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15 Fun Poetry Activities for High School

April 8, 2019 //  by  Lindsay Ann //   3 Comments

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High School Students + Fun Poetry Activities

If you’re an English teacher, looking for fun poetry activities for high school or middle school students, I’ve got you covered. I’m opening up my poetry toolbox and sharing some of my favorite (and most successful) poetry games and activities!  Whether you’re looking for a stand-alone lesson or something more, there’s something here for everyone.

Pop Sonnets

The creation of pop sonnets is one of my favorite poetry activities to use in conjunction with the reading of a Shakespearean play, but it can be used as a stand-alone lesson. The hook is that modern-day songs have been turned into Shakespearean sonnets. You can study one of Shakespeare’s sonnets and ask students to modernize it. Then, work in reverse by re-working a modern-day song as a sonnet. Or, just use this as a “hook” to help students feel more comfortable with Shakespearean language.   Take a look and thank me later.

Songs as Poetry

Studying modern-day songs is a great way to teach about figurative language and poetic devices while studying poetry. Try reading the lyrics, but omitting or re-writing the metaphors and talking about the change in message/meaning. Look for examples of imperfect rhyme in one of Eminem’s cleaner songs. Study poems as paired texts . Analyze lines from a famous soundtrack. Ask students to bring in their favorite songs and discuss. So. Many. Options!

Here are 12 great songs to analyze if you aren’t sure where to start:

• “Across the Universe” by the Beatles
• “Angel” by Sarah McLachlan
• “Blank Space” by Taylor Swift
• “Chasing Pavements” by Adele
• “Infinity” by Mariah Carey
• “Stereo Hearts” by Gym Class Heroes
• “Counting Stars” by One Republic
• “It’s Time” by Imagine Dragons
• “Imagine” by John Lennon
• “Mad World” by Gary Jules
• “Zombie” by The Cranberries
• “Letter to Me” by Brad Paisley

Slam Poetry

Students need to know that poetry is not dead. It’s living. It’s breathing. It’s storytelling. It’s cool. In April, my classes come alive with the magic of slam poetry as students become authors and performers. They re-discover wonder and learn to let down their guard. They learn that there is intersectionality between their story and the stories of others. They are appreciated. They appreciate others. When I use this fun poetry activity for high school students , my classroom really becomes a true community.

Grab my slam poetry “mini” unit to get your students started with slam poetry!

Not sure which slam poems are school-appropriate and engaging? Here are 40 of my favorite slam poems !

Paint Chip Poetry

This poetry writing activity is FREE if you’re willing to grab some paint chips from your local hardware store, preferably ones with multiple colors in one. Or, Amazon sells an awesome paint chip poetry “game.”

• Have students use one of the color names as the title for a poem.
• Have students write poems in stanzas, using each of the color names as inspiration.
• Have students use all of the color names somewhere in a poem.
• Have students choose two contrasting colors and make a poem of contrasts.
• Have students choose two complimentary colors and make a poem.
• Have students choose a color and write an identity poem.

Blackout Poetry

This is an oldie, but goodie poetry writing exercise for high school students. Copy a page or two from a whole class novel. Or better yet, choose a completely divergent text, maybe a science textbook or page from a dictionary. Students string together words on the page to form a poem, and black-out the rest of the words. If they want to go above and beyond, they can create an original illustration to accompany their blackout poem.

Book Spine Poetry

Take your students to the library (or have them browse a site like Goodreads) and challenge them to create poems from book titles. Each title becomes a line in the poem. An optional challenge: have students choose (or randomly draw) a theme, and their poem has to relate to their chosen theme. If you’re looking for some FREE templates, I’ve got you covered: Click Here !  I created these templates as a quick fun poetry activity for high school sophomores after my librarian told me that having my classes pull so many books would be a pain to re-shelve.

Poetry Tasting

A lot of teachers are loving my reading progressive dinner stations . Poems are short and accessible texts that always rock when used with this activity.

Here are some options for poetry stations, a fun group poetry activity: 

• Choose a certain kind of poem or a certain poetic movement to explore at ALL the stations, i.e. the ghazal or Imagist poetry.
• Choose different kinds of poems or movements to explore at each station.
• Choose poems related to ONE thematic idea.
• Choose poems written by teenagers.
• Choose “famous” poems.
• Choose slam poems.

Poetry Transformations

If you’re studying word choice and tone in poetry, why not have students transform a poem, switching from one tone to another? Then, have students write a reflection analyzing why they made 4-5 important changes.

Found Poems

This poetry activity is exactly what it sounds like. Have students choose / cut-out words from magazines to form “found” poems. Or, have students listen to a TED talk or story, writing down a certain # of words they hear. Then, ask them to use these words + ones of their own to write an original poem.

Easter Egg Poems

If ’tis the season, you might as well use those plastic easter eggs you may have lying around. Put “poetry inspiration” in each egg. At the very least, I suggest a word or phrase. If you want to go “all-in,” create a combination of the items below:

• Random household objects, i.e. a piece of string, a bead
• Newspaper/magazine clippings
• Words/phrases
• Famous first lines
• A “mentor” poem, copied and folded up

Tell students that their challenge is to write a poem inspired by these objects. Or, if you prefer, have students incorporate words / ideas from each object in their poem.

Favorite Poem Project

If you’ve never seen the site “ Favorite Poem Project ,” I suggest checking it out as a poetry unit resource. The site’s goal is to interview a variety of different people about their “favorite poems.” In each short video, an individual shares a personal connection to his/her poem and reads the poem out loud.

After being a fan of this site for some time, I decided to have my students make their own “favorite poem” videos . They explored, chose a poem that they liked “best,” and created videos on Flipgrid discussing their thoughts about the poem and reading it aloud. These videos were then viewed by classmates. Everyone enjoyed this a lot!

Metaphor Dice

Poems as Mentor Texts

Using mentor texts for writing is a powerful strategy for poetry instruction, yet one that I find myself “skipping” because there isn’t time. I have to remind myself to “make” the time because it’s important. If we’re going to spend time analyzing texts, it only makes sense to have students try to use those writing moves in their own writing. After all, students should be writing frequently, and not always for an assessment grade.

Here are 12 great mentor poems if you’re not sure where to start:

• “ We Real Cool ” by Gwendolyn Brooks
• “ Montauk ” by Sarah Kay
• “ This is Just to Say ” by William Carlos Williams
• “ Mother to Son ” by Langston Hughes
• “ My Father’s Hats ” by Mark Irwin
• “ Chicago ” by Carl Sandburg
• “ Entrance ” by Dana Gioia
• “ My Father is an Oyster ” by Clint Smith
• “ If ” by Rudyard Kipling
• “ Ode to a Large Tuna in the Market ” by Pablo Neruda
• “ The Bean Eaters ” by Gwendolyn Brooks
• “ The Summer I Was Sixteen ” by Geraldine Connolly
• “ Where I’m From ” by George Ella Lyon (As a bonus, students can submit their poems to the “I am From” project. ) p.s. If you’re looking for ready-to-use templates,  here you go !

Magnetic Poetry

A fun activity to fill extra class time, or just for fun: magnetic poetry . Give each student (or pairs of students) a handful of magnetic poetry pieces. See what they come up with. Take pictures and display around the room.

Interactive Poetry Bulletin Board

Sort of like magnetic poetry, but with a twist, it’s fun to set-up an interactive bulletin board as a fun poetry activity for high school students to try before or after class. You can do this in several different ways.

• Poem of the day + a “feel-o-meter” for students to rate the poem on a scale from “mild sauce” to “hot sauce.” You can have students use push pins to vote.
• Large scale magnetic poetry + a bulletin board becomes “push pin poetry.” You choose the words. Students move them around to form poems.

Hey, if you loved this post, I want to be sure you’ve had the chance to grab a FREE copy of my guide to stream l ined grading . I know how hard it is to do all the things as an English teacher, so I’m over the moon to be able to share with you some of my best strategies for reducing the grading overwhelm. 

Click on the link above or the image below to get started!

About Lindsay Ann

Lindsay has been teaching high school English in the burbs of Chicago for 19 years. She is passionate about helping English teachers find balance in their lives and teaching practice through practical feedback strategies and student-led learning strategies. She also geeks out about literary analysis, inquiry-based learning, and classroom technology integration. When Lindsay is not teaching, she enjoys playing with her two kids, running, and getting lost in a good book.

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ThinkWritten

101 Poetry Prompts & Ideas for Writing Poems

Not sure what to write a poem about? Here’s 101 poetry prompts to get you started!

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These poetry prompts are designed to help you keep a creative writing practice. If you’re staring at a blank page and the words aren’t flowing, the creative writing prompts for poems can be a great way to get started!

New for 2023! Due to popular demand, I created a printable, ad-free version of these poetry prompts you can download to use at home or even in the classroom! Get them at our Etsy Shop .

Even if poetry isn’t your thing, you could always use these things to inspire other writing projects. Essays, journal entries, short stories, and flash fiction are just a few examples of ways this list can be used.

You may even find this list of creative poetry writing prompts helpful as an exercise to build your skills in descriptive writing and using metaphors!

Let’s get onto the list, shall we?

Here are 101 Poetry Prompts for Creative Writing

Most of these creative writing ideas are simple and open-ended. This allows you total creative freedom to write from these poetry prompts in your own unique style, tone, and voice.

If one poetry idea doesn’t appeal to you, challenge yourself to find parallels between the prompt and things that you do enjoy writing about!

1.The Untouchable : Something that will always be out of reach

2. 7 Days, 7 Lines : Write a poem where each line/sentence is about each day of last week

3. Grandma’s Kitchen : Focus on a single memory, or describe what you might imagine the typical grandmother’s kitchen to be like

4. Taste the Rainbow : What does your favorite color taste like?

5. Misfits: How it feels when you don’t belong in a group of others.

6. Stranger Conversations : Start the first line of your poem with a word or phrase from a recent passing conversation between you and someone you don’t know.

7. On the Field : Write from the perspective of a sports ball {Baseball, Soccer, Football, Basketball, Lacrosse, etc.} – think about what the sports ball might feel, see, hear, think, and experience with this poetry idea!

8. Street Signs: Take note of the words on signs and street names you pass while driving, walking, or riding the bus. Write a poem starting with one of these words you notice.

9. Cold water: What feelings do you associate with cold water? Maybe it’s a refreshing cold glass of water on a hot day, or maybe you imagine the feelings associated with being plunged into the icy river in the winter.

10. Ghostwriter: Imagine an invisible ghost picks up a pen and starts writing to you.

11. Lessons From Math Class: Write about a math concept, such as “you cannot divide by zero” or never-ending irrational numbers.

12. Instagram Wall: Open up either your own Instagram account or one of a friend/celebrity and write poetry based on the first picture you see.

13. Radio: Tune in to a radio station you don’t normally listen to, and write a poem inspired by the the first song or message you hear.

14. How To : Write a poem on how to do something mundane most people take for granted, such as how to tie your shoes, how to turn on a lamp, how to pour a cup of coffee.

15. Under 25 Words : Challenge yourself to write a poem that is no more than 25 words long.

16. Out of Order: Write about your feelings when there is an out of order sign on a vending machine.

17. Home Planet: Imagine you are from another planet, stuck on earth and longing for home.

18. Uncertainty : Think about a time in your life when you couldn’t make a decision, and write based on this.

19. Complete : Be inspired by a project or task be completed – whether it’s crossing something off the never-ending to-do list, or a project you have worked on for a long time.

20. Compare and Contrast Personality : What are some key differences and similarities between two people you know?

21. Goodbyes : Write about a time in your life you said goodbye to someone – this could be as simple as ending a mundane phone conversation, or harder goodbyes to close friends, family members, or former partners.

22. Imagine Weather Indoors : Perhaps a thunderstorm in the attic? A tornado in the kitchen?

23. Would You Rather? Write about something you don’t want to do, and what you would rather do instead.

24. Sound of Silence : Take some inspiration from the classic Simon & Garfunkel song and describe what silence sounds like.

25. Numbness : What’s it like to feel nothing at all?

26. Fabric Textures : Use different fiber textures, such as wool, silk, and cotton as a poetry writing prompt.

27. Anticipation : Write about the feelings you experience or things you notice while waiting for something.

28. Poison: Describe something toxic and its effects on a person.

29. Circus Performers: Write your poetry inspired by a circus performer – a trapeze artist, the clowns, the ringmaster, the animal trainers, etc.

30. Riding on the Bus : Write a poem based on a time you’ve traveled by bus – whether a school bus, around town, or a long distance trip to visit a certain destination.

31. Time Freeze : Imagine wherever you are right now that the clock stops and all the people in the world are frozen in place. What are they doing?

32. The Spice of Life : Choose a spice from your kitchen cabinet, and relate its flavor to an event that has happened recently in your daily life.

33. Parallel Universe : Imagine you, but in a completely different life based on making a different decision that impacted everything else.

34. Mad Scientist : Create a piece based on a science experiment going terribly, terribly wrong.

35. People You Have Known : Make each line about different people you have met but lost contact with over the years. These could be old friends, passed on family, etc.

36. Last Words : Use the last sentence from the nearest book as the inspiration for the first line of your poem.

37. Fix This : Think about something you own that is broken, and write about possible ways to fix it. Duct tape? A hammer and nails?

38. Suspicion : Pretend you are a detective and you have to narrow down the suspects.

39. Political News : Many famous poets found inspiration from the current politics in their time. Open up a newspaper or news website, and create inspired by the first news article you find.

40. The Letter D : Make a list of 5 words that start with all with the same letter, and then use these items throughout the lines of your verse. {This can be any letter, but for example sake: Daisy, Dishes, Desk, Darkness, Doubt}

41. Quite the Collection : Go to a museum, or look at museum galleries online. Draw your inspiration from collections of objects and artifacts from your favorite display. Examples: Pre-historic days, Egyptians, Art Galleries, etc.

42. Standing in Line : Think of a time you had to stand in line for something. Maybe you were waiting in a check-out line at the store, or you had to stand in line to enter a concert or event.

43. Junk Mail Prose: Take some inspiration from your latest junk mail. Maybe it’s a grocery store flyer announcing a sale on grapes, or an offer for a credit card.

44. Recipe : Write your poem in the form of a recipe. This can be for something tangible, such as a cake, or it can be a more abstract concept such as love or happiness. List ingredients and directions for mixing and tips for cooking up your concept to perfection.

45. Do you like sweaters? Some people love their coziness, others find them scratchy and too hot. Use your feelings about sweaters in a poem.

46. After Party : What is it like after all party guests go home?

47. Overgrown : Use  Little Shop of Horrors  for inspiration, or let your imagination run wild on what might happen if a plant or flower came to life or started spreading rapidly to take over the world.

48. Interference: Write a poem that is about someone or something coming in between you and your goals.

49. On Shaky Ground: Use an earthquake reference or metaphor in your poem.

50. Trust Issues : Can you trust someone you have doubted in the past?

51. Locked in a Jar: Imagine you are a tiny person, who has been captured and put into a jar for display or science.

52. Weirder Than Fiction: Think of the most unbelievable moment in your life, and write a poem about the experience.

53. Fast Food: Write a poem about fast food restaurants and experiences.

54. Unemployed: Write a poem about quitting or being fired from a job you depended on.

55. Boxes: What kinds of family secrets or stories might be hiding in that untouched box in the attic?

56. No One Understands : Write about what it feels like when no one understands or agrees with your opinion.

57. Criminal Minds : Write a poem from the perspective of a high-profile criminal who is always on the run from law enforcement.

58. Marathon Runner : Write a poem about what training you might be doing to accomplish a difficult challenge in your life.

59. Trapped : Write about an experience that made you feel trapped.

60. Passing the Church : Write a poem about noticing something interesting while passing by a church near your home.

61. Backseat Driver: Write about what it’s like to be doing something in your life and constantly being criticized while trying to move ahead.

62. Luster: Create a descriptive poem about something that has a soft glow or sheen to it.

63. Clipboard: Write a poem about someone who is all business like and set in their ways of following a system.

64. Doctor: Write a poem about receiving advice from a doctor.

65. First Car : Write an ode to your first car

66. Life Didn’t Go As a Planned : Write about a recent or memorable experience when nothing went according to plan.

67. Architect : Imagine you are hired to design a building for a humanitarian cause you are passionate about.

68. The Crazy Cat Hoarder : Write about someone who owns far too many cats.

69. Queen : Write a poem from the perspective of a queen.

70. Movie Character : Think of a recent movie you watched, and create a poem about one character specifically, or an interaction between two characters that was memorable.

71. Potential Energy : Write about an experience where you had a lot of potential for success, but failed.

72. Moonlight : Write about an experience in the moonlight.

73. Perfection : Write about trying to always keep everything perfect.

74. You Are Wrong : Write a poem where you tell someone they are wrong and why.

75. Sarcasm : Write a poem using sarcasm as a form of illustrating your point.

76. Don’t Cry : Write a poem about how not to cry when it’s hard to hold back the tears.

77. Listen Up: Write a poem telling someone they are better than they think they are.

78. Flipside : Find the good in something terrible.

79. Maybe They Had a Reason : Write a poem about someone doing something you don’t understand, and try to explain what reasons they might have had.

80. How to Drive : Write a poem that explains how to drive to a teenager.

81. Up & Down the Steps: Write a poem that includes the motion of going up or down a staircase

82. Basket Case: Has there ever been a time when you thought you might lose your mind? Jot your feelings and thoughts down in verse form.

83. Lucky Guess:  Many times in our life we have to make a good guess for what is the best decision. Use this poetry idea to write about feelings related to guessing something right – or wrong.

84. Dear Reader:  What audience enjoys reading the type of poetry you like to write? Craft a note to your potential audience that addresses their biggest fears, hopes, and dreams.

85. All or Nothing : Share your thoughts on absolutist thinking: when one’s beliefs are so set in stone there are no exceptions.

86. Ladders in the Sky : Imagine there are ladders that take you up to the clouds. What could be up there? What feelings do you have about climbing the ladders, or is their a mystery as to how they got there in the first place?

87. Always On My Mind: Compose a poem about what it’s like to always be thinking about someone or something.

88. Paranoia : What would it be like if you felt like someone was watching you but no one believed you?

89. Liar, Liar: How would you react to someone who lied to you?

90. Secret Word: What’s the magic word to unlock someone’s access to something?

91. For What It’s Worth: Use a valuable object in your home as inspiration as a poetry prompt idea.

92. Coming Home to Secrets: Imagine a person who puts on a good act to cover up a secret they deal with at home.

93. Productivity: Talk about your greatest struggles with time management and organization.

94. Defying Gravity: Use words that relate to being weightless and floating.

95. Signs of the Times : How has a place you are familiar with changed over the past 10 years?

96. Sleepless Nights : What ideas and feelings keep you up at night? What’s it like when you have to wake up in the morning on a night you can’t sleep?

97. You Can’t Fire Me, I Quit : Use one of the worst job related memories you can think of as a creative writing prompt.

98. By George : You can choose any name, but think of 3-5 notable figures or celebrities who share a common first name, and combine their personalities and physical characteristics into one piece of poetry. For example: George Washington, George Clooney, George Harrison.

99. Shelter : Write a poem about a time you were thankful for shelter from a storm.

100. Cafeteria : Create a poem inspired by the people who might be eating lunch in a cafeteria at school or at a hospital.

101. Dusty Musical Instruments : Base your poem around the plight of a musician who hasn’t picked up the guitar or touched a piano in years.

Love these prompts? The printable, ad-free version of these poetry prompts can be used offline or in the classroom! Get them at our Etsy Shop .

There are unlimited possibilities for ways you can use these poem ideas to write poetry. Using a list like this can greatly help you with getting into the habit of writing daily – even when you don’t feel inspired to write.

While not every poem you write will be an award-winning masterpiece, using these poem starters as a regular exercise can help you better your craft as a writer.

I hope you enjoy these poetry prompts – and if you write anything you’d like to share inspired by these creative poetry writing prompts, let us know in the comments below – we love to see how others use writing ideas to create their own work!

