main point of the essay

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

Finding the Main Point

No matter what you are reading or why you are reading it, you want to make sure that you understand the main point. The main point is the key idea that the author is trying to convey in the text.

The techniques in this section apply best to nonfiction work, including scholarly articles, informational texts, textbooks, and arguments. While they can also be used for fiction or creative nonfiction , strategies for reading literature often work better for these types of texts because literary texts don’t always have a clear main point. If you are reading fiction or creative nonfiction, I recommend asking your professor for guidance.

The techniques in this section can be used separately, but they can also be used together.

Break the Reading into Sections

Just like chapters in a novel, informative and other nonfiction texts are often made up of sections. A section of a text has a point of its own. You can think of sections in a text like building blocks, each adding to the structure and content of the whole. In this fashion, each section should contribute at least one key idea to the main point.

Keep in mind that it often takes several paragraphs to work through the explanation of a single point. A section might be as short as a single paragraph, but it also might be much longer—six, eight, ten paragraphs long.

You can treat each section as its own little mini-text and work to find the main point of that section. If you understand the point of each section, you can often piece together the main point by combining the points of the sections.

It is usually helpful to try to summarize each section of text in one or two sentences. When you read those sentences together, you can often more easily see the main point. This approach can also get you started on a full summary of the text.

Texts with Obvious Section Breaks

Sometimes sections will be obvious because they will be labeled with headings. You’ll see this in textbooks, for example. These headings work like titles in that they can give you clues about the contents of that section.

Sometimes, headings are conventional . For example, in scholarly research essays in many fields, headings such as “ method ,” “ results ,” and “ discussion ” tell an experienced reader what kind of information to expect in each of those sections.

Even if you don’t find any headings, sometimes you’ll see extra space between paragraphs, often with a decorative symbol (like ‡). Even though these dividers have no heading, you can still treat them as sections, but without the information that a heading would provide.

Texts Without Obvious Section Breaks

Sometimes, there are no headings or spacing to guide you in dividing up a text. That doesn’t mean that there aren’t sections. You just have to look harder for them.

Look first for changes in topics. In some texts, authors will talk about a series of topics that are related but are clearly distinct from one another. For example, a text that describes harms caused by climate change might discuss different kinds of harm—harm to plants, harm to animals, and harm to people—and each of those could be considered a different section.

Other times, however, the changes in topics aren’t obvious. In these cases, your best approach is to look at the opening sentences of paragraphs for the transitions :

• Transitions that show similarity (e.g., “also,” “likewise”) or example (e.g., “for instance,” “specifically”) usually do not indicate a section change. These signal that the author is continuing the same point.
• Transitions that show contrast (e.g., “however,” “on the other hand”) or sequence (e.g., “first,” “second,” “next”) frequently do indicate a section change. These signal a change in perspective or topic.
• Other types of transitions, such as those dealing with time (e.g., “before,” “recently”) or consequence (e.g., “therefore,” “accordingly”) may or may not signal a section change. You’ll have to read further or look for other clues.

Transitions are not always just single words, so you may have to look at the structure and meaning of those opening sentences to see how they are setting up the topic of the current paragraph.

Let’s take the following sentence and assume that it appears at the beginning of a paragraph: “While some may agree with Jones, others disagree.” Technically, there is no transition word in that sentence, but there is a transition idea. The first part of the sentence (“Some may agree with Jones”) gestures backward to what has already been discussed (Jones’s ideas). The second part (“others disagree”) signals that disagreement with Jones will be the subject of at least this paragraph, and maybe more.

Once you have identified sections, you can start working on understanding the point in each one and how that point contributes to the main point of the text.

A quick glance at Mitchell’s text shows three sections. Two of them have headings: “Segregated Coexistence” and “Living in Community.” The other section appears at the beginning of the article, so you could think of this one as “Introduction.” By the time I reached this point in the reading process, I’ve already read the article, so I should be able to identify the key ideas in each section.

Given these headings, I would expect that the introduction would set up the article as a whole and would introduce key terms and concepts—the kind of work that introductions do in just about any article. The introduction explains that diversity is not just demographics. It also explains that the “quality of diversity” is a term that Mitchell is using to think about how Americans live together and how we handle the fact that there are differences among us. He says that there are two “stances”: “segregated coexistence” and “living in community,” which are the other two headings in this article.

“Segregated Coexistence” is the state of affairs now. He points out statistics and census data that show that we live in enclaves, grouped by race and ethnicity. He claims that such segregation creates a base for racism since it places some people in worse conditions than others and grouping like this makes other kinds of discrimination easier.

“Living in Community” is integration. Mitchell says that this is hard because we will have to acknowledge genuinely the race-based harms that have been done, address those harms, and make real changes in our current society so that such harms are avoided. This will only happen if we want it to work.

The last few paragraphs of this section aren’t describing “living in community.” Instead, they are doing some conclusion work, and I’ll talk about this in the next section.

Because I believe that I’ll need the points in those last four paragraphs to explain the main point, I’ll save my thoughts about the main point for the next section. However, notice that my division between this section “Breaking the Reading into Sections” and the next “Focusing on the Ending and the Beginning” is artificial. That is, you would look at the ending and beginning of Mitchell’s article as part of breaking the reading into sections.

If I’m taking notes on the sections, I would almost certainly see that the last four paragraphs are really a separate section, just without a section break. Why do I see it as a separate section? At the paragraph beginning with “Doing that work,” Mitchell changes topics from explaining the work of living in community to talking about the foundational question we need to answer, “How should we treat those whom we see as different from us?”

Using the article that you’ve chosen from the example assignment , identify the sections, and write out notes on the key ideas in each one.

Compare your notes with those of a classmate working on the same article. Talk through any differences to help you understand the focus of each section and ultimately identify the main point of the article.

Focus on the Ending and the Beginning

When we read, we remember best what we read last. Authors know this, so they often make sure that they provide some kind of clarity about their main point at the end of a text. If a text is intended to be read through to the end, you are very likely to find the main point there.

Not all genres put their main points at the end.

Some, like newspaper articles, put their main point up front—usually in the first sentence. Newspaper articles are written with the expectation that most readers will read the headline and a few paragraphs of the story, so the main point is put right at the beginning (in what is called the “lead”).

This is also true for articles that use IMRD structure. IMRD stands for Introduction, Method, Results, Discussion, and this structure is very common in scholarly research articles in the natural and social sciences. In those articles, the main point can be found in the abstract, within the first couple of paragraphs of the discussion section, and sometimes in the introduction.

If you aren’t sure whether you are reading something that places the main point in an unusual place, you should ask your professor for more guidance.

We remember best what we read last, but we also tend to remember what we read first. If you don’t see a main point at the end of a text, look back at the beginning to see if it’s there. It may also be in both places and a repeated idea is usually a pretty big signal that you have found the central idea.

In my example set of notes in the last section, I noted that the last few paragraphs of Mitchell’s article aren’t really focused on “living in community.” In the last four paragraphs, he talks mostly about the debates in our society about how we should treat people from races and ethnicities that are not our own. He says that we should figure out what we want our real-world lives to be like when we think about diversity and that diversity is not just a theoretical issue for debate.

He doesn’t give us an answer directly, but it’s pretty clear that he thinks living in community is a better option than segregated coexistence. First, he puts living in community last, which is a signal that he thinks it’s more important. Second, he talks about things like “domestic stability” in ways that imply that we’ll be more stable if we were integrated rather than segregated.

