An Essay on Man: Epistle I

To Henry St. John, Lord Bolingbroke Awake, my St. John! leave all meaner things To low ambition, and the pride of kings. Let us (since life can little more supply Than just to look about us and to die) Expatiate free o’er all this scene of man; A mighty maze! but not without a plan; A wild, where weeds and flow’rs promiscuous shoot; Or garden, tempting with forbidden fruit. Together let us beat this ample field, Try what the open, what the covert yield; The latent tracts, the giddy heights explore Of all who blindly creep, or sightless soar; Eye Nature’s walks, shoot folly as it flies, And catch the manners living as they rise; Laugh where we must, be candid where we can; But vindicate the ways of God to man. I. Say first, of God above, or man below, What can we reason, but from what we know? Of man what see we, but his station here, From which to reason, or to which refer? Through worlds unnumber’d though the God be known, ‘Tis ours to trace him only in our own. He, who through vast immensity can pierce, See worlds on worlds compose one universe, Observe how system into system runs, What other planets circle other suns, What varied being peoples ev’ry star, May tell why Heav’n has made us as we are. But of this frame the bearings, and the ties, The strong connections, nice dependencies, Gradations just, has thy pervading soul Look’d through? or can a part contain the whole? Is the great chain, that draws all to agree, And drawn supports, upheld by God, or thee? II. Presumptuous man! the reason wouldst thou find, Why form’d so weak, so little, and so blind? First, if thou canst, the harder reason guess, Why form’d no weaker, blinder, and no less! Ask of thy mother earth , why oaks are made Taller or stronger than the weeds they shade? Or ask of yonder argent fields above, Why Jove’s satellites are less than Jove? Of systems possible, if ’tis confest That Wisdom infinite must form the best, Where all must full or not coherent be, And all that rises, rise in due degree; Then, in the scale of reas’ning life, ’tis plain There must be somewhere, such a rank as man: And all the question (wrangle e’er so long) Is only this, if God has plac’d him wrong? Respecting man, whatever wrong we call, May, must be right, as relative to all. In human works, though labour’d on with pain, A thousand movements scarce one purpose gain; In God’s, one single can its end produce; Yet serves to second too some other use. So man, who here seems principal alone , Perhaps acts second to some sphere unknown, Touches some wheel, or verges to some goal; ‘Tis but a part we see, and not a whole. When the proud steed shall know why man restrains His fiery course, or drives him o’er the plains: When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt’s God: Then shall man’s pride and dulness comprehend His actions’, passions’, being’s, use and end; Why doing, suff’ring, check’d, impell’d; and why This hour a slave, the next a deity. Then say not man’s imperfect, Heav’n in fault; Say rather, man’s as perfect as he ought: His knowledge measur’d to his state and place, His time a moment, and a point his space. If to be perfect in a certain sphere, What matter, soon or late, or here or there? The blest today is as completely so, As who began a thousand years ago. III. Heav’n from all creatures hides the book of fate, All but the page prescrib’d, their present state: From brutes what men, from men what spirits know: Or who could suffer being here below? The lamb thy riot dooms to bleed today, Had he thy reason, would he skip and play ? Pleas’d to the last, he crops the flow’ry food, And licks the hand just rais’d to shed his blood. Oh blindness to the future! kindly giv’n, That each may fill the circle mark’d by Heav’n: Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurl’d, And now a bubble burst, and now a world. Hope humbly then; with trembling pinions soar; Wait the great teacher Death; and God adore! What future bliss, he gives not thee to know, But gives that hope to be thy blessing now. Hope springs eternal in the human breast: Man never is, but always to be blest: The soul, uneasy and confin’d from home, Rests and expatiates in a life to come. Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way; Yet simple nature to his hope has giv’n, Behind the cloud -topt hill, an humbler heav’n; Some safer world in depth of woods embrac’d, Some happier island in the wat’ry waste, Where slaves once more their native land behold, No fiends torment, no Christians thirst for gold. To be, contents his natural desire, He asks no angel’s wing, no seraph’s fire; But thinks, admitted to that equal sky, His faithful dog shall bear him company. IV. Go, wiser thou! and, in thy scale of sense Weigh thy opinion against Providence; Call imperfection what thou fanciest such, Say, here he gives too little, there too much: Destroy all creatures for thy sport or gust, Yet cry, if man’s unhappy, God’s unjust; If man alone engross not Heav’n’s high care, Alone made perfect here, immortal there: Snatch from his hand the balance and the rod, Rejudge his justice , be the God of God. In pride, in reas’ning pride, our error lies; All quit their sphere, and rush into the skies. Pride still is aiming at the blest abodes, Men would be angels, angels would be gods. Aspiring to be gods, if angels fell, Aspiring to be angels, men rebel: And who but wishes to invert the laws Of order, sins against th’ Eternal Cause. V. ask for what end the heav’nly bodies shine, Earth for whose use? Pride answers, ” ‘Tis for mine: For me kind Nature wakes her genial pow’r, Suckles each herb, and spreads out ev’ry flow’r; Annual for me, the grape, the rose renew, The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot -stool earth, my canopy the skies.” But errs not Nature from this gracious end, From burning suns when livid deaths descend, When earthquakes swallow, or when tempests sweep Towns to one grave, whole nations to the deep? “No, (’tis replied) the first Almighty Cause Acts not by partial, but by gen’ral laws; Th’ exceptions few; some change since all began: And what created perfect?”—Why then man? If the great end be human happiness, Then Nature deviates; and can man do less? As much that end a constant course requires Of show’rs and sunshine, as of man’s desires; As much eternal springs and cloudless skies, As men for ever temp’rate, calm, and wise. If plagues or earthquakes break not Heav’n’s design , Why then a Borgia, or a Catiline? Who knows but he, whose hand the lightning forms, Who heaves old ocean, and who wings the storms, Pours fierce ambition in a Cæsar’s mind, Or turns young Ammon loose to scourge mankind? From pride, from pride, our very reas’ning springs; Account for moral , as for nat’ral things: Why charge we Heav’n in those, in these acquit? In both, to reason right is to submit. Better for us, perhaps, it might appear, Were there all harmony, all virtue here; That never air or ocean felt the wind; That never passion discompos’d the mind. But ALL subsists by elemental strife; And passions are the elements of life. The gen’ral order, since the whole began, Is kept in nature, and is kept in man. VI. What would this man? Now upward will he soar, And little less than angel, would be more; Now looking downwards, just as griev’d appears To want the strength of bulls, the fur of bears. Made for his use all creatures if he call, Say what their use, had he the pow’rs of all? Nature to these, without profusion, kind, The proper organs, proper pow’rs assign’d; Each seeming want compensated of course, Here with degrees of swiftness, there of force; All in exact proportion to the state; Nothing to add, and nothing to abate. Each beast, each insect, happy in its own: Is Heav’n unkind to man, and man alone? Shall he alone, whom rational we call, Be pleas’d with nothing, if not bless’d with all? The bliss of man (could pride that blessing find) Is not to act or think beyond mankind; No pow’rs of body or of soul to share, But what his nature and his state can bear. Why has not man a microscopic eye? For this plain reason, man is not a fly. Say what the use, were finer optics giv’n, T’ inspect a mite, not comprehend the heav’n? Or touch, if tremblingly alive all o’er, To smart and agonize at ev’ry pore? Or quick effluvia darting through the brain, Die of a rose in aromatic pain? If nature thunder’d in his op’ning ears, And stunn’d him with the music of the spheres, How would he wish that Heav’n had left him still The whisp’ring zephyr, and the purling rill? Who finds not Providence all good and wise, Alike in what it gives, and what denies? VII. Far as creation’s ample range extends, The scale of sensual, mental pow’rs ascends: Mark how it mounts, to man’s imperial race, From the green myriads in the peopled grass : What modes of sight betwixt each wide extreme, The mole’s dim curtain, and the lynx’s beam: Of smell, the headlong lioness between, And hound sagacious on the tainted green: Of hearing, from the life that fills the flood, To that which warbles through the vernal wood: The spider’s touch, how exquisitely fine! Feels at each thread, and lives along the line: In the nice bee, what sense so subtly true From pois’nous herbs extracts the healing dew: How instinct varies in the grov’lling swine, Compar’d, half-reas’ning elephant, with thine: ‘Twixt that, and reason, what a nice barrier; For ever sep’rate, yet for ever near! Remembrance and reflection how allied; What thin partitions sense from thought divide: And middle natures, how they long to join, Yet never pass th’ insuperable line! Without this just gradation, could they be Subjected, these to those, or all to thee? The pow’rs of all subdu’d by thee alone, Is not thy reason all these pow’rs in one? VIII. See, through this air, this ocean, and this earth, All matter quick, and bursting into birth. Above, how high, progressive life may go! Around, how wide! how deep extend below! Vast chain of being, which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect! what no eye can see, No glass can reach! from infinite to thee, From thee to nothing!—On superior pow’rs Were we to press, inferior might on ours: Or in the full creation leave a void, Where, one step broken, the great scale’s destroy’d: From nature’s chain whatever link you strike, Tenth or ten thousandth, breaks the chain alike. And, if each system in gradation roll Alike essential to th’ amazing whole, The least confusion but in one, not all That system only, but the whole must fall. Let earth unbalanc’d from her orbit fly, Planets and suns run lawless through the sky; Let ruling angels from their spheres be hurl’d, Being on being wreck’d, and world on world; Heav’n’s whole foundations to their centre nod, And nature tremble to the throne of God. All this dread order break—for whom? for thee? Vile worm!—Oh madness, pride, impiety! IX. What if the foot ordain’d the dust to tread, Or hand to toil, aspir’d to be the head? What if the head, the eye, or ear repin’d To serve mere engines to the ruling mind? Just as absurd for any part to claim To be another, in this gen’ral frame: Just as absurd, to mourn the tasks or pains, The great directing Mind of All ordains. All are but parts of one stupendous whole, Whose body Nature is, and God the soul; That, chang’d through all, and yet in all the same, Great in the earth, as in th’ ethereal frame, Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees , Lives through all life, extends through all extent, Spreads undivided, operates unspent, Breathes in our soul, informs our mortal part, As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns, As the rapt seraph that adores and burns; To him no high, no low, no great, no small; He fills, he bounds, connects, and equals all. X. Cease then, nor order imperfection name: Our proper bliss depends on what we blame. Know thy own point: This kind, this due degree Of blindness, weakness, Heav’n bestows on thee. Submit.—In this, or any other sphere, Secure to be as blest as thou canst bear: Safe in the hand of one disposing pow’r, Or in the natal, or the mortal hour. All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good: And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.