And of course, don’t forget to get the ad-free poetry prompt cards printable version if you’d like to use these prompts offline, in the classroom or with your small group!

Chelle Stein wrote her first embarrassingly bad novel at the age of 14 and hasn't stopped writing since. As the founder of ThinkWritten, she enjoys encouraging writers and creatives of all types.

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98 comments.

I had a wonderful inspiration from prompt number 49 “On Shaky Ground,” although it’s not exactly about an earthquake. I wanted to share it on here, so I hope you enjoy it!

Title: “Shaking Ground”

The ground’s shaking My heart’s aching I’m getting dizzy My mind’s crazy

On shaking ground It’s like I’m on a battleground We’re all fighting for love Dirtying our white glove

The ground’s shaking My body’s quaking Love is so cruel Making me a fool

On shaking ground We are all love-bound Stuck in a crate Nobody can avoid this fate

The ground’s shaking We are all waking Opening our eyes Everyone dies

On shaking ground Our love is profound Although we are separate Better places await

The ground’s shaking Death’s overtaking Heaven is descending The world’s ending

On shaking ground In love we are drowned

Awesome interpretation Amanda! Thanks for sharing!

heyyy, I have written something regarding prompt 27 and 96 The Night Charms.

Do you dread the dark; Or do you adore the stars? Do you really think the fire place is that warm; Or you just envy the night charms? The skyline tries to match the stars’ sparkle, The sky gets dark, the vicinity gets darker. The “sun” has set for the day being loyal; These are now the lamps burning the midnight oil. The Eve so busy, that everyone forgets to praise its beauty. The sun has set without anyone bidding him an adieu, Failed to demonstrate its scintillating view. The moon being the epitome of perfection, Has the black spots, Depicting an episode of it’s dark past.

And I sit; I sit and wonder till the dawn. What a peaceful time it is, To have a small world of your own. Away from the chaos, I found a soul that was lost. So tired, yet radiant, Trying to be someone she’s not in the end. That bewitching smile held my hand, Carried me back to shore, letting me feel my feet in the sand. The waves moved to and fro, Whispering to me as they go, “Oh girl, my girl This is the soul you have within you, Never let it vanish, For it alters you into something good and something new, Don’t let the cruel world decide, Don’t let anyone kill that merry vibe.”

Then I saw my own soul fade, Fly into my heart, For what it was made. Oh dear lord, The night’s silence became my solace, My life lessons were made by the waves. Who am I? What have I done to myself? Many questions were answered in self reproach, The answers were still unspoken with no depth. Oh dear night, What have you done to me? Or should I thank you for putting a soul that I see. The nights spent later were now spectacular, My darkness somehow added some light to my life, Making it fuller… Everyday after a day, walking through the scorching lawns, I wait for the the dusk to arrive, and then explore myself till the dawn.

This is so amazing I ran out of words. Very lit thoughts beautifully penned. Keep writing like this dude.❤🌻

That is beautiful, it inspired me to write about my fears, thank you!!

Thank you for the inspiration! 😀 This was based of 21 and 77 (I think those were the numbers lol)

Goodbye to the days when we played together in the sun Goodbye to the smile on your face and to all of the fun I look at you, so dull and blue How long before I can say hello to the real you You are worth more than you think At the very least, you are to me Though there are greater things that wait for you than the least You are worthy of the most, the greatest of things If only goodbye could be ‘see you later’ I want to see the real you again To your suffering I don’t want to be just a spectator I want it all to end Goodbye to my only friend I want to heal you but I don’t know how I wish I had this all figured out Please come back to me I just want you to be free

Thank u so much im more inspired after seeing these creative ideas. 🤗

Glad they inspired you!

Thanks for sharing Amanda!

That was beautiful! I am a writer too! I actually just finished writing one but, it wasn’t from this website, just kind of something that’s been on my head for a while you know? Anyways, again, that was awesome! I am a Christian, and I love seeing people write about that kind of stuff! 🙂

I am jim from Oregon. I am also a writer, not very good but active. I am a Christian as well as you are. Sometimes it is hard to come up with something to write about.

All of a sudden, I have started to write poetry. Do you like all forms of writing? I would enjoy reading some of you work if you would you would like to s if you would like to send me some.

i have written one about frozen time:

my brother will be drawing, his pencil wont leave the sheet, my mother hearing the radio, today’s news on repeat. my sister, in fact, is making her bed, she’ll be making it still, till the last bug is dead. me, on the other hand, i’ll be visiting you, i’ll see you in action, doing the things that you do, i’ll be happy to see you, just a last time, i’ll kiss your still lips, and hold for a while. then i’ll take a plane to saudi, where i’ll see my dad, he’ll be swimming with turtles, he will not seem sad. i have lived on this earth, for 15 whole years, time for goodbye, with not a single tear.

hey beautifully expressed…!!!

Beautifully penned 🌼

I love it I tried one out myself as well Change

She sat looking out the window. The sound of the piano’s cheerful tune ringing out throughout the room. The sweet smell of burnt pine emanating from her fireplace. The sky is blue and the sun shines bright. She closes her eyes for a second. She opens them again. The window is broken and scattered on the ground. The piano sits covered in ashes, every symphony played now just a distant memory replaced with a discordant melody. The room smells of smoke and ash. The sky is dark and rain falls on the remnants of her home. Not a living thing in sight,not even her.

Nice one Amanda. kind of tells me the chronology of love and its eventualities.

such a dilightful poem, thanks for the word that made the day for me. you are such a good poet.

Omg! What!! This is amazing! I’d love to feature this piece on my blog monasteryjm.com. I also love this blog post by thinkwritten.com, planning on putting the link in my next blog post so others can come over here to check it out! So helpful!

this is so great! I’ve been needing inspiration. this might work

Thank you so much for this article! I love the profundity and open-endedness of the prompts. Here is a poem I wrote, drawing inspiration from #56, “No One Understands.” I wrote this from the perspective of a psychic Arcturian Starseed in her teenage years and how the world perceives her spiritual connection; while at the same time hinting at the true meaning of her various baffling actions. Enjoy 🙂

Starseed – a poem on perspective

In the snow She stands alone Wrapped in shrouds of mystery Her gentle hand gloved with giving Caressing A violet stone

Math class is dismissed But there still she sits Speaking to the ceiling in tender tones A soft and healing resonance Murmuring sweetly of ascension to Another, dearer dimension

In homeroom Her classmate weeps Of missed planes and shattered dreams Quietly She strokes the hand of the suffering And whispers then of channeling Some celestial utopia called Arcturus Where she claims to have been.

Please feel free to let me know where I need to improve! I’m fourteen years old and only an amateur, so a few suggestions would be greatly appreciated. Thank you, love and light 🙂

#79 I don’t know why he was so mad Did he not get his mail Was he already mad Or did he only get bills

He swung his arm with force He caused a loud bang He hurt his own hand He left with some blood

He is the man that punched the mailbox His hand dripped blood on it He left it with a dent He left it alone after that

That’s great Michael, thank you for sharing your response to one of the prompts!

Awesome! That was simple and yet creative

Interesting tips and keywords for boosting inspiration. I’ve found some good topic for start writing. Thanks

sleepless nights (#96)

it’s never a strangled cry that drags me from my dreams, but a gentle whisper, there to nudge the socks off my feet, and settle me back into the sheets. i seem to wake before i’ve had a chance to fall to rest.

why is it that i can never sleep, but always dream?

sleepless nights rule my life and drag me by my toes, throwing me into a sky of black and blue. not a single star can break through this spillage. and i sit and wonder in a sea of sheets, rippling around me, why my mind can swim these dark, tangling waters and i never need to take a breath.

have you ever noticed how static-filled the dark is? because when i lay buried under these burdens and blankets, the world seems ready to crumble under my grasp.

i can’t sleep, but i can dream, of days when i wasn’t pulled struggling from bed but awoken into the light. i wonder how i ever survived the grainy sky’s midnight troubles, the oil spill of its thunderclouds, the sandpaper raspiness of the three a.m. earth against my throat.

oh, how i can never sleep in a world that threatens to fall apart.

this is amazing! i hope i can be this good one day

once again beautiful <3

Thank you so much for these prompts! They’re so thought-provoking.

You’re welcome! Glad you enjoy them!

Take me back to those days, When I was allowed to dream, Where no one use to scream. Take me back to those days, When I was a child, Where I never use to find reasons to smile. Take me Take back to those days, When I never used to lie, Where I never used to shy. Take me back those carefreee days, When I was far away from school days. Take me back to those days , where every one used to prase, no matter how foolish i behave. Take me back to those days, when i wasn’t stuck between fake people. Take me back to the day I was born, So that I could live those days again………….

so mine is basically a mix between 76 and 77… I made it for my literature club i recently began trying to make.

‘Listen to me’ Listen to me your words mean more than you think your opinion is worthy to be shared your songs are capable of being sung

Listen to me

your smile is bright your frown shows nothing more than you should be cared for like you care for us.

your laughter is delightful and so is everything else

dont let the past go hurt you find strength in the experience

are you listening to me?

can you here me?

because YOU matter

Nice, thank you for sharing!

Prompt #1 “Untouchable”

Grasping Reaching Searching for the untouchable The indescribable On the tip of my tongue My fingertips Close to my heart But warping my brain Yet understood in the depths of my soul Emotions undiscovered Words Unsaid Deep in the depths of my mind Hand outstretched Lingering on the edge Eyes wide open But somehow still blind Unattainable But still in the hearts of The Brave The Curious The Resilient They Seek the unseekable They pursue the unattainable Each man seeing it in a different aspect Each of their visions blurred Each distorted by Experiences Traumas Wishes Dreams Filtering what’s untouchable

Thank you, glad you enjoy it!

I had good inspiration from #51, locked in a jar. I used it more metaphorically instead of literally. So here it is: glass walls, lid screwed on tight, can’t escape, not even at night. From the inside, looking out, this is not who I’m supposed to be. I’m supposed to be bigger, I’m supposed to be free, not stuck in a jar, no room to breathe. I need to move, I need to soar, I need to be able to speak my opinions and more. So as I look down at my tiny self, in this glass jar, “let me out, I can’t take it anymore”, I say to the bigger me, the one ignoring my tiny pleas.

Just wanted to add a twist to this promt. I’m just a beginner in the art of poetry, but I tried. If anyone has any creative criticism, go ahead! #16: our of order

My brain is out of order My thoughts have filled it to the brim Of my deepest thoughts of who I am Who we are As people We are out of order Never focusing on what we want Our passions All we ever get is work on top of work Pushing us down and down Like a giant hand Squeezing us into the depths of our depressions Until We can do anything But take it Anymore

Thank you Ash for sharing your take on the prompt with us!

Thank you ASH for reminding we can do anything if we try

Was inspired by #77 listen up Listen up…….! When would you listen up! Seems! you have given up! No matter who shut you up! Stand straight and look up!

Look up don’t be discouraged Let you heart be filled with courage Listen up and be encouraged Let life be sweet as porridge

You might have been down Like you have no crown Because deep down You were shut down

There is still hope When there is life Yes! You can still cope If you can see the light Yes! Even in the night

Oh listen up! Please listen up and take charge, You are better than the best Listen up! And oh! Please listen up.

beautifully written!

I wrote a poem using prompt 21 and I’m so proud of it. Comment if you want me to post it🤓

I bet the poem you wrote about prompt 21 is really good. I would like to read it please.

Mental prison, what a way to be trapped, being hidden, being snapped,

Clear glass is all i feel, apart from people, I hope I heal, I will never be equal,

I am different I am hurt raging currents people put on high alert but no one cares

No one dreads many tears I only have so many more threads

One day I’ll be gone but no one would care I will run away from the death chair

But until then

Mental prison what a way to be trapped being hidden being snapped

One day this will all blow away someday I will be molded out of clay but until then I will be lead astray

This is so darn awesome. It’s so deep and evokes the deepest of feelings🥰

I wrote almost the same thing omg I’m turning it into a contest entry

Inspired by No. 1! I am completely new to poetry, but I love it so much already! Here it is.

Perfection is Untouchable-

Perfection waiting, out of reach

Will I never touch it?

It always remain

Untouchable

No matter how hard I try

I will never quite reach

It will always remain

Though many people have tried

And seemed to have come close

But perfection’s not the goal

‘Cause we can’t quite grasp it

Perfection will always be

For all eternity

Looks like you are off to a great start!

Of Course, Silly Billy Me

”Well shit, I guess I lost my opportunity” the youngster retort

You see, for him, it’s all about his hurt – but she’s so educated, knows more about the rules of English than the rest of us.

Thus, to me she said… You cannot use curse words in a court report… you need to paraphrase his quote.

Into her spastic face I smiled – and pled my case

If you were my English professor back in the day, I could only imagine how much further in life I would have been…

”Don’t you mean farther in life?”

Of course, silly billy me.

This poem is called Secret Keeper and was inspired by #92. I hope you like it.

Everyone has a secret, Whether it be their own, Or someone else’s, We all have one.

But what if, You met someone, Who had a secret so big, That telling anyone would lead to horrible things.

And what if, That person told someone, And what they told them, Was more horrible than anything they could have ever imagined.

What if, That person told everyone, And when the parents, Of the kid with the secret found out, They were furious.

What if, They kept doing horrible things, Even though everyone knew, Even though they knew it was wrong.

And finally, What if, No one ever helped, The little kid with the biggest secret.

On number 28 : Poision I wrote a poem for it and would like to share it. The poision of friends and love

Beaten,she lies there. For they may be mistaken. Laughter rings throughout the school halls; a pure disaster. The dissapearence of parents hast caused this yet no one stops it. “Your a disgrace!” She heard them say. While in place she cries “I don’t belong here! Perhaps im out of place..” But she is not misplaced rather.. Shes lost in space.

I miss when you called me baby And I was in your arms saftely I know we drive eachother crazy But I miss callin you my baby

Those restless nights when I couldn’t sleep You calmed me down with your technique Always reminded me I’m strong not weak If only I let you speak

My heart only beats for you My feelings for you only grew You understood what I was going through I will never regret knowing you

Your smile melted my heart I wish we could restart And I could be apart Of a man I see as a work of art!

Stary night painting poem I guess ill call it

I raised my paint brush to my canvas So I could help people understand this This feeling of emotion for this painting has spoken I see the light as opportunity As for the whole thing it symbolizes unity The swirls degnify elegance and uncertainty For this painting executes this perfectly Where as my paintings let me adress Everything I feel I need to express!

#56 WHITE NOISE Faded away In the background Unheard Not visible

Eardrums splitting from the screams Yet none seem to care Can even hear my cries for help? For I am screaming as loud as I can

Are you? For all we hear Are whispers in here

Fading away in the background Unheard, invisible Yet it’s there, not loud enough Not noticeable, but there White noise Blank and pure In the background Faded away, yet so clear.

Just need to listen So open your ears She’s screaming for help But it’s muted to your ears

So open ’em up And listen to the calls For faded away, in the background Not visible, but clear. White Noise. It’s there.

Hi guys, I’m kind of late joining in. I read the prompts and the poems posted and this community is a creative bunch. I liked #35 People You Have Known. I want to share it with you guys.

Bern, a friend from grade school was my seat mate as well Rob had always teased me so my young life was hell Neesa was pretty, she knew that she was my crush Miss Homel, our teacher was always in a rush Played ball with Buco and I got hit on my head Fell in love with Cia, dreamt of her in my bed Had a tattoo with Marcus and called it “The Day” Chub challenged me to eat two pies, I said, “No way” I had to go far away so I wrote to Charie In this new place I found a friend in Perry My Grandma Leng passed away, she was a doll My grumpy uncle, Uncle Zar was teased by all These people have touched my life for worse or better Won’t be forgotten, be remembered forever

I hope that you liked it. Thanks guys. Thanks Think Written.

#37 fix it Still new to poems, and I haven’t written one in a while. Criticism is welcome because I need some more inspiration since I haven’t been getting any.

This is the body repair shop where we fix humans that have stopped how may we help you?

the girl stumbled upon the front door and spilled her list of regrets out into the open

“we’re sorry, miss” “but i’m afraid your first kiss will just be a dear old reminisce”

“your heart is also one that cannot be mended” “for every shattered piece- their lives just simply ended” the sewing kit can’t sew the fragments of her heart back because there were way too many to backtrack

she cried her heart out and it went “plop!” her tears like a river and like a lightbulb flickering its last light she too, took her last breath and was put to death

This is the body repair shop where we fix humans that have stopped “it seems we have failed again today” “sorry we’ll just try harder again another day”

I did poetry prompt #7. I wrote about the street I grew up on. Luverne Luverne, I moved onto you at the age of three. We like to race up and down your pavement road, either biking or running. You keep safe the house that I grew up in, one that has six humans and three dogs. You shelter other houses, too, that hold family friends and best friends to last a lifetime.

Luverne, we love you.

-Margaret McMahon

I was inspired by the prompt poison. Monster Roses are beautiful and delicate, but flawed.

Every rose has thorns that cause you to bleed.

Its innocence and beauty draws you in.

Only then when you touch it, it poisons you.

Am I really such an ugly monster, that plants pain an watches it spread?

I would say no.

Wouldn’t we all?

But maybe, just maybe a rose doesn’t notice it’s thorns.

-Lilliana Pridie

You said you’re only just starting?! That was sooo good! No criticism here. 🙂

Sorry, that was meant for “Ash” but yours was amazing too! 🙂

Prompt number 8: Street signs STOP Stop look and listen Stop at the corner Stop at the red light Stop for pedestrians Stop for cyclists Stop for animals Stop doing that Stop drop and roll Stop doing something else Stop shouting Stop whispering Stop talking Stop being quiet Stop posting cute cat videos Stop forgetting your appointments Stop making plans without me Stop eating all the yummies Stop running Stop the insanity Stop shopping Stop the never-ending commentary in my head Stop stopping Stop

Thanks for making this site and all its suggestions and especially this space to post our work, available!

I wrote from prompt #72 about moonlight. Shining down like a spotlight, Illuminating everything around you. The pure white light, Paint your surroundings in a soft glow. The round ball in the sky, speckled with craters like the freckles on your face. Looking down upon the sleeping earth, A nightlight for those still awake, a nightlight for you. Guides you, pulls you, lulls you towards it. It caresses your face with the light, casting away the shadows of the night.

I liked it I just wrote a small poem dedicated to my tutor and tutor just loved it .I used 21 good bye . I liked it really.😊

I just took up writing so bear with me.

Based on #72 “Moonlight”

A full bed Just the left side filled Soft, cold, baby blue sheets wrap around bare feet

She sweetly invites herself in Dressing the dark in a blue hue through cypress filled air, like 5 A.M. drives in January on the misty Northern coast.

Damp hair dances across grey skin, Waltzing with the breeze to Radiohead’s “How to Disappear Completely”

Euphoria slow dances with Tranquility Heavy eyes give in to sleep

Ladder to the Sky I want to climb the ladder to the sky I’m sure all would be well and that I could fly The ladder would be sturdy but still give me a fright Because looking down I’ll realized I’ve climbed many heights The higher I climb the greater the fall The greater the fall, the greater the sprawl But if i ever get to the sky up high I would be sure to hug you and say “goodbye” Once I’ve climbed the ladder I’ll know Sometimes its okay to look far down below Life is full of failure but soon I’ll find Happiness is a place, and not of the mind We all have ladders to climb and lives to live We all have a little piece of us that we can give Because when we climb that ladder to the sky We should think “No, life never passed me by”

Hi Ray, I love your piece.It gives one courage to face the challenges of live and move on.

Thanks for sharing the prompts Chelle Stein. I wrote this sometimes ago before coming to this site and I believed prompts #1 and #88 inspired my writing it. kindly help me vet it and give your criticism and recommendation. It is titled “SHADOW”.

My shadow your shadow My reflection your reflection My acts your acts

No one sees me,no one sees you Programmed by the Ubiquitous, To act as our bystander in realism

Virtuous iniquitous rises on that day To vindicate to incriminate My deeds your deeds.