Even though I was pretty sure I had found his main point, I checked the beginning, too, just to be thorough. The beginning focuses on the idea of the quality of diversity in America and how that concept is central to the debates about race relations happening at the time. In other words, he thinks we need to deal with this choice if we want our circumstances to get better.

So, when I put the beginning together with the ending, I see him focused on this central point: that Americans need to think actively about the real-world effects of choosing segregation (our current situation) over integration, which has a much better chance of providing stability in our society. He also suggests that we’ll be better people for choosing living in community.

Using the article that you’ve chosen from the example assignment , examine the ending and then the beginning, and write out notes on the key ideas in each one. Coupled with your notes from the sections, you should be able to write a sentence or two that explains the main point of your article.

Compare your notes and your sense of the main point with those of a classmate working on the same article. Talk through any differences that will help you strengthen your understanding of the main point.

Follow the Topic Sentences

Topic sentences are the sentences that sum up the main idea in a paragraph. In longer paragraphs, they help readers (and writers) remain focused on the key point. But topic sentences can also be read together to get a clearer idea of the main point of an article or chapter or even a section of a text.

Topic sentences are often, though not always, the first sentence in a paragraph, but they can appear anywhere. Since there is no hard and fast rule about their location, you want to watch for them. After you read a paragraph, go back and look specifically for that summary idea, the one that pulls together the specific information in a paragraph.

When you string topic sentences together, you get the gist of the author’s point in a text. You can highlight those sentences in your text, but it might also help to copy those sentences into a separate document and read them together. They won’t sound coherent, but if you focus on the ways in which the ideas develop, you should be able to identify the main point of the article.

This approach doesn’t work with Mitchell’s text. None of his paragraphs are longer than two sentences, so I wouldn’t bother trying to identify the main point this way.

Just to show you what this approach looks like, though, let’s take the introduction to the book To Be An American: Cultural Pluralism and the Rhetoric of Assimilation by Bill Ong Hing, one of the titles I used to discuss subtitles.

The introduction is made up of fourteen paragraphs, averaging just under five sentences per paragraph. Here, I have copied those topic sentences, including information after each about which sentence number it is (the first number) and how many sentences there are in the paragraph (the number after the slash).

¶1 This paragraph has no topic sentence. Instead, there are three sentences of examples of proposals and legislation that would limit immigration and services for immigrants and undocumented residents.

¶2 “Is there any doubt that we are experiencing one of the most potent periods of anti-immigrant fervor in the United States?” (1/6)

¶3 “Much of America is hurting economically, insecure about its economic future…. To many who make up this part of America, the explanation that restrictionists (those who would severely reduce immigrant visas) offer up—the immigrant as culprit—makes sense.” (1/7 and 4/7)

¶4 “Since 1965, America has experienced significant demographic changes.” (1/5)

¶5 “Not since the first decade of the twentieth century—when southern and eastern Europeans entered in large numbers for the first time—has there been such a dramatic change in the ethnic composition of the nation.” (7/7)

¶6 “These demographic trends, altering the ethnic composition of America, have defined the debate for many modern-day restrictionists on what it means to become an American.” (1/5)

¶7 “Underlying the debate over immigrants and American identity is a concern about the interaction, or lack of interaction, among different racial groups.” (3/3)

¶8 “The current level of anti-immigrant rhetoric is simply not justified on economic grounds.” (3/3)

¶9 “Until we can understand the real causes of our fears about job loss and public bankruptcy, we cannot evaluate immigrants’ actual collective role in our economy.” (2/7)

¶10 “Because the principal complaint of restrictionists today is culturally and socially premised, the primary purpose of my efforts here is to analyze the positions of two broad groups: first, the assimilationists, whose opposition to current immigration is chiefly grounded in cultural or social complaints, and second, the cultural pluralists, the counterpart to the assimilationists, who promote diversity or multiculturalism…. We must all be encouraged to consider a new approach to cultural pluralism which respects diverse views and cultures, which is constantly attentive to race relations, and which shares a common core set of values.” (1/7 and 6/7)

¶11 “In their current attack on the influx of Asian and Latino immigrants and criticism of interethnic group conflict and separatism, assimilationists essentially posit two solutions: terminate or drastically curtail immigration; and Americanize those who are here. In response to these proposals that are couched in a rhetoric of culture, I set forth my own constantly evolving notions of cultural pluralism and what it means to be an American.” (1/2 and 2/2)

¶12 “Immigrant adaptation, and the creation of a common core, must be viewed as the dual responsibility of the immigrant and the mainstream.” (8/8)

¶13 “As I consider these issues, my experiences growing up in a multicultural community and working with immigrants seem relevant.” (1/4)

¶14 “Restrictionists and pro-immigrant advocates do agree on one critical point: we face a defining moment in the nation’s history. The course we choose will tell us much about ourselves.” (1/2 and 2/2)

Notice that sometimes I need to identify more than one sentence to get the point of a paragraph, and when there are two-sentence paragraphs, I really need both of them to be sure about the point.

It also helps to think about where in this book this part of the text appears. The introduction to a book, much like the introduction of an article, should give an overview of the text and lay out the central terms or concepts.

From reading these sentences, especially after reading the full introduction, I can see that the book is going to focus on the positions of “restrictionists” (defined by Hing as “those who would severely reduce immigrant visas” ¶3; a group which includes those who believe that anyone who immigrates here should assimilate with American culture) and cultural pluralists (“who promote diversity or multiculturalism” ¶10). According to this introduction, Hing’s book will be examining these positions in light of his own experiences and in relation to the idea that there are (or should be) a set of core values that define what it means to be American. Hing plans to argue the need for immigrants to be involved in defining that set of core values.

Using the article that you’ve chosen from the example assignment , or another text you’re working on, first decide whether this approach will help. Remember that it really only works when you have long-ish paragraphs with topic sentences.

If your article has this kind of paragraph structure, copy out the topic sentences into a new document. Using these sentences as a guide, explain the main idea of that article.

If your article does not, locate another reading that you are working on, perhaps for another class, and try this approach. Again, using the sentences that you copy out, explain the main idea of the text.

Compare your notes and your sense of the main point with those of a classmate working on the same text, even if it’s not one of the texts here. Talk through any differences that will help you strengthen your understanding of the main point.

Eliminate the Examples

Some texts use a lot of examples. While examples help us understand the point, just like the voices of others in a text, they will never actually contain the main point of a text. If you find yourself getting caught up in the details or the stories in an article, you can temporarily get those out of the way.

Try printing out a hard copy or copying the article (or the difficult part of it) into a word processor. Then cross or black out everything that is an example. What you are left with will be the author’s explanations, and while what’s left won’t give you a coherent explanation, it should help you find the main point.

Here’s what happens when I remove the examples from Mitchell’s “Segregated Coexistence” section:

Working on a copy of one section from the article that you have chosen, eliminate the examples. Using a black pen or highlighter, cross out or cover over everything that is an example, whether it’s a complete paragraph, a sentence, or part of a sentence. Read what’s left, and write a brief description of the main point of that section.

Identify Who Is Talking

Most authors include viewpoints other than their own in their writing, and if you are going to understand an author’s point, you must know when the author is speaking in their own voice and when they are using the words and ideas of others. Most of the time this can be seen through citation or attribution, which is when credit is given to a source even when no citation is provided.

