CALL FOR PAPERS:
Special issue of TOPIA: Canadian Journal of Cultural Studies , Spring 2025
On the Work of Rinaldo Walcott
Edited by Ronald Cummings (McMaster University) and Nalini Mohabir (Concordia University)
This special issue of TOPIA invites essays and reflections on the work of Rinaldo Walcott. Since the 1990s, Walcott has been a major voice in contemporary critical theory. His interventions however have never been confined to academic writing. He has been a public scholar and vocal commentator on a range of topics, including Black and Queer life; the neoliberal university; the social and cultural landscape of Toronto; the politics of diaspora; Canadian politics and policies; Black-Indigenous relations; the problem of nation; border violence, and the list continues. He is currently the Carl V. Granger Chair in Africana and American Studies at the University at Buffalo, where he continues to mentor new generations of critical scholars. His output over the past decades has been prolific. However, at the heart of his concerns remains the centrality of Black life for understanding contemporary world making. He is the author of over a hundred publications, we highlight some of his books below.
His first volume of essays Black Like Who (1997) began with a direct and clear articulation of a project of writing blackness “out of bounds.” This idea has taken on different valances and directions across his work. In the introduction to Black Like Who Walcott writes that “blackness as a sign…carries particular histories of resistance and domination. But blackness is also a sign which is never closed and always under contestation…various kinds of blackness are always in progress, always in the process of becoming…” (xiv). Among other things, Black Like Who offered an exploration of the limits and “the Problem of Nation” (71) and mapped a turn to the possibilities of diaspora as a “temporality and spatiality of meaning” (102) that might help us attend to `movements, cultural complexities and multiplicities. At the same time, it is also important to read his work as intervening from Canada interrogating the spatiality of forgetting that often accompanies national narratives. He notes for example how the Black Atlantic often neglects Canada as a site of black diasporic life, while Canadian narratives obscure and disavow a long history and presence of Black life.
We might read the edited volume Rude: Contemporary Black Canadian Cultural Criticism (2000) as a counterpoint to Black Like Who . Both volumes assemble a range of cultural texts including film and visual arts, literature, sports, music, towards an understanding of culture as a site of political and social contestation and remaking and through which we might grapple with the dynamism of Black Canadian expressive culture beyond the binaries of being “celebratory or dismissive” (10). In this regard, the volume inhabits some of the critical promises of the cultural studies turn of the 1990s. Rude notably takes its title from Clement Virgo’s 1995 film. Here the notion of being “out of bounds” takes on additional valances and desires linked to the politics of insubordination and sexuality.
Walcott’s Queer Returns (2016) “returns to familiar themes” (7) engaging questions of “diaspora, multiculturalism, sexuality, nation and citizenship” through a series of essays written in the wake of 9/11, in the shadow of the fall of the twin towers and “the violence unleashed post-9/11 globally” (10). In framing these discussions, Walcott reminds us that “what it means to be human is ultimately at stake” (10). In Queer Returns Walcott not only marks the limits of nation, along lines seen in his previous work like Black Like Who , but also explores the limits of liberal Western conceptions of the human. Walcott notes that “Black people are often so firmly ejected from the current, partial definitions of what it means to be human” (10). However, his examination does not turn towards the rubric of inclusion. Instead, he focuses on the possibilities of the otherwise. For Walcott, “when Black people are centered, other modes of being emerge” (10). We might read Black Life: Post BLM and the Struggle for Freedom (2019), coauthored with Idil Abdillahi, as one indexing of the tensions between “versions of European coloniality/modernity” (25) and their “current global arrangements” (94), including those which shape governmentality in Canada and the “claims we might make on behalf of other forms of knowing and living” (25). The work also centres BLM as one instance of a broader “ethical imperative to produce a different world now” (25), an imperative which is registered in the book’s title as “the struggle for freedom.” According to Walcott and Abdillahi, “the kind of political logic we are calling for requires a different understanding of the world and a new imagination that exceeds this world, as we presently know it, experience it and live it” (95).
In his most recent volumes Walcott’s examination of blackness “out of bounds” has centered on the problem of freedom interlinked with questions of abolition and emancipation. In The Long Emancipation (2021), Walcott notes that “The problem of emancipation is central to the conditions of Black life” (105). He examines freedom as “yet to come”(1). The experience of living in the long emancipation then is “the continuation of juridical and legislative status of Black nonbeing” (3). Walcott maps the persistence of Plantation logics in On Property (2021) demonstrating for instance that “property is a problem” – in the continuing past/ present – a pretext for policing Black people. His call here is similarly for a new order of things: “Abolition is not just about ending current systems; it is also an engaged and creative approach to social organization meant to fully transform how we live together.”
