essay on art exhibition

Essay on Art Exhibition

Students are often asked to write an essay on Art Exhibition in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Art Exhibition

What is an art exhibition.

An art exhibition is an event where artists show their work to people. It can be in a museum, a gallery, or even online. The artwork can be paintings, sculptures, photographs, or other types of art.

Why are Art Exhibitions Important?

Art exhibitions are important because they allow artists to share their work with the public. They also allow people to see and appreciate different types of art. Often, people can buy the artwork at these events, which helps support the artists.

Types of Art Exhibitions

There are many types of art exhibitions. Some show the work of one artist, while others show the work of many artists. Some exhibitions focus on a certain type of art, like photography.

Visiting an Art Exhibition

When you visit an art exhibition, you can see and learn about different kinds of art. You can also meet the artists and ask them about their work. It’s a great way to learn more about art and to support artists.

250 Words Essay on Art Exhibition

Art exhibitions are important for many reasons. First, they let artists show their work to the public. This can help artists become more known and sell their work. Second, exhibitions can teach people about art. They can learn about different styles, techniques, and the ideas behind the art.

There are many types of art exhibitions. Some show the work of just one artist. These are called solo exhibitions. Others show the work of many artists. These are called group exhibitions. There are also themed exhibitions, which show art that all has the same theme or idea.

What Happens at an Art Exhibition?

At an art exhibition, people walk around and look at the art. There might be information next to each piece of art that tells about the artist and the work. Sometimes, there are also talks or tours that help people understand the art better.

Art exhibitions are a great way to see and learn about art. They are important for artists and for the public. By going to an art exhibition, you can see new art, learn about different styles and techniques, and maybe even be inspired to make your own art!

500 Words Essay on Art Exhibition

An art exhibition is an event where people show their artwork to others. It can be in a museum, a gallery, or even a public place. People come to see the art, talk about it, and sometimes even buy it. The art can be paintings, sculptures, photographs, or other types of creative work.

The Purpose of Art Exhibitions

Art exhibitions have many purposes. One is to let artists share their work with the public. This can help the artist to get feedback and to sell their work. It can also help people to learn about new artists and types of art. Another purpose is to educate people. Exhibitions often have information about the art and the artist, so people can learn more about them.

Organizing an Art Exhibition

Organizing an art exhibition takes a lot of work. First, the organizer has to choose the artwork. This can be done by inviting artists to submit their work, or by choosing work from a collection. Then, the artwork has to be arranged in the exhibition space. This is called curating. The curator decides where each piece of art will go, and how it will be displayed. They also write labels and other information for the visitors. Finally, the organizer has to promote the exhibition. This might involve making posters, sending out invitations, or using social media.

To conclude, art exhibitions are a great way to explore the world of art. They allow artists to share their work, and give people a chance to learn about and appreciate art. Whether you are an artist, a student, or just someone who enjoys art, visiting an art exhibition can be a rewarding experience.

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Visiting Sleeping Beauties: Reawakening Fashion?

You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Heilbrunn Timeline of Art History Essays

Impressionism: art and modernity.

Garden at Sainte-Adresse

Claude Monet

Porte de la Reine at Aigues-Mortes

Jean-Frédéric Bazille

La Grenouillère

The Bridge at Villeneuve-la-Garenne

Alfred Sisley

Edouard Manet

Madame Georges Charpentier (Marguérite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Émile-Charles (1875–1895)

Auguste Renoir

The Monet Family in Their Garden at Argenteuil

The Dance Class

Edgar Degas

Mademoiselle Bécat at the Café des Ambassadeurs, Paris

Côte des Grouettes, near Pontoise

Camille Pissarro

Mary Cassatt at the Louvre: The Etruscan Gallery

Allée of Chestnut Trees

Young Woman Seated on a Sofa

Berthe Morisot

Two Young Girls at the Piano

Dancers in the Rehearsal Room with a Double Bass

Young Girl Bathing

Young Woman Knitting

The Garden of the Tuileries on a Spring Morning

Margaret Samu Institute of Fine Arts, New York University

October 2004

In 1874, a group of artists called the Anonymous Society of Painters, Sculptors, Printmakers, etc. organized an exhibition in Paris that launched the movement called Impressionism. Its founding members included Claude Monet , Edgar Degas , and Camille Pissarro, among others. The group was unified only by its independence from the official annual Salon , for which a jury of artists from the Académie des Beaux-Arts selected artworks and awarded medals. The independent artists, despite their diverse approaches to painting, appeared to contemporaries as a group. While conservative critics panned their work for its unfinished, sketchlike appearance, more progressive writers praised it for its depiction of modern life. Edmond Duranty, for example, in his 1876 essay La Nouvelle Peinture (The New Painting), wrote of their depiction of contemporary subject matter in a suitably innovative style as a revolution in painting. The exhibiting collective avoided choosing a title that would imply a unified movement or school, although some of them subsequently adopted the name by which they would eventually be known, the Impressionists. Their work is recognized today for its modernity, embodied in its rejection of established styles, its incorporation of new technology and ideas, and its depiction of modern life.

Claude Monet’s Impression, Sunrise (Musée Marmottan Monet, Paris) exhibited in 1874, gave the Impressionist movement its name when the critic Louis Leroy accused it of being a sketch or “impression,” not a finished painting. It demonstrates the techniques many of the independent artists adopted: short, broken brushstrokes that barely convey forms, pure unblended colors, and an emphasis on the effects of light. Rather than neutral white, grays, and blacks, Impressionists often rendered shadows and highlights in color. The artists’ loose brushwork gives an effect of spontaneity and effortlessness that masks their often carefully constructed compositions, such as in Alfred Sisley’s 1878 Allée of Chestnut Trees ( 1975.1.211 ). This seemingly casual style became widely accepted, even in the official Salon, as the new language with which to depict modern life.

In addition to their radical technique, the bright colors of Impressionist canvases were shocking for eyes accustomed to the more sober colors of academic painting. Many of the independent artists chose not to apply the thick golden varnish that painters customarily used to tone down their works. The paints themselves were more vivid as well. The nineteenth century saw the development of synthetic pigments for artists’ paints, providing vibrant shades of blue, green, and yellow that painters had never used before. Édouard Manet’s 1874 Boating ( 29.100.115 ), for example, features an expanse of the new cerulean blue and synthetic ultramarine. Depicted in a radically cropped, Japanese-inspired composition , the fashionable boater and his companion embody modernity in their form, their subject matter, and the very materials used to paint them.

Such images of suburban and rural leisure outside of Paris were a popular subject for the Impressionists, notably Monet and Auguste Renoir . Several of them lived in the country for part or all of the year. New railway lines radiating out from the city made travel so convenient that Parisians virtually flooded into the countryside every weekend. While some of the Impressionists, such as Pissarro, focused on the daily life of local villagers in Pontoise, most preferred to depict the vacationers’ rural pastimes. The boating and bathing establishments that flourished in these regions became favorite motifs. In his 1869 La Grenouillère ( 29.100.112 ), for example, Monet’s characteristically loose painting style complements the leisure activities he portrays. Landscapes , which figure prominently in Impressionist art, were also brought up to date with innovative compositions, light effects, and use of color. Monet in particular emphasized the modernization of the landscape by including railways and factories, signs of encroaching industrialization that would have seemed inappropriate to the Barbizon artists of the previous generation.

Perhaps the prime site of modernity in the late nineteenth century was the city of Paris itself, renovated between 1853 and 1870 under Emperor Napoleon III. His prefect, Baron Haussmann, laid the plans, tearing down old buildings to create more open space for a cleaner, safer city. Also contributing to its new look was the Siege of Paris during the Franco-Prussian War (1870–71), which required reconstructing the parts of the city that had been destroyed. Impressionists such as Pissarro and Gustave Caillebotte enthusiastically painted the renovated city, employing their new style to depict its wide boulevards, public gardens, and grand buildings. While some focused on the cityscapes, others turned their sights to the city’s inhabitants. The Paris population explosion after the Franco-Prussian War gave them a tremendous amount of material for their scenes of urban life. Characteristic of these scenes was the mixing of social classes that took place in public settings. Degas and Caillebotte focused on working people, including singers and dancers , as well as workmen. Others, including Berthe Morisot and Mary Cassatt , depicted the privileged classes. The Impressionists also painted new forms of leisure, including theatrical entertainment (such as Cassatt’s 1878 In the Loge [Museum of Fine Arts, Boston]), cafés, popular concerts, and dances. Taking an approach similar to Naturalist writers such as Émile Zola, the painters of urban scenes depicted fleeting yet typical moments in the lives of characters they observed. Caillebotte’s 1877 Paris Street, Rainy Day (Art Institute, Chicago) exemplifies how these artists abandoned sentimental depictions and explicit narratives, adopting instead a detached, objective view that merely suggests what is going on.

The independent collective had a fluid membership over the course of the eight exhibitions it organized between 1874 and 1886, with the number of participating artists ranging from nine to thirty. Pissarro, the eldest, was the only artist who exhibited in all eight shows, while Morisot participated in seven. Ideas for an independent exhibition had been discussed as early as 1867, but the Franco-Prussian War intervened. The painter Frédéric Bazille, who had been leading the efforts, was killed in the war. Subsequent exhibitions were headed by different artists. Philosophical and political differences among the artists led to heated disputes and fractures, causing fluctuations in the contributors. The exhibitions even included the works of more conservative artists who simply refused to submit their work to the Salon jury. Also participating in the independent exhibitions were Paul Cézanne and Paul Gauguin , whose later styles grew out of their early work with the Impressionists.

The last of the independent exhibitions in 1886 also saw the beginning of a new phase in avant-garde painting. By this time, few of the participants were working in a recognizably Impressionist manner. Most of the core members were developing new, individual styles that caused ruptures in the group’s tenuous unity. Pissarro promoted the participation of Georges Seurat and Paul Signac, in addition to adopting their new technique based on points of pure color, known as Neo-Impressionism . The young Gauguin was making forays into Primitivism. The nascent Symbolist Odilon Redon also contributed, though his style was unlike that of any other participant. Because of the group’s stylistic and philosophical fragmentation, and because of the need for assured income, some of the core members such as Monet and Renoir exhibited in venues where their works were more likely to sell.

