movies in an essay

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APA Style (7th Edition) Citation Guide: Films/Videos/TV Shows

• Introduction
• Journal Articles
• Magazine/Newspaper Articles
• Books & Ebooks
• Government & Legal Documents
• Biblical Sources
• Secondary Sources
• Films/Videos/TV Shows
• How to Cite: Other
• Additional Help

Table of Contents

Film or Video

Streaming Video From a Website (YouTube, Vimeo, etc.)

Streaming video from a subscription media website (netflix, amazon prime, hulu, etc.), streaming video from a library database, television series episode.

Note: All citations should be double spaced and have a hanging indent in a Reference List.

A "hanging indent" means that each subsequent line after the first line of your citation should be indented by 0.5 inches.

This Microsoft support page contains instructions about how to format a hanging indent in a paper.

Who to Credit - Film or Video

The director should be credited as the author of a film. If the director is unknown, someone in a similar role, such as a producer and/or writer, can be credited. To clarify what role the person has in the production, their job title such as Director is put after their name in round brackets if the job title is known.

Who to Credit - Streaming Video from a Website

For videos from websites such as YouTube or Vimeo, credit the person who posted the content. If a real name is provided, use that followed by the person's user name in square brackets. If the real name of the person who posted the content is not known, just use their user name without brackets.

Note : It is not necessary to specify how you watched a film or video (e.g. motion picture, DVD, streaming online). 

In the Body of a Paper

Books, Journals, Reports, Webpages, etc.: When you refer to titles of a “stand-alone work,” as the APA calls them on their APA Style website, such as books, journals, reports, and webpages, you should italicize them. Capitalize words as you would for an article title in a reference, e.g., In the book Crying in H Mart: A memoir , author Michelle Zauner (2021) describes her biracial origin and its impact on her identity.

Article or Chapter: When you refer to the title of a part of a work, such as an article or a chapter, put quotation marks around the title and capitalize it as you would for a journal title in a reference, e.g., In the chapter “Where’s the Wine,” Zauner (2021) describes how she decided to become a musician.

The APA Sample Paper below has more information about formatting your paper.

• APA 7th ed. Sample Paper

Film or Video

When the Director, Producer and/or Writer is known:

Director/Producer/Writer's Last Name, First Initial. Second Initial if given. (Job Title). (Year film was produced).  Title of film: Subtitle if any  [Film]. Production Company.

Note: If not produced in the United States, list the city name and the country.

Hallam, J. (Producer, Writer), & Lam, K. (Producer, Director). (2010).  Staff relations in healthcare: Working as a team  [Film]. Insight Media.

• When you have more than one producer, writer and/or writer to credit, separate the names with a comma and put an ampersand (&) before the last person's last name.
• Serling, R. (Executive Producer). (1959–1964). The twilight zone [TV series]. Cayuga Productions; CBS Productions.

In-Text Paraphrase:

(Producer/Director/Writer's Last Name, Year)

Example: (Hallam & Lam, 2010)

Note: This example has two people to credit, so both last names are given)

In-Text Quote:

(Producer/Director/Writer's Last Name, Year, Timestamp)

Example: (Hallam & Lam, 2010, 2:30)

Note: Because the timestamp serves the same purpose in a video as page numbers, paragraph numbers or section headings, you include it in the in-text citation. Include only the beginning timestamp.

When the Director, Producer and/or Writer is not known:  Start the citation with the film title.

Title of film: Subtitle if any  [Film]. (Year film was produced). Production Company if Known.

Era of viruses  [Film]. (2006). Films for the Humanities and Sciences.

( Title of Film , Year)

Example: ( Era of Viruses , 2006)

Note: Italicize the title of the film and capitalize the words for the in-text citation.

( Title of Film , Year, Timestamp)

Example: ( Era of Viruses , 2006, 40:00)

When the Poster's Name is known: 

Last Name, First Initial. Second Initial. of person who posted the video if known. [User name that posted the video]. (Year video was posted, Month Day).  Title of video  [Video]. Website Name. URL

Note: According to APA, for citing purposes the person who posted the video is credited as the author.

Nye, B. [TheRealBillNye]. (2009, April 8).  Bill Nye the science guy on energy  [Video]. YouTube. http://youtu.be/0ASLLiuejAo

(Creator's Last Name, Year)

Example: (Nye, 2009)

(Creator's Last Name, Year, timestamp)

Example: (Nye, 2009, 0:55)

When the Poster's Name is not known: 

User name that posted the video. (Year video was posted, Month Day).  Title of video  [Video]. Website Name. URL

All Aces Media. (2012, January 19).  Often awesome the series  [Video]. Vimeo. http://vimeo.com/35311255

(User name, Year)

Example: (All Aces Media, 2012)

Example: (All Aces Media, 2012, timestamp)

Producer's Last Name, First Initial. Second Initial if Given. (Producer). (Year of Publication).  Title of Video  [Video]. Website Name. URL

Note:  When you have one producer (Producer) is used after the producer's name. If you have more than one producer use (Producers) instead.

Allen, T., et. al. (Producers). (2017). The story of Diana  [Video]. Netflix. http://www.netflix.com

(Producer Last name, Year)

Example: (Allen, et. al., 2017)

(Producer Last name, Year, Timestamp)

Example: (Allen, et. al., 2017, 6:45)

Name of Company/Organization that Provided Content or Creator's Last Name, First Initial. Second Initial. if known. (Year video was created, Month Day if known).  Title of video  [Video]. Database Name.

National Film Board of Canada. (2014).  Making movie history: The women  [Video]. NFB Campus. 

(Name of Company/Organization, Year)

Example: (National Film Board of Canada, 2014)

(Name of Company/Organization, Year, Timestamp)

Writer, Producer and/or Director's Last Name, First Initial. Second Initial if given. (Job Title) if known. (Year the episode was originally aired). Title of episode (Season No., Episode No.) [TV series episode]. In Executive Producer's First Initial. Last Name (Executive producer) if known,  Television series name . Production Company.

Note: For other countries, list the city name and the country.

Young, R. (Writer, Producer, Director). (2010). Flying cheap (Season 2010, Episode 2) [TV series episode]. In  Frontline . American University School of Communication's Investigative Reporting Workshop.

(Writer, Producer and/or Director's Last Name, Year)

Example: (Young, 2010)

(Writer, Producer and/or Director's Last Name, Year, Timestamp)

Example: (Young, 2010, 15:38)

Television Series Episode Viewed on a Subscription Media Website 

Writer, Producer and/or Director's Last Name, First Initial. Second Initial if given. (Job Title) if known. (Year the episode was originally aired). Title of episode (Season No., Episode No.) [TV series episode]. In Executive Producer's First Initial. Last Name (Executive producer) if known,  Television series name . Streaming Video Site. URL

Attenborough, D. (Writer). (2001). Ocean world (Season 1, Episode 1) [TV series episode]. In A. Fothergill (Executive producer),  Blue planet: A natural history of the oceans . Netflix. http://www.netflix.com

Example: (Attenborough, 2001)

 (Writer, Producer and/or Director's Last Name, Year, Timestamp)

Example: (Attenborough, 2001, 10:12)

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• Last Updated: Jun 28, 2024 12:34 PM
• URL: https://libguides.up.edu/apa

Film and Television References

This page contains reference examples for film and television, including the following:

• Film or movie
• Film or movie, in another language
• Episode of a TV show

1. Film or movie

Verrette, T. (Director). (2021). Zero gravity [Film]. Skylight Cinema; 20th Digital Studio.

• Parenthetical citation : (Verrette, 2021)
• Narrative citation : Verrette (2021)
• Provide the director in the author element of the reference, followed by the notation “(Director).”
• Provide the production company or companies in the source element of the reference. Separate multiple production companies with a semicolon.

2. Film or movie, in another language

Alfredson, T. (Director). (2008). Låt den rätte komma in [Let the right one in] [Film]. EFTI; Sveriges Television (SVT); Filmpool Nord; Sandrew Metronome; WAG; Fido Film; The Chimney Pot; Ljudligan.

• Parenthetical citation : (Alfredson, 2008)
• Narrative citation : Alfredson (2008)
• As in all references, if the original title of the work is a language different from that of the paper you are writing, provide a translation of the title in square brackets after the title and before the bracketed description and period.

3. TV series

Serling, R. (Executive Producer). (1959–1964). The twilight zone [TV series]. Cayuga Productions; CBS Productions.

• Parenthetical citation : (Serling, 1959–1964)
• Narrative citation : Serling (1959–1964)
• Provide the executive producer(s) in the author element of the reference.
• When there is one executive producer, use the notation “(Executive Producer).” When there are multiple executive producers, provide the notation once after all the producers’ names, the same as you would the notation “(Eds.)” for an edited book: “(Executive Producers).”
• Provide the year(s) during which the series aired in the date element of the reference.
• If the series is still airing at the time you are writing the paper, replace the second year with “present”: (2017–present).

4. Episode of a TV show

Favreau, J. (Writer), & Filoni, D. (Director). (2019, November 12). Chapter 1 (Season 1, Episode 1) [TV series episode]. In J. Favreau, D. Filoni, K. Kennedy, & C. Wilson (Executive Producers), The Mandalorian . Lucasfilm; Golem Creations.

Sherman-Palladino, A. (Writer & Director). (2018, December 5). All alone (Season 2, Episode 10) [TV series episode]. In A. Sherman-Palladino, D. Palladino, D. Gilbert, M. Shapiro, S. Carino, & S. Lawrence (Executive Producers), The marvelous Mrs. Mais el . Dorothy Parker Drank Here Productions; Picrow; Amazon Studios.

• Parenthetical citations : (Favreau & Filoni, 2019; Sherman-Palladino, 2018)
• Narrative citations : Favreau and Filoni (2019) and Sherman-Palladino (2018)
• Include the writers and directors for the episode. Include the contributor’s role in parentheses after each name.
• If one person performed multiple roles, combine the descriptions with an ampersand.
• Provide the season number and episode number after the title in parentheses.

Film and television references are covered in the seventh edition APA Style manuals in the Publication Manual Section 10.12 and the Concise Guide Section 10.10

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How to Cite a Movie in an Essay: MLA, APA, Harvard, Chicago

November 16, 2023

It is crucial to cite a movie in an essay to give credit to the original creators and sources of information. Just like any other form of media, movies are considered intellectual property, and their use in academic writing requires proper acknowledgment. Citing a movie not only demonstrates academic integrity but also allows readers to access the referenced material for further research. Additionally, citing movies helps to avoid plagiarism and provides a solid foundation for the arguments and claims presented in the essay. By acknowledging the source, it shows that the writer has conducted thorough research and is presenting information from reliable sources. Citing movies also adds credibility and allows readers to verify the information presented. Therefore, it is crucial to understand the correct methods of citing movies to enhance the overall quality and academic value of the essay.

MLA format for citing a movie in an essay

In MLA format, citing a movie in an essay follows a specific set of guidelines. Here’s how to do it:

• Title of the Movie: Start the citation with the title of the movie, in italics or underlined.
• Director’s Name: Include the full name of the director, followed by a comma.
• Performers’ Names: If relevant, you can include the names of performers in the movie, preceded by the abbreviation “perf.” and followed by a comma.
• Distributor: Add the name of the movie’s distributor, followed by a comma.
• Release Year: Include the release year of the movie, followed by a period.

Example citation in MLA format:

Title of the Movie. Directed by Director’s Name, performances by Performers’ Names, Distributor, Release Year.

For instance:

“The Shawshank Redemption.” Directed by Frank Darabont, performances by Tim Robbins and Morgan Freeman, Warner Bros., 1994.

It is important to note that if you are referring to the movie within the body of your essay, you should include the title of the movie in italics or underlined, and the in-text citation should be placed in parentheses after the movie title with just the last name of the director and the page number, if applicable, like this: (Darabont 46). Remember to also include a corresponding entry in your bibliography or works cited page at the end of your essay.

By following these guidelines, you can accurately and properly cite a movie in your essay using MLA format.

APA format for citing a movie

In APA format, citing a movie in an essay involves a specific format that ensures clarity and consistency. Here’s how to cite a movie in APA style:

• Producer(s) and Director(s): Start with the last name and initials of the producer(s) and director(s), separated by a comma and an ampersand (&).
• Year of Release: Include the year in parentheses immediately following the names of the director(s) and producer(s).
• Title of the Movie: Capitalize the first letter of each significant word in the title, as well as any subtitles. Italicize the title.
• Country of Origin: Provide the country where the movie was produced.
• Production Company: Include the name of the production company that released the movie.

Example citation in APA format:

Director Last Name, Initial(s) (Director), & Producer Last Name, Initial(s). (Year). Title of the Movie [Motion picture]. Country of Origin: Production Company.

Darabont, F. (Director), & Niki, M. (Producer). (1994). The Shawshank Redemption [Motion picture]. United States: Warner Bros.

Remember to include an in-text citation after mentioning the movie title within the body of your essay. This entails placing the last name of the director and the year of release in parentheses, like this: (Darabont, 1994). In the reference list or bibliography at the end of your essay, ensure you provide a full citation for the movie.

