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Academic Appeal: The 11 Best Fonts for Academic Papers

• BY Bogdan Sandu
• 26 February 2024

Imagine settling into the rhythm of crafting your academic magnum opus—the words flow, ideas chime, yet it all hinges on how your prose meets the reader’s eye. You’re well aware that  the best fonts for academic papers  don’t just whisper to the intellect; they shout to the discerning critic in each evaluator. Here unfolds a narrative, not merely of  typography  but your academic saga’s silent ambassador.

In forging this guide, I’ve honed focus on one pivotal, often underestimated player in the academic arena:  font selection .

Navigate through this roadmap and emerge with a treasure trove of  legible typefaces  and format tips that ensure your paper stands hallmark to clarity and professionalism.

Absorb insights—from the revered  Times New Roman  to the understated elegance of  Arial —paired with indispensable  formatting nuggets  that transcend mere compliance with  university guidelines .

Dive deep, and by article’s end, unlock a dossier of sage advice, setting your documents a class apart in the scrutinous world of academic scrutiny. Here’s to  typography  serving not just as a vessel but as your ally in the scholarly discourse.

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What font should I choose for my thesis?

This post is by DrJanene Carey, a freelance writer and editor based in Armidale NSW. She occasionally teaches academic writing at the University of New England and often edits academic theses, articles and reports. Her website is http://www.janenecarey.com

Arguably, this question is a classic time waster and the student who poses it should be told to just get on with writing up their research. But as someone who edits theses for a living, I think a bit of time spent on fonts is part of the process of buffing and polishing what is, after all, one of the most important documents you will ever produce. Just bear in mind that there is no need to immerse yourself so deeply in the topic that you start quibbling about whether it’s a font or a typeface that you are choosing .

Times New Roman is the standard choice for academic documents, and the thesis preparation guidelines of some universities stipulate its use. For many years, it was the default body text for Microsoft Word. With the release of Office 2007, the default became a sans serif typeface called Calibri. Lacking the little projecting bits (serifs) at the end of characters makes Calibri and its many friends, such as Arial, Helvetica and Verdana, look smoother and clearer on a screen, but generally makes them less readable than a serif typeface when used for printed text . The other problem with choosing a sans serif for your body text is that if you want passages in italics (for example, lengthy participant quotes) often this will be displayed as slanted letters, rather than as a true italic font.

You would like your examiners to feel as comfortable as possible while their eyes are traversing the many, many pages of your thesis, so maximising legibility and readability is a good idea. Times New Roman is ubiquitous and familiar, which means it is probably the safest option, but it does have a couple of drawbacks. Originally designed for The Times in London, its characters are slightly narrowed, so that more of them can be squished into a newspaper column. Secondly, some people intensely dislike TNR because they think it has been overused, and regard it as the font you choose when you are not choosing a font .

If you do have the luxury of choice (your university doesn’t insist you use Times New Roman, and you have defined document styles that are easy to modify, and there’s enough time left before the submission deadline) then I think it is worth considering what other typefaces might work well with your thesis. I’m not a typographical expert, but I have the following suggestions.

• Don’t use Calibri, or any other sans serif font, for your body text, though it is fine for headings. Most people agree that dense chunks of printed text are easier to read if the font is serif, and examiners are likely to expect a typeface that doesn’t stray too far from the standard. To my eye, Calibri looks a little too casual for the body of a thesis.
• Typefaces like Garamond, Palatino, Century Schoolbook, Georgia, Minion Pro, Cambria and Constantia are all perfectly acceptable, and they come with Microsoft Word. However, some of them (Georgia and Constantia, for example) feature non-lining numerals, which means that instead of all sitting neatly on the base line, some will stand higher or lower than others, just like letters do. This looks nice when they are integrated with the text, but it is probably not what you want for a tabular display.
• Consider using a different typeface for your headings. It will make them more prominent, which enhances overall readability because the eye scanning the pages can quickly take in the hierarchy of ideas. The easiest way to get a good contrast with your serif body text is to have sans serif headings. Popular combinations are Garamond/Helvetica; Minion Pro/Myriad Pro; Times New Roman/Arial Narrow. But don’t create a dog’s breakfast by having more than two typefaces in your thesis – use point sizes, bold and italics for variety.

Of late, I’ve become quite fond of Constantia. It’s an attractive serif typeface that came out with Office 2007 at the same time as Calibri, and was specifically designed to look good in print and on screen. Increasingly, theses will be read in PDF rather than book format, so screen readability is an important consideration.  Asked to review Microsoft’s six new ClearType fonts prior to their release, typographer Raph Levien said Constantia was likely to be everyone’s favourite, because ‘Even though it’s a highly readable Roman font departing only slightly from the classical model, it still manages to be fresh and new.’

By default, Constantia has non-lining numerals, but from Word 2010 onwards you can set them to be lining via the advanced font/number forms option, either throughout your document or in specific sections, such as within tables.

Here is an excerpt from a thesis, shown twice with different typefaces. The first excerpt features Calibri headings with Constantia body text, and the second has that old favourite, Times New Roman. As these examples have been rendered as screenshots, you will get a better idea of how the fonts actually look if you try them on your own computer and printer.

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8 Best Fonts for Thesis Writing to Make It Presentable

Table Of Contents

How do font plays a critical role in thesis, 8 best fonts for thesis writing, tips to choose the best font for thesis, mistakes to avoid while choosing a font, how to format your thesis perfectly.

• Can’t Write a Thesis? Let Our Experts Do It for You

When your professor assigns you a thesis, he excepts it to be perfect at the time of submission. The textual content of the document is the utmost source of information. So, while creating content, you should take care of the font selection. Choosing the best font for the thesis provides an attractive appearance and preserves the aesthetic value of your document. Also, the font professionally presents information. Choosing font in both ways (either online or printed form) of the thesis is crucial. If you are submitting it online, then the font makes a difference in the readability. If you are providing it in the printed form, then the font reflects professionalism.

You May Like This: The Complete Guide to Breaking Down a 10000-Word Dissertation

Sometimes, it is questioned that why the font is necessary. Well, the font is as mandatory as the content. You should know that everything is in proper fonts   for the thesis.

• To highlight headings, you can use bold and stylish fonts.
• To highlight the subheadings, you can use italic and cursive fonts.
• The information that you want to convey must be in a simple and decent font.

This particular formula will grab the reader’s attention to your document. If you don’t focus on the font, then your document will look imprudent. It can create a bad impact on your professor. If you don't show creativity while writing, then the reader will get bored and won’t show interest in your document. So, make sure to always use different fonts in the thesis according to the needs. Now, let’s talk about some of the most appropriate fonts included in the thesis.

This Might Be Helpful: A to Z of Assignment Writing: Everything You Need to Know About It

A thesis can look presentable if you include appropriate fonts in it. The following fonts will create a positive impression on your professor. Let’s take a look:

• Times New Roman Times New Roman was particularly designed for Times Newspaper for London. This font has a separate and different value in a formal style. Most of the universities and colleges suggest students use this font in a document.
• Georgia Georgia font was designed in 1883, especially for Microsoft Corporation. This is the best font for the students who want to submit the document online. It is preferred for the elegant and small appearance for low-resolution screens.
• Serif Serif is originated from Roman from a font written on a stone. Earlier, this font was not accepted universally. The specialty of this font is that every alphabet has a small line or stroke attached to the end of the larger stroke.
• Garamond Garamond is usually used for book printing and body text. If you want to write the main body or long paragraphs, then you can use this font. It is simple and easy to read.
• Cambria Cambria is founded by Microsoft and later distributed with Windows and Office. This font is the easiest to read in a hurry because it contains spaces and proportions between the alphabets. This is suitable for the body and the long sentence.
• Century Gothic Century Gothic is basically in the geometric style released in 1881. This font has a larger height instead of other fonts. If the university allows you to choose the font of your own choice, you can go for this one.
• Palatino Linotype Palatino Linotype font is highly legible for online documents. It enhances the quality of the letter when displayed on the screen. This font is majorly used for books, periodicals, and catalogs.
• Lucida Bright Lucida Bright has a unique quality that the text looks larger at smaller point sizes also. This font can fit words on a single line. To write a thesis, you can choose this font easily.

After getting brief knowledge about the fonts, let's now come to the tips to choose the best font for the thesis. Here are some major key points that you should follow while choosing a font.

• Make sure your font looks attractive.
• It should match your tone.
• Headings and subheadings must be highlighted.
• It should not look congested.
• Avoid choosing complicated or fancy fonts.