Its many facets and varied participants make the Impressionist movement difficult to define. Indeed, its life seems as fleeting as the light effects it sought to capture. Even so, Impressionism was a movement of enduring consequence, as its embrace of modernity made it the springboard for later avant-garde art in Europe.

Samu, Margaret. “Impressionism: Art and Modernity.” In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/imml/hd_imml.htm (October 2004)

Further Reading

Bomford, David, et al. Art in the Making: Impressionism . Exhibition catalogue.. New Haven and London: National Gallery, 1990.

Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society . New Haven: Yale University Press, 1988.

House, John. Monet: Nature into Art . New Haven: Yale University Press, 1986.

Moffett, Charles S., et al. The New Painting: Impressionism 1874–1886 . San Francisco: Fine Arts Museums of San Francisco, 1986.

Nochlin, Linda, ed. Impressionism and Post-Impressionism, 1874–1904: Sources and Documents . Englewood Cliffs, N.J.: Prentice-Hall, 1966.

Rewald, John. The History of Impressionism . Rev. and enl. ed. . New York: Museum of Modern Art, 1961.

Tinterow, Gary, and Henri Loyrette. Origins of Impressionism . Exhibition catalogue.. New York: Metropolitan Museum of Art, 1994. See on MetPublications

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What is the purpose and importance of an art exhibition?

Since the 18th and 19th centuries, galleries have played an integral role in the market for creative art. Art exhibitions or galleries are traditionally the spaces where art objects meet their audiences. During such exhibitions, artists may display artworks that include pictures, drawings, video, sound, installation, performance, interactive art, new media art, or exhibit collections of particular art forms. Places like museums , art halls, clubs, or private art galleries are popular venues for showcasing the artworks.

What Is The Purpose Of An Art Exhibition?

Art is a way of expressing emotions uniquely. Techniques are only effective if admirers can see and understand them. Exhibitions help bring the essence and emotions of art to the people who will admire and understand it. Curators, art historians , artists, and contemporary critics, have always found art exhibitions to be an excellent forum to discuss a particular art form and learn more about it. Below are a few reasons why art exhibitions are valuable for the viewers and artists.

Share with the World

Exhibitions are a way for artists to communicate with the world. Often, artists display their most complex emotions in their best works. They can now share with the world these feelings through an exhibition. There are times when these artworks provide a powerful platform to highlight injustices in our world. If not, it’s more effective to express emotions on canvas. Either way, exhibitions are an effective way of communicating with interested audiences.

Understand How to Present Art

Putting your artwork in the corner of an art gallery won’t get it the attention it needs. Exhibiting art helps you to learn more about proper installation and presentation. It is something one should understand. You might possess a deep understanding of art. The bottom line is that it’s about how you present it to the viewer. Your choice of exhibition form helps distinguish how different forms of artistic expression are displayed.

Opportunity to Develop Network

Attending any art exhibition gives you the chance to meet several personalities. At these events, you will have the opportunity to meet a range of people, including curators, art historians, artists, and critics . You will be able to establish a fulfilling career by interacting with these individuals.

Learn New Things

Each artist has a unique style. There is a possibility that viewers will learn from the exhibition. The art exhibition provides an audience with a window into the world’s culture and its history. It is possible to exhibit different contemporary and historical works together. 

In addition, artists often see the world from a new perspective and have a story to tell. In light of these ideas, viewers are welcome to think about them and develop their own opinions on the work. In many cases, this includes political statements, societal criticisms, and cultural criticisms. In essence, you get to learn new things not only from popular but also from budding artists.

Motivate People

Art exhibitions are visited by people who are interested in learning something new. Artists could use this opportunity to motivate people in support of their causes. Let’s say the exhibition is about depicting the sufferings of rape victims through art. By doing this, people will be motivated to speak up more against such horrible acts. 

No matter the theme, art exhibitions motivate people through pictorial representations of pain, happiness, sorrow, glee, jealousy, etc. Most of the artworks always have positive messages and aim to create a positive norm in society through artistic methods.

An art exhibition is one of the most effective ways to promote marketing, self-awareness, networking, public awareness, and breakthroughs in society.

Mrinal is a curious, open-minded person who is keen to explore the world around her. She is a nature lover who enjoys traveling, reading, sketching, and photography. She believes that words are portable magic. She yearns to share the tales of Cities, Architecture, Nature, Cultures, and People through her writing.

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How to Write an Art Exhibition Review

Last Updated: December 29, 2023 Approved

How to Draft Your Review

How to revise your review, best practices for viewing an art exhibit, expert q&a.

This article was co-authored by Kelly Medford and by wikiHow staff writer, Danielle Blinka, MA, MPA . Kelly Medford is an American painter based in Rome, Italy. She studied classical painting, drawing and printmaking both in the U.S. and in Italy. She works primarily en plein air on the streets of Rome, and also travels for private international collectors on commission. She founded Sketching Rome Tours in 2012 where she teaches sketchbook journaling to visitors of Rome. Kelly is a graduate of the Florence Academy of Art. wikiHow marks an article as reader-approved once it receives enough positive feedback. In this case, 95% of readers who voted found the article helpful, earning it our reader-approved status. This article has been viewed 304,043 times.

Art exhibition reviews provide a description and critical analysis of an art exhibit. This helps visitors know what to expect from the exhibit and gives feedback to the artist. To write an effective art exhibition review, visit the exhibit, take detailed notes, and talk to the artist, a docent, or a curator, if possible. Then, discuss your observations and opinions in your review and revise your work before finalizing it.

Things You Should Know

• Provide the who, what, where, when, and why of the exhibit in your introduction to paint a clear picture for the reader.
• Give a detailed description of the exhibit, including how each piece is displayed, so readers can know what to expect.
• Take a critical look at the exhibit and offer your opinions on the exhibit. Mention if it was successful in portraying its core themes and ideas.

• Write, “Agatha Tompkin’s The Friends You Have opened at the Contemporary Art Center on Friday, August 23rd and runs through November 1st. Her watercolors and mixed media works explore modern relationships and how communities differ.”

• You might say, “Tompkin’s watercolors are grouped on two adjacent walls in simple 11 by 14 in (28 by 36 cm) black frames. Hanging on the opposite walls, her mixed-media work consists of 5 by 7 ft (1.5 by 2.1 m) canvases that are arranged in a line. Visitors can walk alongside the artwork for a visual experience.”

Tip: While many artworks are meant to be viewed, there are other ways to interact with art. Sometimes art is meant to be listened to, and you may be immersed in an installation. Think about how you’re interacting with the artwork in this exhibit.

• Explain the artist’s stated thesis and how well they expressed it in their exhibit.
• Identify parts of the exhibit that worked well. If there were works that didn’t support the main idea, explain how the artist could have better incorporated them.
• Consider how this exhibit relates to art history as a whole. Where would it fit in? How does this art compare to existing works? How does it express common themes?

• For instance, a curator may not face any unique challenges while hanging framed oil paintings on a wall. However, they might struggle with installing a sculpture that hangs from the ceiling or an installation that has moving parts.
• You might write, “While the framed watercolors were easy to hang on the exhibit walls, the curators struggled to install the single mixed-media sculpture that Tompkins created from found objects. The sculpture is designed to look like it’s floating between the ceiling and the floor, so it must be hung using thin wires.”

• If this is for class, your instructor likely told you which style guide to use. Format your paper and any citations that you use according to the rules for that style guide.

• Don’t ask someone who’s unfamiliar with art exhibition reviews to critique your paper because they may unintentionally give you bad advice.

• Reading your review aloud will help you spot areas that don’t flow well. Re-write these sentences to make them better.

• Try to get someone else to proofread it for you because it’s hard to spot your own errors.

• If you have any questions, ask your instructor so that you don’t accidentally make an error on your assignment.

• Make several passes through the exhibit so you can make new observations and connections between the works.
• Look at the art from different angles and distances. While it’s important to examine each piece closely, you also want to take in the entire exhibit as a whole to see how the artist evoked their theme.

• Document how the artist created each image, such as how they used lines, shapes, colors, shading, textures, patterns, and light. You’ll use this information to develop your discussion on form.

Ask yourself questions like:

Why are the works of art ordered or arranged this way?

Does a particular work stand out from the rest?

Is there a theme or a subtext to the exhibition?

Does the theme or thesis become obvious as I walk through the space?

How is this exhibition different from others I've seen?

• Ask yourself questions like the following: Based on what I see, what do I think the artist is trying to say? What does the exhibit make me think about? How do I feel?

• Ask a docent questions like, “What was the artist hoping to achieve in this exhibit?” “What inspired the artist to create these works?” and “What are the core pieces of this exhibit?”
• Ask a curator questions like, “Why did you arrange the artwork like this?” “What challenges did you face while installing the exhibit?” and “What instructions did the artist give for hanging their work?”

• For instance, do you notice visitors avoiding a certain piece? Are they drawn to some pieces more than others? Which pieces are generating conversation? What types of comments do you overhear?
• If you’re planning to publish your review, ask fellow visitors to give you quotes that you can use for your review. Get their name so you can credit them.

• Wait until after you view the exhibit so that your initial impressions aren’t influenced by the artist.

Tip: Read the artist statement for more insight into what inspired the exhibit.

• Your review should focus on your own ideas, not on what other people said.

• Read art exhibition reviews written by professional critics to help you understand the typical format. [15] X Research source Thanks Helpful 0 Not Helpful 0
• Always have materials ready for taking notes or recording conversations. Thanks Helpful 0 Not Helpful 0
• Don't overuse superlatives. If you fall into the trap of calling every artwork you see "breathtaking," "magnificent" or "flawless," you'll soon come off as an uninformed critic. Likewise, calling everything you dislike "appalling," "disgusting," or "terrible" will undermine your ideas. Thanks Helpful 1 Not Helpful 0

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• ↑ https://www.ocadu.ca/Assets/content/teaching-learning/WLC/Online+Resources/Writing+Art+Reviews.pdf
• ↑ https://ualr.edu/art/art-history-resources/papers-and-projects/guidelines-for-analysis-of-art/
• ↑ http://arthistoryteachingresources.org/2017/09/museums-writing-exhibition-reviews/
• ↑ https://www.uwgb.edu/malloyk/art_criticism_and_formal_analysi.htm
• ↑ http://www.csus.edu/indiv/o/obriene/art112/Readings/Writing_a_Review_of_an_Exhibition.pdf

About This Article

To write an art exhibition review, start with an introductory paragraph that introduces a thesis about the exhibit. Then, break the body of your review up into individual sections that each focus on specific artwork in the exhibition. In each section, make sure you include descriptions of the art, your analysis and interpretation of the artwork, a consideration of the space it was displayed in, and finally your evaluation. To conclude your review, write a conclusion that ties together your main points and summarizes your review. To learn how to analyze and critique an art exhibit, scroll down! Did this summary help you? Yes No

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Art Essay Examples

Art Essay Examples to Get You Inspired - Top 10 Samples

Published on: May 4, 2023

Last updated on: Jan 30, 2024

Share this article

Are you struggling to come up with ideas for your art essay? Or are you looking for examples to help guide you in the right direction? 