By following these guidelines, you can accurately and properly cite a movie in your essay using APA format.

How to Reference a Movie in Harvard Style

In Harvard referencing style, citing a movie in an essay follows a specific format to ensure consistency and proper attribution. Here’s a step-by-step guide on how to cite a movie using Harvard style:

• Director(s) and Producer(s): Start with the last name(s) and initials of the director(s) and producer(s), separated by a comma.
• Year of Release: Include the year of release in parentheses immediately after the names.
• [Motion picture]: Include this phrase in square brackets.

Example citation in Harvard format:

Director Last Name, Initial(s), & Producer Last Name, Initial(s). (Year of Release). Title of the Movie [Motion picture]. Country of Origin: Production Company.

Darabont, F., & Niki, M. (1994). The Shawshank Redemption [Motion picture]. United States: Warner Bros.

When citing a movie within your essay, include the director’s last name and the year of release in parentheses, like this: (Darabont, 1994). Additionally, make sure to list the full citation in your reference list or bibliography at the end of your essay.

By following these guidelines, you can accurately cite a movie in your essay using Harvard format. Don’t forget to consult the official Harvard referencing style guide for any additional specific requirements.

How to Cite a Movie in Chicago/Turabian Format

In Chicago/Turabian format, citing a movie in an essay requires adherence to specific guidelines to ensure accurate referencing. Here’s a step-by-step guide on how to cite a movie using Chicago/Turabian style:

• Director(s) and Producer(s): Start with the director(s)’s full name, followed by a “dir.” For the producer(s), use “prod.” Include their names in the order they appear in the movie’s credits.
• Title of the Movie: Capitalize the first letter of each significant word in the title, as well as any subtitles. Italicize the title or use quotation marks, depending on the format used in the original source.
• Directed by, Produced by, or Director(s) and Producer(s): Indicate the directors and producers’ roles using appropriate abbreviations.

Example citation in Chicago/Turabian format:

Director(s) Last Name, First Name(s), dir. Producer(s) Last Name, First Name(s), prod. Year of Release. Title of the Movie. Directed by, Produced by, or Director(s) and Producer(s). Country of Origin: Production Company.

For example:

Darabont, Frank, dir. Niki, Mark, prod. 1994. The Shawshank Redemption. Directed by Frank Darabont, Produced by Mark Niki. United States: Warner Bros.

When citing the movie within your essay, include the director’s(s)’s last name and the year of release in parentheses, like this: (Darabont 1994). Additionally, make sure to list the full citation in your bibliography or reference list at the end of your essay.

By following these guidelines, you can accurately cite a movie in your essay using Chicago/Turabian format. However, it’s important to consult the official Chicago/Turabian style guide for any additional specific requirements.

Using in-text citations for movie references

When citing a movie in an essay, it is crucial to use in-text citations to provide proper attribution and support your statements or arguments. Here’s how to incorporate in-text citations for movie references in your essay:

• Direct Quotes: When directly quoting a line or dialogue from a movie, enclose the quote in quotation marks and include the last name of the director and the year of release in parentheses. For example: “I’m going to make him an offer he can’t refuse” (Coppola, 1972).
• Paraphrasing: If you’re paraphrasing a scene or summarizing the movie, mention the director’s last name and the year of release in parentheses at the end of the sentence. For example: The gripping prison escape in “The Shawshank Redemption” (Darabont, 1994) captivated audiences worldwide.
• Referring to a Movie: If you’re referring to a specific movie without including a direct quote or paraphrase, mention the movie’s title in italics and the director’s last name and the year of release in parentheses. For example: The visual effects in “Inception” (Nolan, 2010) were groundbreaking.

Remember to keep your in-text citations concise and clear, providing enough information for readers to locate the full citation in your reference list. Properly citing a movie within your essay not only acknowledges the original source but also adds credibility to your work.

Creating a Reference List for Movies in the Bibliography

When citing a movie in an essay, it is essential to include a comprehensive reference list or bibliography to provide complete details for your sources. Here’s a guide on how to create a reference list for movies in the bibliography using the appropriate format:

• Start the reference list on a new page titled “References” or “Bibliography.”
• Arrange the entries in alphabetical order based on the last name of the movie’s director.
• Include the following information for each movie entry:
• Director(s) and Producer(s): Start with the last name(s) and initial(s) of the director(s) and producer(s). Use a comma to separate multiple directors or producers. End with a period.
• Year of Release: Enclose the year of release in parentheses. End with a period.
• Title of the Movie: Capitalize the first letter of each significant word in the title and any subtitles. Italicize the title.
• Format: Specify the format of the movie, such as “Motion picture” or “Film.”
• Country of Origin: Mention the country where the movie was produced. End with a colon.
• Production Company: Include the name of the production company that released the movie. End with a period.

Example reference list entry for a movie:

Darabont, F. & Niki, M. (1994). The Shawshank Redemption. [Motion picture]. United States: Warner Bros.

Ensure that each entry is formatted consistently throughout the bibliography. If there are multiple movies by the same director, list them in chronological order, starting with the earliest release.

By following these guidelines, you can create an accurate and well-organized reference list for movies in the bibliography section of your essay. Remember to consult the appropriate style guide for any specific requirements or variations.

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How to Cite a Movie: MLA, APA, and Chicago Style

• Posted on January 28, 2022

Writing a research paper doesn’t mean limiting your sources to books and articles. You might use a movie, and if you do, you need to know how to cite it properly. Since there are different citation guides , you must follow the directions specific to your paper style.

The most popular formats are MLA style, APA format, and Chicago style. Each style guide has unique, yet very specific guidelines for spacing, punctuation, italics, and more.

Creating a movie citation for a motion picture you’re referencing protects you against plagiarism. When you’re using other people’s ideas or words, you have to credit them in your work. Otherwise, it looks like you’re passing the information off as your own. If you write anything that isn’t an original idea, you need to credit the person who said it first or you are plagiarizing.

Referencing a movie in your paper can take many different forms. You might mention the film in passing. You might compare it to other films or works of literature. You could also dedicate a whole paper to discussing one specific movie and its impact on popular culture.

You can quote lines from films in your paper just as you’d quote a researcher. Put the sentence in quotation marks and include an in-text citation. You’ll find out how to do that when you learn how to cite a movie in MLA, APA, and Chicago Style.

Common Movie Citation Formats

To cite a motion picture, you’ll need some basic information. Having these details on hand will help whether you’re using MLA, APA, or Chicago style for the film citation. All citation guides require information like:

• Title of the movie
• Name of the director
• Production company
• Film distributor
• Year of release

There are certain instances to use each format, so below are citation examples for MLA style, APA style, and Chicago style.

The  Modern Language Association  created MLA style. The handbook has undergone many changes over the years and is now in its ninth edition. It’s updated as technology and research change. The original handbook had information about citing books and papers, yet the modern edition tells you how to cite song lyrics, social media posts, and more.

You’re likely to use MLA style when writing papers for the humanities, such as language arts or cultural studies. Writing a film critique or using movies to comment on society falls under the humanities umbrella, and you are likely to use MLA style for such projects.

MLA Style Movie Citations

Citing a movie in MLA style is very similar to citing other sources. Start with the movie title in italics, then identify the director or directors. You can list a few stars if you mention them in your paper. This level of detail helps readers find the exact citation in your MLA Works Cited page.

Most of the punctuation in a movie citation using MLA format is a comma. This punctuation differs from other MLA citations that use a lot of periods or put information in parenthesis. Here is an example of a movie formatted for an MLA citation:

Movie. Directed by Bob Action, performances by Ima Star, Big Name, and Too Famous, Movie Studios, 2020.

It’s a straightforward process with room to specify what version you’re referencing if there are multiple versions of the film. In that case, you would add the version after the director’s name. For example:

Movie. Directed by Bob Action, extended version, Movie Studios, 2020.

If you watched the movie on a streaming service, you should indicate that information. Just as when you’re citing journal articles found online with a URL or DOI, the streaming service helps the reader find the exact film.

Most streaming services upload the regular version of the movie, but including this detail erases all doubt.  Netflix  and other streaming services change up their inventory periodically, so cover your bases by including the date you watched the movie. Otherwise, a reader might think you’re making up information because the film isn’t currently available through the service.

Maybe the service censored the line you quoted, and people who own the DVD know the real language. They might think you got the information wrong in your paper. When they go to your reference page, they’ll see where you accessed the movie and understand how your experience could differ. Here is an example of a movie formatted for an MLA citation if it was on a streaming service:

Movie. Directed by Bob Action, Movie Studios, 2020. Netflix, 13 May 2021.

You can also cite movies you watched on  YouTube . The format is similar to that of a streaming service, except you include the name of the user who uploaded the film and the specific URL. For example:

Movie. Directed by Bob Action, Movie Studios, 2020. Movie. Directed by Bob Action, performances by Ima Star, Big Name, and Too Famous, Movie Studios, 2020. YouTube, uploaded by Film Appreciation Community, 13 May 2021, http://www.youtube.com/specificvideo .

When you compile your works cited list, you’ll put the movie citation in alphabetical order according to the movie title.

MLA Style In-text Citations

You need to include an in-text citation whenever you mention the film in your paper. If you paraphrase anything from the movie, you need to show the reader what you’re referencing. Text citations are easy to figure out once you have the reference completed for your works cited page.

Use parentheses to signal that you’re citing a source in the body of your paper. After the opening parenthesis, put the movie title in italics. For example:

However, there are other times when you’ll need in-text citations. If you use a direct quote from the movie, close the quotation marks of the passage, and include the text citation before the ending punctuation. This citation will include the title of the movie and the timestamp of when the character speaks the specific line. You still put the movie title in italics inside of the parenthesis. Follow the title with the timestamp and duration of the line using a semicolon to show the time. For example:

(Movie 15:10-35)

If the quote goes beyond one minute, clarify the time range with more details, such as:

(Movie 15:10-16:07)

You can also mention the movie title in your text using general context without needing an in-text citation. For example:

In Movie, the viewer goes on a wild adventure that spans just two hours.

If you mention a specific part of the movie, you’ll need to add an in-text citation with the time stamp. For example:

In Movie, the viewer first visits the graveyard at night (1:03-50).

If the movie title is long, you can shorten it to the first few words, so your in-text citations are concise.

The  American Psychological Association  created the APA style guide. It has detailed parameters for academic and research papers. You use the APA format when working in the social sciences, like psychology, sociology, economics, and related fields.

APA Style Movie Citations

While a movie citation in MLA style is very basic, there is more specific formatting for an APA citation. Instead of starting with the movie title, you list the director starting with the last name, then the first initial. Specify that the person is the director in parentheses. Documentaries would have a producer instead of a director, so you’d use that job title instead.

Next, you put the year the company produced the movie, then the title. In square brackets, specify that it’s a film because TV shows use a similar style, and last is the name of the production company. Here is an example of a movie formatted for an APA citation:

Action, B. (Director). (2020). Movie [Film]. Movie Studios.

You might refer to the special features included on a DVD version of the film, so you’ll add this information to your citation. For example:

Action, B. (Director). (2020). Movie [Film; DVD release]. Movie Studios.

If you watched the film on a streaming service, the citation includes those details as well. For example:

Action, B. (Director). (2020). Movie [Video file]. Retrieved from http://www.netflix.com

When you compile your reference list, you’ll put the movie citation in alphabetical order according to the director’s last name.

APA Style In-text Citations

In-text citations for APA format are similar to those of MLA style. As always, you use parentheses to offset the information from the body of your paper and the citation goes inside of the ending punctuation of a sentence.

While MLA uses the movie title, APA calls for the director’s last name and the year of the movie. For example:

(Action, 2020)

If you’re quoting the film or mentioning a specific scene, include the timestamp after the director’s name and year. For example:

(Action, 2020, 0:15:10)

Chicago Style

The University of Chicago created  Chicago Style  for use in the humanities, sciences, and social sciences. This format differs from both MLA and APA by having a bibliography instead of works cited or reference pages. Some papers using Chicago Style ask for you to create endnotes as well.

Chicago Style Movie Citations

Chicago Style has two options: author-date or notes-bibliography. Your professor will tell you what to use for a student paper. If you’re writing an article to submit to a journal, the submission guidelines will clarify which format you need to use.

The author-date format is similar to APA citations. You start with the director’s last name, then their first name, then the job title of the director. This detail is to clarify the person’s role in the movie because a documentary would have a producer instead of a director.

Next is the year the production company released the movie, followed by the movie’s title in italics. Check out this citation example to see how similar it is to APA format:

Action, Bob, director. 2020. Movie. Movie Studios.

If you watched the movie online, you would add the streaming service and direct URL to the movie. Here is an example:

Action, Bob, director. 2020. Movie. Netflix. http://www.netflix.com/movieaddress

If you’re using the notes-bibliography style instead of author-date, you need all the same information but the order is different. Here is an example:

Action, Bob, director. Movie. Movie Studios, 2020.

