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200 Common Themes in Literature

Sarah Oakley

Table of Contents

What is the theme of a story, common themes in literature, universal themes in literature, full list of themes in literature, theme examples in popular novels.

The theme of a novel is the main point of the story and what it’s really about. As a writer, it’s important to identify the theme of your story before you write it.

Themes are not unique to each novel because a theme addresses a common feeling or experience your readers can relate to. If you’re aware of what the common themes are, you’ll have a good idea of what your readers are expecting from your novel .

In this article, we’ll explain what a theme is, and we’ll explore common themes in literature.

The theme of a story is the underlying message or central idea the writer is trying to show through the actions of the main characters. A theme is usually something the reader can relate to, such as love, death, and power.

Your story can have more than one theme, as it might have core themes and minor themes that become more apparent later in the story. A romance novel can have the central theme of love, but the protagonist might have to overcome some self-esteem issues, which present the theme of identity.

Themes are great for adding conflict to your story because each theme presents different issues you could use to develop your characters. For example, a novel with the theme of survival will show the main character facing tough decisions about their own will to survive, potentially at the detriment of someone else they care about.

Sometimes a secondary character will represent the theme in the way they are characterized and the actions they take. Their role is to challenge the protagonist to learn what the story is trying to say about the theme. For example, in a novel about the fear of failure, the antagonist might be a rival in a competition who challenges the protagonist to overcome their fear so they can succeed against them.  

It’s important to remember that a theme is not the same as a story’s moral message. A moral is a specific lesson you can teach your readers, whereas a story’s theme is an idea or concept your readers interpret in a way that relates to them.

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Common literary themes are concepts and central ideas that are relatable to most readers. Therefore, it’s a good idea to use a common theme if you want your novel to appeal to a wide range of readers.  

Here’s our list of common themes in literature:

Love : the theme of love appears in novels within many genres, as it can discuss the love of people, pets, objects, and life. Love is a complex concept, so there are still unique takes on this theme being published every day.

Death/Grief : the theme of death can focus on the concept of mortality or how death affects people and how everyone processes grief in their own way.

Power : there are many books in the speculative fiction genres that focus on the theme of power. For example, a fantasy story could center on a ruling family and their internal problems and external pressures, which makes it difficult for them to stay in power. 

Faith : the common theme of faith appears in stories where the events test a character’s resolve or beliefs. The character could be religious or the story could be about a character’s faith in their own ability to succeed.

Beauty : the theme of beauty is good for highlighting places where beauty is mostly overlooked by society, such as inner beauty or hard work that goes unnoticed. Some novels also use the theme of beauty to show how much we take beauty for granted.

Survival : we can see the theme of survival in many genres, such as horror, thriller, and dystopian, where the book is about characters who have to survive life-threatening situations.

Identity : there are so many novels that focus on the common theme of identity because it’s something that matters to a lot of readers. Everyone wants to know who they are and where they fit in the world.

Family : the theme of family is popular because families are ripe with opportunities for conflict. The theme of family affects everyone, whether they have one or not, so it’s a relatable theme to use in your story.

Universal themes are simply concepts and ideas that almost all cultures and countries can understand and interpret. Therefore, a universal theme is great for books that are published in several languages.

If you want to write a story you can export to readers all over the world, aim to use a universal theme. The common themes mentioned previously are all universal literary themes, but there are several more you could choose for your story.

Here are some more universal literary themes:

Human nature

Self-awareness

Coming of age

Not all themes are universal or common, but that shouldn’t put you off from using them. If you believe there is something to be said about a particular theme, your book could be the one to say it.

Your book could become popular if the theme of your book addresses a current issue. For example, a theme of art is not as common as love, but in a time when AI developments are making people talk about how AI affects art, it’s a theme people will probably appreciate.

Here’s a full list of themes you can use in your writing:

Abuse of power

American dream

Celebration

Change versus tradition

Chaos and order

Circle of life

Climate change

Colonialism

Common sense

Communication

Companionship

Conservation

Convention and rebellion

Darkness and light

Disappointment

Disillusionment

Displacement

Empowerment

Everlasting love

Forbidden love

Forgiveness

Fulfillment

Gay, lesbian, bisexual, and transgender rights

Good vs evil

Imagination

Immortality

Imperialism

Impossibility

Individuality

Inspiration

Manipulation

Materialism

Nationalism

Not giving up

Opportunity

Peer pressure

Perseverance

Personal development

Relationship

Self-discipline

Self-reliance

Self-preservation

Subjectivity

Surveillance

Totalitarianism

Unconditional love

Unrequited love

Unselfishness

Winning and losing

Working class struggles

If you’ve decided on a literary theme but you’re not sure how to present it in your novel, it’s a good idea to check out how other writers have incorporated it into their novels. We’ve found some examples of themes within popular novels that could help you get started.

The Great Gatsby by F. Scott Fitzgerald

The Great Gatsby is famous for the theme of the American dream, but it also includes themes of gender, race, social class, and identity. We experience the themes of the novel through the eyes of the narrator, Nick Carraway, who gradually loses his optimism for the American dream as the narrative progresses.

Romeo and Juliet by William Shakespeare

It’s well known that Shakespeare was a connoisseur of the theme of tragedy in his plays, and Romeo and Juliet certainly features tragedy. However, forbidden love and family are the main themes.

Charlotte’s Web by E. B. White

Charlotte’s Web is a classic children’s book that features the themes of death and mortality. From the beginning of the book, the main characters have to come to terms with their own mortality. Charlotte, the spider, does what she can to prevent the slaughter of Wilbur, the pig.

Nineteen Eighty-Four by George Orwell

George Orwell’s novel, Nineteen Eighty-Four , focuses on themes of totalitarianism, repression, censorship, and surveillance. The novel is famous for introducing the concept of Big Brother, which has become synonymous with the themes of surveillance and abuse of power.

A Game of Thrones by George R. R. Martin

The fantasy novel, A Game of Thrones , is popular for its complex storylines that present themes of family, power, love, and death. The novel has multiple points of view, which give an insight into how each main character experiences the multiple themes of the story.

The Hunger Games by Suzanne Collins

The Hunger Games is a popular teen novel that focuses on themes of poverty, rebellion, survival, friendship, power, and social class. The novel highlights the horrifying consequences of rebellion, as the teenage competitors have to survive the Hunger Games pageant.

Wolf Hall by Hilary Mantel

Wolf Hall features themes of power, family, faith, and a sense of duty. It’s a historical novel about the life of Oliver Cromwell and how he became the most powerful minister in King Henry VIII’s council.

As you can see, the literary theme of a novel is one of the most important parts, as it gives the reader an instant understanding of what the story is about. Your readers will connect with your novel if you have a theme that is relatable to them.

Some themes are more popular than others, but some gain popularity based on events that are happening in the world. It’s important to consider how relevant your literary theme is to your readers at the time you intend to publish your book.

We hope this list of common themes in literature will help you with your novel writing.

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When someone asks you “What is this book about?” , there are a few ways you can answer. There’s “ plot ,” which refers to the literal events in the book, and there’s “character,” which refers to the people in the book and the struggles they overcome. Finally, there are themes in literature that correspond with the work’s topic and message. But what is theme in literature?

The theme of a story or poem refers to the deeper meaning of that story or poem. All works of literature contend with certain complex ideas, and theme is how a story or poem approaches these ideas.

There are countless ways to approach the theme of a story or poem, so let’s take a look at some theme examples and a list of themes in literature. We’ll discuss the differences between theme and other devices, like theme vs moral and theme vs topic. Finally, we’ll examine why theme is so essential to any work of literature, including to your own writing.

But first, what is theme? Let’s explore what theme is—and what theme isn’t.

Common Themes in Literature: Contents

• Theme Definition

20 Common Themes in Literature

• Theme Examples

Themes in Literature: A Hierarchy of Ideas

Why themes in literature matter.

• Should I Decide the Themes of a Story in Advance?

Theme Definition: What is Theme?

Theme describes the central idea(s) that a piece of writing explores. Rather than stating this theme directly, the author will look at theme using the set of literary tools at their disposal. The theme of a story or poem will be explored through elements like characters , plot, settings , conflict, and even word choice and literary devices .

Theme definition: the central idea(s) that a piece of writing explores.

That said, theme is more than just an idea. It is also the work’s specific vantage point on that idea. In other words, a theme is an idea plus an opinion: it is the author’s specific views regarding the central ideas of the work. 

All works of literature have these central ideas and opinions, even if those ideas and opinions aren’t immediate to the reader.

Justice, for example, is a literary theme that shows up in a lot of classical works. To Kill a Mockingbird contends with racial justice, especially at a time when the U.S. justice system was exceedingly stacked against African Americans. How can a nation call itself just when justice is used as a weapon?

By contrast, the play Hamlet is about the son of a recently-executed king. Hamlet seeks justice for his father and vows to kill Claudius—his father’s killer—but routinely encounters the paradox of revenge. Can justice really be found through more bloodshed?

What is theme? An idea + an opinion.

Clearly, these two works contend with justice in unrelated ways. All themes in literature are broad and open-ended, allowing writers to explore their own ideas about these complex topics.

Let’s look at some common themes in literature. The ideas presented within this list of themes in literature show up in novels, memoirs, poems, and stories throughout history.

Theme Examples in Literature

Let’s take a closer look at how writers approach and execute theme. Themes in literature are conveyed throughout the work, so while you might not have read the books in the following theme examples, we’ve provided plot synopses and other relevant details where necessary. We analyze the following:

• Power and Corruption in the novel Animal Farm
• Loneliness in the short story “A Clean, Well-Lighted Place”
• Love in the poem “How Do I Love Thee”

Theme Examples: Power and Corruption in the Novel Animal Farm

At its simplest, the novel Animal Farm by George Orwell is an allegory that represents the rise and moral decline of Communism in Russia. Specifically, the novel uncovers how power corrupts the leaders of populist uprisings, turning philosophical ideals into authoritarian regimes.

Most of the characters in Animal Farm represent key figures during and after the Russian Revolution. On an ailing farm that’s run by the negligent farmer Mr. Jones (Tsar Nicholas II), the livestock are ready to seize control of the land. The livestock’s discontent is ripened by Old Major (Karl Marx/Lenin), who advocates for the overthrow of the ruling elite and the seizure of private land for public benefit.

After Old Major dies, the pigs Napoleon (Joseph Stalin) and Snowball (Leon Trotsky) stage a revolt. Mr. Jones is chased off the land, which parallels the Russian Revolution in 1917. The pigs then instill “Animalism”—a system of government that advocates for the rights of the common animal. At the core of this philosophy is the idea that “all animals are equal”—an ideal that, briefly, every animal upholds.

Initially, the Animalist Revolution brings peace and prosperity to the farm. Every animal is well-fed, learns how to read, and works for the betterment of the community. However, when Snowball starts implementing a plan to build a windmill, Napoleon drives Snowball off of the farm, effectively assuming leadership over the whole farm. (In real life, Stalin forced Trotsky into exile, and Trotsky spent the rest of his life critiquing the Stalin regime until he was assassinated in 1940.)

Napoleon’s leadership quickly devolves into demagoguery, demonstrating the corrupting influence of power and the ways that ideology can breed authoritarianism. Napoleon uses Snowball as a scapegoat for whenever the farm has a setback, while using Squealer (Vyacheslav Molotov) as his private informant and public orator.

Eventually, Napoleon changes the tenets of Animalism, starts walking on two legs, and acquires other traits and characteristics of humans. At the end of the novel, and after several more conflicts , purges, and rule changes, the livestock can no longer tell the difference between the pigs and humans.

Themes in Literature: Power and Corruption in Animal Farm

So, how does Animal Farm explore the theme of “Power and Corruption”? Let’s analyze a few key elements of the novel.

Plot: The novel’s major plot points each relate to power struggles among the livestock. First, the livestock wrest control of the farm from Mr. Jones; then, Napoleon ostracizes Snowball and turns him into a scapegoat. By seizing leadership of the farm for himself, Napoleon grants himself massive power over the land, abusing this power for his own benefit. His leadership brings about purges, rule changes, and the return of inequality among the livestock, while Napoleon himself starts to look more and more like a human—in other words, he resembles the demagoguery of Mr. Jones and the abuse that preceded the Animalist revolution.

Thus, each plot point revolves around power and how power is wielded by corrupt leadership. At its center, the novel warns the reader of unchecked power, and how corrupt leaders will create echo chambers and private militaries in order to preserve that power.

Characters: The novel’s characters reinforce this message of power by resembling real life events. Most of these characters represent real life figures from the Russian Revolution, including the ideologies behind that revolution. By creating an allegory around Lenin, Trotsky, Stalin, and the other leading figures of Communist Russia’s rise and fall, the novel reminds us that unchecked power foments disaster in the real world.

Literary Devices: There are a few key literary devices that support the theme of Power and Corruption. First, the novel itself is a “satirical allegory.” “ Satire ” means that the novel is ridiculing the behaviors of certain people—namely Stalin, who instilled far-more-dangerous laws and abuses that created further inequality in Russia/the U.S.S.R. While Lenin and Trotsky had admirable goals for the Russian nation, Stalin is, quite literally, a pig.

Meanwhile, “allegory” means that the story bears symbolic resemblance to real life, often to teach a moral. The characters and events in this story resemble the Russian Revolution and its aftermath, with the purpose of warning the reader about unchecked power.

Finally, an important literary device in Animal Farm is symbolism . When Napoleon (Stalin) begins to resemble a human, the novel suggests that he has become as evil and negligent as Mr. Jones (Tsar Nicholas II). Since the Russian Revolution was a rejection of the Russian monarchy, equating Stalin to the monarchy reinforces the corrupting influence of power, and the need to elect moral individuals to posts of national leadership.

Theme Examples: Loneliness in “A Clean, Well-Lighted Place”

Ernest Hemingway’s short story “A Clean, Well-Lighted Place” is concerned with the theme of loneliness. You can read this short story here . Content warning for mentions of suicide.

There are very few plot points in Hemingway’s story, so most of the story’s theme is expressed through dialogue and description. In the story, an old man stays up late drinking at a cafe. The old man has no wife—only a niece that stays with him—and he attempted suicide the previous week. Two waiters observe him: a younger waiter wants the old man to leave so they can close the cafe, while an older waiter sympathizes with the old man. None of these characters have names.

The younger waiter kicks out the old man and closes the cafe. The older waiter walks to a different cafe and ruminates on the importance of “a clean, well-lighted place” like the cafe he works at.

Themes in Literature: Loneliness in “A Clean, Well-Lighted Place”

Hemingway doesn’t tell us what to think about the old man’s loneliness, but he does provide two opposing viewpoints through the dialogue of the waiters.

The younger waiter has the hallmarks of a happy life: youth, confidence, and a wife to come home to. While he acknowledges that the old man is unhappy, he also admits “I don’t want to look at him,” complaining that the old man has “no regard for those who must work.” The younger waiter “did not wish to be unjust,” he simply wanted to return home.

The older waiter doesn’t have the privilege of turning away: like the old man, he has a house but not a home to return to, and he knows that someone may need the comfort of “a clean and pleasant cafe.”

The older waiter, like Hemingway, empathizes with the plight of the old man. When your place of rest isn’t a home, the world can feel like a prison, so having access to a space that counteracts this feeling is crucial. What kind of a place is that? The older waiter surmises that “the light of course” matters, but the place must be “clean and pleasant” too. Additionally, the place should not have music or be a bar: it must let you preserve the quiet dignity of yourself.

Lastly, the older waiter’s musings about God clue the reader into his shared loneliness with the old man. In a stream of consciousness, the older waiter recites traditional Christian prayers with “nada” in place of “God,” “Father,” “Heaven,” and other symbols of divinity. A bartender describes the waiter as “otro locos mas” (translation: another crazy), and the waiter concludes that his plight must be insomnia.