Summary of An Essay on Man: Epistle I

Analysis of literary devices used in “an essay on man: epistle i”.

“Lo! the poor Indian, whose untutor’d mind Sees God in clouds, or hears him in the wind.”

Analysis of Poetic Devices Used in “An Essay on Man: Epistle I”

“And, spite of pride, in erring reason’s spite, One truth is clear, Whatever is, is right.”

Quotes to be Used

“ All nature is but art, unknown to thee; All chance, direction, which thou canst not see; All discord, harmony, not understood; All partial evil, universal good.”

Related posts:

Post navigation.

  • Poem Guides
  • Poem of the Day
  • Collections
  • Harriet Books
  • Featured Blogger
  • Articles Home
  • All Articles
  • Podcasts Home
  • All Podcasts
  • Glossary of Poetic Terms
  • Poetry Out Loud
  • Upcoming Events
  • All Past Events
  • Exhibitions
  • Poetry Magazine Home
  • Current Issue
  • Poetry Magazine Archive
  • Subscriptions
  • About the Magazine
  • How to Submit
  • Advertise with Us
  • About Us Home
  • Foundation News
  • Awards & Grants
  • Media Partnerships
  • Press Releases
  • Newsletters

an essay on man theme

An Essay on Man: Epistle I

To Henry St. John, Lord Bolingbroke

  • Share on Twitter
  • Share on Facebook
  • Print this page
  • Email this page

Elegy to the Memory of an Unfortunate Lady

Eloisa to abelard, epistles to several persons: epistle ii: to a lady on the characters of women, epistles to several persons: epistle iv, epistle to dr. arbuthnot.

  • Audio Poems
  • Audio Poem of the Day
  • Twitter Find us on Twitter
  • Facebook Find us on Facebook
  • Instagram Find us on Instagram
  • Facebook Find us on Facebook Poetry Foundation Children
  • Twitter Find us on Twitter Poetry Magazine
  • Privacy Policy
  • Terms of Use
  • Poetry Mobile App
  • 61 West Superior Street, Chicago, IL 60654
  • © 2024 Poetry Foundation

The acknowledged master of the heroic couplet and one of the primary tastemakers of the Augustan age, British writer Alexander Pope was a central figure in the Neoclassical movement of the early 18th century. He is known for having perfected the rhymed couplet form of...