Look no further, as we have got you covered!

In this blog, we provide a range of art writing examples that cover different art forms, time periods, and themes. Whether you're interested in the classics or contemporary art, we have something for everyone. These examples offer insight into how to structure your essay, analyze art pieces, and write compelling arguments.

So, let's explore our collection of art essay examples and take the first step toward becoming a better art writer!

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Good Art Essay Examples

In the following section, we will examine a selection of art essay examples that are inspiring for various academic levels.

College Art Essay Examples

Let’s take a look at college art essay examples below:  

The Intersection of Art and Politics: An Analysis of Picasso's Guernica

The Role of Nature in American Art: A Comparative Study

University Art Essay Examples

University-level art essay assignments often differ in length and complexity. Here are two examples:

Gender and Identity in Contemporary Art: A Comparative Study

Art and Activism: The Role of Street Art in Political Movements

A Level Art Essay Examples

Below are some art paper examples A level. Check out: 

The Use Of Color In Wassily Kandinsky's Composition Viii

The Influence of African Art on Pablo Picasso's Les Demoiselles D'avignon

A Level Fine Art Essay Examples

If you're a student of fine arts, these A-level fine arts examples can serve as inspiration for your own work.

The Use Of Texture In Vincent Van Gogh's Starry Night

Exploring Identity Through Portraiture: A Comparative Study

Art Essay Examples IELTS 

The Impact of Art on Mental Health

The Effects of Technology on Art And Creativity

Paper Due? Why Suffer? That's our Job!

AP Art Essay Examples

A Comparison of Neoclassical and Romantic Art

An Examination Of The Effects Of Globalization On Contemporary Art

Types of Art Essay with Examples

Art essays can be categorized into different types. Let's take a brief look at these types with examples:

Art Criticism Essay : A critical essay analyzing and evaluating an artwork, its elements, and its meaning.

The Persistence of Memory" by Salvador Dali: A Critical Analysis

Art History Essay: A comprehensive essay that examines the historical context, development, and significance of an artwork or art movement.

The Renaissance: A Rebirth of Artistic Expression

Exhibition Review: A review of an art exhibition that evaluates the quality and significance of the artwork on display.

A Review of the Metropolitan Museum of Art's Exhibition

Contemporary Art Essay: An essay that explores and analyzes contemporary art and its cultural and social context.

The Intersection of Technology and Art in Contemporary Society

Modern Art Essay: An essay that examines modern art and its significance in the development of modernism.

Cubism and its Influence on Modern Art [insert pdf]

Art Theory Essay: An essay that analyzes and critiques various theories and approaches to art.

Feminist Art Theory: A Critical Analysis of its Impact on Contemporary Art [insert pdf]

Additional Art Essay Example

Let’s take a brief look at some added art essay samples:

Artwork Essay Example

Artist Essay Example

Advanced Higher Art Essay Example

Common Art Essay Prompts

Here are some common art essay topics that you may encounter during your coursework:

• Describe a piece of artwork that has inspired you.
• A comparative analysis of Leonardo da Vinci's Mona Lisa and Michelangelo's David.
• Analyze the cultural significance of a particular art movement.
• Discuss the relationship between art and politics.
• Compare and contrast two works of art from different time periods or cultures.
• The representation of identity in art
• The Evolution of Artists' Paintings:
• From Traditional to Contemporary Art
• The representation of identity in Frida Kahlo's self-portraits.
• The significance of oil on canvas in the history of art.
• The significance of the Mona Lisa in the Italian Renaissance

Art Essay Topics IELTS

Here are some art essay topics for IELTS students. Take a look: 

• The value of art education.
• The role of museums in preserving art and culture.
• The impact of globalization on contemporary art.
• The influence of technology on art and artists.
• The significance of public art in urban environments.

Tips For Writing a Successful Art Essay

Here are some tips for writing a stand-out art essay:

• Develop a clear thesis statement that guides your essay: Your thesis statement should clearly and concisely state the main argument of your essay.
• Conduct thorough research and analysis of the artwork you are writing about : This includes examining the visual elements of the artwork, researching the artist, and considering the historical significance.
• Use formal and precise language to discuss the artwork: Avoid using colloquial language and instead focus on using formal language to describe the artwork.
• Include specific examples from the artwork to support your arguments: Use specific details from the artwork to back up your analysis.
• Avoid personal bias and subjective language: Your essay should be objective and avoid using personal opinions or subjective language.
• Consider the historical and cultural context of the artwork: Analyze the artwork in the context of the time period and cultural context in which they were created.
• Edit and proofread your essay carefully before submitting it: Ensure your essay is well-organized, coherent, and free of grammatical errors and typos.
• Use proper citation format when referencing sources: Follow the appropriate citation style guidelines and give credit to all sources used in your essay.
• Be concise and focused in your writing: Stick to your main thesis statement and avoid going off-topic or including irrelevant information.
• Read your essay aloud to ensure clarity and coherence: Reading your essay out loud can help you identify inconsistencies or any other mistakes.

The Bottom Line!

We hope that the art essay examples we've explored have provided you with inspiration for your own essay. Art offers endless possibilities for analysis, and your essay is a chance to showcase your unique opinions.

Use these examples as a guide to craft an essay that reflects your personality while demonstrating your knowledge of the subject.

Short on time? Let CollegeEssay.org help you! All you have to do is to ask our experts, " write college essay for me " and they'll help you secure top grades in college.

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Art Museum University of Toronto — Justina M. Barnicke Gallery University of Toronto Art Centre

Exhibition Essays

The Art Museum produces essays written by artists, curators, and art writers to accompany our exhibitions. Through these activities we contribute to the advancement of art scholarship and widen the dissemination and access to knowledge and information, which in turn furthers the original research we perform to produce our exhibitions.

Plastic Heart: Surface All the Way Through

September 8–November 20, 2021

Alternative Convention: Top Value Television’s Four More Years

September 8–October 9, 2021

Open Windows

October 27–November 20, 2021

2020 MVS Studio Program Graduate Exhibition

October 28–November 21, 2020

The exhaustive thought

Overt: Militarization as Ideology

If a Turtle Could Talk

Lorenza Bottner: Requiem for the Norm

January 25, 2020–March 21, 2020

Listening to Snow

January 18, 2020–March 21, 2020

Qaggiq: Gathering Place Exhibition Brochure

September 4 – November 30, 2019

God of Gods: A Canadian Play Exhibition Brochure

Variations in Black, Queer, and Otherwise: Works by Abdi Osman Exhibition Brochure

June 5 – July 27, 2019

In and Out of Saskatchewan Exhibition Brochure

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Sample Exhibition Review

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Below you will find a sample review by a student. The student received an A- for the exhibition review grade.

The review is a short paper therefore avoid using long quotes from wall texts in the exhibition or brochures, and outside sources (which you must cite). Look carefully and use your own words to communicate what you find compelling or weak about the exhibition. Provide descriptive details to give your reader an ‘insider’s’ view of the exhibition.

Sample Exhibition Review For the exhibition review project, I went to the International Center of Photography and saw the Harper’s Bazaar: A Decade of Style exhibit. I decided to see this exhibit because I love fashion. I actually felt like a kid in a candy store. It is something I want to pursue in the future and I am really interested and I thought it would cool to see fashion in another form and perspective. When I first walked into the exhibit I was greeted by a huge sign the said “HARPER’S BAZAAR”…and it gave a brief background on the magazine, its editor and a few of the photographers that have contributed to the magazine over the years. Some of those photographers are Karl Lagerfeld, whom is the mind behind Chanel and Fendi, Peter Lindbergh, Jean-Paul Goude, David Bailey, William Klein, Patrick Demarchelier, Sølve Sundsbø, Tim Walker, Mario Sorrenti, Hiro, and Melvin Sokolsky. Many of the photos also included some designers and celebrities as well including Marc Jacobs and Lady Gaga, my favorites.

Going to the exhibit I got to look at the pictures differently. Instead of looking at them as if just flicking through a magazine, I actually paid attention to detail, the way the photo was taken, and what might be the meaning behind them. For instance in one particular photo by Nan Goldin, Marc Jacobs at the Plaza Hotel NYC, Sept 2010, when looking at the photo you feel a sense of emotion in Marc’s facial expression. The camera is focused on him sitting in a chair in his towel, with dim lighting. He looks as if he’s in deep thought and the background helps play into mood of the picture and the room. You also get a sense of personality from the picture and you can feel what he feels through the picture. I think that’s why this picture stuck out to me so much because looking at it; it just attracts you and draws you in. Another photograph that gave me that effect as well was Diane, May 2011, by Chuck Close, which was a close up picture of fashion designer Diane Von Furstenberg’s face and you can see every bit of emotion in her face because you can see everything in her face like the lines that form to make up an expression. I thought this picture was interesting because since it was a close up, they’re usually in black & white but this one was in color which made it feel real and felt like you were looking at the person and not just a picture of portrait. The object of the show was to show fashion through photographs and how to incorporate the two to come out with something wonderful. I all around enjoyed the exhibit; it was interesting and did a good job of showing incorporating fashion and photography, I just wish that the exhibit was bigger and had more to show. The International Center of Photography Museum isn’t really a big place and they had two other exhibits in the building so they had to share the space.

