You can also organize the reading using mind maps, interconnected block lists, progression charts, and branches.
4. Research is important because an EE that is based on mere opinions will not score highly.
A formal essay follows the model below:
1. The introduction must explicitly state your research question. Write the introduction first because it will help you write a logical and coherent essay. The introduction functions as an outline of your essay.
2. You may want to think about subsections in your essay before you start writing. This will give you a sense of how much space or how many words each section of your analysis will take. The last thing you want is an essay that requires heavy cutting, or to struggle to meet the word count close to your deadline.
3. Examiners want to see logical arguments supported by relevant evidence. You must provide evidence to support your points and discuss the relationship between them, so make reference to your primary and secondary sources.
4. Use reporting verbs such as argues, highlights, defines, reinforces, asserts, and so on rather than thinks, shows, hopes, imagines, and so on.
5. Use linking words to link ideas and provide a logical flow of ideas.
6. Read through your paragraphs, again and again, reordering paragraphs, until you have a logical order.
7. The conclusion of your essay must reiterate your key findings, summarize main points, and provide a resolution to your conclusion. DO NOT introduce new findings or information. DO NOT pass judgments or make any accusations. AVOID including personal statements.
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by Antony W
March 13, 2023
Group 1 Extended Essay subjects give IB students the opportunity to conduct independent research into a topic of interest in English, Language, and Literature.
Apart from promoting creativity and intellectual discovery, the subject group helps you to appreciate the value of advanced research and improve your writing skills.
In this guide, you’ll learn everything you need to know about English Extended Essay.
In particular, we will look at the definition of English EE, English EE categories, and some English Extended Essay topics to get you started.
Category 1: language.
This category focuses on the analysis of some aspects of English.
Topics such as national language policies of English speaking countries, the influence of technology on English vocabulary, and use of dialects and ascents would fit into this category.
The primary sources of information for this category would be newspapers, interviews, and websites. You secondary sources would be articles and journals.
We divide Culture and Society further into two sub-categories.
In the first sub-category, the focus is on the effect of cultural change on a language in a particular issue on the use or form of the language itself.
In this case, your essay can focus on topic to do with gender, communities, or social groups.
For example:
Such are important and interesting questions that your Extended Essay can focus on if you choose to work on this sub-category.
The second sub-category focuses on artefacts. While this sub-category is general in its cultural nature, it must be specific to a country or community that speaks the language.
To research topics in this sub-category, you will have to use cultural artefacts, which can be visual documents (such as architectures and films), written documents (such as newspapers, articles, adverts, and magazines), spoken documents (such as interviews and screenplays), and fashion icons (such as food dishes or brands).
This category of English Extended Essay is based on a specific work of literature wit text written in the English language.
Writing a 4,000-word essay takes time. You have to identify a topic of interest, develop a research question, determine what to base your research on, and find the right information to include in the essay.
In the following section, you’ll learn how to write a comprehensive English Extended Essay using an easy to follow, systematic approach – even if you think your topic of interest in the subject looks complicated.
Explore the topics and themes taught in you English class and pick one that’s not only of interest to you but also one you’d like to know more about.
Generally, the English EE topic you choose should:
After identifying your area of interest and the topic that you would like to explore, it should be easy for you to develop a relevant research question to explore.
Many IB students fail Extended Essay because they get the research question part completely wrong. Quite too often, they choose narrow or broad topics that they can’t answer in 4,000 words.
You shouldn’t make the same mistake with your English Extended Essay. What you need is a workable research question with a clear focus that you can answer within the word limits of an Extended Essay.
To arrive at more concise topic to explore in your English Extended Essay, it’s best to employ relevant limiting factors to the broad topic.
For example, the theme “how technology and social media impact our lives” is obviously too broad because it doesn’t tell us what part or component of our lives social media affects exactly.
By applying limiting factor to this theme, we can come up with a more focused research question that will be easily to evaluate within the limits of the expected word count.
A question such as “ to what extent social media corrupted or contributed or corrupted the English language” would be an interesting and more specific topic to explore in your EE.
The third step to writing an English Extended Essay is to find relevant sources to support your research into the topic you selected in step 1.
Start by determine which English category you wish to base your Extended Essay on. That’s because there are minimum expectations when it comes to primary as well as secondary sourcing.
If you’ve ticked all the boxes in step one to three, schedule an appointment with your supervisor for more guidance on how to proceed further with your research project.