This belies the irony of loneliness: only the lonely recognize it. The older waiter lacks confidence, youth, and belief in a greater good. He recognizes these traits in the old man, as they both share a need for a clean, well-lighted place long after most people fall asleep. Yet, the younger waiter and the bartender don’t recognize these traits as loneliness, just the ramblings and shortcomings of crazy people.

Does loneliness beget craziness? Perhaps. But to call the waiter and old man crazy would dismiss their feelings and experiences, further deepening their loneliness.

Loneliness is only mentioned once in the story, when the young waiter says “He’s [the old man] lonely. I’m not lonely. I have a wife waiting in bed for me.” Nonetheless, loneliness consumes this short story and its older characters, revealing a plight that, ironically, only the lonely understand.

Theme Examples: Love in the Poem “How Do I Love Thee”

Let’s turn towards brighter themes in literature: namely, love in poetry . Elizabeth Barrett Browning’s poem “ How Do I Love Thee ” is all about the theme of love.

Themes in Literature: Love in “How Do I Love Thee”

Browning’s poem is a sonnet , which is a 14-line poem that often centers around love and relationships. Sonnets have different requirements depending on their form, but between lines 6-8, they all have a volta —a surprising line that twists and expands the poem’s meaning.

Let’s analyze three things related to the poem’s theme: its word choice, its use of simile and metaphor , and its volta.

Word Choice: Take a look at the words used to describe love. What do those words mean? What are their connotations? Here’s a brief list: “soul,” “ideal grace,” “quiet need,” “sun and candle-light,” “strive for right,” “passion,” “childhood’s faith,” “the breath, smiles, tears, of all my life,” “God,” “love thee better after death.”

These words and phrases all bear positive connotations, and many of them evoke images of warmth, safety, and the hearth. Even phrases that are morose, such as “lost saints” and “death,” are used as contrasts to further highlight the speaker’s wholehearted rejoicing of love. This word choice suggests an endless, benevolent, holistic, all-consuming love.

Simile and Metaphor: Similes and metaphors are comparison statements, and the poem routinely compares love to different objects and ideas. Here’s a list of those comparisons:

The speaker loves thee:

• To the depths of her soul.
• By sun and candle light—by day and night.
• As men strive to do the right thing (freely).
• As men turn from praise (purely).
• With the passion of both grief and faith.
• With the breath, smiles, and tears of her entire life.
• Now in life, and perhaps even more after death.

The speaker’s love seems to have infinite reach, flooding every aspect of her life. It consumes her soul, her everyday activities, her every emotion, her sense of justice and humility, and perhaps her afterlife, too. For the speaker, this love is not just an emotion, an activity, or an ideology: it’s her existence.

Volta: The volta of a sonnet occurs in the poem’s center. In this case, the volta is the lines “I love thee freely, as men strive for right. / I love thee purely, as they turn from praise.”

What surprising, unexpected comparisons! To the speaker, love is freedom and the search for a greater good; it is also as pure as humility. By comparing love to other concepts, the speaker reinforces the fact that love isn’t just an ideology, it’s an ideal that she strives for in every word, thought, and action.

“Theme” is part of a broader hierarchy of ideas. While the theme of a story encompasses its central ideas, the writer also expresses these ideas through different devices.

You may have heard of some of these devices: motif, moral, topic, etc. What is motif vs theme? What is theme vs moral? These ideas interact with each other in different ways, which we’ve mapped out below.

Theme vs Topic

The “topic” of a piece of literature answers the question: What is this piece about? In other words, “topic” is what actually happens in the story or poem.

You’ll find a lot of overlap between topic and theme examples. Love, for instance, is both the topic and the theme of Elizabeth Barrett Browning’s poem “How Do I Love Thee.”

The difference between theme vs topic is: topic describes the surface level content matter of the piece, whereas theme encompasses the work’s apparent argument about the topic.

Topic describes the surface level content matter of the piece, whereas theme encompasses the work’s apparent argument about the topic.

So, the topic of Browning’s poem is love, while the theme is the speaker’s belief that her love is endless, pure, and all-consuming.

Additionally, the topic of a piece of literature is definitive, whereas the theme of a story or poem is interpretive. Every reader can agree on the topic, but many readers will have different interpretations of the theme. If the theme weren’t open-ended, it would simply be a topic.

Theme vs Motif

A motif is an idea that occurs throughout a literary work. Think of the motif as a facet of the theme: it explains, expands, and contributes to themes in literature. Motif develops a central idea without being the central idea itself .

Motif develops a central idea without being the central idea itself.

In Animal Farm , for example, we encounter motif when Napoleon the pig starts walking like a human. This represents the corrupting force of power, because Napoleon has become as much of a despot as Mr. Jones, the previous owner of the farm. Napoleon’s anthropomorphization is not the only example of power and corruption, but it is a compelling motif about the dangers of unchecked power.

Theme vs Moral

The moral of a story refers to the story’s message or takeaway. What can we learn from thinking about a specific piece of literature?

The moral is interpreted from the theme of a story or poem. Like theme, there is no single correct interpretation of a story’s moral: the reader is left to decide how to interpret the story’s meaning and message.

For example, in Hemingway’s “A Clean, Well-Lighted Place,” the theme is loneliness, but the moral isn’t quite so clear—that’s for the reader to decide. My interpretation is that we should be much more sympathetic towards the lonely, since loneliness is a quiet affliction that many lonely people cannot express.

Great literature does not tell us what to think, it gives us stories to think about.

However, my interpretation could be miles away from yours, and that’s wonderful! Great literature does not tell us what to think, it gives us stories to think about, and the more we discuss our thoughts and interpretations, the more we learn from each other.

The theme of a story affects everything else: the decisions that characters make, the mood that words and images build, the moral that readers interpret, etc. Recognizing how writers utilize various themes in literature will help you craft stronger, more nuanced works of prose and poetry .

“To produce a mighty book, you must choose a mighty theme.” —Herman Melville

Whether a writer consciously or unconsciously decides the themes of their work, theme in literature acts as an organizing principle for the work as a whole. For writers, theme is especially useful to think about in the process of revision: if some element of your poem or story doesn’t point towards a central idea, it’s a sign that the work is not yet finished. 

Moreover, literary themes give the work  stakes . They make the work stand for something. Remember that our theme definition is an idea plus an opinion. Without that opinion element, a work of literature simply won’t stand for anything, because it is presenting ideas in the abstract without giving you something to react to. The theme of a story or poem is never just “love” or “justice,” it’s the author’s particular spin and insight on those themes. This is what makes a work of literature compelling or evocative. Without theme, literature has no center of gravity, and all the words and characters and plot points are just floating in the ether. 

Should I Decide the Theme of a Story or Poem in Advance?

You can, though of course it depends on the actual story you want to tell. Some writers certainly start with a theme. You might decide you want to write a story about themes like love, family, justice, gender roles, the environment, or the pursuit of revenge.

From there, you can build everything else: plot points, characters, conflicts, etc. Examining themes in literature can help you generate some strong story ideas !

Nonetheless, theme is not the only way to approach a creative writing project. Some writers start with plot, others with character, others with conflicts, and still others with just a vague notion of what the story might be about. You might not even realize the themes in your work until after you finish writing it.

You certainly want your work to have a message, but deciding what that message is in advance might actually hinder your writing process. Many writers use their poems and stories as opportunities to explore tough questions, or to arrive at a deeper insight on a topic. In other words, you can start your work with ideas, and even opinions on those ideas, but don’t try to shoehorn a story or poem into your literary themes. Let the work explore those themes. If you can surprise yourself or learn something new from the writing process, your readers will certainly be moved as well. 

So, experiment with ideas and try different ways of writing. You don’t have think about the theme of a story right away—but definitely give it some thought when you start revising your work!

Develop Great Themes at Writers.com

As writers, it’s hard to know how our work will be viewed and interpreted. Writing in a community can help. Whether you join our Facebook group or enroll in one of our upcoming courses , we have the tools and resources to sharpen your writing.

Sean Glatch

18 comments.

Sean Glatch,Thank you very much for your discussion on themes. It was enlightening and brought clarity to an abstract and sometimes difficult concept to explain and illustrate. The sample stories and poem were appreciated too as they are familiar to me. High School Language Arts Teacher

Hi Stephanie, I’m so glad this was helpful! Happy teaching 🙂

Wow!!! This is the best resource on the subject of themes that I have ever encountered and read on the internet. I just bookmarked it and plan to use it as a resource for my teaching. Thank you very much for publishing this valuable resource.

Hi Marisol,

Thank you for the kind words! I’m glad to hear this article will be a useful resource. Happy teaching!

Warmest, Sean

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What is Theme? A Look at 20 Common Themes in Literature | writers.com

Hello! This is a very informative resource. Thank you for sharing.

farrow and ball pigeon

This presentation is excellent and of great educational value. I will employ it already in my thesis research studies.

John Never before communicated with you!

Brilliant! Thank you.

[…] THE MOST COMMON THEMES IN LITERATURE […]

marvellous. thumbs up

Thank you. Very useful information.

found everything in themes. thanks. so much

In college I avoided writing classes and even quit a class that would focus on ‘Huck Finn’ for the entire semester. My idea of hell. However, I’ve been reading and learning from the writers.com articles, and I want to especially thank Sean Glatch who writes in a way that is useful to aspiring writers like myself.

You are very welcome, Anne! I’m glad that these resources have been useful on your writing journey.

Thank you very much for this clear and very easy to understand teaching resources.

Hello there. I have a particular question.

Can you describe the exact difference of theme, issue and subject?

I get confused about these.

I love how helpful this is i will tell my class about it!

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Theme Definition

What is theme? Here’s a quick and simple definition:

A theme is a universal idea, lesson, or message explored throughout a work of literature. One key characteristic of literary themes is their universality, which is to say that themes are ideas that not only apply to the specific characters and events of a book or play, but also express broader truths about human experience that readers can apply to their own lives. For instance, John Steinbeck's The Grapes of Wrath (about a family of tenant farmers who are displaced from their land in Oklahoma) is a book whose themes might be said to include the inhumanity of capitalism, as well as the vitality and necessity of family and friendship.

Some additional key details about theme:

• All works of literature have themes. The same work can have multiple themes, and many different works explore the same or similar themes.
• Themes are sometimes divided into thematic concepts and thematic statements . A work's thematic concept is the broader topic it touches upon (love, forgiveness, pain, etc.) while its thematic statement is what the work says about that topic. For example, the thematic concept of a romance novel might be love, and, depending on what happens in the story, its thematic statement might be that "Love is blind," or that "You can't buy love . "
• Themes are almost never stated explicitly. Oftentimes you can identify a work's themes by looking for a repeating symbol , motif , or phrase that appears again and again throughout a story, since it often signals a recurring concept or idea.

Theme Pronunciation

Here's how to pronounce theme: theem

Identifying Themes

Every work of literature—whether it's an essay, a novel, a poem, or something else—has at least one theme. Therefore, when analyzing a given work, it's always possible to discuss what the work is "about" on two separate levels: the more concrete level of the plot (i.e., what literally happens in the work), as well as the more abstract level of the theme (i.e., the concepts that the work deals with). Understanding the themes of a work is vital to understanding the work's significance—which is why, for example, every LitCharts Literature Guide uses a specific set of themes to help analyze the text.

Although some writers set out to explore certain themes in their work before they've even begun writing, many writers begin to write without a preconceived idea of the themes they want to explore—they simply allow the themes to emerge naturally through the writing process. But even when writers do set out to investigate a particular theme, they usually don't identify that theme explicitly in the work itself. Instead, each reader must come to their own conclusions about what themes are at play in a given work, and each reader will likely come away with a unique thematic interpretation or understanding of the work.

Symbol, Motif, and Leitwortstil

Writers often use three literary devices in particular—known as symbol , motif , and leitwortstil —to emphasize or hint at a work's underlying themes. Spotting these elements at work in a text can help you know where to look for its main themes.

• Near the beginning of Romeo and Juliet , Benvolio promises to make Romeo feel better about Rosaline's rejection of him by introducing him to more beautiful women, saying "Compare [Rosaline's] face with some that I shall show….and I will make thee think thy swan a crow." Here, the swan is a symbol for how Rosaline appears to the adoring Romeo, while the crow is a symbol for how she will soon appear to him, after he has seen other, more beautiful women.
• Symbols might occur once or twice in a book or play to represent an emotion, and in that case aren't necessarily related to a theme. However, if you start to see clusters of similar symbols appearing in a story, this may mean that the symbols are part of an overarching motif, in which case they very likely are related to a theme.
• For example, Shakespeare uses the motif of "dark vs. light" in Romeo and Juliet to emphasize one of the play's main themes: the contradictory nature of love. To develop this theme, Shakespeare describes the experience of love by pairing contradictory, opposite symbols next to each other throughout the play: not only crows and swans, but also night and day, moon and sun. These paired symbols all fall into the overall pattern of "dark vs. light," and that overall pattern is called a motif.
• A famous example is Kurt Vonnegut's repetition of the phrase "So it goes" throughout his novel Slaughterhouse Five , a novel which centers around the events of World War II. Vonnegut's narrator repeats the phrase each time he recounts a tragic story from the war, an effective demonstration of how the horrors of war have become normalized for the narrator. The constant repetition of the phrase emphasizes the novel's primary themes: the death and destruction of war, and the futility of trying to prevent or escape such destruction, and both of those things coupled with the author's skepticism that any of the destruction is necessary and that war-time tragedies "can't be helped."

Symbol, motif and leitwortstil are simply techniques that authors use to emphasize themes, and should not be confused with the actual thematic content at which they hint. That said, spotting these tools and patterns can give you valuable clues as to what might be the underlying themes of a work.

Thematic Concepts vs. Thematic Statements

A work's thematic concept is the broader topic it touches upon—for instance:

• Forgiveness

while its thematic statement is the particular argument the writer makes about that topic through his or her work, such as:

• Human judgement is imperfect.
• Love cannot be bought.
• Getting revenge on someone else will not fix your problems.
• Learning to forgive is part of becoming an adult.

Should You Use Thematic Concepts or Thematic Statements?

Some people argue that when describing a theme in a work that simply writing a thematic concept is insufficient, and that instead the theme must be described in a full sentence as a thematic statement. Other people argue that a thematic statement, being a single sentence, usually creates an artificially simplistic description of a theme in a work and is therefore can actually be more misleading than helpful. There isn't really a right answer in this debate.

In our LitCharts literature study guides , we usually identify themes in headings as thematic concepts, and then explain the theme more fully in a few paragraphs. We find thematic statements limiting in fully exploring or explaining a the theme, and so we don't use them. Please note that this doesn't mean we only rely on thematic concepts—we spend paragraphs explaining a theme after we first identify a thematic concept. If you are asked to describe a theme in a text, you probably should usually try to at least develop a thematic statement about the text if you're not given the time or space to describe it more fully. For example, a statement that a book is about "the senselessness of violence" is a lot stronger and more compelling than just saying that the book is about "violence."

Identifying Thematic Statements

One way to try to to identify or describe the thematic statement within a particular work is to think through the following aspects of the text:

• Plot: What are the main plot elements in the work, including the arc of the story, setting, and characters. What are the most important moments in the story? How does it end? How is the central conflict resolved?
• Protagonist: Who is the main character, and what happens to him or her? How does he or she develop as a person over the course of the story?
• Prominent symbols and motifs: Are there any motifs or symbols that are featured prominently in the work—for example, in the title, or recurring at important moments in the story—that might mirror some of the main themes?

After you've thought through these different parts of the text, consider what their answers might tell you about the thematic statement the text might be trying to make about any given thematic concept. The checklist above shouldn't be thought of as a precise formula for theme-finding, but rather as a set of guidelines, which will help you ask the right questions and arrive at an interesting thematic interpretation.

Theme Examples

The following examples not only illustrate how themes develop over the course of a work of literature, but they also demonstrate how paying careful attention to detail as you read will enable you to come to more compelling conclusions about those themes.

Themes in F. Scott Fitzgerald's The Great Gatsby

Fitzgerald explores many themes in The Great Gatsby , among them the corruption of the American Dream .