Thanks for the seemingly endless amounts of writing prompts. I’ve been working on a poem, but it isn’t much.

She’s got my head spinning, Around and around; She’s all I think about, I can’t help but wondering, Does she feel the same?

Of course not, I’m just a fool; I’m nothing special, Just another person; Bland and dull.

How could a girl like her, love a guy like me? But the way she looks at me, Her smile, I can’t help but to feel flustered; Is this just my imagination?

It must be.

Wow! That’s exactly how I feel! Amazing poem!

Thanks so much, I’m glad you like it. 🙂

A massive thank you to thinkwritten.com for these amazing prompts. Some of these prompts have now formed the basis of my upcoming poetry collection (Never Marry a Writer) scheduled for release on January 1 2021. I will also be leaving a “Thank you” message for this website in the acknowledgements section. You have inspired a whole poetry collection out of nowhere which is highly commendable. So booktiful that!

That is wonderful news!

So I didn’t use any of the prompts but I wanted some feedback on this; it’s not great but I’m working on improving my writing skills

I am a girl who is broken easily and loves music I wonder if things will ever be normal again I hear light screaming through the darkness I want freedom from the chains trapping me in my fear I am a girl who is broken easily and loves music

I pretend to float in the ocean, letting the waves carry me away from reality I feel a presence of hope like a flame on my bare skin I touch the eye of a storm, grasping the stillness it brings I worry about wars that a spreading like wildfires I cry when I’m not with the people I love I am a girl who is broken easily and loves music

I understand feeling hopeless when you have no control over what is happening I say our differences make us special I dream to be a nurse, to help others when they can’t help themselves I try to do my best in everything I hope that all mankind will stop fighting and live in peace I am a girl who is broken easily and loves music

HELLO EVERYONE.. THIS SITE IS JUST WOW, AS AND WHEN I WAS OUT OF TOPICS OR WAS NOT ABLE TO THINK UPON IT ..IT HELPED ME A LOT WITH HINTS TO BEGIN WITH MY ANOTHER POEM .. I M NOT A PROFESSIONAL WRITER BUT JUST A STARTER AND A STUDENT OF 12TH DIVISION.. I WOULD LIKE TO SHARE ONE OF MY SPECIAL CREATION , ALTHOUGH NOT FROM THIS SITE. HOPE YOU ALL WILL LIKE IT.

AU REVOIR GOODBYE UNTIL WE MEET AGAIN, I BID U FAREWELL UNTIL WE TIE AGAIN, SEE YOU SOON , SEE YOU AGAIN, LETS SAY GOODBYE FOR A BETTER DAY.

THE FIRE THAT BURNS IN OUR HEART , THE MEMORIES THAT PRESERVES OUR PAST. ITS NOT THE GOODBYE THAT WRENCH THE HEART , BUT THE FLASHBACKS THAT HAVE PASSED.

I RECOLLECT AND RECOUNT , MOMENTS THAT ARE HALF FADED AND RENOWNED, I ALWAYS FEEL SO CHARMED, THAT I HAVE SOMETHING, WHICH MAKES ME SAYING GOODBYE SO DAMN HARD.

TAKE A TRIP DOWN MEMORY LANE, WALK ON THE STREETS WITH GOLDEN TRAILS. FOR I M NOT GONNA WAIL, BECAUSE I KNOW I WILL MEET YOU SOON ON THE FORTHCOMING DAY.

I wrote a poem based on #101.

Thank you so much for the inspiration!!

And then it was there. What I had been missing. What is it? You may ask. Well, it’s quite simple actually. It’s the joy of music. It’s the joy of sitting down and making music. It’s the joy you feel when you look up at people admiring you. The joy you see in peoples’ eyes. I don’t know why I ever stopped that. The piano sat on the stage. Dusty and untouched. It’d been decades since I’ve seen it. I haven’t come to this stage since I lost her. After the concert. The last time I ever heard her voice. And yet here I am years and years later. Knowing why I haven’t been happy in so long. Of course pain is always gonna be there, But as I played a soft note on the piano, All of it seemed to disappear. It was as if all the weight on my shoulders got lifted. The melodious notes resonated around the hall. And for a few moments, I forgot about all the pain. I forgot about the tears. I forgot about the heartache. And as the last notes echoed around the hall, I was truly happy.

Prompt #92: Coming home with secrets

My mother’s radio sits in the balcony And it greets me with electric static Coming to this sheltering home is somewhat problematic Cause the walls are too thin, and it’s back to reality. Back to the running water that conceals the noise of cracks Crumbling behind my peeling mask, holding my face with wax An unraveled thread masking the makeup smile of a wakeup call That runs down to my chin and I keep under wraps. I take invitations to the mall, yet the space around me seems so small Nevertheless, I show my teeth with a big, shiny grin And suck a trembling breath through their thin slit Happy to wear tight jeans, to stop me from an embarrassing fall. The bath hurts on my skin, but even more to protect screams from the halls My head floats in the water, but feels trapped in its walls It cracks my head open with all these secrets inside me Before a blink of an eye, to my room I’d already flee. Not to the radio playing static or streets that won’t let me be But to under the blankets, where no one can really see The struggle to be a walking, talking, breathing secret That was thrown to the ocean in a bottle, wishing to be free. However, the words untold keep coming like ever so frequent Like adrenalized filled cops in pursue of an escapee delinquent All the more, my doppelganger and I have come to an agreement To take these secrets to our grave, that we nowadays call home.

Recipe for Happiness

Start with friendship, Then add time, A dash of humor, And forgotten binds. Mix it up, Till blended well, And make sure, To remember the smell. Put that bowl, To the side, Grab a new one, Add grateful sighs. Then add family, And a smile, Then sit back, And mix awhile. To that bowl, Add a laugh, A cheerful cry, And blissful past. Whip until, There’s heavy peaks, Then pour in, What we all seek. Combine the two, Then mix it well, Spray the pan, And pour it out. Cherish the memory, The beautiful scent, Of unity, And happiness.

My mother died when I was younger so this poem is about me sitting on the lawn at night shortly after she passed away. I was imagining better times, which is why in my poem I talk about how the girl is imagining ‘walking on the moon’ and she is gripping the grass tight and trying to remember the warmth of her mothers palms.

Sitting in the blue black grass She’s walking on the moon Watching specks of silver dance To the mellow tune Her fingers gripping the grass so tight She can almost feel The warmth of her mothers palms

The winds cold fingers

The winds cold fingers Tousle with my hair Loosening the soil My sobs are carried away on the wind

I would love to share this list (credited to you) with students participating in a virtual library program on poetry. Would that be possible/acceptable? These are great!

Wow! Thank you so much for all these awesome prompts! I’ve written two poems already!

Prompt #1 AND #15, untouchable and less than 25 words. i’m lowk popping off??

Apollo Commands the sun, which squints so brightly, scorches and freckles. i want her hand on mine. searing pain fears, still i reach out, and bubble.

I looked at the word “Duct tape” And thought about it. Its not anywhere in this poem at all but it inspired it yk?

Feathers are Soft

Feathers are soft People aren’t

Plushies are soft People aren’t

Pillows are soft People aren’t

People are mean Not nice Not joyful

well my poem is only loosely based on the second prompt because I found I had too much to say about Sundays. I would love to share it with you but these comments don’t support links.

Inspired by number 55 in list of poetry suggestions. Poem to song guitar chords. —————————————————-

Carnegie Hall

D I was feeling ecstatic G when I went to the attic A and found my auld busking D guitar

D But I felt consternation G I disturbed hibernation A at first it seemed quite D bazaar

D When I blew off the dust G it smelt like old must A but t’was time to give it a D bar

D It was then I heard flapping G which sounded like clapping A my first ever round of D applause

D It stayed with the beat G while tapping my feet A I kept playing despite all my D flaws

D I took early retirement G though not a requirement A “Bad Buskers” all get D menopause

D I’m strumming the strings G and the echo it rings A but no jingling of coins as they D fall

D So I play here alone G as to what I was prone A never made it to Carnegie D Hall

D Time to call it a day G as they used to say A for no encores or no curtain D call

D There’s a butterfly G in my guitar

D There’s a butterfly G in my guitar.

Finn Mac Eoin

23rd July 2022

I love this Finn, where can we listen to your song?

Hello I wrote this in remberence of 9/11. Its now sitting in ground zero. A ordinary day to start  Same as any other Dad goes off to work again, Child goes with their mother. Vibrant busy city,  busses, cars galore Workers in the offices, from bottom to top floor. Throughout our life situations Hard times often do arise, Unfortunatly we never think of saying last goodbyes. That’s exactly what happened on September 11th 2001 A day that turned the world so cold When tragedy begun. Twin towers has exploded Co ordinate attacks, Al-Qaeda behind the planes That seemed to be hijacked. Thousands were killed instantly Some lives hang by a thread, Calls were made to loved ones Onlookers face of dread. Fears & screams while running As smoke fills up the air, News reports on live tv Helplessly they stare. On the news we hear the voices of all who are caught inside, Lying next to injured ones Or sadly ones who died. One man makes a phone call My darling wife it’s me, I’m sorry that I upset you And that we disagreed. My offices have been attacked they’re crumbling to the ground, A massive explosion hit our floor then instantly no sound. If I do not make it I’m stating from the heart, I love you darling, & in your life I’m glad to play a part. Tell the kids daddy loves them Continue well at school, Stand up for all your beliefs Don’t be taken for a fool. The wife is crying down the line Darling please don’t go, I love you darling so so much I’ve always told you so. He replied my darling im feeling really kind of weak, Breathlessly he’s coughing, he can hardly speak. If you ever need me just look up to the stars, I will hear your voices And heal up any scars. Suddenly all was quiet The wife screams down the fone, Darling can you hear me, don’t leave me here alone. The towers live on tv start to crumble to the ground, Clouds of smoke then fill the air The world in shock no sound. Crying at the images of all who has lost their lives , Mums,dad’s , Nan’s & grandads, husbands & wives. Rescue teams included and all those left behind To All who were among them,  all who did survive, All who were injured All who sadly died. Never in this lifetime that day will be the same For ground zero holds the memories Of every single name.

Those hero’s on that awful day who never thought about their life Who fought to save the innocent To keep each sole alive Those who were pulled to safety Those we lost in vein, Never be forgotten The pain will still remain We will never forget that tragedy For the days will never be the same. But may I say with all my heart In God we put our faith United we stand For eternity were safe Amen

This is a beautifully sad poem. You really wrote your way into my heart. <3

I wrote a poem inspired by number 72. Not really sticking to what it said but thought this was kinda close to what it said…

After dusk, the almost eternal night. The dark, winter sky, full of millions of tiny stars. The sky, a color of blue that seems darker than black.

Sunset, full of an array of colors. Purple, orange, pink, and yellow. Nearly all dark blue.

Right as dawn appears, practically the same sunset hours later. Light wispy clouds fill the sky. Orange, pink, and light blue diffuse in the sky as the sun awakens

Wrote one based off the recipe one (I don’t remember which number)

From the Kitchen of: any teenager ever For: Disaster Ingredients: Social anxiety Existential dread A crush Zero sense of self worth A single class together And no social cues

Steps: (Warning: Do NOT do this if your crush is not single) You’re going to try to talk to your crush. Just say hi. If that doesn’t work, don’t go forward with the rest of these steps. Once you’ve talked to your crush, overthink every single thing you said to them. Do it. Then you’re going to decide you’re stupid for overthinking it. Next, you’re going to wait until they begin speaking to you on their own accord. If they don’t, overthink some more. One day you will think your crush is waving to you in the hallway. They won’t be. They’ll be waving to their friends behind you. Play it cool and pretend you’re doing the exact same thing. Run into the bathroom and cringe at yourself. Keep talking to them and try to partner up with them for a project. If they say no, don’t continue further; you’ll only embarrass yourself. If they say yes, say you need their number for the project. Call them “about the project” and eventually segway into other topics. Continue doing this until you guys eventually call all the time for no reason. Ask them out. If they say no, do not, I repeat, do not act like it was a dare or a joke. It ruins everything. Say “oh okay. Well, can we still be friends?” and continue from that point. If they say yes, go on a date with them outside of school before asking them to be your partner. Eventually break up and either get your heartbroken or break someone else’s heart.

And that is how you make an average teenage disaster. Enjoy!

i wrote a poem from number 73: its tiled “perfect” I tried to be perfect I stared counting my calories And eating less And working out more I even spent time heaving over the toilet I tried to be perfect But every calorie i counted Every time I ate less everyday I spent working out and every moment I spent heaving over the toilet ended up turning to counting every calorie and heaving over that toilet after every meal trying to be perfect is pointless I don’t ever wish to be perfect again I don’t want to spend time heaving over that toilet again or counting those calories or eating less everyday to just try to be something that doesn’t exist anyone who try’s to be perfect will just be ruined like I was

#47 “overgrown” The roses look beautiful But they are so overgrown There’s weeds all around it Some are dying Some are living But they are so overgrown If I could pick the weeds And putting down weed killer Will it look better Will it help the ones that are dying But they are so overgrown The living ones are slowly dying Do I pick the weeds Or just leave them But they that will leave them to be so overgrown All the roses are dead now I killed them They were so overgrown that it killed them I should’ve picked the weeds So that they wouldn’t have been so overgrown

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7 Poetry Activities Students Love

Getting secondary students to read and write poetry (and enjoy it) can be difficult. If you're a teacher like me who doesn't love poetry as much as, well, pretty much anything else, you have to get creative. I know my students deserve my best teaching, and I can't give that to them if I'm not passionate about the topic myself. So. I've gathered some tools that engage students in meaningful (but fun!) writing and discussion. Keep reading as I reveal the poetry activities my students love the most.

ENGAGING POETRY ACTIVITIES

1. nonfiction-inspired poetry.

I enjoy shape and collage poetry, but sometimes I want to challenge my high school students more. Since concrete poetry is something that interests them, I incorporate a twist off of concrete and found poetry, which is called the crot. ( It’s named as such because it’s reminiscent of a short, purposefully fragmented sentence, which students can use when composing it! )

You can read all about how to teach students to write the poem here .

I ask my students to write this creative poem based off of nonfiction source inspiration. In that way, students are creatively writing informative research texts. However, you can easily use it as a response to reading fictional works as well.

Writing a crot requires critical thinking and true reflection upon the topic and main points expressed in the original source(s). Students are asked to consider symbolism, art, and white space as they mold their snippets of thought and research into an inspiring piece of poetry. Of course, in order to intentionally break grammar rules, students have to understand them. In that way, it’s also wonderful for language enrichment and author’s craft.

2. TEXTING COUPLETS

Just to get students thinking about rhythm and rhyme, I ask them to write texting couplets . This assignment appeals to teens because - as we all know - text messaging is a language with which they are very comfortable. Asking students to write poetry? Meh. Ask them to write text messages in the form of poetry? Now we're talking.

With this task, students are writing text messages back and forth in the form of poetic couplets. I encourage them to make it sound like a conversation between friends. It's fun both to model and to watch.

Align it to standards by asking students to highlight a specific language element, like figurative language, grammar concepts, or vocabulary / word choice.

3. ANALYZE MUSIC

Intrigue even the most reluctant of students by showing them how music is poetry. Select a popular song that has literature elements you can analyze, and use this free music analysis sheet to guide discussion. Don’t forget to listen to music while you work!

4. MOOD AND TONE AMPLIFIER

Metaphors and analogies are effective teaching tools. Because students tend to wrestle with mood and tone, I came up with a different angle for them to approach these concepts. Using a music amplifier, students analyze how a story or poem’s mood and the author’s tone change throughout a literary work.

Find the assignment here . It involves critical thinking. Plus, students complete a writing extension activity that encourages them to use evidence to support their analysis.

5. PICTURE-INSPIRED POETRY

My students always produce their best work when they use images to energize their writing. In this post, you can read about thirteen different ways to use pictures to inspire students to write poetry .

Wordless picture books, old family photographs, political cartoons, famous paintings, and even hashtags can scaffold the poetry writing process by appealing to students' interests first.

If you'd like to try having your students write picture-based poetry but don't know where to start, you can download this free picture-based poetry resource to get started.

6. POETRY ONE PAGER

It’s true that poems hold so much more meaning than the — typically — short amount of words they contain. Helping students to unpack that meaning can be challenging.

Scaffold students’ analysis of poetry and music with these visually pleasing, step-by-step graphic organizers . Use them to lead students to more thoughtful extended written responses.

One way we can scaffold students’ poetry analysis is with an engaging one-pager that focuses on breaking down figurative language, form, structure, and diction. Use visually pleasing, step-by-step graphic organizers to help students prepare their literary analysis response.

If you feel your students’ responses to poetry are somewhat lacking, try approaching it from this structured, visually appealing avenue.

7. FIGURATIVE LANGUAGE GAME

Poetry is full of figurative language. To get students brainstorming before writing their own or analyzing the author's style of an existing poem, we play Figurative Language Truth or Dare . This game encourages my students to view poetry and figurative language as fun, enticing, and thoughtful.

After playing truth or dare to refresh their memories about common poetic language, students feel more confident when asked to close read a passage, looking specifically at how the poet uses literary devices to develop his or her ideas and style.

If you feel overwhelmed, underwhelmed, or disengaged at the thought of teaching poetry, don't worry. Poetry hasn't always been a highlight of my school year. Since I've begun incorporating more differentiated, engaging elements, my unit has become more meaningful and rewarding. Try some of these activities with your students, and tell us about your own go-to approaches for teaching poetry in the comments.

RELATED ARTICLES:

9 Fun Poetry Lessons to Add to Your Next Unit (Reading and Writing Haven)

Poetry Collage: Poetry Meets Art (Now Spark Creativity)

Poetry Writing that Assesses Reading Standards (Teach Between the Lines)

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Melissa is the creator of Reading and Writing Haven  and a collaborative blogger on Teachwriting.org . 

An English teacher for over a decade, Melissa is an avid reader and writer, and she loves sharing ideas and collaborating with fellow educators. Melissa use her degrees in English, Curriculum & Instruction, and Reading as well as her Reading Specialist certification to ponder today’s educational issues while developing resources to help teachers, students, and parents make learning more relevant, meaningful, and engaging.

When she's not teaching, Melissa lives for drinking a good cup of coffee, loving on her family, working out, and contemplating the structure of a sentence as well as how she can lead her students to deeper reading comprehension (Melissa's true nerdy passions). 

Visit Melissa on Instagram ,  Facebook , or Twitter  for English teacher camaraderie and practical, engaging teaching ideas.

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20 Easy Poetry Writing Prompts and Exercises

Although I mostly write fiction now, I started out writing poems. My MFA is even in poetry. I’ve taught beginning poetry workshops at university and also in some fairly unusual settings.

I know a lot of people can use ideas for poems, poetry writing prompts, and inspiration. Even if you write poetry all the time, one of these idea starters might spark your muse or take your writing in a fresh direction. And if you’re a teacher—whether you teach creative writing, English, or grade school—you might be able to adapt one of these for your class!

My favorite thing about poetry is that there aren’t any real rules about how to write a poem. When you find your creative inspiration—whether it’s love, life, or something else—you can just let the words flow. (You can always shape it up later.)

Here are some idea starters, prompts, and exercises that have worked for me before as a poet. You might want to pin or bookmark them for future reference!

1. Pick a song on your iPod, phone, or a playlist at random and let it influence you as you quickly write a first draft of a poem.

2. Go to a café, library, or fast food restaurant. Sit where you can see the door. Write a poem about the next person who walks in.

3. You can also do this in a public place where there are a lot of people talking: write a poem based on an overheard conversation.

4. Write a poem about a wild animal. Mary Oliver, who passed away recently and who was such a great talent and inspiration, has written many poems like this, including “The Hermit Crab,” “ The Shark ,” and “ Wild Geese .”

5. Write a poem inspired by a piece of art. (By the way, the word for a poem or literary work inspired by visual art is ekphrasis . Pretty cool, right?)