If you watched the movie online through a streaming service, you add that information in slightly different places as well. For example:

Action, Bob, director. Movie. Netflix, 2020. http://www.netflix.com/movieaddress

Chicago Style In-text Citations

The author-date in-text citation format is also similar to APA’s text citation, without a comma. In Chicago Style, an author-date in-text citation example is:

(Action 2020)

If you’re referencing a specific quote or scene, you’d include the timestamp of the duration. Instead of using a dash like in MLA format, you write the word “to.” Here is an example:

(Action 2020 0:15:10 to 0:15:35)

The in-text citations for author-date style are the same whether you watched the movie on DVD or on Netflix. The reader can find that information when they look for the citation in your bibliography.

When you’re using the notes-bibliography style, in-text citations are understandably different. You number the note and include all the information from the bibliography citation for the first note. Later, you can use a shortened note to reference each movie version because you’ve already given the entire information in the first note.

Considerations for Citing Movies

Citing a movie isn’t too different from citing a book across various style guides, but you must pay attention to the details. Streaming services like Netflix and Hulu  changed the TV industry . It’s very simple to access movies and TV series you might not find otherwise.

When you watch movies online, make sure to cite if it came from Netflix or if it’s a YouTube video. While this article focused on movie citations, there are also differences when citing a TV show or podcast.

Easy Ways to Cite a Movie

Once you learn the basic information needed for a citation, it’s relatively simple to follow the specific formats for MLA, APA, or Chicago Style.

Doing large amounts of research can make it hard to focus on your references. Using the  Quetext citation generator  simplifies the process for you. Whether you’re working on an academic paper, a professional article, or checking your students’ work, Quetext helps with the citations while also checking for any sign of plagiarism.

Take out the stress and confusion of punctuation and parentheses, and let Quetext do the work for you.

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How to Format Movie Titles in Academic Writings

• by Lesley V.
• October 26, 2023

How to write a movie title in an essay?

Students, especially those in Arts, often refer to films or movie series in their papers. The formatting rules here are easy to remember. But:

They vary a bit, depending on the citation style you use.

In this post, I’ve gathered the guidelines for citing movie titles in five primary formats. Examples included, for you to compare and remember everything better.

How to Write Movie Titles in Essays

Are movie titles italicized?

It’s the most frequent question students ask when looking for this information online. Indeed, most citation formats prescribe italicizing. Other general rules include:

• Uppercase for subtitles
• Extra short movie names (like “It” ) may also go in quotations
• When using quotation marks (AP style), put punctuation inside them

Below are the details on how to format movie titles in essays and reference lists correctly.

Writing Film Titles in Different Citation Styles

For APA style (1):

• Uppercase all four-letter words and above
• Uppercase the first and the last word of a movie title, even if they are short articles (a, the) or pronouns (in, at, etc.)
• Italicize the entire name

For MLA format (2):

• Uppercase movie titles and subtitles
• Use capital letters for both parts of hyphenated words
• No uppercase for articles (a, the) and short conjunctions within the movie name
• Italicize the entire movie title

For Chicago style:

• Uppercase all main words
• Lowercase short conjunctions (below four letters) within the movie title
• Uppercase prepositions, regardless of their length

For AP citation style:

• Lowercase articles (a, the) and prepositions/conjunctions that are shorter than four letters
• Uppercase articles and prepositions/conjunctions in the beginning/end of the title
• No italics; put movie names in quotation marks

For Harvard style:

• Uppercase all primary words (nouns, verbs, adjectives, etc.)
• Lowercase articles and prepositions/conjunctions (below four letters) within the movie title

How to Capitalize Movies in Papers

When writing a film name in a sentence, capitalize every word except for:

• Articles (a, an, the) within the movie title
• Short (below four letters) prepositions and conjunctions within the title

If a movie name begins with the above, use uppercase. Also, write long prepositions/conjunctions (moreover, although, etc.) with a capital letter. For example:

Italics vs. Quotations vs. Underlines

Most citation styles, except AP, prescribe italicization for movies and film series titles. When writing in AP, use quotation marks.

Quotes are also possible to use if you mention super short movie names like “It” or “M.” You italicize them in APA, MLA, or Chicago.

Underlines are for handwritten essays. When written by hand, you can’t italicize, huh? Use underlining instead to highlight a movie title somehow.

How to Format Punctuation in Movie Titles

If punctuation is a part of a film name, place it inside quotation marks or italicize it.

For example:

Writing Movie Titles in Reference Lists

Do You Italicize Movie Titles?

Here they go, the rules on formatting movie titles in essays. Now that you know how to write a movie title in an essay properly, the only detail remains:

Check the formatting guidelines before writing. What citation style does an educator or editor ask you to follow? If none assigned, choose one and stick to it for consistency.

References:

• https://owl.purdue.edu/owl/research_and_citation/apa_style/apa_formatting_and_style_guide/index.html  
• https://lib.westfield.ma.edu/c.php?g=354010&p=2388441

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Home / Guides / Citation Guides / Harvard Referencing / Harvard Referencing Style Examples / How to Reference a Movie in Harvard Referencing Style

How to Reference a Movie in Harvard Referencing Style

This article will help you learn the correct way of citing a film based on the Harvard style of referencing. Specifically, you’ll need to cite your source in two places:

• In your paper via an in-text citation
• In your reference list via a full reference

An in-text citation is when you refer to the source material within the body of your work or text. The reference list is usually placed at the end of your work. It has a full reference for every source that has an in-text citation. The reference list goes beyond the in-text citation and gives a complete list of information about the works you have cited, so that the reader can find and read the original source.

If you are trying to cite a source that was posted on YouTube, you’ll instead need to know how to cite a YouTube video in Harvard style .

Here are some examples of how to reference films in Harvard style:

Film seen at the cinema

To reference a film seen at a cinema, you’ll need the following information:

• Title (in italics)
• Release year (in round brackets)
• Director name
• [Feature film]
• Place of distribution: Distributor

The Help (2011) Directed by Tate Taylor. [Feature film]. Burbank, CA: Walt Disney Studios Motion Pictures.

For the in-text citation, the title of the film is used, followed by the release year separated by a comma, if the film title is not mentioned already. If the title is mentioned in the text, then only the year should be given, in round brackets.

The characters in The Help (2011) reveal…

The film showcases race relations during the Civil Rights Movement in the 1960s in Jackson, Mississippi ( The Help , 2011).

Film from a streaming service

If you are referencing a film you viewed via a streaming service, here’s the information you’ll need for your reference:

• Name of the streaming service or DOI
• (Accessed: date)

Changeling (2008) Directed by Clint Eastwood. Available at: Netflix (Accessed: 22 September 2020).

For the in-text citation, the title of the film and date are used, separated by a comma, if the film title is not already mentioned. If it is, then only the date is necessary.

In Changeling (2008), Angelina Jolie plays the character…

Angelina Jolie ( Changeling , 2008) plays the character of a mother whose…

Film from a physical copy (DVD/Blu-ray)

If you want to reference a film you viewed on DVD or Blu-ray, you’ll need the following information:

• [DVD, catalogue number] or [Blu-ray, catalogue number] (in square brackets)

The BFG: Big Friendly Giant (2016) Directed by Steven Spielberg. [Blu-ray, 8042180]. Burbank, CA: Buena Vista Home Entertainment.

The in-text citation method is the same as in the previous two examples.

Key takeaways

• The methods for referencing films and videos differ according to the mode of viewing.
• The name of the film and year suffice for in-text citations of films viewed at the cinema, on DVD or through a streaming platform.

Published October 29, 2020.

Harvard Formatting Guide

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How to In-Text Cite Movies in MLA Format

Students studying film and other subjects within the humanities and liberal arts often use Modern Language Association, or MLA, style to cite their sources. MLA style uses parenthetical citations within the text to direct readers to entries in the Works Cited page. Parenthetical citations usually include the author and page number, but for some types of sources, such as films, the parenthetical citation lists the first item in the Works Cited citation.

Works Cited Entries

According to the seventh edition of the MLA Handbook for Writers of Research Papers, the beginning of your Works Cited entry for a film or movie depends on what is relevant to your analysis. If your paper is about a movie in general, for example, begin the entry with the title of the movie. If your paper discusses the director, begin with the director's name, followed by the abbreviation "dir." If your paper focuses on an actor or actress, begin with her name and the abbreviation "perf."

In-Text Citations

To cite a movie within the text of your paper, put the first item of the Works Cited entry in parentheses at the end of the sentence. Your parenthetical citation may list the title, the director or a performer. However, if you already named the title, director or performer in the text, you don't need a parenthetical citation -- the reader can locate the corresponding Works Cited entry from the sentence. For example, if you write, "Holly Golightly, played by Audrey Hepburn, eats a pastry standing outside Tiffany & Co.," you don't need to cite Hepburn in a parenthetical citation.

Need help with a citation? Try our citation generator .

• MLA Handbook for Writers of Research Papers, Seventh Edition; Modern Language Association
• Purdue Online Writing Lab: MLA Works Cited: Other Common Sources
• Purdue Online Writing Lab: MLA In-Text Citations: The Basics

Rebekah Richards is a professional writer with work published in the "Atlanta Journal-Constitution," "Brandeis University Law Journal" and online at tolerance.org. She graduated magna cum laude from Brandeis University with bachelor's degrees in creative writing, English/American literature and international studies. Richards earned a master's degree at Carnegie Mellon University.

When Writing a Movie Title in an Essay: Expert Recommendations

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Choosing the Correct Format for Writing Movie Titles in Your Essay

Understanding the difference between italics and quotation marks for movie titles, guidelines on capitalization for movie titles in your essay, including movie release dates in your essay: do’s and don’ts, do’s and don’ts of including movie release dates in your essay, mentioning movie directors and actors: when and how to include in your essay, providing context for movie titles: how to integrate them seamlessly into your writing, avoiding common mistakes when referencing movie titles in an essay, frequently asked questions, the way forward.

When it comes to writing movie titles in your essay, it’s essential to follow the correct format to maintain consistency and accuracy. Properly formatting movie titles enhances the overall professionalism and readability of your essay. Here are some guidelines to help you choose the correct format:

1. Italicize the titles: When writing the title of a movie, it is customary to italicize it. For example, if you are discussing the film “The Shawshank Redemption,” you should write it as The Shawshank Redemption . This will distinguish the title from the rest of your essay and make it visually appealing to your readers.

2. Capitalizing the first and last words: In movie titles, similar to other titles, it is crucial to capitalize the first and last words. Additionally, capitalize all important words, such as nouns, pronouns, adjectives, verbs, and adverbs. For instance, if you are referring to the movie “The Lord of the Rings: The Fellowship of the Ring,” capitalize it as The Lord of the Rings: The Fellowship of the Ring . This formatting style ensures consistency and professionalism throughout your essay.

3. Exclude articles and prepositions: When including movie titles in your essay, exclude articles (such as “the” or “a”) and prepositions (such as “of” or “in”) unless they are the first or last word of the title. This rule helps maintain conciseness and clarity in your writing. For example, if you are mentioning the film “Gone with the Wind,” write it as Gone with the Wind , without including the article “the.”

By following the correct format for writing movie titles in your essay, you will convey a strong sense of professionalism and ensure that your work is easily readable and visually appealing. Remember to italicize the titles, capitalize the important words, and exclude articles and prepositions unless they are the first or last word of the title. Consistency is key when incorporating movie titles, so be sure to apply these guidelines consistently throughout your writing.

When it comes to writing about movies, it’s important to understand the differences between italics and quotation marks for movie titles. Using these punctuation marks correctly can enhance your writing and make it more professional. Here’s a guide to help you navigate this often-confusing aspect of movie title formatting.

Italics: Italics are typically used for longer works, such as movies, books, or TV shows. They are used to emphasize the title and set it apart from the rest of the text. When writing a movie title in italics, it’s important to remember the following:

• Italicize the entire title, including any subtitles if present. For example, The Godfather: Part II .
• Do not use quotation marks in conjunction with italics when writing a movie title.
• Ensure consistency throughout your writing – if you italicize one movie title, be sure to italicize all others.

Quotation Marks: Quotation marks are generally used for shorter works, such as individual episodes of TV shows, songs, or short films. When using quotation marks for movie titles, keep the following guidelines in mind:

• Place quotation marks around the title, using double quotation marks (” “). For example, “Inception”.
• If a movie title contains a quotation, only use double quotation marks around the entire title. For instance, “Casablanca: ‘Here’s looking at you, kid'”.
• Avoid using italics and quotation marks together in the same movie title.

By understanding the distinction between italics and quotation marks for movie titles, you’ll be able to provide clear and cohesive writing. Remember to refer back to this guide whenever you’re unsure of the appropriate formatting for movie titles. Happy writing!

When it comes to writing your essay, following the proper guidelines for capitalization in movie titles is crucial. By adhering to these guidelines, you can ensure that your essay maintains a polished and professional appearance. Here are some essential tips to remember:

1. Capitalize the first and last words of the movie title, as well as any other important words. For example, in the movie title “The Shawshank Redemption,” capitalize “The,” “Shawshank,” and “Redemption.”

