monster essay

Monster - Free Essay Examples And Topic Ideas

The concept of monsters has been a part of human culture and literature for centuries. Essays could explore the symbolic meaning of monsters, their representation in media and literature, or societal fears embodied by monsters. A vast selection of complimentary essay illustrations pertaining to Monster you can find at PapersOwl Website. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

Who is the Real Monster in Frankenstein

Monsters in literature are normally characterized as a creature that possesses some type of inhuman qualities or deformities, is perceived as evil, and has no compassion for mankind. The term monster can also refer to a person who has done a terrible thing in life that poorly affects others around them. In literature, outcasts are people who are not wanted and are rejected by society. In the novel Frankenstein, by Mary Shelley, many readers label the creature as a monster […]

Grendel is not Necessarily a Monster

The epic poem Beowulf portrays a story about a hero, Beowulf, fighting several monsters, including Grendel and his mother, and a dragon that eventually kills him. Grendel, a novel by John Gardner, describes situations that led Grendel to become who he is in Beowulf and helps readers understand the motives behind his behaviors. Some might argue that the monster is Grendel; however, after reading both texts, I argue that Grendel is not necessarily a monster. Instead, humans are the real […]

Frankenstein Dangerous Knowledge

Isolation is a dangerous act. Whether it is forced by the ones around us or a choice made by us to be alone isolation separates the victim from society damaging them emotionally. In Mary Shelley’s Frankenstein, the monster, Frankenstein's monster, comes to know the true act of isolation. The monster was not only cast out by the townspeople but by his creator. Their prejudiced views of the monster as only that, a monster, turned him into what they truly sought […]

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Monsters in Society: the Trial and Tribulations of Steve Harmon in ‘Monster’

Monster by Walter Dean Myers tells the story of Steve Harmon, a sixteen-year-old boy that is on trial for his part in a drugstore robbery it's a realistic fiction that is written like a film script and diary. Monster tells the readers the mystery and horrible death of Mr. Nesbitt, the drugstore owner. While people read the novel they pick up the fact that Steve isn't responsible for the death of Mr. Nesbitt. It shows being even a little apart […]

The Monster King Kong Film Review

The Monster I am writing about is King Kong. A good movie can either be captivating or thrilling depending on the plot of the movie. like the thrill of a rollercoaster, so is that thrill that comes from watching the King Kong movie. It's both captivating as well as intriguing. Additionally, sense that it provides rich thematic presence and sceneries. In this paper, the reader will take a glance at the King Kong movie from a critical perspective to deduce […]

Frankenstein Critical Analysis

In Mary Shelley's novel, Frankenstein, isolation is a motif, or recurring idea with symbolic importance, revealed throughout the story between two characters, Victor Frankenstein, and his scientifically animated monster, the Creature. They both engage in acts and narratives of projecting the consequential dogma of isolation, that inevitably isolation results negatively and perpetuates misanthropy. Victor on one hand is an obsessive personality, lost in his studies he removes himself from very much human contact and engaging society. It results in his […]

Similarities between Frankenstein and the Monster

On the surface, many stories offer a simple narrative, a straightforward tale of heroes and villains. Yet, when we dare to dive deeper, we often discover layers of complexity and nuance. Just like an iceberg, most of the story's depth remains hidden beneath, waiting for the curious and the discerning to explore. In "Frankenstein," it's easy to label the monster as the antagonist and Dr. Victor Frankenstein as the tormented genius. But is it that simple? Are they just characters […]

One of the most “Useful” Monsters is Zombies

Is the idea that monsters are useful insane to even consider? Stephen T. Asma once stated, "The monster concept is still extremely useful, and it's a permanent player in the moral imagination because human vulnerability is permanent" (65). Most people would agree with this statement, although many of us are not fans of monsters. The term monsters do not only pertain to the big furry creatures that star in our nightmares. 'Monster' is a very broad term that can be […]