  • God & the Divine
  • Arts & Sciences
  • Social Commentaries
  • History & Politics

Encyclopedia Britannica

  • Games & Quizzes
  • History & Society
  • Science & Tech
  • Biographies
  • Animals & Nature
  • Geography & Travel
  • Arts & Culture
  • On This Day
  • One Good Fact
  • New Articles
  • Lifestyles & Social Issues
  • Philosophy & Religion
  • Politics, Law & Government
  • World History
  • Health & Medicine
  • Browse Biographies
  • Birds, Reptiles & Other Vertebrates
  • Bugs, Mollusks & Other Invertebrates
  • Environment
  • Fossils & Geologic Time
  • Entertainment & Pop Culture
  • Sports & Recreation
  • Visual Arts
  • Demystified
  • Image Galleries
  • Infographics
  • Top Questions
  • Britannica Kids
  • Saving Earth
  • Space Next 50
  • Student Center

Illustration of "The Lamb" from "Songs of Innocence" by William Blake, 1879. poem; poetry

An Essay on Man

Our editors will review what you’ve submitted and determine whether to revise the article.

  • The Victorian Web - Alexander Pope's Essay on Man: An Introduction

An Essay on Man , philosophical essay written in heroic couplets of iambic pentameter by Alexander Pope , published in 1733–34. It was conceived as part of a larger work that Pope never completed.

The poem consists of four epistles. The first epistle surveys relations between humans and the universe; the second discusses humans as individuals. The third addresses the relationship between the individual and society, and the fourth questions the potential of the individual for happiness. An Essay on Man describes the order of the universe in terms of a hierarchy , or chain, of being. By virtue of their ability to reason, humans are placed above animals and plants in this hierarchy.

Emily Dickinson (1830-1886) only confirmed photograph of Emily Dickinson. 1978 scan of a Daguerreotype. ca. 1847; in the Amherst College Archives. American poet. See Notes:

British Literature Wiki

British Literature Wiki

An Essay on Man

“Is the great chain, that draws all to agree, And drawn supports, upheld by God, or Thee?” – Alexander Pope (From “An Essay on Man”)

“Then say not Man’s imperfect, Heav’n in fault; Say rather, Man’s as perfect as he ought.” – Alexander Pope (From “An Essay on Man”)

“All are but parts of one stupendous whole, Whose body Nature is, and God the soul.” – Alexander Pope (From “An Essay on Man”)

Original Publication of “An Essay on Man”

Awake, my St. John! leave all meaner things

To low ambition, and the pride of kings., let us (since life can little more supply, than just to look about us and die), expatiate free o’er all this scene of man;, a mighty maze but not without a plan;, a wild, where weed and flow’rs promiscuous shoot;, or garden, tempting with forbidden fruit., together let us beat this ample field,, try what the open, what the covert yield;, the latent tracts, the giddy heights explore, of all who blindly creep, or sightless soar;, eye nature’s walks, shoot folly as it flies,, and catch the manners living as they rise;, laugh where we must, be candid where we can;, but vindicate the ways of god to man. (pope 1-16), background on alexander pope.

pope pic 2.jpg

Alexander Pope is a British poet who was born in London, England in 1688 (World Biography 1). Growing up during the Augustan Age, his poetry is heavily influenced by common literary qualities of that time, which include classical influence, the importance of human reason and the rules of nature. These qualities are widely represented in Pope’s poetry. Some of Pope’s most notable works are “The Rape of the Lock,” “An Essay on Criticism,” and “An Essay on Man.”

Overview of “An Essay on Man”

“The Great Chain of Being”

“An Essay on Man” was published in 1734 and contained very deep and well thought out philosophical ideas. It is said that these ideas were partially influenced by his friend, Henry St. John Bolingbroke, who Pope addresses in the first line of Epistle I when he says, “Awake, my St. John!”(Pope 1)(World Biography 1) The purpose of the poem is to address the role of humans as part of the “Great Chain of Being.” In other words, it speaks of man as just one small part of an unfathomably complex universe. Pope urges us to learn from what is around us, what we can observe ourselves in nature, and to not pry into God’s business or question his ways; For everything that happens, both good and bad, happens for a reason. This idea is summed up in the very last lines of the poem when he says, “And, Spite of pride in erring reason’s spite, / One truth is clear, Whatever IS, is RIGHT.”(Pope 293-294) The poem is broken up into four epistles each of which is labeled as its own subcategory of the overall work. They are as follows:

  • Epistle I – Of the Nature and State of Man, with Respect to the Universe
  • Epistle II – Of the Nature and State of Man, with Respect to Himself, as an Individual
  • Epistle III – Of the Nature and State of Man, with Respect to Society
  • Epistle IV – Of the Nature and State of Man with Respect to Happiness

Epistle 1 Intro In the introduction to Pope’s first Epistle, he summarizes the central thesis of his essay in the last line. The purpose of “An Essay on Man” is then to shift or enhance the reader’s perception of what is natural or correct. By doing this, one would justify the happenings of life, and the workings of God, for there is a reason behind all things that is beyond human understanding. Pope’s endeavor to highlight the infallibility of nature is a key aspect of the Augustan period in literature; a poet’s goal was to convey truth by creating a mirror image of nature. This is envisaged in line 13 when, keeping with the hunting motif, Pope advises his reader to study the behaviors of Nature (as hunter would watch his prey), and to rid of all follies, which we can assume includes all that is unnatural. He also encourages the exploration of one’s surroundings, which provides for a gateway to new discoveries and understandings of our purpose here on Earth. Furthermore, in line 12, Pope hints towards vital middle ground on which we are above beats and below a higher power(s). Those who “blindly creep” are consumed by laziness and a willful ignorance, and just as bad are those who “sightless soar” and believe that they understand more than they can possibly know. Thus, it is imperative that we can strive to gain knowledge while maintaining an acceptance of our mental limits.

1. Pope writes the first section to put the reader into the perspective that he believes to yield the correct view of the universe. He stresses the fact that we can only understand things based on what is around us, embodying the relationship with empiricism that characterizes the Augustan era. He encourages the discovery of new things while remaining within the bounds one has been given. These bounds, or the Chain of Being, designate each living thing’s place in the universe, and only God can see the system in full. Pope is adamant in God’s omniscience, and uses that as a sure sign that we can never reach a level of knowledge comparable to His. In the last line however, he questions whether God or man plays a bigger role in maintaining the chain once it is established.