2. Capitalize all nouns, pronouns, verbs, adjectives, and adverbs within the movie title. This includes words like “A,” “An,” “And,” “But,” and “Or.” However, conjunctions and prepositions of fewer than four letters, such as “to,” “for,” “in,” and “with,” should not be capitalized unless they are the first or last word in the title.

3. If the movie title contains a hyphenated word, capitalize both words. For instance, in the movie title “Harry Potter and the Deathly Hallows: Part 2,” capitalize “Harry,” “Potter,” “Deathly,” “Hallows,” and “Part.”

4. Remember to italicize or underline movie titles when writing in an essay. This helps to differentiate the title from the rest of the text and emphasizes its importance.

When it comes to incorporating movie release dates in your essay, following the right practices can enhance the credibility and clarity of your work. To help you navigate this academic landscape, we’ve compiled a list of do’s and don’ts to consider:

• Use the correct format: When mentioning release dates, stick to the standard practice of including the day, month (abbreviated), and year. For example, “The film was released on July 15, 2022.”
• Provide context: It’s essential to incorporate the release date in relevant instances, such as when discussing the historical or cultural impact of a particular movie. This offers your readers a comprehensive timeline of events.
• Verify accuracy: Double-check the accuracy of the release date before including it in your essay. Verify the information through reliable sources, such as reputable film databases or production company websites.

Don’t:

• Make assumptions: Avoid speculating or guessing the release date of a movie. Only include dates that you can confirm with reliable sources or the film’s official announcements.
• Overemphasize: While it’s crucial to mention the release date, remember that it is just one aspect of analyzing a film. Don’t let it overshadow other key elements, such as the plot, cinematography, or critical reception.
• Forget to explain relevance: When mentioning release dates, provide a brief explanation of why they are significant. Help your readers understand why a particular release date matters in the context of your essay’s arguments or analysis.

Movie directors and actors play a vital role in shaping the overall impact of a film. When writing an essay that discusses movies, it is important to know when and how to include these individuals in your discussion. Here are some key points to consider when mentioning movie directors and actors in your essay:

1. **Relevance**: Before mentioning a movie director or actor, ask yourself if their contribution is relevant to your essay’s topic or argument. Including their name should add value and support your main points, rather than being a mere distraction.

2. **Introduction**: When introducing a movie director or actor, provide some background information about them. Mention their notable works, achievements, and their overall impact on the industry. This will help your readers understand their significance within the context of your essay.

3. **Specific examples**: To strengthen your argument and analysis, include specific examples from the movie(s) the director or actor worked on. Highlight key scenes or performances that are relevant to your essay’s discussion. This not only adds credibility to your claims but also allows readers to connect with your analysis on a deeper level.

4. **Quotations and citations**: If you are referencing a particular statement or opinion by a movie director or actor, provide a direct quotation and properly cite the source. This demonstrates that you have conducted thorough research and adds authenticity to your essay.

Remember, mentioning movie directors and actors should enhance your essay’s content and provide additional insight into the films being discussed. Take care not to dwell too much on biographical details or personal information that might distract readers from your main arguments. By considering the relevance, providing background information, using specific examples, and incorporating quotations and citations, you can effectively include movie directors and actors in your essay while maintaining a focused and compelling narrative.

Movie titles play a crucial role in capturing the essence of a film and attracting an audience. However, integrating them seamlessly into your writing can be a challenge. To provide context for movie titles in your work, consider the following tips:

1. **Italicize movie titles**: When mentioning a movie title in your writing, be sure to italicize it to distinguish it from the surrounding text. This formatting convention helps readers identify the title and gives it the emphasis it deserves.

2. **Include relevant information**: In addition to simply mentioning the movie title, provide some context to help readers understand its significance. This could involve mentioning the director, main actors, or even a brief synopsis. By offering this additional information, you paint a more complete picture and generate interest in the film.

3. **Describe the genre and theme**: Depending on the context of your writing, it can be helpful to briefly describe the genre and theme of the movie. This allows readers to get a sense of what to expect and how the title fits into the overall narrative. For example, if discussing a romantic comedy, mention that the movie title reflects the lighthearted tone and love-centered plot.

4. **Consider the release date**: Movies are often referred to by their release year to differentiate similar titles or to acknowledge their existence in a series. Including the release date can ensure clarity and provide readers with more background information.

By incorporating these strategies, you can seamlessly integrate movie titles into your writing, offering readers a better understanding of their purpose and encouraging their engagement with the film. Remember, a well-integrated movie title not only enhances the flow of your writing but also adds depth and intrigue to your content.

When it comes to referencing movie titles in your essay, there are a few common mistakes that you should avoid. These mistakes can not only affect the readability of your essay but also undermine your credibility as a writer. To prevent these errors and ensure your references are accurate, here are some handy tips to keep in mind:

• Italicize the movie titles: One common mistake is failing to properly format the movie titles in your essay. To show that you are referring to the title of a movie, it is essential to italicize it. This helps differentiate the title from the rest of the text and adheres to the standard formatting conventions .
• Use quotation marks for smaller elements: Within the main body of your essay, you may need to refer to smaller elements of a movie, such as scenes, dialogues, or quotes. To distinguish these smaller elements, use quotation marks around them. This allows readers to understand that you are specifically referencing a smaller part of the movie.
• Provide accurate spelling: Always double-check the spelling of the movie title you are referencing. Incorrect spellings can lead to misunderstandings and can reflect poorly on your attention to detail as a writer. Take the time to verify the accuracy of the title to maintain the integrity of your essay.

By following these simple guidelines, you can avoid some of the common mistakes when referencing movie titles in your essay. Remember to italicize the movie titles, use quotation marks for smaller elements, and ensure the accuracy of the spelling. These practices not only enhance the readability of your essay but also demonstrate your professionalism as a writer. So, next time you mention a movie in your essay, do it with precision and style.

Q: Why is it important to correctly format movie titles when writing an essay? A: Properly formatting movie titles is important in any writing, including essays, because it demonstrates your knowledge of grammar rules and shows respect for the original work. It also helps establish your credibility as a writer.

Q: Should movie titles be italicized or placed in quotation marks when mentioned in an essay? A: Movie titles should be italicized when mentioned in an essay. This helps differentiate the title from surrounding text and indicates that it is a work of art or literature. Quotation marks can be an alternative option, but italics are the preferred choice.

Q: Are there any exceptions to the general rule of italicizing or using quotation marks for movie titles? A: Yes, there are a few exceptions. If you are handwriting your essay or using a typewriter that doesn’t have italics, underlining the movie title can be an acceptable alternative. Additionally, if you are writing for a publication that follows different style guidelines, such as newspapers or magazines, they may have their own specific rules for movie title formatting.

Q: How should foreign-language movie titles be treated in an English essay? A: When mentioning foreign-language movie titles in an English essay, it is generally recommended to follow the same formatting rules as for English titles. This means italicizing the title or using quotation marks, depending on your chosen style guide. However, if the foreign-language title includes a well-known word or phrase in English, it is usually not necessary to italicize or use quotation marks around that part.

Q: What if a movie title already contains italics or quotation marks within it? A: If a movie title already contains italics or quotation marks within it, you should follow the style guide you are using consistently. For example, if the original movie title has italics, you might need to use quotation marks around the title when mentioning it in your essay to differentiate it from surrounding text.

Q: Should film series or franchises be handled differently when mentioning their titles in an essay? A: When mentioning film series or franchises in an essay, it’s essential to consider the specific title you are referencing. The general rule is to italicize or use quotation marks around the individual movie title, just as you would with a standalone film. However, if you are discussing the series or franchise as a whole, without mentioning specific movie titles, it may be necessary to capitalize it and avoid any special formatting.

Q: How should abbreviations of movie titles be treated in an essay? A: Abbreviations of movie titles should be treated similarly to the full title. If the movie title is normally italicized or placed in quotation marks, the abbreviation should follow the same formatting. For example, if “The Dark Knight Rises” is italicized, the abbreviation “TDKR” should also be italicized.

Q: Can I use bold or underline instead of italics when formatting movie titles in an essay? A: It is generally recommended to use italics for movie titles, but in certain situations where italics are not available (such as some online forms), bold or underline can be used as substitutes. However, be sure to consult your chosen style guide to ensure its acceptance, as preferences may vary.

Q: Should I ever omit a movie title when writing an essay, or is it always necessary to include it? A: Whether or not to include a movie title in an essay largely depends on the context and purpose of your writing. If discussing specific film analysis or providing examples, including the movie title is vital to support your arguments. However, when writing generally about a movie without directly referencing it, the title might not need to be included. Always consider your audience and the clarity of your writing when deciding whether to include a movie title.

In conclusion, following expert recommendations when writing a movie title in an essay ensures accuracy and professionalism, enhancing the overall quality of your work.

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• A Research Guide
• Citation Guides
• Citation Basics

How to In-text Cite a Movie Correctly

How to cite a movie in MLA Style

• You may need to cite a movie within the description of something or in context of some matter or you may also need to use a movie quote. In this case, you would need to cite it in the text of your paper.
• Citing a movie in the text of your research paper or essay can be done in two ways. One way is to use the title of the movie as the first element. The other way is to use the director’s name as the first element.
• Before you can cite a movie, you will need certain information about it, i.e.
• The movie name
• Director’s name
• Producer’s name
• Studio name
• Producing company name
• Performers’ names
• Date of release
• If you use the movie title as the first element, the reference entry in the works cited page should start with the movie title. But if you use the director’s name, you should mention it at the start of the reference.

Using the movie name to list an entry

Read also: Learn more about existing character types .

• Mention the movie name in the beginning in the italic font style followed by a period.
• After the movie name, add the word “Directed by” followed by his name and a comma.
• List the names of the major performers following the “Pref.” in the first name, last name format. Separate the names by commas. Don’t forget to place a period at the end of the performers’ list.
• Next mention the name of the production company or the studio or the distributor followed by a comma.
• Write the year the movie was released followed by a period.
• Finally, complete the citation with the medium of the movie which is generally “Film” or “DVD”. Add a period in the end.
• The Amazing Spider-man . Directed by Marc Webb, Marvel Entertainment, 2012. Film.
• Write the last name followed by a comma
• After the last name, write the first name followed by a comma
• Then write the word “Director” followed by a full stop
• Mention the movie title in italic followed by a full stop
• Mention the production house followed by a comma
• In the last, mention the year in which the movie was released
• Webb, Marc, Director. The Amazing Spider-man. Marvel Entertainment, 2012.

How to cite a movie in APA Style

Steps for citing a movie.

• Write the last name and first initials of the directors and producers and separate them with commas.
• Write their role in parentheses after the initial, i.e. (Producer), (Director) etc.
• If a person is both producer and director, you should write “Webb, M. (Producer/Director).”
• Use ampersand before the last name in the list if there are multiple names
• Write the year of production. It should be written in parentheses followed by a period.
• Write the movie title and the format. The title should be written in italic and the format should be written in normal style within the square brackets followed by a period.
• Complete with the country of the movie and the production company. It may be the case that the movie is produced in more than one country. In this case, you should use the origin of the movie or the country where the movie was originally released.

Steps for an in-text citation

How to cite a movie in chicago style.

• Like in the MLA and APA styles, before you start citing a movie Chicago style in text and full citations in your paper, you will need to have certain details about the movie being cited. They include;
• The names of the directors
• The year when it was released
• The city and state it was produced in
• Name of the distributor
• Format or the medium in which it was released

Steps for citing a movie in Chicago style

• First write the full title of the movie, in italic style followed by a period. This is the main element you will be using in your in-text citation. This will make it easy for the user to locate the reference in the works cited page.
• Next, write the director’s name in the first name, middle initial and last name format followed by a period. It should be following words “Directed by”, i.e. Directed by Mark Webb.
• Write the release or production year followed by a semicolon. You should start parentheses from this part. It will be closed after the distributor name.
• Write the city and the state names where the movie was originated or produced. Add a comma after the city name and a colon after the state name. I.e. “New York, NY:”.
• Finally, complete the citation with the format of the movie, i.e. film or VHS or DVD. Don’t forget to add a period in the end.

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Film Writing: Sample Analysis

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Introductory Note

The analysis below discusses the opening moments of the science fiction movie  Ex Machina  in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.:  The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.:  The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.:  These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.  

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.:  In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note:  Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

How to Write a Movie Title in an Essay or Article

When you're writing a paper or article in school or at work, you may be in a situation where you need to write a movie title in your writing. But how should you format them? Should you use italics? Or quotation marks? Or maybe both? Or neither…

The first thing to note is that the rules will be different depending on whether you’re writing an article or an essay. In this guide, we'll explain how to write one in an essay or article so that your writing looks professional and polished. Refer to the relevant section, depending on the piece you are creating. 

The main things to know are:

• If you are writing a movie title in an article, the format you use is up to you (or the company you work for). Pick a format and stick to it.
• If you are writing a movie title in an essay, then you should follow your university's or employer's referencing style guidelines. 

