Typically, an essay has five paragraphs: an introduction, a conclusion, and three body paragraphs. However, there is no set rule about the number of paragraphs in an essay.
The number of paragraphs can vary depending on the type and scope of your essay. An expository or argumentative essay may require more body paragraphs to include all the necessary information, whereas a narrative essay may need fewer.
To enhance the coherence and readability of your essay, it’s important to follow certain rules regarding the structure. Take a look:
1. Arrange your information from the most simple to the most complex bits. You can start the body paragraph off with a general statement and then move on to specifics.
2. Provide the necessary background information at the beginning of your essay to give the reader the context behind your thesis statement.
3. Select topic statements that provide value, more information, or evidence for your thesis statement.
There are also various essay structures , such as the compare and contrast structure, chronological structure, problem method solution structure, and signposting structure that you can follow to create an organized and impactful essay.
An impactful, well-structured essay comes down to three important parts: the introduction, body, and conclusion.
1. The introduction sets the stage for your essay and is typically a paragraph long. It should grab the reader’s attention and give them a clear idea of what your essay will be about.
2. The body is where you dive deeper into your topic and present your arguments and evidence. It usually consists of two paragraphs, but this can vary depending on the type of essay you’re writing.
3. The conclusion brings your essay to a close and is typically one paragraph long. It should summarize the main points of the essay and leave the reader with something to think about.
The length of your paragraphs can vary depending on the type of essay you’re writing. So, make sure you take the time to plan out your essay structure so each section flows smoothly into the next.
When it comes to writing an essay, the introduction is a critical component that sets the tone for the entire piece. A well-crafted introduction not only grabs the reader’s attention but also provides them with a clear understanding of what the essay is all about. An essay editor can help you achieve this, but it’s best to know the brief yourself!
Let’s take a look at how to write an attractive and informative introductory paragraph.
1. Construct an attractive hook
To grab the reader’s attention, an opening statement or hook is crucial. This can be achieved by incorporating a surprising statistic, a shocking fact, or an interesting anecdote into the beginning of your piece.
For example, if you’re writing an essay about water conservation you can begin your essay with, “Clean drinking water, a fundamental human need, remains out of reach for more than one billion people worldwide. It deprives them of a basic human right and jeopardizes their health and wellbeing.”
2. Provide sufficient context or background information
An effective introduction should begin with a brief description or background of your topic. This will help provide context and set the stage for your discussion.
For example, if you’re writing an essay about climate change, you start by describing the current state of the planet and the impact that human activity is having on it.
3. Construct a well-rounded and comprehensive thesis statement
A good introduction should also include the main message or thesis statement of your essay. This is the central argument that you’ll be making throughout the piece. It should be clear, concise, and ideally placed toward the end of the introduction.
By including these elements in your introduction, you’ll be setting yourself up for success in the rest of your essay.
Let’s take a look at an example.
The Wright Brothers’ invention of the airplane in 1903 revolutionized the way humans travel and explore the world. Prior to this invention, transportation relied on trains, boats, and cars, which limited the distance and speed of travel. However, the airplane made air travel a reality, allowing people to reach far-off destinations in mere hours. This breakthrough paved the way for modern-day air travel, transforming the world into a smaller, more connected place. In this essay, we will explore the impact of the Wright Brothers’ invention on modern-day travel, including the growth of the aviation industry, increased accessibility of air travel to the general public, and the economic and cultural benefits of air travel.
You can persuade your readers and make your thesis statement compelling by providing evidence, examples, and logical reasoning. To write a fool-proof and authoritative essay, you need to provide multiple well-structured, substantial arguments.
Let’s take a look at how this can be done:
1. Write a topic sentence for each paragraph
The beginning of each of your body paragraphs should contain the main arguments that you’d like to address. They should provide ground for your thesis statement and make it well-rounded. You can arrange these arguments in several formats depending on the type of essay you’re writing.
2. Provide the supporting information
The next point of your body paragraph should provide supporting information to back up your main argument. Depending on the type of essay, you can elaborate on your main argument with the help of relevant statistics, key information, examples, or even personal anecdotes.
3. Analyze the supporting information
After providing relevant details and supporting information, it is important to analyze it and link it back to your main argument.
End one body paragraph with a smooth transition to the next. There are many ways in which this can be done, but the most common way is to give a gist of your main argument along with the supporting information with transitory words such as “however” “in addition to” “therefore”.
Here’s an example of a body paragraph.
The Wright Brothers’ invention of the airplane revolutionized air travel. They achieved the first-ever successful powered flight with the Wright Flyer in 1903, after years of conducting experiments and studying flight principles. Despite their first flight lasting only 12 seconds, it was a significant milestone that paved the way for modern aviation. The Wright Brothers’ success can be attributed to their systematic approach to problem-solving, which included numerous experiments with gliders, the development of a wind tunnel to test their designs, and meticulous analysis and recording of their results. Their dedication and ingenuity forever changed the way we travel, making modern aviation possible.
A powerful concluding statement separates a good essay from a brilliant one. To create a powerful conclusion, you need to start with a strong foundation.
Let’s take a look at how to construct an impactful concluding statement.