6. Write a poem with a refrain: a line or a few lines that repeat, like the chorus of a song.

7. This isn’t the easiest poetry-writing exercise…but I’ve gotten some good poems this way!

Set your alarm for two hours earlier than you usually wake up. Put a notebook and pen next to your bed. When you wake up, free-write for about fifteen minutes. (“Free-writing” means “writing down whatever pops into your head, without thinking too hard about it.”) If you woke up in the middle of a dream, use the dream as inspiration; otherwise, just write whatever comes into your head. Go back to sleep. Later, turn your free-writing into a poem.

8. Write a poem that’s an open letter to a whole group of people.

9. Write a poem that’s a set of directions or instructions.

10. Write a poem about a food. The poet Kevin Young has many examples to inspire you, including “Ode to Gumbo”:

11. Write a poem in which every line begins with the same word. You can change that in revision…or maybe you won’t want to.

12. For this one, you’ll need to either write in a notebook or journal, or on your phone. Go to a store that would be a weird place to write a poem—like a convenience store, a department store, or a drugstore—and write a quick poem.

13. Write a poem that focuses on one color. Federico García Lorca’s poem “Somnambulist Ballad,” translated from the Spanish, or Diane Wakoski’s poem “Blue Monday” might inspire you.

14. Pretend you’re a fictional character from a book, movie, or TV show. Write a poem in their voice.

15. Write an acrostic poem. The first letter of each line spells out a word vertically down the left-hand side of the page. Even for serious poets who would never try to publish an acrostic poem, this is a great exercise to get creative juices flowing.

16. lose your eyes, flip through a book, and put your finger on a page. Whatever word you’re pointing at, use it as a poem title and write that poem.

17. Write a poem late at night, by hand, by candlelight.

18. Fill a page with free-writing using your non-dominant hand. This can help you tap into less rational, more creative thought patterns.

19. Write a poem with very long lines. Walt Whitman’s collection Leaves of Grass might inspire you.

20. Write a poem saying goodbye to someone or something. It could be a happy poem, a sad poem, or both.

I hope you enjoyed this list of creative writing exercises and poetry prompts!

Would you like some more ideas? My book 5,000 Writing Prompts  has 80 more poetry-writing exercises in addition to the ones on this list, plus hundreds of master plots by fiction genre, dialogue and character prompts, and much more.

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Do you have a method or exercise that inspires you? Let us know in the comments! I’ve said it before, but I learn so much from the comment section, and I always appreciate it. Thanks for reading, and happy writing!

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I took a class I thought was on creative writing but the instructor turned out to be a poet. She had us write a short story about a snow storm. She gave us specific things that had to be in it, like a snow shovel and various other objects. Over the next few meeting we condensed the story down until we had the basis for a poem. At the end of the semester, after we had moved on to other things, she asked me if she could submit my poem in a contest for submission in the school’s literary publication. I did not win butI I was thrilled to be nominated. I did however, have a haiku poem in that publication. At the time, I was disappointed the class was slanted more to poetry than creative writing, but what I learned there helped me win some poetry contests along my journey.

Bonnie, I love it that something that started out disappointing turned out to have a silver lining! We really do learn from all kinds of writing.

Thank you for sharing this wealth of information! I have many methods of exercise when it comes to writing. Being creative in other ventures helps my writing and helps me move past “blocks.” I will write poetry or listen to music, but I find the most helpful is being outside, in my garden or simply playing fetch with my dog and looking around at nature to inspire me.

Hi, Savannah! Being outside inspires me, too, and it’s really easy for me to forget about that. I’m so glad you brought that up!

What a wonderful list. While I don’t (can’t?) write poetry, I do enjoy reading it. I had to laugh at #18. When I write with my non-dominant (left) hand I tend to write backward. Others need a mirror to read it, but I don’t. I will be back to try out a couple of your prompts. Thanks for sharing.

Hi Jo! I think anyone can write poetry, but that doesn’t mean everyone enjoys it, of course! That’s funny about writing backwards with your left hand—I don’t think I could do that if I tried. Thanks for reading, and commenting!

Thanks, for sharing this, and I took a creative writinh class in college and even found a website that has all sorts of poetry styles, and forms with examples of each one and definitions as well. It definitely helped me with my poetry, and I also read two books on wriing poetry as well.

Thank you so much!

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Teaching Poetry in High School – Lessons, Activities, and Ideas

Poetry , Secondary Literacy , Writing

One reason why I love teaching poetry in high school is because of the rich conversations you can have with students.  No matter what school setting I am teaching in, my students always have so much to say about poetry. When students feel confident in their abilities, they truly love the challenge of reading poetry .  In this blog post, you will learn how you can instill the love of poetry in your students.  I will also share some activities and resources to teach poetry to high school students .

How do you introduce a poem in high school?

Have your students ever described poetry as boring or confusing?  It is pretty common for them to feel overwhelmed by poetry.  This is because poetry is so different from the styles of writing that they are used to exploring in the classroom.  In order for students to move past this attitude towards poetry, they need to feel confident in their abilities.

To instill this confidence, it can be helpful to introduce poetry slowly .  Before diving into a poem, you may want to first teach the basic elements of poetry .  This will help students acquire the vocabulary that they need to discuss poetry in the classroom.

Another introductory lesson involves familiarizing students with poetic devices .  Being able to identify figurative language in poetry will help students further develop their thoughts about the poem.  Discussing poetic devices can also help students analyze the author’s style of writing.

Activities to teach poetry in high school

One of the most important skills for high school students is annotating .  Annotating is the process of writing notes next to a verse of poetry  These notes may express thoughts, questions, evaluations, or definitions.  They may also note the meter (or “rhythm”) of the poem.  Annotating will help students to develop an in-depth analysis of a poem.  

Once students understand the elements of poetry and feel comfortable with identifying poetic devices, they are ready to practice annotating .  To teach annotation, you can break the process down into steps.  This blog post shares a 4-step process for annotating poetry.  You can also use this free annotation bookmark as a personal anchor chart for students as they work through these four steps.

A great way to make annotating accessible to students is to practice with music lyrics .  Students already have a lot to say about their favorite artists and songs; because of the cultural relevance of the music they enjoy, they often feel confident analyzing it and making inferences.  Modeling annotation on song lyrics is a great way to hook your students and scaffold this skill.

This poetry unit for high school includes slideshow lessons, word wall activities, vocabulary anchor charts, bookmarks, annotation activities, and informational handouts.  During this 2-week unit, students will learn how to fluently read and analyze poetry .

How do you make poetry fun in high school?

If there’s any unit my high school students resonate with, it’s poetry.  This is because there are so many ways to make poetry engaging and fun.  For the most part, my students enjoy poetry because they see it as relevant to popular culture .  This is why teaching poetry in high school is so rewarding!

In order to help them see the relevance of poetry, we spend a lot of time exploring modern poets in various forms.  They are especially interested in the new wave of free verse poets on Instagram , also known as “Instapoets.”  Some examples of these are Rupi Kaur, Tyler Knott Gregson, and Kate Baer.  Song lyrics form another connection between poetry and popular culture and serve as a great way to teach poetic devices .

Your students will probably have the most fun writing their own poetry .  If they are reluctant, you could start off with a few icebreakers or creative writing prompts to help them become more expressive in your classroom.  Your students might enjoy replicating the styles of free verse poetry popularized on Instagram.  If so, you can lead a free verse poetry workshop with them.

If you students would prefer something more structured, then styles like sonnets and haiku might be more appropriate.  Using a sonnet template or haiku outline will offer them more guidance without limiting their creativity and expression.

Best poetry for high school students

Here are a few poetry picks that your high school students will love!

Milk and Honey by Rupi Kaur – Kaur wrote this collection of poems at 21.  It shares her coming-of-age experience as an Indo-Canadian woman.  It is vulnerable, feminine, powerful, and features simple illustrations alongside the text.

And Still I Rise by Maya Angelou – Angelou’s collection of poetry shares the themes of strength, loneliness, and determination.  The singular poem by the same name serves as a great read for an individual lesson.

“ The Negro Speaks of Rivers ” by Langston Hughes – This poem serves as a great lesson for exploring figurative language.  This annotation lesson facilitates a guided close reading of the poem to teach your students how to annotate.

William Shakespeare’s Sonnets – These classic poems are a great way to explore Shakespeare’s iconic sonnet form.  Students can read one of Shakespeare’s popular sonnets before writing their own using this sonnet writing workshop .

Night Sky with Exit Wounds by Ocean Vuong – Vuong is a Vietnamese American poet who recalls memories of grief and war in this full-length collection of poems.  His work is a great example of contemporary poetry.

Teaching Poetry in High School: Tying it All Together

There are so many ways to make poetry fun and engaging for high school students.  I hope this blog post has helped you with a few lesson plans and activities to teach poetry in high school.   It’s really inspiring to see students feeling confident in reading and analyzing poetry, and it makes for great classroom conversations!

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Outside-the-Box Poetry Writing Assignments for Middle School ELA

Happy Poetry Month! Do you find your students struggle with poetry writing assignments? You’re not alone! I notice that many middle and high school students find it challenging to tap into their creative side, especially when it comes to poetry composition.

One trick I find useful is to take an outside-the-box approach to poetry writing activities . When students understand the framework of each type of poem and are given a bit of freedom to play with words, rhymes, and figurative language, you might be surprised at what they can come up with! Here are five of my favorite poetry writing assignments to get students’ creative juices flowing!

1. Texting Poetry

I’ve never met a middle or high school student who isn’t hooked on texting! In this high-interest activity , students must write a poem that incorporates the short-hand conventions of texting. Think abbreviations, acronyms, digits, emojis and more! I find this task works especially well as an introductory activity to a poetry writing unit, as it appeals to even the most reluctant writers!

To begin, show students some strategies to utilize texting convetions. These could include:

• Omitting letters, especially vowels, to shorten words (“text” becomes “txt)
• Abbreviations (“you only live once” becomes “YOLO”)
• Replacing words with numerical digits (“too” becomes “2”)
• Inserting emojis to express tone and emotion

From here, students can use a provided graphic organizer to brainstorm, draft, and edit their texting poems, before creating their good copy! To wrap up, students can neatly format their finished poem into a template that is shaped like a phone – perfect for displaying on a classroom bulletin board!

2. Slam poetry

What better way to wrap up a poetry unit than by hosting a classroom poetry slam ? For this activity, students prepare to perform spoken word poetry for an audience of their peers! Most students aren’t familiar with the idea of a poetry slam. I like to start by explaining it is a competitive event where poets perform their work and are judged by the members of the audience. At a poetry slam, scores are given based on the content of the poem, as well as the poet’s performance!

First, I like to share some brief details about the origin of poetry slams, and offer some tips for writing spoken-word poems. The most impactful slam poetry performances show the poet’s emotional connection to the topic. It can be useful to give students an opportunity to brainstorm (or even free write!) to help them work through their initial ideas.

From here, I like to provide students with some examples of professional slam poetry performances. Once they have plenty of inspiration, a graphic organizer can help students begin the writing process.

For the slam itself, I like to outline some clear ground rules. Five students (chosen at random) will provide scores out of ten for each performance. For fairness, I like to “throw away” the highest and lowest score, leaving each poet with a score out of 30. To sweeten the deal, I like to offer a grand prize to the poet with the highest score (and participation prizes for all students who are brave enough to perform)!

3. Poetry Portfolios

Sometimes, the simplest poetry writing assignments are the most effective! If you’re introducing several different poetry styles to your middle school ELA students, why not have them try to compose a poem in each style? I find that sometimes, providing a clear framework for each poetry type can inspire students to produce very creative results!

In the Poetry Portfolio task, students learn the “rules” of composing eight different styles of poetry, including:

• Acrostic poems
• “I am” poems
• Concrete poems
• Antonym diamante poems

Once they understand the basic structure of each poetry type, they can use the provided reference materials to compose a draft of each kind of poem before editing their work. To assess this poetry writing assignment, you could collect a full portfolio of poetry for each student, or you could have them pick and choose examples of their best work to mark and display!

4. Fridge poetry

For an outside-the-box way to encourage students to engage with poetry, why not try a writing activity inspired by “refrigerator poetry?” These are the small, magnetic words that can be arranged into various poems you might have seen on refrigerators

In this poetry writing task, students use words from various parts of speech to create their own poems (no magnets required). Refrigerator poetry can teach vocabulary, independent thinking, imaginative personal expression, parts of speech, word choice, sensory detail, and phrasing!

This task requires a little bit of prep work, but the result is worth it! I like to separate and sort words into various categories related to parts of speech. The day before the lesson, organize and label baskets or jars with various parts of speech, and fill each jar with small cards that contain different types of words. From here, students can select a variety of different word types, spread them out, and arrange (and rearrange!) them to create poems!

Refrigerator poems can be shown off in your classroom, or posted on a hallway bulletin board for a creative, student-centred, and low-prep display!

5. Acrostic Snowball Poetry

If you have a class that loves to get up and moving, Acrostic Snowball Poetry is the writing activity for you! This task is one of my favorite poetry writing assignments! It requires students to work collaboratively as they compose acrostic poems, and I find it engages even the most reluctant writers!

To start, distribute organizational templates for various acrostic poems to your class. Once everyone has a unique poetry prompt, I explain that an acrostic poem is a type of poetry where the first letters of each line combine to spell out a word, name, or phrase when read vertically. 

From here, it’s time for the fun to begin! I like to set a timer (two minutes works for me – you may need to adjust slightly for your group!). Students need to put their name on their page and write the first line of a poem. This line should correspond with the first letter provided in the template. Once the time is up, they crumple their paper into a “snowball.” Next, they throw it into the centre of the room, grab another page, and continue writing on the next line! At the end of the activity, all the “snowballs” should be returned to their original writer. Finally, they can then create a good copy to share with the class!

A tip for Acrostic Snowball Poetry: Encourage students to write with a pen, as pencils can smudge during all the crumpling/smoothing out!

There you go! I hope these activities give you some fresh ideas for your poetry unit! You can find all five of these outside-the-box activities in my Poetry Writing Bundle !

Looking for more ways to have fun with poetry in your classroom? Check out my post on Using Music to Teach Poetry in Middle School ELA !

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How to Make Poetry Writing Fun

Enjoyment opens the door to learning, and teachers can use this engaging eight-step process to encourage students’ interest in poetry.

The ode is one of the oldest poetic forms, dating back to ancient Greece, where they were used to celebrate athletic achievements, gods, emotions, or worthy people. The 19th-century British Romantic poets widened the focus, celebrating subjects as diverse as songbirds and autumn. In the 20th century, Nobel laureate Pablo Neruda famously wrote odes about everyday objects and concepts: socks, tomatoes, sadness, french fries, etc.

Students Can Write About Almost Anything, and So Can You

For my grade 6 performing arts class, I wanted to make interdisciplinary connections to the literature and language studies of Homer’s The Odyssey.  As my other middle school grades were all doing poetry recitals and writing, the ode seemed to be the obvious choice. I abandoned any idea of using classical or 19th-century odes; their strict forms and archaic language would be too intimidating. Neruda was our role model.

I started the unit by having the students select a Neruda ode to learn how to recite . The absurd, emotional, entertaining, and imaginative odes captivated the students.  You can write a poem about a lemon? You can celebrate “broken things”?

For the second part of the unit, the students had to write their own ode. This was the first year I’ve ever had students worry that they didn’t know how to write poems. It’s worth noting that the pandemic may have limited middle school students’ exposure to poetry, as schools have had to make choices about what to teach online.

So it’s now doubly important to model the process yourself. Teacher participation in the process will inspire your students and help you appreciate the challenges of what you are requiring. I wrote “Ode to My Water Bottle” as an example and then used the poetry-writing sequence below (which can be applied to any poetic form).

8 Steps for Writing and Sharing Poems

1. Pick a subject for your poem based on something you love. My students chose to celebrate the following subjects: high heels, bonsai trees, pork buns, pencils, books, chipmunks, cars, their bed, toasters, and the Marvel antihero Deadpool. The students loved the random, eclectic variety of each other’s choices.

2. Use an ideas-planning frame to brainstorm language and phrases.  Having time to accumulate ideas is essential. As I work in an international baccalaureate school, I used the conceptual language of form (what is it?), function (how does it work?), change (how does it change you?), and perspective (think from the object’s point of view). The goal is to collect as many ideas as possible. I use the analogy of panning for gold: You have to sift through a lot of mud.

3. Build poetic sentences in a notebook.  I don’t jump right into the poem. Instead, I have the students take ideas and craft rich sentences about their subject, focusing on figurative language. Students often come to the poetic writing process without an appreciation of the craft that goes into it. I teach them that the thesaurus is their new best friend . Breaking down the poetic process into manageable chunks reinforces transferable literacy skills. Once well practiced, these steps can be sped up.

It’s important to make time for your students to share their sentences, celebrate great imagery, and give each other feedback. Making this a regular event also slowly acclimates the students to the idea of sharing their own writing in a safe space for literary feedback.

4. Shape sentences into an ode form.  I select my favorite poetic sentences, and I show the students how to assemble them into verses. This is where I teach the students what a line break is and why they exist. With Neruda as our ongoing model, there is no requirement for a strict form, rhyme, or particular rhythm or meter—elements that are part of the wider literature curriculum. Instead, the only requirement is that the ode truly celebrates the subject with enthusiastic statements.

5. Edit for additional inclusion of figurative language and phrases.  The final writing stage is editing, which is when a poem’s potential can be truly realized. After all, poets spend a long time deliberating over word choices. So this is when I give specific feedback to every student, using the comment feature on Google Docs.

6. Practice reciting to friends, groups, or the class. Sharing the odes in pairs and small groups and finally the whole class was a great way to utilize those newly gained recital skills. Reading a poem aloud always catches little errors or changes, so it’s worth some last-minute time to make final edits.

7. Address students’ nervousness about sharing their work.  While the students were confident reciting Neruda’s odes, there was a noticeable decline in recital skill when it came to their own work. The students said they were nervous because this was their work, their words, their ideas. With this in mind, we had a lesson to practice in our performance space and learn how to use the microphone properly while still wearing masks.

8. Celebrate success!  We shared our work with the school community, and the parents were delighted by the range of odes, the creative use of language, and the students’ enthusiasm. Writing odes is certainly an approach I will use again and also with different grades, as odes can easily be used with much younger or older students. If you still need convincing, read “ Ode to Teachers ,” by Pat Mora.

Interactive Poetry Activities Your Students Will Love

Do you want to make poetry so fun and engaging that your students will ask for more? Here are some simple activities to get you started.

1. Blackout Poetry

There are so many reasons blackout poetry is great: kids love it, it's creative, and it forces you to clean the falling-apart books from your classroom library without the guilt of tossing them in the trash.

What is blackout poetry? It's simple. Rip out the pages of old books. Give the students some basic instructions, then watch the creativity flow!

Sample Instructions:

Blackout Poetry Examples:

2. Poet VS Poet

College basketball's March Madness is the perfect time to pit poet against poet for some exciting classroom debates, but any time of year teachers can create a similar feel by putting poets head to head and comparing their power.

Kids love competition. Creating competition with poetry naturally adds excitement and connects a sometimes intimidating genre with something familiar.

How do you implement a poet vs poet match up in your classroom? You could use an already created tool ( see Poet Vs Poet here ) or create your own match ups. For example, after a simple lesson on figurative language, ask your students to read the poetry of two different poets and rate their use of metaphors, similes, personification, and imagery. As a class, debate the poet's ratings using text based evidence.

If you are at all familiar with the basketball brackets of March Madness, poetry brackets work the same way (and you can find and download blank brackets by doing a simple Google search). I like to start with a sweet sixteen of poets, then narrow down to an elite eight, a final four, a championship, and a winner. Poets advance by having classes vote on the better poet in each match up. The reward of listening to kids debate poet's skills like the poets are athletes is worth any time it takes setting up this activity.