• The story's narrator is Minnesota-born Nick Caraway, a New York bonds salesman. Nick befriends Jay Gatsby, the protagonist, who is a wealthy man who throws extravagant parties at his mansion.
• The central conflict of the novel is Gatsby's pursuit of Daisy, whom he met and fell in love with as a young man, but parted from during World War I.
• He makes a fortune illegally by bootlegging alcohol, to become the sort of wealthy man he believes Daisy is attracted to, then buys a house near her home, where she lives with her husband.
• While he does manage to re-enter Daisy's life, she ultimately abandons him and he dies as a result of her reckless, selfish behavior.
• Gatsby's house is on the water, and he stares longingly across the water at a green light that hangs at the edge of a dock at Daisy's house which sits across a the bay. The symbol of the light appears multiple times in the novel—during the early stages of Gatsby's longing for Daisy, during his pursuit of her, and after he dies without winning her love. It symbolizes both his longing for daisy and the distance between them (the distance of space and time) that he believes (incorrectly) that he can bridge. 
• In addition to the green light, the color green appears regularly in the novel. This motif of green broadens and shapes the symbolism of the green light and also influences the novel's themes. While green always remains associated with Gatsby's yearning for Daisy and the past, and also his ambitious striving to regain Daisy, it also through the motif of repeated green becomes associated with money, hypocrisy, and destruction. Gatsby's yearning for Daisy, which is idealistic in some ways, also becomes clearly corrupt in others, which more generally impacts what the novel is saying about dreams more generally and the American Dream in particular. 

Gatsby pursues the American Dream, driven by the idea that hard work can lead anyone from poverty to wealth, and he does so for a single reason: he's in love with Daisy. However, he pursues the dream dishonestly, making a fortune by illegal means, and ultimately fails to achieve his goal of winning Daisy's heart. Furthermore, when he actually gets close to winning Daisy's heart, she brings about his downfall. Through the story of Gatsby and Daisy, Fitzgerald expresses the point of view that the American Dream carries at its core an inherent corruption. You can read more about the theme of The American Dream in The Great Gatsby here .

Themes in Chinua Achebe's Things Fall Apart

In Things Fall Apart , Chinua Achebe explores the theme of the dangers of rigidly following tradition .

• Okonkwo is obsessed with embodying the masculine ideals of traditional Igbo warrior culture.
• Okonkwo's dedication to his clan's traditions is so extreme that it even alienates members of his own family, one of whom joins the Christians.
• The central conflict: Okonkwo's community adapts to colonization in order to survive, becoming less warlike and allowing the minor injustices that the colonists inflict upon them to go unchallenged. Okonkwo, however, refuses to adapt.
• At the end of the novel, Okonkwo impulsively kills a Christian out of anger. Recognizing that his community does not support his crime, Okonkwo kills himself in despair.
• Clanswomen who give birth to twins abandon the babies in the forest to die, according to traditional beliefs that twins are evil.
• Okonkwo kills his beloved adopted son, a prisoner of war, according to the clan's traditions.
• Okonkwo sacrifices a goat in repentence, after severely beating his wife during the clan's holy week.

Through the tragic story of Okonkwo, Achebe is clearly dealing with the theme of tradition, but a close examination of the text reveals that he's also making a clear thematic statement that following traditions too rigidly leads people to the greatest sacrifice of all: that of personal agency . You can read more about this theme in Things Fall Apart   here .

Themes in Robert Frost's The Road Not Taken

Poem's have themes just as plot-driven narratives do. One theme that Robert Frost explores in this famous poem,  The Road Not Taken ,  is the illusory nature of free will .

• The poem's speaker stands at a fork in the road, in a "yellow wood."
• He (or she) looks down one path as far as possible, then takes the other, which seems less worn.
• The speaker then admits that the paths are about equally worn—there's really no way to tell the difference—and that a layer of leaves covers both of the paths, indicating that neither has been traveled recently.
• After taking the second path, the speaker finds comfort in the idea of taking the first path sometime in the future, but acknowledges that he or she is unlikely to ever return to that particular fork in the woods.
• The speaker imagines how, "with a sigh" she will tell someone in the future, "I took the road less travelled—and that has made all the difference."
• By wryly predicting his or her own need to romanticize, and retroactively justify, the chosen path, the speaker injects the poem with an unmistakeable hint of irony .
• The speaker's journey is a symbol for life, and the two paths symbolize different life paths, with the road "less-travelled" representing the path of an individualist or lone-wolf. The fork where the two roads diverge represents an important life choice. The road "not taken" represents the life path that the speaker would have pursued had he or she had made different choices.

Frost's speaker has reached a fork in the road, which—according to the symbolic language of the poem—means that he or she must make an important life decision. However, the speaker doesn't really know anything about the choice at hand: the paths appear to be the same from the speaker's vantage point, and there's no way he or she can know where the path will lead in the long term. By showing that the only truly informed choice the speaker makes is how he or she explains their decision after they have already made it , Frost suggests that although we pretend to make our own choices, our lives are actually governed by chance.

What's the Function of Theme in Literature?

Themes are a huge part of what readers ultimately take away from a work of literature when they're done reading it. They're the universal lessons and ideas that we draw from our experiences of works of art: in other words, they're part of the whole reason anyone would want to pick up a book in the first place!

It would be difficult to write any sort of narrative that did not include any kind of theme. The narrative itself would have to be almost completely incoherent in order to seem theme-less, and even then readers would discern a theme about incoherence and meaninglessness. So themes are in that sense an intrinsic part of nearly all writing. At the same time, the themes that a writer is interested in exploring will significantly impact nearly all aspects of how a writer chooses to write a text. Some writers might know the themes they want to explore from the beginning of their writing process, and proceed from there. Others might have only a glimmer of an idea, or have new ideas as they write, and so the themes they address might shift and change as they write. In either case, though, the writer's ideas about his or her themes will influence how they write. 

One additional key detail about themes and how they work is that the process of identifying and interpreting them is often very personal and subjective. The subjective experience that readers bring to interpreting a work's themes is part of what makes literature so powerful: reading a book isn't simply a one-directional experience, in which the writer imparts their thoughts on life to the reader, already distilled into clear thematic statements. Rather, the process of reading and interpreting a work to discover its themes is an exchange in which readers parse the text to tease out the themes they find most relevant to their personal experience and interests.

Other Helpful Theme Resources

• The Wikipedia Page on Theme: An in-depth explanation of theme that also breaks down the difference between thematic concepts and thematic statements.
• The Dictionary Definition of Theme: A basic definition and etymology of the term.
• In this instructional video , a teacher explains her process for helping students identify themes.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1934 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,762 quotes across 1934 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play
• Personification
• Deus Ex Machina
• Polysyndeton
• Alliteration
• Slant Rhyme
• Verbal Irony
• Parallelism
• Epanalepsis
• Point of View
• Internal Rhyme
• Foreshadowing
• Onomatopoeia
• Characterization

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Posted on Jun 30, 2021

12 Common Themes in Literature Everyone Must Know

By nature, literary themes are broad and universal. It’s no wonder, then, that certain themes come up again and again across the spectrum of literature, from novels and short stories to poetry and creative nonfiction . That’s not to say that works which share a common theme tackle it in the same way — indeed, the beauty of themes in literature is that they can be approached from multiple perspectives that offer different thematic statements (in other words opinions on said themes).

Here, we’ll be focusing on broader thematic concepts, with some examples of how themes are being used. Whether you’re looking to identify common themes or searching for the right kind of inspiration for your next writing project, this list is just what you need. 

Like you might see anytime you turn on the news, power (or the desire for it) makes people do crazy things. This is naturally reflected in fiction. From dystopias (Suzanne Collins’s The Hunger Games trilogy, for example) to fantasy (like that other famous trilogy The Lord of the Rings , or that little-known series by George R. R. Martin called A Song of Ice and Fire ) and classics like George Orwell’s Animal Farm , the concept of power has fueled countless literary projects. Sometimes the focus is power’s corruptive abilities, sometimes it’s the exchange of power between oppressive states and individuals, sometimes it’s simply the power of dreams. Regardless, the element of power remains central.

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Family relationships and dynamics make for the most interesting and complex sources of conflict in literature . From intergenerational epics like Min Jin Lee’s Pachinko and Gabriel García Márquez’s 100 Years of Solitude to contemporary novels like Karen Joy Fowler’s We Are All Completely Beside Ourselves , books have always asked what the meaning of a family is, and will continue to highlight both the dysfunctional and wholesome relationships within them. 

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3. Identity 

Questions of identity and the labels that come with them are powerful animating forces in much of literature. From representing one’s ethnic or racial identity (Brit Bennet’s The Vanishing Half and Jhumpa Lahiri’s The Namesake , for example) to gender identity (e.g. George by Alex Gino) and mental health diagnoses like in Sylvia Plath’s The Bell Jar , who we are is one of the fundamental questions we must face. For some writers, literature is a place to try and answer that question for themselves or the group they identify with; for others, it’s a place to dismiss the need for labels and embrace a self that exists at the intersections of various groups. This is also a theme connected to the way society impacts the way we perceive ourselves and others. 

🏳️‍🌈 Check out some more book recommendations about queer identity over on our list of the best LGBT books !

4. Loneliness 

Is there anything more writerly (or typically associated with writerliness, anyway) than the image of a lone, isolated scribe visible inside a lit window at night, typing away into the dark? Or (let’s face it) the loner in school, symbol of misfits all over? From the famous alienated high schoolers in The Perks of Being a Wallflower and Catcher in the Rye to more recent bestsellers like Eleanor Oliphant is Completely Fine , there’s no shortage of loners, isolated misfits, or content-to-be-alone introverts in literature. Whether the theme is used to show that human nature is inherently lonely, to criticize dependence, or to argue that loneliness is a societal privilege ( A Room of One’s Own -style), these are stories that never fail to be deeply affecting.

5. Friendship 

Friends, it’s often said, are the family we choose for ourselves — and the bonds we have with them are just as complex, potentially tense, or heart-warming as familial bonds. Childhood friends are often at the heart of children’s classics like The Secret Garden or Charlotte’s Web . In books for young readers, friendship is commonly praised for its selflessness and camaraderie. It remains a common theme for books that deal with young adulthood, coming-of-age narratives, and even later life, as titles like Teddy Wayne’s Apartment , Zadie Smith’s Swing Time , Hanya Yanagihara’s A Little Life and Carolina de Robertis’ Cantoras show. In such stories, friendship is also thematized for its absence, its tensions, shortfalls, and failings. No single friendship is the same, and the same is true of their literary representations.

🎉 To discover more books, head to Reedsy Discovery , our dedicated platform for readers and reviewers!

6. Free will vs. Fate

A common type of conflict as well as a literary theme, the friction between one’s ability to determine their own future and their externally determined fate can be found in many enduring classics, especially plays! From the ancient Greek play Oedipus Rex , Shakespeare’s Macbeth and Christopher Marlowe’s Doctor Faustus to beloved children’s series Harry Potter and Haruki Murakami’s Kafka on the Shore , the tension arising from the sense of external expectations and pressures and the notion of self-fulfilling prophecies is, ahem, fated to be a part of literature forever.

Fate is often what knocks at the door of the hero in the first act of a novel. Learn about the 3-act story structure in our free course. 

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Hope springs in the most unlikely places — and for books, that often means stories of loss, despair, or disaster. Memoirs of suffering or hardship, like Paul Kalanithi’s When Breath Becomes Air , tend to end on a note of hope, whereas stories about social issues like racism or climate change also tend to locate reasons for optimism. Examples here include Angie Thomas’s The Hate U Give , Richard Powers’ The Overstory , and Ruth Ozeki’s A Tale for the Time Being .

📚 Our list of the best memoirs is sure to find you some more hopeful books to read.

* Sighs in lovestruck ❤️ * Ah, yes. Romance is yet another of those undying forces that has sustained works of literature since the beginning of time, and it’s not about to stop. From literary fiction and classics like Romeo and Juliet to YA heartwarmers like Rainbow Rowell’s Eleanor and Park and Casey McQuiston’s Red, White, and Royal Blue and epic historical fiction like Diana Gabaldon’s Outlander , romantic love (or the heartbreak resulting from the lack of it) lies at the center of books from more genres than just romance. Some authors use this theme to write delightfully comforting works that offer readers an escape from their routine, while others ask what it means to be dependent on another person, or observe the changing dynamics within a relationship. Whatever the overarching opinion, stories that focus on love promise to be deeply emotionally resonant.

From war poets like Siegfried Sassoon and Wilfred Owen who wrote about the toll of World War I to modern novels exploring its emotional and social consequences (e.g. Pat Barker’s Regeneration trilogy and Chimamanda Ngozi Adichie’s Half of a Yellow Sun ), violence and conflict works could constitute an entire genre of fiction in themselves. 

10. Childhood

Our childhood years might not necessarily define us, but they’re still pretty integral in terms of changing who we want to be. So whether it’s to look back at our childhoods with nostalgia, to acknowledge the bitter realizations that followed it, or to simply consider the point of view of a child, childhood keeps coming back as a prevalent theme in literature — and three examples that do just these things are Little Women by Louisa May Alcott, The Red Pony by John Steinbeck, and Room by Emma Donoghue.

11. Coming of age

Entering adulthood is another period that brings many changes, and so the time during which people come of age tends to be a common theme. In books as varied as Jane Austen’s Emma , Jeffrey Eugenides’ Middlesex , and Elena Ferrante’s My Brilliant Friend , growing up, maturing, and coming into your own are thematized to show the uncertainty and empowerment that comes with this stage of life. 

💡 Head to our list of the 70 best coming-of-age books for more examples!

12. Environment and climate change

Unfortunately, the planet is warming up. And as the planet’s temperature grows, so do concerns about our future as a species — which leads to an increased prevalence of the environment or climate change appearing as core themes in literature. Now that ecofiction and “cli-fi” are becoming more popular, books like Barbara Kingsolver’s Flight Behavior , John Lanchester’s The Wall , and Dr Seuss’s The Lorax will see their themes discussed more than ever. 

Test your theme-detecting skills!

See if you can identify five themes from five questions. Takes 30 seconds!

We hope this list has been handy! Remember that your own book doesn’t need to tackle a new-found, unbelievably novel theme to have merit: as long as you approach a theme in a fresh way, it’s completely natural for others to have discussed it before you. 

If you're a writer who wants to start working themes into your stories, be sure to check out the final section of this guide.

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Writing Theme: The Simple Way to Weave a Thematic Message into Your Story

by J. D. Edwin | 0 comments

Does the concept of “theme” confuse you? Do you have trouble writing a strong theme, or weaving a theme into your story? How do you write a theme in literature? 

If theme confuses you, you’re not alone. Lots of writers struggle to identify a theme in their book—and many don't even know what thematic message the are communicating through their story until a second or later draft.

The good news is, there are writing tips you can use when weaving a thematic message (or two) into your story. I'd like to share three simple ways to do this.

Why Writing Theme Was Difficult for Me (And How I Overcame This)

I remember the days back in high school English class when I dreaded writing essays on the common themes of books and stories.

There was one particular book that always lingers on my mind, Cold Mountain. I did not understand this book in the least, and when asked about theme, I picked a random sentence that sounded nice and called it a thematic statement. It wasn't one. It was about rocks—not the human condition.

As I grew and developed my skills as a writer, the concept of inserting a theme into a story eluded me.

A theme, after all, is an important story element when writing a novel .

It’s often abstract and vague, and yet it’s supposed to fit every part of your story and tie it all together.

How can you fit this big, confounding idea into your story and keep it consistent throughout, especially when writing a book?

Believe it or not, there is a way!

It wasn’t until the last few years that I finally began to understand how exactly a theme should fit into a story, and that—as it turns out—writing theme isn’t that complicated at all.

When Writing Theme, First Ask Yourself: “What is a Theme?”

A central theme is the main idea or underlying meaning that an author explores in a novel. There can be multiple themes in a story, but each of them says something big about the story's lesson, and what readers can take away from the book.