You shouldn’t worry too much if you feel stuck on choosing the best topic for your English Extended Essay . We’ve put together a list of some topic ideas that cover different areas in literary themes, literature, and the English language.
About the author
Antony W is a professional writer and coach at Help for Assessment. He spends countless hours every day researching and writing great content filled with expert advice on how to write engaging essays, research papers, and assignments.
Welcome to this free Support Site on the Extended Essay for the IB Diploma Programme . The content, created by Brad Philpot and John Royce, provides coordinators, supervisors, teachers and students access to student samples, writing tips, guidance and discussion groups. This site is developed independently from the IB.
Feel free to browse this Support Site as much as you need - a subscription is not needed. Please contact us for questions: [email protected]
This section offers you a quick guide to the guide and some tips on how to get started. It is not presented as a replacement for the official guide, which can be found here . Rather this section captures the essentials of the guide for students and supervisors who are looking to start this journey.
The Extended Essay is externally assessed by IB examiners. The following pages provide you with the assessment criteria , the grade boundaries , the TOK / EE matrix and tips on how to unpack the criteria. "Begin with the end in mind," as Stephen Covey famously said. It is recommended that you practice assessing extended essays, using these criteria, before writing an essay or submitting predicted grades to the IB. See the section with example essays.
The Extended Essay is written under supervision, meaning that every student has a supervisor . Supervisors are usually subject teachers of the subject in which the essay is registered. What are the roles and responsibilities of the student and supervisor ? What kinds of expectations can be set? What do realistic deadlines and timelines look like? This section explores the supervision process and the relationship between the supervisor and student.
The Extended Essay is an exercise in 'inquiry'. Inquiry is the art of identifying knowledge, framing questions and finding answers. It is a skill. One of attributes of an IB learner is being an 'inquirer'. The pages below focus predominantly on the early stages of research, in which you are identifying your aims, writing your research question and considering your methodology .
The Extended Essay is a research paper. But what does 'research' look like? Where does it happen? How can you get good at doing research? Answers to these questions may be different for everyone. But some research skills are useful to all Extended Essays, such as the ability to gather data, organise notes and evaluate sources. These pages provide you with tips and activities to develop good research skills for your Extended Essay.
After hours of research and reflection, it's time to write the Extended Essay. This, however, is easier said that done. Most often notes evolve into paragraphs, outlines evolve into headings and quotations evolve into arguments. First drafts are often rough and you may stumble upon game-changing ideas late in the process. Here are few pages to guide you through the writing and reviewing processes.
It is recommended that students maintain a Researcher's Reflection Space ( RRS ) or journal as they engage in inquiry, conduct experiments, take notes or build a bibliography. After submitting the essay, each candidate must complete and submit a Reflections on Planning and Progress Form ( RPPF ). The pages below offer candidates and supervisors guidance on the RPPF . The RRS is explored in the section on research.
To better understand the scope and nature of Extended Essay, it helps to read a few examples. Each example below is accompanied by a list of tips to consider when writing about the subject under which is was registered. Mark an example essay from your subject area, applying the assessment criteria , before reading the examiner's comments and marks that are provided.
From IB Subject Specific Guide
Overview
A group 2 Extended Essay is intended for students who are studying a second modern language. Students may not write a group 2 Extended Essay in a language that they are offering as a language A for their diploma.
There are 3 categories of group 2 Extended Essays:
• Category 1—Language • Category 2—Culture and society (a or b) • Category 3—Literature.
Students should put the category in which they have presented their essay alongside the subject in which it is registered on the cover sheet of the extended essay, for example,
English B Cat: 2 (b); German B Cat :3; Spanish B Cat : 1.
A group 2 Extended Essay provides students with the opportunity to develop their awareness and knowledge of the language studied, and their understanding of the culture concerned. This is achieved by enabling students to pursue their interest in the language through research based on texts (taken to be any meaningful piece of spoken or written language, for example, an article, a book, a play, a poem) or on specific cultural artifacts (such as works of fine art or architecture, films, radio or television programmes, or popular music).
The Extended Essay must be written in the language for which it is registered (the target language). It must be focused on matters related to the target culture. The Extended Essay is a research essay and the assessment criteria emphasize the importance of research skills rather than linguistic proficiency. Although a certain level of ability in the language is obviously desirable in order to undertake a group 2 extended essay, fluency is neither a prerequisite nor a guarantee of success. In fact, students who are fluent in the language but who do not demonstrate the required research skills will definitely achieve a lower mark than students who are less fluent but who fulfill the other assessment criteria.
