each paying a hefty entrance fee of three livres (roughly an average week’s wages for a Parisian worker). Among its audience were the members of the Paris Academy of Sciences, who traveled as a body to the Hôtel de Longueville to witness the android Flutist. 14 Greeting his public in groups of ten or fifteen, Vaucanson explained the Flutist’s mechanism and then set it to play its concert.

The reviews were effusive. “All of Paris is going to admire . . . the most singular and agreeable mechanical phenomenon perhaps ever seen”, wrote one reviewer, emphasizing that the android “really and physically plays the flute”. 15 The music-making statue, another agreed, was “the most marvelous piece of mechanics” that had ever been. 16 The abbé Pierre Desfontaines, a journalist and popular writer, advertising Vaucanson’s show to readers of his literary journal, described the insides of the Flutist as containing “an infinity of wires and steel chains . . . [which] form the movement of the fingers, in the same way as in living man, by the dilation and contraction of the muscles. It is doubtless the knowledge of the anatomy of man . . . that guided the author in his mechanics.” 17 In the article “Androïde” in the monumental Encylopédie , a universal compilation of knowledge edited by the philosopher and writer Denis Diderot and the mathematician and philosopher Jean d’Alembert, Vaucanson’s mechanical Flutist became the paradigm of an android. The article, written by d’Alembert, defines an android as a human figure performing human functions, and virtually the whole piece is devoted to the Flutist. 18

Soon after the Academy of Science members came to the Hôtel de Longueville, Vaucanson returned the visit to read a memoir on the design and function of his Flutist. 19 The android’s mechanism was moved by weights attached to two sets of gears. The bottom set turned an axle with cranks that powered three sets of bellows, leading into three windpipes, giving the Flutist’s lungs three different blowing pressures. The upper set of gears turned a cylinder with cams, triggering a frame of levers that controlled the Flutist’s fingers, windpipe, tongue, and lips. To design a machine that played a flute, Vaucanson had studied human flute players in minute detail. He had devised various ways of transmitting aspects of their playing into the design of his android. For example, to mark out measures he had had a flutist play a tune while another person beat time with a sharp stylus onto the rotating cylinder. 20

The following winter, Vaucanson added two more machines to the show. One was a second android musician, a life-size Provençal shepherd that played twenty minuets and other dance tunes on a pipe grasped in its left hand, while accompanying itself with its right on a drum slung over its shoulder. 21 The pipe had only three holes, which meant that the notes were produced almost entirely by the player’s variations of blowing pressure and tongue stops. Working to reproduce these subtleties in his automaton, Vaucanson found that human pipers employed a much greater range of blowing pressures than they themselves realized. The Piper also yielded another surprising discovery. Vaucanson had assumed that each note would be the product of a given finger position combined with a particular blowing pressure, but he discovered that the blowing pressure for a given note depended upon the preceding note, so that, for example, it required more pressure to produce a D after an E than after a C, obliging him to have twice as many blowing pressures as notes. 22 The higher overtones of the higher note resonate more strongly in the pipe than the lower overtones of the lower note; but pipers themselves were not aware of compensating for this effect, and the physics of overtones was explained only in the 1860s by Hermann von Helmholtz. 23

Detail from an illustration by Gravelot of Vaucanson’s automata: flutist, duck, and piper, ca. 1747–1773. While the bird could flap its wings and cavort duckishly, its main attraction was how it swallowed bits of grain and then excreted them in digested form — Source .

The android musicians did not just make music, a feat that music boxes had achieved for more than two centuries, but they did so using flexible lips, moving tongues, soft fingers, and swelling lungs. They were simulations of the human process of making music, and as the century wore on, the designers of such simulations turned toward the even more complex task of making machines that could mimic human speech.

In 1739, a year after Vaucanson’s duck made its public debut, a surgeon named Claude-Nicolas le Cat, published a description, now lost, of an “automaton man in which one sees executed the principal functions of the animal economy”, circulation, respiration, and “the secretions”. 24 It is not clear what became of this early project, but Le Cat returned to the idea in 1744 when, according to the proceedings of the Académie de Rouen, he read a sensational memoir there. A great crowd was assembled to hear it, and one witness reported, “Monsieur Le Cat told us of his plan for an artificial man . . . . His automaton will have respiration, circulation, quasi-digestion, secretion and chyle, heart, lungs, liver and bladder, and God forgive us, all that follows from it.” 25

Le Cat’s automaton man was to have “all the operations of a living man”, including not only “the circulation of the blood, the movement of the heart, the play of the lungs, the swallowing of food, its digestion, the evacuations, the filling of the blood vessels and their depletion by bleeding”, but also — apparently crossing the Cartesian boundary between mechanical body and rational soul — “even speech and the articulation of words”. 26

This idea, the possibility of simulating articulate speech, had generated a tradition of philosophical discussion over the preceding century. If some continued to find it a quixotic notion, it was in fact literally so: when Don Quixote himself encounters a talking bronze head (connected to a hidden human being), he is fully captivated by it, though his less suggestible squire, Sancho Panza, is unimpressed by its conversation. 27 Cervantes’s contemporary, the Spanish writer on magic, Martín del Río, also found it unreasonable to suppose “that an inanimate thing should produce the human voice and give answers to questions. For this requires life, and breath, and a perfect cooperation of the vital organs, and some discursive ability in the speaker.” 28

1662 print of an engraving by Martin Engelbrecht depicting Don Quixote inspecting the talking, enchanted head — Source .