I also learned things that I didn’t know; I had no idea that Karl Lagerfeld was a photographer. I liked how the pictures were displayed around the room, all of the walls were covered with pictures, the two longest walls had big portrait type pictures on them and the smaller walls had pages from the actual magazine on them, and then at the corners of the room and in the middle of the floors there were glass cases that held magazines some open to certain pages and some showing just the covers. The format of the room added to the exhibit, it gave it some movement since the pictures can’t move. All of the photographs were different sizes which also added to the different shapes and styles that were portrayed in the photographs. The room also had different colors on the walls that contrasted with the colors in the photographs such as Stephanie Seymour, Feb 2002, by Patrick Demarchelier, an Andy Warhol style photo, yellow background, prominent red lips and blue eye shadow with a blue tinted shadow outlined the figure. The colors are so bright that they pop out at you as soon as you see it, that you couldn’t miss the photo at all. I really liked how this exhibit and the photographers used color, they didn’t use boring and ordinary colors, they used colors that would get you thinking and wondering why they did what they did and keep you interested.

I also think that the way the museum placed the pictures was a way to attract the visitors. Next to the big sign that gave a brief biography of the magazine was a photograph by Terry Richardson, Lady Gaga, May 2011. This photograph would attract a lot of people that walked into the exhibit because she is one of the most popular celebrities of today and she is known for her eccentric fashion sense. And this photograph didn’t disappoint, the background is all black and so is her outfit and her sky high shoes and eye make-up and her hair is a pale pink and her face has a spotlight on it, which is the highlight of the photo because it’s the first thing you see looking at it. I really like this photograph because it’s Lady Gaga and I like that the photographer used her hair and her face as the focal point of the photo; I like how they used all black as the contrast and dark make-up it gives the photograph a dramatic feel. And the pose she is giving and her shoes gives the photograph some structure because her body is at different levels, her shoes are high but one foot is kind of lifted and so is the pant leg of the shoe to give it some more height.

Some other photographs that caught my attention and I thought were interesting were by Jean-Paul Goude [Linda Evanglista, Karl Lagerfeld, Jean-Paul Goude, Stephan Gan] Dec, 2003. I love the whole concept of this picture it’s full of people in which looks like a ballroom, people on steps and then there’s Linda and Karl as the focal point of the picture right in the middle of the floor and huge pieces of confetti falling from the ceiling. It looks like a fun picture, like there was a party going on. The gleam of the confetti is what first catches your eye in the picture because the light in the room bounces right off of it. It’s also interesting because Karl is dressed in all black as usual and Linda in dressed in all white with a head piece on; there outfits don’t fit the setting of background, but it makes for a great picture. The other photos are by Tim Walker Tim Burton’s Tricks & Treats which was a play on the director Tim Burton’s movie characters. They included Edward Scissor Hands, Nightmare before Christmas, BeatleJuice (my favorite Tim Burton film) and others. The models in the photos were dressed as the character from the movie but they had a twist to them. The outfits were more up to date then the movie, but they put a great spin on recreating the characters looks. This particular group of photos made me really excited because as soon as I saw them I knew what they were supposed to be. I would recommend this exhibit to anyone who loves fashion, it allows you to see it from a different perspective and how iconic pictures can be just by how it is put together and staged.

Going to this exhibit and looking at the photos showed me how much photography has changed, from when you could only take one photo and that be the only copy or not being able to catch movements in the photos or even getting the correct color or complete figure in the photo. The exhibit space has also showed me how things have changed how photographers would have to display their work at their own homes. This exhibition contributed to my knowledge of the history of photography by showing how photography in the past has evolved and contributed to what we can do today. It showed how you can tell stories through photos and clothing and how a pose or facial expression could add to a photo and give a meaning and allows you to interpret things how you see them.

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How Do I Write a Statement About My Exhibition That Isn’t a Total Cliche? Art Professionals Offer Real, Actionable Advice

Hint: read other good writing, be original and find a good editor.

When presented with a blank page on which to write their exhibition text, many artists will respond with one strong emotion: horror. However, the process doesn’t have to be so painful. There are many ways to reflect an artistic practice or a body of work through a piece of writing—interviews, poems, lists, creative essays, glossaries. And in the worst case, there is always the well-chosen quote. 

Olivia Radonich, of the gallery ReadingRoom in Melbourne, recommends an intuitive approach. “Read poetry! Don’t compromise. Don’t write press copy. Don’t follow a format. Be vulnerable, be open,” she advises. “Try to get to the heart of what compels you to make work, and share that. Getting to that place, close to it, capturing it and bringing it into focus can be difficult, so use whatever format helps capture that feeling: talk with someone you trust, read widely to find examples of what moves you, keep text messages, voice notes, writing on scraps of paper, notebook.”

Radonich recalls an experimental text the Melbourne-based artist Emma Phillips wrote for her 2019 show. “Emma used a bricolage approach to assembling her exhibition text; it was very grueling watching her refine each draft; the result was layered, complex, funny, haunting and poetic. It revealed so much about her subjects, her way of working and her chosen medium for that particular exhibition—photography, specifically very intimate large-scale portraits.”

Staged between the cubicle-like glass partitions of Brookfield Place’s atrium, in downtown Manhattan, Ernesto Pujol’s performance 9-5 (2015) paid homage to city office workers. © Nisa Ojalvo 2015.

The artist Sam Jablon, who also has an academic background in poetry, finds working alongside someone else can help. “Have a good editor who you can bounce ideas off, and write something that explains the show without over-explaining it,” he says. He also recommends describing the work rather than relying too much on a theoretical angle. “The purpose of a text is to create an entry for people into the work,” he says. “It’s like an introduction to the ideas behind the show.” 

Christian Egger, a Vienna-based visual artist and author whose book of collected criticism is published by Floating Opera Press, agrees that it can help to ask another writer for input. “Someone who follows your work, who is a writer and not necessarily within the field of art,” he says. “Somebody who might be able to lay new tracks or contextualize, deconceptualize or just misunderstand everything—but in an interesting way.”

Originality should be the aim of any writer. “Avoid dialectics and stereotypes, instead go for the mythic, surprises, hilariousness and ahistoricism,” he adds. “I am always allergic to opening lines such as, ‘Artist X is…’ or enumerations of what is in a show. Also, predictability of references can be annoying.” 

Egger suggests looking at how some great artists have approached the job, citing Claire Fontaine, Pauline Boudry/Renate Lorenz and the defunct London collective BANK as good examples. “Back in the early 2000s, the creative collective Reena Spaulings serialized and distributed extracts of their bootleg translation of Situationist Michèle Bernstein’s 1959 novel Tous les Chevaux du Roi during exhibition openings at their gallery in New York,” Egger adds. 

Tim Youd retyping Sylvia Plath’s The Bell Jar at the Armory Show, New York, for “100 Novels.” Photo courtesy of Cristin Tierney Gallery.

For those still stuck, one suggestion is to collate a collection of existing texts and examine their approach. In some cases, you’ll notice there is a formula to writing. You’ll see it in every paragraph in a good newspaper. The first line is a statement. The next two or three lines expound on that initial statement. The last line is a conclusion. It can be that basic. 

Historic, scientific and literary references or events can also be good openings to ground a show. And when in doubt, just start with a question?

The central thing is not to stress, since half the time, people take the papers they pick up at an exhibition and stick them in their pockets, or just throw them away. “ The text is the companion” rather than the main event, Radonich notes . It is just another way to bring an audience in. And as Jablon points out, that audience can widely vary, with the general art-loving public joined by press, collectors, curators, and other artists. Remember, the exhibition text is, Jablon says, just “breadcrumbs to follow.”

Francesca Gavin

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Writing Exhibition Texts

Title labels identify the name of the exhibition. The best titles will arouse interest and curiosity and give enough information to enable visitors to decide whether they are interested enough in the subject matter to enter… Beverly Serrell, Exhibit Labels: An Interpretive Approach

A good title should clearly introduce the topic and content of the exhibition, but at the same time it should be sufficiently distinctive to spark potential visitors’ curiosity. Peruse the sites listed below for some good examples.

• The Perlman Teaching Museum
• Frances Young Tang Teaching Museum
• The Walker Art Center
• Minneapolis Institute of Arts
• The Bell Museum of Natural History

Brief Description

It is helpful to write a brief description of your exhibition. This description can be used in brochures, on websites, blogs, or other publicity venues and can also appear on a poster. The brief description should only be two or three sentences long, and articulate the main idea of the exhibition and why it is important or interesting.

Example Descriptions

Organized by the Minnesota Museum of American Art in St. Paul,  Our Treasures  features 30 of the top artworks in the MMAA collection, chosen by the museum’s executive director Kristin Makholm. The exhibition includes works by such artists as Paul Manship, Robert Henri, Grant Wood, Louise Nevelson, George Morrison, Christo, and Wing Young Huie.

(From Our Treasures: Highlights from the Minnesota Museum of American Art )

In  Running the Numbers , artist Chris Jordan creates intricate photographic prints assembled from thousands of smaller photographs, visually depicting statistics that dramatize aspects of contemporary American culture.

(From Running the Numbers: Portraits of Mass Consumption )

Presenting contemporary art, historical books and photographs, charts, and scientific visualizations, this exhibition considers the powerful role of vision and the visual in exploring celestial realms. Artists and scientists, seeking truth beyond the visible and the tangible, offer fresh perspectives on astronomy and give new life to poetic celestial metaphors.

(From Seeing is Knowing: The Universe )

Introduction

Introductory or orientation labels set up the organization and tone of the exhibition…Quick, clear orientation is a very important feature for visitors, but many people will not stop to read a long introduction because they are being drawn into the exhibit by many competing sights, objects, and sounds… Beverly Serrell,  Exhibit Labels: An Interpretive Approach

An introduction placed near the entrance is a useful way to unite and provide context for an exhibition, but brevity is the key.  It is recommended that introductions be limited to 150 words or less, as is the case with the examples below.

Example Introductions

Mali is a thriving center for photography in Africa. Since studio portraitists Seydou Keïta and Malick Sidibé were embraced by the international art market in the 1990s, a local art photography movement has blossomed. In 1994, Bamako became home to the pan-African photography Biennale, focusing the spotlight on native talent and on continent-wide achievements in the medium. Every two years, the Biennale has also spawned additional photography programs, institutions and exhibition opportunities.