Take a Look: How to Write a Good Thesis Statement for an Essay? Best Tips & Examples

Students make some mistakes while choosing a font, which the professor dislikes the most. So, to avoid those, keep the below points in mind.

• Don’t choose fonts on your likes and dislikes.
• Put the reader's preference first and then choose the font.
• Avoid too many fonts as they make the work look unorganized.
• Make sure all fonts match your document instead of making it look like a disaster.
• Choose different fonts for titles, subtitles, paragraphs.

When preparing the thesis for submission, students must follow strict formatting requirements. Any deviations in these requirements may lead to the rejection of the thesis.

• The language should be perfect.
• The length of the thesis should be divided appropriately among the sections.
• The page size, margins, and spacing on the page should be correct.
• The font and point size should be displayed correctly.

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Great fonts for a PhD thesis – and terrible ones

There are thousands of fonts out there – which one should you choose for a great-looking PhD thesis? I will explain the differences between serif and sans-serif fonts, what ligatures are and why you shouldn’t use that fun free font you found on the internet.

Great fonts for a PhD thesis: Serif vs. sans-serif

As I explained in my Ultimate Guide to preparing a PhD thesis for printing , there are two basic kinds of fonts: Serif fonts and sans-serif fonts. Serif fonts have small lines – serifs – at the ends of all lines. Sans-serif fonts don’t have those lines. Compare these two, Palatino Linotype and Arial:

Serifs guide the reader’s eyes, making sure that they stay in the same line while reading a printed text. In turn, your reader’s brain won’t get tired so quickly and they can read for longer.

But there is another feature that many serif fonts have. Look at these three (which are all great fonts to use in your PhD thesis, btw):

If you look closely, you will see that serif fonts often have different stroke thicknesses within every letter. This is called “weight contrast”. A subtle weight contrast further improves legibility of a printed text. Hence, I recommend you use a serif font with a bit of a weight contrast for your main text.

Which serif font should you choose?

But whatever you do, this one thing is extremely important: Choose a font that offers all styles: regular, italics , bold , and bold italics . Since these four styles all need to be designed separately, many fonts don’t offer all of them. Especially bold italics is absent in most free internet fonts and even from many fonts that come with your operating system or word processor.

Also: In your bibliography and in-text citations (if you go with an author-year citation style) you will have to display author’s names from all over the world. Many of them will contain special letters. For example German umlauts (ä, ö, ü), accented letters used in lots of of languages, i.e. French or Spanish (à, é, ñ, etc.), and dozens of other special letters from all kinds of languages (ç, ı, ł, ø, etc.). Be aware that only a very limited number of fonts offer all of these!

If you have mathematical equations in your thesis that require more than +, – and =, your font choices are limited even further . After all, the vast majority of fonts do not offer special operators.

As you can see, these criteria severely limit your choice of font for the main text. Needless to say, they rule out free fonts you can download from dafont.com or 1001fonts.com . That is why I urge you to go with a classic font. To make things easier for you, here is a table with serif fonts that offer all the characters you could dream of:

Failsafe serif fonts for your PhD thesis

These fonts are heavily based on fonts that have been in use since the invention of the mechanical printing press in the 15th century. Hence, these types of fonts have been tried and tested for more than 500 years. Hard to argue with that!

But which of these fonts is The Best TM for a PhD thesis? That depends on how much text you have in your thesis vs. how many figures, tables, equations, etc. As I have noted in the table, fonts have different widths. Look at this image showing the same text in Times New Roman (TNR), Cambria, and Sitka Text; all at the same size:

Hence, setting entire pages of text in TNR will make the page look quite dense and dark. So, a thesis with a lot of text and few figures is best set in a wider font like Sitka Text. On the other hand, if you have a lot of figures, tables, etc., TNR is a good choice because it keeps paragraphs of text compact and therefore the page from looking too empty. Medium-width fonts like Cambria are a good compromise between the two.

To see some of these fonts in action, check out this example PhD thesis where I show all sorts of font combinations and page layouts.

When to use a sans-serif font in your PhD thesis

This covers serif fonts. But which sans-serif fonts are great for your PhD thesis? And when do you use them?

As mentioned above, serif fonts are good for the main text of your thesis. But titles and headings are a different story. There, a sans-serif font will look very nice. Plus, using a different font in your headings than in the main text will help the reader recognize when a new section begins.

Here are some examples for good sans-serif fonts:

Each of these fonts – Futura, Franklin Gothic Book, and Gill Sans – are wonderful for headings in a PhD thesis. Why? Because they are easily readable, well-balanced and don’t call undue attention to themselves. Also, they have many options: regular, light, medium, bold, extra bold, including italics for all of them. And most operating systems or word processors have them pre-installed.

The criteria for heading fonts are not nearly as strict as those for main text fonts. If you have Latin species names in your headings, make sure the font offers (bold) italics. If you need to display Greek letters in your headings, make sure the font offers those. Done.

However, there are some criteria for headings. Just for fun, let’s have a look at some sans-serif fonts that would be a bad choice for a thesis:

I’d like to explicitly state that these are wonderful, well-designed fonts – you just shouldn’t use them in a scientific document. Heattenschweiler is too narrow, Broadway has too much weight contrast and Aspergit Light is too thin. All of these things impair readability and might make your opponents squint at your headings. Of course, you will want to do everything in your power to make the experience of reading your thesis as pleasant a possible for your opponents!

How are these fonts great for my PhD thesis? They are boring!

Why yes, they are, thanks for noticing!

Seriously though, the fonts not being interesting is the point. Your PhD thesis is a scientific document showing your expertise in your field and your ability to do independent research. The content of your thesis, the science, should be the sole focus. A PhD thesis is not the place to show off your quirky personality by way of an illegible font.

However, you can infuse your personality into your thesis cover and chapter start pages. There, you can use a fun font, since you probably don’t have to display any special characters.

Choosing the right font is too much pressure? Contact me for help with your layout!

Don’t use fonts made for non-Latin alphabets (Cyrillic, Hanzi, etc.)

Every computer nowadays comes pre-installed with a number of fonts made for displaying languages that don’t use the Latin alphabet (Latin alphabet = The alphabet in which this very article is displayed). Prominent examples for languages that don’t use the Latin alphabet are Asian languages such as Chinese, Japanese, Korean, Thai, etc. Other examples include the Arabic, Brahmic, and Cyrillic script. But there are many more fonts for a myriad of non-Latin alphabets. These fonts were optimized to make the characters of their languages easily readable.

However (and this is why I’ve written this entire section) they usually also contain Latin characters to be able to display the occasional foreign word.

Hence, you might want to honour your roots by using a font in your thesis that was made for your native language, by someone from your home country. It is tempting, because all the Latin characters are there, right? I completely understand this wish, but I strongly advise against it since there are some serious drawbacks.

Don’t get me wrong, I’m not throwing shade on these fonts, they are fantastic at what they were made for. Displaying long stretches of text in the Latin alphabet, however, is not one of those things. Let me explain why.

They don’t offer all necessary characters

Firstly, fonts made to display languages with a non-Latin alphabet contain the bare minimum of Latin characters. That is, the basic letters and the most important punctuation marks. Hence, they don’t have all those math operators and special characters I talked about in the section about serif fonts.

Also, the Latin characters in these fonts are usually sans-serif, so less suitable for long text.

But let’s say the non-Latin alphabet font you chose does offer all special characters and has serifs. Unfortunately, they are still not suitable to use in your PhD thesis, for the following reasons:

They are often too small or large for use with greek letters

Do you mention β-Mercaptoethanol or α-Histidin antibodies in your Materials and Methods? Or any other Greek letter? Since Latin characters are scaled differently in fonts made for non-Latin alphabets, Greek letters will not be the same size as the rest of the text anymore. For example, look at this text, where I rendered everything (I swear!) in the specified font size:

In the first panel (Cambria), the Greek letters are the same size and weight as the main text. As I have said, Cambria is one of the fonts explicitly recommended for your thesis. If you look closely at the enlarged line on the bottom of the panel, you can see that the alpha is the same height as the lower-case letters, whereas the beta is the same height as the upper-case letters. It looks neat and tidy.

However, by using a non-Latin font for your PhD thesis, you are asking for trouble.

In the second panel, I show Cordia New, a font for Thai script. At 12 pt, it is way smaller than the Latin font. The Greek letters – which are also at 12 pt! – stand out awkwardly. Also, Cordia New produces a line distance that is larger than it should be when using it for a text in the Latin alphabet.

In the last panel I show Microsoft YaHei for displaying Hanzi characters. Here, the Latin characters are larger. This leads to the Greek letters being too small. And, as you can see in the second and third lines of the paragraph of text, the line distance is quite narrow. However, the Greek letter β requires a regular line distance. So, it pushes the following line down, making the paragraph look uneven.