As indicated in the ”Overview” section, a group 2 extended essay aims to develop students’ knowledge and understanding of the target language and culture. Any proposed topic that will not further that aim should be rejected. The essay should consist of the study of an issue in one of three categories: language, culture and society, or literature. Combinations of these are also permissible. Each category has specific requirements that are described in this section. In addition, students should ensure that their topic:
• is worthy of investigation. For example, “Does tourism have a future in Switzerland?” or “Is the wine industry an important source of income for France?” would be too trivial for an essay of 4,000 words.
• is not too broad and allows for an effective treatment within the word limit. Topics such as “Racism in France”, “The theatre of the absurd”, or “A history of the French language” would need to be given a sharper focus.
• provides them with an opportunity to develop an argument and to demonstrate critical analysis and personal judgment rather than just knowledge. Topics that are merely descriptive or narrative, or that only summarize secondary sources (such as “French cheeses”, “The Provence region”, “The events of May 1968 in Paris”), should be avoided.
In each category the examples given are for guidance only .
The essay should be a specific analysis of the language (its use, structure and so on) normally related to its cultural context or a specific text
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Topic | Language laws in Quebec |
Research question | To what extent has Bill 101 contributed to increasing the prevalence of the French language in Quebec? |
Approach | An investigation into the effect of Bill 101 on the status of the French language in Quebec. |
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Topic | Foreign words (gairaigo) in Japanese |
Research question | Do young people use more words of foreign origin than older people? |
Approach | A survey of younger people and older people. Results are compared for knowledge of foreign words, frequency of their use and attitude towards their use. |
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Topic | Alternative use of the forms “vos” and “usted” in the Spanish of the Rio de la Plata (River Plate) region |
Research question | To what extent have differences between formal and informal usage disappeared from the language used in the Rio de la Plata region? |
Approach | An investigation into the language of young people from Buenos Aires in the Rio de la Plata region in a range of communicative situations. |
A: essays of a sociocultural nature with an impact on the language
The essay should be an analysis of a cultural nature that describes the impact of a particular issue on the form or use of the language.
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Topic | Language and feminism |
Research question | Should feminine forms of more job titles be created in French to reflect shifting gender roles? |
Approach | An examination of the linguistic and sociological arguments for and against the feminization of more job titles in French. |
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Topic | Language for family members |
Research question | Does Japanese need new words to describe non-traditional family relationships as society changes? |
Approach | A commentary on how the use of the words "shujin" and "kanai" have changed, together with an examination of the social factors that may require new linguistic terms for family relationships to be created. |
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Topic | Language and discrimination |
Research question | To what extent does the language used by groups of young students from a secondary school in Buenos Aires reflect racial discrimination? |
Approach | A sociolinguistic investigation into the way language used by young people reflects attitudes of discrimination present in contemporary society. |
B: essays of a general cultural nature based on specific cultural artifacts
The essay should be an analysis of a more general cultural nature but specific to a country or community where the language is spoken. Topics that are too broad and could apply to many cultures (like globalization, the death penalty or eating disorders) are inappropriate. Essays of a general cultural nature must be based on specific cultural artifacts. Cultural artifacts in this context are understood to include a wide variety of phenomena, ranging from works of fine art to newspapers, magazines and cartoons, to films, television programmes and popular music.
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Topic | Social criticism in the songs of MC Solaar |
Research question | What is the nature of MC Solaar’s rap critique of modern French society? |
Approach | An analysis of adverts targeted at the youth market seen over a one-month period, together with an analysis of how these are targeted, and possible reasons why the images used are chosen. |
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Topic | Adverts in the Japanese media | |
Research question | How and why do Japanese advertisers use such a high proportion of non-Japanese models in advertising? | |
Approach | An analysis of adverts targeted at the youth market seen over a one-month period, together with an analysis of how these are targeted, and possible reasons why the images used are chosen. |
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Topic | Representation of women in tango | |
Research question | Which roles do women play in tango lyrics? | |
Approach | A critical and thematic analysis of a corpus of tango lyrics to reveal female roles. |
The essay should be an analysis of a literary type, based on a specific work or works of literature exclusively from the target language. In the case of a comparison of texts, all texts must originally have been written in the target language.