Several decades later, some if not all the items on del Río’s list seemed possibly achievable in an artificial machine. Athanasius Kircher wrote in 1673, with regard to the legends of Albert the Great’s talking head and the ancient Egyptian speaking statues, that while certain skeptics believed these devices must have been “either non-existent or fraudulent or constructed with the help of the devil”, many others believed it was possible to build such a statue having throat, tongue and other organs of speech that would emit an articulated voice when it was activated by wind. Kircher included a sketch of a design for a talking figure. 29 His student, Gaspar Schott, also a prolific natural philosopher and engineer, adopted the same attitude, even alluding to a question-answering statue that Kircher was building for Queen Christina of Sweden. 30 No doubt the queen’s previous philosophy teacher, Descartes, had interested her in the relations between rational speech and a mechanical body.

Although the idea of simulated speech was not new, around the middle of the eighteenth century, experimental philosophers and mechanicians took a renewed interest in it. They assumed that speech was a bodily function akin to respiration or digestion — they did not explicitly distinguish the rational from the physiological aspects of speaking — and even the skeptics expressed their skepticism in connection with physiological details rather than principled objections. In his effusive review of Vaucanson’s Flutist in 1738, for example, the abbé Desfontaines predicted that articulate speech could never be produced in artificial machinery because the bodily process of speaking would remain impenetrably mysterious: one could never know precisely “what goes on in the larynx and glottis . . . [and] the action of the tongue, its folds, its movements, its varied and imperceptible rubbings, all the modifications of the jaw and the lips.” 31 Speaking was an essentially organic process, Desfontaines reckoned, and could only take place in a living throat.

Desfontaines was not alone in this belief: in this period, skeptics about the possibility of artificial speech generally argued that the human larynx, vocal tract, and mouth were too soft, supple, and malleable to be simulated mechanically. Around 1700, Denys Dodart, personal physician to Louis XIV, presented several memoirs to the Paris Academy of Sciences on the subject of the human voice, in which he argued that the voice and its modulations were caused by constrictions of the glottis, and that these were “inimitable by art”. 32 The writer and academician Bernard le Bovier de Fontenelle, who was then Perpetual Secretary of the Academy, commented that no wind instrument produced its sound by such a mechanism (the variation of a single opening) and that it seemed “altogether outside the realm of imitation . . . . Nature can use materials that are not at all at our disposal, and she knows how to use them in ways that we are not at all permitted to know.” 33

A last skeptic citing material difficulties was the philosopher and writer Antoine Court de Gébelin, who observed that “the trembling that spreads to all the parts of the glottis, the jigging of its muscles, their shock against the hyoid bone that raises and lowers itself, the repercussions that the air undergoes against the sides of the mouth . . . these phenomena” could only take place in living bodies. 34 On the other hand, there were plenty who disagreed. For example, the polemical materialist Julien Offray de La Mettrie took a look at Vaucanson’s Flutist and concluded that a speaking machine “could no longer be regarded as impossible”. 35

“Organs of the Voice”, plate from Antoine Court de Gébelin’s Primitive World (ca. 1773–1782) — Source .

During the last three decades of the century, several people took up the project of artificial speech. All of them assumed that the sounds of spoken language required a structure as similar as possible to the throat and mouth. This assumption, that a talking machine required simulated speaking organs, had not always dominated thinking about artificial speech. In 1648, John Wilkins, the first secretary of the Royal Society of London, had described plans for a speaking statue that would synthesize, rather than simulate, speech by making use of “inarticulate sounds”. He wrote, “We may note the trembling of water to be like the letter L, the quenching of hot things to the letter Z, the sound of strings, to the letter Ng [ sic ], the jirking of a switch to the letter Q, etc.” 36 But in the 1770s and 80s, builders of speaking machines mostly assumed that it would be impossible to create artificial speech without building a talking head: reproducing the speech organs and simulating the process of speaking.