They don’t offer ligatures

Now, what on earth are ligatures? I could dive into the history of book printing here but I’ll spare you those details. In essence, Ligatures are two or more letters that are printed as one single glyph. Let me show you:

In the top line, you can see that the characters inside the boxes “melt” into each other. This single shape made out of several letter is called a ligature. They are mostly common with the small letter f. If you take a magnifying glass and look at the pages of a novel, you will quickly find these same ligatures. E-readers also display ligatures. Heck, even WhatsApp does it!

Ligatures also make the text easier to read. However, in order to display them, a font actually has to have the glyphs for the ligatures. And many fonts don’t. In order to find out whether a font you chose offers them, go to the character map of that font. (In Windows 10, simply click the windows logo in the corner of your screen and start typing the word “character”.) Pick a font in the drop-down menu. Now, search for the word “ligature” in the character map. If the map is empty after this, the font has no ligature glyphs.

All that being said, ligatures are not super important. I just wanted to mention them.

You can still use fonts made for non-Latin alphabets

If you want to honour your roots by way of a font, you can still do this. For example in your thesis title and/or for the chapter start pages.

In a word: Don’t go crazy with those fonts! Let your science do the talking. If you want to see what your thesis could look like with some of the fonts I recommended, check out the example PhD thesis .

Do you want to see a font combination that’s not in the example thesis? Contact me and I’ll set a few pages in your desired font, free of charge!

Click here for help with your PhD thesis layout!

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What Is The Best Font For A Dissertation?

Published by Alvin Nicolas at April 9th, 2024 , Revised On April 9, 2024

For many students, embarking on a dissertation is a daunting task. Beyond the research, writing, and analysis , a seemingly insignificant detail can cause unexpected stress: font selection. While it might seem like a minor concern, the right font can significantly impact the readability, professionalism, and overall look of your dissertation and can highly influence the decision of the readers. 

This blog will help you in choosing the right font for your dissertation. Let’s explore!

Why Does Font Choice Matter?

While the content of your dissertation is paramount, the presentation also plays a crucial role. The chosen font can influence how easily your reader absorbs the information. A poorly chosen font can lead to eye strain, reduced comprehension, and even a negative first impression.

Here are some specific reasons why font choice matters:

• Readability: The primary function of your dissertation is to communicate your research effectively. A clear and readable font is essential for ensuring your reader can easily grasp the information presented.
• Professionalism: Certain fonts convey a sense of seriousness and formality, aligning with the academic tone of your dissertation.
• Consistency: Maintaining a consistent font throughout your dissertation creates a sense of unity and professionalism.

Key Factors To Consider When Choosing A Font

Before discussing the specific font recommendations, let’s explore some key factors to consider when making your decision:

University Guidelines

Many universities have specific guidelines regarding font choices for dissertations. Always refer to your university’s style guide or handbook to ensure you adhere to any established requirements.

Readability

Opt for fonts with clear letterforms, adequate spacing, and sufficient contrast between the font and background colour. Avoid decorative or script fonts that can be challenging to read.

Serif Vs Sans-Serif

Serif fonts, characterised by small lines extending from the ends of characters (e.g., Times New Roman), are generally considered more readable for extended reading, making them ideal for the body text of your dissertation. Sans-serif fonts lacking these serifs (e.g., Arial) can be suitable for headings or short text snippets.

Font Size & Line Spacing

Maintain a comfortable reading experience with an appropriate font size (typically 10-12 points) and line spacing (usually 1.15 or 1.5 lines).

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Popular Font Choices For Dissertations

Now, let’s explore some popular font options that meet the criteria for dissertation writing:

Times New Roman

The classic academic font, Times New Roman, remains a widely accepted and safe choice for dissertations due to its readability and formal appearance.

Similar to Times New Roman, Georgia offers good readability with a slightly wider design, making it suitable for screen-based reading.

This elegant serif font adds a touch of sophistication while maintaining excellent readability.

A modern serif font, Cambria provides a clean and professional look often favoured for on-screen reading.

While not ideal for the body text due to its lack of serifs, Arial can be a good choice for headings and subheadings due to its clarity and clean lines.

Additional Tips for Font Selection

Here are some additional tips to ensure your font choice shines:

• Consistency is key: Maintain the same font throughout your dissertation, including body text, headings, subheadings, and captions.
• Avoid excessive font variations: Stick to one or two fonts, with variations reserved for specific purposes (e.g., different fonts for headings).
• Consider the overall design: Ensure your chosen font complements the overall visual style of your dissertation, including layout and graphics.

Frequently Asked Questions

What font should i use for my dissertation uk.

Use a clear and readable font like Times New Roman, Arial, or Calibri for a UK dissertation. Most universities recommend a serif font like Times New Roman, size 12, for the main text, with clear distinctions for headings and subheadings. Always follow your institution’s guidelines for formatting and font selection.

What font should a dissertation be in?

Use a legible serif font such as Times New Roman, Arial, or Calibri for a dissertation. Typically, the font size should be 12 points for the main text, with variations for headings and subheadings as specified by your institution’s guidelines. Consistency and readability are key for academic documents.

What size font should my dissertation be?

Your dissertation’s main text should generally be in a 12-point font size for readability and consistency. Headings and subheadings may vary, typically larger than the main text, to emphasise hierarchy and organisation. Always adhere to your institution’s specific formatting requirements for font sizes and styles to ensure compliance.

What font shall I use for my undergraduate dissertation?

For an undergraduate dissertation, using a clear and legible font like Times New Roman, Arial, or Calibri is advisable. Aim for a font size of 12 points for the main text to ensure readability. Follow any specific formatting guidelines your university or department provides for consistency and professional presentation.

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Thesis / dissertation formatting manual (2024).

• Filing Fees and Student Status
• Submission Process Overview
• Electronic Thesis Submission
• Paper Thesis Submission
• Formatting Overview
• Fonts/Typeface
• Pagination, Margins, Spacing
• Paper Thesis Formatting
• Preliminary Pages Overview
• Copyright Page
• Dedication Page
• Table of Contents
• List of Figures (etc.)
• Acknowledgements
• Text and References Overview
• Figures and Illustrations
• Using Your Own Previously Published Materials
• Using Copyrighted Materials by Another Author
• Open Access and Embargoes
• Copyright and Creative Commons
• Ordering Print (Bound) Copies
• Tutorials and Assistance
• FAQ This link opens in a new window

Selecting a font (typeface)

Be consistent in the use of font/typeface throughout your manuscript. All text material must be in the same font/typeface; all headings and figure/table titles/captions must be in a consistent typeface.

Please select a font, size, and color that are highly legible and will reproduce clearly. Ornate or decorative fonts such as script, calligraphy, gothic, italics, or specialized art fonts are not acceptable. For electronic submissions, embedded fonts are required.

Any symbols, equations, figures, drawings, diacritical marks, or lines that cannot be typed, and therefore are drawn, must be added in permanent black ink.

Below are suggested fonts and sizes.

Establish and follow a consistent pattern for layout of all headings.  All headings should use the same font size, font weight, typeface, etc.

For example: center all major headings; place secondary headings at least two lines below major headings.

Typeface/printing quality (paper submissions only)

If you are submitting your manuscript on paper, printer quality is critical to produce a clean, clear image. You are strongly urged to use a laser printer, as ink jet and line printers generally do not produce fully clear, legible results. Dot matrix-type printers are not acceptable.

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Thesis and Dissertation Guide

• « Thesis & Dissertation Resources
• The Graduate School Home

• Introduction
• Copyright Page
• Dedication, Acknowledgements, Preface (optional)
• Table of Contents
• List of Tables, Figures, and Illustrations
• List of Abbreviations
• List of Symbols

Non-Traditional Formats

Font type and size, spacing and indentation, tables, figures, and illustrations, formatting previously published work.

• Internet Distribution
• Open Access
• Registering Copyright
• Using Copyrighted Materials
• Use of Your Own Previously Published Materials
• Submission Steps
• Submission Checklist
• Sample Pages

II. Formatting Guidelines

All copies of a thesis or dissertation must have the following uniform margins throughout the entire document:

• Left: 1″ (or 1 1/4" to ensure sufficient room for binding the work if desired)
• Right: 1″
• Bottom: 1″ (with allowances for page numbers; see section on Pagination )
• Top: 1″

Exceptions : The first page of each chapter (including the introduction, if any) begins 2″ from the top of the page. Also, the headings on the title page, abstract, first page of the dedication/ acknowledgements/preface (if any), and first page of the table of contents begin 2″ from the top of the page.