Zombies and our Culture

In trying to understand the influence zombies have on the society, it is relevant to know the origin of zombies. The first mention of zombie was in Haiti to represent the returned body. Then films began creating this monsters, and one thing led to another. The word monster can be defined as fear taking a physical form. The society makes a physical form of something that is perceived to cause concern. Zombies, Vampires and even Godzilla's are all created due […]

This is the Monster Celebrated on Columbus Day

Christopher Columbus, the famous sailor who discovered America, and the hero that led us to where we are today. At least, that’s what schools want us to believe. Every year on Columbus Day, children learn about how great Columbus was. They learned songs, poems, and held discussions about how great of a man he was. That’s nothing but untruthful deception. As the children grow up, they will be bitter and upset when they realise that Columbus was nothing more than […]

The Macbeth Book Review

Can corruption of the innocent can lead to the unwanted destruction caused by the individual that was once innocent? It is evident in books such as Macbeth, Frankenstein, Wuthering Heights, Brave New World, and Lord of the Flies. Each one has examples some better than others but all of them once had an innocence that got ripped from their bare hands all while they still thought they had it making confusion for those around them. So in all reality are […]

The Mysterious Legend of La Chupacabra: Myth or Reality?

Legends have always captivated human imagination, weaving tales that blur the lines between truth and fiction. One such enigmatic figure that has intrigued people around the world is the mythical creature known as La Chupacabra. This legendary being, whose name translates to "goat-sucker" in Spanish, has stirred curiosity and fear, sparking numerous investigations and debates about its existence. Described as a creature with reptilian features, sharp fangs, and glowing red eyes, La Chupacabra is said to roam the night, preying […]

The Many Faces of Monster: a Look Beyond the Myths

Monsters, from the shadowy depths of ancient myths to the pages of modern literature, have always captivated human imagination. But what defines a monster? Is it their grotesque appearance, their supernatural powers, or something more intangible? The concept of a monster transcends physical attributes, embedding itself deeply within the psychological and cultural fabric of societies. This exploration seeks to unravel the essence of monsters, revealing not just creatures of fear but symbols of deeper truths. At its core, the definition […]

Monsters: a Dynamic Exploration of Fear Across Culture and Time

In the intricate tapestry of human thought, the concept of a "monster" weaves a rich and diverse narrative, surpassing its conventional definition as a mere grotesque or supernatural entity. This elusive term unfurls through the corridors of literature, mythology, and popular culture, taking on a multifaceted identity that extends beyond the boundaries of the eerie and the unnatural. A monster, at its essence, often embodies a departure from the norm, unsettling established norms and instigating a visceral response of fear […]

Joyce Dahmer: Unraveling the Mother Behind the Monster

In the complex tapestry of criminal psychology, the family background of a notorious figure often becomes a topic of intense scrutiny. Joyce Dahmer, the mother of one of America's most infamous serial killers, Jeffrey Dahmer, is a figure shrouded in controversy and mystery. This essay aims to explore Joyce's life and her potential impact on the psychological development of her son, delving into the nuances of their familial relationship and the environment that possibly shaped one of the most heinous […]

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by Walter Dean Myers

Monster essay questions.

The novel has a sub-theme of gang violence. How are gangs presented in the novel?

The central gang in the novel is called The Diablos (a Spanish word which translates to "Devils"). The Diablos and other gangs run the Harlem streets, and members of the community consider the gangs to be more of an authoritative presence than law enforcement. This complicated power dynamic explains why the detectives are unable to get unbiased accounts from potential eyewitnesses.

During Osvaldo's testimony, the cross-examiner points to Osvaldo's involvement in the Diablos in order to account for his violent tendencies. In this way, Osvaldo is not seen as "innocent until proven guilty." Rather, his gang involvement suggests that he regularly robs and harms people in his community.

What does Kathy O'Brien's rejection of Steve's gesture of friendship tell us about Steve's expectations?

O'Brien methodically and diligently handles Steve's defense case. Due to her hard work and effort, Steve believes that she truly believes in his innocence. However, O'Brien's behavior demonstrates that she sees her work as Steve's defense attorney strictly as a job. She does not get emotionally involved in the case, and she does not reveal any aspect of her interiority throughout the novel. When Steve learns that he has been acquitted, O'Brien's reaction suggests that she may actually believe that her client is guilty.