Throughout these volumes Walcott reminds us that “Writing blackness is difficult work” but it is the work that allows us to imagine another kind of world. He closes his recent essay “Towards another shape of the world” with the reminder that “Invention, then, is our inheritance too…The new shape of the world is the end of this one” (131). This call to imagine endings (of anti-Blackness, heteropatriarchy, coloniality, racial capitalism, dehumanization) and to seed new beginnings (of freedom, expression, knowledge) is also reflected in Walcott’s efforts outside of the academy. His writing aimed at a general audience offer incisive critiques of power including the quandaries of “solidarity;” his media interventions critically dissect structures of whiteness; and his engagements, actions, and activism in the public sphere (including Twitter) reflect his intellectual project, a repeated call for that “leap that might introduce ‘invention into existence’ ” (The Black Aquatic, 2021).
TOPIA invites submissions of academic articles, reflective pieces, and review essays for a special issue on Rinaldo Walcott’s substantial and wide-ranging scholarship. Themes and topics include (but are not limited to):
The Editors: Ronald Cummings is Associate Professor of Caribbean Literature and Black Diaspora Studies at McMaster University. Nalini Mohabir is Associate Professor of Postcolonial Geographies at Concordia University.
The deadline for submission of full papers is September 1, 2024 . The special issue is scheduled for Spring 2025, Topia Volume 50. Submissions should be made through Topia’s author submission portal, ScholarOne: https://mc04.manuscriptcentral.com/topia . Manuscripts must follow the journal’s style guide, available here: https://utpjournals.press/journals/topia/submissions
Please direct any inquiries about this special issue to Ronald Cummings ( [email protected] ) and Nalini Mohabir ( [email protected] ).
COMMENTS
Malaysia's multicultural policies have historically given preferential treatment to Malay people through the New Economic Policy, creating imbalances in Malaysian society. This paper considers this policy, explores its repercussions, and provides policy suggestions for resolving entrenched discriminatory practices with more equitable reforms.
That Malaysia has three ethnic groups ignores the diversity within these communities. The categories are a construction of the British who officially treated each group — "native" Malays, immigrants from China, and immigrants from India — as discrete, however great the diversity within them.
1 UNITY IN DIVERSITY: MALAYSIAN EXPERIENCE AND APPROACH Sarjit S. Gill, PhD Ahmad Tarmizi Talib, PhD Jayum Anak Jawan, PhD Faculty of Human Ecology University Putra Malaysia [email protected] ...
Based on the 'universal' values of economic development, democratic governance and cultural diversity promoted by UNESCO, the official policy of the Federation of Malaysia, known as Wawasan 2020 (Vision 2020), promotes modernization with an emphasis on democracy, tolerance, culture and economic development, and asserts the multicultural character of Malaysian society while upholding the ...
In Malaysia over the last decade, a more meaningful form of multiculturalism beyond mere tolerance has been encouraged through the 1Malaysia initiative of the Najib government. This paper explores how a framework of everyday multiculturalism can enhance our understanding of the ways Malaysian youth negotiate formal injunctions to build unity in diversity while an inequitable multiracialism ...
In conclusion, fostering multicultural understanding in Malaysia is not merely a noble aspiration but a pressing necessity for the country's future. This endeavour requires an unwavering commitment to respecting, embracing, and celebrating the rich diversity that defines Malaysia. By developing intercultural skills, empathy, and a shared ...
This paper examines how visual culture can help reconstruct a. multicultural society and argues that Malaysia's plan in creating a national identity will remain a myth as. long as one ethnicity ...
Diasporic Translocation and "The Multicultural Question" in Malaysia. Contrary to perspectives stressing diaspora as a discourse of exile and loss, this essay foregrounds the "national". tendencies and affiliations of diasporic communities. Focusing on the Southeast Asian nation-state of Malaysia,
Malaysia's multiculturalism, as I concluded in previous research, evolved from a plural background into an assimilative one where the dominant Malay community was given preference in the social, cultural and economic realms through the elevation of the Malay language, literature and culture to a national status (Raihanah 2008).