To determine when the author is speaking and when the author is using the voices of others, look for the following:

• Quotation marks and the attributive tags that go with them: Jones says, “The sky is gray today.”
• References to specific people or organizations in the same sentence or in the sentences immediately around the point, even without the quotation marks: United Airlines has made a point of saying that the sky is gray.
• Vague references to groups of people, with or without sources provided: Some say that the gray has a yellow tint.
• Citations or links to other sources for the information: The yellow tint to the gray can be caused by the sun (Jones and Smith, 2016).

You might find it helpful to identify in your annotations or notes how the author is using these voices, either as supporting or opposing voices.

Supporting Voices

Frequently, these viewpoints are supporting the author’s position or providing authority for their claims. In effect, the author is saying, “See? These other important and knowledgeable people agree with me!”

While these supporting viewpoints are helpful and even necessary, they are not the same as the author’s viewpoint, and so you won’t find the main point in these supporting voices.

Mitchell uses a number of sources to support the ideas he is presenting. Here are a couple of examples:

• He quotes the Othering and Belonging Institute report on the ways that most people living in metropolitan areas feel they are more segregated now than in 1990 and how the legacy of the redlining practices of the 1930s can be seen in present-day segregation. This supports his claim that we currently live in segregated coexistence.
• He paraphrases Eric Yamamoto to explain what would be involved in the process of interracial justice that would lead to racial reconciliation. This supports his point that a change to living in community would be difficult.

Notice that in both of these, Mitchell himself still has to make his own points. In other words, the Othering and Belonging Institute isn’t making a specific claim about segregated coexistence—that’s Mitchell’s claim. And Yamamoto is not explaining living in community. Again, that’s Mitchell’s point. The sources just provide support for the point that Mitchell wants to make.

Opposing Voices

Sometimes it can seem like an author is contradicting themselves. While sometimes this is true, usually, the author is presenting someone else’s viewpoint as part of their argument. This is called a counterargument .

In a counterargument, an author will present an opposing idea in order to respond, usually in a way that explains why the author’s idea is better. For example, an author who wants to argue against the use of facial recognition technology might explain what others see as the benefits before making the case that this technology is too racially biased. You want to make sure that you understand when you are reading the author’s point and when you are reading the point of a source.

Mitchell does not directly cite or attribute any opposing arguments. There are no quotations or paraphrases from people who oppose his position. However, the opposing positions are still there. Here are a couple of examples:

• “We tend to think of diversity in demographic terms….” That “we tend” is vague, and it becomes more clearly a point Mitchell opposes when in that same sentence he writes “but that’s an incomplete take.” By offering a contrasting position immediately, we know that Mitchell doesn’t think that it’s enough to use demography to determine diversity.
• At the beginning of the “Segregated Coexistence” section, he writes, “Segregated coexistence is a standard of diversity that relies on a surface-level demography that you could call ‘diverse’ because different races all live in one geographic region….” We know that this isn’t his position, even though there isn’t a citation or attribution because he says, “that you could call ‘diverse.’” This phrasing, plus the use of the scare quotes around “diverse,” tell us that he doesn’t buy that position, even though some people do.

There could be several reasons why Mitchell chooses not to identify specific sources for opposing positions in his article. He might, for example, prefer to focus on the alternative he proposes instead of getting caught up in the specific arguments around segregation. Or he might want to imply that these beliefs are vague, something we all seem to “know” without really knowing where the ideas come from. There could be other reasons, too.

Finding the Main Point in the Author’s Voice

Authors bring in other voices to support their ideas or to explain where their ideas are preferable. These supporting voices serve as evidence in their writing, but just like examples, the evidence cannot speak on behalf of the author. The author must do their own speaking, particularly on their main points.

Keep this in mind as you read and make note of who is speaking at any given point in a text. The voices of others are not the author’s voice—and thus will not contain the author’s main point. These voices will be support and evidence, and they can help you identify the main point, but they cannot be the main point.

• The main point in a text is the key idea that the author is trying to convey.
• Break the reading into sections, and identify the main point of each section. Put those together to figure out the main point of the entire piece.
• Look at the ending and beginning of the text, especially the ending.
• Examine the topic sentences of each paragraph, particularly when the paragraphs are long.
• Eliminate the examples.
• Be sure that you locate the main point in a section where the author is making their own point—not where the author is using a source or making a vague point about what some people know or believe.

Text Attribution

This section of this chapter headed “Follow the Topic Sentences” contains material taken from the chapter “Paragraph Analysis” from The Word on College Reading and Writing by Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, and Nicole Rosevear and is used under a CC BY-NC 4.0 license.

Storytelling about real-life people or events.

Normal or usual for a given field or community. See also "convention."

The section of a research article describing the materials and procedures of the study at hand.

The section of a research article describing the findings of the study.

The section of a research article describing the most important results and what those results mean.

A word or group of words that guide the reader logically from one idea to the next in a text.

A phrase embedded in a sentence that indicates the source of the information in that sentence. Sometimes these tags can serve as citations, particularly when there are no page numbers to reference.

An argument that opposes the argument that an author is making; also used to describe an author's response to that opposing argument.

Reading and Writing Successfully in College: A Guide for Students Copyright © 2023 by Patricia Lynne is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

Share This Book

Essay writing: Main body

• Introductions
• Conclusions
• Analysing questions
• Planning & drafting
• Revising & editing
• Proofreading
• Essay writing videos

Jump to content on this page:

“An appropriate use of paragraphs is an essential part of writing coherent and well-structured essays.” Don Shiach,   How to write essays

The main body of your essay is where you deliver your argument . Its building blocks are well structured, academic paragraphs. Each paragraph is in itself an  individual argument  and when put together they should form a clear narrative that leads the reader to the inevitability of your conclusion.

The importance of the paragraph

A good academic paragraph is a special thing. It makes a clear point, backed up by good quality academic evidence, with a clear explanation of how the evidence supports the point and why the point is relevant to your overall argument  which supports your position . When these paragraphs are put together with appropriate links, there is a logical flow that takes the reader naturally to your essay's conclusion. 

As a general rule there should be one clear key point per paragraph , otherwise your reader could become overwhelmed with evidence that supports different points and makes your argument harder to follow. If you follow the basic structure below, you will be able to build effective paragraphs and so make the main body of your essay deliver on what you say it will do in your introduction.

Paragraph structure

• A topic sentence – what is the overall point that the paragraph is making?
• Evidence that supports your point – this is usually your cited material.
• Explanation of why the point is important and how it helps with your overall argument.
• A link (if necessary) to the next paragraph (or to the previous one if coming at the beginning of the paragraph) or back to the essay question.

This is a good order to use when you are new to writing academic essays - but as you get more accomplished you can adapt it as necessary. The important thing is to make sure all of these elements are present within the paragraph.

The sections below explain more about each of these elements.

The topic sentence (Point)

This should appear early in the paragraph and is often, but not always, the first sentence.  It should clearly state the main point that you are making in the paragraph. When you are planning essays, writing down a list of your topic sentences is an excellent way to check that your argument flows well from one point to the next.

This is the evidence that backs up your topic sentence. Why do you believe what you have written in your topic sentence? The evidence is usually paraphrased or quoted material from your reading . Depending on the nature of the assignment, it could also include:

• Your own data (in a research project for example).
• Personal experiences from practice (especially for Social Care, Health Sciences and Education).
• Personal experiences from learning (in a reflective essay for example).

Any evidence from external sources should, of course, be referenced.

Explanation (analysis)

This is the part of your paragraph where you explain to your reader why the evidence supports the point and why that point is relevant to your overall argument. It is where you answer the question 'So what?'. Tell the reader how the information in the paragraph helps you answer the question and how it leads to your conclusion. Your analysis should attempt to persuade the reader that your conclusion is the correct one.