Photographing the Social Body embodies the fruitful collaboration between curators Laurel Bradley, Director and Curator of the Perlman Teaching Museum, and Allison M. Moore of the University of South Florida, a scholar who focuses on Malian photography since the establishment of the Biennale. Candace Keller of Michigan State University contributed her expertise on studio-based photographers to the project. The exhibition depends on the talents and generosity of the photographers in the exhibition, and others in Mali who assisted the curators while in Bamako.

(From Photographing the Social Body: Malian Portraiture from the Studio to the Street )

What happens when 21st century students, some exploring photographic portraiture and the others reading 19th century British novels, employ contemporary photographic techniques to create portraits of the novels’ characters?

This interdisciplinary exhibition celebrated the creative collaborations between students in John Schott’s Digital Photography Workshop and students in Susan Jaret McKinstry’s Victorian Novel.

The 19th century was the age of the novel. These novels explored the issues of the day, including science, religion, political and social reform, gender, identity, and the role of art. The novels shaped readers, education, printing practices, and social history around the world, and they are still widely read, translated into many languages, reprinted in new illustrated editions, redesigned as graphic novels, and reinterpreted in film versions.

The 19th century was also the age of photography. In 1839, Daguerre took the first photograph of a person, and by mid-century photography was a popular and expensive hobby. Photography was an essential element of Victorian novels, with author portraits as frontispieces, advertisements, and posed “character” portraits as selling points for the novel’s truthfulness and social force.

(From Direct Address: 19th Century Characters, 21st Century Portraits )

Group Labels

Section or group labels inform visitors of the rationale behind a subgrouping of objects, paintings, or animals. Why are these things shown together? is a common question in the backs of visitors’ minds, and it needs to be answered to help visitors feel comfortable, competent, and in control of their own experiences… Beverly Serrell,  Exhibit Labels: An Interpretive Approach

Example Group Label – “Democracy”

The art of the 1980s was shaped profoundly by an exploration of democracy. Although it is an ideal held sacred by many, democracy is also challenging, for at its core it asks us to respect and protect the rights of those we disagree with.

For many artists, public spaces such as the street became arenas in which to facilitate encounters with art outside of the rarified space of the museum, and in this section we see artworks that use posters, graffiti, and everyday language to broadcast a social message as widely as possible. This interest in the public sphere was complicated by many artists’ observation that, increasingly, television was replacing the street or the public square as a primary site of democratic debate.

Some artists grappled with the new role of the mass media in both political and artistic arenas. The issue of belonging—of who has rights to what, where, and when—lies at the heart of the democratic enterprise. Such issues were to be sorely tested in the 1980s along numerous fronts. Several artists whose work appears in this section made explicit use of immanent critique, a strategy, exemplified by the civil rights movement, that attempts to hold government responsible for remaining true to its highest principles.

What all of the artists represented here shared was the belief that art can and should serve as a catalyst for philosophical and political debate.

(From This Will Have Been: Art, Love, & Politics in the 1980s )

Object Captions

Captions are specific labels for specific objects (e.g., artifacts, photos, and phenomena), and they are commonly used in all types of museum exhibitions. Captions are the “frontline” form of interpretive labels because many visitors wander around in exhibits, without attending to the linear or hierarchical organization of information (title, introduction, section label). If visitors stop by only when something catches their attention, the information in caption labels must make sense independently–as well as work harmoniously with all the other labels. Beverly Serrell,  Exhibit Labels: An Interpretive Approach

For examples, please see this PDF of captions from past Carleton exhibitions .

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Exhibition Review Essay

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Introduction

After photoshop, selected appealing examples, the exhibition organization, overall evaluation.

In this article, I will examine an ongoing exhibition, After Photoshop, at the Metropolitan Museum of Art. The exhibition has been running since September 25 th , last year and will be closed on May 27 th this year. The sub-themes on this exhibition are as many as the photographs exhibited. However, the general theme is showing how creativity has led to manipulation of photography to create photographs, which appear to be true to the eyes and pass information on various issues that have affected or are affecting our lives.

After Photoshop is all about the current things we do as well as those we try to do. This exhibition is an addendum to an immediate past exhibition, which was titled Faking It: Manipulated Photography Before Photoshop. The exhibition is sponsored by Adobe. The photographs on the exhibition are all from the permanent section of the museum. The unifying factor in the photographs on this exhibition is the use of Photoshop software in enhancing their appeal. Apart from that, I also think the photographs reveal deep desires and/or fear that human beings experience.

In general, the photographs are amusing to look at and most of them have a great sense of humor in the manner they bring out some aspects in life. This exhibition is a witness to the changes that are taking place in photography. Each photograph on display speaks volumes to the viewers. Though the photos are not real, they depict the truth, which the human beings are trying to achieve or have already achieved.

There are some photographs that I find quite appealing. One of them is titled 110 Junction . In this photo, a car is placed about 4 meters above a street and appears to be either in hot pursuit of another car not seen or pursued by other car/s that is/are not seen. This photo is dated 2010 and has been taken and manipulated using Photoshop software by Matthew Porter.

There are a number of things which I like about the ingenuity displayed in this photograph – 110 Junction . First, the artist must have taken time to find the correct place on the road that would accommodate this manipulation. As we know, cars do not fly, at whatever speed they might be, when the road is flat.

The flying action comes when a car at great speed is going over a hump. I also like the fact that this artist has gone for a very huge hump that beautifully displays proportionality with the height above the road that the car is flying. It would not have made any sense if the car had been placed at this height above a flat road or over a very small bump.

I greatly admire the angle at which the artist placed the car. It is right above the road moving in the correct direction as it could have if it was on the road. I find it humorous that the artist was not in the mood to violate traffic rules because, either intentionally or by chance, he took the original photograph when the green lights were on.

Another photograph I find extremely nice to view is an untitled photograph of a young girl with the eyes of a puppy. It is not easy to notice that the eyes are not hers. The artist who created this photograph, Rebenstein, was airing his views on the debate on interspecies tissues grafting.

This photograph speaks to us in volumes asking many questions. It helps us to imagine how it could be to harvest organs for human beings from animals. It raises ethical questions and springs up animals welfare feelings. The photograph is an open invitation for a discourse about the future of human cloning. It scares me to imagine such a beautiful young girl in a puppy’s eyes – but the photo seems to be saying: ‘this is the future’.

The organization of exhibition is done well. The photographs have no particular order except of those that are from the same artists and particularly on the same theme. Such photographs are placed together. The photos are represented in Gallery 851 of the Metropolitan Museum Art. They are well lit and placed on walls painted with white paint. The exhibition room is spacious and lit from the roof.

In general, the exhibition is a great work done by the Metropolitan museum. I find it quite appealing, especially in the manner in which photography is used to speak out our hopes and fears. The ability of Photoshop Software is shown and this exhibition indicates that photography can be used as a ground of communication on serious issues affecting our society. The combination of humor and seriousness in one photograph provides a viewer with a thoughtful and entertaining perception.

I greatly invite any person wishing to have a pensive viewing to find the time for this exhibition. As already noted above, it is running up to May 27 th this year.

• Ethics of Digital Manipulation
• The face of Battle Agincourt October 25, 1415
• Adobe Systems, Inc.- A Strategic Analysis
• Edward Ruscha's exhibition at the Denver art museum
• Analysis of Art Works in De Young Museum
• The Card Players by Paul Cézanne: Special Exhibition at the Metropolitan Museum of Art
• Visiting the National Gallery of Art
• Exhibitions of Contemporary Arts in Three Different Museums
• Chicago (A-D)
• Chicago (N-B)

IvyPanda. (2018, December 11). Exhibition Review. https://ivypanda.com/essays/exhibition-review/

"Exhibition Review." IvyPanda , 11 Dec. 2018, ivypanda.com/essays/exhibition-review/.

IvyPanda . (2018) 'Exhibition Review'. 11 December.

IvyPanda . 2018. "Exhibition Review." December 11, 2018. https://ivypanda.com/essays/exhibition-review/.

1. IvyPanda . "Exhibition Review." December 11, 2018. https://ivypanda.com/essays/exhibition-review/.

Bibliography

IvyPanda . "Exhibition Review." December 11, 2018. https://ivypanda.com/essays/exhibition-review/.

• Exhibition essay

Heather Stivison: Seeds of Change

Contributed by Kathy Imlay / Heather Stivison’s paintings in “Seeds of Change: Paintings of Climate Change and Hope”, imply unseen possibilities for restoring the natural balance of our planet. In her first New York solo exhibition—on view at Pleiades Gallery in Chelsea through April 15, also and as an online exclusive with Imlay Gallery — Stivison explores the notion of seeds from both literal and metaphorical perspectives. She sees potential for change hidden within us as seeds buried in the ground, both filled with untapped promise. 

Riad Miah: My eyes just heard my brain

Contributed by Sharon Butler / As I walk through the dimly lit space behind an elegantly nostalgic bespoke clothing store on the Lower East Side, I feel as if I’ve landed in Desperately Seeking Susan, the iconic film starring Madonna that captured New York creative life of the 1980s. On the other side of a worn red curtain looms Riad Miah’s bright, busy studio. Confronting me is a plethora of colorful canvases, covered with writhing shapes, floating freely on irregular canvases.

Jamie Madison: A walk in the flatlands

Contributed by Sharon Butler / At the beginning of the pandemic, when Jamie Madison’s Bay Area studio was less accessible, she settled into her home studio in a rural area of Northern California and got a puppy. Behind her house lay the wild, oak-studded riparian woodland of Putah Creek, and in the front conventional orchards and farms stretched for miles.