The first to attempt such a machine was the English poet and naturalist Erasmus Darwin (grandfather of Charles Darwin) who in 1771 reported that he had “contrived a wooden mouth with lips of soft leather, and with a valve over the back part of it for nostrils.” Darwin’s talking head had a larynx made of “a silk ribbon . . . stretched between two bits of smooth wood a little hollowed.” It said “mama, papa, map and pam” in “a most plaintive tone”. 37

The next to simulate speech was a Frenchman, the abbé Mical, who presented a pair of talking heads to the Paris Academy of Sciences in 1778. The heads contained “several artificial glottises of different forms [arranged] over taut membranes”. By means of these glottises, the heads performed a dialogue in praise of Louis XVI: “The King gives peace to Europe”, intoned the first head; “Peace crowns the King with Glory”, replied the second; “and Peace makes the Happiness of the People”, added the first; “O King Adorable Father of your People their Happiness shows Europe the Glory of your Throne”, concluded the second head. 38

Illustration by E. A. Tilly depicting the abbé Mical’s pair of talking heads, ca. 1783 — Source .

The Paris gossip and memoirist Louis Petit de Bachaumont noted that the heads were life-size, but covered tastelessly in gold. They mumbled some words and swallowed certain letters; moreover, their voices were hoarse and their diction slow (and their conversation, he might have added, uninspiring).

Yet despite all this, they undeniably had “the gift of speech”. The academicians appointed to examine Mical’s talking heads agreed that their enunciation was “very imperfect” but granted their approval to the work anyhow because it was done in imitation of nature and contained “the same results that we admire in dissecting . . . the organ of the voice.” Bachaumont recorded that the academicians were so impressed with the abbé Mical that, on the occasion of the Montgolfière balloon demonstration at Versailles on September 19, 1783, in which a sheep, a rooster, and a duck became the world’s first aviation passengers, the six delegates from the Académie des sciences invited Mical to accompany their delegation and presented him to the king as the author of the celebrated talking heads. 39

The following year, probably at the instigation of the mathematician Leonhard Euler, the Saint Petersburg Academy of Sciences sponsored a prize competition to determine the nature of the vowels and to construct an instrument like vox humana organ pipes to express them. C. G. Kratzenstein, a member of the Academy, won the prize. He used an artificial glottis (a reed) and organ pipes shaped according to the situation of the tongue, lips, and mouth in the pronunciation of the vowels. 40

Several more people built talking heads before the turn of the century. Among them was a Hungarian engineer named Wolfgang von Kempelen who had been hired at the age of twenty-one by the Empress Maria Theresa to serve at the court of the Holy Roman Empire in Vienna. He had achieved fame in 1769 when, for the amusement of his patroness, Kempelen had built an android Turk that played an expert game of chess (by virtue of the expert human chess player cleverly hidden inside). A couple decades later, Kempelen set out to uncover the secret of articulate speech. In 1791, he published “a description of a speaking machine” in which he reported having attached bellows and resonators to musical instruments that resembled the human voice, such as oboes and clarinets; he had also tried, like Kratzenstein, modifying vox humana organ pipes. 41 Through twenty years of such attempts, he had been sustained, he said, by the conviction that “ speech must be imitable ”. The resulting apparatus had bellows for lungs, a glottis of ivory, a leather vocal tract with a hinged tongue, a rubber oral cavity, a mouth whose resonance could be altered by opening and closing valves, and a nose with two little pipes as nostrils. Two levers on the device connected with whistles and a third with a wire that could be dropped onto the reed. These enabled the machine to pronounce liquids and fricatives: Ss, Zs, and Rs. 42

Plates depicting the components of artificial and natural speech from Wolfgang von Kempelen’s The Mechanism of Speech (1791) — Source .

This machine produced an empirical finding reminiscent of Vaucanson’s discovery that the blowing pressure for a given note depended upon the preceding note. Kempelen reported that he had first tried to produce each sound in a given word or phrase independently but failed because the successive sounds needed to take their shape from one another: “The sounds of speech become distinct only by the proportion that exists among them, and in the linking of whole words and phrases.” Listening to his machine’s blurred speech, Kempelen perceived a further constraint upon the mechanization of language: the reliance of comprehension upon context. 43

Kempelen’s machine was only moderately successful. It reportedly prattled in a childish voice, reciting vowels and consonants. It pronounced words such as “Mama” and “Papa”, and uttered some phrases, such as “you are my friend—I love you with all my heart”, “my wife is my friend”, and “come with me to Paris”, but indistinctly. 44 Today the machine resides at the Deutsches Museum in Munich, Germany. Kempelen and his supporters emphasized that the device was imperfect and explained that it was not so much a speaking machine in itself as a machine that demonstrated the possibility of constructing a speaking machine. 45

After this flurry of activity in the 1770s, 80s, and 90s, there was a decline in interest in speech simulation. A few people over the course of the nineteenth century, including the inventors Charles Wheatstone and Alexander Graham Bell, built their own versions of Kempelen’s and Mical’s speaking machines and of other talking heads from an earlier period. 46 But for the most part, designers of artificial speech turned their attention once again to speech synthesis rather than simulation: reproducing the sounds of human speech by other means rather than trying to reproduce the actual organs and physiological processes of speech. 47