These are the parts of your paragraphs that will get you the higher marks in any marking scheme.

Links are optional but it will help your argument flow if you include them. They are sentences that help the reader understand how the parts of your argument are connected . Most commonly they come at the end of the paragraph but they can be equally effective at the beginning of the next one. Sometimes a link is split between the end of one paragraph and the beginning of the next (see the example paragraph below).

Paragraph structure video

Length of a paragraph

Academic paragraphs are usually between 200 and 300 words long (they vary more than this but it is a useful guide). The important thing is that they should be long enough to contain all the above material. Only move onto a new paragraph if you are making a new point. 

Many students make their paragraphs too short (because they are not including enough or any analysis) or too long (they are made up of several different points).

Example of an academic paragraph

Using storytelling in educational settings can enable educators to connect with their students because of inborn tendencies for humans to listen to stories.   Written languages have only existed for between 6,000 and 7,000 years (Daniels & Bright, 1995) before then, and continually ever since in many cultures, important lessons for life were passed on using the oral tradition of storytelling. These varied from simple informative tales, to help us learn how to find food or avoid danger, to more magical and miraculous stories designed to help us see how we can resolve conflict and find our place in society (Zipes, 2012). Oral storytelling traditions are still fundamental to native American culture and Rebecca Bishop, a native American public relations officer (quoted in Sorensen, 2012) believes that the physical act of storytelling is a special thing; children will automatically stop what they are doing and listen when a story is told. Professional communicators report that this continues to adulthood (Simmons, 2006; Stevenson, 2008).   This means that storytelling can be a powerful tool for connecting with students of all ages in a way that a list of bullet points in a PowerPoint presentation cannot. The emotional connection and innate, almost hardwired, need to listen when someone tells a story means that educators can teach memorable lessons in a uniquely engaging manner that is   common to all cultures. 

This cross-cultural element of storytelling can be seen when reading or listening to wisdom tales from around the world...

Key:   Topic sentence    Evidence (includes some analysis)    Analysis   Link (crosses into next paragraph)

• << Previous: Introductions
• Next: Conclusions >>
• Last Updated: Nov 3, 2023 3:17 PM
• URL: https://libguides.hull.ac.uk/essays
• Login to LibApps
• Library websites Privacy Policy
• University of Hull privacy policy & cookies
• Website terms and conditions
• Accessibility
• Report a problem

Topic sentences and signposts make an essay's claims clear to a reader. Good essays contain both.  Topic sentences   reveal the main point of a paragraph. They show the relationship of each paragraph to the essay's thesis, telegraph the point of a paragraph, and tell your reader what to expect in the paragraph that follows. Topic sentences also establish their relevance right away, making clear why the points they're making are important to the essay's main ideas. They argue rather than report.  Signposts , as their name suggests, prepare the reader for a change in the argument's direction. They show how far the essay's argument has progressed vis-ˆ-vis the claims of the thesis. 

Topic sentences and signposts occupy a middle ground in the writing process. They are neither the first thing a writer needs to address (thesis and the broad strokes of an essay's structure are); nor are they the last (that's when you attend to sentence-level editing and polishing). Topic sentences and signposts deliver an essay's structure and meaning to a reader, so they are useful diagnostic tools to the writer—they let you know if your thesis is arguable—and essential guides to the reader

Forms of Topic Sentences

 Sometimes topic sentences are actually two or even three sentences long. If the first makes a claim, the second might reflect on that claim, explaining it further. Think of these sentences as asking and answering two critical questions: How does the phenomenon you're discussing operate? Why does it operate as it does?

There's no set formula for writing a topic sentence. Rather, you should work to vary the form your topic sentences take. Repeated too often, any method grows wearisome. Here are a few approaches.

Complex sentences.   Topic sentences at the beginning of a paragraph frequently combine with a transition from the previous paragraph. This might be done by writing a sentence that contains both subordinate and independent clauses, as in the example below.

 Although  Young Woman with a Water Pitcher  depicts an unknown, middle-class woman at an ordinary task, the image is more than "realistic"; the painter [Vermeer] has imposed his own order upon it to strengthen it. 

This sentence employs a useful principle of transitions: always move from old to new information.  The subordinate clause (from "although" to "task") recaps information from previous paragraphs; the independent clauses (starting with "the image" and "the painter") introduce the new information—a claim about how the image works ("more than Ôrealistic'") and why it works as it does (Vermeer "strengthens" the image by "imposing order"). 

Questions.   Questions, sometimes in pairs, also make good topic sentences (and signposts).  Consider the following: "Does the promise of stability justify this unchanging hierarchy?" We may fairly assume that the paragraph or section that follows will answer the question. Questions are by definition a form of inquiry, and thus demand an answer. Good essays strive for this forward momentum.

Bridge sentences.   Like questions, "bridge sentences" (the term is John Trimble's) make an excellent substitute for more formal topic sentences. Bridge sentences indicate both what came before and what comes next (they "bridge" paragraphs) without the formal trappings of multiple clauses: "But there is a clue to this puzzle." 

Pivots.   Topic sentences don't always appear at the beginning of a paragraph. When they come in the middle, they indicate that the paragraph will change direction, or "pivot." This strategy is particularly useful for dealing with counter-evidence: a paragraph starts out conceding a point or stating a fact ("Psychologist Sharon Hymer uses the term Ônarcissistic friendship' to describe the early stage of a friendship like the one between Celie and Shug"); after following up on this initial statement with evidence, it then reverses direction and establishes a claim ("Yet ... this narcissistic stage of Celie and Shug's relationship is merely a transitory one. Hymer herself concedes . . . "). The pivot always needs a signal, a word like "but," "yet," or "however," or a longer phrase or sentence that indicates an about-face. It often needs more than one sentence to make its point.

Signposts operate as topic sentences for whole sections in an essay. (In longer essays, sections often contain more than a single paragraph.) They inform a reader that the essay is taking a turn in its argument: delving into a related topic such as a counter-argument, stepping up its claims with a complication, or pausing to give essential historical or scholarly background. Because they reveal the architecture of the essay itself, signposts remind readers of what the essay's stakes are: what it's about, and why it's being written. 

Signposting can be accomplished in a sentence or two at the beginning of a paragraph or in whole paragraphs that serve as transitions between one part of the argument and the next. The following example comes from an essay examining how a painting by Monet,  The Gare Saint-Lazare: Arrival of a Train,  challenges Zola's declarations about Impressionist art. The student writer wonders whether Monet's Impressionism is really as devoted to avoiding "ideas" in favor of direct sense impressions as Zola's claims would seem to suggest. This is the start of the essay's third section:

It is evident in this painting that Monet found his Gare Saint-Lazare motif fascinating at the most fundamental level of the play of light as well as the loftiest level of social relevance.  Arrival of a Train  explores both extremes of expression. At the fundamental extreme, Monet satisfies the Impressionist objective of capturing the full-spectrum effects of light on a scene.

 The writer signposts this section in the first sentence, reminding readers of the stakes of the essay itself with the simultaneous references to sense impression ("play of light") and intellectual content ("social relevance"). The second sentence follows up on this idea, while the third serves as a topic sentence for the paragraph. The paragraph after that starts off with a topic sentence about the "cultural message" of the painting, something that the signposting sentence predicts by not only reminding readers of the essay's stakes but also, and quite clearly, indicating what the section itself will contain. 

