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Learn Khortha (Khotta)
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English to Khortha
I
He
She
You
It
A
Come
Came
Will come
Open
Opened
Will open
Sit
Walk
Eat
Drink
Go
Run
He is eating an apple.
He ate an apple.
I saw the film last week.
She came by bus yesterday.
They went to the village.
He slept the whole night.
He wrote well in the examination.
He has eaten.
He had eaten.
He had gone.
He had come.
He will eat.
He will go.
He will come.
What is your name?
What
Is
Your
Name
What did you do?
What should I do?
What can I do?
What are the questions?
What were the questions?
What is written in the letter?
What you had been told?
What will be the answer?
Why did you come?
Why did you sleep?
Why did you tell him to go?
Why did he bring the bag?
Why did she pay the money?
Why did they sit there?
Why do you drive the car?
Why did they come late for the meeting?
How did you come?
How did you sleep?
How did you drive the car?
How did you write?
How many apples are there in my hand?
How many did you take?
How much did he pay you?
How much distance to go?
How was the journey yesterday?
Which way did you come?
Which is your favourite colour?
In which room did you sleep?
Which story did you tell?
Which is the sweetest fruit?
Which is the best newspaper in Hindi?
Which Indian state has the largest population?
Where are you coming from?
Where did you sleep?
Where is the manager’s cabin?
Where should I go?
Is it a book?
Yes, it is a book.
Is it the answer?
Yes, it is the answer.
Will you come with me?
I shall come with you.
Will you give me your pen?
Yes, of course.
Do you love me?
Yes, I love you.
No. I don’t love you.
Can you give me your pen?
Can you lift the box?
Can you write the exam?
Did you have lunch?
We are happy.
How are you?
I am fine.
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Jharkhand PCS Exam Notes
One Point Solution for JPSC Preparation
Jharkhand is home to a number of languages belonging to three major language families. Indo-Aryan languages include Angika, Bhojpuri, Khortha, Nagpuri, Sadri, Hindi, Urdu, Oriya and Bengali. Jharkhand is also home to the Munda languages, Kurmali, Korku, Santhali, Mundari, Bhumij, Kharia and Ho, and the Dravidian languages Korwa, Oraon(Kurukh) and Paharia (Malto). Santhali , Mundari , Kurukh, Khortha, Nagpuria, Sadri, Khariya, Panchparagnia, Ho, Malto, Karmali, Hindi, Urdu, Bangla etc are the most common languages. In whole of Santhal Parganas area Angika is the primary language for communication.
Santali is a language in the Santali subfamily of Austro-Asiatic, related to Ho and Mundari. The literacy rate in Santali speaking regions is very low, just around 20-30%. It is basically spoken by the tribal people of India. The tribe that speaks this language is quite backward as far as the standard of living is concerned. Most of them work in the coal mines or the steel factories of Asansol and Jamshedpur. The tribe that speaks this language is known as Santhal. There is not a very regular distribution of people who speak the Santhali language. This language is actually a dialect of the Munda language.
Santhali script is called Ol Chiki. This script was invented by Pandit Raghunath Murmu in 1925. Raghunath Murmu is popularly known as Guru Gomke among the Santals, a title awarded to him by the Mayurbhanj Adibasi .”Darege Dhan”,”Sidhu-Kanhu”, “Bidu Chandan” and “Kherwal Bir” are among the most acclaimed of his works.
The Ho language is classified as a member of the Austro-Asiatic language family, The Ho language is mutually intelligible with Mundari. Presently, major chunks of the population reside in Jharkhand
The Hos have affinity with the Mundas, Santals, Kharia, Asuri and Birhori
The Ho language has been introduced through Devanagari script in Jharkhand, Oriya in Orissa and Bengali in West Bengal. In Jharkhand, Devanagari script is more realistic with certain modification. There are certain limitations in perceiving the exact pronunciation. However, Devanagari with minor modification can be used to record nearly exact pronunciation of a Ho word.
Shri Lako Bodra, a pioneer researcher amongst Ho linguists, established and regarded Barang Chiti as an ancient script of the Hos.
Many of the Ho words originated from nature itself. Nature gifted and influenced their language and the way of life. Their language developed in close association with nature and living together with birds and beasts.
The Ho is a sister tribe of the Munda tribal community. It is believed that Ho speakers were originally Mundas. In course of time, some fourteen to seventeen century A.D., they parted aside for unknown reason and migrated from Bandhgaon-Khunti region and settled down in Singhbhum.