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Topic | Haitian politics as depicted in works by Dany Laferrière and Gary Victor |
Research question | Does Dany Laferrière in share the same point of view on Haitian politics as Gary Victor in |
Approach | An investigation into the similarities between the ways these two writers treat this theme. |
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Topic | Pastoral references in Kenji Miyazawa |
Research question | What role does the natural world play in |
Approach | A commentary on the literary devices used by the author, together with the effect these have on the work. |
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Topic | Fictionalization of history in Abel Posse’s novels |
Research question | How does Abel Posse construct an imaginary history in his novel |
Approach | A textual analysis to reveal the narrative techniques used by the author to make the plot contrast with the order of chronological events. |
IB Language Acquisition Subject Specific Guide - Use tabs on the left under Language Acquisition: Subject Specific Guide for more information.
Gale Communications and Mass Media
Gale Literature Resource Center
We asked the many independent literary presses and magazines that make up our membership to share with us some of the literature they recommend reading in honor of Disability Pride Month, observed annually in July.
Black Lawrence Press | 2021
This poetry chapbook “layers outward perception with internal truth to offer an almost-telescopic examination of the redundancies—and incongruences—of marginalization and hypervisibility.”
Trio House Press | 2020
In this poetry collection, Barnes “intimately immerses us in what it means to be chronically ill and reflects on the body’s connection to the planet.”
Alice James Books | 2021
Ben-Oni’s poems “are precisely crafted, like a surgeon sewing a complicated stitch, moving through the multiverses of family, religion, and discovery itself.”
Passager Books | 2023
In this poetry collection, Bergman “offers up poems about aging parents, love, chronic illness, and friendship.”
Haymarket Books | 2024
Dobbs’ poetry collection “explores surveillance, queerness, disability, race, and working-class identity in post-9/11 America.”
YesYes Books | 2019
According to Justin Phillip Reed, “Courtney’s erotic, erosive soldier’s psalms enunciate the guilt of doing what one can with the awful gift of a human life in the aftermath of another’s destruction.”
Red Hen Press | 2024
This poetry collection “documents a web of clinical assessments, medications, the terrible beauties of delusion, and the fragile gifts of darkness.”
Book*hug Press | 2021
This poetry collection, which takes inspiration from Filipino horror and folktales, “is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with dreamlike surrealism.”
BOA Editions | 2023
Flare, Corona “paints a self-portrait of the layered ways that we prevail and persevere through illness and natural disaster.”
Slate Roof Press | 2021
According to Alison Luterman, this chapbook, “with its exquisite woodcuts and a poem in Braille translation, will subtly reorient your relationship to our world.”
Alice James Books | 2023
This poetry collection is “an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when ‘before’ crosses into ‘after.’”
Graywolf Press | 2019
A finalist for the National Book Award for Poetry and the National Book Critics Circle Award, Kaminsky’s “astonishing parable in poems asks us, What is silence?”
Switchback Books | 2024
According to Cynthia Arrieu-King, Khoury “plunges us into the heartbreak of caregiving, maternal relationships, disability, and abusive dismissal.”
Copper Canyon Press | 2000
In his first poetry collection, Kuusisto “explores blindness and curiosity, loneliness and the found instruments of continuation.”
Switchback Books | 2008
According to Gerry Gomez Pearlberg, “Munson’s intriguing, kaleidoscopic poems transport the reader into a tough- and tender-hearted world of blood, illness, medical authoritarianism, and stubborn life force.”
CavanKerry Press | 2004
This collection of poetry and memoir “speaks to the author’s experiences living with multiple sclerosis for four decades.”
CavanKerry Press | 2009
This collection features “poems written over the course of twenty-five years as the author struggled to live with a devastating mental illness, paranoid schizophrenia.”
BOA Editions | 2019
Weise’s third collection of poetry “holds a magnifying glass to the marginalization and fetishization of disabled people while claiming space and pride for the people who already use technology and cybernetic implants every day.”
Feminist Press | 2022
According to Jamia Wilson, “Moore’s sharp and provocative voice adds much-needed complexity to the public discourse about the impact of COVID-19 on queer and disabled communities.”
Autumn House Press | 2023
This short fiction collection “is a celebration of the bond of devotion possible between humans and dogs, and it presents an intimate rendering of the lives we share.”
Generous Press | 2024
Edited by Elaina Ellis and Amber Flame, this anthology “presents voices largely new to the genre of romance, each bringing a fresh take on what it means to tell a love story.”
Feminist Press | 2023
This hybrid memoir “revisits personal journals to slowly piece together a narrative of chronic illness—a moving account of survival, memory, loss, and hope.”