Mr. Sawicki believes that Steve's film footage speaks deeply about his character. Is it valid to judge an author's morality based on his or her body of artistic work?

Steve's writing process is his way of coping with the traumatic events in his life. However, Steve also distances himself from his reality by exaggerating the events in the format of a screenplay. The screenplay is a work of art, and thus there is not one objective way for it to be judged. It is clear that Steve's screenplay is an effective mechanism for distraction and creative control. However, it is incredibly difficult to judge someone's character based on their artistic creations. Although art provides an insight into the mind of its creator, its meaning must be seen on its own merits, rather than associating it simply with the views of its creator.

The plot revolves around a story of conspirators and murderers. What is the difference between these two different roles and their respective punishments by law?

A conspirator is someone who is involved in a plan to do something harmful or illegal. A murderer is someone who kills another person. Steve Harmon is on trial for being a conspirator, as he was allegedly the lookout boy in the drugstore robbery. On the other hand, James King is on trial for shooting and killing Arnaldo Nesbitt. They face the same sentence. During her prosecution, Petrocelli argues that all of the four men that are allegedly involved in the murder are equally culpable and should thus receive the same sentence.

Steve's involvement in the murder of Mr. Nesbitt affects more people than just himself. Who are the other people affected by Steve's behavior?

Steve's family suffers as a result of the crime, both as a unit and individually. Steve's younger brother must cope with the absence of his role model. Mrs. Harmon defends her son's innocence, but she is deeply concerned for his emotional and physical well-being. Mr. Harmon's belief and trust in his son wavers, ultimately leading him to abandon his family.

Monster Questions and Answers

The Question and Answer section for Monster is a great resource to ask questions, find answers, and discuss the novel.

Wednesday, July 8th

The script allows Steve to speak and express himself when in court... it symbolizes his reality.

Please post your questions separately.

Edgar Allan Poe

This depends on what you want to comment on. Can you be more specific? Is it a specific work that he has done?

what page number is "You do the crime, you do the time. You act like garbage, they treat you like garbage" on

Page numbers differ depending on your book copy but you can find this quote in chapter 6.

Study Guide for Monster

Monster study guide contains a biography of Walter Dean Myers, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Monster
• Monster Summary
• Character List

Essays for Monster

Monster essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Monster by Walter Dean Myers.

• Race and Identity: 'The Absolutely True Diary of a Part-Time Indian' and 'Monster'
• A Modernist Monster: Techniques and Social Messaging in Myers' Novel

Wikipedia Entries for Monster

• Introduction

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• Essay on Fear

Monster Essay Samples

Type of paper: Essay

Topic: Fear , Individual , Monster , Emotions , People , Society , Perception , Evident