1. Restructure your thesis statement
To conclude your essay effectively, don’t just restate your thesis statement. Instead, use what you’ve learned throughout your essay and modify your thesis statement accordingly. This will help you create a conclusion that ties together all of the arguments you’ve presented.
2. Summarize the main points of your essay
The next point of your conclusion consists of a summary of the main arguments of your essay. It is crucial to effectively summarize the gist of your essay into one, well-structured paragraph.
3. Create a lasting impression with your concluding statement
Conclude your essay by including a key takeaway, or a powerful statement that creates a lasting impression on the reader. This can include the broader implications or consequences of your essay topic.
Here’s an example of a concluding paragraph.
The Wright Brothers’ invention of the airplane forever changed history by paving the way for modern aviation and countless aerospace advancements. Their persistence, innovation, and dedication to problem-solving led to the first successful powered flight in 1903, sparking a revolution in transportation that transformed the world. Today, air travel remains an integral part of our globalized society, highlighting the undeniable impact of the Wright Brothers’ contribution to human civilization.
Most essays are derived from the combination or variation of these four main types of essays . let’s take a closer look at these types.
1. Narrative essay
A narrative essay is a type of writing that involves telling a story, often based on personal experiences. It is a form of creative nonfiction that allows you to use storytelling techniques to convey a message or a theme.
2. Descriptive essay
A descriptive essay aims to provide an immersive experience for the reader by using sensory descriptors. Unlike a narrative essay, which tells a story, a descriptive essay has a narrower scope and focuses on one particular aspect of a story.
3. Argumentative essays
An argumentative essay is a type of essay that aims to persuade the reader to adopt a particular stance based on factual evidence and is one of the most common forms of college essays.
4. Expository essays
An expository essay is a common format used in school and college exams to assess your understanding of a specific topic. The purpose of an expository essay is to present and explore a topic thoroughly without taking any particular stance or expressing personal opinions.
While this article demonstrates what is an essay and describes its types, you may also have other doubts. As experts who provide essay editing and proofreading services , we’re here to help.
Our team has created a list of resources to clarify any doubts about writing essays. Keep reading to write engaging and well-organized essays!
What is the difference between an argumentative and an expository essay, what is the difference between a narrative and a descriptive essay, what is an essay format, what is the meaning of essay, what is the purpose of writing an essay.
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The Surprising Origins of Everyday Words
The etymology of a word refers to its origin and historical development: that is, its earliest known use, its transmission from one language to another, and its changes in form and meaning . Etymology is also the term for the branch of linguistics that studies word histories.
A definition tells us what a word means and how it's used in our own time. An etymology tells us where a word came from (often, but not always, from another language) and what it used to mean.
For example, according to The American Heritage Dictionary of the English Language , the definition of the word disaster is "an occurrence causing widespread destruction and distress; a catastrophe" or "a grave misfortune." But the etymology of the word disaster takes us back to a time when people commonly blamed great misfortunes on the influence of the stars.
Disaster first appeared in English in the late 16th century, just in time for Shakespeare to use the word in the play King Lear . It arrived by way of the Old Italian word disastro , which meant "unfavorable to one's stars."
This older, astrological sense of disaster becomes easier to understand when we study its Latin root word , astrum , which also appears in our modern "star" word astronomy . With the negative Latin prefix dis- ("apart") added to astrum ("star"), the word (in Latin, Old Italian, and Middle French) conveyed the idea that a catastrophe could be traced to the "evil influence of a star or planet" (a definition that the dictionary tells us is now " obsolete ").
Not at all, though people sometimes try to make this argument. The word etymology is derived from the Greek word etymon , which means "the true sense of a word." But in fact the original meaning of a word is often different from its contemporary definition.
The meanings of many words have changed over time, and older senses of a word may grow uncommon or disappear entirely from everyday use. Disaster , for instance, no longer means the "evil influence of a star or planet," just as consider no longer means "to observe the stars."
Let's look at another example. Our English word salary is defined by The American Heritage Dictionary as "fixed compensation for services, paid to a person on a regular basis." Its etymology can be traced back 2,000 years to sal , the Latin word for salt. So what's the connection between salt and salary?
The Roman historian Pliny the Elder tells us that "in Rome, a soldier was paid in salt," which back then was widely used as a food preservative. Eventually, this salarium came to signify a stipend paid in any form, usually money. Even today the expression "worth your salt" indicates that you're working hard and earning your salary. However, this doesn't mean that salt is the true definition of salary .
New words have entered (and continue to enter) the English language in many different ways. Here are some of the most common methods.
If a word's etymology is not the same as its definition, why should we care at all about word histories? Well, for one thing, understanding how words have developed can teach us a great deal about our cultural history. In addition, studying the histories of familiar words can help us deduce the meanings of unfamiliar words, thereby enriching our vocabularies. Finally, word stories are often both entertaining and thought provoking. In short, as any youngster can tell you, words are fun .
Essay is derived from the French word essayer , which means “ to attempt ,” or “ to try .” An essay is a short form of literary composition based on a single subject matter, and often gives the personal opinion of the author. A famous English essayist, Aldous Huxley defines essays as, “a literary device for saying almost everything about almost anything. ” The Oxford Dictionary describes it as “ a short piece of writing on a particular subject. ” In simple words, we can define it as a scholarly work in writing that provides the author’s personal argument .