Kharia is one of the Austro-Asiatic languages chiefly spoken in Jharkhand, some parts of Orissa, Chattisgarh, West Bengal, Bihar, and Assam. The origin of Kharia language is based upon the nature. It is the combination of Root theory, imitative theory, interjectional theory and evolution theory which derives from the sound of nature, animals, birds clashing of trees and after all the outcome of human feelings. The social behavior was also injected practically at their expression. Gradually, the sounds develop as speech and other grammatical forms, which show their intimate union with the nature. For them, nature became the mother of Kharia language and literature.
Kharia language is generally written in Devnagari and Bengali script.
Kudukh (Oraon)
Kurukh belongs to the Northern Dravidian group of the Dravidian family of languages,and is closely related to Sauria Paharia and Kumarbhag Paharia, which are often together referred to as Malto.
Kurukh is written in the Devanagari script, a script used to write Sanskrit, Hindi, Marathi, Nepali and other Indo-Aryan languages.
Narayan Oraon, a medical doctor, has invented the Tolong Siki script for Kurukh language. Many books and magazine have been published in Tolong Siki script.
The language is marked as being in a “vulnerable” state in UNESCO’s list of endangered languages.
The Kurukh Literary Society of India have been instrumental to spread the Tolong Siki script for Kurukh literature.
Mundari (Munda)
Mundari (Mu??a) is a Munda language of the Austroasiatic language family spoken by the Munda people, and is closely related to Santali and Ho. Mundari is primarily spoken by Munda tribal people in east India, Bangladesh, and Nepal. “Mundari Bani”, a script to write Mundari Language was invented by Rohidas Singh Nag
In the beginning Roman Script was used to write Mundari language and literature because of the Christian Missionaries who had begun to write the Mundari language in Roman lipi, after independence Devnagari Script is used for writing Mundari language.
Khortha (Khotta) is a dialect of Maithili spoken in the Indian state of Jharkhand , mainly in 13 districts of two divisions: North Chotanagpur and Santhal Pargana .
Nagpuri (Sadri)
Sadri language is considered as a branch of Prakrit Language. It is even regarded as a sister language of Bengali, Maithili and Oriya.
This Sadri language inhabits under Indo European Language family. This family also contain some groups under it which are as follows:-
Indo Iranian
This Sadri language is rich in literature. Several magazines and books are published in Sadri language in number of regions of India. The most well known Gharaiya Guith which is a monthly magazine Johar Sahiya was published is recently printed in Ranchi city
This Sadri language includes some alternate names which are as follows: -Sadana, Sadani, Sadrik, Sadna, Siddri, Santri, Sradri, Sadan, Sadhari, Nagpuri, Nagpuria, Dikku kaji, Chota Nagpuri, Ganwari, Gawari, Jharkhandi and Gauuari.
The dialects of Sadri language includes the following dialects such as: –
Nurpur Sadri,
Borail Sadri,
Mokkan Tila Sadri and
Uchai Sadri.
This Dravidian language which is also a group of Indo Aryan language is written in Bengali script and Latin script.
Panchpargania(kurmali)
Kurmali , or Kudmali, is one of many dialect variants of Hindi which is spoken in Jharkhand, Kurmali is generally linked to the Kudumi Mahato (also known as Kurmi, Mahanta or Mohanta) community of Jharkhand
The Jharkhand intellectuals claim that Kurmali may be the nearest form of language used in Charyapada. As a trade dialect, it is known as Panchpargania , for the “five districts” of the region it covers.
This language has excellent heritage of folktales & folklores as well as many of remarkable play-writes, stories, poems & novels contributed by renowned Panchpargania writers
Panchpargania is written with Bengali script by some people particularly in the border areas of Jharkhand & West Bengal. Most of the people use Devnagari (Nagari) script; However, it being written in Kaithi is also known.
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2021, Naad Nartan Journal of Journal of Dance and Music
Folk music is an ancient form of music. This word comes from a German word "Volk", it means "the people". Every community or society in the whole world has their own traditional Folk music whether it is Chile, Germany or India. Especially India has a very rich and diverse culture of Folk music. Here I am writing about one of the most famous Folk music of Jharkhand that is "Khortha". This language is spoken by approximately 1.5 Crores people of Jharkhand. The objective behind writing this article is to make society aware about "Khortha's" beautiful folk music and its rich Folk culture. This article will give little bit of exposure to Khortha Folk music and it will help scholars who are working on Folk music. Descriptive research methodology has been used for writing this article. Khortha is such a beautiful and famous language of Jharkhand that it should also reach to different parts of India. And this is one authentic way of giving respect to this Language and its culture which it truly deserves.