Jennifer Riley’s Machine Series paintings

Contributed by Sharon Butler / When Brooklyn artist Jennifer Riley began making large-scale abstract paintings using discarded laser-cut pieces of steel, she connected with a […]

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Example Of Essay On Art Exhibition

Type of paper: Essay

Topic: Art , Body , Youth , World , Human , Teenagers , Artists , Sculpture

Words: 2000

Published: 03/05/2020

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Introduction - Theme

Art is all about celebrating something, and what better way than celebrating oneself. The human body is one of the most complex, alluring and fascinating things on earth, so many artists are naturally drawn towards the body. There are may artworks that celebrate the human body as the underlying theme. These paintings and sculptures have a sense of honesty around them, and they show humans simply as they are. and fascinating things on earth. This art exhibition uses the human body as a theme to highlight the many issues surrounding physical abuse, sexuality and a general lack of appreciation for the physical body. Around the world today, women are being abused in every way possible, ranging from rape to domestic violence. Every minute a woman is raped, molested or abused, and this is a serious issue facing our society today.. Sadly, it is also the most neglected one as it has been accepted asbecome a way of life in many societies. To draw attention to this issue, this art exhibition celebrates human body and its value. Another related issue is sexuality. LGBT discrimination and same-sex marriage protests have become a common feature, and this is because of the lack of understanding of what is sexuality. Again, this lack of understanding stems from a complete lack of appreciation for the human body and its myriad needs. Therefore, this art exhibition brings the focus back to the human body, and the may ways in which its beauty can be expressed. Lastly, obesity has become rampant around the world. Recently, the World Health Organization (WHO) stated that one in three persons around the world is obese. This obesity problem stems from a sedentary lifestyle, poor diet and negligible physical activity. The root cause of the problem is again the neglect of human body. Most people fail to understand how beautiful the human body is, so they do not take any steps to maintain it. Through this exhibition, the organizers want to draw attention to this aspect of the body too, and the problems that come with its neglect. Therefore, this art exhibition brings the focus back to the human body, and the may ways in which its beauty can be expressed. To draw attention to this issue, this art exhibition celebrates human body and its value. Many artists are naturally drawn towards the body. There are many artworks that celebrate the human body as the underlying theme. These paintings and sculptures have a sense of honesty around them, and they show humans simply as they are.

Below is a depiction of some body- based artworks by prominent artists around the world.

Charles Ray Charles Ray was born in 1953. He is a renowned artist who is well-known for his sculptures. He works with altered and refashioned objects to give the sculptures a natural feel. He is a Los Angeles-based sculpture who is known for his strange ideas and enigmatic expressions. Unlike many other artists, Ray does not have a fixed style or a limited set of materials. The entire world is open for him, and he picks his topics to reflect this openness. Also, he uses a wide range of materials for his works. A unique aspect of Ray is that he uses the developments that have taken place in the twentieth century as the theme for many of his art workspaintings. His works are displayed in North America and Europe, and he has a big following for his art piecesworks. In 2009Recently, Ray did his first outdoor commissioned work at the Punta Della Dogana in Venice, Italy. This work is called the Boy with a Frog, and as the name implies, this sculpture has a boy holding a big Goliath frog near the Grand Canal. This sculpture is big in size, and has a smooth white finish to it. A salient aspect of this sculpture is that is based on a unique tradition of marble sculpture. This kind of sculpture had its origins in Italy, and this is why this piece reflects an important part of the Italian tradition. TheThe sculpture is akin to to the statue of Apollo Sauroktonos, a Roman sculpture present in the Musee de Louvre in Paris. In this statue, a young adolescent boy reaches his arms to catch a lizard that is climbing up a tree. Drawing inspiration from this sculpture, he created this one to depict modern times. Also, the fact that his sculpture is nude appreciates the beauty of the human body and its oneness with the nature around it. The backdrop of the Grand Canal is a perfect setting for this sculpture. Source: http://www.matthewmarks.com/new-york/artists/charles-ray/selected-works/#/images/13/

Raymond Pettibon

Raymond Pettibon was born in 1957. He is an American artist well-known for his punk images and. He is well-known for his pencil sketches using India ink on paper. Most, ad most of his early works are in black and white, though the last few years has also seen some color in it. His work embraces many aspects of American culture and values, and depicts it in the form of humor. His common themes include baseball players, marginal youth culture, environment, and sexuality and sports. He is an avid sports fan himself, and this is evident in many of his pictures where there is some element of sports in it. This sports theme can be from the athletic frame of the people in the picture to the act they are performing, but some pieces of it will be present in most works (Hoby, 2013). In the painting below, Pettibon depicts the callousness of Americans towards the environment. This painting sarcastically targets people who excessively worry about the environment, and also those who completely do not care for it. The idea behind this painting is to show the so-called final end for the human race where the world is burning, and the handful of remaining people are running hither and thither for a place to live. The words, “Land or Water – Either Will Do!” summarizes the idea of the painting. As with all his work, the people on the painting are athletic. However, they have a grim face because they are looking for somewhere to live. In one sense, this painting emphasizes the need to be fit and active because they need this energy to save themselves from a possible catastrophe in the future. Source: http://www.raypettibon.com/main.html

Chris Burden

Chris Burden was born in 1946. He is an important America artist who is popular for the radical approaches taken to depict body art. His work has featured in any prominent museums around the world such as the Museum of Contemporary Art in Los Angeles and the Museum of Modern Art in New York. His art works include sculpture and installation art. Many of his work continues to inspire young artists to create body work with an underlying sociopolitical message. One of the best-known works of Burden is a 1974 piece called Trans-fixed. In this artwork, Burden lies on a Volkswagen with his arms stretched over the roof. There are nails on Burden's palm, similar to the crucifixion of Jesus, with the difference being that it is on a Volkswagen and not on a cross. This idea behind this image was to use a little bit of humor to invoke feelings andor religious martyrdom. It also shows the human body in new light, and more importantly, the mental and physical connection that exists with pain. By experiencing this type of pain andad vulnerability, Burden in many ways, has brought the horror behind such acts, thereby making it more knowable to his audience. Through this picture, he wanted to bring out the collective fears that exist in society, and the way it is used to keep people under check. Therefore, the idea is that the human body is not governed by the laws that exist in the society, rather by the mind that controls it (wtfarthistory.com, no date). Another unique aspect about this image is that he uses his own body to get the message across, and this is not something see commonly among artists. For this reason, and also for its simplicity and resounding message, this piece is popular. Source: http://www.newmuseum.org/exhibitions/view/chris-burden-extreme-measures

Mike Kelley

Mike Kelly is an American artist who extensively used objects, textiles, drawing and collages to express his thoughts and ideas on American culture and youth. He was an influential artist who inspired many young artists to take to this form of art. Born in 954 in Wayne Michigan, Kelly drew his inspiration from many different sources such as working-class expressions, history, philosophy and politics. He died in 2012 of an apparent suicide, andad has left behind an art legacy. The Mike Kelley Foundation for the Arts established in 2008 continues to support young artists with their innovations and endeavors. Mike Kelley is well-known for bringing new dimensions to art. One of his well-known works is called Half A Man, and it was completed in 1987. In this work, he bought hand dolls and stuffed animals from thrift stores, and sewedsew it together in jammed clusters. He also used old blankets and afghans to bring out different emotions in each of the human bodies (Cotter, 2013). The idea behind this artwork was to depict the human body in a new light, using materials that are available everywhere. It is also in some ways, a lesson in recycling for budding artists. With a double connotation of human body and reusable nature of products, Kelly has set a new mark for himself. This artwork also has brings out the traditions of art-making in the church. Such works are used in contemporary churches, but this one takes the ideas of obedience and strength to new levels, that cannot be done within the context of the church (The Renaissance Society, 1998). Source: http://soosanjoon.blogspot.in/2012/02/rip-mike-kelley-1954-2012.html

In short, the above gallery of images show how different artists have used the human body to bring out their skills, and at the same time, convey a message to viewers. Whether it is political satire or environment issues, these images have had a profound impact on art-lovers around the world. More importantly, these artists have inspired young people to take to art, and to use the human body as a canvass for all expressions. It is hoped that this exhibition brings the focus back on the human bodies, and helps societies to appreciate its beauty and resilience. Such appreciation can go a long way in inducing more respect for the body than before, that in turn, will bring down the physical abuse and atrocities.

Cotter, Holland. (October 17, 2013). The Show's As Big As His Career. The New York Times. Retrieved from: http://www.nytimes.com/2013/10/18/arts/design/mike-kelley-a-survey-at-moma-ps1-in-queens.html No author. (1988). Mike Kelley: Three Projects. The Renaissance Society. Retrieved from: http://www.renaissancesociety.org/site/Exhibitions/Intro.Mike-Kelley-Three-Projects-Half-a-Man-From-My-Institution-HYPERLINK "http://www.renaissancesociety.org/site/Exhibitions/Intro.Mike-Kelley-Three-Projects-Half-a-Man-From-My-Institution-to-Yours-and-Pay-for-Your-Pleasure.110.html"to-Yours-and-Pay-for-Your-Pleasure.110.html No author. (No date). Crucified on a Volkswagen Beetle. WTF Art History. Retrieved from: http://wtfarthistory.com/post/14HYPERLINK "http://wtfarthistory.com/post/14868420227/crucified-on-a-volkswagen-beetle"868420227/crucified-on-a-volkswagen-beetle Hoby, Hermione. (December 14, 2013). Raymond Pettibon: Punk With A Pencil. The Guardian. Retrieved from: http://www.theguardian.com/artanddesign/2013/dec/14/raymond-pettibon-sonic-youth-black-flag

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IELTS TOPIC: Art Exhibition

03/14/2021 02:09 PM

Things to consider:

• The first question to ask yourself is: What is art? Can you name 5 types of art?
• You can make up a topic , as long as it makes sense. Not every person likes to visit galleries, and that's all fine. Imagine that you have visited some kind of gallery and describe 2-3 pieces of art (paintings, photographs, etc.)
• You can begin your talk in Part 2 with what types of art you like and dislike ( just not too long, try to end that beginning in 20-30 seconds)

Part 2: Sample Answer

Right… So, I’m not a massive fan of art. At least not in the traditional form of art – paintings or sculptures. I believe in the past people used to admire these pieces of art because they were fewer and there was no internet to show how much art there was all around the world. Nowadays, there are millions of websites with so much art out there, that it’s difficult for me to value art . It all looks great and professional . Because of this reason, I don’t visit that many art galleries . What fascinates me the most is actually architecture and building design . Anyway, I’ll tell you about a small private exhibition that I visited a few years ago.

At first, I explain my feelings about art for about 20-30 seconds.

My sister is an artist. At the moment she is doing a lot of digital art , children’s books illustrations , digital assets design , VR world design and even works on a small video game with her company. But of course, as an artist she does hand draw from time to time and has made a few paintings in the past. So at the time, 3 years ago I believe, she collected her best drawings, sketches and paintings , and made an art exhibition, with the help of a friend. It was all about her, and I remember it clearly because I was just back home from China when it happened.