There are two forms of essay: literary and non-literary. Literary essays are of four types:
Non-literary essays could also be of the same types but they could be written in any format.
Example #1: the sacred grove of oshogbo (by jeffrey tayler).
“As I passed through the gates I heard a squeaky voice . A diminutive middle-aged man came out from behind the trees — the caretaker. He worked a toothbrush-sized stick around in his mouth, digging into the crevices between algae’d stubs of teeth. He was barefoot; he wore a blue batik shirt known as a buba, baggy purple trousers, and an embroidered skullcap. I asked him if he would show me around the shrine. Motioning me to follow, he spat out the results of his stick work and set off down the trail.”
This is an example of a descriptive essay, as the author has used descriptive language to paint a dramatic picture for his readers of an encounter with a stranger.
“It is impossible to love, and be wise … Love is a child of folly. … Love is ever rewarded either with the reciprocal, or with an inward and secret contempt. You may observe that amongst all the great and worthy persons…there is not one that hath been transported to the mad degree of love: which shows that great spirits and great business do keep out this weak passion…That he had preferred Helena, quitted the gifts of Juno and Pallas. For whosoever esteemeth too much of amorous affection quitted both riches and wisdom.”
In this excerpt, Bacon attempts to persuade readers that people who want to be successful in this world must never fall in love. By giving an example of famous people like Paris, who chose Helen as his beloved but lost his wealth and wisdom, the author attempts to convince the audience that they can lose their mental balance by falling in love.
“I am afraid I do not attract attention, and yet there is not a single home in which I could done without. I am only a small, black kettle but I have much to interest me, for something new happens to me every day. The kitchen is not always a cheerful place in which to live, but still I find plenty of excitement there, and I am quite happy and contented with my lot …”
In this example, the author is telling an autobiography of a kettle, and describes the whole story in chronological order. The author has described the kettle as a human being, and allows readers to feel, as he has felt.
The function of an essay depends upon the subject matter, whether the writer wants to inform, persuade, explain, or entertain. In fact, the essay increases the analytical and intellectual abilities of the writer as well as readers. It evaluates and tests the writing skills of a writer, and organizes his or her thinking to respond personally or critically to an issue. Through an essay, a writer presents his argument in a more sophisticated manner. In addition, it encourages students to develop concepts and skills, such as analysis, comparison and contrast , clarity, exposition , conciseness, and persuasion .
Did you know the word ‘essay’ is derived from a Latin word ‘exagium’, which roughly translates to presenting one’s case? So essays are a short piece of writing representing one’s side of the argument or one’s experiences, stories, etc. Essays are very personalized. So let us learn about types of essays, format, and tips for essay-writing.
An essay is generally a short piece of writing outlining the writer’s perspective or story . It is often considered synonymous with a story or a paper or an article. Essays can be formal as well as informal. Formal essays are generally academic in nature and tackle serious topics. We will be focusing on informal essays which are more personal and often have humorous elements.
Get 500+ Essay Topics and Ideas for College and School Students here .
(Source: thewritelife)
The type of essay will depend on what the writer wants to convey to his reader. There are broadly four types of essays. Let us see.
Learn more about Letter Writing here in detail .
Now there is no rigid format of an essay. It is a creative process so it should not be confined within boundaries. However, there is a basic structure that is generally followed while writing essays. So let us take a look at the general structure of an essay.
This is the first paragraph of your essay. This is where the writer introduces his topic for the very first time. You can give a very brief synopsis of your essay in the introductory paragraph. Some paragraph writing skills can be a help here. Generally, it is not very long, about 4-6 lines.
There is plenty of scopes to get creative in the introduction of essays. This will ensure that you hook the reader, i.e. draw and keep his attention. So to do so you can start with a quote or a proverb . Sometimes you can even start with a definition. Another interesting strategy to engage with your reader is to start with a question.
This is the main crux of your essays. The body is the meat of your essay sandwiched between the introduction and the conclusion. So the most vital and important content of the essay will be here. This need not be confined to one paragraph. It can extend to two or more paragraphs according to the content.
Usually, we have a lot of information to provide in the body. And the mistakes writers generally make is to go about it in a haphazard manner which leaves the reader confused. So it is important to organize your thoughts and content. Write the information in a systematic flow so that the reader can comprehend. So, for example, you were narrating an incident . The best manner to do this would be to go in a chronological order.
Learn more about Story Writing here in detail .
This is the last paragraph of the essay. Sometimes a conclusion will just mirror the introductory paragraph but make sure the words and syntax are different. A conclusion is also a great place to sum up a story or an argument. You can round up your essay by providing some moral or wrapping up a story. Make sure you complete your essays with the conclusion, leave no hanging threads.
Q: What is a thesis statement of essays?
Ans: The thesis statement is a clear, one-sentence explanation of your position that leaves no doubt in the readers’ mind about which side you are on from the beginning of your essay.
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For people who love writing, essay writing to them is easy as writing down their names. But for those who are just required to write in one of their subjects, essay writing feels like the only thing they can write on their papers is their own name. But even with this fact, we all know how essay has affected our lives in some ways particularly in our academic life and it also affects our future as members of the corporate world.
An essay is a formal and organized piece of writing or composition that contains arguments, explanation, descriptions, observations, or opinions on a particular topic.