Does this seem confusing, or ambiguous? Let’s make it simpler:

A theme is an idea that recurs in a story.

That makes a little more sense. But let’s break it down even further.

A theme is a message you keep reminding your reader because it's what the story is really about.

That means a theme is a message that says, “Hey, by the way, just so you remember, this is what I’m trying to tell you. I want you to read this story and remember this .”

You sprinkle this message throughout your story like seasoning on a dish, through description, through dialogue, and through choices made by your characters.

But when writing theme, how do you choose your story's theme(s)? And even after you choose them, how do you weave them into your story's scenes ?

How to Choose Your Story's Theme

Your theme doesn’t have to be complicated. It can be one sentence, a simple phrase, or just one word. In fact, the simpler and more straightforward the theme, the better.

Think of your theme as the one idea you want your readers to keep in the back of their minds during and after reading the story.

For an example, let’s pretend we are going to write a story about an old woman recounting the long life she’s lived.

The theme we want to convey is “passage of time.”

But what does this mean? What will this say about your character experiencing your story, and how can you make this clear to the reader without being overly obvious? What will my story say about the passage of time?

Weaving Theme in Your Story

When writing theme, and then weaving it into your story, begin by identifying words relevant to your theme.

In the example we’ve selected, many words tie to the concept of time, such as:

• Clocks/watches
• Ahead/behind
• Birth/death

Once you identify these words, weave them into your story. This is something that may feel difficult when you first draft your story, but can be done fairly easily in future drafts or during editing.

Let’s take a look at how we can weave this theme of passing time into our story. Imagine this scene:

Doris sat on the creaky bench at the bus stop. The shops down by Main Street had changed from what she remembered. Old McLaren’s barbershop had become a trendy boutique, and the high school where her children attended had been knocked down and rebuilt twice since they graduated. A bike lane had been added to accommodate the increase in cyclers. Biking seemed to have made a comeback. The city bus pulled up with a groan. The tired-looking driver popped the door and gestured to her. “Come on now, I got a schedule to keep.” Doris rose, wincing at her aching bones, and dragged herself onto the bus, where she chose a seat near the back window and watched the city she no longer recognized scroll by outside.

This passage conveys what the story wants to say about time, but something feels weak about it.

It’s loose, like a series of thoughts and descriptions that has a central idea but not quite. To change that, let’s review our theme-relevant words above and take another crack at it.

Here we go:

The ancient bench creaked under Doris as she put her weight on it. It needed a coat of paint badly, but the fast-paced city couldn’t be bothered to pause and refurbish every run-down bus stop. It certainly had time though, Doris thought, to take down and replace all her old haunts. Old McLaren’s barbershop had become a trendy boutique last fall, and the high school where her children attended had been knocked down and rebuilt twice since they graduated at the turn of the century. A bike lane had been added to accommodate the increase in cyclers. Biking was big in the ‘80s, and now the hipsters have brought it back. The city bus pulled up with an exhausted groan. Compared to the bus stop, the old machine looked even worse for wear. The driver with deep lines over his brows popped the door and gestured to her. “Tick-tock, lady. Got a schedule to keep.” Doris rose, wincing at her aching bones. Perhaps she ought to lose weight, she thought to herself, but it was more a flight of fancy than anything – the days when she could still hit the treadmill in between busy work days and long nights partying were far behind her. She dragged herself onto the bus, started to sit in the first available seat, then changed her mind and moved to a quieter spot near the back window, where she settled down heavily and watched the city she no longer recognized scroll by outside.

Does this passage feel more interesting? More emotive? Paints a clearer picture?

The reason is because the theme of time comes through, not only for Doris, but in the poorly maintained bus stop (ancient; contrast against the fast-paced city), the passing of seasons and time (fall, turn of the century), and word choices (tick-tock).

The bus is an old machine, the driver has lines over his brows, the old trend of biking comes full circle, and Doris is no longer the young buck she once was.

Then, instead of sitting in the most convenient seat, she chooses one in the back, a quiet spot that contrasts against her former busy, noisy life of working, gym, and parties.

Every part of this passage now emphasizes time, using words that call to mind clocks, seasons, fast and slow, old and young. Not only does it bring forth the theme and message more strongly, it also makes the story more vivid, tight, and emotional.

Writing theme—specifically the passage of time—in this example takes on new meaning because the context of the story's character, perspective, setting, and conflict all points back to the character's relationship with time itself.

The theme becomes more purposeful because the theme, the passage of time, has a purpose in how the character experiences her surroundings.

Writing With a Theme Makes a Difference

Fitting a theme to your story doesn’t have to be complicated.

By breaking it down to relevant words wrapped around a central idea, you can sprinkle it all throughout your book and reiterate your message to your readers in a subtle, consistent manner.

Writing with a theme can seem daunting, because it feels like everything you write has to fit this one central idea. But the truth is, deciding on a theme can actually help making the writing process easier.

There are a million ways to describe a particular tree your character encounters on their walk. Is it tall? Beautiful? Ugly? Majestic? Inconvenient? Knobbly? But with a theme in mind, you can quickly narrow down the appropriate words to use.

A theme of time, as mentioned above, might lead you to describe the tree as “ancient”, or “a young sapling,” or “bent like grandmother's back.” A different theme, such as young love, might lead you to describe it as “a meeting place of lovers,” or “swaying gently like a lady's hips.”

Instead of being a burden or extra consideration, a theme can work with you and serve as your guide.

And remember, you shouldn't overthink (or overdo) a theme. Plenty of writers don't even know their story's theme until after they've written their first draft.

Still, you need a theme to make a story resonate with your reader after they finish your book. And using the simple tip for writing theme (and weaving it into your scenes) discussed in this post will strengthen your revisions—and the messages making your story memorable and meaningful.

Have you come across themes in your past readings that really resonated with you? Share in the comments below.

First, pick a theme and list out five to ten words relevant to it. Really think about what it would take to integrate these words into a story. Take five minutes to choose your theme and list your words.

Now, take ten minutes to write a blurb that communicates the theme above using the words you listed to inject your message into the story.

When you're done, share your theme and your blurb in the Pro Practice Workshop here . And be sure to support your fellow writers by commenting on what they share, too!

J. D. Edwin

J. D. Edwin is a daydreamer and writer of fiction both long and short, usually in soft sci-fi or urban fantasy. Sign up for her newsletter for free articles on the writer life and updates on her novel, find her on Facebook and Twitter ( @JDEdwinAuthor ), or read one of her many short stories on Short Fiction Break literary magazine .

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What is Theme? Definition & Examples of Theme in Literature

by Fija Callaghan

Often scholars will talk about theme in literature like it’s this highbrow, deeply intellectual feat of narrative engineering hiding between the lines of a novel or collection of poetry. “Theme,” they say, delicately sipping hundred-year-old brandy from crystal glasses, “is the intentional and philosophical confluence of story archetypes to convey a groundbreaking, politically or socially relevant ideal.” And you nod eagerly in agreement, because you would also like to try some hundred-year-old brandy.

Writers, on the other hand, will often talk about theme like it’s a clumsy animal that has somehow wandered into your story and, having proven itself to be only a minimal nuisance and actually kind of cute, has been allowed to stay and build itself a nest somewhere between your Midpoint and the first major plot point of Act Three .

Really, theme can be both of these things and more. Let’s look at what theme is in literature, how a strong theme can elevate a story, and how to discover the themes already brewing in your own work.

What is theme in literature?

Theme is the broad central idea supporting any narrative work. The work can be a novel, a short story, a poem, or even something like a song or visual art. In a story, each choice made by your characters and each turn of events will support this core underlying theme which you’re trying to convey to your readers.

Any medium that tells a story will have this underlying message—whether it was put there painstakingly by the artist layer by layer, or whether it grew organically from their unconscious experience as they created their literary work.

Literary themes can be concepts like redemption, sacrifice, true love, or family. Storytelling in particular has an enormous range of tools from which to draw themes, like setting, imagery, metaphor , conflict , and—most importantly of all— character . It’s through character that your readers will experience the underlying meaning of your story and come away with a new understanding.

Which comes first—theme or plot?

A question as old as the written word: Is it better to start with a meaningful theme or an engaging plot ? Do you choose a thematic concept and then build your story around it, or do you draft your story and then see what theme emerges? What if you have a story in mind but you don’t even know what the theme is?

Theme and plot are intertwined; neither one comes first, but rather they’re developed together. The moment you have an idea for a story, the theme of that story is already being born. The more you learn about the characters, motivations, and events of your story, the clearer its theme will become.

Writing a story is equal parts art, craft, and intuition. Theme is something that tends to reside in the latter category. While your cognitive mind is exploring roads of possibility in your plot, setting, and characters, your subconscious will be constantly reaching out and searching for deeper meaning in these things.

Ask yourself: Why is this story important? Why is this story happening here , now ? Who are the people in this story, and why do they matter to me? That’s theme at work.

Why does theme matter in storytelling?

Okay but do I need a theme? Isn’t it enough to have a fun story and a lovable hero and a dastardly villain and a happily ever after at the end of it?

Well, yes, but even the simplest of universal tales will have some sort of theme bubbling under the surface. Every story needs to communicate something with the reader.

This will usually be the same main idea that’s driving your protagonist towards their goal. It might be a simple developmental ideal such as the overt central morals in Aesop’s fables, or it might be a larger, more complex exploration of multi-faceted issues that we’re still facing in the world today (we’ll look at some theme examples of these later on).

Crafting a literary theme that resonates with readers on a deep, visceral level will help them feel connected to your characters and invested in what those characters are fighting for. A vibrant, engaging theme in a work of literature has the power to affect real change and make readers look at the world in a new way.

Classic themes in literature

Because stories are so universal, we’ll often see the same central themes being repeated over and over in different works. This doesn’t mean the stories that share these central ideas are unoriginal; rather, it means that they speak to deep universal truths that we all recognize and resonate with. That’s why we return to those stories again and again.

Most of these common themes will fall under two categories: one central idea, or a contrast or conflict between two opposing principles.

Here are some common themes in literature that you can explore in your own writing.

Love is something that we all recognize regardless of our background, language, age, class, ability, or understanding of the world. Love is the greatest unifier of the human species, and it can be as bright and empowering as it can be terrible.

Many works of literature deal with the theme of love, but Romeo and Juliet is one famous story in which the author explores the intensity and destructive qualities of undying love.

We most often associate love with romantic relationships, but focusing on love as a theme in your own work can also look at the deep, soulful love between two best friends, or even the journey towards discovering love for yourself.

Many of us have been betrayed in our lives by people we thought we could trust, whether that’s a friend, a family member, a partner, or someone we knew professionally. Just as antagonists are rarely single-faceted, betrayal is usually a very complex thing that can come from a wide range of different motivations.

What one person sees as betrayal might feel like a natural progression to another, and so this theme can be useful for exploring the complexity of human needs and desires. Shakespeare’s Macbeth is a famous work of literature that deals with strong themes of betrayal.

The theme of rebirth has figured into the mythological cycles of a variety of cultures, most famously the rebirth of Christ in the Christian bible.

On a microcosmic level, we often see rebirth as a dawn of hope and opportunity after a devastating experience such as a divorce, a failure, or the loss of a loved one. On a deep psychological level, we like to believe that there can be hope for us even when we ourselves have become lost.

There are many stories of rebirth, but Charles Dickens’ famous holiday piece A Christmas Carol explores the rebirth of its protagonist after a lifetime of avarice and misery.

Modern popular culture has seen a huge resurgence in redemptive character arcs, most famously in “anti-hero” type characters . There is something so satisfying about watching a rascally ne’er-do-well make mistakes, learn from them, and grow into someone we wouldn’t be embarrassed to introduce to our mothers.

Much like rebirth, redemption comes from a place of hope—the idea that there’s always room to grow, and that anyone can find the will to do better. Victor Hugo’s Les Misérables is a famous novel that uses this thematic concept to create a dynamic character arc.

For many of us, our relationships with our families are quite complex. And yet, the bond between family members is a very universal idea that can teach us a lot about other cultures, generations, and ways of life.

The relationship we have with our families can also teach us a lot about ourselves, and so this theme is very useful for character-driven stories and novels.

The Book Thief , a novel by Markus Zusak, explores our connection to our blood families as well as the families we build around us.

Prejudice has always been a major societal issue, and those issues are being brought into new light. Prejudice can be found through race, class, and ability both in literature and in the world around us. For this reason, art of all kinds is a powerful tool in fighting against these poisonous ideas and helping people understand them in a new way.

The novel Such a Fun Age , by Kiley Reid, is one of many powerful works that explore themes of racial and class-driven prejudice that is still prevalent today.

Disillusionment

Often we discover that growing and learning about ourselves and the world means letting go of precious ideals or perceptions we once had. Knowledge is never an inherently negative thing, but coming to terms with it can be a less than comfortable experience.

These themes often deal with the sacrifice of innocence and idealism in order to attain a greater understanding of ourselves and the world. The Great Gatsby is a tragic literary work that follows the central character’s disillusionment—and, by proxy, the reader’s—with the glittering party lifestyle that was once so seductive.

Closely related to prejudice, oppression is a very real problem in our world that has inspired a lot of powerful art and literature. Literary work that deals with this theme often seek to accomplish two things: the first, to enlighten people to a toxic situation that they may not have been aware of, and second, to show them that we can do something about it.

Although they deal with very negative and difficult subject matter, themes of oppression are often found in stories full of hope for a better future.

Margaret Atwood’s The Handmaid’s Tale is one such groundbreaking novel that uses a speculative lens to draw attention to some of the problems we have faced historically and are still fighting against today.

The desire for revenge is a universal human impulse, and watching those impulses play out in the safe arena of fiction is both riveting and cathartic. However, revenge left to ferment and fester can be a very damaging thing and many of these stories teach us just how damaging these desires can be.

Shakespeare’s Macbeth is a revenge-driven tale that shows two different characters undone by their need for revenge above all else. These themes are often useful for examining the contrast of human strength and weakness.

On the topic of human weakness, corruption is one of the most vicious poisons to enter a human heart. Most corruption comes from a place of fear and survival instinct, and feeds easily from one person to another.

George Orwell’s allegorical novel Animal Farm examines the way this theme takes root and spreads, turning the best intentions into destructive actions fueled by pride and greed.

On some small level, we all take little steps to try and make it through each day. But most of us have never been in a situation so extreme that we need to fight for our lives.

Stories that explore the theme of survival are often a beat or two removed from our day-to-day understanding of the world, but they help us learn a lot about what we are capable of in difficult circumstances. The famous novel Robinson Crusoe is an adventure story that follows the central character cast away on a deserted island, pitting his strength and intellect against the whims of nature and fate.

Death and mortality are constant underlying themes in all works of literature as they are in life. The battle against the inevitability of death has been present in stories from all cultures for as long as there have been storytellers.

Very often literature that deals with the theme of mortality doesn’t present death as something wholly antagonistic, but something with its own place in the cycle of the world. Sir Gawain and the Green Knight , from the classic Arthurian Legends, deals strongly with multiple themes of life, death, rebirth, and honoring our place within those themes.

Good vs. Evil

Themes that explore morality are some of the first themes that many readers are exposed to as children. The Chronicles of Narnia , among many others, is a story that shows us this polarity. This theme teaches us that we should always try to do good in the world, and that even when there are bad people doing scary things, we can overcome them by being true to our own best natures.

Even as we grow older and learn that the world and the people in it are more complex than we could have imagined, there is still some part of us that wants to believe in those ideals. We gather strength from believing that good can triumph over evil—whether that’s between two forces in the wider world, or deeper, more intimately, within ourselves.

Individual vs. Society

Tying into some of the popular themes we looked at above like prejudice, oppression, and corruption, this theme will often explore those ideas by placing an individual protagonist at odds with the world around them.

The reader will identify with the central character and use their journey as a way to examine the failings of the society in the story—which may, in turn, reflect some of the failings that the reader can see in their own world as well. The Hunger Games is a popular novel that places an individual in opposition with a seemingly insurmountable status quo.