Non-traditional theses or dissertations such as whole works comprised of digital, artistic, video, or performance materials (i.e., no written text, chapters, or articles) are acceptable if approved by your committee and graduate program. A PDF document with a title page, copyright page, and abstract at minimum are required to be submitted along with any relevant supplemental files.

Fonts must be 10, 11, or 12 points in size. Superscripts and subscripts (e.g., formulas, or footnote or endnote numbers) should be no more than 2 points smaller than the font size used for the body of the text.

Space and indent your thesis or dissertation following these guidelines:

• The text must appear in a single column on each page and be double-spaced throughout the document. Do not arrange chapter text in multiple columns.
• New paragraphs must be indicated by a consistent tab indentation throughout the entire document.
• The document text must be left-justified, not centered or right-justified.
• For blocked quotations, indent the entire text of the quotation consistently from the left margin.
• Ensure headings are not left hanging alone on the bottom of a prior page. The text following should be moved up or the heading should be moved down. This is something to check near the end of formatting, as other adjustments to text and spacing may change where headings appear on the page.

Exceptions : Blocked quotations, notes, captions, legends, and long headings must be single-spaced throughout the document and double-spaced between items.

Paginate your thesis or dissertation following these guidelines:

• Use lower case Roman numerals (ii, iii, iv, etc.) on all pages preceding the first page of chapter one. The title page counts as page i, but the number does not appear. Therefore, the first page showing a number will be the copyright page with ii at the bottom.
• Arabic numerals (beginning with 1, 2, 3, 4, etc.) start at chapter one or the introduction, if applicable. Arabic numbers must be included on all pages of the text, illustrations, notes, and any other materials that follow. Thus, the first page of chapter one will show an Arabic numeral 1, and numbering of all subsequent pages will follow in order.
• Do not use page numbers accompanied by letters, hyphens, periods, or parentheses (e.g., 1., 1-2, -1-, (1), or 1a).
• Center all page numbers at the bottom of the page, 1/2″ from the bottom edge.
• Pages must not contain running headers or footers, aside from page numbers.
• If your document contains landscape pages (pages in which the top of the page is the long side of a sheet of paper), make sure that your page numbers still appear in the same position and direction as they do on pages with standard portrait orientation for consistency. This likely means the page number will be centered on the short side of the paper and the number will be sideways relative to the landscape page text. See these additional instructions for assistance with pagination on landscape pages in Microsoft Word .

Format footnotes for your thesis or dissertation following these guidelines:

• Footnotes must be placed at the bottom of the page separated from the text by a solid line one to two inches long.
• Begin at the left page margin, directly below the solid line.
• Single-space footnotes that are more than one line long.
• Include one double-spaced line between each note.
• Most software packages automatically space footnotes at the bottom of the page depending on their length. It is acceptable if the note breaks within a sentence and carries the remainder into the footnote area of the next page. Do not indicate the continuation of a footnote.
• Number all footnotes with Arabic numerals. You may number notes consecutively within each chapter starting over with number 1 for the first note in each chapter, or you may number notes consecutively throughout the entire document.
• Footnote numbers must precede the note and be placed slightly above the line (superscripted). Leave no space between the number and the note.
• While footnotes should be located at the bottom of the page, do not place footnotes in a running page footer, as they must remain within the page margins.

Endnotes are an acceptable alternative to footnotes. Format endnotes for your thesis or dissertation following these guidelines:

• Always begin endnotes on a separate page either immediately following the end of each chapter, or at the end of your entire document. If you place all endnotes at the end of the entire document, they must appear after the appendices and before the references.
• Include the heading “ENDNOTES” in all capital letters, and center it 1″ below the top of the first page of your endnotes section(s).
• Single-space endnotes that are more than one line long.
• Number all endnotes with Arabic numerals. You may number notes consecutively within each chapter starting over with number 1 for the first note in each chapter, or you may number notes consecutively throughout the entire document.
• Endnote numbers must precede the note and be placed slightly above the line (superscripted). Leave no space between the number and the note.

Tables, figures, and illustrations vary widely by discipline. Therefore, formatting of these components is largely at the discretion of the author.

For example, headings and captions may appear above or below each of these components.

These components may each be placed within the main text of the document or grouped together in a separate section.

Space permitting, headings and captions for the associated table, figure, or illustration must be on the same page.

The use of color is permitted as long as it is consistently applied as part of the finished component (e.g., a color-coded pie chart) and not extraneous or unprofessional (e.g., highlighting intended solely to draw a reader's attention to a key phrase). The use of color should be reserved primarily for tables, figures, illustrations, and active website or document links throughout your thesis or dissertation.

The format you choose for these components must be consistent throughout the thesis or dissertation.

Ensure each component complies with margin and pagination requirements.

Refer to the List of Tables, Figures, and Illustrations section for additional information.

If your thesis or dissertation has appendices, they must be prepared following these guidelines:

• Appendices must appear at the end of the document (before references) and not the chapter to which they pertain.
• When there is more than one appendix, assign each appendix a number or a letter heading (e.g., “APPENDIX 1” or “APPENDIX A”) and a descriptive title. You may number consecutively throughout the entire work (e.g., 1, 2 or A, B), or you may assign a two-part Arabic numeral with the first number designating the chapter in which it appears, separated by a period, followed by a second number or letter to indicate its consecutive placement (e.g., “APPENDIX 3.2” is the second appendix referred to in Chapter Three).
• Include the chosen headings in all capital letters, and center them 1″ below the top of the page.
• All appendix headings and titles must be included in the table of contents.
• Page numbering must continue throughout your appendix or appendices. Ensure each appendix complies with margin and pagination requirements.

You are required to list all the references you consulted. For specific details on formatting your references, consult and follow a style manual or professional journal that is used for formatting publications and citations in your discipline.

Your reference pages must be prepared following these guidelines:

• If you place references after each chapter, the references for the last chapter must be placed immediately following the chapter and before the appendices.
• If you place all references at the end of the thesis or dissertation, they must appear after the appendices as the final component in the document.
• Select an appropriate heading for this section based on the style manual you are using (e.g., “REFERENCES”, “BIBLIOGRAPHY”, or “WORKS CITED”).
• Include the chosen heading in all capital letters, and center it 1″ below the top of the page.
• References must be single-spaced within each entry.
• Include one double-spaced line between each reference.
• Page numbering must continue throughout your references section. Ensure references comply with margin and pagination requirements.

In some cases, students gain approval from their academic program to include in their thesis or dissertation previously published (or submitted, in press, or under review) journal articles or similar materials that they have authored. For more information about including previously published works in your thesis or dissertation, see the section on Use of Your Own Previously Published Materials and the section on Copyrighting.

If your academic program has approved inclusion of such materials, please note that these materials must match the formatting guidelines set forth in this Guide regardless of how the material was formatted for publication.

Some specific formatting guidelines to consider include:

• Fonts, margins, chapter headings, citations, and references must all match the formatting and placement used within the rest of the thesis or dissertation.
• If appropriate, published articles can be included as separate individual chapters within the thesis or dissertation.
• A separate abstract to each chapter should not be included.
• The citation for previously published work must be included as the first footnote (or endnote) on the first page of the chapter.
• Do not include typesetting notations often used when submitting manuscripts to a publisher (i.e., insert table x here).
• The date on the title page should be the year in which your committee approves the thesis or dissertation, regardless of the date of completion or publication of individual chapters.
• If you would like to include additional details about the previously published work, this information can be included in the preface for the thesis or dissertation.

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• Dissertation

Times New Roman, Georgia, Garamond, Arial, Verdana, Cambria, Century Gothic, Constantia, and Arial Narrow are some of the ideal fonts for dissertation writing.

What is Dissertation Writing ?

In the term – Dissertation writing, the word “Dissertation” has originated from the Latin language where ‘ dissertare’ means ‘to debate’. This word was first used in the English language in around 1651 which gave us a definition to write extensively on a certain subject. It is also defined as a long piece of writing on any particular topic which you have studied.

In a dissertation writing, the writer should always choose to write with the help of using a clear font like Arial, Times New Roman, etc. They should also set perfect font sizes such are 10 to 12 also the line spacing should be done of 1.15 or 1.5 which is generally accepted as it makes the document appear more neat and tidy and allows the reader to put comments in between.