YesYes Books | 2023
In this memoir, Blevins “explores motherhood, sexuality, and queerness as it juxtaposes the author’s diagnosis of MS with her partner’s gender transition.”
Sagging Meniscus Press | 2024
According to P. J. Blumenthal, this essay collection “should be made required reading for the chronically ill and the chronically healthy in the school of life.”
Akashic Books | 2024
Kovic “completes his Vietnam Trilogy with this poignant, inspiring, and deeply personal elegy to America.”
Coach House Books | 2020
In this book, Leduc “looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference.”
Bellevue Literary Press | 2020
In this extended lyric essay, Olstein “mines her lifelong experience with migraine to deliver a marvelously idiosyncratic cultural history of pain—how we experience, express, treat, and mistreat it.”
Bellevue Literary Press | 2023
In this essay collection, published posthumously, Talve-Goodman “tells the story of her chronic illness and her youthful search for love and meaning, never forgetting that her adult life is tied to the loss of another person—the donor of her transplanted heart.”
Ronsdale Press | 2023
In this book, Smeenk discusses “how autistic adults present and how they see themselves and offers insights on autistic adults, from an autistic writer.”
Graywolf Press | 2022
This interwoven essay collection “explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a debilitating back injury that left Horn temporarily unable to speak.”
Vine Leaves Press | 2024
This memoir “honors the grace of a face that stands out in a crowd, defying societal beauty norms.”
Red Hen Press | 2023
According to Rebecca Fish Ewan, “Graybeal spins a richly imaged and often hilarious story from the fibers of her own quest for life while navigating the challenges of having a rare genetic disorder.”
The Hopkins Review | 2024
This poem begins, “all of them gawkers, neighbors pointing, and a kindergarten / teacher clumsily mash-jammed letters that were supposedly / my mother’s name.”
Multiplicity Magazine | 2024
This essay begins, “The sun was just beginning to rise in the cloudless sky, and from my position seventy feet up on the steel, I was privy to a breathtaking view of it.”
SWWIM | 2022
This poem begins, “You need to discuss feelings, make plans. Yesterday, a man posted in your spouse support group about his wife’s dementia.”
The Cincinnati Review | 2024
This essay begins, “Today I woke up and was immediately wracked by: 1. An agonizing burning sensation all over my body, from head to toe, one of the manifestations of my chronic pain….”
Under the Sun | 2024
This essay begins, “This morning, I walked outside with my dog Cordelia. I wasn’t fully awake, but I noticed the quality of light had changed.”
Boston Review | 2024
This forum, which features discussions about terminology and the fight for disability rights, includes contributions by Robert Chapman, Ari Ne’eman, and others.
ANMLY | 2017
According to editor Sarah Clark, “When I put out the call for work for Glitterbrain, what I wanted the most was realness, whatever that may mean. Because neurodiverse, queer, people of color are denied what is real.”
Exacting Clam | 2024
This essay begins, “I’m almost fearful of the unwanted connotations so many words possess.”
SWWIM | 2024
This poem begins, “As we cross the bridge, I count a dozen pelicans / perched on the railing, each waiting for the perfect / bite.”
Exacting Clam | 2023
This issue features “extraordinarily varied writing relating to disability and chronic illness,” including excerpts from four books longlisted for the 2023 Barbellion Prize.
This essay begins, “Walking is strange to me. I experience it as something akin to being on a ship: unstable, rocking, faintly surprising.”
Full Stop | 2024
In this conversation, Larson and Lee “touch on voyeurism, persona, and the implications of laying bare our most intimate thoughts and feelings.”
Off Assignment | 2020
This letter begins, “I met you in the heat of the afternoon. The clouds were drowning in a blue-glass sky, and New York stretched on all around.”
Another Chicago Magazine | 2022
At the beginning of this interview, Lehrer says, “I have had to learn medical language for a number of reasons. Certainly for my own care. The experience of being in the hospital in particular demands it.”
Bellevue Literary Review | 2020
This poem begins, “The world mostly gone, I make it what I want: / from the balcony, the morning is a silver robe of mist….”
This essay begins, “We were perched on a narrow platform high atop a scaffolding overlooking the stage sixty feet below, upon which a Fife and Drum Corps from Pennsylvania went through its paces.”
manywor(l)ds | 2024
This poem begins, “my bed asks me where my / will to get up is; my will to / get up runs and hides / under layers of illness.”