Life vs. Death

While some stories include themes that seek to understand mortality and the place it has in our life’s journey, other stories may look at life and death as two opposing, contradictory forces.

In the Harry Potter series, all of the events of the story unfold because the primary antagonist is at constant war with death. He treats it as an enemy to be overcome, even domesticated.

Since death is unfortunately a very real part of our natural cycle, these sorts of themes rarely end well for those involved. However, fear of the unknown is also a very real part of our natural cycle and so this central topic has arisen again and again in stories throughout history.

Fate vs. Free Will

How much of our path do we truly choose, and how much is preordained? This is a question we have been asking as long as there has been human consciousness—and people are still debating it today. Stories that explore this theme will usually follow a character who has seen a glimpse of what the future holds for them… and doesn’t care for it at all.

Oedipus the King , a famous Greek tragic drama, follows a character who’s trying to dodge a terrible prophecy about his future. He removes himself from the situation completely, only to find that those very actions are what set his fate into motion.

This theme doesn’t have to be tragic, though; it works just as well if you give your characters the strength to choose their own destinies.

Tradition vs. Change

Tension has always existed between one generation and another, regardless of what culture, ethnicity, or era they might be from. Stories with this theme look at finding the right balance between honoring the traditions of those before us and allowing room to grow.

Neil Gaiman’s American Gods takes a fantastical approach to this theme by pitting the old world gods of popular mythology against the new world of worship that people bow down to today, including media, technology, and the stock market.

These themes teach us that there is wisdom to be learned from our predecessors as well as wisdom in new ideas.

Pride vs. Humility

Pride is one of the most seductive of human sins. It’s also one of the most difficult to break away from, even when we can see as well as anyone how quickly it’s tearing us apart.

Themes of pride and humility are usually character-driven examinations of how we are all susceptible to this weakness, and the ways in which we can find the strength to overcome it. The appropriately named Pride and Prejudice is a good example of a story that shows two characters overcoming their pride in order to find the happiness they truly deserve.

Justice vs. Depravity

Any work of literature that follows a judicial system knows what a knife edge the threat of corruption can be. James Ellroy’s novel L.A. Confidential is a famous modern noir story that explores the thin line between righteousness and corruption, heroes and villains.

Using this concept in your work is an excellent way to explore our strengths, weaknesses, and limitations as human beings in a fundamentally unjust world.

Morality vs. Fear

This is another staple theme of the “hero vs. villain” stories. We like heroes because they always try to do the right thing, but we sometimes forget that doing the right thing can be very difficult and scary. Stories with this theme show us that we all constantly battle between doing what is right and what is easy, and that choosing the brave or honorable path does not happen without fear—it happens in spite of it.

Kristin Harmel’s WWII novel The Room on Rue Amélie follows a brave protagonist determined to play her part in the war efforts, even when she has every reason to feel afraid of doing so. From stories like this we learn how to be brave in our own lives.

How to find the theme of your own story

Unlike plot, theme isn’t really something you build from the ground up. Once you begin to see glimmers of a story, your theme is already beginning to take shape under the surface. It’s your job to excavate it and bring it to life.

To find the theme of your story, decide what central message the story is trying to communicate with the reader. Try asking yourself why you’re writing it in the first place. Why does it matter to you? This can take time, and the answer may surprise you.

For example, if you’re writing about a girl who discovers she’s from a secret lineage of super spies, deep down you might be writing it as a way to understand your feelings about your own lineage.

What sort of conflict is your main character facing? Has someone in her family been kidnapped by a rival super spy faction? Has she discovered some shady business in her family history that has her questioning her own values and perception of herself? In these cases your theme might be things like the importance of family, or the contrasting values of independence and tradition.

Develop your thematic statement

Then, see if you can crystallize your idea into a thematic statement—a one-sentence summary of the concept you’re trying to convey. In the above examples, your thematic statement might be, “Family always comes first,” or “One is not bound by the mistakes of their parents.” This thematic statement then becomes the driving force of your plot.

It doesn’t matter how fantastical or far-removed your story is—its heart, its reason for existing, will be something that you’re exploring or working to understand through the filter of art. It may be conscious or unconscious. Then, once you know what your story is really trying to say, you can share it with people who need your story to help them explore or understand these ideas too.

How to strengthen the theme of a story

Once you’ve figured out what your theme is, it’s time to find ways to make it shine even brighter through the course of your plot points and narrative development. You can do this as you go, or you can go back and find ways to give it a nudge later in the editing process.

Every literary element in your story should help communicate your theme with the reader, and your protagonist’s journey should be a direct parallel to their relationship with the theme. If the theme of your story is “family,” you may need to put your protagonist through a series of obstacles to help them realize the importance of this idea and why it’s worth fighting for.

The types of conflicts your characters face might all be different, but they should all circle back to the relationship they have with this central idea and how that relationship evolves through each major plot point.

When your characters grow to understand the theme in a new way, your readers will too. Making your characters do this is an important way of strengthening the themes of your story.

A writer can use literary devices like motifs, symbolism, and repetition to emphasize the themes in your story. Adding in recurring colors, words, objects, places, numbers, or cultural symbols will help intensify the theme for your reader. See if you can find ways to add little details that make your story’s theme even more prominent.

For example, if your central theme is “corruption,” you could use these literary devices to show a metaphorical corruption, or corrosion, of positive things in the story. You might have your character buy a new pair of shoes which becomes steadily more worn down until they fall apart—this would be a repeated symbol for other things that are being “worn down,” such as the character’s hope, morals, or ideals.

Certain motifs can also bring to mind this idea of corruption, such as tarnished coins or dirty water, and you can drop images like these here and there throughout your story to make the theme even more powerful for your reader.

These sorts of symbols can be used to emphasize all kinds of themes. If your theme is “mortality” or “life vs. death” you may have your main character come across a dead animal early in the story, and have them take time to reflect on their feelings and understanding of this idea before their journey begins.

Conversely, if your theme is “family”, they might need to stop their car to let a family of animals cross the road in front of them. How do they feel about that? Enchanted? Annoyed? Frightened? Their reaction won’t necessarily be stated explicitly, but showing it on the page will give further depth to your theme.

Theme is the heart of storytelling

Theme is one of the most important building blocks of powerful storytelling, but it doesn’t need to be approached from a place of anxiety or stress. Theme is simply a statement of why your story exists and why you need to be the one to tell it.

Storytelling has a very real power to change the world for the better, and theme—sharing it, talking about it, helping people understand why it matters—is how we can begin doing that.

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A Huge List of Common Themes

Themes in literature are often varied and hidden. Sometimes you can get through an entire book and not realize what the author meant. However, this is a good basic list that you can build from. Remember that some books have multiple themes.

• Beauty of simplicity
• Capitalism – effect on the individual
• Change of power – necessity
• Change versus tradition
• Chaos and order
• Character – destruction, building up
• Circle of life
• Coming of age
• Communication – verbal and nonverbal
• Companionship as salvation
• Convention and rebellion
• Dangers of ignorance
• Darkness and light
• Death – inevitable or tragedy
• Desire to escape
• Destruction of beauty
• Disillusionment and dreams
• Displacement
• Empowerment
• Emptiness of attaining false dream
• Everlasting love
• Evils of racism
• Facing darkness
• Facing reality
• Fading beauty
• Faith versus doubt
• Family – blessing or curse
• Fate and free will
• Fear of failure
• Female roles
• Fulfillment
• Good versus bad
• Greed as downfall
• Growing up – pain or pleasure
• Hazards of passing judgment
• Heartbreak of betrayal
• Heroism – real and perceived
• Hierarchy in nature
• Identity crisis
• Illusion of power
• Immortality
• Individual versus society
• Inner versus outer strength
• Isolationism – hazards
• Knowledge versus ignorance
• Loneliness as destructive force
• Losing hope
• Loss of innocence
• Love and sacrifice
• Man against nature
• Manipulation
• Materialism as downfall
• Names – power and significance
• Nationalism – complications
• Nature as beauty
• Necessity of work
• Oppression of women
• Optimism – power or folly
• Overcoming – fear, weakness, vice
• Patriotism – positive side or complications
• Power and corruption
• Power of silence
• Power of tradition
• Power of wealth
• Power of words
• Pride and downfall
• Progress – real or illusion
• Quest for discovery
• Quest for power
• Role of men
• Role of Religion – virtue or hypocrisy
• Role of women
• Self – inner and outer
• Self-awareness
• Self-preservation
• Self-reliance
• Social mobility
• Technology in society – good or bad
• Temporary nature of physical beauty
• Temptation and destruction
• Totalitarianism
• Vanity as downfall
• Vulnerability of the meek
• Vulnerability of the strong
• War – glory, necessity, pain, tragedy
• Will to survive
• Wisdom of experience
• Working class struggles
• Youth and beauty

Movies generally have one or two themes, but not many more. The themes in movies are often said outright instead of hinted at. Some of the popular themes from movies today include:

• Abuse of power
• Beating the odds
• Celebration
• Common Sense
• Conservation
• Darkness and lightness
• Disillusionment
• Effects from the past
• Evils by humanity
• Gay, Lesbian, Bisexual, and Transgender rights
• Good vs Evil
• Human Nature
• Individuality
• Inner peace
• Man vs nature
• Man vs self
• Man vs machine
• Nationalism
• Opportunity
• Peer pressure
• Perseverance
• Segregation
• Self-discipline
• Social Construct
• Unselfishness
• Winning and losing

Themes in poetry are often quite apparent, but that isn’t always the case. Sometimes the theme doesn’t make itself apparent and is instead up to the reader. Reading a poem aloud often helps with understanding the theme. Here are some examples:

• Comfort after death
• Encouraging
• Forgiveness
• Imagination
• Impossibility
• Inner Peace
• Inspiration
• Life – purpose of
• Not Giving Up
• Unconditional love

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How to Write a Theme Essay

Last Updated: January 4, 2024 Fact Checked

This article was co-authored by Jake Adams . Jake Adams is an academic tutor and the owner of Simplifi EDU, a Santa Monica, California based online tutoring business offering learning resources and online tutors for academic subjects K-College, SAT & ACT prep, and college admissions applications. With over 14 years of professional tutoring experience, Jake is dedicated to providing his clients the very best online tutoring experience and access to a network of excellent undergraduate and graduate-level tutors from top colleges all over the nation. Jake holds a BS in International Business and Marketing from Pepperdine University. There are 9 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 207,712 times.

Starting the Essay

• For example, an essay prompt may ask you to reflect on the theme of good versus evil in John Steinbeck's East of Eden .

• Make a list of everything you know about the topic. This can be information you learned in class, as well as information you found on your own.
• Write down keywords or key scenes in the text that respond to the essay prompt. Think about what words or scenes from the text come to mind when you think of a specific theme.
• For example, when you brainstorm ideas on East of Eden , you may write down any moments in the text that seem to speak to the theme of good and evil.

• Your thesis statement will need to address the theme, your primary example or examples, and the stance you will take on the topic.
• For example, your thesis might be: "In East of Eden , John Steinbeck rejects the Biblical idea of good and evil and instead focuses on the contradictions and complications found in good and evil."

• Introduction: Discuss landscape as metaphor, include thesis statement.
• Body: Describe mountains in opening scene, elaborate on how they symbolize good vs. evil, state how characters live between the mountains, showing how people are caught between good and evil.
• Conclusion: Restate thesis statement, return to landscape as metaphor.

Writing Your Essay

• Questions can make fun hooks for the reader. Ask a rhetorical question that relates to the theme of the essay, such as "How does one decide what is good and what is evil?"
• You can also use a quote from the text as the hook. Find a quote in the text that explores the themes and ideas you'll be discussing in your essay.

• For example, you may introduce the role of nature plays in the text to discuss the theme of good and evil. The first sentence of your body paragraph should discuss the role of nature. This will set up the paragraph and let the reader know what the focus of the paragraph will be.

• For example, you may discuss the use of nature in the text in one paragraph. The body of the paragraph should then use quotes and scenes in the text to support this idea.
• You might write,"The descriptions of the Gabilan Mountains in the text symbolize good and evil. The characters in the story live in the Salinas Valley, trapped in a gray area between these two extremes."

• Ask yourself, "What do I want my readers to have learned through this essay?"
• Remind readers about the essay's theme. Reference some of the arguments you made in the body of your essay, reinforcing how they support your original point.

Revising Your Essay

• Check that there are transitions between paragraphs. Look at the beginning of each paragraph to make sure they all flow well together.

• Print out your paper and proofread it. Oftentimes, errors are easier to catch on paper. If you can't print out your paper, try changing the size or type of the font. Anything that alters how the work looked when you wrote it can help alert you to errors. [13] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

• Be open to constructive feedback from friends and peers. This will only improve the essay and ensure it is at its best when you turn it in.

Expert Q&A

You Might Also Like

• ↑ Jake Adams. Academic Tutor & Test Prep Specialist. Expert Interview. 20 May 2020.
• ↑ https://penandthepad.com/write-essay-theme-book-2200.html
• ↑ https://wts.indiana.edu/writing-guides/how-to-write-a-thesis-statement.html
• ↑ https://www.grammarly.com/blog/essay-outline/
• ↑ https://www.grammarly.com/blog/how-to-write-a-hook/
• ↑ https://libguides.newcastle.edu.au/how-to-write-an-essay/conclusion
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/steps_for_revising.html
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/proofreading_suggestions.html
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/

About This Article

When writing a theme essay, you’ll need to explore a given theme in the text you’re studying. Before you start your essay, brainstorm some notes about your theme, which you can then build your essay from. For example, if you have the theme of good and evil, think about which characters are mostly good or evil, any good or evil actions they take, description that uses light and darkness, and any religious context. In your intro, state your thesis, which should summarize your essay’s main argument. Then, choose 4 or 5 examples of your theme and write a paragraph exploring each one. Make sure you support your points with quotes from the text. In your conclusion, link your ideas back to your thesis statement. For more tips from our English co-author, including how to revise your essay to polish it up, read on! Did this summary help you? Yes No

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What is Theme? Definition, Examples of Theme in Literature

Home » The Writer’s Dictionary » What is Theme? Definition, Examples of Theme in Literature

Definition of theme: The theme of a literary work is a salient abstract idea that emerges from the treatment of its subject matter. Common themes are love, war, deceit, revenge, fate, destiny, etc .

What Does Theme Mean in Literature?

What is a theme in literature? A theme is a message or abstract idea that emerges from a literary work’s treatment of its subject matter.

The theme differs from the subject itself. The subject of a work can be described in concrete terms, usually through actions.

For example,

• The Adventures of Huckleberry Finn.

The subject matter is Huckleberry Finn’s adventures. The theme, however, is more of an abstract idea. The primary theme of Huck Finn, for example, is the conflict between civilization and natural life.

Theme vs. Subject

Example of Theme:

• Theme = Coming of Age.
• Subject Matter = A newcomers difficulties in moving from a small town to the big city.
• Explanation: The theme coming of age will explore the growing pains adolescents are likely to experience in the world. The subject matter for our hypothetical literary work is someone who recently moved from a small town to “the big city.”
• Theme = Pride.
• Subject Matter = The struggles of varsity football players to work together.
• Thematic Statement = It is important to maintain a balance between pride and humbleness because too much self-confidence can be destructive.
• Explanation = In this example, we see the author’s opinion regarding the theme of pride and how it relates to the work’s subject matter.

The thematic statement of a work is rarely said explicitly. Instead, people interpret it through characters, actions, and events within a book.

Thematic Concept vs. Thematic Statement

A thematic statement , however, can be read to be more of an argument about that concept. In an essay, a thematic statement would be called your thesis statement.

• Theme / Thematic Concept = Freedom.
• Thematic Statement = Freedom should be extended to all citizens of the world.

As you can see, the theme of freedom is abstract and broad, and it doesn’t have a thesis statement. The thematic statement of a work, however, will make a claim about this concept. Think of the thematic statement as being an opinion held by the author about the theme itself.