Lokogandhar
Dr. Ashis Chakraborty
Delhi Metropolitan Education
Shubham Kumar
Amongst the traditional art forms, folk art forms including folk dance and music have been the greatest affected. One such art forms include an indigenous art form named 'Khortha' that has its roots and origin in Jharkhand. As a state Jharkhand too has been on the brink, sidelined by the mainstream media. However, whatever little remains of this art form that has managed to survive, the main contributor has been the media. This paper focussed on how books and the newspapers have kept this art form alive since ages and continues to do so.
Simona Sarma
Granthaalayah Publications and Printers
'Ganda Baja' is a hardly discussed topic in scholastic works of Indian folk music. It is one of the major and unique folk music traditions in western-Odisha folk culture. Presently, it is going through a phase of transition which could determine its very existence. The new generation constantly in a search to contextualize the music that would sound trendy to the present-day music market, yet it is searching scopes to reach a level in terms of music quality and to justify the core. On the other hand, the cultural elites trying to filter the music that would be conducive to proscenium, but the original music and musicians remain marginalized. With the notion of up grading music, somewhere the transition is causing a distortion to the music and rarely addressed with that gravity. However, the traditional musicians and their music have always been rooted in traditional aesthetics. This study addresses on few degenerative factors that causing a huge distortion to Ganda Baja in the process of transition. The distortions that need more scholastic attentions are (1) the changing styles of music performance practices and the platforms, (2) the music making with overridden musical assimilation, and (3) the changing connotations in the scholastic works. The Ganda Baja musicians are excluded in current cultural happenings. This study aims at bringing Ganda Baja and the musicians to limelight both in the music literature and cultural platforms. It invites scholastic attentions to way out solutions that would produce music without a distortion.
International Journal of Economic Perspectives
Ritesh Chaudhary
Each part of India has its distinct style of traditional music. Folk music is a vital part of folk culture because it allows individuals to express themselves in a language they already understand. Culture's significance resides not just in fostering individual and collective expression and inquiry but also in fostering originality as a source of societal power. India's unity reflects the country's many different cultures, languages, and religious practices. Human closeness is supported, in part, by cultural norms that serve as a kind of prerequisite. There is little doubt that India's folk culture has enormous commercial potential thanks to its traditional chic sensibility and credibility. Music that has only been passed down orally, such as in the Indian tradition or the context of the folk speech, is called "oral tradition" music. Because of the sheer breadth of its musical history and cultural diversity, the Indian subcontinent has the opportunity to discover a wide range of human musical expressions.
Journal of Research in Music
Dr. Rohan Nethsinghe
Folk music is the music of the people. People have used folk songs to express different emotions. This research paper argues that the social processes that have shaped Sinhala folk music are multifaceted and have significant cultural and historical implications. By exploring the different categories of Sinhala folk music and their purposes of usage, this study aims to fill the research gap in understanding the characteristics and functions of this musical tradition, highlighting its role in preserving the cultural heritage of the Sinhalese people. Brief explanations of why these songs were used, including how lyrical characteristics and meanings are applied for grouping and naming, are included. Literature on Sri Lankan Sinhala Folk Music that has been published over the years in journals, books, research reports, web articles, and other materials was analysed using qualitative content analysis. It was found that people sing these songs mainly to express their feelings and emotions ...
Daniel Neuman
It has been almost 50 years since Harold Powers published his important article on Indian music in the English language. Since that time there has been a vastly increased number of scholarly books and articles in English on various aspects of Indian music and its socio-cultural traditions, including more recently, many studies on non-classical forms. In this paper I begin with the issue of ethnomusicology in India, and following this with an overview of some of the important works published in North America and Europe. I organize these studies in terms of their major themes of history, ethnography, gender, regional and popular music traditions and some of the theoretical streams that now characterize them.
Smita Jassal
Wadahunlin Kharlukhi
This is a study on the techniques of singing Khasi indigenous vocal music by first understanding its structure. This study is also an attempt to compile and document the different techniques involve in singing Khasi indigenous songs right from the songs that has been sung for generations altogether to the songs of contemporary composition which are however based on a similar structural pattern. This endeavor of documenting Khasi indigenous vocal music is part of the conservation of Khasi music which thus aims at conserving the musical identity of the Khasi people. The key-finding in this research is the melismatic nature of Khasi indigenous vocal music. Though there are differences in the geographical settlement, the dialect spoken, the intonation in speech as well as in singing, yet the melismatic structure of the melody in these three study area binds them in one accord of Khasi indigenous music. Melismatic singing in Khasi indigenous vocal music is described as kyriah. How to sin...