2. The overarching message in section two is envisaged in one of the last couplets: “Then say not Man’s imperfect, Heav’n in fault; Say rather, Man’s as perfect as he ought.” Pope utilizes this section to explain the folly of “Presumptuous Man,” for the fact that we tend to dwell on our limitations rather than capitalize on our abilities. He emphasizes the rightness of our place in the chain of being, for just as we steer the lives of lesser creatures, God has the ability to pilot our fate. Furthermore, he asserts that because we can only analyze what is around us, we cannot be sure that there is not a greater being or sphere beyond our level of comprehension; it is most logical to perceive the universe as functioning through a hierarchal system.

3. Pope utilizes the beginning of section three to elaborate on the functions of the chain of being. He claims that each creatures’ ignorance, including our own, allows for a full and happy life without the possible burden of understanding our fates. Instead of consuming ourselves with what we cannot know, we instead should place hope in a peaceful “life to come.” Pope connects this after-life to the soul, and colors it with a new focus on a more primitive people, “the Indian,” whose souls have not been distracted by power or greed. As humble and level headed beings, Indian’s, and those who have similar beliefs, see life as the ultimate gift and have no vain desires of becoming greater than Man ought to be.

4. In the fourth stanza, Pope warns against the negative effects of excessive pride. He places his primary examples in those who audaciously judge the work of God and declare one person to be too fortunate and another not fortunate enough. He also satirizes Man’s selfish content in destroying other creatures for his own benefit, while complaining when they believe God to be unjust to Man. Pope capitalizes on his point with the final and resonating couplet: “who but wishes to invert the laws of order, sins against th’ Eternal Cause.” This connects to the previous stanza in which the soul is explored; those who wrestle with their place in the universe will disturb the chain of being and warrant punishment instead of gain rewards in the after-life.

5. In the beginning of the fifth stanza, Pope personifies Pride and provides selfish answers to questions regarding the state of the universe. He depicts Pride as a hoarder of all gifts that Nature yields. The image of Nature as a benefactor and Man as her avaricious recipient is countered in the next set of lines: Pope instead entertains the possible faults of Nature in natural disasters such as earthquakes and storms. However, he denies this possibility on the grounds that there is a larger purpose behind all happenings and that God acts by “general laws.” Finally, Pope considers the emergence of evil in human nature and concludes that we are not in a place that allows us to explain such things–blaming God for human misdeeds is again an act of pride.

6. Stanza six connects the different inhabitants of the earth to their rightful place and shows why things are the way they should be. After highlighting the happiness in which most creatures live, Pope facetiously questions if God is unkind to man alone. He asks this because man consistently yearns for the abilities specific to those outside of his sphere, and in that way can never be content in his existence. Pope counters the notorious greed of Man by illustrating the pointless emptiness that would accompany a world in which Man was omnipotent. Furthermore, he describes a blissful lifestyle as one centered around one’s own sphere, without the distraction of seeking unattainable heights.

7. The seventh stanza explores the vastness of the sensory and cognitive spectrums in relation to all earthly creatures. Pope uses an example related to each of the five senses to conjure an image that emphasizes the intricacies with which all things are tailored. For instance, he references a bee’s sensitivity, which allows it to collect only that which is beneficial amid dangerous substances. Pope then moves to the differences in mental abilities along the chain of being. These mental functions are broken down into instinct, reflection, memory, and reason. Pope believes reason to trump all, which of course is the one function specific to Man. Reason thus allows man to synthesize the means to function in ways that are unnatural to himself.

8. In section 8 Pope emphasizes the depths to which the universe extends in all aspects of life. This includes the literal depths of the ocean and the reversed extent of the sky, as well as the vastness that lies between God and Man and Man and the simpler creatures of the earth. Regardless of one’s place in the chain of being however, the removal of one link creates just as much of an impact as any other. Pope stresses the maintenance of order so as to prevent the breaking down of the universe.

9. In the ninth stanza, Pope once again puts the pride and greed of man into perspective. He compares man’s complaints of being subordinate to God to an eye or an ear rejecting its service to the mind. This image drives home the point that all things are specifically designed to ensure that the universe functions properly. Pope ends this stanza with the Augustan belief that Nature permeates all things, and thus constitutes the body of the world, where God characterizes the soul.

10. In the tenth stanza, Pope secures the end of Epistle 1 by advising the reader on how to secure as many blessings as possible, whether that be on earth or in the after life. He highlights the impudence in viewing God’s order as imperfect and emphasizes the fact that true bliss can only be experienced through an acceptance of one’s necessary weaknesses. Pope exemplifies this acceptance of weakness in the last lines of Epistle 1 in which he considers the incomprehensible, whether seemingly miraculous or disastrous, to at least be correct, if nothing else.

Illustration from “An Essay on Man”

1. Epistle II is broken up into six smaller sections, each of which has a specific focus. The first section explains that man must not look to God for answers to the great questions of life, for he will never find the answers. As was explained in the first epistle, man is incapable of truly knowing anything about the things that are higher than he is on the “Great Chain of Being.” For this reason, the way to achieve the greatest knowledge possible is to study man, the greatest thing we have the ability to comprehend. Pope emphasizes the complexity of man in an effort to show that understanding of anything greater than that would simply be too much for any person to fully comprehend. He explains this complexity with lines such as, “Created half to rise, and half to fall; / Great lord of all things, yet a prey to all / Sole judge of truth, in endless error hurl’d: / The glory, jest, and riddle of the world!”(15-18) These lines say that we are created for two purposes, to live and die. We are the most intellectual creatures on Earth, and while we have control over most things, we are still set up to die in some way by the end. We are a great gift of God to the Earth with enormous capabilities, yet in the end we really amount to nothing. Pope describes this contrast between our intellectual capabilities and our inevitable fate as a “riddle” of the world. The first section of Epistle II closes by saying that man is to go out and study what is around him. He is to study science to understand all that he can about his existence and the universe in which he lives, but to fully achieve this knowledge he must rid himself of all vices that may slow down this process.