Read on for suggestions of different formats for articles, and more in-depth guidance around different university referencing styles.

How to Write a Movie Title in an Article 

Let's begin by exploring why you need a specific format, and examining some key principles and rules around writing a movie title in an article.

Why You Need a Specific Format 

So picture this. You’re writing an article and want to refer to a particular movie - perhaps to illustrate a point, or maybe you’re critiquing it. But you’re unsure how to format it. You don’t want to be marked down for formatting it incorrectly, so you consider leaving it out to avoid the trouble. Not on our watch!

But hold on a sec! Why should you even worry about this? Why do movie titles need to be formatted correctly anyway? Well, it’s simple really. If you don’t differentiate the title from the rest of the text, your readers might not understand you’re referring to a movie title. Imagine, for instance, that you wrote:

I finally got around to watching three billboards outside ebbing missouri.

Can we agree this sentence doesn’t make any sense? With this punctuation (i.e. none) your reader may well believe that you headed out into the night and found a couple of billboards to look at for some time. 

So do you see why it’s important to have some kind of format for writing movie titles? 

Key Principles and Rules

Now here’s the tricky bit: with articles, there’s no hard and fast rule on how to format a movie title in your writing. There are many different options and any of them would be acceptable to use in an article you’re going to publish online or physically. 

So what to do?

Our first advice is to check in with your editor/head of copywriting / your point of reference at the company you work at. They will most likely have a specific format they like to use and will be able to share that with you.

That’s if you are writing for a company.

If you’re self-publishing, say, for example, on your website or Medium.com, then you’re the boss, friend. The conventions you use are completely up to you. 

But here are a few key principles and rules:

• Common conventions are to use italics or quotations marks
• Choose one format and stick with it - not only throughout the article but in everything you write
• Keep an eye out for the correct spelling of the movie. For example, don’t forget the comma in Three Billboards Outside Ebbing, Missouri. 
• Title case is a great way to further demarcate the movie title from the rest of the text to make it abundantly clear that it’s a movie title.

How to Write a Movie Title in an Essay 

Now let's turn our attention towards writing a movie title in an essay.

New scenario. You’re writing an essay for your college or university course. Perhaps you’re using the movie as an example, or maybe you’re critiquing it.

But you don’t want to be marked down for getting it wrong, so you consider avoiding mentioning it altogether. But that would be a shame! Let us help you. 

Here are some general rules to get you started:

• Follow the rules of your school’s academic writing style (APA, MLA, AP, or Chicago.)
• Use title case
• Use italics or quotation marks (depending on the writing style)

Academic Referencing Styles

There are different academic referencing/writing styles in the English language, and these vary depending on the education establishment. Different styles have different rules that govern the way that you might write, punctuate and cite within your essay.

The four most common styles are Associated Press (AP), Chicago, American Psychological Association (APA), and Modern Language Association (MLA).

Of course, there are many more than just four in existence, but these are the prevalent ones. 

But why are there so many different writing styles, we hear you ask? Quite simply, this is to cater to different fields. For instance, the scientific sector places a lot of importance on using recent research, hence the APA style places the date before anything. Humanities tend to use the MLA style which places the author's name first. 

Write a Movie Title in APA, MLA, and Chicago styles

Luckily, the APA, MLA, and Chicago styles all use the same format for movie titles, so it’ll be easy to remember.

These styles all require that you place the movie title in italics. Here are some examples:

• Saving Private Ryan
• The Lord of the Rings: The Return of the King 

Do not use any quotation marks! This is not necessary and will be considered incorrect.

You’ll also notice that the title is written in the title case. This means you capitalize certain words in the title. More on that in the next section.

Write a Movie Title in AP style

The AP style is the exception here since it does not use italics to format movie titles. Instead, you’re required to use quotation marks. Let’s use the same examples as above, to make the difference clear:

• “Kill Bill”
• “Saving Private Ryan”
• “The Lord of the Rings: The Return of the King”

Again, here, remember to use title case. 

Write a Movie Title in Title Case

Using title case means that you capitalize certain words in the title. But depending on the writing style you’re using, there are different rules on which words need capitalizing and which ones don't. Mostly, they disagree on whether or not to capitalize minor words.

Read on to find out the rules for each style, to ensure you’re writing it correctly. 

Note that if you’re writing an article, this will again depend on the rules that the company you work for is using, or if you’re writing for your own business, then you can make your own rules. Remember to pick a structure and stick to it. Consistency is key!

• Capitalize the major words.
• Lowercase the articles the, a, and an.
• Capitalize the ‘to’ in an infinitive (e.g., I Want To Eat Cake)
• Capitalize the first and last words (overrides other rules)
• Capitalize all words of four letters or more (overrides other rules)
• Lowercase the second word after a hyphenated prefix

Chicago Style

• Lowercase articles, prepositions, and coordinating conjunctions
• Lowercase the second part of Latin species names.
• Lowercase articles, prepositions, and coordinating conjunctions.
• Do NOT capitalize ‘to’ in infinitives (e.g., I Want to Eat Cake).

As you can see, all four styles share some common rules but are different in certain small details. 

Incorrect ways to write a movie title

Here are some examples of incorrect ways to write a movie title:

• Saving private ryan
• Eternal SUNSHINE of a Spotless Mind
• “Shawshank Redemption”
• One Flew Over the cuckoo’s Nest

Can you figure out what is wrong with each of these examples? We’ll give you a clue! It has to do with incorrect usage of title cases, block capitals and quotation marks.

A note on reference lists

We just wanted to include a little note here to remind you that when citing a movie in your essay, you should include it in your reference list, or bibliography, depending on the academic writing style you are using. 

Again, the structure of your reference list will vary depending on whether you’re writing in APA, AP, MLA or Chicago, and you can find guidance on this in an official manual for the style (or online).

Other Points of Interest

There are some other things you might be interested in knowing that are related to the topic of how to write a movie title in an essay or article, so we’re detailing those below.

How to write a quote from a movie

So you’ve successfully referenced a movie using the rules outlined above. Now you’d like to quote a line from the movie. Which conventions should you use for this? 

For this, you would use quotation marks. For instance, if you want to quote this famous line from the movie Star Wars , you would write: “May the force be with you.”

Remember that if you’re writing an essay, you might need to also include the reference in your in-text citation. Let us show you a full example of what this would look like:

History was made when General Dodonna said “May the force be with you.” in the iconic movie Star Wars (Lucas, 1977).

How to write the name of an episode of a TV show 

If you wanted to cite a TV series, you would follow the same rules as those for citing a movie - as outlined above. But what if you also wanted to include the name of the episode you’re referring to? 

Similarly to inserting a direct quote from a movie, in this case, we recommend using quotation marks. For example:

Friends , “The One Where Everybody Finds Out.”

If writing an essay, please refer to your academic writing style’s guide to learn about conventions around formatting and using title case.

Where does the word ‘movie’ come from?

Dating back as far as the early 1900s, the word ‘movie’ stems from the term ‘moving picture’.

Before they could be projected onto a screen for wider viewing, the first movies could only be seen by one person at a time, using an Electrotachyscope, Kinetoscope, or Mutoscope.

And there we have it! We hope that this article has helped you better understand the conventions around writing a movie title in your essay or article, so you can feel confident about handing in your essay or turning in your article to your line manager.

To summarize, when you’re writing an article, the rules are pretty much up to you if writing for your own business, or your manager if writing for another company. Check-in with them to find out which conventions are already in place.

If writing an essay, then you should always use the structure set out in the academic writing style’s manual. Find out first of all which style you are expected to use. 

Now that that's done, it's time to get writing! 

Learn More:

• 'Dos and Don'ts': How to Write Them With Proper Grammar
• How to Write a List Correctly: Colons, Commas, and Semicolons
• ‘Right’ vs ‘Write’ vs ‘Rite’ vs ‘Wright’: What’s the Difference?
• How to Write Height Correctly - Writing Feet and Inches
• How to Write a Postcard (Tips and Examples)
• How to Write Comedy: Tips and Examples to Make People Laugh
• How to Write an Inequality: From Number Lines or Word Problems
• How to Write a Monologue: Tips and Examples
• How to Write a Letter to the President (With Example)
• How to Write Like Ernest Hemingway
• How to Write a Follow-Up Email After an Interview
• How to Write a Formal Email
• How to Write a 2-Week Notice Email
• How to Write an Out-of-Office (OOO) Email
• How to Write a Professional ‘Thank You’ Email

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Essays About Movies: 7 Examples and 5 Writing Prompts

Check out our guide with essays about movies for budding videographers and artistic students. Learn from our helpful list of examples and prompts.

Watching movies is a part of almost everyone’s life. They entertain us, teach us lessons, and even help us socialize by giving us topics to talk about with others. As long as movies have been produced, everyone has patronized them.  Essays about movies  are a great way to learn all about the meaning behind the picture.

Cinema is an art form in itself. The lighting, camera work, and acting in the most widely acclaimed movies are worthy of praise. Furthermore, a movie can be used to send a message, often discussing issues in contemporary society. Movies are entertaining, but more importantly, they are works of art. If you’re interested in this topic, check out our round-up of screenwriters on Instagram .

5 Helpful Essay Examples 

1. the positive effects of movies on human behaviour by ajay rathod, 2. horror movies by emanuel briggs, 3. casablanca – the greatest hollywood movie ever (author unknown).

• 4.  Dune Review: An Old Story Reshaped For The New 2021 Audience by Oren Cohen

5. Blockbuster movies create booms for tourism — and headaches for locals by Shubhangi Goel

• 6. Moonage Daydream: “Who Is He? What Is He?” by Jonathan Romney
• 7. La Bamba: American Dreaming, Chicano Style by Yolanda Machado

1. My Favorite Movie

2. movies genres, 3. special effects in movies, 4. what do you look for in a movie, 5. the evolution of movies.

“​​Films encourage us to take action. Our favourite characters, superheroes, teach us life lessons. They give us ideas and inspiration to do everything for the better instead of just sitting around, waiting for things to go their way. Films about famous personalities are the perfect way to affect social behaviour positively. Films are a source of knowledge. They can help learn what’s in the trend, find out more about ancient times, or fill out some knowledge gaps.”

In this movie essay, Rathod gives readers three ways watching movies can positively affect us. Movie writers, producers, and directors use their platform to teach viewers life skills, the importance of education, and the contrast between good and evil. Watching movies can also help us improve critical thinking, according to Briggs. Not only do movies entertain us, but they also have many educational benefits. You might also be interested in these  essays about consumerism .

“Many people involving children and adults can effect with their sleeping disturbance and anxiety. Myths, non-realistic, fairy tales could respond differently with being in the real world. Horror movies bring a lot of excitement and entertainment among you and your family. Horror movies can cause physical behavior changes in a person by watching the films. The results of watching horror movies shows that is has really effect people whether you’re an adult, teens, and most likely happens during your childhood.”

In his essay, Briggs acknowledges why people enjoy horror movies so much but warns of their adverse effects on viewers. Most commonly, they cause viewers nightmares, which may cause anxiety and sleep disorders. He focuses on the films’ effects on children, whose more sensitive, less developed brains may respond with worse symptoms, including major trauma. The films can affect all people negatively, but children are the most affected.

“This was the message of Casablanca in late 1942. It was the ideal opportunity for America to utilize its muscles and enter the battle. America was to end up the hesitant gatekeeper of the entire world. The characters of Casablanca, similar to the youthful Americans of the 1960s who stick headed the challenge development, are ‘genuine Americans’ lost in a hostile region, battling to open up another reality.”

In this essay, the author discusses the 1942 film  Casablanca , which is said to be the greatest movie ever made, and explains why it has gotten this reputation. To an extent, the film’s storyline, acting, and even relatability (it was set during World War II) allowed it to shine from its release until the present. It invokes feelings of bravery, passion, and nostalgia, which is why many love the movie. You can also check out these  books about adaption . 

4.   Dune Review: An Old Story Reshaped For The New 2021 Audience by Oren Cohen

“Lady Jessica is a powerful woman in the original book, yet her interactions with Paul diminish her as he thinks of her as slow of thought. Something we don’t like to see in 2021 — and for a good reason. Every book is a product of its time, and every great storyteller knows how to adapt an old story to a new audience. I believe Villeneuve received a lot of hate from diehard Dune fans for making these changes, but I fully support him.”

Like the previous essay, Cohen reviews a film, in this case, Denis Villeneuve’s  Dune , released in 2021. He praises the film, writing about its accurate portrayal of the epic’s vast, dramatic scale, music, and, interestingly, its ability to portray the characters in a way more palatable to contemporary audiences while staying somewhat faithful to the author’s original vision. Cohen enjoyed the movie thoroughly, saying that the movie did the book justice. 

“Those travelers added around 630 million New Zealand dollars ($437 million) to the country’s economy in 2019 alone, the tourism authority told CNBC. A survey by the tourism board, however, showed that almost one in five Kiwis are worried that the country attracts too many tourists. Overcrowding at tourist spots, lack of infrastructure, road congestion and environmental damage are creating tension between locals and visitors, according to a 2019 report by Tourism New Zealand.”