International Journal of Social Sciences
John Gaikwad
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Asian Music
Stefan Fiol
Subhash R Prajapati
Fikri Arief
Zubair Torwali
Interlocking dimensions of Hindustani music: texts of caitī, kajrī, and jhūlā
Erika Caranti
Dr.Mahendra K U M A R Mishra
Irfan Zuberi
Journal of Humanities and Social Sciences Studies (JHSSS)
Gibb Schreffler
Harmony Siganporia
Authors Press
Nidhi Verma
Asian Music 52(1), 30-56
Bambang Sunarto
Vivek Virani
William J Jackson
American Ethnologist - AMER ETHNOLOGIST
MARIE GILLESPIE
Noé Dinnerstein
Victoria M . Dalzell
Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018)
Bilambita Banisudha
Arpita Ghatak
Ijariit Journal , Palme Borthakur
Durgesh Upadhyay
Indialogs Spanish Journal of India Studies
Mohan Ramanan
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By William Baude
Mr. Baude is a professor of law at the University of Chicago Law School.
At the end of another momentous term, the Supreme Court has issued major rulings that will reshape the law. Like much that the court does today, these decisions, in areas like administrative law, have been widely criticized as corrupt or illegitimate.
For the most part, this criticism does not give the Supreme Court enough credit. In case after case, it has rightly emphasized the importance of turning to historical understandings in deciding constitutional cases rather than imposing modern policy views. Most of the court’s decisions are principled and sound — most but unfortunately not all.
There were two particularly salient blemishes on the court’s performance this year — and they are particularly unfortunate because they related to Donald Trump.
Still, for most of the term, the court based its decisions on historical understandings. Perhaps most significant, it has imposed important limitations on the administrative state, sharply limiting the ability of agencies to impose regulatory fines without a jury and holding that courts, rather than agencies, will be in charge of deciding whether ambiguous laws forbid new agency initiatives. The court has also increased the power of cities to displace unhoused people from public spaces, curtailing an activist string of rulings from the Court of Appeals for the Ninth Circuit. In these cases, Justices Sonia Sotomayor and Elena Kagan dissented orally from the bench. Yet the same logic has led to some victories for the Biden administration, too.
The court rejected an important challenge to the Consumer Financial Protection Bureau’s appropriations structure in an originalist opinion by Justice Clarence Thomas, with an emphatic concurrence about the importance of history joined by the cross-ideological group of Justices Kagan, Sotomayor, Brett Kavanaugh and Amy Coney Barrett. The court upheld a federal gun control statute dealing with domestic violence by an 8-to-1 vote, with many justices thoughtfully discussing the role of history in shaping these cases.
In other high-profile cases, the court has insisted on enforcing the Constitution’s limits on judicial power, rejecting challenges brought by conservative activists because they lacked standing to bring those challenges into federal court. In doing so, the court showed that the doctrine of standing, which has often been used to curb lawsuits by environmentalists and consumer protection groups, can also be used to block right-wing lawsuits and is not just a shield for one cause or ideology.
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IMAGES
VIDEO
COMMENTS
The prime focus of the study is to consider Khortha, a tribal language being spoken in Jharkhand and its neighboring states, as an endangered language.
Khortha (खोरठा) Khortha is a Bihari language spoken in the north of the state of Jharkhand in the northeast of India by about 8 million people. It is spoken mainly in the divisions of North Chotanagpur and Santhal Pargana, and is used as a lingua franca between different linguistic communities.
Khortha (also romanized as Kortha or Khotta) or alternatively classified as Eastern Magahi [4] is a language variety (which is considered a dialect of the Magahi language) spoken primarily in the Indian state of Jharkhand, mainly in 16 districts of three divisions: North Chotanagpur, Palamu division and Santhal Pargana. [3]
The prime focus of the study is to consider Khortha, a tribal language being spoken in Jharkhand and its neighboring states, as an endangered language. Khortha is fading away and is on the verge of losing its identity, the paper hence discusses some of the preventive measures to revitalize the language and safeguard it from getting extinct.
The current status and demographic profile of Khortha suggest its usage as a link language among the other indigenous language communities (i.e. Munda, Bedia, Kurmali, etc.) as well.