LETTERS:MALAYSIA is one of the most unique countries in the world. There are few other countries with our diversity of race, culture and religion.
Fostering multicultural understanding requires an unwavering commitment to embracing and celebrating the rich diversity that defines Malaysia.
The Culture of Malaysia draws on the varied cultures of the different people of Malaysia. The first people to live in the area were indigenous tribes that still remain; they were followed by the Malays, who moved there from mainland Asia in ancient times. Chinese and Indian cultural influences made their mark when trade began with those countries, and increased with immigration to Malaysia ...
Abstract. Malaysia is a food lover's paradise and Malaysians in general enjoy the diverse culinary heritage of its multicultural society. Although divided by belief, culture and creed, Malaysians ...
Unity in Diversity Through Equality: The Malaysian Dream. Written by Joel Jeshurun, a member of Akar Umbi Kita, a programme for emerging advocates against racial discrimination by Architects of Diversity, Imagined Malaysia, IDEAS and the European Union. This article is published in conjunction with the International Day for the Elimination of ...
Malaysia - Culture, Cuisine, Traditions: Malaysia has a rich cultural life, much of which revolves around the traditional festivities of its diverse population. The major Muslim holidays are Hari Raya Puasa ("Holiday of Fasting"), or Aidilfitri (ʿĪd al-Fiṭr), to celebrate the end of the fasting month of Ramadan, and Hari Raya Haji ("Holiday of the Pilgrimage"), or Aidiladha (ʿĪd ...
Satisfactory Essays. 709 Words. 3 Pages. Open Document. When it comes to diversity, Malaysia is one of the countries which celebrate its diversity. Malaysia is a diverse country which consists of multicultural, multi-ethnic and multilingual society. Here, in Malaysia, the Malaysians are encouraged to practice their own religions, to keep their ...
Essay On Multiculturalism In Malaysia. Multiculturalism describes the existence, acceptance or promotion of multiple cultural traditions within a single jurisdiction, usually considered in terms of the culture associated with an aboriginal ethnic group and foreigner ethnic groups. In Malaysia we have a lot of ethnics for example the most are ...
Malaysian multicultural society is typified by three major ethnic groups, namely Malays, Chinese and Indians. In the Malaysian context, ethnicity is important in the identification of one's religion as well as giving a clue of their affiliated political parties. This paper discusses the meaning of multiculturalism that emphasises the different cultural communities and the governing strategies ...
In Malaysian culture, to do something inappropriate brings ' malu ' (shame, shyness and embarrassment) upon an individual. These feelings of shame are commonly felt when an individual loses ' face '. Face is the quality embedded in most Asian cultures that indicates a person's reputation, influence, dignity and honour.
They are also frequently reminded of their place in this hierarchical social structure. As a result, people's everyday experiences are heavily influenced by politic that drives the multicultural (or clearer still, multiracial) ideology in the country. Race is thus the primary means of cultural and social classification in Malaysia.
Essay On Diversity In Malaysia When it comes to diversity, Malaysia is one of the countries which celebrate its diversity. Malaysia is a diverse country which consists of multicultural, multi-ethnic and multilingual society. Here, in Malaysia, the Malaysians are encouraged to practice their own religions, to keep their ethnic names and use their languages, and to cherish not only their own ...
The mainstream media in Malaysia plays a critical important role in realising 1 Malaysia Concept. The first approach of the mainstream media is used by government as the channel to educate the ideas of 1 Malaysia to the large public. The traditional media such as the television, radio and newspaper have always been the core media of information ...
Combine a city break in Kuala Lumpur with island relaxation on Langkawi for the best of multicultural Malaysia
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Microsoft has increased the monthly subscription fee for PC Game Pass in Malaysia from RM15 a month to RM20.
Informed by a multicultural counselling perspective and drawing on semi-structured interviews with 12 professional counsellors in Malaysia, this study discusses the types of barriers and ...
Cultural Night Run 2024 Batu Maung, Malaysia, 13 jul - jul 14, 2024
Curtis Joachim, president and CEO of the Joachim Group, was required to write an essay to secure a place in a federal program for government contractors.
CALL FOR PAPERS: Special issue of TOPIA: Canadian Journal of Cultural Studies, Spring 2025. On the Work of Rinaldo Walcott Edited by Ronald Cummings (McMaster University) and Nalini Mohabir (Concordia University) This special issue of TOPIA invites essays and reflections on the work of Rinaldo Walcott.