Mistakes that should be avoided while choosing the Font for dissertation writing:

• Do not choose fonts on the basis of your personal likes and dislikes. Always the writer should keep in mind that they should choose the font on the basis of the reader’s perspective as it is not easy to go through a 20 pages dissertation with a complex font.
• Always avoid using too many fonts as the write-ups become too much complicated and is also not considered well organized.
• All fonts for dissertation do not match or work together, therefore, a student should make sure that they should choose fonts which go along their write up
• Try separating the fonts of your subtitles and the paragraphs as the same fonts used might make your writing monotonous and boring for the reader.

11 Best Font for Dissertation Writing

Times new roman: most common fonts for dissertation.

This font was originally designed for Times Newspaper of London. This font has a separate and different aesthetician a formal style that is prescribed or assigned by many universities and colleges. It is also quite easy to read.

This is a serif type font designed by Matthew Carter and was founded by Microsoft Corporation. It was created and released in 1993 and 1996 respectively.

This another font which has a pleasant-looking appearance on dissertation writing and is also considered as an old-style serif typeface which was named for 16th-century Parisian engraver Claude Garamond. This font is very much popular and is used for printing books etc.

This is also a Serif style typeface commissioned by Microsoft which was designed by Steve Matteson, Robin Nicholas and Jelle Bosma in 2004. It is distributed by windows and office.

Century Gothic:

This is also designed in a sans serif typeface style and a geometric style that was released in 1991 by Monotype Imaging. 

Palatino Linotype:

This font was first released in 1949 by Stempel foundry. This serif typeface style font was designed by Hermann Zapf. It has bee also classified as old style font.

This font style is one of the commonly used font styles which is also displayed sometimes as Arial MT. It has been classified as neo-grotesque sans-serif which was released in 1982 and was designed by Robin Nicholas and Patricia Saunders.

This font style is widely used for writing dissertations or any other academic papers as they provide a very cleaned and very simple – smooth look to the paper and also to the eyes of the reader. This was designed by Matthew Carter for Microsoft Corporation.

Constantia:

This was designed by John Hudson, a serif style design that was commissioned by Microsoft. The developmental work for this writing began in 2003 and was finally released in 2006

Century schoolbook: Fonts for dissertation

It is again a serif style typeface that was designed by Linn Boyd and Morris F Benton. This belongs to the century writing font family which was released in between 1894-1923.

Arial Narrow:

This is a high style font that is available for free download for personal and commercial use. However, the free version provides all upper case and lower case with some special character and features.

Therefore above are some of the most popularly used ideal fonts for dissertation writing. Times Roman is the most chosen font styles for thesis and dissertation writing but still, it has some common drawbacks as this font was created mostly to create spaces in between the words and letters but according to some professionals, the usage of this font causes overuse of view.

Similarly, Verdana and Arial fonts for dissertation might provide a simple and clear look on the screen but on the paper, it appears a little congested and a little less formal. But still, all of these fonts discussed above are some of the most appropriate fonts which are ideally used in writing a thesis, dissertation, essays or any writing assignment given to a student in college.

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Dissertation layout and formatting

Published on October 21, 2015 by Koen Driessen . Revised on February 20, 2019.

The layout requirements for a dissertation are often determined by your supervisor or department. However, there are certain guidelines that are common to almost every program, such as including page numbers and a table of contents.

If you are writing a paper in the MLA citation style , you can use our  MLA format guide .

Table of contents

Font, font size, and line spacing, tables and figures, referencing, paragraph marks, headers and footers, page numbering, dissertation printing.

Use a clear and professional font. Some examples include Verdana, Times New Roman, and Calibri (which is the default font in Microsoft Word). Font size is best set to 10 or 11.

In scientific articles and theses, a line spacing of 1.15 or 1.5 is generally preferred, as it makes the document more readable and enables your supervisor to post comments between the lines of text.

Here's why students love Scribbr's proofreading services

Discover proofreading & editing

With tables, the number and title should be placed above; with figures and all other illustrations, the number and title should be placed below.

Microsoft Word has a feature that can help you to automatically place these numbers and titles in the correct position. Select the graphic, right-click, and choose “Insert Caption…” In the dialogue box that appears, specify whether it is a table or figure and enter a title. Once you click “Okay,” the number and the title will be generated in the right place.

Another advantage of using this Word feature to label your graphics is that you will later be able to generate lists of tables and figures with a push of a button.

Different heading styles are frequently used to help the reader differentiate between chapters, sections, and subsections of your dissertation. For instance, you may choose to bold all chapter headings but to italicize all lower-level headings.

Once you decide on the scheme you will use, it is important that you apply it consistently throughout your entire dissertation. Using the “Styles” feature of Microsoft Word can be very helpful in this regard. After you have created a heading, just highlight it and select a style (such as Heading 1 or Heading 2) from the home tool bar. Keeping a list may help you keep track of what style to use when.

Citing sources in a correct and appropriate manner is crucial in a dissertation, as failing to do so can make you guilty of plagiarism . It is important that these references follow certain standards.

The APA standard is most commonly used. After realizing how difficult it is to create correctly formatted citations manually, we developed the APA Citation Generator  to assist you. You can use this free and simple tool to easily generate citations that follow the official APA style.

We also recommend that you use a plagiarism scanner to check for unintended plagiarism.

Receive feedback on language, structure, and formatting

Professional editors proofread and edit your paper by focusing on:

• Academic style
• Vague sentences
• Style consistency

See an example

Using the “Show paragraph marks” feature can help you to avoid this scenario. To turn it on, click on the paragraph symbol in your home tool bar (as shown in the above illustration). A black paragraph symbol will then be shown after every paragraph and “hard return” in your document, which allows you to see how the layout is constructed.

This can be very helpful when you are trying to determine the cause of mysterious jumps and other problems.

Headers and footers can give your dissertation a very professional look. They also make it immediately clear to readers what document is before them.

A header or footer can be added by double-clicking respectively at the top or bottom of a page in your document. There are generally no firm rules about what you must include; the following are common choices:

• The name/logo of your home educational institution
• The name/logo of the company or organization where you completed a placement
• The title of your dissertation (which may be shortened if necessary)
• Page numbers

Page numbers are commonly placed in the lower right-hand corner of the page. They can easily be added by simply creating a footer. Bear in mind that a page number is usually not included on the title page of a dissertation.

• To ensure that the page numbering doesn’t start on the cover page, but the numbering begins on page 1, place the cursor on the bottom of the page where you want to start with page numbering (if you want to start on page 2, click at the bottom of the first page).
• Next go to “Page layout” and then “Breaks”. Next, choose the submenu “Next page”.
• Switch to the side, where the numbering should begin (in this case, page 2). In the edit mode of the header or footer, choose “link to previous”, after that click on “Move to footer” and click on the “Link to previous” again.
• Now, to add a page number, click on the “Insert” tab, then on the “Header and footer” group, and then click “Page number”. Now you can also choose where the page number should be (top of the page, bottom of the page or page margins) and you can choose a design.
• Finally select the option “format page number” and enter the page numbers, in what page you want the numbering to begin. After you have pressed “ok”, the page number then begins with the number from the previously selected break.

A clear and well-presented title page is a nice finishing touch for your dissertation. Certain information should be included here by default. We have prepared a separate article on title pages that includes a handy checklist you can use to make sure you don’t forget anything.

Always make sure that everything in your dissertation is in the correct order and placed in the appropriate chapter. More information on how to put your document together can be found in our article on structure a dissertation .

If you are interested in seeing how other students have tackled preparing their theses, you may find it useful to check out these dissertation examples .

The last step is usually to prepare a hardcopy of your final document. There are many issues to think about, such as whether you will make it single- or double-sided.

Before you print, however, we recommend that you check one last time that your document meets all of the below requirements!

Cite this Scribbr article

If you want to cite this source, you can copy and paste the citation or click the “Cite this Scribbr article” button to automatically add the citation to our free Citation Generator.

Driessen, K. (2019, February 20). Dissertation layout and formatting. Scribbr. Retrieved July 10, 2024, from https://www.scribbr.com/tips/dissertation-layout-and-formatting/

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PhD thesis formatting

There is no official pre-made departmental or University-wide style template for PhD theses. Some argue that learning (and advancing!) the art of beautifully typesetting a thesis is a crucial part of getting a PhD.

Here are some practical recommendations, examples, and useful starting points.

Most PhD authors in the Computer Laboratory prefer LaTeX as their typesetting system (under both Linux or Windows), mainly because of its

• excellent and yet unmatched support for mathematical formulae;
• good support for managing bibliographic references;
• good support for high-quality typography;
• easy integration with software-engineering tools (make, revision control, etc.);
• very safe and robust handling of large documents;
• long-term stability;
• comprehensive free tool support.