In 1828, Robert Willis — a professor of applied mechanics at Cambridge who had earlier rejected the possibility of the Chessplayer’s intelligence — wrote disparagingly that most people who had investigated the nature of the vowel sounds “appear never to have looked beyond the vocal organs for their origin”, apparently assuming that the vowel sounds could not exist without being produced by the vocal organs. In other words, they had treated the vowels as “physiological functions of the human body” rather than as “a branch of acoustics”. In fact, Willis argued, vowel sounds could perfectly well be produced by other means. 48 Whether or not the vocal organs themselves could be simulated artificially became a separate question from whether the sounds of speech could be reproduced. As late as 1850, the French physiologist Claude Bernard wrote in his notebook: “The larynx is a larynx and the crystalline lens is a crystalline lens, that is to say their mechanical or physical conditions are realized nowhere but in the living organism.” 49

Photograph of Joseph Faber’s “Euphonia” talking machine, ca. 1846 — Source .

Disenchantment with speech simulation was so deep that when a German immigrant to America named Joseph Faber designed quite an impressive talking head in the late 1840s, he could not get anyone to take any notice of it. Faber’s talking head was modeled on Kempelen’s and Mical’s, but was far more elaborate. It had the head and torso of a man once again dressed like a Turk, and inside were bellows, an ivory glottis and tongue, a variable resonance chamber, and a mouth cavity with a rubber palate, lower jaw, and cheeks. The machine could pronounce all the vowels and consonants, and was connected by way of levers to a keyboard of seventeen keys, so that Faber could play it like a piano. He first exhibited the machine in New York City in 1844, where it aroused very little interest. He then took it to Philadelphia where he had no better luck. P. T. Barnum found Faber and his talking head there, renamed the machine the “Euphonia”, and took them on tour to London, but even Barnum could not make a success of it. Finally the Euphonia was exhibited in Paris in the late 1870s, where it was mostly ignored, and soon thereafter all traces of it disappear. 50

The moment for talking heads had passed. In the early part of the twentieth century, designers of artificial speech moved on from mechanical to electrical speech synthesis. 51 The simulation of the organs and process of speaking — of the trembling glottis, the malleable vocal tract, the supple tongue and mouth — was specific to the last decades of the eighteenth century, when philosophers and mechanicians and paying audiences were briefly preoccupied with the idea that articulate language was a bodily function: that Descartes’ divide between mind and body might be bridged in the organs of speech.