The locations where successful movies are filmed often become tourist destinations for fans of those movies. Goel writes about how “film tourism” affects the residents of popular filming locations. The environment is sometimes damaged, and the locals are caught off guard. Though this is not always the case, film tourism is detrimental to the residents and ecosystem of these locations. You can also check out these  essays about The Great Gatsby .

6. Moonage Daydream:  “Who Is He? What Is He?” by Jonathan Romney

“Right from the start, Brett Morgen’s  Moonage Daydream  (2022) catches us off guard. It begins with an epigraph musing on Friedrich Nietzsche’s proclamation that “God is dead,” then takes us into deep space and onto the surface of the moon. It then unleashes an image storm of rockets, robots, and star-gazers, and rapid-fire fragments of early silent cinema, 1920s science fiction, fifties cartoons, and sixties and seventies newsreel footage, before lingering on a close-up of glittery varnish on fingernails.” 

Moonage Daydream  is a feature film containing never-before-seen footage of David Bowie. In this essay, Romney delves into the process behind creating the movie and how the footage was captured. It also looks at the director’s approach to creating a structured and cohesive film, which took over two years to plan. This essay looks at how Bowie’s essence was captured and preserved in this movie while displaying the intricacies of his mind.

7. La Bamba:  American Dreaming, Chicano Style by Yolanda Machado

“A traumatic memory, awash in hazy neutral tones, arising as a nightmare. Santo & Johnny’s mournful “Sleep Walk” playing. A sudden death, foreshadowing the passing of a star far too young. The opening sequence of Luis Valdez’s  La Bamba  (1987) feels like it could be from another film—what follows is largely a celebration of life and music.”

La Bamba  is a well-known movie about a teenage Mexican migrant who became a rock ‘n’ roll star. His rise to fame is filled with difficult social dynamics, and the star tragically dies in a plane crash at a young age. In this essay, Machado looks at how the tragic death of the star is presented to the viewer, foreshadowing the passing of the young star before flashing back to the beginning of the star’s career. Machado analyses the storyline and directing style, commenting on the detailed depiction of the young star’s life. It’s an in-depth essay that covers everything from plot to writing style to direction.

5 Prompts for Essays About Movies

Simple and straightforward, write about your favorite movie. Explain its premise, characters, and plot, and elaborate on some of the driving messages and themes behind the film. You should also explain why you enjoy the movie so much: what impact does it have on you? Finally, answer this question in your own words for an engaging piece of writing.

From horror to romance, movies can fall into many categories. Choose one of the main genres in cinema and discuss the characteristics of movies under that category. Explain prevalent themes, symbols, and motifs, and give examples of movies belonging to your chosen genre. For example, horror movies often have underlying themes such as mental health issues, trauma, and relationships falling apart. 

Without a doubt, special effects in movies have improved drastically. Both practical and computer-generated effects produce outstanding, detailed effects to depict situations most would consider unfathomable, such as the vast space battles of the  Star Wars  movies. Write about the development of special effects over the years, citing evidence to support your writing. Be sure to detail key highlights in the history of special effects. 

Movies are always made to be appreciated by viewers, but whether or not they enjoy them varies, depending on their preferences. In your essay, write about what you look for in a “good” movie in terms of plot, characters, dialogue, or anything else. You need not go too in-depth but explain your answers adequately. In your opinion, you can use your favorite movie as an example by writing about the key characteristics that make it a great movie.

From the silent black-and-white movies of the early 1900s to the vivid, high-definition movies of today, times have changed concerning movies. Write about how the film industry has improved over time. If this topic seems too broad, feel free to focus on one aspect, such as cinematography, themes, or acting.

For help with your essays, check out our round-up of the  best essay checkers .

If you’re looking for more ideas, check out our  essays about music topic guide !

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• Writing Tips

Are Movies Italicized?

3-minute read

• 16th September 2023

If you’ve ever found yourself hesitating before handing in a paper because you’re wondering whether the movie titles you refer to should be italicized, you’re not alone. Proper formatting of movie titles can be tricky, especially when following different style guides for various writing purposes.

In this blog post, we’ll explore the rules and conventions regarding italicizing movie titles in different contexts, from essays to news articles to blog posts.

Should You Italicize Movie Titles in an Essay?

In academic writing, maintaining consistent formatting is essential for clarity and professionalism. When it comes to movie titles in essays, the general rule is to italicize them. This will help to differentiate them from the rest of the text, making your paper more organized and readable. For example:

But the final answer, of course, will depend on your style guide.

Should You Italicize Movie Titles for MLA?

The Modern Language Association (MLA) provides specific guidelines for formatting essays and research papers. It’s often required for humanities courses, especially English and literature. According to MLA style , you should italicize movie titles. For example:

Should You Italicize Movie Titles in APA?

American Psychological Association (APA) style , commonly used in social sciences, has different rules for formatting movie titles. In APA style, movie titles are also italicized , but note that APA has different rules than other style guides when it comes to capitalization of titles in general.

In APA, you write the movie title with title case (all major words capitalized) in the main body of an essay, but in the reference list, the title should use sentence case (except for proper nouns and words following a colon). For example:

In both cases, the movie title is italicized.

Should You Italicize Movie Titles in Chicago/Turabian?

The Chicago Manual of Style and Turabian style , often used in history and other social sciences, align with the general practice of italicizing movie titles. Here’s an example:

Should You Italicize Movie Titles in News or Web Articles in AP Style?

When writing for news articles or web content following the Associated Press (AP) style , movie titles are placed in quotation marks rather than italicized. AP Style doesn’t use italics. For example:

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Remember to consult the specific style guide required for your writing to ensure accurate formatting. Properly formatted movie titles enhance the overall professionalism and readability of your work.

Here’s a quick rundown of the guidelines of this post:

●  In essays: Typically, movie titles are italicized for clarity and consistency. But check your style guide!

○  In MLA style: Italicize movie titles.

○  In APA style: Italicize movie titles but pay attention to title capitalization guidelines for the main body of the paper vs. the reference list.

○  In Chicago/Turabian style: Italicize movie titles.

○  In AP style for news or web articles: Place movie titles in quotation marks.

So, the next time you’re discussing your favorite films, you’ll know just how to format their titles with confidence.

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How Can I Write an Essay About a Movie?

By Film Threat Staff | May 23, 2023

Watching movies for a long time has been a major past-time for most individuals. The people expect to sit in front of their screens and get thrilled into a world of adventure, mystery, and wonder.

But how can you gauge your appreciation and understanding of filmmaking? Writing an essay about a movie is one way of showing your grasp of the content.

Movie analysis is a common assignment for most college students. It is an intricate task where every detail matters while tied together to form a part of the story.

A part of the assignment involves watching a particular movie and writing an essay about your overall impression of the movie.

Essay writing services such as WriteMyEssay show that more than rewatching a movie several times is needed to make up for a solid movie analysis essay. Here is a step-by-step guide on how to write your movie analysis:

What Is a Movie Essay?

The world of literature is multifaceted while testing different attributes of students. A movie analysis essay, at its core, seeks to uncover the hidden layers of meaning within the cinema world.

A movie analysis essay is much more than a movie review that seeks to delve into the artistry behind filmmaking. Thus, it seeks to test a student’s prowess in understanding various elements that come together to form a meaningful cinematic experience.

The main purpose of movie analysis essays is to dissect different components employed by a film in making a unique and impactful storyline.

Students can appreciate the filmmaking process’s complexities by analyzing these different elements. Also, students can develop a keen eye for the nuances that elevate a movie from entertainment to a work of art.

Here are top tips by experts when writing an essay about a particular movie during your assignments:

1. Watch the Movie

The first obvious standpoint for writing an essay about any movie is watching the film. Watching the movie builds an important foundation for the writing exercise. Composing an insightful, compelling, and well-thought movie essay requires you to experience it.

Therefore, select an appropriate environment to watch the movie free from distractions. Moreover, immerse yourself in the full movie experience to absorb all the intricate details. Some critical elements to note down include:

• Characterization
• Cinematography

We recommend watching the movie several times in case the time element allows. Rewatching the film deepens your understanding of the movie while uncovering unnoticed details on the first take.

2. Write an Introduction

The introductory paragraph to your movie essay should contain essential details of the movie, such as:

• Release date
• Name of the director
• Main actors

Moreover, start with a captivating hook to entice readers to keep reading. You can start with a memorable quote from one of the characters.

For example, released in 1976 and Directed by Martin Scorsese, ‘The Taxi Driver’ starring Robert De Niro as the eccentric taxi driver.’

After writing an enticing introduction, it is time to summarize what you watched. A summary provides readers with a clear understanding of the movie’s plot and main events. Hence, your readers can have a foundation for the rest of your movie essay.

Writing a summary need to be concise. The entire movie essay should be brief and straight to the point. Ensure to capture the main arguments within the movie’s plot. However, avoid going into too many details. Just focus on giving concise information about the movie.

4. Start Writing

The next vital part is forming the analysis part. This is where the analysis delves deeply into the movie’s themes, cinematography, characters, and other related elements.

First, start by organizing your analysis clearly and logically. Each section or paragraph should concentrate on a particular aspect of the film. Ensure to incorporate important elements such as cinematography, character development, and symbolism.

In addition, analyze different techniques employed by filmmakers. Take note of stylistic choices, including editing, sound, cinematography, imagery, and allegory. This helps contribute to the overall impact and meaning.

Lastly, connect your analysis to the thesis statement. Ensure all arguments captured in your analysis tie together to the main argument. It should maintain a straight focus throughout your essay.

Remember to re-state your thesis while summarizing previously mentioned arguments innovatively and creatively when finishing up your movie essay. Lastly, you can recommend your reader to watch the movie.

Final Takeaway

The writing process should be a fun, demanding, and engaging assignment. Try these tips from experts in structuring and logically organizing your essay.

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Do I need to cite a movie if I'm explaining scenes throughout my paper?

Yes, cite any movie you are discussing in your paper.  

• If using exact lines from the film, treat these in-text as a quotation.
• If explaining what happened in the movie or other ideas from the film (in other words, paraphrasing), then this is an in-text paraphrase.
• See below for examples of in-text quotations and in-text paraphrases.

Visit the APA Help guide to see an example.

• Click on References and In-text Citation Examples
• Select Other and see Film/TV .

Film / Motion Picture

Richter, J. (Producer), & Hausmann, J. (Director). (1985).  Cezanne: The man and the mountain  [Motion picture]. United States: Home Vision.

In-text Paraphrase : (Richter & Hausmann, 1985).  Quotation : (Richter & Hausmann, 1985, Timestamp)

Thank you for using ASK US. For more information, contact your  Campus Library/ARC .

• Last Updated Oct 17, 2019
• Views 65496
• Answered By Baker Librarians

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Comments (2)

• What if the purpose of the paper is to analyze the movie? If I'm explaining scenes from the movie for most of the paper, do I need to have an in-text citation on almost every sentence? by Kevin on Jul 31, 2019
• If you are paraphrasing a few different sentences in the same paragraph, but they are not all in a row or together, you would have to cite after each sentence. You may also want to take a look at the following ASK US question/answer (http://askus.baker.edu/a.php?qid=1177498). It deals with whether one citation should be used at the end of a multiple sentence paragraph or after every sentence. If you are concerned about citing a lot from the same source, you may want to take a look at Section 6.11 One Work by One Author (p. 174) of the APA Manual, 6th edition. It provides examples where author's name appears multiple times in a single paragraph. The fact that there is a rule suggests that, even though it may seem like it is excessive, it is still necessary to have the in-text citations. by Kelly Bayee on Aug 02, 2019

We'll answer you within 3 hours M - F 8:00 am - 4:00 pm.

Why I Write Movies

A few words on screenwriting from Robert Towne, author of Chinatown and Shampoo , script doctor on Bonnie & Clyde and The Godfather .

Several years ago my five-year-old daughter bounced into my study and found me hunched and miserable over my typewriter, feeling like a housewife who couldn’t get her stove to boil water. Kate wanted to know why I wouldn’t play with her. “Because I’m stuck.” She wanted to know why I was stuck. “Because it’s hard.” She thought about this for a minute and said, “Then why do it, Dad? Why don’t you cease this activity and become an artist?”

By artist she meant painter, of course, but despite its surprising diction, her question was not an unfamiliar one. It was, in fact, a question I’d heard posed all my life, and not just to me. Writers in every generation since screenplays went off the cuff of the director and onto paper have been asked to respond to it. Generally they have done so with wit, shame, and cynicism—the wisdom of wags and writers from Anita Loos and Ben Hecht to Fitzgerald and Parker has been distilled and codified into Woody Allen’s phrase about screenwriting: Take the money and run. Write the great American novel, the Pulitzer Prize-winning play, live well, and don’t take screenwriting too seriously. Like parking-lot attendants and waiters in Los Angeles, do it on the way to being an actor or a grown-up or an artist, do it as a means to an end—but never as an end in itself. This is a continuing attitude about screenwriting. As Vincent Canby observed not long ago, “I can’t imagine why any person who took himself seriously as an artist would pursue it for more than five minutes.”