A common approach is to use the report style, with a suitable title page added, margins changed to make good use of the A4 format, and various other changes to suit submission requirements and individual tastes (e.g., other fonts).

For preparing publication-quality diagrams, some of the most powerful and popular tools used include:

• PGF/TikZ – the probably most sophisticated drawing package for LaTeX
• matplotlib – Matlab-style function plotting in Python

Official requirements

There used to be detailed Student Registry PhD format requirements , regarding font sizes and line spacing, but most Degree Committees have dropped these, recognizing that they were mainly motivated by past typewriter conventions. The rules left are now mainly about the word count .

In particular, it is no longer necessary for dissertations to be printed single sided or in “one-and-a-half spaced type”. If you still like to increase the line spacing, for easier proofreading, you can achieve this in LaTeX by placing into the preamble the line “ \usepackage{setspace}\onehalfspacing ”.

Recommendations

One Cambridge thesis-binding company, J.S. Wilson & Son , recommend on their web page to leave 30 mm margin on the spine and 20 mm on the other three sides of the A4 pages sent to them. About a centimetre of the left margin is lost when the binder stitches the pages together.

Write your thesis title and section headings in “sentence case”, that is use the same capitalization that you would have used in normal sentences (capitalize only the first word, proper nouns and abbreviations). Avoid the US-style “title case” that some conference-proceedings publishers require.

• Sentence case is normal typographic practice in the UK (see any UK-published newspaper, magazine, journals such as Nature , etc.).
• The catalogues of both the University Library thesis collection and our departmental Technical Report series record titles this way, and you don't want the cataloguers mess with your title capitalization when your thesis finally reaches them.
• It preserves useful information about the correct capitalization of any names or technical terms used.

Page numbers

Use a single page-number sequence for all pages in your thesis, i.e. do not use a separate sequence of Roman numerals for front-matter (title page, abstract, acknowledgements, table of contents, table of figure). In LaTeX that means using the report style, not the book style.

• PDF viewers number pages continuously starting from 1, and using anything else as printed page numbers causes confusion.
• This will save you some reformatting when submitting your thesis as a techreport .

Bibliographic references

If you use purely-numeric bibliographic references, do not forget to still mention authors’ surnames, as a courtesy to both the authors and your readers. Also, try to add the exact page number on which the quoted point is found in the reference; LaTeX supports this really well. (“suggested by Crowcroft and Kuhn [42,p107]”)

Technical Report submission

After a thesis has been approved by the examiners, the author normally submits it for publication as a Computer Laboratory Technical Report .

It is a good idea to read early on the submission guidelines for technical reports , as this may reduce the need to change the formatting later.

If you want to minimize any changes needed between your submitted thesis and the corresponding technical report version, then – in addition to applying all the above advice – you can

• make page 1 the title page,
• make page 2 the required declaration of originality,
• make page 3 the summary, and
• choose a layout suitable for double-sided printing (required for techreport, since 2010 also allowed for final PhD submission).

This way, there is a very high chance that turning your thesis into a techreport could be as simple as replacing pages 1 and 2 with the standard Technical Report title page (which the techreport editor can do for you).

More information

• The Computer Laboratory house style page explains where to find the University identifier that many put on the title page of their thesis.
• Markus Kuhn’s simple PhD thesis template ( snapshot ) is just one possible starting point.
• The cam-thesis LaTeX class is a collaborative effort to maintain a Cambridge PhD thesis template for Computer Laboratory research students, initiated by Jean Martina, Rok Strniša, and Matej Urbas.
• Effective scientific electronic publishing – Markus Kuhn’s notes on putting scientific publications onto the web, especially for LaTeX/LNCS users.
• International Standard ISO 7144 Presentation of theses and similar documents (1986) contains also some general guidelines for formatting dissertations that may be of use.
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KU Thesis and Dissertation Formatting: Fonts and Spacing

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Office of Graduate Studies Thesis and Dissertation Formatting Guidelines

These rules are taken from the KU Office of Graduate Studies Thesis or Dissertation Formatting Guidelines. To see the full thesis or dissertation formatting requirements, visit https://graduate.ku.edu/submitting

• Students should use the same font size (11- or 12-point) and style (typically Times New Roman) through the thesis, including labels and references.
• Tables, captions, and footnotes should use the same font style but may be smaller in size (usually 10-point).
• Chapter and section headings may be bold and no more than 2 points larger than the text size.
• Non-standard typefaces, such as script, are generally not acceptable except for commonly used symbols.
• The Office of Graduate Studies recommends that students get their font choice approved by their department and their graduate division before the thesis defense.
• Lettering and symbols in tables and figures should be no less than 10 points.
• Normally theses and dissertations use double-spaced formatting.
• Single-spaced formatting is acceptable in the table of contents, footnotes, end notes, charts, graphs, tables, block quotations, captions, glossary, appendices and bibliography.
• Students may use singe- or one-and-a-half-spacing for the body of the text with prior written approval of their thesis committee and graduate division.

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5 fonts that add credibility and professionalism to scientific research

by ikumikayama | Apr 29, 2013 | Uncategorized | 14 comments

Choosing the right fonts can affect how your scientific research is received.

Note: This is part 2 of a 2-part blog series about choices in fonts. You can read part 1 here .

You are dressed in your best. You edited the manuscript with a fine-tooth comb…but are your figures and images wearing flip-flops?

Last time we talked about fonts that suck professionalism out of your scientific research . In this article, we’ll talk about fonts that actually add credibility and professionalism to your research. Dress your research in a custom-tailored suit by just using these fonts!

My friend and colleague, Cassio Lynm described how a good figure should be like a billboard found in many highways around the country. Anyone who sees the billboard will understand what they are advertising in a split second. If someone is confused or gets the wrong idea, the image is not very successful.

Similarly, the best professional fonts should be one that’s easy to read with very little “bells and whistles”. When writing prose of informational value such as scientific research, a reader should pay attention to what the text is describing, not how the text looks.  A good professional font should be like air–we don’t really even pay attention to it most of the time.

Some of the fonts I’ll share with you today are considered “boring” and “overused” by some. These fonts are everywhere because they are champions of legibility and simplicity.  Make your work professional and trustworthy by using a time-tested font.

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1. Arial- “All-Around Champion with IBM Roots”

According to fonts.com , Arial is one of the most used typefaces of the last 30 years. Its electronic origins go back to 1982 for IBM laser-xerographic printers by designers Robin Nicholas and Patricia Saunders. When it came out, it was supposed to compete with Helvetica, which was one of the core fonts in Apple Computers in the mid 1980’s.

Arial letters have more round shapes and the edges of letters do not end in a horizontal line. Instead, the edges are at an angle.

Arial is an easy-to-read font in small and large blocks of text. Nature requests that the figure text be in Arial or Helvetica. It’s especially nice for figure labels and legends. When using Arial as figure legends, keep the font size small ~8 points for best results.

2. Helvetica- “All-Around Champion with Apple Roots”

Helvetica is the most heavily-used font. Helvetica was originally designed by a Swiss designer named Max Miedinger in 1957. The font was designed to be an easy-to-read font. The name “Helvetica” comes from “Helvetia” – Latin name for Switzerland. Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.

Helvetica even has its own movie . I haven’t seen it yet, but please comment in the section below if you have.

Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.  Nature , Science , and Cell request that their figure labels be in Helvetica. (If you need assistance setting up figures, I’m here to help). It looks great small as in figure labels, and it looks pretty good in large formats as posters. I lost count of how many figures I labeled using Helvetica, since that’s what one of the publishers used for their books.

3. Baskerville- “Tends to have positive influence on readers”

Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.  Mr. Baskerville preferred his letters simple and refined. He was also a writing master, so he had some ornamental letters like the upper case Q.

There was an  informal study  (not official, but some experiments here and there) that showed using Baskerville font increased trustworthiness of the text compared to other fonts. In the same study, Comic Sans had the most negative influence on the readers.

Baskerville is a serif font, which means that there are “tails” at the edge of the letters. Generally, serif fonts are better suited for print. This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results. This font looks dignified, so use this for your important professional occasions-award ceremonies, recognitions, etc.

4. Caslon- “When in doubt, use Caslon”

Caslon is another font with a long history. William Cason I designed the typeface back in the early 1700’s. This font is considered as the first original typeface from England. This font was very popular in colonial America, and it was used for many historical documents including the US Declaration of Independence.

Caslon is a serif font (with tails), and is best used in blocks of text. Like Baskerville, try to keep this font between 8 and 14 points for best results. Using this in a report or an application would be a good places.