3. Found Poems

Found poems give language to students who may struggle to find the right words. Found poetry is easily accessible, hands on, and fun. Easy to set up, all you need to do to implement found poetry in your classroom is gather together stacks of old magazines, scissors, glue, and colorful paper.

First, instruct students to find powerful words in the pages of magazines, cut them out, and make piles on their desk. You could also assign cutting out powerful words from old magazines for homework and save yourself the time and mess in your classroom.

Next, students arrange and rearrange the words on their desk into meaningful poetry. This is a great opportunity to reinforce the power of form, shape, and line breaks in poetry and encourage students to be thoughtful in their choices. Talk to your students about choosing the best words, eliminating unnecessary words, and playing around with word choice.

Finally, instruct students to glue their poem into place on a colorful piece of paper and decorate your room with the beauty and power of poetry.

4. Poetry Escape Room

A poetry escape room is the most engaging and fun way to introduce or review poetry with your students. Escape rooms by nature are hands on and engaging. Combine the fun of an escape room with poetry and your kids will be hooked. (Check out the poetry escape room I did with my students here.)

Escape rooms, or breakout rooms, are a new trend similar to scavenger hunts. In a poetry escape room, students put together clues based on poems, poets, figurative language, poetry form, rhyme scheme, or any other poetic element. Then, students work to unlock the clues using their poetry knowledge.

Poets are experts at hiding meaning within the lines of their poetry, so use that to create clues that ask students to interpret, make inferences, and analyze. Escape rooms are a great method of turning tasks that can be intimidating to kids and making them into interactive challenges that students are motivated to engage in.

To create a poetry escape room, first choose the poetic elements or reading skills you want to target, a specific poem you want students to read and reread several times in different ways, or a theme or poet to design your escape room around.

Next, gather the materials and tasks that you would normally share with students in a traditional format, but think of creative ways to turn the tasks into clues. For example, if you want students to identify the figurative language in a poem, create task cards that students have to place in the order that those poetic elements appear in the poem. Hide small letters on the task cards so when students place the cards in order, the next clue appears. See the example below:

Get creative and hide clues within poems with bold words, put clues on task cards that students have to place in a certain order based on analysis, or choose clues based on symbolism or inferences that students can find only when they do a close read of the poem.

Although escape rooms require a lot of preparation and thought, the end result is worth the time. Students will be more engaged, thoughtful, and active in reading poetry than you could ever imagine. Escape rooms are a great way to review poetic elements or kick off a new study of poetry when you really want to catch students' attention and get them motivated.

Check out my step by step guide to creating your own escape room here .

5. Poetry Mash Up

Create a poetry mash up by writing poetry forms on slips of paper and placing them in one jar, types of figurative language and placing them in a second jar, and sound elements and placing them in a third jar. Pass the jars around the classroom and have students choose from each one, writing a poem based on what they chose.

For example, a student might choose haiku (poetry form), imagery (figurative language), and onomatopoeia (sound element). That student would then be challenged to write a haiku with imagery and an onomatopoeia. There are endless combinations and kids will have a blast writing, sharing, and seeing what poems are created in your poetry mash up.

Play over and over and model your poetry writing with students as well. Have fun laughing at the ridiculous and enjoy the surprise when students create some really amazing pieces with different combinations of poetic elements.

Making poetry fun and hands on is not only possible, but with a little creativity, it's really easy to implement at any level. Help your students to find the joy in creating magic with only a few words in different shapes and forms. Take the intimidation factor out of poetry by connecting poetry to fun challenges, familiar activities, and hand on learning.

• Poetry Lesson Ideas

Recent Posts

Three high impact, low prep lessons for middle school ELA

Implementing Poetry March Madness

Integrating Poetry All Year Round

11 Poetry Lesson Plans For Middle School

Teach your students what a poem is as well as all the important information necessary while  teaching poetry, like: vocabulary, sound devices, types of poetry, figurative language, how to analyze a poem, and how to find rhyme scheme.

In this resource, you will receive a packet of graphic organizers/guided notes along with a Powerpoint lesson that teaches the following terminology:

poem, speaker, line, stanza, quatrain, couplet, cinquain, tercet, refrain, symbol, theme, mood

tone, imagery, juxtaposition, oxymoron, pun, paradox, allusion, proverb, foot, iamb, iambic pentameter, enjambment, anaphora, metonymy

FIGURATIVE LANGUAGE

simile, metaphor, personification, idiom, hyperbole, irony

SOUND DEVICES

rhyme, rhyme scheme, slant rhyme, rhythm, meter, alliteration, consonance, assonance, onomatopoeia, repetition

TYPES OF POETRY

narrative, lyrical, haiku, ballad, sonnet, limerick, free verse, acrostic, concrete, blank verse, blues poem, elegy, ode, prose, villanelle

HOW TO ANALYZE A POEM

HOW TO DETERMINE RHYME SCHEME

Students LOVE reading and analyzing  Kobe Bryant’s “Dear Basketball” Poem.  In this activity, they will complete a  Poem Analysis & Compare/Contrast Paired Text Activity.  The paired text students will look at is Michael Jordan’s 2003 Retirement Letter, also titled  “Dear Basketball.”

In 2015, Bryant announced his retirement through “Player’s Tribune” in a poem titled “Dear Basketball.” In the poem, Bryant shares his love for the sport with the world. Bryant later earned an Academy Award for Best Animated Short Film for “Dear Basketball” in 2018.

Included in this lesson:

• Anticipation Guide
• “Dear Basketball” poem by Kobe Bryant, analysis and answer key
• Paired Text Excerpt of Michael Jordan’s letter: questions and answer key
• After Reading Poem — Creative Writing Activity

This lesson is a  poem analysis of “Nothing Gold Can Stay” by Robert Frost . This is a perfect side activity for the novel  The Outsiders by S. E. Hinton!

This activity also works  on its own  if you are looking just to teach about the poem itself. Your students don’t have to be reading  The Outsiders.

In Chapter 5 of The Outsiders, Ponyboy recites the poem “Nothing Gold Can Stay.” This poem plays a major role in the novel as it represents the universal message to stay gold and stay pure. Have your students analyze the poem and build their comprehension; it will make analyzing the theme of the book much easier later on! The poem analysis will touch on important literary elements such as: rhyme scheme, tone, theme, metaphor, alliteration, allusion, imagery, and personification.

To enhance their learning and make the lesson more engaging, students will also study a poem with a similar theme. Students will listen to the Bob Dylan song, answer the questions, analyze the lyrics, and then compare and contrast the themes present in both texts.

In this Poem Analysis and TDA Essay (Text Dependent Analysis),  students will first read and answer questions for  the poem “Out Out—” by Robert Frost.  Students will then write a TDA based on themes and figurative language in the poem.

In this lesson plan:

• Full Poem “Out Out—” by Robert Frost (1916)
• Poem Analysis Questions that concentrate on poetic devices (alliteration, allusion, theme, mood, tone, dialogue, connotation, rhyme scheme, juxtaposition) with ANSWER KEY
• TDA Text Dependent Analysis Prompt and worksheets for writing
• TDA Prewriting, planning, brainstorm Graphic Organizer for Students
• TDA Rubric and Grading guidelines based on: content, focus, organization, style, and conventions

Students will  write their own original poems  with this lesson and activity created for middle school students (6th, 7th, 8th, or 9th grade).

Make  writing poetry  fun for students by giving them choice! Students will first learn about five different types of poems. Then, they will choose 3 of the 5 poems they’d like to write. Students will write their rough drafts in a packet, and then finalize their work on blank pieces of paper which result in beautiful wall art for your room.

In this ELA resource, you will receive:

• Powerpoint presentation that includes examples and definitions of the following 5 types of poems:  Haiku, Acrostic, Concrete, Limerick, and Free Verse
• Student packet that includes: directions, requirements, and examples of all 5 poems
• An example final draft of a limerick with colored illustration

Teach your students all about  Blackout Poetry with this fun lesson and activity!

In this resource, you will receive:

• Teacher Guide
• Powerpoint lesson on Blackout Poetry with step by step directions for students to create their own blackout poems in a variety of ways
• 10 Examples of blackout poems
• 40 Pages of printable texts your students can use to make their own poetry
• Editable word document Rubric and Prompt for students

This  Poetry Packet  includes 5 Poems your students will read and analyze. The poems included are suggested for a  Middle School Poetry Unit : 7th, 8th or 9th Grade ELA.

This packet is a wonderful tool because you can have students complete the analyses of the poems in a variety of ways: whole-class, independently and/or collaboratively.

The poems included in this packet are:

• “The Road Not Taken” by Robert Frost
• “I Wandered Lonely as a Cloud” by William Wordsworth
• “We Wear The Mask” by Paul Laurence Dunbar
• “We Never Know How High We Are” by Emily Dickinson
• “The Gardener” by Robert Louis Stevenson

In this packet, students will work on poetry skills such as: rhyme scheme, rhyme, allusion, imagery, assonance, consonance, alliteration, hyperbole, theme, tone, mood, author’s purpose, personification, and connotation.

Your students are going to love this  Poetry Digital Escape Room!  Students will read and analyze the poem  “Stopping by Woods on a Snowy Evening” by Robert Frost.

They will solve puzzles in this peaceful scene of snowy woods, glistening mountaintops, and a beautiful, serene frozen lake. In this  360°  digital escape room, students will try to escape the woods before the sun goes down! This activity is designed to work for a laptop, tablet, or smart phone.

This game requires reading comprehension strategies, knowledge of poetic devices, and critical thinking skills. Watch the preview video and see exactly what’s inside the digital escape room!

Included in this download are teacher instructions, student instructions (digital), the master lock graphic organizer, answer keys, the full text of the poem, and a reflection sheet (optional).

PLEASE READ: While using this resource, you must have a wi-fi connection and the ability to access the following sites: Google Forms and Kuula.co. Please check that these websites are not blocked by your district’s filter before purchasing. Your students do not need to have a Google account.

Assign your students  a one pager poetry analysis project  and have your students share their understanding of ANY POEM by imaginatively blending their written ideas with colorful images from the text. You can pick one poem for your whole class to use or have all your students pick their own individual poems! Students’ artwork make for unique and creative analyses of the literature and also make great bulletin boards!

Included in this purchase is:

• Student directions for the one pager project
• Rubric for the one pager project
• Example one pager (based on the poem “Do Not Go Gentle Into That Good Night” by Dylan Thomas)
• 10 BLANK TEMPLATES (printable — optional)
• EDITABLE word document so teachers can modify instructions or rubric

Students are encouraged to include several of these literary devices, poetic devices (sound devices), and figurative language elements into their final projects: metaphor, simile, personification, hyperbole, imagery, pun, oxymoron, paradox, idiom, allusion, symbolism , assonance, consonance, alliteration, anaphora, rhyme, rhyme scheme, repetition, onomatopoeia, cacophony, mood, tone, and theme.

This resource includes a  Poetry Assessment for upper middle school  students (7th, 8th, or 9th grade ELA). You will receive a printable PDF copy as well as an  EDITABLE  word document in case you would like to make modifications. A detailed answer key is also included!

The format of this test includes:

• 8 fill-in-the-blank questions with a word bank
• 6 matching questions with poem types
• 5 matching questions with sound devices
• 5 matching questions with figurative language
• A poetry analysis of two poems: “There Will Come Soft Rains” by Sara Teasdale and “Nature” by Henry Wadsworth Longfellow
• Students will answer 5 multiple choice questions regarding each poem
• 1 constructed response where students will compare the themes of each poem in a fully developed paragraph

(35 questions in total)

The Poetry Test covers the following terms:

narrative poem

lyrical poem

acrostic poem

alliteration

onomatopoeia

personification

Have your students create a collaborative poster and learn about  Robert Frost  in a fun and engaging way!

Your students will create an author biography by researching Robert Frost and establishing his profile on a poster.

Students will learn about Frost and his body of work as an influential author.

Additionally, they will learn the importance of collaboration and effective communication. This project is perfect for  National Poetry Month.

Project Steps:

1) To construct the author study poster, your students will work in groups to conduct research on Robert Frost.

2) Students will then transfer their findings to boxes on the poster.

3) Next, they will work together to color or paint the pieces of the poster.

4) Lastly, students will tape together the final product.

The poster is made up of six pieces of paper, which can be printed on regular copy paper or card stock.

Once taped together, the final product will be  28″ x 15″  and can last a lifetime if you laminate it!

This resource includes the following:

• Step by Step Student Directions (PDF & editable word document)
• Author Study Project Rubric (PDF & editable word document)
• Author Study Graphic Organizer for Students (PDF & editable word document)
• 6 Blank Coloring Pages that come together as one beautiful poster (PDFs)
• Robert Frost Author Study Answer Key
• Example of Final Project: Completed Text & Fully Colored Body

Check out more from my LITERARY LEGENDS Collection:

• Emily Dickinson
• Langston Hughes
• George Orwell
• William Shakespeare
• Walt Whitman

This resource is a  FULL POETRY UNIT for ELA grades: 7th, 8th, or 9th!  You will get a collection of different lessons, activities, and projects, plus a TDA essay, digital escape room, and final test! I’ve also included an example schedule for teachers to follow day-by-day!

Included in this  middle school poetry unit bundle:

• Introduction to Poetry Lesson & Guided Notes
• Kobe Bryant “Dear Basketball” Poem & Paired Text Michael Jordan Letter
• “Nothing Gold Can Stay” by Robert Frost Poem Analysis and Paired Song
• “Out Out” by Robert Frost Poem Analysis and TDA Essay
• Writing Poetry/Writing Workshop: Haiku, Concrete, Acrostic, Limerick, Free Verse
• Blackout Poetry Lesson and Project
• Poetry Packet — 5 Poems to Analyze
• Poetry Digital Escape Room — Robert Frost Poem Analysis & Comprehension Game “Stopping by Woods on a Snowy Evening”
• Poetry One-Pager Project and Poem Analysis for ANY POEM
• Editable Poetry Test/Assessment for 7th, 8th, or 9th Grade Poetry
• Robert Frost Author Study: Collaborative Poster Project
• Teacher guide with day by day schedule for 3 weeks of Poetry

This bundle is so diverse and your students will get to analyze at least 12 different poems!

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12 New Poetry Lesson Plans for Secondary ELA

A fresh approach to teaching poetry:, 12 ideas to try during national poetry month.

When I was in high school, I was already convinced that I had found my life’s passion:  becoming an English teacher. It was a no-brainer. My original love for teaching had been planted early in elementary school and only continued to grow as I got older and fell in love with yet another passion:  literature and writing. You guys, I took EXTRA English classes in high school because I loved it so much and I even got to “student teach” for a senior lit class when I was a senior. I loved all of it, but looking back, I can still remember that one, dark shadow of doubt that lingered over my shoulder.   POETRY. I sucked at poetry (I thought at the time, in those exact, teenage words). How could I ever get an English degree and teach English if I was so bad at poetry? I remember genuinely worrying about my inadequacies and the intimidation of confronting a poem on the page.

I recently took a survey on Instagram asking English teachers about their own fears teaching poetry.  A shocking 58% told me that they shy away from teaching poetry because they doubt themselves and their own pedagogical practices.  That’s a lot of teachers hanging out in the same boat feeling pretty discouraged about poetry in the classroom.

Luckily for me, I found poetry in college.  It called me. The right professor at the right time impacted me in profound ways and poetry became my joy instead of my nightmare.  For over a decade of teaching, I have made it my teaching focal point. To me, teaching poetry has become one of the most vital components to my curriculum and every year, it’s also the most memorable.  Students remember scenes from novels we’ve read (sometimes), but they ALWAYS remember the poems we read and their experiences with those poems.

I have recently published an eBook to help teachers navigate this experience and I’m so excited to share it wth you! It’s called Teaching Poetry: Pedagogy and Best Practices inn the Secondary ELA Classroom. i’ve outlined tons of philosophy and suggestions for pairing poems with novels, themes, and skills. Check out a preview here !

If you’re not ready for a book, but you are ready to tackle some fresh, new ideas this upcoming National Poetry Month or during other parts of your school year, I gathered together some of the best poetry minds that I know out here in the teacher blogging community.  Together, we’ve come up with twelve ideas to try during National Poetry Month and I’m ready to share them with you now!

COLLABORATE

Poetry offers unique opportunities for collaborative exercises in you classroom and online.  

1. GROUP POEM VIDEOS

After spending a few years coaching my Louder Than a Bomb spoken word poetry team, I came to love watching, writing, and performing group poems.  Pulling them off in the classroom can be difficult, but one fun alternative that I’ve found is to create a group poem VIDEO. First, students in their groups select a theme or choose a poem they’ve read that they’d like to imitate.  For me, I like doing something with a pretty open ended structure like a “Where I’m From” poem, inspired by this original piece . Then, each student writes their own stanza. Next, the students read their stanzas and work together to decide how the poem best fits together.  Students then record themselves reading their poem, either selfie-facing or filming something that goes along with the content of the poem. Students drop all of their video files into a Google Drive folder and using an easy video editing software (I like WeVideo and Adobe Spark), students stitch together their stanza videos to create a whole, new poem!  Have a day set aside to watch and read everyone’s poems -- this is always a wonderful day in my classroom.

Some of my fabulously talented friends here on this blog post helped me out by creating a sample for you.  Here is our “Where I’m From” poem, a poem by teachers, for teachers. I hope it inspires you and makes you feel all the silly, warm, tender, and ridiculousness that teaching is all about!

All school year long, we take language seriously, but when you dive into poetry, one of the best opportunities that you have is the chance to play!  From small language activities to full on lass challenges, take this time to let students enjoy experimenting with language and being playful.

2. POETRY MARCH MADNESS

Want a sure-fire way to engage your middle and high school students in poetry? Try Poetry March Madness. Taking a page from the college basketball playbook, Poetry March Madness is easy to implement, and the competitive sports tie-in will get your students to buy into poetry!

Emily from Read it. Write it. Learn it. suggests starting with a Sweet 16 of poets. The Sweet 16 refers to the final 16 teams in college basketball who battle it out to make it to the Elite Eight, the Final Four, and finally the Championship round where one team is declared the best in College Basketball. 

Poetry March Madness works the same way. Choose 16 poets to match up in brackets. Read one match up each day and have your students vote on the poet who will advance forward to the Elite Eight. Once in the Elite Eight, students can read the poems in new match ups to see who advances to the Final Four. Continue rereading poems and peeling back layers of meaning as poets enter new match ups and the champion poet is crowned!

The best part of Poetry March Madness is that it motivates students to deeply analyze poetry in a non-threatening, low-stakes context. Emily asks her students to rate poets on four categories: meaning and themes, form and structure, language, and mood. As students are examining poems and choosing the poet who will advance, they’re really participating in a higher level analysis of the poems. Students are also learning how to read poetry. When Emily kicks off March Madness, she spends the first few days modeling and teaching her students how to read poetry: students read poems more than once, the first time for the gist, the second time to begin peeling back the layers. They complete additional readings, annotating and working to unpack even more meaning. 

Poetry March Madness will immerse your students in poetry, giving them daily poetry practice in a context they will love. Emily shares her best tips for implementing Poetry March Madness on her blog along with suggested match ups. Check it out here . 

3. MIMIC POETRY

Another fun way to celebrate National Poetry Month is with mimic poetry, says Shana Ramin from Hello, Teacher Lady . Much like it sounds, the goal of mimic poetry is to intentionally imitate the structure and style of an already-established poem. It’s a super simple, low-prep activity that can easily stand alone or complement an existing unit.

Not only can mimic poetry help students develop a more critical poetic eye, but it can also encourage them to step outside their comfort zones in terms of writing. In Shana’s experience, the low-stakes nature of mimic poetry can be especially helpful for students who may feel nervous about, or even averse to, the idea of writing their own poems. 

To create a mimic poem, students begin by performing a close read of their mentor poem — making note of specific elements such as stanzas, line breaks, rhyming patterns, and syllable count. Once students have a firm grasp on their mentor poem’s structure and style, they can begin brainstorming ideas for their own. Shana recommends creating a collaborative poem as a class first, especially if your students don’t have a ton of experience analyzing or writing poetry yet. 