Starting the topic with the artist (my sister), the art types and the exhibition.

In terms of what… she had the usual art pieces I would say. Some paintings of animals in their natural environment – a panda eating bamboo, a tiger hiding in the bushes , some sketches of people, nude bodies of men and women sitting together, and some abstract shapes and colors mixed in some unknown magical way … As you can see, I don’t understand much about art, but it was fantastic nonetheless .

Describing the art with a few examples - colors, shapes, themes...

Ever since I heard that she will make an exhibition, I was filled with joy , pride and curiosity . I had seen her artworks before, but I didn’t know how other people would react – would they like her style or simply shrug about it . I was very proud and felt this heartwarming feeling when I saw how full the event was and how curious and interested people were with my sister’s creative ability . She is a great artist and I will follow her artistic development .

Talking about the feelings I had about her art exhibition.

Sentence starters and Linking words

Vocabulary related to the topic, part 3 questions.

In this part we continue to discuss the topic of art and different opinions about art. Make sure you mention different types of art in the different questions.

Examiner:   Do people have different opinions about art? Why?

Think about young people.

• Young people love all sorts of new type of art. There are many big fans of comic books and manga . Many love and even spend money for digital art , and a lot of young love playing video games and explore virtual realities . All of these are types of art.

Think about the old

• Older people and people from the earlier generation do not understand modern art and cannot appreciate a video game as a piece of art. They like more traditional art pieces like famous paintings , sculptures and architecture .

Examiner:   Why are some artworks expensive?

Art is an investment.

• Rare pieces of art are unique and because of that they can be sold for a lot. On top of that, reselling the same art piece in 10 or 20 years will bring much more than it was originally bought for. So art can be an amazing investment , as it mostly grows in value .

Rich people use it as a way to skip paying taxes

• It is a little known fact that rich millionaires and billionaires buy up tons of art because art is not taxed . If you want to take your money out of a country, this is one of the easiest ways. Just buy some art pieces, take them out and sell them abroad without paying any tax.

* I learned this in my economics classes.

Examiner: Why do some people like to collect famous paintings?

Passion for art.

• Some people are just passionate about art. For them, they collect the art pieces and sort of help the society by preserving  that art. There are rich investors who buy a lot of art and then borrow it to big national art galleries for people to see.

Know about an artist

• Some collectors have a special connection with an artist. They follow that artist in his life, or study abut that artist their whole life. At some point they begin to want to own art pieces from that artist. 

I already mentioned earlier about the tax evasion scheme . This is one of the main reasons but let’s consider that it’s not the only reason. Some people are passionate about art or an artist. Maybe, they got to know that artist or learned about his life. If they have the money, they could afford to buy some of that persons’ artworks. Of course, if we are talking about famous paintings, they would cost millions and millions of dollars . The good thing about this is that the art price will only rise in the future, and so these people follow their passion , but also make a smart investment that will pay off .

Examiner: What can art bring to life?

Art represents emotions.

• The different colors used in art can show emotions. For example, using a lot of light colors like orange, pink, red, yellow can show positive feelings like love , friendship , happiness and more. Oppositely, gray, back, dark blue colors can give people negative feelings like sadness , depression or despair .

Art represents hopes and dreams

• Many artist create art pieces related to how they see the word , the world changing and maybe even the world in the future. They use their imagination to draw , sculpt or write about important problems or social issues that bother them in society now and in the future.

English Compositions

Short Essay on Visit to an Exhibition [100, 200, 400 Words] With PDF

An exhibition is a place where a range of items of a specific type is put on display. Exhibitions introduce us to a specific field of art and are visited by connoisseurs of arts. In this lesson, dear students, you will learn to write essays in three different sets on a visit to an exhibition to help you prepare for your upcoming examinations.

Short Essay on Visit to an Exhibition in 100 Words

An exhibition is a place where a range of items of one type is shown. Exhibitions introduce us to a specific field of art, and I’ve always been fascinated by art. Last weekend, we went to a painting exhibition at Saltlake Stadium. The entrance fee was a reasonable 200 rupees. We reached there promptly at 4 p.m. It was bright and colourful, with a lively atmosphere.

The first stall displayed colourful and appealing oil paintings. These were mostly one-of-a-kind works of art, and abstract paintings hung next. I was perplexed by this type of painting. It had picked up on what I was thinking. The third stall was the most intriguing. It housed an incredible collection of paintings by well-known artists from around the world like Michelangelo and Pablo Picasso. It was a delightful evening.

Short Essay on Visit to an Exhibition in 200  Words

An exhibition is a setting where various items of a particular type are displayed. Exhibitions expose us to a specific field of art, and art has always captivated me. We went to a painting exhibition at Saltlake Stadium last weekend. The entrance charge was a modest 200 rupees. We arrived at 4 p.m. sharp. We got there early because we wanted to see everything that had been set up. Window shopping and gathering information were more important than making actual purchases.

The ground resembled one of those enormous expenses we’d read about in storybooks. It was bright and colourful, the atmosphere was active, and I could see foreigners. It largely displayed dazzling and attractive oil paintings. These were generally one-of-a-kind paintings. It appeared to be similar to how we snap close-up photos with our cameras.

Abstract paintings were hung next to it as part of an exhibition. This style of art perplexed me. It had picked up on my thoughts. The most intriguing stall was the third. It has a fantastic collection of paintings by well-known painters from all around the world. It also featured works by notable artists such as Michelangelo and Picasso.

We were tired of walking by half-past six, and there were benches at the end of the exhibition. We took a seat there. Popcorn, lemon tea, and delectable fritters were offered for purchase. We continued to eat till we burped. It was a wonderful evening.

Short Essay on Visit to an Exhibition in 400 Words

My mother is particularly fond of visiting exhibitions. I like to accompany her. An exhibition is a place where varied varieties of a particular kind of thing are displayed. It is like a big tree with different branches that bears juicy fruits and vibrant flowers. However, the fruits and flowers are all unique in their way.

Exhibitions give us exposure to a particular field of art, and art always fascinates me. Last weekend, we went to a painting exhibition at Saltlake Stadium. The entry fee was a reasonable 200 rupees. We reached there at 4 pm sharp. We started early because we wanted to see everything put on display. We were more interested in window shopping and gathering information than making real purchases. Photography was prohibited, so I didn’t take the trouble of carrying my camera anyway.

Saltlake Stadium is a large ground, and we realised at the entrance itself that it’s going to be a lot of footwork. The ground appeared to be one of those vast fares we read in stories. It was so colourful and vibrant, the environment was lively, and I could spot foreigners too. People of all ages were gathered up here. We started taking the stroll from the first stall on the left side of the entrance. It primarily exhibited oil paintings that were glossy and alluring. These were mostly the paintings of single pieces. It looked like the way we take close up captures from our cameras.

Next to it, abstract paintings were put up for exhibition. I found this form of art confusing. It picked up my brain. I felt that I, too, could have easily managed to make a stroke or two of those from my skilful hand, but I wasn’t confident enough to make such an utterance in front of my mother. I let the thought pass before it would have made a settlement in my tiny brain.

The third stall was the most interesting. It had a great collection from renowned painters around the world. It also had some paintings by great artists like Michelangelo and Picasso. I wanted my mother to buy at least one of them, but it was way over our budget. I decided I would draw a sketch and colour it nicely and offer it as a present to my mother on her birthday.

By half-past six, we were tired of walking, and there were benches at the end of the exhibition. We sat down there. Bustling popcorns, lemon tea and mouth-watering fritters were available to eat. We kept munching till we burped. We bought a wooden frame for the sketch I planned to do next weekend and returned home in time for dinner. It was a delightful evening.

Dear students, hopefully, after going through this lesson, you have a holistic idea of writing a descriptive essay on a visit to an exhibition. Your essay must paint a picture in front of the readers so that they at once feel as if they are also a part of the visit.

I have tried to cover every aspect that makes an exhibition worth visiting. If you still have any doubts regarding this session, kindly let me know through the comment section below. To read more such essays on many important topics, keep browsing our website. 

Join us on Telegram to get the latest updates on our upcoming sessions. Thank you, see you again soon.

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30 artists, 250 artworks: Art Bengaluru Collective wraps up its fifth exhibition

In this photo essay from karnataka chitrakala parishath, we share exhibition highlights and artist insights..

Saturday June 29, 2024 , 6 min Read

Launched in 2014, PhotoSparks  is a weekly feature from  YourStory,  with photographs that celebrate the spirit of creativity and innovation. In the earlier 785 posts, we featured an  art festival,   cartoon gallery.   world music festival ,  telecom expo ,  millets fair,   climate change expo,   wildlife conference,   startup festival,   Diwali rangoli,  and  jazz festival.

This month, the Art Bengaluru Collective (ABC) wrapped up its fifth show, titled ABC 5.0. Held at Karnataka Chitrakala Parishath, the exhibited works span a wide range of styles including traditional paintings, landscapes, realism, minimalism, portraits, charcoal, and sketches.

ABC was launched in 2022 by journalist-artist Rasheed Kappan and painter-theatreperson Ranji David. The artworks are intended to be diverse, appealing and affordable, with earlier editions held at the Rangoli Metro Art Centre, MG Road.

“ABC has focused on building a community of artists across genres and themes. Our emphasis is on visual dynamics, diversity of styles, consistency within the allotted space, composition, and overall aesthetic appeal,” Rasheed Kappan tells YourStory.

ABC has set up a WhatsApp group to make announcements, discuss art, and boost art community bonding. “A separate group of participating artists is created for every show for better coordination and focus,” Ranji David explains.

Rasheed Kappan and Ranji David at exhibition inauguration

Many physical meetups, art camps and talks have been held, with the total number of artists now at 150. “They dwell deeper into the making of art, art appreciation and promotion,” he adds. The overall spirit has been collaborative and interactive.

“Art is a medium of expression and a celebration of life with a non-judgmental attitude. Art transcends boundaries of interpretation and unleashes the freedom to explore meanings beyond the visual,” Kappan describes.

He sees art as a way to capture life in its myriad forms. “Art injects a purpose, while blending aesthetics with reality. Art is also about the craft, the skillset of the artist, and the expression of experience,” he adds.