Copyright 2000, Elizabeth Abrams, for the Writing Center at Harvard University

Reading to Understand

• Reading to Understand (8 minutes)
• Working with Context Clues (5 minutes)
• The Main Idea

Steps for Identifying the Main Idea

• Knowledge Check
• Academic Reading Challenges (7 minutes)

The main idea is the point or message - what an author presents and what a reader takes from a text. 

Searching for that main idea is a very important activity in understanding a text. It is usually found in the opening paragraph when the author is  setting up the topic  and  expressing the thesis.  

However, the location can vary according to the type of reading. For example, a research article's main idea is toward the end, whereas a persuasive essay's main idea is conveyed at the beginning.

Pre-read to Determine the Overall Topic

Examine the title and then skim the text to determine who or what the reading is about. If you see the same word repeated you know that it is likely the topic or at least an important element of the topic. The topic should be a noun or a noun phrase such as "online education." The topic itself does not convey any meeting us you must read on to determine the main idea.

Ask yourself questions about the text as you read in-depth. Pay close attention to the introduction, the first sentence of body paragraphs, and the conclusion. In these places, the author typically states and supports the main idea. 

Questions to Ask Yourself While Reading : 

• What elements make up this topic?
• What is the author saying about this topic?
• What does the author want me to know or believe about this topic?

Reflect on what you have read. If the main idea is not immediately apparent to you review the introduction and conclusion. The  main idea should be a complete thought  such as "because of its flexibility, comfort, and lower-cost online education is increasing in popularity for younger generations."

Questions to Ask Yourself While Reflecting:

• What is the message I take away from this reading?
• What point does the information add up to?
• What idea does the author reinforce in the conclusion?
• What is the final impression I have about this topic?

Finding the Main Idea

Once you believe you have found the main idea, check that each body paragraph relates to that main idea. The body paragraph should include  supporting ideas  that reinforce and provide greater detail about the main idea. 

Some students find it beneficial to sketch the main idea and supporting ideas in their notes as a concept map.

• Previous Page: Working with Context Clues (5 minutes)
• Next Page: Academic Reading Challenges (7 minutes)
• Office of Student Disability Services

Walden Resources

Departments.

• Academic Residencies
• Academic Skills
• Career Planning and Development
• Customer Care Team
• Field Experience
• Military Services
• Student Success Advising
• Writing Skills

Centers and Offices

• Center for Social Change
• Office of Academic Support and Instructional Services
• Office of Degree Acceleration
• Office of Research and Doctoral Services
• Office of Student Affairs

Student Resources

• Doctoral Writing Assessment
• Form & Style Review
• Quick Answers
• ScholarWorks
• SKIL Courses and Workshops
• Walden Bookstore
• Walden Catalog & Student Handbook
• Student Safety/Title IX
• Legal & Consumer Information
• Website Terms and Conditions
• Cookie Policy
• Accessibility
• Accreditation
• State Authorization
• Net Price Calculator
• Contact Walden

Walden University is a member of Adtalem Global Education, Inc. www.adtalem.com Walden University is certified to operate by SCHEV © 2024 Walden University LLC. All rights reserved.

Get science-backed answers as you write with Paperpal's Research feature

How to Write an Essay Introduction (with Examples)   

The introduction of an essay plays a critical role in engaging the reader and providing contextual information about the topic. It sets the stage for the rest of the essay, establishes the tone and style, and motivates the reader to continue reading. 

Table of Contents

What is an essay introduction , what to include in an essay introduction, how to create an essay structure , step-by-step process for writing an essay introduction , how to write an introduction paragraph , how to write a hook for your essay , how to include background information , how to write a thesis statement .

• Argumentative Essay Introduction Example: 
• Expository Essay Introduction Example 

Literary Analysis Essay Introduction Example

Check and revise – checklist for essay introduction , key takeaways , frequently asked questions .

An introduction is the opening section of an essay, paper, or other written work. It introduces the topic and provides background information, context, and an overview of what the reader can expect from the rest of the work. 1 The key is to be concise and to the point, providing enough information to engage the reader without delving into excessive detail. 

The essay introduction is crucial as it sets the tone for the entire piece and provides the reader with a roadmap of what to expect. Here are key elements to include in your essay introduction: 

• Hook : Start with an attention-grabbing statement or question to engage the reader. This could be a surprising fact, a relevant quote, or a compelling anecdote. 
• Background information : Provide context and background information to help the reader understand the topic. This can include historical information, definitions of key terms, or an overview of the current state of affairs related to your topic. 
• Thesis statement : Clearly state your main argument or position on the topic. Your thesis should be concise and specific, providing a clear direction for your essay. 

Before we get into how to write an essay introduction, we need to know how it is structured. The structure of an essay is crucial for organizing your thoughts and presenting them clearly and logically. It is divided as follows: 2  

• Introduction:  The introduction should grab the reader’s attention with a hook, provide context, and include a thesis statement that presents the main argument or purpose of the essay.  
• Body:  The body should consist of focused paragraphs that support your thesis statement using evidence and analysis. Each paragraph should concentrate on a single central idea or argument and provide evidence, examples, or analysis to back it up.  
• Conclusion:  The conclusion should summarize the main points and restate the thesis differently. End with a final statement that leaves a lasting impression on the reader. Avoid new information or arguments. 

Here’s a step-by-step guide on how to write an essay introduction: 

• Start with a Hook : Begin your introduction paragraph with an attention-grabbing statement, question, quote, or anecdote related to your topic. The hook should pique the reader’s interest and encourage them to continue reading. 
• Provide Background Information : This helps the reader understand the relevance and importance of the topic. 
• State Your Thesis Statement : The last sentence is the main argument or point of your essay. It should be clear, concise, and directly address the topic of your essay. 
• Preview the Main Points : This gives the reader an idea of what to expect and how you will support your thesis. 
• Keep it Concise and Clear : Avoid going into too much detail or including information not directly relevant to your topic. 
• Revise : Revise your introduction after you’ve written the rest of your essay to ensure it aligns with your final argument. 

Here’s an example of an essay introduction paragraph about the importance of education: 

Education is often viewed as a fundamental human right and a key social and economic development driver. As Nelson Mandela once famously said, “Education is the most powerful weapon which you can use to change the world.” It is the key to unlocking a wide range of opportunities and benefits for individuals, societies, and nations. In today’s constantly evolving world, education has become even more critical. It has expanded beyond traditional classroom learning to include digital and remote learning, making education more accessible and convenient. This essay will delve into the importance of education in empowering individuals to achieve their dreams, improving societies by promoting social justice and equality, and driving economic growth by developing a skilled workforce and promoting innovation. 

This introduction paragraph example includes a hook (the quote by Nelson Mandela), provides some background information on education, and states the thesis statement (the importance of education). 

This is one of the key steps in how to write an essay introduction. Crafting a compelling hook is vital because it sets the tone for your entire essay and determines whether your readers will stay interested. A good hook draws the reader in and sets the stage for the rest of your essay.  

• Avoid Dry Fact : Instead of simply stating a bland fact, try to make it engaging and relevant to your topic. For example, if you’re writing about the benefits of exercise, you could start with a startling statistic like, “Did you know that regular exercise can increase your lifespan by up to seven years?” 
• Avoid Using a Dictionary Definition : While definitions can be informative, they’re not always the most captivating way to start an essay. Instead, try to use a quote, anecdote, or provocative question to pique the reader’s interest. For instance, if you’re writing about freedom, you could begin with a quote from a famous freedom fighter or philosopher. 
• Do Not Just State a Fact That the Reader Already Knows : This ties back to the first point—your hook should surprise or intrigue the reader. For Here’s an introduction paragraph example, if you’re writing about climate change, you could start with a thought-provoking statement like, “Despite overwhelming evidence, many people still refuse to believe in the reality of climate change.” 