Words: 1800

Published: 03/08/2023

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Encounters between the self and other have a profound impact on both the identity of the individual and how they perceive the world around them. Fear, and the psychological conditions associated with it, can have create lasting repercussions that create problems for both the individual and society. What happens to us when we label things or people we fear as “monster” can only be understood in relation to the associations that can be assessed when making inferences concern others people or things. These inferences are often inherently disconnected from reality and can be seen to establish social and cultural norms that make it difficult for people to relate with one another. Nietzsche's philosophy brings to light a profound question regarding the nature of fear and the associations that result from labeling things in this way. His work seems to profoundly question the relationship between the person that is afraid and the object of their fear. Nietzsche asserts that ““He who fights with monsters should look to it that he himself does not become a monster” (Aphorism 146). Labeling others as “monster” can, in this way, be seen to be a two-way process. When something becomes labeled, it often effects the underlying sense of reality that those associated with it experience. Whether the accusation that Nietzsche makes concerning the moral dilemma human nature based in truth is difficult to know for sure. It is evident that Nietzsche saw the underlying connection between fear and increasingly radical positions held by groups. Nietzsche states that madness “is something rare in individuals — but in groups, parties, peoples, and ages, it is the rule” (Aphorism 156). In this sense, it is at least evident that he saw that without the other fear is impossible. However, in order to perceive there must be some object outside the experience of the subject. The subject can, furthermore, never fully understand the object. For this reason, it seems that fear itself is a natural result of the basic dichotomy between subject and object. There are a variety of situations in which people come across difference in their daily lives. How they react to these encounters can have a profound effect on not only those that they perceive to be a threat, but on their own identities as well. What happens to an individual when they label others as monster can be expressed in relationship to a more thorough examination of the idea of fear in the modern world. While, historically, fear can be seen to be an essential part of human evolution, it is in the modern world that the expression of fear and its implantation onto another individual or object can be seen to dramatically alter their subjective nature of reality. In the modern world, it seems that people rationalize the experiences that they have “through the narrative of fear” (Furedi 1). This narrative is a necessary element in the cognitive processing of experience. It is through this processing that people are able to psychologically deal with the unknown. This is important, as their capacity for dealing with their fears can have major consequences in regards to the social constructs related to human interaction. It is evident that the level of fear that an individual perceives when encountering the unknown is primarily determined by “the self, and the interaction of the self with others” as well as by society, which “instructs people on how to respond to threats to their security” (Furedi 2). This is, in essence, a completely natural process, essential for the well-being of the individual as well as society. However, it is evident that the objectification of fear and its personification as “monster” are the result of encounters with the unknown. In many cases, fear can be considered a reasonable response to novel and unexpected changes. When society and the individual encounter fear in different ways, there can be a dichotomy in how the object of fear is perceived. In the modern world, rather than being shared collectively among cultures or societies, fear is “internalized in an isolated fashion” (Furedi 3). Fear then becomes a profoundly personal experience that can have profound consequences on an individuals outlook and overall level of happiness. The uncertainty of fear today presents a risk in and of itself. The personal nature of fear and the disassociation that that it results in “has important implications for identity, for how we see and understand ourselves” (Furedi 6). Feeling continuously at risk results in a constant sense of vulnerability. This vulnerability has a profound effect on the decisions that people make and the ideas that they associate with themselves and others. Why this happens is a fundamental question upon which the perceptions of fear abstraction can be seen to rely. Researchers assessing the risks of terrorism on the psychology of those that have been targeted by attacks have found that those that have negative attitudes towards even those that they fear can be profoundly effected in fundamental ways. Emotion is therefore a fundamental aspect of why an object of fear might be perceived as “monster”. In the assessment of risk, it is evident that “positive emotions trigger more optimistic risk assessments and negative emotions trigger more pessimistic ones” (Lerner et al., 2003, p. 1). This demonstrates the effect that labeling has on the management and adaptation of successful risk response measures. In extrapolating these responses, it seems that fearing others can have a profound effect on not only the underlying identity of the individual but also on the responses that they have in encountering those that they consider to be “monster”. These encounters will be fundamentally challenged by the emotional state of the individual and the way that they deal with their fear. Studies demonstrate that the use of fear and anger in making judgments can result in “altered beliefs and attitudes” (Lerner et al., 2003, p. 5). Emotion can therefore be seen to be a strong factor in the decisions that people make about those that they fear. The alteration of perceived values resulting from the tenuous emotional state that has been exacerbated by unconditional fear present the underlying cause of the attribution of “monster” to these objects of fear. Whether this response should be considered good or bad has profound implications for the underlying emotional psychology and the value that is placed on its development. Fear itself is not a bad thing. It is evident that it was necessary for the survival of the human race, and likely many other species. However, the nature of fear as an emotion makes it dangerous to assess criteria on such a non-measurable response. Fear can be understood as an “automatic emotion based on past and present affective experience” (Jarymowicz & Bar-Tal, 2006, p. 368). The compounding nature of fear dictates that past emotional experiences are likely to inform those in the future. This indicates the more sustained and prolonged states of fear are the more objects of attribution are going to likely become labeled as “monster”. This indicates that, while fear itself is not a bad thing, unconditionally labeling others as “monster” in response to fear will likely have poor results. Emotions play a strong role in the adaptation of fear, however, when the object of fear becomes exemplified in a singular form evidence suggests that it can lead to “mal-adaptation by eliciting dysfunctional reactions in certain situations, characterized by irrationality and destructiveness” (Jarymowicz & Bar-Tal, 2006, p. 369). This demonstrates the hazards of attempting to objectify fear in a specific form. In the past, fear was generally considered to be a more general idea. It was useful to both the individual and society as it provided a collective form of relief from the unknown world. This fear worked to unite those within society, giving them the capacity to extrapolate the dangers that they faced in the past and project the likelihood of such dangers into the future. “Threats and dangers, which can be detected in present situations or generalized from past experiences, can be related specifically to a particular individual or be evoked in collective situation” (Jarymowicz & Bar-Tal, 2006, p. 371). However, in modern society, as many of these collective threats have diminished, fear has become much more isolated and personal. The experiences that a person has in relation to fear can have a profound effect on the decisions that they make. Due to the fact that fear allows an individual to make judgments that are based off of past experiences, memory can work to “influence appraisal of a particular situation” (Jarymowicz & Bar-Tal, 2006, p. 372). If making these appraisals based on unsolicited fear then threats can begin to be perceived where there are really none. This can not only serve to cause undue stress and anxiety but it can also isolate the individual from those that do not perceive these threats. In any case, it is evident that “the necessary condition for fear is perception of threat” (Jarymowicz & Bar-Tal, 2006, p. 374). These perceptions can have a profound impact on the underlying conditions for the objectification of fear. It is evident that the values and beliefs are a major source of justification for how fear is processed by the individual. When these values become disseminated to a wide enough population it can “constitute a major influence on the emotional functioning of society members” (Jarymowicz & Bar-Tal, 2006, p. 376). In this way, the labeling of other people or objects as “monster” can have profoundly negative consequences. The significance of this is that by labeling an individual person, group, or object as “monster” the associations that are made in the future will be effected. These encounters can lead to further extrapolation, which can then become a part of the social values that people live by. Fear is then compounded into everyday ordinary subjects, which then themselves become the objects of fear. This demonstrates a profound concern in regards to the capacity of fear to begin to dictate more important areas of life. The fact that decisions made in emotional states that are associated with fear are generally made poorly demonstrates that the implications of labeling people or things as “monster” can result in the degradation of the individual's and society's capacity to make sound judgments when faced with the unknown.