In our example above, the theme is freedom , and the thematic statement is freedom should be extended to all citizens of the world .

There are also central themes and minor themes in literary works, which are just as they sound.

• Central theme = the central or main message of a literary work.
• Minor themes = other, less important messages of a literary work.

Examples of Theme in Literature

• In Paulo Choelo’s novel, The Alchemist , the author explores the subject of fate through a person’s dreams. His thematic statement regarding dreams is that one should always follow his heart and pursue his dreams at any cost.
• In William Blake’s poem, The Poison Tree , the author explores the theme of anger. The thematic statement of the poem is if anger is not dealt with, the feeling will intensify and eventually leads to destruction.

Define theme in literature: In summation, the theme is an idea or concept that a literary work explores: love, despair, honor, etc .

The author explores the theme through the subject matter of his or her work, and when telling the story, arrives at some kind of thematic statement.

Here is a final example of theme found in the short story “The Gift of the Magi” by O. Henry.

In “The Gift of the Magi,” Henry conveys the message that love is more important than material possessions.

• Theme: Love, charity, sacrifice.
• Subject matter: Young couple struggling financially during Christmas.
• Thematic Statement: Love is more important than material possessions.

25 Themes Examples (In Literature)

In literature, a theme is a central topic, subject, or message that the author is presenting for us to ponder.

It represents the underlying meaning or main idea that the writer explores in the book.

In my last article, I explored the six types of conflict in literature , and these represent six key literary themes as well:

• Man vs Nature
• Man vs Society
• Man vs Technology
• Man vs Self
• Man vs Destiny

But, of course, we can tease out many more themes in literature.

Themes can be as simple as love, friendship, or survival, or they can be more complex, such as the critique of societal norms, exploration of human mortality, or the struggle between individual desires and societal expectations. They often provoke thought and offer insight into the human condition.

So, in this article, I want to present 25 of them to you (which include some of those listed above, of course). For each theme, I hope to present you with an example within literature that you’ll likely be familiar with.

Themes Examples

1. love and sacrifice.

Love, as one of the most intense of human emotions, also features as a core theme in not only literature, but also music, film, and theater.

This theme can go in a variety of directions, but often examines the extent to which we will go in order to experience and maintain love (often at great personal cost), the way love makes us irrational or conduct extraordinary deeds of both good and evil, and of course, the experience of heartbreak.

Examples in Literature

Notable examples include “Romeo and Juliet” by William Shakespeare, where the two main characters sacrifice their lives for their love, and “The Gift of the Magi” by O. Henry, where a couple each sacrifice their most prized possessions to buy a gift for the other.

2. The Individual versus Society

The individual vs society theme – one of the six key types of conflict in literature – occurs when one person grapples with and stands up against established social norms, mores, and powers-that-be.

It may be just one person or a group who stands up against society. An example of the former is Katniss Everdeen in The Hunger Games who starts off as a solo fighter against a dystopian government, when no one else is willing. An example of the later is the group of children in Tomorrow When the War Began who form a band of friends standing up as a guerilla group against an occupying army.

“To Kill a Mockingbird” by Harper Lee is a strong example, with Atticus Finch standing up against societal racism. He is an outcast lawyer who is the only man willing to represent a Black man who is framed for a crime in a deeply racist town.

3. The Hero’s Journey

This theme, derived from Joseph Campbell’s monomyth theory, features characters undertaking great journeys or quests.

According to the monomyth theory, there is a common motif throughout stories – both historical and fabricated – that gain currency in the social imagination. In these theories, the journey sets out on an adventure, faces challenges that lead to a dramatic personal transformation for the better, and returns home anew.

A quintessential example of the hero’s journey can be seen in “The Lord of the Rings” by J.R.R. Tolkien, where Frodo sets out a shy hobbit having never left his shire. He goes on a journey where he develops self-belief and gains the respect of powerful people, before returning home.

4. Coming of Age

This theme, also known as the Bildungsroman, focuses on the growth and maturation of a young protagonist, usually a teenager.

Over the course of the story, they confront and overcome personal or societal hurdles, ultimately leading to self-discovery and self-acceptance.

Oftentimes, such storylines explore the unique experience of teenagers as they are developing cognitively and emotionally. Indeed, as my wife often tells me when we watch this storyline on television: “only a teenager would ever do that!”

These storylines do also have important place in society because they offer young people empathetic and supportive stories that can help young people through the important coming-of-age period of life.

“The Catcher in the Rye” by J.D. Salinger is a key example, where the main character, Holden Caulfield, goes on a journey on his own after being kicked out of school. The journey ends with him learning that he does truly value his education and family, leading him to professing he will attend school again in the Fall.

5. Power and Corruption

This theme explores how power can corrupt individuals and societies, and the destructive consequences that can result.

This theme generally tells an important story about how power operates in society, makes commentary about injustice, and the ways in which power can bring out the worst (and best) in people.

This theme is often seen in political or dystopian literature, such as “Animal Farm” and “1984” by George Orwell. Similarly, in Shakespeare’s “Macbeth”, the titular character’s quest for power leads to his tragic downfall.

6. Redemption and Forgiveness

Another common theme is the exploration of the human capacity for making mistakes and the subsequent need for redemption or forgiveness.

Characters may be haunted by their past actions, seeking atonement, or striving to make amends.

We see this, for example, in the trope of the ghost who is stuck in this life until they achieve some degree of inner peace and redeption.

It is also seen in Christian literature, where forgiveness following repentance is an important moral underpinning of the faith.

Similarly, as with in the man vs self conflict trope, the character is seeking self-forgiveness and self-atonement.

Khaled Hosseini’s “The Kite Runner” is a powerful exploration of this theme, where the protagonist, Amir, spends a significant portion of his life seeking to redeem himself for his past betrayal of his friend Hassan.

7. War and Peace

Literature that explores war and peace might depict the physical and psychological impact of war on individuals and societies, the politics of war, or the tireless pursuit of peace.

They may also explore the aftermath of war on people’s lives. It can follow people’s struggles to achieve inner peace after a conflict and the trouble of returning to civilian life.

Or, they may explore the deep brotherhood forged in battle, such as in the epic Band of Brothers storyline.

Of course, there are many directions we can take with this theme, but at the center is the extraordinariness of wartime, which opens the door for exploration of intense aspects of humanity.

“All Quiet on the Western Front” by Erich Maria Remarque provides a harrowing look at the physical and emotional trauma endured by soldiers in World War I. On the other hand, Leo Tolstoy’s “War and Peace” is an expansive work that explores war from various perspectives, including the experiences of soldiers, families, and politicians.

8. Death and Mortality

Literature is at its best when it grapples with the themes at the core of the human experience – and the inevitability of death is certainly one of these.

Some works might meditate on the grief and loss associated with death, while others might use the prospect of death as a device to reflect on the meaning of life, or to explore how people live knowing they will die.

Oftentimes, this theme overlaps with religiosity, or themes about seeking meaning in life.

“The Death of Ivan Ilyich” by Leo Tolstoy explores the protagonist’s confrontation with his own mortality, leading him to reflect on the life he has lived and the value of genuine human connection.

9. Nature and Environment

With the rising threat of climate change, this theme has seen renewed attention in recent decades.

Environmental themes often explore humanity’s relationship with the natural world (oftentimes, for example, showing how small and insignificant we are in comparison to nature).

At the same time, other themes examine the environmental consequences of human action during the age of the anthroposcene.

Themes that explore conflict between man and nature represent one of the key conflicts in literature, such as when a person is challenged by being stuck in the desert or isolated from civilization and nature becomes the main antagonist or challenge to overcome.

Some literature might emphasize the spiritual or therapeutic aspects of nature, as seen in “Walden” by Henry David Thoreau, where Thoreau embarks on a two-year retreat to a cabin in the woods to explore simple living and the natural world. Alternatively, environmental literature, like “The Lorax” by Dr. Seuss, uses storytelling to convey warnings about environmental destruction and the importance of conservation.

10. Identity and Belonging

This theme delves into the exploration of the protagonist’s place in society and their personal identity.

The earlier theme of coming of age overlaps significantly here, and so too does the hero’s journey, which commonly examines a hero’s developing sense of self.

Characters in this type of theme might struggle with societal expectations, personal self-discovery, or feelings of alienation, seeking a place or group where they feel they belong.

“Invisible Man” by Ralph Ellison, for instance, explores the protagonist’s struggle to define his identity within a society that refuses to see him as an individual rather than a racial stereotype. Similarly, “The Joy Luck Club” by Amy Tan navigates the complexities of cultural identity and generational differences among a group of Chinese-American women and their immigrant mothers.

11. Good versus Evil

One of the most fundamental themes in literature, good vs evil features a clear conflict between forces of good and forces of evil.

This theme often pits heroes against villains in a struggle that often represents larger moral, philosophical, or societal issues.

One of my complaints about many contemporary ‘pop lit’ and blockbuster films is that they fail to adequately examine the subjectivity of this false dichotomy – good vs evil themes are at their best when ‘evil’ is an elusive concept, and where we even are able to empathize with the evil character while still seeing the wrongs in their views.

J.K. Rowling’s “Harry Potter” series is a prime example, with Harry Potter and his friends constantly fighting against the dark wizard Lord Voldemort and his followers. The struggle between good and evil also underlies C.S. Lewis’s “The Chronicles of Narnia.”

12. Freedom and Confinement

This theme highlights the dichotomy between the desire for freedom and the reality of confinement.

Confinement might be physical, such as imprisonment or slavery, or it could be psychological, stemming from societal expectations or personal fears.

The ‘freedom’ element might emerge as a wistful theme, as in many coming-of-age narratives about the young character wanting to escape their hometown confines and beat culture narratives of the 1950s; or it might emerge as a struggle with physical constraint, such as themes surrounding imprisoned POWs.

“The Shawshank Redemption” by Stephen King, for example, explores both the physical confinement of prison and the ways in which characters can find freedom despite their circumstances. Similarly, “One Flew Over the Cuckoo’s Nest” by Ken Kesey features characters confined in a mental institution, highlighting their struggle for autonomy against oppressive authority.

13. Rebellion and Conformity

This theme centers on the tension between individual freedom and societal norms.

Characters might challenge authority, resist societal expectations, or fight against oppressive systems. (Here, we’re looking at strong overlap with the man vs society conflict narrative).

The theme may also explore an individual’s rebellion against a cult or religious group which they wish to escape, rebellion against parents, or search for an extraordinary life in an ordinary world. Sometimes, characters return to their roots, embracing conformity, while others escape the orbit or their cultural norms , achieving freedom through rebellion.

In Ray Bradbury’s “Fahrenheit 451,” the protagonist, Guy Montag, rebels against a dystopian society that has outlawed books and free thought. Montag’s transformation from a conformist fireman who burns books to a rebel who seeks knowledge demonstrates the struggle between conformity and rebellion.

14. Innocence and Experience

The theme of innocence vs experience often demonstrates a transition from a naive idealism to wisdom earned through experience .

For example, this theme may also explore the transition from the naivety of childhood to the disillusionment of adulthood.

Characters often face harsh realities or undergo experiences that shatter their innocence and lead them towards a more complex understanding of the world.

In “Lord of the Flies” by William Golding, a group of boys stranded on an uninhabited island gradually lose their innocence as their attempts at creating a society descend into savagery.

15. Reality versus Illusion

This theme investigates the nature of reality and the power of illusion.

Characters might grapple with distinguishing between what is real and what is not. In these situations, the story may play with the reader, not even allowing the reader an objective vision of what’s true and what not (such as in the unreliable narrator trope).

Similarly, the theme might explore how characters intentionally choose illusion over reality to escape unpleasant circumstances.

F. Scott Fitzgerald’s “The Great Gatsby” explores this theme through the character of Jay Gatsby, who constructs a grand illusion of wealth and social status to win the love of Daisy Buchanan. Similarly, in “A Streetcar Named Desire” by Tennessee Williams, Blanche DuBois often retreats into her fantasies, unable to cope with her harsh reality.

16. The Search for Self-Identity

The theme of self-identity revolves around the process of understanding oneself, and it often involves characters undergoing significant personal growth or change.

This theme often begins with characters experiencing a sense of unease or dissatisfaction with their present circumstances or sense of self.

This feeling of discomfort acts as a catalyst for the characters to embark on a quest for self-identity, an inner journey often mirrored by an outward physical journey or experience.

Example in Literature

In Franz Kafka’s “The Metamorphosis”, Gregor Samsa wakes up one day to find himself transformed into a monstrous insect. This shocking transformation forces him to reassess his identity, no longer defined by his role as a family provider, and navigate the alienation from his family and society.

17. The Injustice of Social Class

This theme explores the division of society into different social classes and the resulting inequity and conflict.

One of my favorite American authors, John Steinbeck, explores this theme in much of his literature. He takes the perspective of working-class Americans, examining how corporate interests make their life hard, how fellow Americans discriminate against them, and how they persevere through the relationships they build with other people in their social class.

In “Pride and Prejudice” by Jane Austen, the theme of social class is prevalent, influencing characters’ attitudes, behavior, and prospects for marriage. The story continually highlights the injustices of a rigid class system , such as the Bennet sisters’ limited prospects due to their lower social status and lack of dowries.

18. Isolation and Loneliness

The theme of isolation involves characters experiencing physical or emotional separation from others.

This isolation can be self-wrought, caused by an individual’s actions or decisions, or externally imposed, such as societal exclusion, geographical displacement, or unforeseen circumstances.

This theme explores the various forms and impacts of isolation, offering a deep dive into the psychological and emotional ramifications it has on individuals.

I am often compelled by storylines that use physical isolation as a metaphor for the sense of loneliness and isolatedness within the hearts and minds of the protagonists.

In Mary Shelley’s “Frankenstein,” the creature, despite his desire for companionship, is shunned and rejected by society because of his monstrous appearance. This isolation leads to profound loneliness and ultimately, a desire for revenge against his creator, Victor Frankenstein.

19. Survival

This theme is often explored in literature through characters facing extreme conditions or challenges that test their will to survive.

There is generally a conflict here, which could be man vs nature (surviving the elements), man vs man (surviving against a foe), or even man vs technology (fighting against rogue technology, such as in Terminator ).

Survival themes can be a window into exploration of the tenacity and resilience of the human spirit against the odds.

In “Life of Pi” by Yann Martel, the protagonist Pi Patel finds himself stranded in the Pacific Ocean on a lifeboat with a Bengal tiger. Pi must use his intelligence and faith to survive in this hostile environment, with the story exploring themes of resilience, faith, and the human will to live.

20. The Human Condition

This theme delves into the shared experiences of being human, exploring a wide range of emotions, relationships, and moral dilemmas .

This theme is an examination of the joys, sorrows, conflicts, and complexities that define the human experience.

This theme has been prevalent in literature across all ages and cultures, as it captures the universality of human experiences, making it timeless and deeply relatable.

The human condition looks at the constants in human life, such as birth, growth, emotionality, aspiration, conflict, mortality, and how these shape our individual and collective experiences.

Leo Tolstoy’s “Anna Karenina” provides a complex and insightful exploration of the human condition. Through its diverse cast of characters, the novel delves into various facets of humanity, such as love, infidelity, societal pressure, and the search for meaning in life.

21. The American Dream (Illusory or Real?)

This theme critiques the idealized vision of the American Dream — the belief that anyone can achieve success and prosperity through hard work.

Some all-American storylines (Like the film Pursuit of Happyness featuring Will Smith) show how the American dream is a worthy ideal .

Similarly, in politics (and even real life, for American nationalists), the American dream is something people hold onto as an ever-present fundamental truth: if you work hard and dream big, you’ll make it in the end. It just takes hard work.

But there are many texts that challenge this idea, demonstrating how the pursuit of the American dream can sometimes be a fickle and pointless task. Below are just two examples.