5. Garamond – “Second best font after Helvetica”

This font’s history also goes way back. The font was designed by Claude Garamond (or Jean Jannon), who was commissioned to make a typeface for King Francis I of France (1515-47) to be used in series of books. The modern, electric version was revived in 1989 by Robert Slimbach.

Because there are different sources available for Garamond, there are numbers of different variations of the font. Adobe Garamond is the most popular and widely-available version today.

Garamond is still used extensively by French publishers. They also insist that Garamond be printed in size 9.  Some of the most famous publications in France are in Garamond such as Histoire de l’édition français.  The publishers prefer this font “for its beauty, its richness and its legibility” combined with “an uncluttered graphic style that underscores the rigour of essays and analysis providing a radical critique of contemporary society”.

Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.

So that’s the 5 fonts that add credibility and professionalism to your scientific research. Did you find your favorite fonts here? Do you have other favorites? Please share your thoughts in the comment section. Also, please feel free to send this article along to those who might benefit from this short article.

[bra_border_divider top=’10’ bottom=’10’]

Now that you know about great scientific fonts, learn more about: PowerPoint Tips for the Scientist

Sources and Further reading:

Arial vs Helvetica – fonts.com

Research on font trustworthiness: Baskerville vs. Comic Sans

Caslon typeface

History of Garamond

Cell Press Figure Guide

Nature -Guide to preparing final artwork

Science Magazine: Preparing your manuscript

14 Comments

I’d rather like to know which font was used to write that article – it’s simple and readable, better than all presented above.

And the font being used for that article is Helvetica, which is one of the fonts mentioned above 😀

Hi Ewa! Great point. The font used is called “Open Sans” by Steve Matteson. For my blog, I made the font color dark grey to make it easier on the eyes, and also made them slightly bigger than average for easier reading. Hope this helps!

Hollo there, i liked the article but none of this fonts looks like the one used in the papers i read, (Journals of the American Chemical Society), do you know which one they use?

Hi There! Thank you for the note! ACS suggests Arial and Helvetica for their journal figures, so that’s what I introduced in this article–for the text, they might very well have their own custom font they use for their publications. I’ll dig into this a little deeper–thank you again!

I’m sorry, but this article is full of misinformation. Part 1 is a reiteration of articles that have been around for years. Absolutely nothing new there, and honestly, is there anyone even considering the typefaces you name there for scientific articles? Is it conceivable that anyone would use Curlz for his essay?

But my real concern goes to the second part. Arial and Helvetica are absolutely not scientific typefaces. The notion that ACS suggests these typefaces doesn’t make them suitable for scientific works. I think you ought to do research as to WHY these typefaces came recommended. Helvetica has history, as it won out of contemporaries like Univers as Helvetica was very heavily marketed. As a side note, Helvetica is actually based on the Akzidenz Grotesk model. Arial was designed to have the same metrics as Helvetica so it could be used on the same printers without having to pay a license fee to use Helvetica. Arial is more legible while Helvetica is more neutral and clear, but neither is particularly great.

So I would say Helvetica and Arial haven’t been chosen because they’re perfect. They’ve been chosen because they’re popular, and Arial is on every Windows computer, so people don’t have to purchase any fonts. I would say neither Arial and Helvetica are known to be particularly good to read. I suspect typefaces like Proxima Nova and Avenir will fair better. To be clear, I don’t think Arial or Helvetica are bad choices for labels and such, but to suggest them as top 5 typefaces, that’s very clearly misinformation.

“When using Arial as figure legends, keep the font size small ~8 points for best results.” For best results? Not entirely. It’s probably a good estimate, but in actuality the pt size should depend on the layout. I would recommend always making a test print to see if the text looks good in print, if that’s what it is intended for. Sometimes 0.2pts more or less could make the difference.

“Helvetica is the most heavily-used font.” I don’t think so. First off, Helvetica is not a font. It’s a typeface. Helvetica Regular would be a font. Helvetica is the most heavily-used typeface in graphic design, and likely the most heavily-used sans typeface. It’s not the most heavily-used typeface. At least, I would be very surprised if it was. I suspect Times New Roman is the most heavily-used.

“The font was designed to be an easy-to-read font.” No, Helvetica was designed to steal the popularity of Akzidenz Grotesk away.

Also, follow this link to see some of the problems of Helvetica at small sizes, and what professionals in the field have to say about it: http://spiekermann.com/en/helvetica-sucks/

“Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.” Who would guess that the prefix for the new Helvetica would be German though? Small detail… Anyway, if you like Helvetica but want a more professional typeface (because really, Max Miedinger was not a type designer and as far as I’m concerned that shows), I can recommend Neue Haas Grotesk (a typeface that is true to the original Helvetica, but improved) or Neue Haas Unica (a more fresh looking Helvetica that deviates from the original).

“Helvetica even has its own movie. I haven’t seen it yet, but please comment in the section below if you have.” I have seen it a few times now. It’s quite a pleasure to watch, but there’s a lot of propaganda involved as well. You have the likes of Massimo Vignelli drooling over how great Helvetica is. The man was a pretty great graphic designer (although insisting on always using Helvetica has little to do with graphic design, as one ought to select the perfect typeface for the job, not use one typeface for every job), but he had no insight in type design. On the other hand, you have Erik Spiekermann formulate perfectly what Helvetica stands for. I would say for a type designer the Helvetica documentary is quite pleasant to watch. For the layman I’m afraid the documentary amounts to propaganda. It gives the layman the feeling this is one of the best typefaces out there and it’s simply not, by far.

“Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.” Absolutely not! On Windows computers, websites set in Helvetica tend to look horrendous. The problem is that Helvetica is not well hinted, and so rendering problems occur. Helvetica was obviously not designed for monitors. Neue Helvetica doesn’t have the rendering problem to the same extent I believe, but relatively few people have Neue Helvetica, so it wouldn’t be wise to use that on your website, unless you embed the fonts. For websites I highly recommend using Arial rather than Helvetica.

“Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.” Easy to read? Not particularly, though it’s not bad either. Baskerville is a transitional typeface, meaning the weight modulation is vertical and the contrast is high. This is the tradition of the Baroque, but it’s not the most pleasant to read. However, Baskerville does look quite academic. For typefaces that are more pleasant to read, I would look at the Garalde style. Garamond and Caslon belong to that classification. They have a diagonal weight modulation, which naturally leads the eyes to the next letters. Typefaces with vertical weight modulation and high contrast tend to feature a fence effect, which disturbs the reading experience. To see this effect well, look at Didone typefaces like Didot and Bodoni.

“This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results.” 14pt seems quite large. Try 9–12pt. This goes for any serif typeface to be used for body text that is intended for print (for the web try 10–14pt, also depending on which device it’s intended for). But again, it will depend on the layout, and always make test prints to make sure it’s pleasant to read.

“Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.” I distinctly remember years ago I noticed my Harry Potter book was set in Garamond. Both Garamond and Caslon are still used extensively for books.

However, Garamond may be a bit much for scientific documents. It’s quite classical and it has a low x-height, which these days is not preferable. Caslon is a bit less expressive and has a taller x-height. I would say Caslon is probably better for scientific articles.

One group of typefaces that certainly seems to be missing here is Century. Typefaces like Century Roman and Century Schoolbook. They belong to the Clarendon classification and are reminiscent of typefaces like Baskerville. These typefaces have been popular since the late 19th century and are still used extensively in academic literature. But I suppose you should also make a consideration of whether your article should be about the most comfortable typefaces to read, or the best suitable for scientific work, because they most certainly don’t amount to the same thing, yet you seem to be equating the two in this article.

Hi Martin! Thank you so much for your in-depth note! I have to look over and digest all your excellent points. Would you be open to expanding your writing and be a guest author or send me a link to your website/blog so the readers can have more information about what types to use for their work?

THE quick brown fox jumps over the lazy dog!!!!!

Leelawadee is a bit underrated. It is easy on the eyes, and simple. It could use a bit of a TimesNewRoman-punch to it, though.

Where can I download Helvetica from? I couldn’t find it anywhere

Seriously? I don’t know what this smug guy does with typography, in which he seems to be well versed, but if he were to take up writing he would need to work on his grammar.

I’m not an expert on fonts, but I’m currently using Helvetica for headlines and other Sans text in my thesis and DejaVu for the main text. Feels pretty scientific to me 🙂

I enjoyed the historical aspect of this article. Thanks! PS. I see you use a sans serif font.

How i download these font types?

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For most theses, the font should be one that is appropriate for an academic paper. Generally, the same font should be used throughout the thesis (dedication page and scholarship-appropriate alterations excepted).