The word ‘essay’ is derived from the Latin word ‘exagium’ that means the presentation of a case and also derived from French infinitive essayer that means “to attempt”.
No matter what type of essay, it follows a uniform structure which consists of the parts of an essay . The structure starts with the introduction, followed by the body, and ended with the conclusion.
Writing essays might be difficult for some people, but with these simple steps in writing a basic essay , anyone can put their words on paper easily and anyone can already join essay writing contests with confidence:
1. Read a lot of essays
2. Define your purpose for writing
3. Decide on a topic
4. Brainstorm the points and ideas that will be included in the essay
5. Organize the points and ideas in an outline or a diagram
6. Construct the introduction, followed by the thesis statement It is in the introduction where the main points are briefly stated. The main points will be further discussed in the body of the essay.
7. Construct the body The body is where the main topics are further elaborated and where the subpoints are also found. Oftentimes, the body consists of three paragraphs and each paragraph contains one of the main topics mentioned in the introduction of the essay .
8. Construct the conclusion The conclusion is where the main points are being briefly mentioned again although no other idea will be introduced. The conclusion is where all the ideas stated in the body of the essay are summed up.
9. Relentlessly edit until satisfied
10. Review work by reading it all over again before turning it over for submission
Every essay has a purpose, namely: to inform, to persuade, to explain, and to entertain.
Writers that write essays that aims to inform has a goal to give its readers an information that can be new, changed, or updated. They can also write on topics that most people get the wrong information about or even provide an in-depth information regarding a certain topic. It is a must that an informative essay is based on accurate and verified facts that are organized in a comprehensive manner.
When writing an essay that aims to persuade the readers, the goal is to make your readers take action. Any writer who attempts to write this kind of essay must do extensive research in order to be able to fully support its thesis statement or its claim, and of course, to make the readers believe in their stance.
Explanatory essays usually contain a simplification of a process that you chosen audience would usually have difficulty in executing. A writer’s goal when writing this kind of essay is to make sure that they made their readers understand two things: the topic and how the composition is written. Writers should never compromise the writing the steps since this would affect how the readers will apply what they have read.
Writing to entertain means the writer would have to affect the emotions of the readers. Entertainment can be done through inducing laughter, tears, or even fright from the readers.
While there is a vast number of the types of essays available, this article features eleven types of essay, each provided with an example. Each type of essay has a common ground and that is they have the objective to present the readers a topic that can affect them in various ways such as their beliefs, stances, and even a new body of knowledge.
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The English word monarch was derived in the mid 15th century from the L. Latin word monarcha, which derived from the Greek word monarkhes.
Where is the word horny derived from.
The word horny is derived from Greek mythology. The god Pan was always after the nymphs but they always turned him down. Because he had horns, the word horny got associated with anyone who was after someone.
'Kilo' is derived from a Greek word meaning thousand.
LATE 14th Century Old French derived from Latin, derived from Old Latin, derived from Porot-Latin "gnoscere", meaning "to know".
Associate Professor in Linguistics, Xi'an Jiaotong-Liverpool University
Francesco Perono Cacciafoco does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
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The naming process, the act of naming the items of the world, is as old as the first words spoken by our ancestors . We can reconstruct the stages of this process through etymology, which studies the historical development of the lexicon of a language.
English words tell a lot of stories. To get back to their origins, linguists apply the comparative method . Languages are not isolated entities, but belong to linguistic families – English is a west Germanic language from the Indo-European family, for example – and their vocabularies are connected.
In the comparative method, linguists compare cognates (the same words in different-but-related languages, like mother in English, māter in Latin, and mutter in German) and reconstruct the ways these words were pronounced by ancient speakers.
By doing this, linguists give a voice to our ancestors, travelling back in time towards prehistoric ages with no written records. It’s difficult and complex, but very cool stuff.
However, the process doesn’t always work. The English lexicon includes some terms known as “proper words”, which today apparently exist only in English. Cognates for them cannot be found in any other language.
These are very simple and common words but being unique, we cannot apply the comparative method to them and therefore cannot reconstruct their origins. These “proper words” represent an exciting puzzle of the English language. Here are five examples.
“Bird” sounds Germanic, but doesn’t have cognates in any other Germanic language. It can be found in Old English as a rare variant of bridd , indicating a “young bird”.
Old English speakers used fugel , as in “fowl”, as a standard term for bird. Up to the 15th century, “bird” was used not only to describe a young bird, but also a young animal in general – even a fish or a child.
Who (or what) was, originally, a “boy”? No one knows. In the 13th century, a boie was a servant, but already in that time the provenance of the word was obscure. A century later, the term started being used to indicate a male child. The word doesn’t sound Germanic, but it’s not clear whether it was imported to England by the Normans either.
One interpretation traces back the term to an unattested vulgar Latin verb, *imboiare (in etymological notation, the asterisk indicates a word that has been reconstructed on the basis of the comparative method, rather than found in source material), possibly connected with the Latin boia , meaning yoke or collar, and with the concept of slavery.
Since the 14th century, gyrle was a word used to indicate a child, with no gender distinction. Despite the apparent simplicity of the term, so far nobody has been able to reconstruct its origins. Some scholars have connected it with the Old English word gierela , meaning garment, with a semantic transition presumed from “child’s apron (garment)” to, simply, “child”.