Wellspringwords | 2021
This essay begins, “When I tell people how I slowly started losing my vision, I begin most times with the day people started walking in opposite directions and I sat on the big rock outside my grandmother’s shop wondering if I had unlocked a magical dimension only I could see.”
Off Assignment | 2022
This essay begins, “1:11 p.m. at Hippie Hollow is lake smells and crushed beer cans and butt angels on the rocks.”
Full Stop | 2021
In this conversation, Mathis and Berkowitz discuss “how our texts, our selves, and our writing practices have changed since our books were first published.”
Another Chicago Magazine | 2018
This essay begins, “I began golfing in my early twenties after developing an overwhelming desire to better know my father and grandmother, who both believe the best place to spend a sunny, or rainy, or overcast Saturday is on the golf course.”
Kenyon Review | 2023
This essay begins, “When I see my daughter for the first time, at my twenty-week scan, she is lying on her back with her ankles crossed. She is a lady of leisure.”
Sinister Wisdom | 1990
This issue “contains work from and about womyn whose lives are seriously disrupted by long-term conditions,” including Pat Parker, Barbara Ruth, and Amy Edgington.
This hybrid work begins, “I’m asked to write an essay about my relation to attention. I insert the word dissociate.”
This essay begins, “Probes puncture my scalp, surveying my mind. Temporal lobe, occipital lobe, you name it; there’s a probe for the lobe.”
ANMLY | 2021
According to editor Sarah Cavar, the poetry, fiction, photography, and artwork in this two-part folio celebrates “Mad creation, craft, and methodology” and “offers a third, collaborative option, in which we can bring our whole, multiple, unrecovered and anti-recovery selves to the table to tell the stories only we know how to tell.”
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When Andrea Robin Skinner told her mother of the abuse years later, Munro appeared to be more hurt by her husband’s “infidelity” than by the injury to her daughter, Skinner wrote in an essay for the Toronto Star .
Though she left her husband for a few months, Munro ultimately went back to him, remaining by his side until his death in 2013, the same year the short-story writer earned the Nobel Prize in Literature.
Skinner is the youngest child of Munro and first husband Jim Munro, whose divorce generated the joint custody arrangement that had the girl spending summers with her mother and stepfather.
“One night, while she was away, her husband, my stepfather, Gerald Fremlin, climbed into the bed where I was sleeping and sexually assaulted me,” Skinner wrote. “I was 9 years old.”
The effect on her physical health was immediate, Skinner said. The next day dawned with her first-ever migraine, a condition she still lives with. Over the years, Skinner struggled with health issues including bulimia so severe that she had to drop out of an international program during college.
Though Skinner told her father and stepmother about the abuse as soon as she returned home that summer, they did not convey the information to Munro. Her siblings also remained silent.
It was not until Skinner was 25 that she told her mother about the abuse in a letter.
“She reacted exactly as I had feared she would, as if she had learned of an infidelity,” Skinner wrote in the Star. “She said that she had been ‘told too late,’ she loved him too much, and that our misogynistic culture was to blame if I expected her to deny her own needs, sacrifice for her children, and make up for the failings of men.”
When Fremlin found out Munro knew of the abuse, he wrote letters exonerating himself, blaming it on 9-year-old Skinner and calling her a “homewrecker” who had “invaded my bedroom for sexual adventure.”
The only thing he faulted himself for was cheating on his wife.
When Skinner gave birth to twins in 2002 and told Munro she wouldn’t let them near Fremlin, it spelled the end of their mother-daughter relationship. Munro balked and said it would be hard for her to visit, and Skinner cut off contact. They never reconciled.
The estrangement extended to the rest of the family, as Skinner stepped back under the impression that “they’d be relieved not to be living in this double world anymore,” she told the Star.
In 2005 Skinner went to the police, and Fremlin was convicted of indecent assault, with those letters among the evidence. Even then, the silence continued, both inside and outside the family.
Eventually Skinner’s siblings reached out, and they have since reconciled.
lots of people reflexively denying that Alice Munro could have knowingly spent her life with the pedophile who abused her daughter, or rushing to say they never liked her writing — harder to accept the truth that people who make transcendent art are capable of monstrous acts — Michelle Cyca (@michellecyca) July 7, 2024
The literary world, and Munro’s legions of fans, are now squinting under the new light being shined on her work, which is laced with intricacies about dark family secrets, denial and estranged children .