Including background information in the introduction section of your essay is important to provide context and establish the relevance of your topic. When writing the background information, you can follow these steps: 

• Start with a General Statement:  Begin with a general statement about the topic and gradually narrow it down to your specific focus. For example, when discussing the impact of social media, you can begin by making a broad statement about social media and its widespread use in today’s society, as follows: “Social media has become an integral part of modern life, with billions of users worldwide.” 
• Define Key Terms : Define any key terms or concepts that may be unfamiliar to your readers but are essential for understanding your argument. 
• Provide Relevant Statistics:  Use statistics or facts to highlight the significance of the issue you’re discussing. For instance, “According to a report by Statista, the number of social media users is expected to reach 4.41 billion by 2025.” 
• Discuss the Evolution:  Mention previous research or studies that have been conducted on the topic, especially those that are relevant to your argument. Mention key milestones or developments that have shaped its current impact. You can also outline some of the major effects of social media. For example, you can briefly describe how social media has evolved, including positives such as increased connectivity and issues like cyberbullying and privacy concerns. 
• Transition to Your Thesis:  Use the background information to lead into your thesis statement, which should clearly state the main argument or purpose of your essay. For example, “Given its pervasive influence, it is crucial to examine the impact of social media on mental health.” 

A thesis statement is a concise summary of the main point or claim of an essay, research paper, or other type of academic writing. It appears near the end of the introduction. Here’s how to write a thesis statement: 

• Identify the topic:  Start by identifying the topic of your essay. For example, if your essay is about the importance of exercise for overall health, your topic is “exercise.” 
• State your position:  Next, state your position or claim about the topic. This is the main argument or point you want to make. For example, if you believe that regular exercise is crucial for maintaining good health, your position could be: “Regular exercise is essential for maintaining good health.” 
• Support your position:  Provide a brief overview of the reasons or evidence that support your position. These will be the main points of your essay. For example, if you’re writing an essay about the importance of exercise, you could mention the physical health benefits, mental health benefits, and the role of exercise in disease prevention. 
• Make it specific:  Ensure your thesis statement clearly states what you will discuss in your essay. For example, instead of saying, “Exercise is good for you,” you could say, “Regular exercise, including cardiovascular and strength training, can improve overall health and reduce the risk of chronic diseases.” 

Examples of essay introduction 

Here are examples of essay introductions for different types of essays: 

Argumentative Essay Introduction Example:  

Topic: Should the voting age be lowered to 16? 

“The question of whether the voting age should be lowered to 16 has sparked nationwide debate. While some argue that 16-year-olds lack the requisite maturity and knowledge to make informed decisions, others argue that doing so would imbue young people with agency and give them a voice in shaping their future.” 

Expository Essay Introduction Example  

Topic: The benefits of regular exercise 

“In today’s fast-paced world, the importance of regular exercise cannot be overstated. From improving physical health to boosting mental well-being, the benefits of exercise are numerous and far-reaching. This essay will examine the various advantages of regular exercise and provide tips on incorporating it into your daily routine.” 

Text: “To Kill a Mockingbird” by Harper Lee 

“Harper Lee’s novel, ‘To Kill a Mockingbird,’ is a timeless classic that explores themes of racism, injustice, and morality in the American South. Through the eyes of young Scout Finch, the reader is taken on a journey that challenges societal norms and forces characters to confront their prejudices. This essay will analyze the novel’s use of symbolism, character development, and narrative structure to uncover its deeper meaning and relevance to contemporary society.” 

• Engaging and Relevant First Sentence : The opening sentence captures the reader’s attention and relates directly to the topic. 
• Background Information : Enough background information is introduced to provide context for the thesis statement. 
• Definition of Important Terms : Key terms or concepts that might be unfamiliar to the audience or are central to the argument are defined. 
• Clear Thesis Statement : The thesis statement presents the main point or argument of the essay. 
• Relevance to Main Body : Everything in the introduction directly relates to and sets up the discussion in the main body of the essay. 

Writing a strong introduction is crucial for setting the tone and context of your essay. Here are the key takeaways for how to write essay introduction: 3  

• Hook the Reader : Start with an engaging hook to grab the reader’s attention. This could be a compelling question, a surprising fact, a relevant quote, or an anecdote. 
• Provide Background : Give a brief overview of the topic, setting the context and stage for the discussion. 
• Thesis Statement : State your thesis, which is the main argument or point of your essay. It should be concise, clear, and specific. 
• Preview the Structure : Outline the main points or arguments to help the reader understand the organization of your essay. 
• Keep it Concise : Avoid including unnecessary details or information not directly related to your thesis. 
• Revise and Edit : Revise your introduction to ensure clarity, coherence, and relevance. Check for grammar and spelling errors. 
• Seek Feedback : Get feedback from peers or instructors to improve your introduction further. 

The purpose of an essay introduction is to give an overview of the topic, context, and main ideas of the essay. It is meant to engage the reader, establish the tone for the rest of the essay, and introduce the thesis statement or central argument.  

An essay introduction typically ranges from 5-10% of the total word count. For example, in a 1,000-word essay, the introduction would be roughly 50-100 words. However, the length can vary depending on the complexity of the topic and the overall length of the essay.

An essay introduction is critical in engaging the reader and providing contextual information about the topic. To ensure its effectiveness, consider incorporating these key elements: a compelling hook, background information, a clear thesis statement, an outline of the essay’s scope, a smooth transition to the body, and optional signposting sentences.  

The process of writing an essay introduction is not necessarily straightforward, but there are several strategies that can be employed to achieve this end. When experiencing difficulty initiating the process, consider the following techniques: begin with an anecdote, a quotation, an image, a question, or a startling fact to pique the reader’s interest. It may also be helpful to consider the five W’s of journalism: who, what, when, where, why, and how.   For instance, an anecdotal opening could be structured as follows: “As I ascended the stage, momentarily blinded by the intense lights, I could sense the weight of a hundred eyes upon me, anticipating my next move. The topic of discussion was climate change, a subject I was passionate about, and it was my first public speaking event. Little did I know , that pivotal moment would not only alter my perspective but also chart my life’s course.” 

Crafting a compelling thesis statement for your introduction paragraph is crucial to grab your reader’s attention. To achieve this, avoid using overused phrases such as “In this paper, I will write about” or “I will focus on” as they lack originality. Instead, strive to engage your reader by substantiating your stance or proposition with a “so what” clause. While writing your thesis statement, aim to be precise, succinct, and clear in conveying your main argument.  

To create an effective essay introduction, ensure it is clear, engaging, relevant, and contains a concise thesis statement. It should transition smoothly into the essay and be long enough to cover necessary points but not become overwhelming. Seek feedback from peers or instructors to assess its effectiveness. 

References  

• Cui, L. (2022). Unit 6 Essay Introduction.  Building Academic Writing Skills . 
• West, H., Malcolm, G., Keywood, S., & Hill, J. (2019). Writing a successful essay.  Journal of Geography in Higher Education ,  43 (4), 609-617. 
• Beavers, M. E., Thoune, D. L., & McBeth, M. (2023). Bibliographic Essay: Reading, Researching, Teaching, and Writing with Hooks: A Queer Literacy Sponsorship. College English, 85(3), 230-242. 