Notes Show Notes

• On the legend of Albertus Magnus’s artificial man, see Eugenio Battisti, L’antirinascimento (Milan: Feltrinelli, 1962), 226; and Sarah Higley, “The Legend of the Learned Man’s Android”, in *Retelling Tales: Essays in
• El Tostado notably adapted a story associated with Pope Sylvester. See Joseph R. Jones, “Historical Materials for the Study of the Cabeza Encantada Episode in Don Quijote II.62", Hispanic Review 41, no. 1 (1979): 91–92.
• El Tostado quoted in Gabriel Naudé, Apologie pour tous les grands hommes, qui ont esté accusez de magie (Paris: Eschart, 1669), 382–83. For the android’s dictation of Albert’s writings, see the article “Androïdes” in Ephraim Chambers et al., A Supplement to Mr. Chambers’s Cyclopaedia, or, Universal Dictionary of Arts and Sciences , 2 vols. (London: W. Innys and J. Richardson, 1753).
• Naudé, Apologie , 385–88.
• Ibid., 389–90. Naudé is referring to the statue of Memnon on the Nile River that ancient authors said made sounds with the rising sun. See, for example, Callistratus, “On the Statue of Memnon”, in Elder Philostratus, Younger Philostratus, Callistratus , trans. Arthur Fairbanks (Cambridge, MA: Harvard University Press), 1931. On the speaking statue of Memnon, see also Paul Henry Stanhope, “The Statue of Memnon”, London Quarterly Review (April 1875): 278–84.
• Pierre Bayle, Dictionnaire historique et critique , 4 vols. (Amsterdam: P. Brunel, 1740), 1:131.
• Ibid., 1:130.
• See the article “Androïdes”, in Scott, Supplement .
• Jacques Vaucanson, Mécanisme du fluteur automate , trans. J. T. Desaguliers (Buren, the Netherlands: F. Knuf, 1979), 10–20. “One can substitute another flute entirely in the place of the one he plays”: Luynes, Mémoires, 2:12–13. Similarly, the abbé Desfontaines emphasized that it was “the fingers positioned variously on the holes of the flute that vary the tones . . . . In a word art has done here all that nature does in those who play the flute well. That is what can be seen and heard, beyond a doubt”, in Pierre Desfontaines, “Lettre CLXXX sur le Flûteur automate et l’Aristipe moderne”, Observations sur les écrits modern 12 (March 30, 1738), 339. On audiences’ initial disbelief that the flute player was actually playing his flute, see the reports cited in Alfred Chapuis and Edmond Droz, utomata: A Historical and Technological Study , trans. Alec Reid (Geneva: Editions du Griffon, 1958), 274; Alexander Buchner, Mechanical Musical Instruments , trans. Iris Urwin (London: Batchworth Press, 1959), 85–86; and David Lasocki’s preface to Vaucanson, Mécanisme du fluteur automate , [ii].
• Jean-Antoine-Nicolas de Caritat, Marquis de Condorcet, “Eloge de Vaucanson” (1782), in Œuvres de Condorcet , ed. Arthur O'Connor and Fraçois Arago, 12 vols (Paris: Firmin Didot frères, 1847–49), 2:643–60; André Doyon and Lucien Liaigre, Jacques Vaucanson, mècanicien de génie (Paris: Presses Universitaires de France, 1967), chaps. 1–2.
• AS, Registre des procès-verbaux des séances for April 26 and 30, 1739.
• “Nouvelles à la main au marquis de Langaunay”, letter dated May 12, 1738, BNF, Ms Fr. 13700, no 2; Doyon and Liaigre, Vaucanson , 30–34, 41.
• Mercure de France (April 1738), 739; Doyon and Liaigre, Vaucanson , 51. On the vogue that Vaucanson launched, see also Paul Metzner, Crescendo of the Virtuoso: Spectacle, Skill, and Self-Promotion in Paris during the Age of Revolution (Berkeley: University of California Press, 1998), chapter 5.
• Le pour et contre (1738), 213; Doyon and Liaigre, Vaucanson , 53, 61.
• Desfontaines, “Lettre”, 340. The review of Vaucanson’s treatise on the flute player in the Journal des sçavans also emphasized the role of anatomical and physical research in informing the android’s design. See Journal des sçavans (1739), 441. See also Doyon and Liaigre, Vaucanson , 51.
• See d’Alembert’s 1751 article “Androïde”, in Diderot and d’Alembert, Encyclopédie , 1:448.
• Doyon and Liaigre, Vaucanson , 41.
• See Vaucanson, Mécanisme du fluteur automate , 10–20. This process was the precursor of the procedure by which the first musical recordings were made, during the second and third decades of the twentieth century, when pianists such as Claude Debussy, Sergei Rachmaninoff, George Gershwin, Arthur Rubinstein, and Scott Joplin marked out rolls for player pianos.
• Doyon and Liaigre, Vaucanson , 53, 61.
• Vaucanson, “Letter to the Abbé Desfontaines”, in Mécanisme du fluteur automate , 23– 24.
• Hermann von Helmholtz explained the effects of partials in his Lehre von den Tonempfindungen . I am grateful to Myles Jackson for helping me to figure out the causes underlying Vaucanson’s acoustical discovery.
• This description appeared in conjunction with Le Cat’s Traité de la saignée (1739) as its “experimental part”, in order “to confirm by experience” Le Cat’s theory of bleeding; see Doyon and Liaigre, “Méthodologie”, 298–99.
• Le Cornier de Cideville to Fontenelle, December 15, 1744, in Tougard, Documents , 1:52–54, at 53. See Doyon and Liaigre, “Méthodologie”, 300.