Somya Tewari

“Art is a language, a way to not just express oneself but have a two-way communication. I use this language to talk to myself and the world,” says artist-designer Somya Tewari.

Art is also about experiencing and acknowledging the world around in its dailyness. “All my work, whether paintings or poetry, is deeply inspired either by this desire to have a dialogue, or to pay homage to the ordinary moments by sharing them with others via art,” she affirms.

Tewari prepared artworks titled Sky is the only shelter, Nature is always talking, and River never sleeps. “These works are an attempt to pay my rites to the obvious yet subtle existence of nature,” she explains.

Gautam Bansal

Such appreciation of nature often goes unnoticed in the hustle-bustle of daily life. “These artworks are intended to invoke wonder, curiousity and regard for nature’s silent vastness, beauty and magic,” Tewari says.

Charcoal artist Gautam Bansal prepared a series of artworks along with some mixed-media pieces. “My subjects varied from nature to figuratives and emotions, with depictions of dance and animals,” he describes.

“The use of charcoal allowed me to explore depth and texture. The mixed-media pieces added a layer of complexity and dimension,” he says.

The artistic journey is full of ups and downs. “An artist has to create art in all its myriad forms and genres, which involves exploring, experimenting, learning and failing,” David observes.

“To move ahead in their craft, artists can take comments and reviews from senior artists, critics and analysts. This is possible only when the art is showcased in exhibitions,” he says.

“It can be very easy, more so in the way the world approaches failure and mistakes, to feel disheartened and hopeless very quickly,” Tewari observes.

She suggests seeing so-called failures as an opportunity to explore further and go deeper into one’s artistic expression. “The most effective way to deal with low periods is to stay patient and loyal to one’s art and practice with more intention,” she describes.

“Sooner or later, a new path emerges. Our art evolves with us,” Tewari affirms.

Kappan and David call for more art appreciation in society. “There is a need to increase the availability, accessibility and affordability of art courses,” they suggest.

Collaborations with the corporate sector can help art courses lead to viable and sustainable careers. “Galleries and other art platforms should be democratised, making displays more affordable and accessible to amateur and aspiring artists,” they add.

The cofounders say they are pleased with the exhibition feedback. “Many appreciated the quality, ambience, and space for artist collaborations. There were suggestions on bringing in more art investors, art buyers, and partnerships with galleries,” they enthuse.

ABC is contemplating holding its exhibition every quarter. Other plans are for premium shows, installations, live art sessions, and art community bonding initiatives.

Viewers of Bansal’s works seemed captivated by the intricate details and textures in both the charcoal and mixed-media pieces. “Some visitors were particularly moved by the social messages conveyed through the artwork, such as connection with nature,” he recalls.

Tewari observed a wide range of responses to her paintings. “Some in the audience spent time just gazing and thinking. Others wanted to know the locations and stories behind each of them,” she recalls.

Some took pictures and talked about their experiences with nature. “The piece titled Nature is always talking was the most commonly-loved piece, it reminded people of their home, childhood, or of some relaxed time from the past. Exhibiting is always a grounding experience,” she exclaims.

The curators and artists offer suggestions for aspiring artists as well. “Continue to work on the basics and foundations, and experiment. Create and exhibit on a regular basis,” Kappan and David advise.

“Have an open mind while creating art, don’t judge. Art is consumed without limits,” they add. Community involvement and engagement are important as well.

Bansal offers a range of tips for artists to use social media for broader visibility and audience connections. “Consistency, quality and engagement are key here,” he suggests.

“Post regularly to keep your audience engaged. Ensure that the photos of your work are well-lit and high-resolution to best showcase the details. Respond to comments, participate in discussions, and show appreciation for your followers’ support,” he advises.

“Stay honest to yourself and to your relationship with art. Approach art with the intention to explore fearlessly and express truthfully,” Tewari advises.

“Art is meant to expand your vision and not restrict it. Spend time with art and sometimes let it lead you into worlds and expressions you probably did not imagine. Trust the journey,” Tewari signs off.

Now what have you done today to pause in your busy schedule and harness your creative side for a better world?

(All photographs were taken by Madanmohan Rao on location at the exhibition.)

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What to See Before (and After) the Tokyo Gendai Art Fair

By Sarah Douglas

Sarah Douglas

Editor-in-Chief, ARTnews

Editor’s Note:  This story originally appeared in Breakfast With ARTnews, our daily newsletter about the art world.  Sign up here  to receive it every weekday.

The flight to Japan from art world centers like New York, London, and Paris isn’t exactly short. Those that do make the trip this year, however, won’t be disappointed with the art offerings, which span modern to contemporary. This week, during the Tokyo Gendai fair, the shows to see in the city are dominated by strong sculpture.

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Brancusi’s  The Kiss  has it all: it’s cute, it’s romantic, it’s profoundly Instagrammable. Made at the turn of the twentieth century, it also happens to mark the starting line of modern sculpture: from  The Kiss ’s economy of means, the rest was a sprint, from Picasso to Moore to Giacometti all the way up through Eva Hesse and Rachel Whiteread. So it’s no surprise that the Kiss is situated front and center at the Artizon show.

The exhibition neatly charts Brancusi’s wiggling free of Rodin’s influence and taking flight: the show culminates in a section dedicated to the form of the bird, represented by the rightly famous  Bird in Space , an elegant skyward swipe of bronze. There are also photographs, and a section dedicated to recreating Brancusi’s Montparnasse studio. Purists will gripe about the large number of posthumous casts but, for a lay audience, the show serves as a decent dose of beauty and a fine introduction to a titan of modern sculpture.

If Brancusi conceived of the bird,  Alexander Calder  taught it to fly. Over at the  Azabudai Hills Gallery  is a  compact survey of the master  of the mobile—done in collaboration with  Pace Gallery  , whose huge new space is upstairs—assembled by the artist’s tireless grandson Sandy Rower, head of the Calder Foundation. The title? “Calder: A Japanese Effect” Why not. We’ve already had Calder paired with artists from Giacometti to Miro to Fischli and Weiss. As Rower has shown us over the past two decades, Calder is indeed the gift that keeps on giving. 

There are some real gems in this exhibition, including an unexpected series of drawings of animals in motion: there are no other words for these than just perfect, especially the cats, with their movements captured in just a few strokes of ink. A star of this particular show, though, is Japanese architect Stephanie Goto, who did the exhibition design. A black mobile set against a black ceiling? Unexpectedly brilliant. Other works are situated against a wall covered in large black sheets of paper, another effect that shouldn’t work but does. 

You may think of Brancusi again when you visit “ MOON ,”  an exhibition  of Los Angeles-based British artist  Thomas Houseago  at  BLUM  , the gallery formerly known as Blum & Poe. Best known as a sculptor, Houseago has several pieces in the show that recall the Romanian master, one of them an abstract egg-like shape set on a rough-hewn wooden plinth, and the other an owl in his signature technique of drawing in plaster.

For my money, the owl is the best piece in this show, displayed silhouetted against a large window. Like Ann Craven’s paintings of birds, this piece seems to capture the essence of the animal. Houseago has recently branched out into paintings, and they are dramatic and rich with color, if somewhat less successful than the 3D work. A large painting of an owl, for instance, is accomplished, but seems only to highlight the less-is-more brilliance of the sculpture.

After seeing the work of those three male sculptors, you will have to put on a different hat to experience the work of  Rei Naito . Think of Henry James’s famous dictum and “try to be one of those on whom nothing is lost.” Because if you are not paying attention in the various displays of Naito’s work throughout the enormous  Tokyo National Museum , you are going to lose quite a bit. 

Naito, who was born in Hiroshima in 1961 and represented Japan at the 1997 Venice Biennale, works in a minimalist tradition, but not in the sense of, say, Donald Judd. There is nothing heavy about her work. Instead, objects ranging from small to miniscule—pompoms, balloons, pebble-like blown glass bubbles, animal figurines, bones, little mirrors, a jar of water—are deployed in ways that demand meditation on the part of the viewer. In one long, narrow gallery of the museum, such things are arrayed against slate gray walls and under dimmed lights: the effect is of being inside the artist’s imagination. Along one wall is white fabric inside a glass display case, looking like a snowbank. What amazes about Saito’s work is just how close it gets to twee without ever stepping over that line.

In the 1980s, Naito said of a particular artwork of hers that she was attempting to “create a spiritual place of her own.” The same might be said for another Japanese artist of Naito’s generation who works in a very different mode.  Mariko Mori  became known in the nineties for photographs of herself posed in urban environments in Japan, dressed up as various stereotypes of a Japanese woman. But over the past two decades she has been working in a spiritual mode, right down to  merging her art  with her living quarters. 

The  project currently on view  at  SCAI The Bathhouse  is complex, involving crystals and a spiritualistic painting, and is connected to Mori’s artwork  Peace Crystal  (2016-2024), which is currently on view outside a palazzo in Venice during this year’s Biennale. At SCAI, Mori appears in augmented reality (you need to make an appointment) as a priestess whose attire draws on both Japan’s history and on the kind of futuristic effects found in video games. Like Saito, Mori has crafted an entire immersive world, one you can only enter in person.

For  Theaster Gates , too, as a wall text explains in the Chicago artist’s first  solo exhibition  in Japan, at the  Mori Art Museum  , making art is a spiritual enterprise. Gates prepared for the Mori show by working with potters in Tokoname, which he had first visited in 2004, and came up with the concept of “Afro-Mingei,” a reference to the word for Japanese folk art, a movement that was overshadowed by the introduction of Western art to Japan in the 19th century. (“[W]hat is key for me is the way in which Mingei honors makers native to a place and resists external impositions of cultural identity,” Gates explains in wall text in the show.) 

The results are displayed in the final section of this survey of Gates’ work and they are by far the highlight. After an elaborate timeline that traces Gates’ links with Japan comes an enormous display case holding ceramics by Tokoname potter Koide Yoshihiro, who died in 2022, and an enormous wooden bar—stools and all—that fronts a set of shelves holding binbo tokkuri bottles (sake bottles) made in collaboration with Japanese potter Tani Q. There’s also a terrific soundtrack (Busta Rhymes was on when I visited) and a spinning disco ball in the shape of an iceberg.

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