2. The second section of Epistle II tells of the two principles of human nature and how they are to perfectly balance each other out in order for man to achieve all that he is capable of achieving. These two principles are self-love and reason. He explains that all good things can be attributed to the proper use of these two principles and that all bad things stem from their improper use. Pope further discusses the two principles by claiming that self-love is what causes man to do what he desires, but reason is what allows him to know how to stay in line. He follows that with an interesting comparison of man to a flower by saying man is “Fix’d like a plant on his peculiar spot, / To draw nutrition, propagate and rot,” (Pope 62-63) and also of man to a meteor by saying, “Or, meteor-like, flame lawless thro’ the void, / Destroying others, by himself destroy’d.” (Pope 64-65) These comparisons show that man, according to Pope, is born, takes his toll on the Earth, and then dies, and it is all part of a larger plan. The rest of section two continues to talk about the relationship between self-love and reason and closes with a strong argument. Humans all seek pleasure, but only with a good sense of reason can they restrain themselves from becoming greedy. His final remarks are strong, stating that, “Pleasure, or wrong or rightly understood, / Our greatest evil, or our greatest good,”(Pope 90-91) which means that pleasure in moderation can be a great thing for man, but without the balance that reason produces, a pursuit of pleasure can have terrible consequences.

3. Part III of Epistle II also pertains to the idea of self-love and reason working together. It starts out talking about passions and how they are inherently selfish, but if the means to which these passions are sought out are fair, then there has been a proper balance of self-love and reason. Pope describes love, hope and joy as being “Fair treasure’s smiling train,”(Pope 117) while hate, fear and grief are “The family of pain.”(Pope 118) Too much of any of these things, whether they be from the negative or positive side, is a bad thing. There is a ratio of good to bad that man must reach to have a well balanced mind. We learn, grow, and gain character and perspective through the elements of this “Family of pain,”(Pope 118) while we get great rewards from love, hope and joy. While our goal as humans is to seek our pleasure and follow certain desires, there is always one overall passion that lives deep within us that guides us throughout life. The main points to take away from Section III of this Epistle is that there are many aspects to the life of man, and these aspects, both positive and negative, need to coexist harmoniously to achieve that balance for which man should strive.

4. The fourth section of Epistle II is very short. It starts off by asking what allows us to determine the difference between good and bad. The next line answers this question by saying that it is the God within our minds that allows us to make such judgements. This section finishes up by discussing virtue and vice. The relationship between these two qualities are interesting, for they can exist on their own but most often mix, and there is a fine line between something being a virtue and becoming a vice.

5. Section V is even shorter than section IV with just fourteen lines. It speaks only of the quality of vice. Vices are temptations that man must face on a consistent basis. A line that stands out from this says that when it comes to vices, “We first endure, then pity, then embrace.”(Pope 218) This means that vices start off as something we know is wrong, but over time they become an instinctive part of us if reason is not there to push them away.

6. Section VI, the final section of Epistle II, relates many of the ideas from Sections I-V back to ideas from Epistle I. It works as a conclusion that ties in the main theme of Epistle II, which mainly speaks of the different components of man that balance each other out to form an infinitely complex creature, into the idea from Epistle I that man is created as part of a larger plan with all of his qualities given to him for a specific purpose. It is a way of looking at both negative and positive aspects of life and being content with them both, for they are all part of God’s purpose of creating the universe. This idea is well concluded in the third to last line of this Epistle when Pope says, “Ev’n mean self-love becomes, by force divine.”(Pope 288) This shows that even a negative quality in a man, such as excessive self-love without the stability of reason, is technically divine, for it is what God intended as part of the balance of the universe.

Contributors

  • Dan Connolly
  • Nicole Petrone

“Alexander Pope.” : The Poetry Foundation . N.p., n.d. Web. 14 May 2013. < http://www.poetryfoundation.org/bio/alexander-pope >.

“Alexander Pope Photos.” Rugu RSS . N.p., n.d. Web. 14 May 2013. < http://www.rugusavay.com/alexander-pope-photos/ >.

“An Essay on Man: Epistle 1 by Alexander Pope • 81 Poems by Alexander PopeEdit.” An Essay on Man: Epistle 1 by Alexander Pope Classic Famous Poet . N.p., n.d. Web. 14 May 2013. < http://allpoetry.com/poem/8448567-An_Essay_on_Man_Epistle_1-by-Alexander_Pope >.

“An Essay on Man: Epistle II.” By Alexander Pope : The Poetry Foundation. N.p., n.d. Web. 14 May 2013. < http://www.poetryfoundation.org/poem/174166 >.

“Benjamin Franklin’s Mastodon Tooth.” About.com Archaeology . N.p., n.d. Web. 14 May 2013. < http://archaeology.about.com/od/artandartifacts/ss/franklin_4.htm >.

“First Edition of An Essay on Man by Alexander Pope Offered by The Manhattan Rare Book Company.” First Edition of An Essay on Man by Alexander Pope Offered by The Manhattan Rare Book Company. N.p., n.d. Web. 13 May 2013. < http://www.manhattanrarebooks- literature.com/pope_essay.htm>.

An Essay on Man: Epistle I

Pope, alexander (1688 - 1744).

François Voltaire

  • Literature Notes
  • Alexander Pope's Essay on Man
  • Book Summary
  • Character List
  • Summary and Analysis
  • Chapters II-III
  • Chapters IV-VI
  • Chapters VII-X
  • Chapters XI-XII
  • Chapters XIII-XVI
  • Chapters XVII-XVIII
  • Chapter IXX
  • Chapters XX-XXIII
  • Chapters XXIV-XXVI
  • Chapters XXVII-XXX
  • Francois Voltaire Biography
  • Critical Essays
  • The Philosophy of Leibnitz
  • Poème Sur Le Désastre De Lisoonne
  • Other Sources of Influence
  • Structure and Style
  • Satire and Irony
  • Essay Questions
  • Cite this Literature Note

Critical Essays Alexander Pope's Essay on Man

The work that more than any other popularized the optimistic philosophy, not only in England but throughout Europe, was Alexander Pope's  Essay on Man  (1733-34), a rationalistic effort to justify the ways of God to man philosophically. As has been stated in the introduction, Voltaire had become well acquainted with the English poet during his stay of more than two years in England, and the two had corresponded with each other with a fair degree of regularity when Voltaire returned to the Continent.