• Registre-Journal des Assemblées et Déliberations de l’Académie des sciences . . . établie on 1744: 3 (manuscript non classé de la Bibliothèque publique de Rouen), cited in Doyon and Liaigre, “Méthodologie”, 300.
• Cervantes, Don Quixote , trans. Samuel Putnam (New York: Viking, 1958), chap. 62. On this episode in the novel, see Jones, “Historical Materials”, 101–2.
• Martin Del Río, Disquisitionum magicarum libri sex (Venice, 1640), 26.
• Kircher, Phonurgia Nova , 161, quoted in Jones, “Historical Materials”, 99.
• Jones, “Historical Materials”, 99.
• Desfontaines, “Lettre”, 341.
• Denys Dodart, “Sur les causes de la voix de l’homme et de ses différens tons”, in Année 1700: Mémoires of Histoire de l’Académie royale des sciences (Amsterdam: Gerard Kuyper, 1700): 244–93; Denys Dodart, “Supplément au Mémoire sur la voix et sur les tons”, in Année 1706: Mémoires of Histoire de l’Académie royale des sciences (Amsterdam: Pierre de Coup, 1706): 136–48; Denys Dodart, “Suite de la première partie du Supplément”, in Année 1706: Mémoires of Histoire de l’Académie royale des sciences *Amsterdam: Pierre de Coup, 1706), 388–410; and Denys Dodart, “Supplément au Mémoire sur la voix et sur les tons”, in Année 1707: Mémoires of Histoire de l’Académie royale des science (Amsterdam: Pierre de Coup, 1707): 66–81. For Fontenelle’s commentary on Dodart’s memoirs, see Fontenelle’s three articles “Sur la formation de la voix” (1700, 1706, and 1707) in the volumes cited above.
• Fontenelle, “Sur la formation de la voix” (1707), 20.
• Antoine Court de Gébelin, Le monde primitif, analysé et comparé avec le monde moderne , 9 vols. (Paris: Chez l’auteur, 1773–82), 2:83–84.
• La Mettrie, L’homme machine , 190.
• John Wilkins, Mathematicall Magick, or, The Wonders That May Be Performed by Mathematicall Geometry (London: Sa. Gellibrand, 1648), 177–78.
• Charles Darwin, The Temple of Nature; or, The Origin of Society (London: For J. Johnson by T. Bensley, 1803): 119–20.
• Têtes parlantes inventées et exécutées par M. l’abbé Mical. (Extrait d’un ouvrage qui a pour titre: Système de prononciation figurée, applicable à toutes les langues et exécuté sur les langues française et anglaise) , VZ-1853, BNF; Rivarol, “Lettre à M. le president de”, 20–24; Rivarol, Discours , 79–82; Bachaumont, Mémoires , 11: 237, 13: 270, 26: 214–216; Séris, Langages et machines , 245; Chapuis and Gélis, Monde , 2:204–206. According to Rivarol, Mical also built “an entire Concert in which the figures, as big as life, made Music from morning till evening”, “Lettre à M. le president de”, 29.
• AS, Registre des procès-verbaux des séances for September 3, 1783; Bachaumont, Mémoires , 26: 214–16.
• Thomas L. Hankins and Robert J. Silverman, Instruments and the Imagination , (Princeton, NJ: Princeton University Press, 1995), 188–89, 198; Jean-Pierre Séris, Langages et machines à l’âge classique (Paris: Hachette, 1995), 247.
• Kempelen, Mécanisme de la parole , 394–464. On Kempelen’s and others’ attempts to simulate human speech in the last third of the eighteenth century, see also Hankins and Silverman, Instruments and the Imagination , chap. 8; and Séris, Langages et machines , 245– 46.
• Kempelen, Mécanisme de la parole , 395–400, 405, 415–59.
• Ibid., 401.
• Ibid., 463.
• Karl Gottlieb Windisch, Inanimate Reason; or, A Circumstantial Account of that Astonishing Piece of Mechanism, De Kempelen’s Chess-Player (London: S. Bladon, 1784), 49.
• On Wheatstone’s and Bell’s reproductions, see James L. Flanagan, “Voices of Men and Machines”, in Journal of the Acoustical Society of America 51 (1972): 1375–87; James L. Flanagan, Speech Analysis, Synthesis, and Perception (Berlin: Springer, 1965), 166–71; M. R. Schroeder, “A Brief History of Synthetic Speech” Speech Communication 13 (1993): 231– 37; and Hankins and Silverman, Instruments and the Imagination , 218–19.
• Hermann von Helmholtz, for example, built a machine using tuning forks and resonance chambers to produce the vowel sounds, described in Helmholtz, On the Sensations of Tone as a Physiological Basis for the Theory of Music , trans. Alexander J. Ellis (New York: Dover, 1954), 399.
• Robert Willis, “On the Vowel Sounds, and on Reed Organ-Pipes.” Transactions of the Cambridge Philosophical Society 3 (1830): 231–68.
• Claude Bernard, Cahier de notes, 1850–1860 , ed. Mirko Dražen Grmek (Paris: Gallimard, 1965), 171. This was probably in response to the assertion of Bernard’s mentor, François Magendie, that “I see in the lung a bellows, in the trachea, a vent, in the glottis a reed . . . . We have for the eye an optical apparatus, for the voice a musical instrument, for the stomach a living retort.” François Magendie, Phénomènes physiques de la vie: Leçons professées au collège de France , 4 vols (Paris: J.-B. Baillière, 1842).
• See David Lindsay, “Talking Head”, in Invention and Technology (Summer 1997): 57–63; and Hankins and Silverman, Instruments and the Imagination , 214–16.
• Cf. Hankins and Silverman, Instruments and the Imagination , 216, where the authors identify a partial and passing return to “more humanoid apparatus” in the “last years of the nineteenth century”.