While just about any mentor poem can be used for this, Shana loves to kick off the month with “April Rain Song” by Langston Hughes . It’s short and sweet, but packed with tons of literary and poetic devices.

Another way to approach poetry this April is to think about the opportunities it affords us to DIG into deeper thematic subjects and even get acquainted with a wider diversity of authors. We can’t read an entire globe’s worth of novels in one school year, but we certainly can dig into more culture and more experiences with poems. Poetry offers layers of understanding and chances for students to work in small groups, digging together to find their own shades of truth. Take a look!

4.  CONNECT TO SOCIAL JUSTICE

Tanesha from Love Tanesha uses poetry to engage students in social justice issues. While she usually aligns this unit with National Poetry Month, this idea can be used at any point in the year. The concept of freedom extends beyond the topic of a given poem. Poetry is the language of the free that liberates students from the confines of other genres. 

Tanesha starts the unit by discussing key terms and concepts that will provide students access to analyzing and creating poems that connect to social justice. She starts with defining the terms justice, injustice, equity, power, and racism. She holds space for students to share examples from events either past or present that have centered on justice. Note: This is a heavy content area that teachers should unpack for themselves and provide boundaries for discussion. In the spirit of poetry being a free art form, Tanesha emphasizes how the real and raw emotions from social justice oriented movements can serve as catalyst poems which has been true in the past. Additionally, students might have experienced some form of injustice, so be mindful and plan accordingly. 

The second component invites students to engage with a poem using a social justice lens.  For the last component, students complete a free write as a start to creating their own social justice poem. Teachers can increase requirements by having students incorporate elements of poetry in their writing.

 This is a multi-layered activity that creates a beautiful bond between poetic analysis, inspiration, and creation. Check out this post with more specifics on the activity. 

5.  USE A VARIETY OF AUTHORS

Poetry is beautiful and engaging, but some students might find the concepts intimidating.  Lauralee from ELA Classroom admits, “Poetry once intimidated me, and I don’t want students to feel overwhelmed with poetry. To begin lessons, I front load information. I cover definitions and examples through videos, textbooks, and songs. Before we begin actual poems, I send out a simple Google Form that asks students to gauge where they are in their understanding. If students are confused, I will try a more straight-forward approach. If students simply have a few questions, I will provide targeted practice or examples.”

She then says it’s time to dive into poetry together. With younger students who maybe have not read much poetry, Lauralee suggests using a variety of authors to illustrate common poetic devices. With older students, ask them to find the poetry for the class. Students can then submit poems, the teacher reads through them, and then as a class,  complete graphic organizers or one-pagers and study them together. 

Because many poems are short, poetry lends itself to station work. Students interact with each other, and teachers can rotate to clarify confusion. With longer poems, you could jigsaw the pieces and ask students to present their analyses. Teaching poetry for the first time can be intimidating, but by providing various learning opportunities and asking for student feedback, you will reach all students. 

6.  POETRY COMIC STRIPS

Staci Lamb from The Engaging Station loves all things poetry, especially living poets. This year, she had the opportunity to read a collection of poetry by Alakkuu ( @alakkuu ), a poet from Washington D.C., and he even offered to come perform for the students for free!

Her student teacher had a great idea for working with the poems. His collection, wet grass vanilla , details the experiences of love and heartbreak, and all that happens in between.

Students worked in small groups to each cover a chapter of the collection. Then, they had to create an image that represented or captured an element of that poem. They had to cite at least one line from the poem in their drawing and focus on the strategies that Alakkuu used in his work. In the end, each group created what looked like comic strips that detailed the progression of the relationship.

Want to see some amazing examples and slides from the lesson? Check out this Instagram post! . his idea helps students process the poetry, analyze the strategies, work collaboratively, create visual representations of the poems! :)

All too often, we are convinced that poetry needs to be in the curriculum for analysis purposes. Think again! Poetry is a wonderful mentor text for all kinds of writing skills, and allowing students the chance to create something new with language. Here are some great ideas for getting students out of the analysis seat and into the driver’s seat, instead.

7.  TWO-VOICE WHERE I’M FROM POETRY

Where I’m From poems can be a great addition to your classroom! They require the writer to reflect on important sayings, foods, and family traditions that are important to who they are. Have your students begin brainstorming with an Identity Web where they can capture personal qualities, people that have influenced them, and places that are special.  Then, using a template like this or their own style, students can craft their very own Where I’m From poem.  If your students have already written a Where I’m From poem, have them take on the perspective of a character from a book you’re reading! 

Staci over at Donut Lovin’ Teacher loves Where I’m From poems and even has her students add an extra layer to these already awesome poems. She has students recite them aloud--not alone, but as two voice poetry. In other words, students alternate between sharing lines or stanzas.  Hearing the shift in student voice is extremely powerful and helps to highlight similarities as well as unique qualities! Click here to read her full post on two voice poetry .

8.  BLACKOUT POETRY

One way that Christina, The Daring English Teacher , loves to incorporate creativity and excitement into her poetry unit is by assigning students a blackout poetry project.

Blackout poetry has quite a few benefits for students. First, it provides students with an opportunity to do some close reading. Afterall, your students will need to read the passage to find specific words that jump out. Secondly, when creating a blackout poem, students get to expand their creativity by creating a work of art that goes beyond your standard poetry analysis.

An easy way to incorporate blackout poetry into any novel unit you are currently working on is to spend a day or two with some photocopied pages of the novel. Teachers can also require that the blackout poem be related to the central idea or theme of the text. 

9.  DIAMANTE POEMS

Ashley Bible of Building Book Love believes that National Poetry Month should be treated like Black History Month , Women’s History Month , Native American Heritage Month , and the like in that the poetry activities you use this month should be for extra celebration rather than a single month use. In fact, one of the most important reasons to integrate poetry into every ELA unit is to ensure ALL students see diverse experts and creatives throughout their entire ELA experience. Because of their short, powerful, rich, and diverse nature, poems provide the perfect opportunity to pair classic literature with contemporary voices. Ashley lists and explains several creative ways to integrate poetry by embedding it into your ELA curriculum in this post : Teaching Poetry within Curriculum Context ,but for one quick idea, here is an example. Instead of assigning students to write a traditional compare or contrast reading response, have them create a Diamante Poem to show what they know.

A Diamante Poem follows an exact pattern and can be used for either synonyms (compare or explain) or antonyms (compare and contrast). It was invented by female author , Iris McClellan Tiedt in 1969 , and its name is Italian for “diamond.” A Diamante Poem is 7 lines long and follows this pattern:

Adjective, Adjective

Verb, Verb, Verb

Noun, Noun, Noun, Noun

Here are two examples to spark ideas for how you can use this poetry activity instead of a traditional reading response.

You can find several other poetry activity ideas here: Teaching Poetry within Curriculum Context

A fresh way to think about poetry in your curriculum is to consider the ways in which it reaches across subjects, time periods, music, and even film. Here are three ideas to help you use poetry to make connections.

10.  MUSIC & POETRY

Our students are so connected to their music (just one scan around the classroom and you’ll likely see AirPods and Beats blasting music), yet when we bring up poetry, they often fail to see the connection. That’s why Jenna from Doc Cop Teaching emphasizes the connection between music and poetry with task cards or learning stations. 

Here are some question ideas to get you started:

What type of figurative language is used, and what is the effect?

What type of sound devices (e.g. repetition, alliteration, consonance, assonance, rhyme, etc.)are used, and what is the effect?

What influenced the author to write this song?

What personal connections do you have to this song?

What type of imagery is used, and what is the effect?

Using this activity is a great starter so students can explore the connection between lyrics and poetry for themselves and not just take your word for it. Students can play their songs and share their analyses as an extension.Music is only one connection that we can use to channel our students interests.

Jenna has five other poetry ideas here .

11.  DIVERGENT THINKING WITH POETRY ANALYSIS

Students always seem to be more engaged when you throw an unexpected element into the learning process. With poetry, Melissa from Reading and Writing Haven does this in a couple different ways. 

One strategy is to have students analyze poetry through the lens of music. Using a metaphor - a sound equalizer - students color code and visually map the tone and mood throughout a poem. It’s engaging and leads to deeper understanding of how the poet’s unique style impacts the reader. 

The second way Melissa encourages divergent thinking is by pairing poetry with short films for a completely unexpected paired text analysis experience. Animated short films always draw interest, and, by nature, they lend themselves well to thematic connections. This list of five poems and short film pairings will save you time getting started!

12. OPENING WITH SCAFFOLDING

Poetry can be tough to teach, and it’s no secret that many students come to us claiming to *gasp* “hate” it. While this can feel discouraging for any poetry fan, it’s important to address and validate this fear of poetry at the beginning of any poetry unit. That’s why Abby from Write on With Miss G likes to give her students the chance to discuss their feelings toward poetry. She encourages her students to get their feelings out while assuring them she will not be offended as an English teacher. Accepting these loaded feelings is much more productive than trudging through a poetry unit annoyed at students’ attitudes. Ultimately, these feelings and discussions are very helpful in pinpointing why students dislike poetry, where they may struggle, how to scaffold, and what you can do to engage students. 

After listening to students’ concerns, Abby likes to start her poetry unit with lots of scaffolding (like this “how to read a poem” brochure ) and high engagement (with activities like this poetic devices question trail or this poetry escape room ). 

Validating students’ fears, providing support, and adding in engagement will go a long way in making sure your poetry unit reaches all students (even the ones who “hate” poetry).

BONUS 13.  PERSONA POEMS FOR ANY SUBJECT

A persona poem is the perfect poem type to use when you need to reach different time periods, different subjects, or different areas of the learning outside of English.  Essentially, in a persona poem, students assume the PERSONA of a person or object other than themselves.  

When teaching OMAM (which I will affectionately be using as a nickname for Of Mice and Men from here on out), it’s critical that we provide students with some context about the time, place, and economic circumstances in the 20s and 30s.  Find an opportunity to allow students to browse some of Dorothea Lange’s famous photography and take note of the circumstances, emotions, and tone of the photographs.

With their notes, introduce students to PERSONA poetry:  poetry written in the voice (or persona) of someone other than the poet himself.  Have students write a 20 line poem taking on the persona of one of the people (or a collection of people) that struck them in the photographs.  This is a very cool way to start pretty much any unit that has relevant contextual background photography possibilities, so feel free to repeat all year long! 

For more poetry activities that reach different areas of your classroom, be sure to grab a copy of my eBook !

Ready to give slam poetry a try?

Where I'm From - A Video Poem for Teachers

Top 20 blog posts to read before 2020: adventurous teaching edition.

Poetry Out Loud

Lesson plans.

Poetry Out Loud is not intended to replace classroom activities like creative writing. In fact, the two naturally complement each other. For that reason, we have created a number of optional writing activities and lesson plans for teachers.

Do you have some great Poetry Out Loud lesson plans? Email us at [email protected] to share your ideas!

For further ideas on poetry instruction, visit the  Poetry Foundation’s Learning section.

 “My English class would practice with each other every week, getting tips and tricks from our teacher before the class competition. My main focus was always ensuring that I had a deep understanding of the author’s intended tone and purpose.” Ella Weinmann, 2023 New Hampshire Champion

Downloadable PDF Lesson Plans

Poems Put to Use  (PDF) Students write about poems being put to use and, in the process, imagine the practical advantages of poem memorization and recitation.

The Tabloid Ballad  (PDF) This lesson teaches students about the typical metrical forms and narrative structure of the ballad by having them write ballads based on comic, even outrageous source material.

The Tone Map  (PDF) As students learn to name the tones of voice that the poem moves through, they learn to describe mixed emotions and to distinguish subtle shifts in tone and mood. 

Poetry, Celebrity, and the Power of Connotation  (PDF) Students learn to recognize some of the most common strategies that poets use when writing about historical figures. With these in mind, students then hunt up and present other poems about historical figures.

Golden Shovel   (PDF) Students learn to read and write poems through a new form.

In Another’s Voice  (PDF) This lesson focuses on poems that enter into a voice other than the poet’s, perhaps not even a human voice, so that students can explore the dramatic possibilities within a poem.

Keeping Score  (PDF) In this lesson, students practice close readings of poems by analyzing the style—what musicians call the “dynamics” —of the poem: its volume, speed, language, syntax, lineation, and punctuation.

Poetry As Ceremony   (PDF) This lesson focuses on poems that have the sound of ritual, often with an incantatory rhythm that can guide students in memorization and performance.

Visualizing Voice  (PDF) In this lesson, students will practice close reading by deciding points of emphasis within a poem.

Line Dancing  (PDF) This exercise will help students become more comfortable with line breaks, to think about the ways in which they can inform not only the meaning of a poem on the page, but also how understanding line breaks may aid in the performance of poetry out loud as well.

Lesson Plans by Eileen Murphy that complement Poetry Out Loud

Sonic Patterns: Exploring Poetic Techniques Through Close Reading Students use the idea of a composed memory and their knowledge of sonic patterns to draft, revise, and share their own original text.

Speaking Poetry: Exploring Sonic Patterns Through Performance Students engage in a variety of vocal activities and performance techniques based on word sounds and then prepare a recitation for small group performances and compare their interpretative choices as part of the reflection process.

Trending Post : 12 Powerful Discussion Strategies to Engage Students

Nonfiction-Inspired Poetry: A Creative Writing Assignment

Poetry and nonfiction are quite possibly two of the most polarizing text genres for both teachers and students. People tend to gravitate toward them or away from them, but they are both so important in the ELA curriculum. Students need to be able to read and write about nonfiction and poetry. In today’s post, I’m sharing one of my favorite creative writing assignments for secondary ELA.

In the past, I’ve written about ways to make poetry engaging as well as how to write poetry inspired by pictures . Since poetry is not my favorite genre to teach, I’ve really had to do some research to find assignments that my students will enjoy. Reading and analyzing it is not really the issue. When I ask students to write poetry, they generally seem less than inspired.

I first learned about this type of poetry when I was reading  A Teacher’s Guide to the Multigenre Research Project . What I love about it is that it combines elements of found poetry, concrete poetry, and collages. In her book, Lutz calls this form of poetry a crot. Crots are snippets of thoughts…short fragments. As a creative writing assignment, the crot blurs the lines between prose and poetry, and the power rests on the author’s creativity in expression.

What I like to do with this type of creative writing assignment is ask students to respond to nonfiction (and fiction) texts thoughtfully during our poetry or multigenre unit. It really is a fun assignment to teach, to write, and to grade. Here’s how I introduce it to my students:

1. Read a nonfiction text.

So we begin by reading and annotating the source that we will use as inspiration for the crot. I love to allow students choice. Their passion about the topic brings out their best work. Still, I use a model to demonstrate. The example above references research from two different nonfiction articles as well as a Disney movie and Paul Laurence Dunbar’s poem “We Wear the Mask.”

These crots, or collage poems, can be written without research, but the whole purpose as I use them is to present knowledge learned about a topic in an inspiring and nontraditional way. Still, they should be taking that information and using it to convey an original idea. When students use multiple sources, I ask them to unify the themes in their crot.

2. Teach students about white space.

One of the fun parts of writing poetry that consists of short snippets of thought is that the author gets to decide where to place those thoughts on the page. Placement should be strategic and even symbolic. I seize this opportunity to give students a brief lesson on marketing. Less is more.

3. Emphasize the importance of the artistic approach.

Crots that involve symbolic color, fonts with bold personalities, and uniquely arranged information will have a deeper meaning than those that are typed linearly in all 12 point Times New Roman font.

Have students do some research about what different colors might symbolize. Ask them to think about the content they are writing. How can it be arranged to represent differences in opinion, sequence, or cause and effect? Allow students the opportunity to add doodles, images, and even magazine word or letter cut-outs to their crots for added zest.

4. Be clear about expectations.

One of the mistakes I made the first time I asked students to write this nonfiction-inspired poetry was in not clarifying how many sources I wanted them to use and how much research I expected them to incorporate. I ended up with some students who only had one line from their crot that conveyed an idea from research. Be clear about what percentage of the poem or how many times you want a reference from the source.

Consider whether you want to teach students to use footnotes or endnotes. Traditional citations would be too intrusive for this context, but asking students to use superscript numbers or to provide an endnotes page can offer a polished effect that emphasizes the research component of the assignment.

5. Allow time for peer feedback.

One of the most powerful parts of writing these crots has been allowing my students time to discuss their work. They have such amazing ideas for one another regarding how to represent ideas more symbolically through color, arrangement, figurative language, and imagery. Consider supplying them with the rubric you intend to use while grading to focus their suggestions.

Students always enjoy looking back at the initial draft of their poems, noting how much they develop through the revision process.

If you are looking for a way to meaningfully engage students in critical thinking while writing poetry inspired by nonfiction source material, try this unique creative writing assignment. Hang their final products as artwork in your classroom. Surrounding ourselves with happy, bright poetry goes a long way in the battle to change reluctant students’ attitudes about the genre in general.

RELATED RESOURCE:

You can find the assignment I use with students by clicking on the image below.

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Writing About Poetry

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Writing about poetry can be one of the most demanding tasks that many students face in a literature class. Poetry, by its very nature, makes demands on a writer who attempts to analyze it that other forms of literature do not. So how can you write a clear, confident, well-supported essay about poetry? This handout offers answers to some common questions about writing about poetry.

What's the Point?

In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements relate to each other to support your thesis.

So why would your teacher give you such an assignment? What are the benefits of learning to write analytic essays about poetry? Several important reasons suggest themselves:

• To help you learn to make a text-based argument. That is, to help you to defend ideas based on a text that is available to you and other readers. This sharpens your reasoning skills by forcing you to formulate an interpretation of something someone else has written and to support that interpretation by providing logically valid reasons why someone else who has read the poem should agree with your argument. This isn't a skill that is just important in academics, by the way. Lawyers, politicians, and journalists often find that they need to make use of similar skills.
• To help you to understand what you are reading more fully. Nothing causes a person to make an extra effort to understand difficult material like the task of writing about it. Also, writing has a way of helping you to see things that you may have otherwise missed simply by causing you to think about how to frame your own analysis.
• To help you enjoy poetry more! This may sound unlikely, but one of the real pleasures of poetry is the opportunity to wrestle with the text and co-create meaning with the author. When you put together a well-constructed analysis of the poem, you are not only showing that you understand what is there, you are also contributing to an ongoing conversation about the poem. If your reading is convincing enough, everyone who has read your essay will get a little more out of the poem because of your analysis.

What Should I Know about Writing about Poetry?

Most importantly, you should realize that a paper that you write about a poem or poems is an argument. Make sure that you have something specific that you want to say about the poem that you are discussing. This specific argument that you want to make about the poem will be your thesis. You will support this thesis by drawing examples and evidence from the poem itself. In order to make a credible argument about the poem, you will want to analyze how the poem works—what genre the poem fits into, what its themes are, and what poetic techniques and figures of speech are used.

What Can I Write About?

Theme: One place to start when writing about poetry is to look at any significant themes that emerge in the poetry. Does the poetry deal with themes related to love, death, war, or peace? What other themes show up in the poem? Are there particular historical events that are mentioned in the poem? What are the most important concepts that are addressed in the poem?

Genre: What kind of poem are you looking at? Is it an epic (a long poem on a heroic subject)? Is it a sonnet (a brief poem, usually consisting of fourteen lines)? Is it an ode? A satire? An elegy? A lyric? Does it fit into a specific literary movement such as Modernism, Romanticism, Neoclassicism, or Renaissance poetry? This is another place where you may need to do some research in an introductory poetry text or encyclopedia to find out what distinguishes specific genres and movements.