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There is only one other thing I can recall being treated with anything like the amusement and contempt and condescension reserved for screenwriters—and that is the city of Los Angeles itself. Since I can remember, it’s been called crass, cultish, “the nowhere city,” full of vegetation and people and architecture from any- and everywhere else on earth. Some called it “southern cafeteria” because of the proliferation of eating establishments where the old and the odd and the ill would sit tray-by-tray, spooning their Waldorf salads and dreaming about the future they had come to seek. No one, I suppose, embodied the spirit of contempt and frustration and loathing about Los Angeles more dramatically than Nathanael West. In him, love and hate for Los Angeles collided and finally died in a head-on traffic accident at Sunset and Sepulveda—or so I had been brought up to believe. (Actually, West died on the highway in El Centro, just north of Tijuana, purportedly in a hurry to make it to L.A. in time for his buddy Scott Fitzgerald’s funeral.) Whether it’s Nathanael West or David Susskind or Woody Allen, the varying skills of the observer notwithstanding, the observation is likely to be the same: The only good thing about Los Angeles is that you can turn right on red (but not always, and particularly not at Sunset and Sepulveda).

This confluence of opinion about Los Angeles and screenwriting—bogus representations of life and literature, respectively—is something I remember vividly about growing up in that city. The Santa Anas brought hot air from the desert, ocean breezes brought cold air from the Pacific, and the prevailing wind from the east brought the same message over and over: I lived in a world that was, if possible, phonier than the movies it produced.

Even as a child—especially as a child—this name-calling bothered me. I knew that the fishermen I would watch going out to sea in San Pedro were not phony. Their beards would scratch your face, there was red wine on their breath, and they made you feel safe when they lifted you off the boat and onto the docks before they cast off into the open sea. They were very real.

The only good thing about Los Angeles is that you can turn right on red (but not always, and particularly not at Sunset and Sepulveda).

At the same time, certain things in the movies I watched while growing up began to strike me as increasingly unreal. For instance: I’d never been to New York, but I found it unlikely that you could pull up in front of the Waldorf-Astoria at any hour of the day or night and find a parking space; I would get faintly indignant that no one waited for change when they paid a check in a restaurant; I found it hard to swallow that every married couple slept in twin beds, that the husband always wore pajamas and the wife always woke up without her lipstick smeared; I knew it was a flat-out lie when the movie was set in Los Angeles and the men wore hats and overcoats. This misrepresentation of native dress was a serious violation of reality. It rankled me the way James Fenimore Cooper’s Indians rankled Mark Twain—when six of them jump out of a sapling barely six feet tall and somehow miss a barge 150 feet long passing beneath them at less than one mile an hour. Moreover, these hats in L.A. weren’t merely noted on the printed page; they were being shown on a huge screen, the offending item much larger than life. I’m sure I figured somewhere back then that sooner or later, when I grew up, I would try to do it differently. I’d make it “real.” Particularly because I grew up in a place outsiders claimed was unreal, and because I looked at representations of that world onscreen that I thought were unreal, I suppose I saw movies as a way of redressing a wrong. I would use one illusion—movies—in order to make another illusion—Los Angeles—real.

But then why not address and redress these views of Los Angeles through novels and plays? Why choose screenwriting, so often spoken of as a collaborative business? In this context, collaboration is akin to what happened in occupied France, and business means that you sell whatever writing skills you have for whatever money you can get.

I guess it’s like I said to my daughter, I really am stuck....There are no novels or plays I’m itching to write and there never have been. I love movies. I think movies best communicate whatever I have to say and show; or to put it another way, when what you want to show is what you have to say, you are pretty much stuck with movies as a way of saying it.

Consider this: In Lawrence of Arabia , Lawrence, in flowing white robes, sits on a truck in the middle of the desert giving a press conference. He’s ten feet tall on the screen and overwhelmingly immaculate. He faces a grimy-looking reporter who scratches his beard and asks snidely, “Just what is it, Colonel Lawrence, that attracts you to the desert?” Lawrence glances distastefully at the dirty reporter and offers a three-word reply: “Because it’s clean.” It is not the text but the context that gives this reply its full force. Those three words in a novel or even on the stage would be mildly amusing at best, but on the screen the effect is as overwhelming as the figure of Lawrence and the desert looming behind him. Those three words are the scene. There is no speech, long or short, about Lawrence’s need to seek remote places of the earth in order to avoid the corruption inevitably found in its more populated areas. Only a clean man, a dirty reporter, a big desert, and three little words—“Because it’s clean.”

It’s a movie. What else do you need?

@media(max-width: 73.75rem){.css-1ktbcds:before{margin-right:0.4375rem;color:#FF3A30;content:'_';display:inline-block;}}@media(min-width: 64rem){.css-1ktbcds:before{margin-right:0.5625rem;color:#FF3A30;content:'_';display:inline-block;}} Movies

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Being a Cougar Is So Back

Recent films like The Idea of You and A Family Affair are challenging long-held myths about older women and desirability.

Everything old is new again, as the saying goes. Or rather, everything older . At least when it comes to the age of women being romanced onscreen (and sometimes off), and new when it comes to the young men romancing them.

What’s also new? The direction of this age gap.

In the last two decades, culture has labeled women who pursue these relationships “cougars.” Suggesting an inappropriate power imbalance, and framing the woman as a predator of a sort (that this concern is never applied in the reverse is but one small example of how women are forever held to different standards).

But lately, what has been considered a derogatory punchline is being reclaimed as empowering in the cultural zeitgeist. The last few years, however, have seen a refreshing resurgence of storylines featuring love stories between older women and younger men when we’ve long been accustomed to the opposite. After all, some of the most classic films in Hollywood have starred older male actors and much younger actresses: Gary Cooper (51) and Grace Kelly (23) in High Noon ; Humphrey Bogart and Lauren Bacall (24 year age gap) in their many collaborations; Jimmy Stewart (42) and Grace Kelly (now 25) in Rear Window ; Gwyneth Paltrow (26) and Michael Douglas (54) in A Perfect Murder (a classic to some of us!); Tom Cruise and nearly all his recent co-stars.

The film version of The Idea of You was released on Prime Video in May, with Anne Hathaway in the role of Solène, a gallerist who just turned 40, and Nicholas Galitzine playing the much younger Hayes, the frontman of pop sensation August Moon. (Much like real-life Wilde, who was the target of much online vitriol from certain corners of the Internet during her relationship with Styles, when the tabloids catch wind of Solene’s and Hayes’ relationship, she is blasted as a cougar in the press, prompting her daughter to get bullied and teased at school.) And last week, A Family Affair premiered on Netflix starring Nicole Kidman as a successful widowed writer in her early fifties who falls for the boss of her 23-year-old daughter (played by Joey King); the man in question is an over-indulged dimwitted movie star played skillfully by Zac Efron, who is 20 years Kidman’s junior.

While these are the two most recent high-profile examples they are hardly the only ones. In the HBO limited series The Sympathizer , Hoa Xuande’s character, 36, has an affair with Sandra Oh (52) (also: duh). In 2022, Jean Smart won the Emmy for her performance in season 2 of Hacks , which contained an episode where her character has a one-night stand with a much younger man.

We’ve also seen critical interrogations of this relationship dynamic. The 2023 film May December , which was inspired by the Mary Kay Letourneau case, is a difficult, if, at times, darkly comedic, look at a relationship between a 36-year-old woman and a 13-year-old boy, who go on to marry and have children together. Further afield, the compelling French film Last Summer , directed by Catherine Breillat, which arrives in American theaters this month, is about a fifty-something married lawyer who has an affair with her teenage stepson. As the plot progresses, audiences are increasingly asked to interrogate the sexual dynamics at play through a #MeToo lens.

One noteworthy distinction here is that these relationships are not fodder for cheap laughs. Drama, yes. But not a punchline—or a pity party. And this attitude is extending beyond the screen: A recent revival of Sunset Boulevard in London cast the glamorous and powerful Nicole Scherzinger, 45, as Norma Desmond, a role that has long defined the pitiful aging woman grasping desperately at her lost youth. In this case, however, director Jamie Lloyd told The New York Times , he was specifically looking for an actress “in her prime.”

So what accounts for this flipping of the age ratio?

Entrepreneur and former ad executive, Cindy Gallop , whose viral 2009 TEDTalk “Make Love Not Porn” opened with the line “I date younger men,” believes it’s a reflection of who is making these films. “The onscreen narratives we’re seeing now come from books and scripts by women, and are being helmed by women, and backed and driven by women.”

.css-1aear8u:before{margin:0 auto 0.9375rem;width:34px;height:25px;content:'';display:block;background-repeat:no-repeat;}.loaded .css-1aear8u:before{background-image:url(/_assets/design-tokens/elle/static/images/quote.fddce92.svg);} .css-curasl{margin:0rem;font-size:1.625rem;line-height:1.2;font-family:SaolDisplay,SaolDisplay-fallback,SaolDisplay-roboto,SaolDisplay-local,Georgia,Times,serif;margin-bottom:0.3125rem;font-weight:normal;}@media(max-width: 48rem){.css-curasl{font-size:2.125rem;line-height:1.1;}}@media(min-width: 40.625rem){.css-curasl{font-size:2.125rem;line-height:1.2;}}@media(min-width: 64rem){.css-curasl{font-size:2.25rem;line-height:1.1;}}@media(min-width: 73.75rem){.css-curasl{font-size:2.375rem;line-height:1.2;}}.css-curasl em,.css-curasl i{font-style:italic;font-family:inherit;}.css-curasl b,.css-curasl strong{font-family:inherit;font-weight:bold;}.css-curasl i,.css-curasl em{font-style:italic;} We know that older women are just as attractive to younger men, as older men are attractive to younger women, no matter how threatening the patriarchy finds that.”

And like anyone else, women want to see both their realities and fantasies reflected in the world. Culture, meanwhile, is struggling to keep up with how women actually live. We know from studies that single women without children report being happier, and yet we see few storylines that reflect the possibility of satisfaction outside of partnership or parenthood. Similarly, women are increasingly earning more, and thanks to access to better healthcare and nutrition and exercise many of us are remaining physically healthy for longer (as every celebrity website loves to point out). Why wouldn’t we be considered attractive to literally everyone?

Says Gallop: “We know that older women are just as attractive to younger men, as older men are attractive to younger women, no matter how threatening the patriarchy finds that.”

In some ways, these storylines feel long overdue. A small but necessary counterbalance to the so-called “ trad wife ” movement that has become increasingly popular on social media.

And yet, it’s worth noting we’ve been here before. As new as these pairings might seem, they are just the latest iteration. In 1996 Terry McMillan published How Stella Got Her Groove Back about Stella, a successful 42-year-old woman who flies to an island for vacation and falls for a 21-year-old, whom she eventually ends up marrying. In the movie, Stella is played by Angela Bassett and the younger man by Taye Diggs. And let us not forget Sex and the City ’s Samantha Jones and Smith Jerrod.

In fact, if anything, this latest round feels tame—at least on screen. In The Idea of You, Hayes’ age has been upped from 20 to 26. Hathaway, meanwhile, could pass for a 30-year-old. The sex scenes onscreen are extremely mild compared to what’s described in the novel. Similarly, in A Family Affair , Kidman not only looks young, but she behaves like a woman half her age—giggling and insecure—and even then it begs the audience to believe that someone as accomplished as we’re told her character is would find anything in common with Efron’s, who behaves like an incompetent five year old. Abs are nice, but not that nice.

It leaves one craving something closer to what many of us are experiencing: The power and confidence of aging, with or without the youthful body to match. That’s something we all should be attracted to.

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George Clooney calls for Joe Biden to step down, says he witnessed president’s decline in person 3 weeks ago

"It’s devastating to say it, but the Joe Biden I was with three weeks ago at the fund-raiser was not the Joe 'big F---ing deal' Biden of 2010," Clooney wrote.

Hollywood icon and longtime Democratic fund-raising leader George Clooney has joined a growing list of political and entertainment figures calling for President Joe Biden to bow out of the 2024 election race against Donald Trump .

Like many before him, the Oscar-winning actor and producer cited concerns over Biden's 81 years of age impacting his ability to lead the party to victory in November, but added that, before Biden's disastrous performance at the June 27 debate , he witnessed Biden's decline in person at a political event nearly three weeks ago.

"I love Joe Biden. As a senator. As a vice president and as president. I consider him a friend, and I believe in him. Believe in his character. Believe in his morals. In the last four years, he’s won many of the battles he’s faced," Clooney wrote in a New York Times essay published Wednesday, in which he acknowledged his friendship with Biden. "But the one battle he cannot win is the fight against time. None of us can. It’s devastating to say it, but the Joe Biden I was with three weeks ago at the fund-raiser was not the Joe ' big F---ing deal ' Biden of 2010. He wasn’t even the Joe Biden of 2020. He was the same man we all witnessed at the debate."