Others think that “girl” belongs to a set of words that also includes “boy”, “lass” and “lad”, which could have derived from other terms that cannot be directly linked to them any more. Whatever the truth is, the mystery of “girl” persists.
“Dog” comes from Old English docga , a very rare word later used in Middle English to depict a specific, strong breed – the mastiff.
In Old English, hund was the general Germanic word until the term docga replaced it almost completely in the 16th century. Now, “hound” is semantically specialised and indicates a hunting dog. So far, nobody has been able to reconstruct the etymological root of docga , and no ancient English word appears to be related to it.
“Dog” is therefore a true lexicological mystery of the English vocabulary. Probably the breed it was originally indicating became popular enough to be identified with the notion of “dog” in itself, but this doesn’t explain the provenance of the word.
The same puzzling origins are shared by other zoological terms in the English lexicon, like “pig, "stag” and “hog”, which are all etymologically unclear. Interestingly, the widespread word for “dog” in Spanish, perro , is also completely obscure in its origins.
“Recorder” is something of an intruder in this list of etymological oddities, because we know its origins. It comes from the Middle French verb “recorder”, which meant to relate, repeat or recall, which in turn comes from the Latin recordārī .
However, the recorder I am referring to is not the device used to record but the “straight flute”, a musical instrument. Despite its very recognisable origins, no one knows why in English, the “straight flute” – flauto dolce , in Italian, flûte à bec in French, and blockflöte in German – is called a “recorder”. It certainly doesn’t record anything.
Historical sources have been confused since its first attestations. The earliest appearance of the word is from 1388, in a list (in Latin) of musical instruments owned by the future King Henry IV. There, it’s documented as “ i. fistula nomine Recordour ” (“a pipe called Recordour”). This makes it look like a proper noun, with the initial character capitalised. In 15th-century England, the word “recordour”, with a lowercase initial, meant a chief legal officer of a city.
There are some theories. The sound of the recorder was compared with that produced by birds’ songs, which are repetitive and, therefore, would develop a “recording” loop – but that feels far-fetched.
In the past, I have worked on the etymologies of the words “ocarina” and “gemshorn” , and my focus is now on “recorder”. The reconstruction of the origin stories of these “proper words” could tell us a lot about our ancestors, their mindsets, and their cognitive strategies in naming what was surrounding them.
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July 5, 2024
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by Francesco Perono Cacciafoco, The Conversation
The naming process, the act of naming the items of the world, is as old as the first words spoken by our ancestors . We can reconstruct the stages of this process through etymology, which studies the historical development of the lexicon of a language.
English words tell a lot of stories. To get back to their origins, linguists apply the comparative method . Languages are not isolated entities, but belong to linguistic families—English is a west Germanic language from the Indo-European family, for example—and their vocabularies are connected.
In the comparative method, linguists compare cognates (the same words in different-but-related languages, like mother in English, māter in Latin, and mutter in German) and reconstruct the ways these words were pronounced by ancient speakers.
By doing this, linguists give a voice to our ancestors, traveling back in time towards prehistoric ages with no written records. It's difficult and complex, but very cool stuff.
However, the process doesn't always work. The English lexicon includes some terms known as "proper words," which today apparently exist only in English. Cognates for them cannot be found in any other language.
These are very simple and common words but being unique, we cannot apply the comparative method to them and therefore cannot reconstruct their origins. These "proper words" represent an exciting puzzle of the English language. Here are five examples.
"Bird" sounds Germanic, but doesn't have cognates in any other Germanic language. It can be found in Old English as a rare variant of bridd, indicating a "young bird."
Old English speakers used fugel, as in "fowl," as a standard term for bird. Up to the 15th century, "bird" was used not only to describe a young bird, but also a young animal in general—even a fish or a child.
Who (or what) was, originally, a "boy"? No one knows. In the 13th century, a boie was a servant, but already in that time the provenance of the word was obscure. A century later, the term started being used to indicate a male child. The word doesn't sound Germanic, but it's not clear whether it was imported to England by the Normans either.
One interpretation traces back the term to an unattested vulgar Latin verb, *imboiare (in etymological notation, the asterisk indicates a word that has been reconstructed on the basis of the comparative method, rather than found in source material), possibly connected with the Latin boia, meaning yoke or collar, and with the concept of slavery.
Since the 14th century, gyrle was a word used to indicate a child, with no gender distinction. Despite the apparent simplicity of the term, so far nobody has been able to reconstruct its origins. Some scholars have connected it with the Old English word gierela, meaning garment, with a semantic transition presumed from "child's apron (garment)" to, simply, "child."
Others think that "girl" belongs to a set of words that also includes "boy," "lass" and "lad," which could have derived from other terms that cannot be directly linked to them any more. Whatever the truth is, the mystery of "girl" persists.
"Dog" comes from Old English docga , a very rare word later used in Middle English to depict a specific, strong breed—the mastiff.
In Old English, hund was the general Germanic word until the term docga replaced it almost completely in the 16th century. Now, "hound" is semantically specialized and indicates a hunting dog. So far, nobody has been able to reconstruct the etymological root of docga, and no ancient English word appears to be related to it.