Paperpal is a comprehensive AI writing toolkit that helps students and researchers achieve 2x the writing in half the time. It leverages 21+ years of STM experience and insights from millions of research articles to provide in-depth academic writing, language editing, and submission readiness support to help you write better, faster.  

Get accurate academic translations, rewriting support, grammar checks, vocabulary suggestions, and generative AI assistance that delivers human precision at machine speed. Try for free or upgrade to Paperpal Prime starting at US$19 a month to access premium features, including consistency, plagiarism, and 30+ submission readiness checks to help you succeed.  

Experience the future of academic writing – Sign up to Paperpal and start writing for free!  

Related Reads:

• What is an Argumentative Essay? How to Write It (With Examples)
• How to Paraphrase Research Papers Effectively
• How to Cite Social Media Sources in Academic Writing? 
• How Long Should a Chapter Be?

Similarity Checks: The Author’s Guide to Plagiarism and Responsible Writing

Types of plagiarism and 6 tips to avoid it in your writing , you may also like, how to ace grant writing for research funding..., how to write a high-quality conference paper, how paperpal’s research feature helps you develop and..., how paperpal is enhancing academic productivity and accelerating..., academic editing: how to self-edit academic text with..., 4 ways paperpal encourages responsible writing with ai, what are scholarly sources and where can you..., how to write a hypothesis types and examples , what is academic writing: tips for students, what is hedging in academic writing  .

What this handout is about

This handout will define what an argument is and explain why you need one in most of your academic essays.

Arguments are everywhere

You may be surprised to hear that the word “argument” does not have to be written anywhere in your assignment for it to be an important part of your task. In fact, making an argument—expressing a point of view on a subject and supporting it with evidence—is often the aim of academic writing. Your instructors may assume that you know this and thus may not explain the importance of arguments in class.

Most material you learn in college is or has been debated by someone, somewhere, at some time. Even when the material you read or hear is presented as a simple fact, it may actually be one person’s interpretation of a set of information. Instructors may call on you to examine that interpretation and defend it, refute it, or offer some new view of your own. In writing assignments, you will almost always need to do more than just summarize information that you have gathered or regurgitate facts that have been discussed in class. You will need to develop a point of view on or interpretation of that material and provide evidence for your position.

Consider an example. For nearly 2000 years, educated people in many Western cultures believed that bloodletting—deliberately causing a sick person to lose blood—was the most effective treatment for a variety of illnesses. The claim that bloodletting is beneficial to human health was not widely questioned until the 1800s, and some physicians continued to recommend bloodletting as late as the 1920s. Medical practices have now changed because some people began to doubt the effectiveness of bloodletting; these people argued against it and provided convincing evidence. Human knowledge grows out of such differences of opinion, and scholars like your instructors spend their lives engaged in debate over what claims may be counted as accurate in their fields. In their courses, they want you to engage in similar kinds of critical thinking and debate.

Argumentation is not just what your instructors do. We all use argumentation on a daily basis, and you probably already have some skill at crafting an argument. The more you improve your skills in this area, the better you will be at thinking critically, reasoning, making choices, and weighing evidence.

Making a claim

What is an argument? In academic writing, an argument is usually a main idea, often called a “claim” or “thesis statement,” backed up with evidence that supports the idea. In the majority of college papers, you will need to make some sort of claim and use evidence to support it, and your ability to do this well will separate your papers from those of students who see assignments as mere accumulations of fact and detail. In other words, gone are the happy days of being given a “topic” about which you can write anything. It is time to stake out a position and prove why it is a good position for a thinking person to hold. See our handout on thesis statements .

Claims can be as simple as “Protons are positively charged and electrons are negatively charged,” with evidence such as, “In this experiment, protons and electrons acted in such and such a way.” Claims can also be as complex as “Genre is the most important element to the contract of expectations between filmmaker and audience,” using reasoning and evidence such as, “defying genre expectations can create a complete apocalypse of story form and content, leaving us stranded in a sort of genre-less abyss.” In either case, the rest of your paper will detail the reasoning and evidence that have led you to believe that your position is best.

When beginning to write a paper, ask yourself, “What is my point?” For example, the point of this handout is to help you become a better writer, and we are arguing that an important step in the process of writing effective arguments is understanding the concept of argumentation. If your papers do not have a main point, they cannot be arguing for anything. Asking yourself what your point is can help you avoid a mere “information dump.” Consider this: your instructors probably know a lot more than you do about your subject matter. Why, then, would you want to provide them with material they already know? Instructors are usually looking for two things:

• Proof that you understand the material
• A demonstration of your ability to use or apply the material in ways that go beyond what you have read or heard.

This second part can be done in many ways: you can critique the material, apply it to something else, or even just explain it in a different way. In order to succeed at this second step, though, you must have a particular point to argue.

Arguments in academic writing are usually complex and take time to develop. Your argument will need to be more than a simple or obvious statement such as “Frank Lloyd Wright was a great architect.” Such a statement might capture your initial impressions of Wright as you have studied him in class; however, you need to look deeper and express specifically what caused that “greatness.” Your instructor will probably expect something more complicated, such as “Frank Lloyd Wright’s architecture combines elements of European modernism, Asian aesthetic form, and locally found materials to create a unique new style,” or “There are many strong similarities between Wright’s building designs and those of his mother, which suggests that he may have borrowed some of her ideas.” To develop your argument, you would then define your terms and prove your claim with evidence from Wright’s drawings and buildings and those of the other architects you mentioned.

Do not stop with having a point. You have to back up your point with evidence. The strength of your evidence, and your use of it, can make or break your argument. See our handout on evidence . You already have the natural inclination for this type of thinking, if not in an academic setting. Think about how you talked your parents into letting you borrow the family car. Did you present them with lots of instances of your past trustworthiness? Did you make them feel guilty because your friends’ parents all let them drive? Did you whine until they just wanted you to shut up? Did you look up statistics on teen driving and use them to show how you didn’t fit the dangerous-driver profile? These are all types of argumentation, and they exist in academia in similar forms.

Every field has slightly different requirements for acceptable evidence, so familiarize yourself with some arguments from within that field instead of just applying whatever evidence you like best. Pay attention to your textbooks and your instructor’s lectures. What types of argument and evidence are they using? The type of evidence that sways an English instructor may not work to convince a sociology instructor. Find out what counts as proof that something is true in that field. Is it statistics, a logical development of points, something from the object being discussed (art work, text, culture, or atom), the way something works, or some combination of more than one of these things?

Be consistent with your evidence. Unlike negotiating for the use of your parents’ car, a college paper is not the place for an all-out blitz of every type of argument. You can often use more than one type of evidence within a paper, but make sure that within each section you are providing the reader with evidence appropriate to each claim. So, if you start a paragraph or section with a statement like “Putting the student seating area closer to the basketball court will raise player performance,” do not follow with your evidence on how much more money the university could raise by letting more students go to games for free. Information about how fan support raises player morale, which then results in better play, would be a better follow-up. Your next section could offer clear reasons why undergraduates have as much or more right to attend an undergraduate event as wealthy alumni—but this information would not go in the same section as the fan support stuff. You cannot convince a confused person, so keep things tidy and ordered.

Counterargument

One way to strengthen your argument and show that you have a deep understanding of the issue you are discussing is to anticipate and address counterarguments or objections. By considering what someone who disagrees with your position might have to say about your argument, you show that you have thought things through, and you dispose of some of the reasons your audience might have for not accepting your argument. Recall our discussion of student seating in the Dean Dome. To make the most effective argument possible, you should consider not only what students would say about seating but also what alumni who have paid a lot to get good seats might say.