Versification: Look closely at the poem's rhyme and meter. Is there an identifiable rhyme scheme? Is there a set number of syllables in each line? The most common meter for poetry in English is iambic pentameter, which has five feet of two syllables each (thus the name "pentameter") in each of which the strongly stressed syllable follows the unstressed syllable. You can learn more about rhyme and meter by consulting our handout on sound and meter in poetry or the introduction to a standard textbook for poetry such as the Norton Anthology of Poetry . Also relevant to this category of concerns are techniques such as caesura (a pause in the middle of a line) and enjambment (continuing a grammatical sentence or clause from one line to the next). Is there anything that you can tell about the poem from the choices that the author has made in this area? For more information about important literary terms, see our handout on the subject.

Figures of speech: Are there literary devices being used that affect how you read the poem? Here are some examples of commonly discussed figures of speech:

• metaphor: comparison between two unlike things
• simile: comparison between two unlike things using "like" or "as"
• metonymy: one thing stands for something else that is closely related to it (For example, using the phrase "the crown" to refer to the king would be an example of metonymy.)
• synecdoche: a part stands in for a whole (For example, in the phrase "all hands on deck," "hands" stands in for the people in the ship's crew.)
• personification: a non-human thing is endowed with human characteristics
• litotes: a double negative is used for poetic effect (example: not unlike, not displeased)
• irony: a difference between the surface meaning of the words and the implications that may be drawn from them

Cultural Context: How does the poem you are looking at relate to the historical context in which it was written? For example, what's the cultural significance of Walt Whitman's famous elegy for Lincoln "When Lilacs Last in the Dooryard Bloomed" in light of post-Civil War cultural trends in the U.S.A? How does John Donne's devotional poetry relate to the contentious religious climate in seventeenth-century England? These questions may take you out of the literature section of your library altogether and involve finding out about philosophy, history, religion, economics, music, or the visual arts.

What Style Should I Use?

It is useful to follow some standard conventions when writing about poetry. First, when you analyze a poem, it is best to use present tense rather than past tense for your verbs. Second, you will want to make use of numerous quotations from the poem and explain their meaning and their significance to your argument. After all, if you do not quote the poem itself when you are making an argument about it, you damage your credibility. If your teacher asks for outside criticism of the poem as well, you should also cite points made by other critics that are relevant to your argument. A third point to remember is that there are various citation formats for citing both the material you get from the poems themselves and the information you get from other critical sources. The most common citation format for writing about poetry is the Modern Language Association (MLA) format .

11 Fun Poetry Activities Middle School Students Will Love

Did you know April is National Poetry Month? I’m so excited for it. I love, love, love poetry, and I want your middle schoolers to love it too! Writing poetry got me through some tough times as an angsty middle schooler and teen, so I always look forward to exploring poetry with my students. I hope some of these poetry activities for middle school will help you get excited about teaching poetry to your students too!

Outdoor Poetry Activities for Middle School

Learning is always more fun in the sun! Here’s a  super simple outdoor writing activity  you can use with your class on the next sunny day. Take students outside and challenge them to pick one thing that they think is beautiful (and yes, it should be a  thing,  not a person…). Get them to describe that item with the most vivid language possible. You could also challenge them to use only figurative language. Later, have them to pick their favourite phrases and build a poem around them.

If you’re teaching students how to write haikus, there’s no better place to be than in the great outdoors! Traditionally, haikus are written about nature, which makes this lesson the perfect opportunity for outdoor learning. I have this vision of finding a cherry blossom tree near my school and getting my students to sit around it as they write some haikus…

Half the fun of writing poetry is getting to share it. Have your students make a  poetry walk  on the school grounds with sidewalk chalk. Give them all a section of the sidewalk and let them write one of their favourite poems! For this activity, shorter poems like couplets and haikus are generally better. They’re easier for people passing by to read, and they’re easy to write with fat pieces of chalk.

Teaching Rhyme or Structure

Games for teaching rhyme.

Rhyme Challenges  are one of the easiest poetry activities middle school teachers can use to help students practice rhyme. Put a one-syllable word up on the board, break students into groups, and challenge them to come up with as many rhyming words as possible. Then, as a class, take some time to share all the words students brainstormed. To make this into a competition, coordinate with another teacher so your classes can compete

One thing to note: many students will find that coming up with multisyllabic rhymes are difficult. If you want to incentivise them to think out of the box, tell them each syllable is worth one point! These challenges are a great opportunity to model how you come up with rhymes. Personally, I do a mental run-through of the alphabet. For example, if I’m rhyming with “cat”, I’d think  bat, chat, drat, fat,  etc. 

Around the World  is another one of those fun poetry activities middle school students will love. Begin by having all but one of the students sit in their seats. That one student stands behind a classmate. This is the starting point. On the count of three, the teacher calls out a word. The student who is standing and the student sitting in front of them both try to think of a word that rhymes. Whoever comes up with one first gets to move on and stand behind the next student. The person who loses this round sits in the seat, whether that means they stay where they were seated or trade places with the person they were standing behind. The challenge is to see if any students can make it ‘around the world’ (around the classroom and back to the seat they started in).

Buzz In: A Game for Poetic Structure

If you’re teaching a poetic structure with rules, like limericks or haikus, here’s a fun way to practice them. I call it Buzz In,  but it’s really just gamified collective writing. Start off by picking a particular poetic form. For this example, let’s go with limericks. Choose three or four students to come up to the front and give each one buzzers or some way to signal when they’re ready. 

Tell students the first line of the poem they’ll be “playing”. For this example, let’s start with – “There once was a girl whose name was Ann.”

The first student to buzz in and share a second line gets to stay in the game. Perhaps they say something like, “who played in an angry rock band.” The students who did not buzz in first return to their desks.

• Call three more students up. Recite the two lines of the poem as it currently stands. 
• Whoever buzzes in first with the next line gets to stay. The others return to their desks.
• Continue until the poem is complete.
• See if students can break the class record for staying in the game for the most rounds! 

Analyzing Poetry Activities

Poetry puzzles.

• The first student to buzz in and share a second line gets to stay in the game. Perhaps they say something like, “who played in an angry rock band”. The other three return to their desks.
• Call three more students up. Recite the two lines that you have now (yours and the one from the student who won the last round).
• Whoever buzzes in first with the next line gets to stay, and the others return to their desks.

Cross-Curricular Poetry Analysis

If you teach multiple subjects,  consider tying poetry into a math unit on patterns . Patterning and rhyme schemes go hand in hand! You can even tie in math, poetry, and art, by having students represent the rhyme scheme of a poem in a visual arts piece.

Another way you can make your poetry unit cross-curricular is by having students  represent a poem through dance, drama, visual arts, or music . Students could come up with a short skit that showcases an event they think may have inspired their chosen poem. They could also create an illustrated poetry anthology. I have criteria and rubrics available for a poetry anthology project  here .

If you’re looking for guaranteed buy-in for your middle school poetry unit, bring in some music by sending students on a  Music Hunt ! Get them to look for songs that have examples of specific literary devices or follow a particular rhyme scheme. Let them play the song for their classmates (as long as it’s school-appropriate, of course), and demonstrate how it fits the criteria.

Poetry Books for Middle School

I ntroduce your students to the world of free verse poetry! It’ll blow the minds of kids who were raised to think   Cat in the Hat   was the height of poetic sophistication. Here are some free verse poetry books middle school students will love:

• Inside Out and Back Again  by Thanhha Lai
•  Forget Me Not  by Ellie Terry
• Other Words for Home  by Jasmine Warga
• Anything by  Kwame Alexander
• Here Was Paradise  by Humberto A’kabal

Looking for something shorter? Try out  Can I Touch You r  Hair? Poems of Race, Mistakes, and Friendship . It’s a picture book written from the perspectives of a white girl and Black boy who are paired together for a poetry project… what a great anchor text for a poetry unit!

Just because you’re teaching big kids, it doesn’t mean that you have to ditch your rhyming picture books! Older kids enjoy a just-for-fun read aloud too. You can totally use simple poetry books for middle school lessons. Make your students work a little by pausing as you read and getting them to shout out their rhyme predictions. Some of my favourite go-to books for rhyme predicting are  Thelma the Unicorn ,  The Girl Who Thought in Pictures , and  The Doctor with an Eye for Eyes .  If you want to be extra tricky, you can cover the rhyming words with sticky notes.

Poetry Activities as Morning Work

If you’re into morning work, try some of these poetry warm up activities!

• Free verse  can be daunting for young writers who are used to thinking of poetry as words that rhyme. It’s almost like they’re intimidated by the lack of structure! Attempting it in small, manageable chunks with familiar topics makes it much less scary. For example, you might have students write a free verse poem about their happy place as a morning work activity.
• Finish This:  Begin by putting part of a poem on the board; it can be one you made up or something you found online or in a book. Challenge students to come up with the rest of the poem, then take some time to let volunteers share their completed poems with the class. It’s so neat to see all the different ways students run with the same text!

Poetry Teaching Activities: Gallery Walk or Pass-Along

 Middle school students are old enough to stretch themselves when it comes to poetry. We can start expecting them to move away from basic rhymes. And, for the love of all things literary, we can ditch those horrid “I Am” poems. Any poem that works as a fill-in-the-blank is not going to stretch your students as writers.

If we want students to write quality poetry that doesn’t sound like they used a template, we need to actually expose them to high-quality poetry. We need them to know that poetry can take many different forms. Here’s the thing, even the best poets in the world are not going to excel in every poetic form… and that’s OK. When teaching poetry, I think it’s important to let students experiment with a bunch of different poetic forms so they can find what makes their hearts sing.

This is where one of my favourite poetry teaching activities comes in:   poetry gallery walks !   This set of poetry gallery walk posters features example poems for nine different poetic forms. Before I  introduce a new poetic form, students can go on a poetry gallery walk to explore some examples. I always like to see if they can figure out the ‘rules’ of the poetic form as they go.

Students move at their own pace and don’t have to read all the examples, but they should read at least a few. Afterward, we debrief by talking about what the poems had in common and what made them different. We share favourite lines and see if anyone has questions or comments they’d like to share about the meanings of or words in the poems. I like this structure because it makes the students do the work of figuring things out on their own rather than just listening to me tell them the  ‘rules’.

If space is limited in your room, see if you can use space in the hallways or outside for your gallery walks! I often do mine outdoors; our portable is magnetic, so I just stick the posters in whiteboard pockets and hang them up with magnetic whiteboard clips. However, if space isn’t available, you can also do a poetry pass-along with these little poetry cards (see below)!

Looking for more poetry teaching ideas for middle school or upper-elementary?

If so, check out  this blog post  that outlines how to structure a middle school poetry unit!

Want to remember these poetry activities middle school students will love? Pin the imge below to save them for later!

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7.3: Writing Assignment: Poetry Portfolio

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Purpose of a Portfolio

The purpose of a portfolio is to showcase your final drafts and to do a self-assessment to evaluate what you have learned.

Organizational Instructions

The following is a set of instructions of what is expected in the portfolio. It is listed in the order that the portfolio should be organized.

• Title the portfolio with a creative title representing the entire collection of poems you’ve written. Example: Poems: Word Pictures
• Include your first and last name
• Include the name of the class: ENGL 1465–Creative Writing
• Include the due date
• Include a photo of yourself working on one of your poems on a computer.
• Font size should be 24 pt. or 36 pt. Choose a font size that makes the title fit on one line. Also, choose a font that is readable.
• The titles of the poems should be left-justified near the one-inch margin edge.
• Page numbers should be right-justified near the one-inch margin edge.
• Dots between the titles and page numbers are optional.
• Do not list the the title page or the table of contents page page on the table of contents page.
• Use an easy-to-read 12 pt. font.
• Step back and look at your poems critically.
• Write an evaluative essay (500-1,000 words).
• Which poem is your best work? Best work does not necessarily mean your favorite work. Best work means the one that is written well. How did you go about writing it? Why is it your best work? Cite specific examples from the poem to defend why you think it is your most effective piece.
• Which poem would you just as soon forget or trash? what problems did you encounter with it? Why is it your least effective piece? Cite specific examples from the text of the poem to prove why you think it is your least effective piece.
• What are you able to do as a poet that you couldn’t do before taking this class? Be specific by identifying more than one example. What in the class helped you the most with your writing?
• What did you learn about yourself by completing this portfolio?
• What are your writing goals for the summer?
• Make a section title page titled Final Drafts
• Imagery Poem
• Figure of Speech Poem
• Allusion or Symbol Poem
• Copy and paste the graded final drafts into the portfolio from the most effective to the least effective poem. Do not include the rubrics in the portfolio. You will need that information, however, for the next step.
• Revise all final drafts in the portfolio before submitting your portfolio. Follow the directions provided ont he graded assignment as well as the rubric. It’s a good idea to compare your original final draft submission with the graded final draft in order to understand what kind of revisions have been made by the instructor and what kind of revisions still need to be made.

Formatting Instructions

• The portfolio project must be typed in a Microsoft Word document (.docx).
• Use an easy to read 12 pt. font for all the sections except the title page.
• Use 1″ margins.
• Double-space the essay page.
• Single-space the poems.
• Put page numbers in the lower right-hand corner. When page numbers are at the bottom of the page, you do not need to include your last name.
• Leave the name heading on the final drafts of your poems in the top left-hand corner.
• Writing Assignment: Poetry Portfolio. Authored by : Linda Frances Lein, M.F.A. License : CC BY: Attribution

Online Class: Poetry Writing 101

• 39 Exams & Assignments
• 3,726 Students have taken this course
• 17 Hours average time

Course Description

A Deep Dive into the Enigmatic World of Poetry: Craft, Appreciation, and Mastery

The realm of poetry is vast, intriguing, and profound. Poetry, more than just an art form, is an emotional symphony, a language that transcends boundaries, and a medium that mirrors life's intricacies. Whether you're a fervent admirer seeking a richer understanding or an aspiring poet craving mastery, this course promises a journey into poetry's heart, illuminating its nuances, techniques, and timeless allure.

Why This Course Stands Out:

All-Encompassing Curriculum : From poetry's rich history to the techniques that shape its tapestry, this course delves deep, ensuring students grasp both the theoretical and practical aspects of poetry.

Rich Pedagogy : While many courses might skim poetry's surface, ours delves into its depths. Through a mix of structured lessons, engaging assignments, and insightful essays, we ensure that learning isn't just passive but immersive and transformative.

Publication-Ready Training : The course culminates in guiding students to create a chapbook—a testament to their journey, their learnings, and their unique voice—poised for publication.

Course Highlights:

Introduction: The Art of Poetry : Venture into poetry's enchanting world, understanding its significance, scope, and the sheer magic it holds.

Irony and Tone : Dive into the subtle art of irony, learning how tone shapes meaning, evokes emotion, and adds layers to poetry.

Denotation and Connotation : Decipher the explicit and implicit, realizing how words hold dual meanings, adding richness to poems.

Literal and Figurative Meanings : Navigate the realms of the real and the symbolic, understanding how poets play with language to conjure vivid imageries.

Poetic Devices A-I : From alliteration to imagery, uncover the devices that lend poetry its unique rhythm, rhyme, and resonance.

Poetic Devices J-Z : Further exploration into the tools poets employ, delving into juxtaposition, zeugma, and more.

Rhyme and Meter : Understand the beats and patterns that give poems their musical quality, making them memorable.

Symbolism and Archetypes : Dive into the symbols that recur in literature, deciphering their significance and the universal truths they represent.

Cultural Concepts : Appreciate how poetry serves as a reflection of its cultural context, adding layers of depth and relevance.

Parody and Translation : Explore the art of poetic imitation and the challenges and nuances of translating poetry while retaining its essence.

Free Verse and Blank Verse : Delve into the liberating world of unrhymed poetry, understanding its charm and challenges.

Sound and Meaning : Discover the auditory aesthetics of poetry and how sound intricacies can amplify meaning.

Types of Poetry and Verse : From sonnets to haikus, explore the diverse poetic forms that have enraptured readers for centuries.

Real-world Insights :

Analyze renowned poems, understanding the techniques employed, the themes explored, and the emotions evoked.

Work on assignments that mimic real-world challenges, such as translating a poem while retaining its soul or crafting a parody without losing respect for the original.

Is This Course for You?

Poetry Enthusiasts : Deepen your appreciation, understand subtle nuances, and connect more intimately with the poems you read.

Aspiring Poets : Elevate your craft, weave words with greater skill, and carve a niche for yourself in the literary world.

In an era where communication is often brief and fleeting, poetry stands as a testament to the depth and beauty of language. It's a celebration of life, love, loss, and everything in between. This course is more than just an educational journey—it's an invitation to experience, to feel, and to express. Join us, and let's craft verses that resonate, touch hearts, and endure time.

Course Motivation

Great poetry is not the ability to string together flowery phrases, or to say something so nonsensical that it sounds poetic and intelligent only to the ignorant. Great poetry can be understood by anyone who reads it. And writing great poetry means having the ability to write about the ordinary in a way that's never been stated before. Poetry is a beautiful art, and it's an art that you're going to learn about in-depth throughout every lesson in this course.  

You will learn:  

• The terminology, form, and devices used in poetry.
• To recognize and understand the terminology, forms, and devices in great and classical poetry. You'll study poems by Frost and Dickinson, to name a few. 
• Why the terms, forms, and devices are critical aspects of great poetry.  
• How to apply these things to your own poetry.  

You will be taught these things in each of the lessons, then be asked to demonstrate what you've learned through various assignments. It is important that you complete each assignment given in this course, not just to achieve a passing grade, but to also take away the in-depth comprehension of poetry so you can begin to effortlessly apply it to your own work.  

You will be asked to: 

• Complete lesson assignment exercises.  Lesson exercises are placed at the end of each lesson to test your comprehension of the material covered by asking you questions. You need to complete the lesson exercises right away before advancing.  
• Complete lesson reviews quizzes.  Lesson reviews are located at the end of each lesson, and cover terminology and definitions of the material covered. These should be completed at the end of each lesson before advancing.
• Write poetry to include in your chapbook.  There will be places in this course where you will be asked write your own poem by applying devices or techniques you've just learned, then placing them in your chapbook template. All poems that you write for this are required to be no longer than 50 lines. It is hard to write a great long poem, and it is important that you learn to write great, shorter poems first. Poetry assignments appear in boxes. These poems will not be submitted to your instructor. They are just for your practice.
• Write essays.  There is an essay assignment at the end of each lesson. These essays must be completed because they challenge you to think about what you've learned and appreciate why it's important to poetry. Essays must be no longer than 1500 words.  

Poetry is an art form that is older than literature, itself, and dates back to ancient times. It is used as a form of communication, a way to tell a story, and a way to express emotion. Throughout this course, you're going to learn how poetry is used to achieve all of these things by studying its form, devices, and by reading the poems of some of the greatest poets of all time. You'll learn to recognize the elements of poetry, which will help you to understand and write it. 

However, before we delve into this course, it's important to start out by discussing what poetry is not. There's a common misconception, especially since the boom of the Internet, that poetry is a form of self expression that is void of any rules or form. While it's true that a poem can be a very beautiful means of expression, it is not true that there aren't any forms or rules to it. There are devices and techniques that set poetry apart from other forms of literature, and it's applying those things to your own writing that will determine how great a poet you are.  

But the truth is, the original meaning and use for poetry had nothing to do with emotion. Poetry dates back to prehistoric times and out-dates literacy itself. The oldest surviving poem,  The Epic of Gilgamesh , was written in 3000 BC on clay tablets.  

When it originated, poetry was used as a form of record keeping. Ancient societies wrote poems to record cultural events, laws, and to tell stories (epic poetry). The rhythm, beat, and rhyme of poetry made things easy to memorize and aided in accurate oral transmission. 

You can write:  The girl went to the store

With lightning at her heels.  

But you couldn't write:   The girl went to the store

The boy went to the dentist.  

In the first example, the words in the two lines are closely related because they both talk about the girl. It is a correct use of enjambment. The second example features two lines that are unrelated. Using an enjambment here would be incorrect. Instead, you'd need some form of punctuation.  

Unlike text, where long passages are broken up into paragraphs, poetry uses stanzas. A stanza is equal to a verse. It can be defined as a group of lines whose pattern repeats throughout the poem. Think of a stanza as a "paragraph within a poem"-- each stanza is divided by a space.