"Dog" is therefore a true lexicological mystery of the English vocabulary. Probably the breed it was originally indicating became popular enough to be identified with the notion of "dog" in itself, but this doesn't explain the provenance of the word.
The same puzzling origins are shared by other zoological terms in the English lexicon, like "pig, "stag" and "hog," which are all etymologically unclear. Interestingly, the widespread word for "dog" in Spanish, perro, is also completely obscure in its origins.
"Recorder" is something of an intruder in this list of etymological oddities, because we know its origins. It comes from the Middle French verb "recorder," which meant to relate, repeat or recall, which in turn comes from the Latin recordārī.
However, the recorder I am referring to is not the device used to record but the "straight flute," a musical instrument. Despite its very recognizable origins, no one knows why in English, the "straight flute"—flauto dolce, in Italian, flûte à bec in French, and blockflöte in German—is called a "recorder." It certainly doesn't record anything.
Historical sources have been confused since its first attestations. The earliest appearance of the word is from 1388, in a list (in Latin) of musical instruments owned by the future King Henry IV. There, it's documented as "i. fistula nomine Recordour" ("a pipe called Recordour"). This makes it look like a proper noun, with the initial character capitalized. In 15th-century England, the word "recordour," with a lowercase initial, meant a chief legal officer of a city.
There are some theories. The sound of the recorder was compared with that produced by birds' songs, which are repetitive and, therefore, would develop a "recording" loop—but that feels far-fetched.
In the past, I have worked on the etymologies of the words "ocarina" and "gemshorn" , and my focus is now on "recorder." The reconstruction of the origin stories of these "proper words" could tell us a lot about our ancestors, their mindsets, and their cognitive strategies in naming what was surrounding them.
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A few words on screenwriting from Robert Towne, author of Chinatown and Shampoo , script doctor on Bonnie & Clyde and The Godfather .
Several years ago my five-year-old daughter bounced into my study and found me hunched and miserable over my typewriter, feeling like a housewife who couldn’t get her stove to boil water. Kate wanted to know why I wouldn’t play with her. “Because I’m stuck.” She wanted to know why I was stuck. “Because it’s hard.” She thought about this for a minute and said, “Then why do it, Dad? Why don’t you cease this activity and become an artist?”
By artist she meant painter, of course, but despite its surprising diction, her question was not an unfamiliar one. It was, in fact, a question I’d heard posed all my life, and not just to me. Writers in every generation since screenplays went off the cuff of the director and onto paper have been asked to respond to it. Generally they have done so with wit, shame, and cynicism—the wisdom of wags and writers from Anita Loos and Ben Hecht to Fitzgerald and Parker has been distilled and codified into Woody Allen’s phrase about screenwriting: Take the money and run. Write the great American novel, the Pulitzer Prize-winning play, live well, and don’t take screenwriting too seriously. Like parking-lot attendants and waiters in Los Angeles, do it on the way to being an actor or a grown-up or an artist, do it as a means to an end—but never as an end in itself. This is a continuing attitude about screenwriting. As Vincent Canby observed not long ago, “I can’t imagine why any person who took himself seriously as an artist would pursue it for more than five minutes.”
.css-f6drgc:before{margin:-0.99rem auto 0 -1.33rem;left:50%;width:2.1875rem;border:0.3125rem solid #FF3A30;height:2.1875rem;content:'';display:block;position:absolute;border-radius:100%;} .css-bugj92{margin:0rem;font-size:1.625rem;line-height:1.2;font-family:Lausanne,Lausanne-fallback,Lausanne-roboto,Lausanne-local,Arial,sans-serif;}@media(max-width: 48rem){.css-bugj92{font-size:1.75rem;line-height:1.2;}}@media(min-width: 64rem){.css-bugj92{font-size:2.375rem;line-height:1.2;}}.css-bugj92 em,.css-bugj92 i{font-style:italic;font-family:inherit;}.css-bugj92 b,.css-bugj92 strong{font-family:inherit;font-weight:bold;}.css-bugj92:before{content:'"';display:block;padding:0.3125rem 0.875rem 0 0;font-size:3.5rem;line-height:0.8;font-style:italic;font-family:Lausanne,Lausanne-fallback,Lausanne-styleitalic-roboto,Lausanne-styleitalic-local,Arial,sans-serif;} I think movies best communicate whatever I have to say and show; or to put it another way, when what you want to show is what you have to say, you are pretty much stuck with movies as a way of saying it.
There is only one other thing I can recall being treated with anything like the amusement and contempt and condescension reserved for screenwriters—and that is the city of Los Angeles itself. Since I can remember, it’s been called crass, cultish, “the nowhere city,” full of vegetation and people and architecture from any- and everywhere else on earth. Some called it “southern cafeteria” because of the proliferation of eating establishments where the old and the odd and the ill would sit tray-by-tray, spooning their Waldorf salads and dreaming about the future they had come to seek. No one, I suppose, embodied the spirit of contempt and frustration and loathing about Los Angeles more dramatically than Nathanael West. In him, love and hate for Los Angeles collided and finally died in a head-on traffic accident at Sunset and Sepulveda—or so I had been brought up to believe. (Actually, West died on the highway in El Centro, just north of Tijuana, purportedly in a hurry to make it to L.A. in time for his buddy Scott Fitzgerald’s funeral.) Whether it’s Nathanael West or David Susskind or Woody Allen, the varying skills of the observer notwithstanding, the observation is likely to be the same: The only good thing about Los Angeles is that you can turn right on red (but not always, and particularly not at Sunset and Sepulveda).