Public Domain Works

• Internet Archive
• Library of Congress French original, 1738
• Oregon Health and Science University Library
• Internet Archive French translation
• Project Gutenberg

Further Reading

A collection of essays examining efforts to simulate life in machinery, to synthesize life out of material parts, and to understand living beings by comparison with inanimate mechanisms.

An exploration into how the automata of early modern Europe can be seen as models for the new science of living things, tracing questions of science and agency through Descartes, Leibniz, Lamarck, and Darwin, among others.

The eighteenth century saw the creation of a number of remarkable mechanical androids that served as illustrations of the sentimental culture of a civil society rather than expressions of anxiety about the mechanisation of humans by industrial technology.

The Public Domain Review receives a small percentage commission from sales made via the links to Bookshop.org (10%) and Amazon (4.5%). Thanks for supporting the project! For more recommended books, see all our “ Further Reading ” books, and browse our dedicated Bookshop.org stores for US and UK readers.

Jessica Riskin is Frances and Charles Field Professor of History at Stanford University. Her teaching, research and writing focus on the history of modern science, ideas, culture and politics. She is the author most recently of The Restless Clock: A History of the Centuries-Long Argument Over What Makes Living Thing Tick and is currently writing a book about Jean-Baptiste Lamarck, the French naturalist who coined the term “biology” around 1800 and developed the first theory of evolution.

Excerpted and adapted from “The First Android”, a chapter from The Restless Clock by Jessica Riskin. © 2016 by Jessica Riskin. Reprinted with permission of The University of Chicago Press. All rights reserved.

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How to Remove Page Breaks in Word for Your Essay? [For Students]

I once had a really frustrating moment as a student when I stumbled upon a section break while writing an essay. The break appeared because I was using a template provided by my teachers, and figuring out how to remove page breaks in Word for students turned into an hour-long hunt. It was a waste of precious time that I could have used to focus on my essay. If you're experiencing something similar, I’ve got you covered. Here's a simple guide to help you remove a section break from your page without losing your sanity.

What Is the Difference Between Page Break and Section Break?

Page breaks and section breaks are both useful tools in Microsoft Word for controlling the layout of your document, but they serve distinct purposes:

Page Break:

A page break in Microsoft Word serves to insert a new page at the insertion point, ensuring that the content following it begins on a fresh page. This is particularly useful when you want to start a new section, chapter, or topic on a new page, or when you need to ensure that certain content, such as a table or image, is displayed entirely on one page without being split across multiple pages.

However, there are situations where it becomes necessary to remove page breaks. For example, unintentional page breaks can disrupt the flow of content, causing formatting issues. Therefore, learning how to delete or remove a page break can be really handy for students, considering the amount of projects, theses, and assignments they have to work on.

Starting a new chapter or section on a new page.

Ensuring that a figure or table appears at the bottom of a page without being split across pages.

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Impact on Formatting:

Affects only the placement of text and does not alter formatting settings such as margins, headers, or footers.

Section Break:

A section break indeed divides a document into sections, allowing for the application of various formatting settings to each section. These settings can include margins, headers, footers, columns, and more. With section breaks, you can customize the layout and appearance of different parts of your document to suit your specific needs.

Creating a report with varied page layouts for different sections (e.g., a title page with wider margins, followed by body text with standard margins).

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How to Remove Page Breaks in Word for your Written Essay?

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The first method is by far the easiest. Simply locate the page break and use the "Delete" key on your keyboard to remove it from your document.

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Method 2: Remove Page Break With Find and Replace

The second method is also very useful for students to remove page breaks in Word. In this method, students don't have to manually search for page breaks; instead, they can use the Replace tool to find and replace page breaks automatically. So, if your document contains numerous page breaks, this method of how to delete page breaks in Word is a must.

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How to Remove Section Breaks in Word for your Essay Written?

Section breaks are typically added to customize formatting for each section, such as margins, paragraph spacing, and so on. However, if you wish to remove a section break in Word , follow these steps:

Step 1: Open the Word document in WPS Writer from which you want to remove the section break.

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Step 4: Once the section break is located in your document, double-click to select it, and then press the "Delete" or "Backspace" key to remove the section break from your document.

Bonus Tips: How to Convert Word to PDF without losing Format

WPS Office enables you to convert your documents to PDF without losing formatting. This is crucial for students who need to submit papers in a specific format, as it ensures that all your hard work won't get messed up when shared or printed. With WPS Office , you can seamlessly convert to PDF, knowing that your layout, fonts, and graphics will stay intact.

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Use AI Tools to Perfect Your Paper

Unfortunately, we weren’t blessed with AI during our time, so everything had to be done manually. This often meant spending hours combing through our essays, only to find that we'd missed some errors. As a result, our grades could suffer because of those overlooked mistakes. But with the advent of AI, students today have it a lot easier. WPS AI in WPS Office offers a range of tools to help you perfect your work. It automatically checks for spelling and grammar errors, ensuring that your essays are polished and error-free. This not only saves you time but also boosts your confidence when submitting assignments.