The family wants Munro’s work to be revered, according to the Star, but they also feel her legacy is not complete without the darker side of her personal story being told.
Skinner’s siblings also want to aid in her healing, which is ongoing.
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Special Issue Call for Papers: Fictions of the Pandemic
Guest Editors: Roanne Kantor (Stanford) and Ragini Tharoor Srinivasan (Rice) Extended Deadline for Submissions: 1 August 2024
For this special issue, MFS invites contributors to consider and problematize the role of literary scholarship in apprehending, producing, and critiquing fictions of the pandemic. “Fictions of the Pandemic” pursues the imaginative structures, disputed narratives, cross-pollinating conspiracies, and contested discourses emergent from the COVID-19 pandemic. Since the recognition of the novel coronavirus in late 2019, various interconnected fictions of the pandemic have circulated in the public sphere, from the idea of universally shared trauma to the promise of technological solutions. These fictions have been countered in turn by the realities of entrenched racial and class disparities and of global vaccine apartheid. Meanwhile, new characters have emerged as the ambivalent subjects of this historical conjuncture: the essential worker, the antimasker, the long-hauler, the COVID minimizer, and the masked minority. Likewise, the dominant plot points, narrative frameworks, and even genres of fictions of the pandemic have shifted (from the romance of revolutionary change to the tragedy of eclipsed horizons) as we move from the acute phase of coordinated global response to COVID to the chronic phase of capitulation to the virus as a normalized and never-ending event.
We propose that the COVID pandemic necessitates a thoroughgoing rethinking of literary objects and literary methods. What kind of object is “pandemic fiction,” given the slipperiness of the COVID response itself: alternately criminal or progressive, inadequate or an overreaction, depending on where you sit on the Zoom chessboard? What is the work of critique when reactions of suspicion, paranoia, and denial—about the gravity of the pandemic, the motives of policymakers, or even the actions of one’s neighbors—feel owned by the right, seemingly to relegate progressive scholarship to gestures of hope, faith, and repair? How do we, as thinkers of the present and explainers of the future, reckon with a world in which our critical practices are so evidently entangled with and defined by our others? What stories did we tell during the pandemic, and why? Whose stories can we tell now, and whose are verboten? What kinds of questions should we have asked, and why didn’t we ask them? What fictions of the past, present, and future have we had to forgo or forget in light of COVID-19? And in what ways might we, as literature scholars, be exactly the right, and wrong, constituency to pursue these questions, given dueling investments in the reparative potential of narrative, on the one hand, and widespread skepticism about the radicality of close reading, on the other?
Contributors are invited to pursue any of the above questions and other related topics, including:
● Counterfactual thinking and theorizing in the pandemic-era; narratives that imagine the (lost) pasts and futures that-would-have-been in the absence of COVID-19; questions of periodization
● Real-time collaborations in fiction-writing and fiction-reading (such as Wattpad, Scriggler, Booksie, and similar sites)
● Critique and post-critique in an era of conspiracy, denialism, suspicion, cruel optimism, and in light of pandemic affects such as doubt, melancholy, relief, fury, jealousy, and grief
● Infrastructural aesthetics, architecture, and the built environment given transformations in work from home, the real estate market, and evolving relations to public space; the literary registration of infrastructural decay
● Technologies and artifacts of the pandemic; objects such as masks, tests, vaccines, and ventilators, as well as software applications for infection surveillance, video communications, and the circulation of information in both its original and “mis” variants; the narratives of “UX” that frame their ideal anticipated user and inevitable obsolescence
● The suppression and minimization of pandemic narratives by mainstream media, global publishing houses, and literary agents
● Reading the atmospheric and affective traces of the COVID-19 pandemic in fiction that does not explicitly deal with the pandemic
● Transformations in the “pandemic fiction” genre before and after COVID; teaching fictions of the pandemic; pandemic-era transformations, innovations and upheavals in literary pedagogy; the aesthetics of pandemic fiction; ecocritical and health humanities approaches to fictions of the pandemic
We seek surprising, ambitious, theoretically-rich, and provocative responses to this CFP. Essays that creatively introduce elements of fiction, fictionality, or generic hybridity into their analyses of fictions of the pandemic are also welcome.
Essays should be 7,000–9,000 words, including all quotations and bibliographic references, and should follow the MLA Handbook (9th edition) for internal citations and Works Cited. Please submit your essay via the online submission form at http://mc.manuscriptcentral.com/mfs . Queries ahead of submission may be directed to Roanne Kantor ( [email protected] ) and Ragini Tharoor Srinivasan ( [email protected] ).