This confluence of opinion about Los Angeles and screenwriting—bogus representations of life and literature, respectively—is something I remember vividly about growing up in that city. The Santa Anas brought hot air from the desert, ocean breezes brought cold air from the Pacific, and the prevailing wind from the east brought the same message over and over: I lived in a world that was, if possible, phonier than the movies it produced.
Even as a child—especially as a child—this name-calling bothered me. I knew that the fishermen I would watch going out to sea in San Pedro were not phony. Their beards would scratch your face, there was red wine on their breath, and they made you feel safe when they lifted you off the boat and onto the docks before they cast off into the open sea. They were very real.
The only good thing about Los Angeles is that you can turn right on red (but not always, and particularly not at Sunset and Sepulveda).
At the same time, certain things in the movies I watched while growing up began to strike me as increasingly unreal. For instance: I’d never been to New York, but I found it unlikely that you could pull up in front of the Waldorf-Astoria at any hour of the day or night and find a parking space; I would get faintly indignant that no one waited for change when they paid a check in a restaurant; I found it hard to swallow that every married couple slept in twin beds, that the husband always wore pajamas and the wife always woke up without her lipstick smeared; I knew it was a flat-out lie when the movie was set in Los Angeles and the men wore hats and overcoats. This misrepresentation of native dress was a serious violation of reality. It rankled me the way James Fenimore Cooper’s Indians rankled Mark Twain—when six of them jump out of a sapling barely six feet tall and somehow miss a barge 150 feet long passing beneath them at less than one mile an hour. Moreover, these hats in L.A. weren’t merely noted on the printed page; they were being shown on a huge screen, the offending item much larger than life. I’m sure I figured somewhere back then that sooner or later, when I grew up, I would try to do it differently. I’d make it “real.” Particularly because I grew up in a place outsiders claimed was unreal, and because I looked at representations of that world onscreen that I thought were unreal, I suppose I saw movies as a way of redressing a wrong. I would use one illusion—movies—in order to make another illusion—Los Angeles—real.
But then why not address and redress these views of Los Angeles through novels and plays? Why choose screenwriting, so often spoken of as a collaborative business? In this context, collaboration is akin to what happened in occupied France, and business means that you sell whatever writing skills you have for whatever money you can get.
I guess it’s like I said to my daughter, I really am stuck....There are no novels or plays I’m itching to write and there never have been. I love movies. I think movies best communicate whatever I have to say and show; or to put it another way, when what you want to show is what you have to say, you are pretty much stuck with movies as a way of saying it.
Consider this: In Lawrence of Arabia , Lawrence, in flowing white robes, sits on a truck in the middle of the desert giving a press conference. He’s ten feet tall on the screen and overwhelmingly immaculate. He faces a grimy-looking reporter who scratches his beard and asks snidely, “Just what is it, Colonel Lawrence, that attracts you to the desert?” Lawrence glances distastefully at the dirty reporter and offers a three-word reply: “Because it’s clean.” It is not the text but the context that gives this reply its full force. Those three words in a novel or even on the stage would be mildly amusing at best, but on the screen the effect is as overwhelming as the figure of Lawrence and the desert looming behind him. Those three words are the scene. There is no speech, long or short, about Lawrence’s need to seek remote places of the earth in order to avoid the corruption inevitably found in its more populated areas. Only a clean man, a dirty reporter, a big desert, and three little words—“Because it’s clean.”
It’s a movie. What else do you need?
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essay. (n.). 1590s, "trial, attempt, endeavor," also "short, discursive literary composition" (first attested in writings of Francis Bacon, probably in imitation of Montaigne), from French essai "trial, attempt, essay" (in Old French from 12c.), from Late Latin exagium "a weighing, a weight," from Latin exigere "drive out; require, exact; examine, try, test," from ex "out" (see ex-) + agere ...
Definitions John Locke's 1690 An Essay Concerning Human Understanding. The word essay derives from the French infinitive essayer, "to try" or "to attempt".In English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The Frenchman Michel de Montaigne (1533-1592) was the first author to describe his work as essays; he used the term to characterize these as ...
There are 12 meanings listed in OED's entry for the noun essay, nine of which are labelled obsolete. See 'Meaning & use' for definitions, usage, and quotation evidence. essay has developed meanings and uses in subjects including. literature (late 1500s) animals (early 1600s) hunting (early 1600s) military (mid 1600s) metal industry (mid 1600s)
Definition of Essay. Essay is derived from the French word essayer, which means "to attempt," or "to try."An essay is a short form of literary composition based on a single subject matter, and often gives the personal opinion of the author. A famous English essayist, Aldous Huxley defines essays as, "a literary device for saying almost everything about almost anything.
Montaigne used the word "Essays" for his work because the work was an attempt by him to record his thoughts (to "essay" means to "attempt" something in old French). Future works of a similar vein have been called essays after Montaigne's work. This is corroborated by multiple online sources as well. Boorstin mentions in passing that Montaigne ...