Works Cited

Furedi, Frank. The Only Thing We Have To Fear Is The ‘culture Of Fear’ Itself. Human Thought and Action. 2007. Print. Jarymowicz, M. & Bar-Tal, D. (2006). The Dominance Of Fear Over Hope In The Life Of Individuals And Collectives. European Journal of Social Psychology. No. 36. 367-392. Lerner, J.S., Gonzalez, R.M., Small, D.A., & Fischhoff, B. (2003). Effects Of Fear And Anger On Perceived Risks Of Terrorism A National Field Experiment. Vol. 14. No. 2. American Psychological Society. Nietzsche, Friedrich. (1966). Beyond Good and Evil. Trans. Walter Kaufmann. New York: Random House.

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Home — Essay Samples — Psychology — Morality — Anyone Can Be A Monster

Anyone Can Be a Monster

• Categories: Morality Social Psychology World History

About this sample

Words: 1473 |

Published: Jul 27, 2018

Words: 1473 | Pages: 3 | 8 min read

Works Cited

• Du Bose, Thomas. "The Lottery." Masterplots, Fourth Edition, November 2010, pp. 1-3. EBSCOhost, search.ebscohost.com/login.aspx direct=true&db=lkh&AN=103331MP421429820000662&site=lrc-plus.
• Green, Jordan. "CAIR Executive Director Decries ' normalization of Hate'." The NC Triad's Altweekly. Triad City Beat, 31 Mar. 2017. Web. 7 Apr. 2017.
• "Quotes About Monsters (389 quotes)." (389 quotes). N.p., n.d. Web. 7 Apr. 2017.

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