• Completely Online
• 6 Months to Complete
• 24/7 Availability
• Start Anytime
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• Accredited CEUs

Course Lessons

Lesson 1: Introduction: The Art of Poetry

Lesson 2: Irony and Tone

Lesson 3: Denotation and Connotation

Lesson 4: literal and figurative meanings, lesson 5: poetic devices a-i, lesson 6: poetic devices j-z, lesson 7: rhyme and meter, lesson 8: symbolism and archetypes, lesson 9: cultural concepts, lesson 10: parody and translation, lesson 11: free verse and blank verse, lesson 12: sound and meaning, lesson 13: types of poetry and verse, learning outcomes.

• Identify and demonstrate irony and tone.
• Identify and demonstrate denotation and connotation.
• Describe literal and figurative meanings.
• Define poetic devices A-Z.
• Describe rhyme and meter.
• Describe symbolism and archetypes.
• Describe cultural concepts.
• Summarize parody and translation.
• Describe and demonstrate free verse and blank verse.
• Describe sounds and meaning.
• Define types of poetry and verse.
• Demonstrate mastery of lesson content at levels of 70% or higher.

Additional Course Information

• Document Your Lifelong Learning Achievements
• Earn an Official Certificate Documenting Course Hours and CEUs
• Verify Your Certificate with a Unique Serial Number Online
• View and Share Your Certificate Online or Download/Print as PDF
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Student Testimonials

• "As a beginner poet, this was exactly the course I needed to help develop my knowledge and skills. The course material provided was excellent, as well as the positive feedback from my instructor. I appreciated how quickly assignments and exams were marked. I have printed off course material to use as reference to help me develop my skills and own work. Thank you and I look forward to taking another course sometime soon!" -- Tracey T.
• "I loved the course. Very informative and definitely be of help to me in writing my own poetry. Instructor was very supportive and I appreciated her comments." -- Ken V.
• "The instructor provided feedback on all essays and many exams. That's not only helpful (you get a feeling of whether you're on the right track.. or not), but encouraging as well." -- Jonathan S.
• "This instructor was so knowledgeable as far as explaining all the vocabulary involved in the many forms of poetry." -- Annie P.
• "Fantastic course and instructor." -- Lori B.
• "Instructor really inspired confidence." -- Peter D.
• "I enjoyed having you as a teacher thank you very much." -- Susan B.
• "Very efficient." -- Richard W.
• "I really appreciated that the instructor asked for essays in each section. This clearly demonstrates much more commitment to teaching the course than self grading T/F and Multiple Choice exams - though these were used as well...I sought assistance from the Instructor so often I was concerned about being a pest. Without fail, the instructor was there with direct answers or responses, and though I'm certain she had other priorities, I always got a response NLT @12 hrs. Amazing commitment - almost like being in the classroom." -- William O.
• "I think that the whole thing was useful to me. I think the instructor was excellent in this field of study...she really knew what she was doing, and what she was talking about." -- Joslyn A.

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Spring 2025 Semester

Undergraduate courses.

Composition courses that offer many sections (ENGL 101, 201, 277 and 379) are not listed on this schedule unless they are tailored to specific thematic content or particularly appropriate for specific programs and majors.

• 100-200 level

ENGL 201.ST2 Composition II: The Mind/Body Connection

Dr. sharon smith.

In this online section of English 201, students will use research and writing to learn more about problems that are important to them and articulate ways to address those problems. The course will focus specifically on issues related to the body, the mind, and the relationship between them. The topics we will discuss during the course will include the correlation between social media and body image; the psychological effects of self-objectification; and the unique mental and physical challenges faced by college students today, including food insecurity and stress.

English 201 S06 and S11: Composition II with an emphasis in Environmental Writing

S06: MWF at 10–10:50 a.m. in Yeager Hall Addition 231

S11: MWF at 12–12:50 p.m. in Crothers Engineering Hall 217

Gwen Horsley

English 201 will help students develop skills to write effectively for other university courses, careers, and themselves. This course will provide opportunities to further develop research skills, to write vividly, and to share their own stories and ideas. Specifically, in this class, students will (1) focus on the relationships between world environments, land, animals and humankind; (2) read various essays by environmental, conservational, and regional authors; and (3) produce student writings. Students will improve their writing skills by reading essays and applying techniques they witness in others’ work and those learned in class. This class is also a course in logical and creative thought. Students will write about humankind’s place in the world and our influence on the land and animals, places that hold special meaning to them or have influenced their lives, and stories of their own families and their places and passions in the world. Students will practice writing in an informed and persuasive manner, in language that engages and enlivens readers by using vivid verbs and avoiding unnecessary passives, nominalizations, and expletive constructions.

Students will prepare writing assignments based on readings and discussions of essays included in Literature and the Environment and other sources. They will use The St. Martin’s Handbook to review grammar, punctuation, mechanics, and usage as needed.

Required Text: Literature and the Environment: A Reader On Nature and Culture. 2nd ed., edited by Lorraine Anderson, Scott Slovic, and John P. O’Grady.

LING 203.S01 English Grammar

TuTh 12:30-1:45 p.m.

Dr. Nathan Serfling

The South Dakota State University 2023-2024 Undergraduate Catalog describes LING 203 as consisting of “[i]nstruction in the theory and practice of traditional grammar including the study of parts of speech, parsing, and practical problems in usage.”

“Grammar” is a mercurial term, though. Typically, we think of it to mean “correct” sentence structure, and, indeed, that is one of its meanings. But Merriam-Webster reminds us “grammar” also refers to “the principles or rules of an art, science, or technique,” taking it beyond the confines of syntactic structures. Grammar also evolves in practice through application (and social, historical, economic changes, among others). Furthermore, grammar evolves as a concept as scholars and educators in the various fields of English studies debate the definition and nature of grammar, including how well its explicit instruction improves students’ writing. In this course, we will use the differing sensibilities, definitions, and fluctuations regarding grammar to guide our work. We will examine the parts of speech, address syntactic structures and functions, and parse and diagram sentences. We will also explore definitions of and debates about grammar. All of this will occur in units about the rules and structures of grammar; the application of grammar rhetorically and stylistically; and the debates surrounding various aspects of grammar, including, but not limited to, its instruction.

ENGL 210 Introduction to Literature

Jodi andrews.

Readings in fiction, drama and poetry to acquaint students with literature and aesthetic form. Prerequisites: ENGL 101. Notes: Course meets SGR #4 or IGR #3.

ENGL 222 British Literature II

TuTh 9:30-10:45 a.m.

This course serves as a chronological survey of the second half of British literature. Students will read a variety of texts from the Romantic period, the Victorian period, and the twentieth and twenty-first centuries, placing these texts within their historical and literary contexts and identifying the major characteristics of the literary periods and movements that produced them.

ENGL 240.ST1 Juvenile Literature

Randi l. anderson.

A survey of the history of literature written for children and adolescents, and a consideration of the various types of juvenile literature.

ENGL 240.ST1 Juvenile Literature: 5-12 Grade

In English 240 students will develop the skills to interpret and evaluate various genres of literature for juvenile readers. This particular section will focus on various works of literature at approximately the 5th-12th grade level.

Readings for this course include works such as Night, Brown Girl Dreaming, All American Boys, Esperanza Rising, Anne Frank’s Diary: A Graphic Adaptation, Animal Farm, Fahrenheit 451, The Giver, The Hobbit, Little Women, and Lord of the Flies . These readings will be paired with chapters from Reading Children’s Literature: A Critical Introduction to help develop understanding of various genres, themes, and concepts that are both related to juvenile literature, and also present in our readings.

In addition to exploring various genres of writing (poetry, non-fiction, fantasy, historical, non-fiction, graphic novels, etc.) this course will also allow students to engage in a discussion of larger themes present in these works such as censorship, race, rebellion and dissent, power and oppression, gender, knowledge, and the power of language and the written word. Students’ understanding of these works and concepts will be developed through readings, discussion posts, quizzes and exams.

ENGL 240.ST2 Juvenile Literature Elementary-5th Grade

April myrick.

A survey of the history of literature written for children and adolescents, and a consideration of the various genres of juvenile literature. Text selection will focus on the themes of imagination and breaking boundaries.

ENGL 242.S01 American Literature II

TuTh 11 a.m.-12:15 p.m.

Dr. Paul Baggett

This course surveys a range of U.S. literatures from about 1865 to the present, writings that treat the end of slavery and the development of a segregated America, increasingly urbanized and industrialized U.S. landscapes, waves of immigration, and the fulfilled promise of “America” as imperial nation. The class will explore the diversity of identities represented during that time, and the problems/potentials writers imagined in response to the century’s changes—especially literature’s critical power in a time of nation-building. Required texts for the course are The Norton Anthology of American Literature: 1865 to the Present and Toni Morrison’s A Mercy.

WMST 247.S01: Introduction to Women, Gender and Sexuality Studies

As an introduction to Women, Gender and Sexuality studies, this course considers the experiences of women and provides an overview of the history of feminist thought and activism, particularly within the United States. Students will also consider the concepts of gender and sexuality more broadly to encompass a diversity of gender identifications and sexualities and will explore the degree to which mainstream feminism has—and has not—accommodated this diversity. The course will focus in particular on the ways in which gender and sexuality intersect with race, class, ethnicity, and disability. Topics and concepts covered will include: movements for women’s and LGBTQ+ rights; gender, sexuality and the body; intersectionality; rape culture; domestic and gender violence; reproductive rights; Missing and Murdered Indigenous Women (MMIW); and more.

ENGL 283.S01 Introduction to Creative Writing

MWF 1-1:50 p.m.

Prof. Steven Wingate

Students will explore the various forms of creative writing (fiction, nonfiction and poetry) not one at a time in a survey format—as if there were decisive walls of separation between then—but as intensely related genres that share much of their creative DNA. Through close reading and work on personal texts, students will address the decisions that writers in any genre must face on voice, rhetorical position, relationship to audience, etc. Students will produce and revise portfolios of original creative work developed from prompts and research. This course fulfills the same SGR #2 requirements ENGL 201; note that the course will involve creative research projects. Successful completion of ENGL 101 (including by test or dual credit) is a prerequisite.

English 284: Introduction to Criticism

This course introduces students to selected traditions of literary and cultural theory and to some of the key issues that animate discussion among literary scholars today. These include questions about the production of cultural value, about ideology and hegemony, about the patriarchal and colonial bases of Western culture, and about the status of the cultural object, of the cultural critic, and of cultural theory itself.

To address these and other questions, we will survey the history of literary theory and criticism (a history spanning 2500 years) by focusing upon a number of key periods and -isms: Greek and Roman Classicism, The Middle Ages and Renaissance, The Enlightenment, Romanticism, Realism, Formalism, Historicism, Political Criticism (Marxism, Post-Colonialism, Feminism, et al.), and Psychological Criticism. We also will “test” various theories we discuss by examining how well they account for and help us to understand various works of poetry and fiction.

• 300-400 level

ENGL 330.S01 Shakespeare

TuTh 8-9:15 a.m.

Dr. Michael S. Nagy

This course will focus on William Shakespeare’s poetic and dramatic works and on the cultural and social contexts in which he wrote them. In this way, we will gain a greater appreciation of the fact that literature does not exist in a vacuum, for it both reflects and influences contemporary and subsequent cultures. Text: The Riverside Shakespeare: Complete Works. Ed. Evans, G. Blakemore and J. J. M. Tobin. Boston: Houghton Mifflin, 1997.

ENGL 363 Science Fiction

MWF 11-11:50 a.m.

This course explores one of the most significant literary genres of the past century in fiction and in film. We will focus in particular on the relationship between science fiction works and technological and social developments, with considerable attention paid to the role of artificial intelligence in the human imagination. Why does science fiction seem to predict the future? What do readers and writers of the genre hope to find in it? Through readings and viewings of original work, as well as selected criticism in the field, we will address these and other questions. Our reading and viewing selections will include such artists as Ursula K. LeGuin, Octavia Butler, Stanley Kubrick and Phillip K. Dick. Students will also have ample opportunity to introduce the rest of the class to their own favorite science fiction works.

ENGL 383.S01 Creative Writing I

MWF 2-2:50 p.m.

Amber Jensen

Creative Writing I encourages students to strengthen poetry, creative nonfiction, and/or fiction writing skills through sustained focus on creative projects throughout the course (for example, collections of shorter works focused on a particular form/style/theme, longer prose pieces, hybrid works, etc.). Students will engage in small- and large-group writing workshops as well as individual conferences with the instructor throughout the course to develop a portfolio of creative work. The class allows students to explore multiple genres through the processes of writing and revising their own creative texts and through writing workshop, emphasizing the application of craft concepts across genre, but also allows students to choose one genre of emphasis, which they will explore through analysis of self-select texts, which they will use to deepen their understanding of the genre and to contextualize their own creative work.

ENGL 475.S01 Creative Nonfiction

Mondays 3-5:50 p.m.

In this course, students will explore the expansive and exciting genre of creative nonfiction, including a variety of forms such as personal essay, braided essay, flash nonfiction, hermit crab essays, profiles and more. Through rhetorical reading, discussion, and workshop, students will engage published works, their own writing process, and peer work as they expand their understanding of the possibilities presented in this genre and the craft elements that can be used to shape readers’ experience of a text. Students will compile a portfolio of polished work that demonstrates their engagement with course concepts and the writing process.

ENGL 485.S01 Writing Center Tutoring

MW 8:30-9:45 a.m.

Since their beginnings in the 1920s and 30s, writing centers have come to serve numerous functions: as hubs for writing across the curriculum initiatives, sites to develop and deliver workshops, and resource centers for faculty as well as students, among other functions. But the primary function of writing centers has necessarily and rightfully remained the tutoring of student writers. This course will immerse you in that function in two parts. During the first four weeks, you will explore writing center praxis—that is, the dialogic interplay of theory and practice related to writing center work. This part of the course will orient you to writing center history, key theoretical tenets and practical aspects of writing center tutoring. Once we have developed and practiced this foundation, you will begin work in the writing center as a tutor, responsible for assisting a wide variety of student clients with numerous writing tasks. Through this work, you will learn to actively engage with student clients in the revision of a text, respond to different student needs and abilities, work with a variety of writing tasks and rhetorical situations and develop a richer sense of writing as a complex and negotiated social process.

ENGL 492.S01 The Vietnam War in Literature and Film

Tuesdays 3-5:50 p.m.

Dr. Jason McEntee

In 1975, the United States officially included its involvement in the Vietnam War, thus marking 2025 as the 50th anniversary of the conclusion (in name only) of one of the most chaotic, confusing, and complex periods in American history. In this course, we will consider how literature and film attempt to chronicle the Vietnam War and, perhaps more important, its aftermath. I have designed this course for those looking to extend their understanding of literature and film to include the ideas of art, experience, commercial products, and cultural documents. Learning how to interpret literature and movies remains the highest priority of the course, including, for movies, the study of such things as genre, mise-en-scene (camera movement, lighting, etc.), editing, sound and so forth.

We will read Dispatches , A Rumor of War , The Things They Carried , A Piece of My Heart , and Bloods , among others. Some of the movies that we will screen are: Apocalypse Now (the original version), Full Metal Jacket , Platoon , Coming Home , Born on the Fourth of July , Dead Presidents , and Hearts and Minds . Because we must do so, we will also look at some of the more fascinatingly outrageous yet culturally significant fantasies about the war, such as The Green Berets and Rambo: First Blood, Part II .

ENGL 492.S02 Classical Mythology

TuTh 3:30-4:45 p.m.

Drs. Michael S. Nagy and Graham Wrightson

Modern society’s fascination with mythology manifests itself in the continued success of novels, films and television programs about mythological or quasi-mythological characters such as Hercules, the Fisher King, and Gandalf the Grey, all of whom are celebrated for their perseverance or their daring deeds in the face of adversity. This preoccupation with mythological figures necessarily extends back to the cultures which first propagated these myths in early folk tales and poems about such figures as Oðin, King Arthur, Rhiannon, Gilgamesh, and Odysseus, to name just a few. English 492, a reading-intensive course cross-listed with History 492, primarily aims to expose students to the rich tradition of mythological literature written in languages as varied as French, Gaelic, Welsh, Old Icelandic, Greek, and Sumerian; to explore the historical, social, political, religious, and literary contexts in which these works flourished (if indeed they did); and to grapple with the deceptively simple question of what makes these myths continue to resonate with modern audiences. Likely topics and themes of this course will include: Theories of myth; Mythological Beginnings: Creation myths and the fall of man; Male and Female Gods in Myth; Foundation myths; Nature Myths; The Heroic Personality; the mythological portrayal of (evil/disruptive) women in myth; and Monsters in myth.

Likely Texts:

• Dalley, Stephanie, trans. Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others. Oxford World’s Classics, 2009
• Faulkes, Anthony, trans. Edda. Everyman, 1995
• Gregory, Lady Augusta. Cuchulain of Muirthemne: The Story of the Men of the Red Branch of Ulster. Forgotten Books, 2007
• Jones, Gwyn, Thomas Jones, and Mair Jones. The Mabinogion. Everyman Paperback Classics, 1993
• Larrington, Carolyne, trans. The Poetic Edda . Oxford World’s Classics, 2009
• Matarasso, Pauline M., trans. The Quest of the Holy Grail. Penguin Classics, 1969
• Apollodorus, Hesiod’s Theogony
• Hesiod’s Works and Days
• Ovid’s Metamorphoses, Homeric Hymns
• Virgil’s Aeneid
• Iliad, Odyssey
• Apollonius of Rhodes Argonautica
• Ovid’s Heroides
• Greek tragedies: Orestaia, Oedipus trilogy, Trojan Women, Medea, Hippoolytus, Frogs, Seneca's Thyestes, Dyskolos, Amphitryon
• Clash of the Titans, Hercules, Jason and the Argonauts, Troy (and recent miniseries), Oh Brother, Where Art Thou?

ENGL 492.ST1 Science Writing

Erica summerfield.

This course aims to teach the fundamentals of effective scientific writing and presentation. The course examines opportunities for covering science, the skills required to produce clear and understandable text about technical subjects, and important ethical and practical constraints that govern the reporting of scientific information. Students will learn to present technical and scientific issues to various audiences. Particular emphasis will be placed on conveying the significance of research, outlining the aims, and discussing the results for scientific papers and grant proposals. Students will learn to write effectively, concisely, and clearly while preparing a media post, fact sheet, and scientific manuscript or grant.

Graduate Courses

Engl 575.s01 creative nonfiction.

In this course, students will explore the expansive and exciting genre of creative nonfiction, including a variety of forms such as personal essay, braided essay, flash nonfiction, hermit crab essays, profiles, and more. Through rhetorical reading, discussion, and workshop, students will engage published works, their own writing process, and peer work as they expand their understanding of the possibilities presented in this genre and the craft elements that can be used to shape readers’ experience of a text. Students will compile a portfolio of polished work that demonstrates their engagement with course concepts and the writing process.

ENGL 592.S01: The Vietnam War in Literature and Film

Engl 704.s01 introduction to graduate studies.

Thursdays 3-5:50 p.m.

Introduction to Graduate Studies is required of all first-year graduate students. The primary purpose of this course is to introduce students to modern and contemporary literary theory and its applications. Students will write short response papers and will engage at least one theoretical approach in their own fifteen- to twenty-page scholarly research project. In addition, this course will further introduce students to the M.A. program in English at South Dakota State University and provide insight into issues related to the profession of English studies.

ENGL 792.ST1 Grant Writing

This online course will familiarize students with the language, rhetorical situation, and components of writing grant proposals. Students will explore various funding sources, learn to read an RFP, and develop an understanding of different professional contexts and the rhetorical and structural elements that suit those distinct contexts. Students will write a sample proposal throughout the course and offer feedback to their peers, who may be writing in different contexts, which will enhance their understanding of the varied applications of course content. Through their work in the course, students will gain confidence in their ability to find, apply for, and receive grant funding to support their communities and organizations.