In F. Scott Fitzgerald’s “The Great Gatsby,” the protagonist Jay Gatsby’s pursuit of wealth and social status, driven by his love for Daisy, ultimately leads to his downfall. Similarly, in “Death of a Salesman” by Arthur Miller, Willy Loman’s obsession with success and social acceptance blinds him to his family’s love, leading to tragedy.

22. The Absurdity of Existence

This theme underpins most texts that emerge out of existentialism and absurdism.

At the core of this theme is the exploration of the idea that life really has no meaning behind it. This can create some engaging and post-modernist texts whose storylines tend to meander, cut back in on themselves, and leave us at the end thinking “what a wild ride!”

This theme will tend to bring to the fore the chaotic, irrational, and meaningless features of a storyline.

In “The Stranger” by Albert Camus, the protagonist Meursault’s indifferent reaction to his mother’s death, his senseless murder of an Arab, and his subsequent philosophical musings in prison all point to the absurdity and meaninglessness of life.

I explore 5 more examples of existential literature here.

23. The Power of Faith

This theme looks at the role of faith or belief systems in shaping our lives and experiences.

While generally based on religion, it could also more generally represent faith in oneself, the journey of life, or family and friends.

Commonly, the theme will explore how having faith – and releasing stress, anxiety, and discontent when faith underpins our worldview – can provide strength, and hope.

For example, we’ll commonly see this theme when exploring an unbelievably tough journey – either physically (e.g. crossing a desert) or psychologically (e.g. coming to terms with death).

A darker turn, however, may demonstrate how faiths can clash and cause conflict.

In “Life of Pi” by Yann Martel, the protagonist Pi maintains his religious belief despite his extraordinary circumstances. His faith provides him comfort, hope, and strength to survive his ordeal at sea.

24. The Struggle for Women’s Rights

This theme involves the fight for gender equality, focusing on the experiences, struggles, and triumphs of women in a patriarchal society.

This theme could fit into the category of “protagonist vs society”, or rather “woman vs society!” It generally attempts to reflect real social, cultural, and political circumstances to make a social commentary about current social inequalities and the underlying patriarchy.

It may explore a woman’s attempts to assert her place in society, her struggles with discrimination, or women’s solidarity in the face of an oppressive outside world.

There has been a resurgence of so-called “bonnet dramas” in recent years that explore this theme, harking back to times when the patriarchy was far more overt.

Nevertheless, it can still be used in contemporary literature because, of course, the patriarchy does still exist in many areas of society and women often feel this intensely.

In Margaret Atwood’s “The Handmaid’s Tale,” a dystopian future is depicted where women are reduced to their reproductive functions, stripped of their rights, and segregated according to their societal roles. The protagonist Offred’s experiences and memories underscore the theme of women’s subjugation and their struggle for autonomy. In contrast, “Little Women” by Louisa May Alcott explores this theme through the everyday experiences of the March sisters as they navigate societal expectations and strive for their dreams in 19th century America.

25. Fear of the Unknown

This theme plays on the inherent human fear of the unfamiliar or unknowable and is most commonly employed in horror, drama, and murder mysteries.

The fear of unknown motif is very effective for authors who want to create suspense, dread, or anticipation. By prolonging the mystery of an unknown threat, the author can compel the reader to keep on reading until the suspense is overcome.

This fear could stem from various sources: the future, death, the supernatural, or anything beyond human comprehension. A good example in film is the ongoing narrative of the ‘monster’ in the woods in the hit television series, Lost .

H.P. Lovecraft’s body of work, often grouped as Lovecraftian horror, prominently features this theme. His stories frequently involve characters who encounter cosmic horrors or ancient, malevolent beings that defy human understanding, highlighting the insignificance and vulnerability of humankind in the face of the unknown.

Some Closing Thoughts

There are a few notes worthy of providing as we wrap up this exploration of examples of themes in literature.

First, a theme isn’t usually stated explicitly . Instead, it is revealed gradually through elements such as the actions of characters, their thoughts and dialogue, the setting, and the plot. These elements come together to express the theme or themes of the work. So, as consumers of texts, themes might be bubbling under the surface, ready to surprise us toward the end of our experience, making us finally realize the message our author is presenting us about society or humanity.

Secondly, one literary work can, and often does, contain multiple themes . For example, George Orwell’s “1984” explores themes of totalitarianism, censorship, the manipulation of information, and the loss of individuality and privacy.

So, enjoy playing with themes – whether as a consumer or producer of literary content – and always remember to reflect on how those themes can help us dig ever deeper into an empathetic understanding of the complexity of the human condition.

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ Forest Schools Philosophy & Curriculum, Explained!
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How to Write a Thematic Essay

Every piece of writing ever written has its agenda. Whether it’s to teach a lesson or show the impact of a particular emotion or action, a central theme can be developed. The goal for us as readers is to uncover what the author was trying to tell us between the lines in their literature. When we do finally discover it, we’ve accomplished the first step of thematic essay writing! Let’s see below how to write a thematic essay with our papers writing service .

What Is a Thematic Essay?

Let’s look at the thematic essay definition; a thematic essay is a piece of writing in which an author develops the central theme in some literature using literary devices like foreshadowing, imagery, personification, etc.

A professional essay writer will uncover the primary subject, elaborate upon the literary devices employed, and express the overall significance of the theme. The primary challenge comes from the fact that although there are various subjects, finding the most meaningful and impactful one can be challenging.

Naturally, each person has their own varied interpretation, making it hard to agree on a central theme wholesomely. In short, a well written thematic essay comes from a healthy central idea that is conclusively proven via literary devices and logical arguments.

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How to Pick a Thematic Topic?

A crucial aspect of writing a good thematic essay is choosing a theme. Follow the hints listed below to help you create a thematic topic:

Brainstorm from your own experiences. Recall what you were talking about in class, with your mates or parents. Do some of these conversations remind you of some book, novel or another piece of literature?

Write down every idea that comes to mind. Sometimes, your most absurd ideas are the best way to go.

List your favourite literature pieces. Which literature piece was the most touching for you? Try to analyze its subject and problems the author built upon within the story; it might help you come up with your own ideas.

Look at the details of other literature pieces: You might find some interesting details within other literature that can help you come up with your theme.

Still have no idea what to write about? No worries, we have your back.

Thematic Essay Topics

• What is George Orwell’s deliberation in portraying a “Perfect Utopia” in his book 1984?
• What main idea is George Orwell painting about Communism in the book Animal Farm?
• What is Harper Lee saying about innocence in her novel To Kill A Mockingbird?
• What is John Steinbeck saying about loneliness and isolation in Of Mice and Men?
• What is F. Scott Fitzgerald saying about the American Dream in The Great Gatsby?

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How to Find and Explore the Central Theme

As stated before, uncovering the main subject and central theme respectively is the first significant step in a thematic paper. However, with so many things going on within the literature, it may be difficult to interpret the central theme accurately. To make sure you choose it correctly, follow these steps:

1. Summarize the literature: What main idea is the author trying to purvey? Usually, there will be many hints along the way, so choosing the right direction may not be so challenging.

2. Pick the most prevalent subject: One thing to note is the significant difference between a subject and a theme. A subject is the general topic of conversation—whether it be love, bravery, deception, etc. A theme is a specific point the author is making about said subject. So, find the talking point that is most commonly being brought up. This will be the focal point of the essay.

3. Read between the lines: After finding the most suitable subject, decipher what main point the author is trying to make. This will become clearer as you get deeper into the literature since clues and examples will appear frequently. After fully deciphering the central theme, there is one more significant step.

4. Overall significance: What is the overall significance that comes from the author’s point? What can be taken from this and applied to our personal lives? In other words, what is the lesson from all of this? What have we learned?

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Thematic Essay Outline

The thematic essay has several key components. First of all, it should be five paragraphs or more, depending on the depth of the theme. Next, it should have a concrete thesis statement, which, in other words, is the thematic statement that comes from the main subject. The introduction presents the reader with the subject and the thesis statement. The body paragraphs each discuss one literary element or more to defend the validity of your thesis, all the while providing many supporting details from the text itself. Lastly, the thematic essay conclusion summarizes the main points presented and finishes off with a statement of significance.

Follow the link to learn more about HOW TO CREATE A WINNING OUTLINE

The thematic essay introduction presents the main subject of discussion in a captivating way. The first sentence of the intro should be a hook statement that makes some intriguing claim about the subject of discussion. If done correctly, this will grab your reader's attention. Afterwards, provide any necessary background information from the literature that will help the audience understand your claims later on. Lastly, put together a well thought out thesis statement that reflects the central theme of the novel.

The body paragraphs follow a thematic essay format. Since each body paragraph’s purpose should be to present a literary device as evidence, the topic sentence should introduce the claim and gateway into the evidence. Every topic sentence must mention a literary device and its relationship to the literature.

Afterwards, to validate your claim, use examples from the book that strengthen the reasoning of your statement. These can be actions from the plot or quotations that are parallel with the central theme. It’s imperative to explain how the action/quote links back to your thesis statement, as it shows that you can support your logic.

Remember: each claim must use a literary device. It can not just be a random moment or inference. Thematic essays are all about proving thesis statements through the use of critical literary devices.

The thematic essay conclusion has three main objectives to complete before wrapping up the entire paper. It should not present any new information or facts, but should summarize the information already given. First of all, restate your thesis statement in a new way. Then, summarize the central claims you made within the body of your paper and their influence on the thesis statement. To finish off the entire work, present an overall concluding statement with a global analysis of the subject. Leave your reader with another hook, making him/her interested in digging deeper into the topic.

Try also read an article on poetry analysis essay , it could be useful and can give you new insights.

Thematic Essay Example

The best way to familiarise yourself with this type of writing is to learn from an example. ‍

Even though the ancient Greek cities of Athens and Sparta were geographically close to each other, they had very distinct cultures, lifestyles, values, and political systems that defined them. The following paper compares and contrasts the cultural impacts of the two cities by examining some of the duties and responsibilities of the citizenry as well as the different values that were deemed important. The paper further evaluates the impact of accomplishments that would have been left by both city-states on the history of western civilization.

Wrap Things Up

Before submitting your thematic essay, make sure to check a couple of things to correct any possible errors.

• Double-check and confirm that the central theme you have decided is the one that the author likely meant to focus on. Unless you can provide a secondary issue and present it strongly enough as a primary, validate the primary subject.
• Go through and proofread your entire paper. Nothing makes reading more irritating than grammatical mistakes, clean that stuff up as much as possible.
• Get a second pair of eyes to read through your paper. It’s best to ask a classmate for help, as they most likely have or had a similar assignment. Another great way to polish things up is to ask one of our writers to give you some helpful advice.

We also recommend reading about Jem Finch character traits , our readers find it very interesting.

Having a Trouble with Your Thematic Essay?

Having a hard time thinking up a proper topic to write about? Or, do you have one but are having a hard time deciphering the theme? Let our custom essay writing service do all the work for you. Check out our price calculator to estimate the cost of your assignment.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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Need to write about a theme for a Great Gatsby assignment or just curious about what exactly a theme is? Not sure where to start? Learn here what a theme is, what the main themes in The Great Gatsby are, and what the best tips for writing about themes for your English/Language Arts class essays are.

We will also link to our specific articles on each theme so you can learn even more in-depth about themes central to Gatsby .

What Is a Theme? Why Should You Care?

First things first: what exactly is a theme? In literature, a theme is a central topic a book deals with. This central topic is revealed through plot events, the actions and dialogue of the characters, and even the narrator's tone. Themes can be very broad, like love, money, or death, or more specific, like people versus technology, racial discrimination, or the American Dream.

In short, a book's theme can usually answer the question, "what's the point of this book?". They're the "so what?" of literary analysis. Also, note that books can definitely have more than one major theme —in Gatsby we identify seven!

Knowing a book's major theme(s) is crucial to writing essays, since many assignments want you to connect your argument to a book's theme. For example, you might be asked to write an essay about a prompt like this: "How does the life of Jay Gatsby exemplify (or deconstruct) the idea of the American Dream?" This prompt has you connect specific details in Jay Gatsby's life to the larger theme of the American Dream. This is why many teachers love theme essays: because they encourage you to connect small details to big ideas!

Furthermore, the AP English Literature test always has an essay question that has you analyze some aspect of a book and then "compare it to the theme of the work as a whole." (If you want specific examples you can access the last 15 years of AP English Literature free response questions here , using your College Board account.) So this skill won't just help you in your English classes, it will also help you pass the AP English Literature test if you're taking it!

So keep reading to learn about the major themes in Gatsby and how they are revealed in the book, and also to get links to our in-depth articles about each theme.

Overview of Key Themes in The Great Gatsby

Before we introduce our seven main themes, we'll briefly describe how the story and characters suggest the major Great Gatsby themes. Remember that the story is set in the 1920s, a period when America's economy was booming, and takes place in New York: specifically the wealthy Long Island towns of West Egg and East Egg, as well as Manhattan and Queens.

As you should know from the book ( check out our summary if you're still hazy on the details!), The Great Gatsby tells the story of James Gatz , a poor farm boy who manages to reinvent himself as the fabulously rich Jay Gatsby, only to be killed after an attempt to win over his old love Daisy Buchanan . Daisy is married to Tom Buchanan , and they're both from old money, causing them to look down Gatsby's newly rich crowd (and for Tom to look down at Gatsby himself).

Meanwhile, Tom is having an affair with Myrtle Wilson , the wife of mechanic George Wilson . Through the Wilsons, we see the struggles of the working class in dismal Queens , NY. As if they didn't already have it hard enough, Myrtle is killed in a hit-and-run accident (caused by Daisy Buchanan), and George, who's manipulated by Tom to believe that Jay Gatsby was both his wife's lover and her murderer, ends up shooting Gatsby and then himself.

The whole story is told by Nick Carraway , a second cousin of Daisy's and classmate of Tom's who moves in next to Gatsby's mansion and eventually befriends Jay -- and then comes to deeply admire him, despite or perhaps because of Jay's fervent desire to repeat his past with Daisy. The tragic chain of events at the novel's climax, along with the fact that both the Buchanans can easily retreat from the damage they caused, causes Nick to become disillusioned with life in New York and retreat back to his hometown in the Midwest.

Aside from having a very unhappy ending, the novel might just ruin swimming pools for you as well.

The fact that the major characters come from three distinct class backgrounds (working class, newly rich, and old money) suggests that class is a major theme. But the rampant materialism and the sheer amount of money spent by Gatsby himself is a huge issue and its own theme. Related to money and class, the fact that both Gatsby and the Wilsons strive to improve their positions in American society, only to end up dead, also suggests that the American Dream -- and specifically its hollowness -- is a key theme in the book as well.

But there are other themes at play here, too. Every major character is involved in at least one romantic relationship , revealing that they are all driven by love, sex, and desire -- a major theme. Also, the rampant bad behavior (crime, cheating, and finally murder) and lack of real justice makes ethics and morality a key theme. Death also looms large over the novel's plot, alongside the threat of failure.

And finally, a strong undercurrent to all of these themes is identity itself: can James Gatz really become Jay Gatsby, or was he doomed from the start? Can someone who is not from old money ever blend in with that crowd? Could Gatsby really aspire to repeat his past with Daisy, or is that past self gone forever?

In short, just by looking at the novel's plot, characters, and ending, we can already get a strong sense of Gatsby's major themes. Let's now look at each of those themes one by one (and be sure to check out the links to our full theme breakdowns!).

The 7 Major Great Gatsby Themes

Money and Materialism : Everyone in the novel is money-obsessed, whether they were born with money (Tom, Daisy, Jordan, and Nick to a lesser extent), whether they made a fortune (Gatsby), or whether they're eager for more (Myrtle and George). So why are the characters so materialistic? How does their materialism affect their choices? Get a guide to each of the characters' material motivations and how they shape the novel.