Bonnie Cash/UPI/Bloomberg via Getty Images

He continued: "Was he tired? Yes. A cold? Maybe. But our party leaders need to stop telling us that 51 million people didn’t see what we just saw. We’re all so terrified by the prospect of a second Trump term that we’ve opted to ignore every warning sign. The George Stephanopoulos interview only reinforced what we saw the week before. As Democrats, we collectively hold our breath or turn down the volume whenever we see the president, who we respect, walk off Air Force One or walk back to a mic to answer an unscripted question."

Clooney also alleged that he's spoken to numerous Democratic senators and members of congress in private in recent days, and that "every single one" shares the sentiment that "we are not going to win in November with this president." He also claimed that many of the politicians he spoke with have different forward-facing stances on the issue, and are "saying publicly" things that contradict how they really feel about Biden's acuity.

The 63-year-old goes on to suggest that several prominent Democrats could step up to lead the November ticket, noting that the nominating process at the 2024 Democratic National Convention could “enliven our party and wake up voters" among the base.

"We can put our heads in the sand and pray for a miracle in November, or we can speak the truth," Clooney wrote, finishing the essay with a final note of praise for Biden before calling on him to bow out once again. "Joe Biden is a hero; he saved democracy in 2020. We need him to do it again in 2024."

Entertainment Weekly has reached out to the White House and the Biden campaign for a response. When reached for comment, Clooney's publicist tells EW there's "nothing to add" to the actor's New York Times essay.

Others who've attended recent events with Biden have praised the president on social media, including diplomat James Costos, who tweeted Wednesday that he was "proud to be with" Biden in person in Los Angeles.

Amid sustained calls from both Democrats and Republicans to drop out of the matchup against Trump, both Biden and White House representatives have maintained that he'll remain in the race. Biden confirmed in a July 5 X post that he's “not letting one 90-minute debate wipe out three and a half years of work. I'm staying in the race, and I will beat Donald Trump."

New York's governor, Kathy Hochul, also recently told MSNBC that Biden is the best candidate running, and that she felt emboldened to support him after meeting with him less than a day after the debate.

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“What I saw less than 24 hours after the performance the night before, was Joe Biden himself, at his best, energetic, fully alert, and conversational,” Hochul said. "One bad night does not affect three-and-a-half years of stellar accomplishment, and I’m really excited about the next four years ahead as well."

Other entertainment figures calling for Biden to let another Democratic candidate tap in for the party include several cohosts on The View — particularly Sara Haines and former Trump White House communications staffer Alyssa Farah Griffin .

"It kind of pains me to say this today, but I think President Biden needs to step down and be replaced if we want to defeat Donald Trump in November," Haines said, urging Democrats to stop "twisting the age issue" by making excuses for Biden's performance.

Also amongst Biden's critics are Stephen King, Rob Reiner, Michael Moore, and Michael Douglas — the last of whom said Wednesday on The View that he worries about Biden's fitness for office in the near future if he's elected to a second term.

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Donald Trump Slams George Clooney For New York Times Essay Urging Joe Biden To Exit Presidential Race

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Donald Trump chastised George Clooney as a “fake movie” actor and said that he should “get out of politics,” following Clooney’s bombshell op-ed in the New York Times urging Joe Biden to exit the presidential race.

It may seem like a curious position for Trump to take, given Clooney’s questioning of Biden’s age, but the former president’s campaign is set up to run against the current president, not some other rival.

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Trump also posted a mock video of Clooney in conversation with Biden.

Clooney’s op-ed helped reignite calls for Biden to step aside or reconsider his decision to stay in the race, as it seemed earlier in the week that the president’s campaign was making progress in tempering a revolt within the party. Clooney’s op-ed, though, raised questions of Biden’s fitness by pointing not just to the president’s debate performance but his appearance at a Hollywood-filled fundraiser on June 15. Biden traveled from Europe to the Los Angeles event, and appeared tired at times in his conversation with Barack Obama and Jimmy Kimmel.

Politico reported Thursday that Clooney reached out to Obama to give him a heads up about the op-ed, but the former president did not advise him or object to it.

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Actor George Clooney, a high-profile Biden supporter and fundraiser, asks president to leave race

President Joe Biden’s imperiled reelection campaign is hitting new trouble. Rather than urging him to stay in, on Wednesday former House Speaker Nancy Pelosi said “it’s up to the president to decide” if he should.

FILE - President Joe Biden shakes hands with actor, director and producer George Clooney during the Kennedy Center honorees reception at the White House in Washington, Dec. 4, 2022. Movie star and lifelong Democrat George Clooney is adding his voice to calls for Joe Biden to leave the presidential race. Clooney says in a New York Times opinion piece Wednesday that he loves Biden, but the party would lose the presidential race as well as any control in Congress with him as the nominee. (AP Photo/Manuel Balce Ceneta)

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FILE - Director George Clooney attends a special screening of “The Boys in the Boat,” Dec. 13, 2023, in New York. Movie star and lifelong Democrat George Clooney is adding his voice to calls for Joe Biden to leave the presidential race. Clooney says in a New York Times opinion piece Wednesday that he loves Biden, but the party would lose the presidential race as well as any control in Congress with him as the nominee. (Photo by Evan Agostini/Invision/AP, File)

El actor George Clooney en un evento en Nueva York el 13 de diciembre del 2023. (Evan Agostini/Invision/AP)

FILE - Actor George Clooney speaks to the media following a meeting at the White House in Washington, Feb. 23, 2009. Movie star and lifelong Democrat George Clooney is adding his voice to calls for Joe Biden to leave the presidential race. Clooney says in a New York Times opinion piece Wednesday that he loves Biden, but the party would lose the presidential race as well as any control in Congress with him as the nominee. (AP Photo/Pablo Martinez Monsivais, File)

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Movie star and lifelong Democrat George Clooney added his voice to calls for Joe Biden to leave the presidential race on Wednesday, just weeks after headlining a fundraiser that brought in a record single-night haul for the president’s reelection campaign.

Clooney said in a New York Times opinion piece that he loves Biden, but the party would lose the presidential race as well as any control in Congress with him as the nominee.

“This isn’t only my opinion; this is the opinion of every senator and congress member and governor that I’ve spoken with in private,” wrote Clooney. He’s hosted several high-dollar Hollywood fundraisers, including for Biden last month.

Clooney argued the party should pick a new nominee at its convention next month, saying the process would be “messy” but “wake up” voters in the party’s favor, mentioning Vice President Kamala Harris and Govs. Wes Moore of Maryland, Gretchen Whitmer of Michigan and Gavin Newsom of California among those from who the country should now hear.

AP AUDIO: Actor George Clooney, a high-profile Biden supporter and fundraiser, asks president to leave race

AP Washington correspondent Sagar Meghani reports one of President Biden’s highest-profile Hollywood backers is joining calls for him to abandon his reelection bid.

Focusing much of his piece around Biden’s age, Clooney noted differences he saw in the 81-year-old president during their recent Los Angeles event compared to years past.

“It’s devastating to say it, but the Joe Biden I was with three weeks ago at the fund-raiser was not the Joe ‘big F-ing deal’ Biden of 2010,” Clooney wrote. “He wasn’t even the Joe Biden of 2020. He was the same man we all witnessed at the debate.”

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Last month, Clooney, Julia Roberts and Barbra Streisand were among those who took the stage for a fundraiser that took in a record $30 million-plus for Biden, in hopes of energizing would-be supporters for a White House contest they said may rank among the most consequential in U.S. history.

Clooney isn’t alone in his characterization of his recent exchange with Biden.

Biden’s shaky June 27 debate performance is causing cracks in the White House. Internal drama, leaks and second-guessing swirls.

• The White House has since faced many questions about Biden’s health and medical history. Here’s the latest.
• Behind closed doors, Senate Democrats have expressed deep concerns about whether Biden can win November’s election.
• The mood for Democrats on Capitol Hill is grimly uncertain , as Biden faces calls to drop out of the race.

A person who interacted closely with Biden described the president as vibrant and engaging at a fundraiser in March but, at the Los Angeles event months later, said they noticed a notable diminishment in Biden’s presence.

The person, who spoke on the condition of anonymity to discuss private interactions with the president, recalled being struck by how tired and “out of it” the president seemed during backstage conversations at the Los Angeles event, adding that they gave Biden the benefit of the doubt for not being as voluble and showing lower energy off-stage because he arrived in Los Angeles after traveling from Italy where he had attended an international summit.

Asked for comment on Clooney’s essay, Biden’s campaign pointed to the president’s letter to congressional Democrats earlier in the week vowing to stay in the race.

His team also disputed the actor’s representation of Biden’s demeanor during the Los Angeles fundraiser, with campaign officials who attended the event pointing out that the president stayed for more than three hours at the event, despite just having returned from Europe.

Luminaries from the entertainment world have increasingly lined up to help Biden’s campaign . Leading up to the fundraiser, Clooney’s name appeared on numerous fundraising missives from the campaign, which he called “the fight of our lives.”

Representatives for Clooney did not immediately return a message seeking comment on insight into his decision, when precisely he had made it or how recently he had spoken with Biden.

Biden has refused to end his reelection bid after his weak debate performance against presumptive Republican nominee Donald Trump on June 27.

Kinnard reported from Chapin, South Carolina. She can be reached at http://twitter.com/MegKinnardAP

Associated Press writer Aamer Madhani contributed to this story from Washington.

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George clooney pens op-ed calling for biden to step aside.

“He saved democracy in 2020,” wrote the longtime Democrat who helped fundraise for the president. “We need him to do it again in 2024.”

By Kevin Dolak

Kevin Dolak

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On Wednesday,  The New York Times  op-ed section  published a blunt essay  from George Clooney , in which the actor and director, one of Hollywood’s more engaged political players, forcefully argues for President Joe Biden to step aside in his campaign for reelection and allow a new candidate to take on Donald Trump in November.

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“Was he tired? Yes. A cold? Maybe,” Clooney wrote of the debate performance that has sent Democrats into a panic and that is now dividing the party. “But our party leaders need to stop telling us that 51 million people didn’t see what we just saw. We’re all so terrified by the prospect of a second Trump term that we’ve opted to ignore every warning sign. The George Stephanopoulos interview only reinforced what we saw the week before. As Democrats, we collectively hold our breath or turn down the volume whenever we see the president, who we respect, walk off Air Force One or walk back to a mic to answer an unscripted question.”

Clooney writes that while it may seem unfair to point out Biden’s perceived cognitive decline given his advanced age, “it has to be fair” because Democracy is at stake. He asserts that running Biden at the top of the ticket will not only lose the Democrats the presidency, it will cost them the House and Senate majority, which is within the grasp of both major parties in November; Clooney says that every single senator and congressional representative that he has spoken to privately agrees with this prediction.

“We Democrats have a very exciting bench,” Clooney asserts. “We don’t anoint leaders or fall sway to a cult of personality; we vote for a president.”

The Oscar winner for the political thriller  Syriana  and nominee for  Good Night, and Good Luc k, which follows the conflict between journalist Edward R. Murrow and U.S. Sen. Joseph McCarthy, floated the idea of several prominent Democrats stepping up to lead the ticket in November. Clooney suggests in the essay that the nominating process at the 2024 Democratic National Convention could “enliven our party and wake up voters.”

In closing, Clooney gives Biden credit for steering the nation away from the paths of the Trump administration and says he must repeat the feat.

“Joe Biden is a hero; he saved democracy in 2020,” he wrote. “We need him to do it again in 2024.”

According to a news story on the op-ed that The New York Times published Wednesday, two sources said that the gala fundraiser was planned around Clooney’s schedule — not Biden’s — and the event’s timing demanded that in a short window of time, Biden fly from a Group of 7 gathering to California and back to Washington. Following the debate, Biden explained his dismal performance as the result of a cold and jet lag.

Roberts and Kimmel, along with Jeffrey Katzenberg and Steven Spielberg, have not yet commented on whether Biden should stay or step aside , despite several influential celebrity Democratic donors like Netflix co-founder Reed Hastings, media mogul Barry Diller, Endeavor CEO Ari Emanuel and millionaire Disney heiress Abigail Disney calling on the Democratic party to replace Biden on the ticket.

In response to Clooney’s op-ed later on Wednesday, Michael Douglas, a longtime Biden supporter who hosted a Hollywood fundraiser at his home for the president in April, said he too was “deeply, deeply concerned” about Biden’s reelection prospects after the debate, but he stopped short of withdrawing his support for Biden for 2024.

Following up on he r monologue in support of Biden on Monday’s show, The View ‘s Whoopi Goldberg said that she continues to support th president — even when Douglas and her   cohost Joy Behar said that Biden should have focused on Trump’s lies during the debate. To that notion, a flummoxed Goldberg said, “But then when he does that…You know, you can’t win in this game. I really feel bad for him. If he can’t do the job and we see he can’t do the job, then he’s gotta go, but until I can see that, I’m going to support him.”

Jackie Strause contributed to this story.

July 10, 10 a.m. Updated to include Michael Douglas’ The View quotes.

July 10, 11 a.m. Updated to include details about the planning of the Clooney-hosted fundraiser.

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