Voltaire could have been called a fervent admirer of Pope. He hailed the Essay of Criticism as superior to Horace, and he described the Rape of the Lock as better than Lutrin. When the Essay on Man was published, Voltaire sent a copy to the Norman abbot Du Resnol and may possibly have helped the abbot prepare the first French translation, which was so well received. The very title of his Discours en vers sur l'homme (1738) indicates the extent Voltaire was influenced by Pope. It has been pointed out that at times, he does little more than echo the same thoughts expressed by the English poet. Even as late as 1756, the year in which he published his poem on the destruction of Lisbon, he lauded the author of Essay on Man. In the edition of Lettres philosophiques published in that year, he wrote: "The Essay on Man appears to me to be the most beautiful didactic poem, the most useful, the most sublime that has ever been composed in any language." Perhaps this is no more than another illustration of how Voltaire could vacillate in his attitude as he struggled with the problems posed by the optimistic philosophy in its relation to actual experience. For in the Lisbon poem and in Candide , he picked up Pope's recurring phrase "Whatever is, is right" and made mockery of it: "Tout est bien" in a world filled with misery!

Pope denied that he was indebted to Leibnitz for the ideas that inform his poem, and his word may be accepted. Those ideas were first set forth in England by Anthony Ashley Cowper, Earl of Shaftesbury (1671-1731). They pervade all his works but especially the Moralist. Indeed, several lines in the Essay on Man, particularly in the first Epistle, are simply statements from the Moralist done in verse. Although the question is unsettled and probably will remain so, it is generally believed that Pope was indoctrinated by having read the letters that were prepared for him by Bolingbroke and that provided an exegesis of Shaftesbury's philosophy. The main tenet of this system of natural theology was that one God, all-wise and all-merciful, governed the world providentially for the best. Most important for Shaftesbury was the principle of Harmony and Balance, which he based not on reason but on the general ground of good taste. Believing that God's most characteristic attribute was benevolence, Shaftesbury provided an emphatic endorsement of providentialism.

Following are the major ideas in Essay on Man: (1) a God of infinite wisdom exists; (2) He created a world that is the best of all possible ones; (3) the plenum, or all-embracing whole of the universe, is real and hierarchical; (4) authentic good is that of the whole, not of isolated parts; (5) self-love and social love both motivate humans' conduct; (6) virtue is attainable; (7) "One truth is clear, WHATEVER IS, IS RIGHT." Partial evil, according to Pope, contributes to the universal good. "God sends not ill, if rightly understood." According to this principle, vices, themselves to be deplored, may lead to virtues. For example, motivated by envy, a person may develop courage and wish to emulate the accomplishments of another; and the avaricious person may attain the virtue of prudence. One can easily understand why, from the beginning, many felt that Pope had depended on Leibnitz.

Previous The Philosophy of Leibnitz

Next Poème Sur Le Désastre De Lisoonne

Study.com

In order to continue enjoying our site, we ask that you confirm your identity as a human. Thank you very much for your cooperation.

Pope's Poems and Prose

By alexander pope, pope's poems and prose summary and analysis of an essay on man: epistle iv.

The subtitle of the fourth epistle is “On the Nature and State of Man, with Respect to Happiness” and depicts man’s various attempts to achieve true human happiness. Pope endeavors to prove that virtue alone can generate such happiness.

Here is a section-by-section explanation of the fourth epistle:

Introduction (1-18): The introduction identifies happiness as man’s ultimate aim and establishes man’s search for happiness as the theme of the fourth epistle.

Section I (19-28): Section I enumerates the popular and philosophical false notions of happiness.

Section II (29-92): Section II suggests that happiness is man’s end and that it can be attained by all. Happiness is therefore equal which means that it must also be social since, as Pope establishes in the third epistle, man is governed by general, not specific laws. Because happiness is social, it is necessary for the order, peace, and welfare of society. It cannot, however, be located in external goods since these can be unequal. God balances the happiness of mankind by the two passions of hope and fear.

Section III (93-110): Section III shows that the happiness of individuals is in accordance with God’s greater plan and is consistent with the equality of man. Man, however, might question why a virtuous man dies while a sinful man lives.

Section IV (111-30): Section IV answers man’s concerns in Section III. Pope chastises man’s presumption to question the ways of God; it is absurd to expect God to alter his laws to favor particular individuals.

Section V (131-48): Section V demonstrates that man cannot judge the goodness and righteousness of other men. This is the purview of God alone. Whichever men are most good and righteous must be the happiest.

Section VI (149-308): Section VI elucidates the conflict between vice and virtue. Though sometimes vice seems to prevail, it is part of God’s order; man should be content to be virtuous. External goods, for example, are not the proper rewards for virtue and are often inconsistent with or destructive of virtue. All the riches, honors, nobility, greatness, fame, and superior talents cannot make man happy without likewise having virtue.

Section VII (309-98): Section VII deals specifically with the relationship between virtue and happiness. Virtue can only provide a happiness which seeks to rise above the individual and embrace the universal. Happiness thus born will exist eternally. This perfection of virtue and happiness conforms to God’s order and represents the ultimate purpose of mankind.

Despite the significant interpretive problems of the first two epistles, the fourth epistle provides an appropriate conclusion to An Essay on Man , knitting the poem’s arguments together and ostensibly demonstrating man’s relation to and purpose in the universe. According to Pope’s argument, happiness is man’s ultimate goal and can only be attained through virtuous behavior. Of course, as he indicates earlier in the poem, the lines between virtue and vice are often blurred. It is therefore important to assign an appropriate reward for virtue: “What nothing earthly gives, or can destroy, / The soul’s calm sunshine, and the heart-felt joy, / Is virtue’s prize: a better would you fix? / Then give humility a coach and six” (167-70). Pope shows this reward to be a composed serenity free of earthly desires. Indeed, such serenity cannot derive from riches or fame, material goods or currencies which usually serve as an impediment to virtue anyway.

The “soul’s calm sunshine” that Pope describes allows man to transcend his earthly prison and look “through nature up to nature’s God,” allowing man to pursue “that chain which links th’immense design, / Joins heav’n and earth, and mortal and divine” (332). Serenity the thus the natural end of judicious self-love: “God loves from whole to parts; but human soul / Must rise from individual to the whole. / Self-love but serves the virtuous mind to wake” (261-3). This is not, of course, the momentary pleasure that basic self-love and the passions provide but rather the happiness that derives from knowing one is part of a divine plan and accepting one’s place and role in it. In other words, trust God and all will be well because “Whatever is, is right” (I.294).

Although the fourth epistle provides a successful conclusion to Pope’s ambitious philosophical project, this section is not without its problems. Perhaps most distressing is Pope’s argument in Section IV, which dismisses man’s concern that too often virtue appears to be punished while vice is rewarded. While this is addressed to an extent in Pope’s discussion of material goods, Pope also asserts that God acts by general and not specific laws which apply to the whole, not individual parts. This suggests that all men are treated exactly equally by God. Experience obviously contradicts this assertion, but so does Pope himself. He declares that to satisfy God’s hierarchical order as well as man’s social order, there must be differences of wealth and rank. He claims that equality of wealth is opposed to God’s ways because it would breed discontent among those who deserve greater wealth and status. Though Pope qualifies this by suggesting redress in Heaven, this disparity of wealth and rank—a part of reality—undermine Pope’s thesis.