Society and Class: Building on the money and materialism theme, the novel draws clear distinctions between the kind of money you have: old money (inherited) or new money (earned). And there is also a clear difference between the lifestyles of the wealthy, who live on Long Island and commute freely to Manhattan, and the working class people stuck in between, mired in Queens. By the end of the novel, our main characters who are not old money (Gatsby, Myrtle, and George) are all dead, while the inherited-money club is still alive. What does this say about class in Gatsby? Why is their society so rigidly classist? Learn more about the various social classes in Gatsby and how they affect the novel's outcome.

The American Dream : The American Dream is the idea anyone can make it in America (e.g. gain fame, fortune, and success) through enough hard work and determination. So is Jay Gatsby an example of the dream? Or does his involvement in crime suggest the Dream isn't actually real? And where does this leave the Wilsons, who are also eager to improve their lot in life but don't make it out of the novel alive? Finally, do the closing pages of the novel endorse the American Dream or write it off as a fantasy? Learn what the American Dream is and how the novel sometimes believes in it, and sometimes sees it as a reckless fantasy.

Love, Desire, and Relationships : All of the major characters are driven by love, desire, or both, but only Tom and Daisy's marriage lasts out of the novel's five major relationships and affairs. So is love an inherently unstable force? Or do the characters just experience it in the wrong way? Get an in-depth guide to each of Gatsby's major relationships.

Death and Failure: Nick narrates Gatsby two years after the events in question, and since he's obviously aware of the tragedy awaiting not only Gatsby but Myrtle and George as well, the novel has a sad, reflective, even mournful tone. Is the novel saying that ambition is inherently dangerous (especially in a classist society like 1920s America), or is it more concerned with the danger of Gatsby's intense desire to reclaim the past? Explore those questions here.

Morality and Ethics: The novel is full of bad behavior: lying, cheating, physical abuse, crime, and finally murder. Yet none of the characters ever answer to the law, and God is only mentioned as an exclamation, or briefly projected onto an advertisement . Does the novel push for the need to fix this lack of morality, or does it accept it as the normal state of affairs in the "wild, wild East"?

The Mutability of Identity: Mutability just means "subject to change," so this theme is about how changeable (or not!) personal identity is. Do people really change? Or are our past selves always with us? And how would this shape our desire to reclaim parts of our past? Gatsby wants to have it both ways: to change himself from James Gatz into the sophisticated, wealthy Jay Gatsby, but also to preserve his past with Daisy. Does he fail because it's impossible to change? Because it's impossible to repeat the past? Or both?

How to Write About The Great Gatsby Themes

So now that you know about the major themes of The Great Gatsby , how can you go about writing about them? First up: look closely at your prompt.

Sometimes an essay prompt will come right out and ask you to write about a theme , for example "is The American Dream in Gatsby alive or dead?" or "Write about the relationships in Gatsby. What is the novel saying about the nature of love and desire?" For those essays, you will obviously be writing about one of the novel's major themes. But even though those prompts have big-picture questions, make sure to find small supporting details to help make your argument.

For example, if you're discussing the American Dream and arguing it's dead in the novel, don't just make that claim and be done with it. Instead, you can explore Gatsby's past as James Gatz, George Wilson's exhausted complacency, and Myrtle's treatment at the hands of Tom as examples of how the American Dream is treated in the novel. Obviously those examples are far from exhaustive, but hopefully you get the idea: find smaller details to support the larger argument.

On the other hand, many essay prompts about Gatsby will look like a question about something specific, like a character or symbol:

• Explore Tom and Daisy as people who 'retreat into their money.'
• What does the green light at the end of Daisy's dock represent? How does its meaning change throughout the novel?
• Show how Fitzgerald uses clothing (and the changing of costumes) to tell the reader more about the characters and/or express theme(s).

These prompts are actually a chance for you to take that detailed analysis and connect it to one of the larger themes—in other words, even though the prompt doesn't state it explicitly, you should still be connecting those more focused topics to one of the big-picture themes.

For example, if you talk about Tom and Daisy Buchanan, you will definitely end up talking about society and class. If you talk about the green light, you will end up talking about dreams and goals, specifically the American Dream. And if you discuss clothing to talk about the characters, you will definitely touch on money and materialism, as well as society and class (like how Gatsby's pink suit makes him stand out as new money to Tom Buchanan, or how Myrtle adopts a different dress to play at being wealthy and sophisticated).

In short, for these more specific prompts, you start from the ground (small details and observations) and build up to discussing the larger themes, even if the prompt doesn't say to do so explicitly!

What's Next?

Now you're an expert on themes, but what about symbols? If you need to write about the important symbols in The Great Gatsby, check out our symbols overview for a complete guide.

Want a full analysis of Jay Gatsby and his backstory? Not sure how his story connects with the American Dream? Get the details here .

Want to go back to square one? Get started with Chapter 1 of our Great Gatsby plot summary.

Halle Edwards graduated from Stanford University with honors. In high school, she earned 99th percentile ACT scores as well as 99th percentile scores on SAT subject tests. She also took nine AP classes, earning a perfect score of 5 on seven AP tests. As a graduate of a large public high school who tackled the college admission process largely on her own, she is passionate about helping high school students from different backgrounds get the knowledge they need to be successful in the college admissions process.

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10 Common Themes in Literature

Hugo Lin / ThoughtCo.

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• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

When we refer to the theme of a book , we are talking about a universal idea, lesson, or message that stretches through the entire story. Every book has a theme and we often see the same theme in many books. It's also common for a book to have many themes.

A theme may show up in a pattern such as reoccurring examples of beauty in simplicity. A theme may come also through as the result of a buildup like the gradual realization that war is tragic  and not noble. It is often a lesson that we learn about life or people.

We can better understand book themes when we think about the stories we know from childhood. In "The Three Little Pigs," for example, we learn that it's not wise to cut corners (by building a straw house).

How Can You Find a Theme in Books?

Finding the theme of a book can be difficult for some students because the theme is something you determine on your own. It is not something you find stated in plain words. The theme is a message that you take away from the book, and it is defined by  the symbols or a motif that keeps appearing and reappearing throughout the work.

To determine the theme of a book, select a word that expresses the subject of your book. Try to expand that word into a message about life. 

10 of the Most Common Book Themes

While there are countless themes in books, a few are the most common. These universal themes are popular among authors and readers alike because they are experiences we can relate to.

To give you some ideas on finding a book's theme, explore some of the most popular and discover examples of those themes in well-known writings. Remember, however, that the messages in any piece of literature can go much deeper than this, but it will at least give you a good starting point.

• Judgment: Possibly one of the most common themes is judgment. In these books, a character is judged for being different or doing wrong, whether the infraction is real or just perceived as wrongdoing by others. Among classic novels, you can see this in " The Scarlet Letter ," "The Hunchback of Notre Dame," and " To Kill a Mockingbird ." As these tales prove, judgment does not always equal justice.
• Survival: There is something captivating about a good survival story, one in which the main characters must overcome countless odds just to live another day. Almost any book by Jack London falls into this category because his characters often battle nature. " Lord of the Flies " is another in which life and death are important parts of the story. Michael Crichton 's "Congo" and "Jurassic Park" certainly follow this theme.
• Peace and war : The contradiction between peace and war is a popular topic for authors. Quite often, the characters are gripped in the turmoil of conflict while hoping for days of peace to come or reminiscing about the good life before the war. Books such as " Gone With the Wind " show the before, during, and after of war, while others focus on the time of war itself. Just a few examples include " All Quiet on the Western Front ," "The Boy in the Striped Pajamas," and " For Whom the Bell Tolls " by Ernest Hemingway .
• Love: The universal truth of love is a very common theme in literature, and you will find countless examples of it. They go beyond those sultry romance novels, too. Sometimes, it is even intertwined with other themes. Think of books like Jane Austen 's " Pride and Prejudice " or Emily Bronte 's " Wuthering Heights ." For a modern example, just look at Stephenie Meyer's "Twilight" series.
• Heroism: Whether it is false heroism or true heroic acts, you will often find conflicting values in books with this theme. We see it quite often in classical literature from the Greeks, with Homer 's " The Odyssey " serving as a perfect example. You can also find it in more recent stories such as " The Three Musketeers" and " The Hobbit ." 
• Good and evil : The coexistence of good and evil is another popular theme. It is often found alongside many of these other themes such as war, judgment, and even love. Books such as the "Harry Potter" and "Lord of the Rings" series use this as the central theme. Another classic example is "The Lion, the Witch and the Wardrobe."
• Circle of life : The notion that life begins with birth and ends with death is nothing new to authors—many incorporate this into the themes of their books. Some may explore immortality such as in " The Picture of Dorian Gray. " Others, such as Leo Tolstoy 's "The Death of Ivan Ilych," shock a character into realizing that death is inevitable. In a story like F. Scott Fitzgerald 's "The Curious Case of Benjamin Button," the circle of life theme is turned completely upside down.
• Suffering: There is physical suffering and internal suffering, and both are popular themes, often intertwined with others. A book such as Fyodor Dostoevsky's " Crime and Punishment " is filled with suffering as well as guilt. One like Charles Dickens ' " Oliver Twist " looks more at the physical suffering of impoverished children, though there is plenty of both. 
• Deception: This theme can also take on many faces. Deception can be physical or social and it's all about keeping secrets from others. For instance, we see many lies in " The Adventures of Huckleberry Finn ," and many of William Shakespeare 's plays are centered on deception at some level. Any mystery novel has some sort of deception as well.
• Coming of age : Growing up is not easy, which is why so many books rely on a "coming of age" theme. This is one in which children or young adults mature through various events and learn valuable life lessons in the process. Books such as "The Outsiders" and " The Catcher in the Rye " use this theme very well.
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• Symbols and Motifs in Literature
• How to Compare Two Novels in Comparative Essay
• How to Identify the Theme in a Literary Work
• Lord of the Flies: A Critical History
• Plot and Themes of J.R.R. Tolkien's Book 'The Hobbit'
• Top 10 Must-Read Books of the 1920s
• Allegory: Definition and Examples
• 'The Scarlet Letter' Themes and Symbols
• Books About Thanksgiving in Literature
• 'Lord of the Flies' Themes, Symbols, and Literary Devices
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• Conflict in Literature
• Classic Works of Literature for a 9th Grade Reading List
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Guest Essay

America’s Military Is Not Prepared for War — or Peace

By Roger Wicker

Mr. Wicker, a Republican, is the ranking member of the U.S. Senate Armed Services Committee.

“To be prepared for war,” George Washington said, “is one of the most effectual means of preserving peace.” President Ronald Reagan agreed with his forebear’s words, and peace through strength became a theme of his administration. In the past four decades, the American arsenal helped secure that peace, but political neglect has led to its atrophy as other nations’ war machines have kicked into high gear. Most Americans do not realize the specter of great power conflict has risen again.

It is far past time to rebuild America’s military. We can avoid war by preparing for it.

When America’s senior military leaders testify before my colleagues and me on the U.S. Senate Armed Services Committee behind closed doors, they have said that we face some of the most dangerous global threat environments since World War II. Then, they darken that already unsettling picture by explaining that our armed forces are at risk of being underequipped and outgunned. We struggle to build and maintain ships, our fighter jet fleet is dangerously small, and our military infrastructure is outdated. Meanwhile, America’s adversaries are growing their militaries and getting more aggressive.

In China, the country’s leader, Xi Jinping, has orchestrated a historic military modernization intended to exploit the U.S. military’s weaknesses. He has overtaken the U.S. Navy in fleet size, built one of the world’s largest missile stockpiles and made big advances in space. President Vladimir Putin of Russia has thrown Europe into war and mobilized his society for long-term conflict. Iran and its proxy groups have escalated their shadow war against Israel and increased attacks on U.S. ships and soldiers. And North Korea has disregarded efforts toward arms control negotiations and moved toward wartime readiness.

Worse yet, these governments are materially helping one another, cooperating in new ways to prevent an American-led 21st century. Iran has provided Russia with battlefield drones, and China is sending technical and logistical help to aid Mr. Putin’s war. They are also helping one another prepare for future fights by increasing weapons transfers and to evade sanctions. Their unprecedented coordination makes new global conflict increasingly possible.

That theoretical future could come faster than most Americans think. We may find ourselves in a state of extreme vulnerability in a matter of a few years, according to a growing consensus of experts. Our military readiness could be at its lowest point in decades just as China’s military in particular hits its stride. The U.S. Indo-Pacific commander released what I believe to be the largest list of unfunded items ever for services and combatant commands for next year’s budget, amounting to $11 billion. It requested funding for a raft of infrastructure, missile defense and targeting programs that would prove vital in a Pacific fight. China, on the other hand, has no such problems, as it accumulates the world’s leading hypersonic arsenal with a mix of other lethal cruise and attack missiles.

Our military leaders are being forced to make impossible choices. The Navy is struggling to adequately fund new ships, routine maintenance and munition procurement; it is unable to effectively address all three. We recently signed a deal to sell submarines to Australia, but we’ve failed to sufficiently fund our own submarine industrial base, leaving an aging fleet unprepared to respond to threats. Two of the three most important nuclear modernization programs are underfunded and are at risk of delays. The military faces a backlog of at least $180 billion for basic maintenance, from barracks to training ranges. This projects weakness to our adversaries as we send service members abroad with diminished ability to respond to crises.

Fortunately, we can change course. We can avoid that extreme vulnerability and resurrect American military might.

On Wednesday I am publishing a plan that includes a series of detailed proposals to address this reality head-on. We have been living off the Reagan military buildup for too long; it is time for updates and upgrades. My plan outlines why and how the United States should aim to spend an additional $55 billion on the military in the 2025 fiscal year and grow military spending from a projected 2.9 percent of our national gross domestic product this year to 5 percent over the next five to seven years.

It would be a significant investment that would start a reckoning over our nation’s spending priorities. There will be conversations ahead about all manner of budget questions. We do not need to spend this much indefinitely — but we do need a short-term generational investment to help us prevent another world war.

My blueprint would grow the Navy to 357 ships by 2035 and halt our shrinking Air Force fleet by producing at least 340 additional fighters in five years. This will help patch near-term holes and put each fleet on a sustainable trajectory. The plan would also replenish the Air Force tanker and training fleets, accelerate the modernization of the Army and Marine Corps, and invest in joint capabilities that are all too often forgotten, including logistics and munitions.

The proposal would build on the $3.3 billion in submarine industrial base funding included in the national security supplemental passed in April, so we can bolster our defense and that of our allies. It would also rapidly equip service members all over the world with innovative technologies at scale, from the seabed to the stars.

We should pair increased investment with wiser spending. Combining this crucial investment with fiscal responsibility would funnel resources to the most strategic ends. Emerging technology must play an essential role, and we can build and deploy much of it in less than five years. My road map would also help make improvements to the military procurement system and increase accountability for bureaucrats and companies that fail to perform on vital national security projects.

This whole endeavor would shake our status quo but be far less disruptive and expensive than the alternative. Should China decide to wage war with the United States, the global economy could immediately fall into a depression. Americans have grown far too comfortable under the decades-old presumption of overwhelming military superiority. And that false sense of security has led us to ignore necessary maintenance and made us vulnerable.

Our ability to deter our adversaries can be regained because we have done it before. At the 50th anniversary of Pearl Harbor, in the twilight of the Soviet Union, George H.W. Bush reflected on the lessons of Pearl Harbor. Though the conflict was long gone, it taught him an enduring lesson: “When it comes to national defense,” he said, “finishing second means finishing last.”

Regaining American strength will be expensive. But fighting a war — and worse, losing one — is far more costly. We need to begin a national conversation today on how we achieve a peaceful, prosperous and American-led 21st century. The first step is a generational investment in the U.S. military.

Roger Wicker is the senior U.S. senator from Mississippi and the ranking member of the Senate Armed Services Committee.

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The Charlestown Division of the Boston Municipal Court hosted a Law Day Celebration on May 1st during a ceremony which featured remarks from court leaders: Charlestown First Justice Lisa Grant, Boston Municipal Court Chief Justice Tracy Lee Lyons, Probation Commissioner Pamerson Ifill, and Clerk Magistrate Helen White. The 2024 Law Day theme is "Voices of Democracy." 

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