You can generate counterarguments by asking yourself how someone who disagrees with you might respond to each of the points you’ve made or your position as a whole. If you can’t immediately imagine another position, here are some strategies to try:

• Do some research. It may seem to you that no one could possibly disagree with the position you are arguing, but someone probably has. For example, some people argue that a hotdog is a sandwich. If you are making an argument concerning, for example, the characteristics of an exceptional sandwich, you might want to see what some of these people have to say.
• Talk with a friend or with your teacher. Another person may be able to imagine counterarguments that haven’t occurred to you.
• Consider your conclusion or claim and the premises of your argument and imagine someone who denies each of them. For example, if you argued, “Cats make the best pets. This is because they are clean and independent,” you might imagine someone saying, “Cats do not make the best pets. They are dirty and needy.”

Once you have thought up some counterarguments, consider how you will respond to them—will you concede that your opponent has a point but explain why your audience should nonetheless accept your argument? Will you reject the counterargument and explain why it is mistaken? Either way, you will want to leave your reader with a sense that your argument is stronger than opposing arguments.

When you are summarizing opposing arguments, be charitable. Present each argument fairly and objectively, rather than trying to make it look foolish. You want to show that you have considered the many sides of the issue. If you simply attack or caricature your opponent (also referred to as presenting a “straw man”), you suggest that your argument is only capable of defeating an extremely weak adversary, which may undermine your argument rather than enhance it.

It is usually better to consider one or two serious counterarguments in some depth, rather than to give a long but superficial list of many different counterarguments and replies.

Be sure that your reply is consistent with your original argument. If considering a counterargument changes your position, you will need to go back and revise your original argument accordingly.

Audience is a very important consideration in argument. Take a look at our handout on audience . A lifetime of dealing with your family members has helped you figure out which arguments work best to persuade each of them. Maybe whining works with one parent, but the other will only accept cold, hard statistics. Your kid brother may listen only to the sound of money in his palm. It’s usually wise to think of your audience in an academic setting as someone who is perfectly smart but who doesn’t necessarily agree with you. You are not just expressing your opinion in an argument (“It’s true because I said so”), and in most cases your audience will know something about the subject at hand—so you will need sturdy proof. At the same time, do not think of your audience as capable of reading your mind. You have to come out and state both your claim and your evidence clearly. Do not assume that because the instructor knows the material, he or she understands what part of it you are using, what you think about it, and why you have taken the position you’ve chosen.

Critical reading

Critical reading is a big part of understanding argument. Although some of the material you read will be very persuasive, do not fall under the spell of the printed word as authority. Very few of your instructors think of the texts they assign as the last word on the subject. Remember that the author of every text has an agenda, something that he or she wants you to believe. This is OK—everything is written from someone’s perspective—but it’s a good thing to be aware of. For more information on objectivity and bias and on reading sources carefully, read our handouts on evaluating print sources and reading to write .

Take notes either in the margins of your source (if you are using a photocopy or your own book) or on a separate sheet as you read. Put away that highlighter! Simply highlighting a text is good for memorizing the main ideas in that text—it does not encourage critical reading. Part of your goal as a reader should be to put the author’s ideas in your own words. Then you can stop thinking of these ideas as facts and start thinking of them as arguments.

When you read, ask yourself questions like “What is the author trying to prove?” and “What is the author assuming I will agree with?” Do you agree with the author? Does the author adequately defend her argument? What kind of proof does she use? Is there something she leaves out that you would put in? Does putting it in hurt her argument? As you get used to reading critically, you will start to see the sometimes hidden agendas of other writers, and you can use this skill to improve your own ability to craft effective arguments.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Booth, Wayne C., Gregory G. Colomb, Joseph M. Williams, Joseph Bizup, and William T. FitzGerald. 2016. The Craft of Research , 4th ed. Chicago: University of Chicago Press.

Ede, Lisa. 2004. Work in Progress: A Guide to Academic Writing and Revising , 6th ed. Boston: Bedford/St Martin’s.

Gage, John T. 2005. The Shape of Reason: Argumentative Writing in College , 4th ed. New York: Longman.

Lunsford, Andrea A., and John J. Ruszkiewicz. 2016. Everything’s an Argument , 7th ed. Boston: Bedford/St Martin’s.

Rosen, Leonard J., and Laurence Behrens. 2003. The Allyn & Bacon Handbook , 5th ed. New York: Longman.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

Make a Gift

• Entertainment
• Business & Economy
• About Okay.ng
• Advertising on Okay.ng
• Contact Okay.ng
• Okay.ng on WhatsApp
• Submit News to Okay.ng

2024 WAEC: Physics 1 & 2 – (Essay), (Objective) – How to Pass the Exam Today

The West African Examinations Council (WAEC) exams are a pivotal point in the academic journey of students across West Africa. Excelling in these exams can open doors to higher education and career opportunities.

In this article, we will focus on the Physics 2 (Essay) and Physics 1 (Objective) exams, providing you with strategies and answers to the most asked questions to help you succeed.

Understanding the Exam Format

Physics 2 (Essay)

• Duration: 1 hour, 30 minutes
• Structure: Several essay questions requiring detailed explanations and calculations.

Physics 1 (Objective)

• Duration: 1 hour, 15 minutes
• Structure: Multiple-choice questions covering a wide range of topics.

Frequently Asked Questions

How can i effectively prepare for the physics essay and objective exams.

• Study the Syllabus : Familiarize yourself with the topics outlined in the WAEC syllabus.
• Practice Past Papers : Work through previous years’ exam papers to understand the question patterns.
• Understand Key Concepts : Ensure you have a strong grasp of fundamental physics principles.
• Time Management : Practice answering questions within the set time limits.

What Are the Key Topics to Focus On?

• Mechanics : Motion, forces, work, energy, and power.
• Thermodynamics : Heat, temperature, and laws of thermodynamics.
• Waves and Optics : Properties of waves, sound, light, lenses, and mirrors.
• Electricity and Magnetism : Electric fields, circuits, magnetism, and electromagnetic induction.

How Can I Master the Practical Aspects of the Exam?

• Watch Tutorial Videos : Utilize online resources for step-by-step practical guides.
• Understand the Experiments : Know the procedures and expected outcomes for standard physics experiments.
• Practice Drawing : Learn to accurately draw diagrams for experiments and apparatus setups.

What Are Some Last-Minute Tips for Exam Day?

• Review Key Formulas : Have a quick look at essential physics equations.
• Stay Calm : Keep a clear mind and manage exam stress effectively.
• Check Your Work : If time permits, review your answers for any mistakes.

Passing the WAEC Physics exams requires dedication, understanding, and strategic preparation. By focusing on the areas of concentration, practicing consistently, and utilizing available resources, you can enhance your chances of success. Remember, the key to excelling is not just hard work, but also smart work.

Good luck to all the candidates!

Connect with Okay on Social

Recent posts.

Just In: Mosque Collapses During Prayers in Lagos, Many Feared Dead

2024 Hajj: Nigerian Pilgrim Slumps, Dies in Saudi Arabia

Tinubu Mourns Exit of Prof. Ayodeji Banjo

Afenifere Leader Pa Ayo Adebanjo Confirmed Alive Amid Death Rumors

Photos: Train Carrying Passengers from Kaduna to Abuja Derails

Sign in to your account

Username or Email Address

Remember Me