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Step 3: The WPS AI Spell check pane will pop up on the right side showing suggestions.

Step 4: Look through the suggestions and choose the one that fits best.

Apart from WPS AI Spell check, WPS Writer's AI feature is a fantastic ally when tackling a project. It can help us craft a comprehensive outline, providing valuable support throughout the process. Let's take a closer look at its capabilities.

Step 1: To access WPS AI Writer, first open WPS Office and click on "New" in the left pane.

Step 2: Next, click on "Docs" to create a new document.

Step 3: Now, click on "WPS AI" at the top right corner of the screen.

Step 4: The WPS AI pane will open on the right.

Step 5: Now that we have WPS AI with us, my practice is to engage with WPS AI to provide project details initially, and then ask WPS AI to create an outline accordingly.

Step 6: Once the outline has been generated, review it and request any desired changes. Finally, click on "Insert" to paste the outline onto the document and format it according to your preferences.

FAQs about Remove Page Breaks in Word

1. why can't i remove a page break in word.

There are two types of page breaks in Word: manual and automatic. You can freely add or remove manually inserted page breaks. However, automatically inserted page breaks by Word help maintain your document's layout integrity. Therefore, you cannot delete automatic page breaks, as they play a crucial role in maintaining the software's formatting.

2. Is there a quick way to delete page breaks in Word?

Here's a step-by-step guide on how to remove a page break:

Step 1: Go to the "Home" tab.

Step 2: Click on "Show/Hide" in the toolbar. This action will reveal non-printing elements such as paragraph markers and page breaks.

Step 3: Locate the page break you want to remove.

Step 4: Double-click on the page break to select it.

Step 5: Press the "Delete" key on your keyboard to remove the page break from your document.

3. How can I ensure that my document maintains a polished appearance when printed or converted to PDF?

To ensure your document prints or converts to PDF smoothly, carefully review it after removing any page breaks for layout issues. Additionally, consider utilizing software such as WPS Office for efficient PDF conversion while preserving formatting integrity.

Ease Your Academic Stress With WPS Office

Page breaks are annoying, especially when they pop up unexpectedly in your essays. Often, teachers use templates with these breaks for organizing content, but there's no reason to have them in your work. If you want to learn how to remove page breaks in Word For students and tidy up your essay, WPS Office offers a more convenient solution. You can easily manage your document's layout and eliminate those unwanted breaks. As a student, using WPS Office can help you keep your assignments clean and well-organized. Download WPS Office now to make your work easier and stress-free.

• 1. How to Double Space in Word for Your Essay: A Guide for Students
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• 6. How to remove all page breaks from word document

15 years of office industry experience, tech lover and copywriter. Follow me for product reviews, comparisons, and recommendations for new apps and software.

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Laura Jarrett reveals what it was like to read Trump’s historic verdict on live TV

NBC News senior legal correspondent Laura Jarrett thrives under pressure. So Jarrett was ready to go the afternoon of May 30, when a New York jury found Donald Trump guilty on all 34 felony counts of falsifying business records. TODAY’s Savannah Guthrie and Nightly News’ Lester Holt were delivering a special report, when suddenly Jarrett’s voice could heard in the background. It was urgent.

“Guys! We need to go,” Jarrett said. “We need to go.”

“Go,” Savannah said. 

The cameras then turned to Jarrett, who read off each count, one by one. Trump became the first former United States president to be convicted of felony crimes.

It’s moments like this that inspired Jarrett to leave her career practicing law to become a legal analyst on TV. 

“I’ve always loved putting the puzzle pieces together and figuring out how to tell a complicated story in the most straightforward and compelling way as possible,” Jarrett previously told TODAY.com . 

Here, Jarrett recounts what was going through her mind at that historic moment. 

“IN THIS MOMENT , my thoughts were this: Be calm. Play it straight. You know this case. Those of us who cover high profile legal cases are used to pressure.

But 5:00 p.m. on Thursday — when former President Donald Trump became the first U.S. president to be convicted of felony crimes — was next level. I went to law school, I clerked for judges, I practiced law, and I gave it all up — for this. This was the moment that sealed that I made the right choice.

I thought carefully about my dress, and more importantly — sneakers! I knew it could be a long day, but the bathroom situation when waiting outside of court is always tricky. Turns out when you are reading ‘guilty’ on live television 34 times with millions watching, you forget you sort of needed to pee.  

As I looked at the first ‘G’ for count of the jury’s verdict on our Google spreadsheet entered by our intrepid correspondent in the courtroom, Tom Winter, I felt eerily relaxed. But then you realize, you have 33 more to go! So I just kept going. We had a plan. And I love a plan. So I kept at it.

I haven’t seen my two young children in days. But on Friday morning, for the first time in weeks, I will walk my son to school. His very last day of pre-school. Because he has his mama back.”

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