A biographer of the Canadian writer says he was among those who knew that Munro’s daughter had been sexually abused by her stepfather.
Additional dismay reverberated through the literary world on Tuesday as it came to light that a biographer and others had known for years that Nobel Prize-winning Canadian writer Alice Munro, who died in May at 92, had long kept secret that her second husband sexually abused one of her daughters.
In an essay published last weekend in the Toronto Star , Andrea Robin Skinner, a daughter of Munro’s, wrote that her stepfather, Gerald Fremlin, had sexually assaulted her starting in 1976, when she was 9 years old. And after Munro learned of the abuse from her daughter 16 years later, she reacted without sympathy to Skinner and chose to stay with Fremlin; they remained married until he died in 2013.
An extra shock was Skinner’s claim that some who knew Munro had been aware of the story for years.
Robert Thacker, a Canadian academic and author of “ Alice Munro: Writing Her Lives ,” said that he expected this revelation and its fallout to happen.
“I knew this day was going to come,” Thacker told The Washington Post on Monday, later adding, “I knew that it was going to come out, and I knew that I would be having conversations like this.”
Thacker said that Skinner wrote to him about her experience in 2005, after she had contacted police about Fremlin and as Thacker’s book was going to press. He decided not to act on the information.
“Clearly she hoped — or she hoped at that time, anyway — that I would make it public,” he told The Post on Monday. “I wasn’t prepared to do that. And the reason I wasn’t prepared to do that is that, it wasn’t that kind of book. I wasn’t writing a tell-all biography. And I’ve lived long enough to know that stuff happens in families that they don’t want to talk about and that they want to keep in families.”
“As Alice’s Canadian editor and publisher, I was aware that Alice and Andrea were estranged for a number of years,” Douglas Gibson wrote in an email responding to an interview request from The Post. “In 2005, it became clear what the issue was, with Gerry Fremlin’s full shameful role revealed, but I have nothing to add to this tragic family story and have no further comment to make.”
Others close to Munro expressed great surprise. “I did not learn the details of this until everyone else did, though I’d had hints not long before this past weekend. Horrifying,” Canadian novelist Margaret Atwood, a friend of the author’s, said in an email to The Post.
Thacker said that he and Munro spoke about the matter in 2008, when they met in a restaurant for an interview. Munro asked him to turn off his recorder. He declined to describe the conversation in detail, but said that Munro informed him that, in 1992, when Skinner was 25, she told Munro about the abuse. Munro said that she had left Fremlin for a time and that she ultimately decided to return.
“In a case like this, I wasn’t prepared to be probing,” Thacker said, later adding: “The term she used was, she was ‘devastated.’ And she was devastated. It wasn’t anything she did. It was something he did.” A story by two reporters at the Toronto Star described how Fremlin had written letters admitting to the abuse and pleaded guilty to indecent assault in 2005.
According to Thacker, it was broadly understood that Munro drew from events in her life for her 1993 story “ Vandals ,” about a woman who represses the knowledge that her partner sexually abused children: “Those of us who [study] Alice, or have [studied] Alice, have always thought that this story directly connected to this whole issue.”
Skinner, who did not return The Post’s request for comment, wrote in her essay that her mother’s fame meant that the silence about her abuse extended beyond her family: “Many influential people came to know something of my story yet continued to support, and add to, a narrative they knew was false.”
Others who worked closely with Munro knew about Skinner’s experience, Thacker said: “Certainly people knew there was a burden she was dealing with.” He declined to name specific individuals, but said that he had spoken with a colleague about their anticipation that Munro’s family secret would be shared with the world, and that both had resolved to confirm that they had known earlier.
Penguin Random House Canada did not return a request for comment. When contacted by The Post, Deborah Treisman, the fiction editor at the New Yorker, which first published many of Munro’s stories, declined through a spokesman to comment.
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Guest Editors: Roanne Kantor (Stanford) and Ragini Tharoor Srinivasan (Rice) Extended Deadline for Submissions: 1 August 2024 . For this special issue, MFS invites contributors to consider and problematize the role of literary scholarship in apprehending, producing, and critiquing fictions of the pandemic.
In an essay published last weekend in the Toronto Star, Andrea Robin Skinner, a daughter of Munro's, wrote that her stepfather, Gerald Fremlin, had sexually assaulted her starting in 1976, when ...