GradeSaver will pay $15 for your literature essays

Pope’s Poems and Prose Questions and Answers

The Question and Answer section for Pope’s Poems and Prose is a great resource to ask questions, find answers, and discuss the novel.

The Rape of the Lock

In Canto I, a dream is sent to Belinda by Ariel, “her guardian Sylph” (20). The Sylphs are Belinda’s guardians because they understand her vanity and pride, having been coquettes when they were humans. They are devoted to any woman who “rejects...

Who delivers the moralizing speech on the frailty of beauty? A. Chloe B. Clarissa C. Ariel D. Thalestris

What is the significance of Belinda's petticoat?

Did you answer this?

Study Guide for Pope’s Poems and Prose

Pope's Poems and Prose study guide contains a biography of Alexander Pope, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

  • About Pope's Poems and Prose
  • Pope's Poems and Prose Summary
  • Character List

Essays for Pope’s Poems and Prose

Pope's Poems and Prose essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Alexander Pope's Poems and Prose.

  • Of the Characteristics of Pope
  • Breaking Clod: Hierarchical Transformation in Pope's An Essay on Man
  • Fortasse, Pope, Idcirco Nulla Tibi Umquam Nupsit (The Rape of the Lock)
  • An Exploration of 'Dulness' In Pope's Dunciad
  • Belinda: Wronged On Behalf of All Women

Wikipedia Entries for Pope’s Poems and Prose

  • Introduction
  • Translations and editions
  • Spirit, skill and satire

an essay on man theme

Home — Essay Samples — Literature — Ode — The Essence of Individuality in Modern Man

test_template

The Essence of Individuality in Modern Man

  • Categories: Ode

About this sample

close

Words: 609 |

Published: Jun 13, 2024

Words: 609 | Page: 1 | 4 min read

Table of contents

Introduction, the origins and development of individuality, body paragraph 2: the role of individuality in personal and societal development, body paragraph 3: challenges to individuality in the modern world.

Image of Dr. Charlotte Jacobson

Cite this Essay

Let us write you an essay from scratch

  • 450+ experts on 30 subjects ready to help
  • Custom essay delivered in as few as 3 hours

Get high-quality help

author

Dr. Karlyna PhD

Verified writer

  • Expert in: Literature

writer

+ 120 experts online

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy . We’ll occasionally send you promo and account related email

No need to pay just yet!

Related Essays

10.5 pages / 4681 words

4.5 pages / 2069 words

3 pages / 1411 words

4 pages / 1748 words

Remember! This is just a sample.

You can get your custom paper by one of our expert writers.

121 writers online

Still can’t find what you need?

Browse our vast selection of original essay samples, each expertly formatted and styled

Related Essays on Ode

Max Hjortsberg's "Drone Poem" is a poignant exploration of the modern warfare landscape, offering a literary lens through which to examine the psychological and ethical ramifications of drone technology. This poem is not merely [...]

In the intricate dance of societal dynamics, the tension between individuality and conformity perpetually shapes human experiences and societal structures. The dichotomy between these two forces is not merely a philosophical [...]

Caroline B. Cooney's Code Orange is a compelling young adult novel that intertwines the thrill of a medical mystery with the personal growth of its protagonist, Mitty Blake. The narrative, set against the backdrop of [...]

Patient-centered care (PCC) has emerged as a pivotal paradigm in modern healthcare, emphasizing the need to tailor medical services to the individual needs, preferences, and values of patients. This approach seeks to enhance [...]

An ode can be defined as a 'ceremonious lyric poem on an occasion of dignity in which personal emotion and universal themes are united' (Ode, 2012). Although hip-hop music is usually known for it’s violent, and often, masculine [...]

The third stanza of John Keats’ “Ode to a Nightingale” is one of particular significance. The poem is one that praises a nightingale that had built a nest outside of Charles Brown’s estate in Hampstead. The bird symbolizes [...]

Related Topics

By clicking “Send”, you agree to our Terms of service and Privacy statement . We will occasionally send you account related emails.

Where do you want us to send this sample?

By clicking “Continue”, you agree to our terms of service and privacy policy.

Be careful. This essay is not unique

This essay was donated by a student and is likely to have been used and submitted before

Download this Sample

Free samples may contain mistakes and not unique parts

Sorry, we could not paraphrase this essay. Our professional writers can rewrite it and get you a unique paper.

Please check your inbox.

We can write you a custom essay that will follow your exact instructions and meet the deadlines. Let's fix your grades together!

Get Your Personalized Essay in 3 Hours or Less!

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

  • Instructions Followed To The Letter
  • Deadlines Met At Every Stage
  • Unique And Plagiarism Free

an essay on man theme

IMAGES

  1. An Essay on Man

    an essay on man theme

  2. Summary An Essay on Man

    an essay on man theme

  3. Essay on Man and Environment in English for students.||An Essay on Man and Nature connection

    an essay on man theme

  4. An Essay On Man Summary

    an essay on man theme

  5. An Essay on Man

    an essay on man theme

  6. An Essay on Man

    an essay on man theme

VIDEO

  1. Main Theme For Man From Equator

  2. Main Theme (An Officer And A Gentleman)

  3. Man and Boy (Main Theme)

  4. He-Man Main Theme

  5. Zero's Theme (From "Mega Man Zero")

  6. The Mr. Men Show Main Theme (From "The Mr. Men Show") (Sped-Up Version)

COMMENTS

  1. An Essay on Man: Epistle I

    Major Themes in "An Essay on Man: Epistle I": Acceptance, God's superiority, and man's nature are the major themes of this poem Throughout the poem, the speaker tries to justify the working of God, believing there is a reason behind all things. According to the speaker, a man should not try to examine the perfection and imperfection of ...

  2. An Essay on Man Themes

    A central theme of the poem is that the universe has an order to it created by God. As part of the order, all God's creatures are put on Earth for a purpose. Man may not always be able to see the order because only God truly understands it. The speaker also suggests that God's hand is apparent in what people have come to view as instinct.