Meaning. In the broadest sense, the term "essay" can refer to just about any short piece of nonfiction -- an editorial, feature story, critical study, even an excerpt from a book. However, literary definitions of a genre are usually a bit fussier. One way to start is to draw a distinction between articles, which are read primarily for the ...
The 'essay' as a form of literature is not of ancient origin. It was in 1571 that the 'essay' was invented by the French philosopher, Montaigne. He called his short, philosophical writings which were the products of moments by the French word assai, which means 'attempt'. Since then the word 'essay' has been applied to compositions of the kind ...
essay (plural essays) (authorship) A written composition of moderate length, exploring a particular issue or subject. 2013 January, Katie L. Burke, "Ecological Dependency", in American Scientist [1], volume 101, number 1, archived from the original on 9 February 2017, page 64: In his first book since the 2008 essay collection Natural ...
Etymology 1. Since late sixteenth century, borrowed from Middle French essay, essai (essay), meaning coined by Montaigne in the same time, from the same words in earlier meanings "experiment, assay, attempt," from Old French essay, essai, assay, assai, from Latin exagium (weight, weighing, testing on the balance), from exigere + -ium.. Noun. essay (plural essays)
"[An essay is a] composition, usually in prose.., which may be of only a few hundred words (like Bacon's "Essays") or of book length (like Locke's "Essay Concerning Human Understanding") and which discusses, formally or informally, a topic or a variety of topics." (J.A. Cuddon, "Dictionary of Literary Terms". Basil, 1991) "Essays are how we speak to one another in print — caroming thoughts ...
Definition of Types of Essay. An essay is a short academic composition. The word "essay" is derived from a French word "essai" or "essayer," which mean "trail." In composition, however, an essay is a piece of non-fiction writing that talks or discusses a specific topic.Presently, essay is part of every degree program.
essay in American English. (noun for 1, 2 ˈesei, for 3-5 ˈesei, eˈsei, verb eˈsei) noun. 1. a short literary composition on a particular theme or subject, usually in prose and generally analytic, speculative, or interpretative. 2. anything resembling such a composition. a picture essay.
essay (by somebody) a collection of essays by prominent African American writers; essay on somebody/something The book contains a number of interesting essays on women in society. essay about somebody/something Pierce contributes a long essay about John F. Kennedy. in an essay I discuss this in a forthcoming essay.
The meaning of ESSAY is an analytic or interpretative literary composition usually dealing with its subject from a limited or personal point of view. How to use essay in a sentence. Synonym Discussion of Essay.
Parts of an essay. An impactful, well-structured essay comes down to three important parts: the introduction, body, and conclusion. 1. The introduction sets the stage for your essay and is typically a paragraph long. It should grab the reader's attention and give them a clear idea of what your essay will be about.
The word etymology is derived from the Greek word etymon, which means "the true sense of a word." But in fact the original meaning of a word is often different from its contemporary definition. The meanings of many words have changed over time, and older senses of a word may grow uncommon or disappear entirely from everyday use.
Essay is derived from the French word essayer, which means " to attempt ," or " to try .". An essay is a short form of literary composition based on a single subject matter, and often gives the personal opinion of the author. A famous English essayist, Aldous Huxley defines essays as, "a literary device for saying almost everything ...
Did you know the word 'essay' is derived from a Latin word 'exagium', which roughly translates to presenting one's case? So essays are a short piece of writing representing one's side of the argument or one's experiences, stories etc. So let us learn about types of essays, format, and tips for essay-writing.
Wiki User. ∙ 12y ago. Best Answer. 'The etymology of the word essay is instructive. Essay is derived, by way of Middle English, from the Middle French essai. The French word was itself derived ...
An essay is a formal and organized piece of writing or composition that contains arguments, explanation, descriptions, observations, or opinions on a particular topic. The word 'essay' is derived from the Latin word 'exagium' that means the presentation of a case and also derived from French infinitive essayer that means "to attempt".
'The etymology of the word essay is instructive. Essay is derived, by way of Middle English, from the Middle French essai. The French word was itself derived from the late Latin exagium (act of ...
Essay Word Derived From. NursingManagementBusiness and EconomicsCommunications and Media+96. Total orders: 5897. 377. Customer Reviews. NursingBusiness and EconomicsPsychologyManagement+86. 100% Success rate. User ID: 312741. For Sale.
The word doesn't sound Germanic, but it's not clear whether it was imported to England by the Normans either. ... which could have derived from other terms that cannot be directly linked to ...
Extensive eye-tracking dataset derived from Japanese L2 English learners' text reading Jun 20, 2024 Large language models trained in English found to use the language internally, even for prompts ...
essay in American English. (noun for 1, 2 ˈesei, for 3-5 ˈesei, eˈsei, verb eˈsei) noun. 1. a short literary composition on a particular theme or subject, usually in prose and generally analytic, speculative, or interpretative. 2. anything resembling such a composition. a picture essay.
A few words on screenwriting from Robert Towne, author of 'Chinatown' and 'Shampoo,' script doctor on 'Bonnie & Clyde' and 'The Godfather.'
Chief Medical Correspondent Dr. Sanjay Gupta talks about troubling behaviors demonstrated by President Joe Biden during the recent CNN debate. These include slow responses, trouble finding words ...