This paper describes the linguistic outline of Khortha language, which is spoken in the state of Jharkhand, India. Khortha is the second most spoken language after Hindi in the state of Jharkhand, with approximately 80 million speakers (As per the Govt. of India, census reports 2011). The paucity of the language resources in Khortha played a vital role in motivating us for the present work ...
The present paper highlights a detailed account of the linguistic profile of the language 'Khortha'. Khortha is a less resourced language spoken at fifteen districts in the state of Jharkhand ...
Four Indo-Aryan linguistic varieties are spoken in the state of Jharkhand in eastern central India, Sadri/Nagpuri, Khortha, Kurmali and Panchparganiya, which are considered by most linguists to be dialects of other, larger languages of the region, such as Bhojpuri, Magahi and Maithili, although their speakers consider them to be four distinct but closely related languages, collectively ...
This library has been posted for non-commercial purposes and facilitates fair dealing usage of academic and research materials for private use including research, for criticism and review of the work or of other works and reproduction by teachers and students in the course of instruction. Many of these materials are either unavailable or inaccessible in libraries in India, especially in some ...
This chapter emphasizes the language diversity of Jharkhand and its importance for digital preservation. The chapter highlights the multilingual characteristics of the region enlisting several languages of Jharkhand spoken across the states among tribal and non-tribal groups. It highlights the importance of language preservation, its historical ...
We adopted the ToBI (Tones and Break Indices) framework fortranscription, annotation and analysis of the Khortha speech prosody. Khortha, an IndoAryan language is the second most spoken language after Hindi in the state of Jharkhand,India, with approximately 80 million speakers (Census reports 2011).
Khortha (also romanized as Kortha or Khotta) or alternatively classified as Eastern Magahi [4] is a language (which is considered a dialect of the Magahi language) spoken primarily in the Indian state of Jharkhand, mainly in 16 districts of three divisions: North Chotanagpur, Palamu division and Santhal Pargana. [3] Khortha is spoken by the Sadaans as native language and used by the tribal as ...
Khortha is the second most spoken language after Hindi in the state of Jharkhand, with approximately 80 million speakers (As per the Govt. of India, census reports 2011). The paucity of the language resources in Khortha played a vital role in motivating us for the present work. The methodology adopted for the present study comprises linguistic ...
Khortha Language Ad Literature - Free download as PDF File (.pdf), Text File (.txt) or read online for free.
Khortha is officially recognized as the second most spoken language of the state (Hindi being the first one) with a total number of 4725927 speakers using Khortha as their first language or the mother tongue (Census 2001). The Census 2011, reports approximately 80 million Khortha speakers.
CCSMH21 PAPER / TFT - || 806805 KHORTHA LANGUAGE AND LITERATURE . rfurmrirfu suB]ECT CODH /finqis : 07 Full Marks : 150
Offers basic words and sentences for learning Khortha language.
Dr. Nageshwar Mahato has researched and discovered this lipi (script) of KHORTHA Language and rearranged all the alphabates for the same in this book. He has also created the Grammer for this language using the dilects of khortha speaking people from a wide area.
This language is spoken by approximately 1.5 Crores people of Jharkhand. The objective behind writing this article is to make society aware about "Khortha's" beautiful folk music and its rich Folk culture.
Khotta Bhasha is the language of the Khotta people, a small group of people who inhabit in the state of West Bengal. [1] There is a language in Jharkhand and in western borders of West Bengal, called Khortha (sometimes it is also called Khotta) is a well established language with its own literature. But Khotta Bhasha which is spoken in West ...
Literature and Writes Of Jharkhand Jharkhand is home to a number of languages belonging to three major language families. Indo-Aryan languages include Angika, Bhojpuri, Khortha, Nagpuri, Sadri, Hindi, Urdu, Oriya and Bengali. Jharkhand is also home to the Munda languages, Kurmali, Korku, Santhali, Mundari, Bhumij, Kharia and Ho, and the Dravidian languages Korwa, Oraon (Kurukh) and Paharia ...
Here I am writing about one of the most famous Folk music of Jharkhand that is "Khortha". This language is spoken by approximately 1.5 Crores people of Jharkhand. The objective behind writing this article is to make society aware about "Khortha's" beautiful folk music and its rich Folk culture.
Guest Essay. Today's Teenagers Have Invented a Language That Captures the World Perfectly. ... It's a distinct language created for a society that's characterized, online and off, by ...
The court rejected an important challenge to the Consumer Financial Protection Bureau's appropriations structure in an originalist opinion by Justice Clarence Thomas, with an emphatic ...