  3. An Essay on Man: Epistle I

    An Essay on Man: Epistle I By Alexander Pope About this Poet The acknowledged master of the heroic couplet and one of the primary tastemakers of the Augustan age, British writer Alexander Pope was a central figure in the Neoclassical movement of the early 18th century. He is known for having perfected the rhymed couplet form of...

  4. An Essay on Man

    "An Essay on Man" is a poem published by Alexander Pope in 1733-1734. It was dedicated to Henry St John, 1st Viscount Bolingbroke ... (l.292), a theme that was satirized by Voltaire in Candide (1759). More than any other work, it popularized optimistic philosophy throughout England and the rest of Europe.

  5. An Essay on Man Themes

    An Orderly Universe. In "Essay on Man," the speaker has an optimistic view of the universe: Order and purpose characterize everything that exists and happens. The speaker writes: "Order is heaven's first law" (Epistle 4, Line 49). The speaker believes that the universe appears disorderly only because humans have a limited view.

  6. An Essay on Man

    An Essay on Man, philosophical essay written in heroic couplets of iambic pentameter by Alexander Pope, published in 1733-34. It was conceived as part of a larger work that Pope never completed. The poem consists of four epistles. The first epistle surveys relations between humans and the universe;

  7. An Essay on Man

    Epistle 1. Intro. In the introduction to Pope's first Epistle, he summarizes the central thesis of his essay in the last line. The purpose of "An Essay on Man" is then to shift or enhance the reader's perception of what is natural or correct. By doing this, one would justify the happenings of life, and the workings of God, for there is ...

  8. An Essay on Man Summary

    Pope, Alexander. An Essay on Man. Edited by Maynard Mack. London: Methuen, 1964. Contains a detailed introduction that analyzes the structure and artistry of the poem, its philosophical context ...

  9. Pope's Poems and Prose An Essay on Man: Epistle I ...

    The first epistle of An Essay on Man is its most ambitious. Pope states that his task is to describe man's place in the "universal system" and to "vindicate the ways of God to man" (16). In the poem's prefatory address, Pope more specifically describes his intention to consider "man in the abstract, his Nature and his State, since ...

  10. An Essay on Man Summary and Study Guide

    Get unlimited access to SuperSummaryfor only $0.70/week. Thanks for exploring this SuperSummary Study Guide of "An Essay on Man" by Alexander Pope. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

  11. An Essay on Man Study Guide

    Upload them to earn free Course Hero access! This study guide for Alexander Pope's An Essay on Man offers summary and analysis on themes, symbols, and other literary devices found in the text. Explore Course Hero's library of literature materials, including documents and Q&A pairs.

  12. An Essay on Man Epistle 1 Summary & Analysis

    Summary Epistle 1: "Of the Nature and State of Man with Respect to the Universe". Lines 1-16 are a dedication to Henry St. John, a friend of Pope's. The speaker urges St. John to abandon the "meaner things" (Line 1) in life and turn his attention toward the higher, grander sphere by reflecting on human nature and God.

  13. An Essay on Man: Epistle I

    The Essay on Man was originally conceived as part of a longer philosophical poem (see Pope's introductory statement on the Design). In the larger scheme, the poem would have consisted of four books: the first as we now have it; a second book of epistles on human reason, human arts, and sciences, human talent, and the use of learning, science ...

  14. Alexander Pope's Essay on Man

    The work that more than any other popularized the optimistic philosophy, not only in England but throughout Europe, was Alexander Pope's Essay on Man (1733-34), a rationalistic effort to justify the ways of God to man philosophically.As has been stated in the introduction, Voltaire had become well acquainted with the English poet during his stay of more than two years in England, and the two ...

  15. An Essay on Man Plot Summary

    The first portion of "Essay on Man," called "The Design," is written in prose and serves as an introduction to the piece. The speaker addresses the essay to his friend Henry St. John, Lord Bolingbroke, who has written on similar subjects. The speaker explains the purpose of the essay—to write about "Man in the abstract, his Nature and his State."

  16. An Essay on Man by Alexander Pope

    Alexander Pope's "An Essay on Man". One of the pinnacles of neoclassical poetry, Alexander Pope's " An Essay on Man " is a profound investigation of the human spirit. Written in 1734, the poem ...

  17. An Essay on Man Literary Devices

    Pope wrote "An Essay on Man" as both a philosophical essay and lyric poem. He uses the heroic couplet to express abstract ideas about human nature, society, and God. In a heroic couplet, each pair of two lines perfectly rhymes, and each line is written in iambic pentameter. Iambic pentameter is a meter where each line has ten syllables or ...

  18. An Essay on Man Critical Essays

    The philosophical poem An Essay on Man consists of four verse epistles, each of which was published separately and anonymously between February 1733 and January 1734 by a bookseller not previously ...

  19. PDF UNIT 8 ALEXANDER POPE: AN ESSAY ON MAN

    8.2 ALEXANDER POPE (1688-1744) Alexander Pope was born in London in 1688 - the year of the Revolution and of John Bunyan's death. His father, a prosperous linen - draper, was a Roman Catholic; and on account of his religion, Pope was excluded from the public schools and universities. As a result, he picked up most of his knowledge in a ...

  20. Pope's Poems and Prose An Essay on Man: Epistle IV ...

    Pope endeavors to prove that virtue alone can generate such happiness. Here is a section-by-section explanation of the fourth epistle: Introduction (1-18): The introduction identifies happiness as man's ultimate aim and establishes man's search for happiness as the theme of the fourth epistle. Section I (19-28): Section I enumerates the ...

  21. An Essay on Man Background

    Poetryfoundation.org .) In "An Essay on Man," Pope combines his meditations and sonic qualities to develop a unified whole. In his introduction to "An Essay on Man," which he titled "The Design," Pope explains that he chose to write his philosophy in verse form because poetry, and especially rhyming poetry, is more easily remembered.

  22. The Essence of Individuality in Modern Man

    This essay seeks to explore the multifaceted nature of individuality in modern man, examining its origins, implications, and the inherent challenges it poses. ... An ode can be defined as a 'ceremonious lyric poem on an occasion of dignity in which personal emotion and universal themes are united' (Ode, 2012). Although hip-hop music is usually ...

  23. An Essay on Man Epistle 2 Summary & Analysis

    Summary Epistle 2: "On the Nature and State of Man with Respect to Himself, as an Individual". In Section 1 (Lines 1-52), the speaker argues that humanity should try to understand itself before trying to understand God. They describe people as stuck between many contradictory impulses: The ability to reason and the ability to feel, the ...