Normally the font should be equivalent to 10 to 12 point font in Times New Roman or Arial for main text, and at least 2mm high in tables and figures.

Font colour should normally be black throughout, except for web links which should be blue.

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Right font style and size for a master thesis

I'm writing a master thesis for my master in economics.

Given that the thesis is not expected to be too much formal (the master itslef is very practical and little theoretical) I want to use good conventions.

So far this is the formatting I used:

• main title "Thesis of ...": Arial 16pt
• Abstract subtitle: Times New Roman 12pt
• Abstract content: Times New Roman 11pt, justified
• Heading 1 (main sections of the paper): Arial 14 bold
• Heading 2 (sections of the paper, corresponding to Headings 1): Arial 12 bold
• Content of each sections (Headings 2): Times New Roman 12pt justified . The content is starting after a blank line

How can I improve the formatting to make the paper looking professional? Thanks in advance

• academic-writing

• 3 Does your university have any guidelines or a favorite style guide? –  Monica Cellio Commented Jan 7, 2015 at 1:59

Your academic department may have posted guidelines for this. For example, the Rutgers Graduate school has posted an Electronic Thesis and Dissertation Style Guide , complete with sample pages. They suggest an easy-to-read font in 10-12 point type, but other schools may have different requirements.

Many schools may require that you use an existing style guide, such as APA style , MLA style , or the Chicago Manual of Style . These will probably be available for use in a local library.

Your school may use one of these, or it may have posted its own style guide, or use a hybrid of them. Check with your department website and your department advisor; they will be the final arbiter.

• as far as I know there are no guidelines. I will send them an e-mail. I just wondered if there existed any good practice –  dragonmnl Commented Jan 7, 2015 at 12:38

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Choice of consistent unicode open-type fonts for Phd Thesis in Engineering

Having written about 60% of my Phd thesis, I gave it to my advisor for review. I used Pdflatex and Latin Modern fonts for text and math. For source code listings, I did not change anything in particular and went with the standard \texttt{} variant of the font. My focus was to get content in quickly.

Now, my adviser knows a lot more about formatting than me, but rather than using latex , he uses inDesign and other WYSIWYG tools for final layout and has challenged me to come up with a contemporary look whilst keeping the overall document's gravitas. Having supervised dozens of students, all producing their thesis with computer modern or latin modern, I guess he is just looking for a fresher alternative. I wish to accept the challenge since I have sufficient time before final submission.

My adviser advised me to use Minion Math, along with Minion/Myriad Pro respectively. He strongly suggested me to use OpenType Unicode fonts and warned that I shall face difficulties when it comes to consistent math typefaces.

It looks like both xelatex or lualatex can handle the basic requirement of using arbitrary system fonts. But my problem is with Minion Math, since it is not free. My adviser said he will pay for it I cannot find an opentype unicode alternative consistent set of text/math/mono fonts.

This puts me in a dilemma. I really wish to use free & open-source fonts for my thesis because of the following reason. My adviser does not use latex and we were using Overleaf to share he document and obtain adviser feedback through its rich text interface, and we both liked this workflow. With proprietary fonts, maintaining this workflow might be difficult.

The only other complete set of open-type Unicode font family with math support seem to be STIX, XITS, STIX TWO, Tex Gyre Variants that all seem to be Times-like. I absolutely do not want to go with Times-like typeface for my thesis.

I recently came across Libertinus, that seems to provide all variants - serif, sans, mono and math, which seems promising. However, the github repository of this font suggests that things are still under development. How risky is it to go for this typeface? Are there other alternatives?

• unicode-math

• 3 There's a free open-type font called Libertinus which I like to use (maybe it's what you meant by Libertinum ). I don't see any "risks" using it. You'll probably end up doing some more manual kerning in math mode, however. –  Christoph90 Commented Apr 2, 2018 at 15:14
• 4 tex gyre are not all times like Termes is Times, the others are clones of New Century schoolbook, Bookman, etc see gust.org.pl/projects/e-foundry/tg-math/… that said, the math font you found should be stable enough (and once you start your document just keep with that font so stability shouldn't be an issue) asana math dejavu math are other possibilities –  David Carlisle Commented Apr 2, 2018 at 15:18
• 3 For the really authentic thesis look, may I humbly suggest this tex.stackexchange.com/a/344272/1090 –  David Carlisle Commented Apr 2, 2018 at 15:46
• 1 well my thesis was written on a real typewriter:-) Also are you sure that you want to use opentype, the math font choices are not as restricted as you suggested but they are restricted and more experimental than if you use pdftex. If your supervisor is more used to indesign than tex, his advice may not be totally what you want to follow You will get more choice and much more stable math typesetting if you use pdftex, and if the document is in the latin alphabet then you will not gain so much. If you need non latin then certainly use xetex –  David Carlisle Commented Apr 2, 2018 at 15:54
• 3 choice of font (and design issues generally) are mostly considered off topic here. Once you choose a design asking how to implement it in tex is on topic. And you don't want to ask me for artistic advice, you've seen my font creation, also drawings: tex.stackexchange.com/a/142834/1090 –  David Carlisle Commented Apr 2, 2018 at 16:10

2 Answers 2

The situation with fonts is much better than you thought! I absolutely agree with your advisor that you should use OpenType fonts (and therefore, the unicode-math package on either XeLaTeX or LuaLaTeX). Any OpenType math font will have more-complete and consistent symbol coverage than any combination of legacy LaTeX packages, but the package also allows you to mix-and-match symbols and alphabets freely.

One thing I’m not entirely clear on is whether you want a monospaced font for code listings or typewriter-letter math symbols. Any complete OpenType math font contains the latter.

OpenType Math Fonts

You can find a list of OpenType math fonts, with samples, at this answer . Going over the list there:

• Latin Modern Math is a clone of Computer Modern plus amssymb , but has more glyphs. It is the default when you load unicode-math . If you use this, you’ll get something that looks exactly like the default settings of TeX.
• TeX Gyre Bonum, Pagella, Termes and Schola are clones of the fonts Bookman Old Style, Palatino, Times and Century Schoolbook, respectively. You said you don’t want Times, but you can have a look at the others.
• TeX Gyre DejaVu Math adds math support to the DejaVu fonts, which are based on Arev, based on Bitstream Vera. There is also a sans-serif font. The DejaVu project calls this DejaVu Math TeX Gyre.
• Asana Math is based on Palatino, and its symbols resemble those of mathpazo , and its successor, newpxmath .
• Libertinus Math is based on Linux Libertine and Linux Biolinum.
• GFS Neohellenic has very small serifs, giving it a unique look good for presentations.
• Neo Euler is a clone of the Euler font by Hermann Zapf, originally created for DEK’s book Concrete Mathematics . This font is incomplete and doesn’t ship with TeX Live. It does not have nearly as many glyphs as the other fonts on this list. Therefore, you would need to download it separately, load only the glyphs it supports, and use another font, such as Asana Math or TeX Gyre Pagella, as your fallback font.
• Stix, Stix Two and XITS are all based on the STIX project, which is based on Times. Since you said you don’t want something that looks like Times, these are out.
• Cambria Math is not free, but it’s included with recent versions of Microsoft Windows and Office, so you might have it on your Windows partition as cambria_01.ttf or as a ttc file. You could also get it gratis with the PowerPoint 2007 viewer if you’re willing to unpack a few cab files. However, it is the default font for equations in Microsoft Office and looks a lot like Times.
• Minion Math and Lucida are proprietary fonts.

You can find a sample of Asana Math here , all the TeX Gyre fonts here , and Libertinus here .

It is also possible to mix-and-match fonts, so as to use the symbols from a math font with the letters from your text font. One popular recommendation, for example, is Neo Euler for math with Palatino for text.

Font Families

Most of these fonts have a matching text font without Math in the name. Asana Math and Neo Euler are good matches for Palatino (and therefore its clone Pagella).

Three of the font families I listed above have matching serif, sans serif and monospace fonts: Latin Modern Mono, DejaVu Sans Mono and Libertinus Mono. Latin Modern Mono is a clone of Computer Modern Monospace, which you might or might not find attractive and again looks just like the default cmtt . Some of the more obscure variants of Computer Modern, such as Upright Italic, are available through Computer Modern Unicode. There is also a monospace font in the TeX Gyre collection, TeX Gyre Cursor, but it is a clone of Courier and therefore not really a match to any of the TeX Gyre Math fonts.

If you don’t use one of these, there are a large number of free monospace fonts out there, in addition to the ones that ship with your operating system.

You can also use any OpenType monospaced font you want for your typewriter-letter math symbols with a command such as \setmathfont[range=\mathtt]{Inconsolata} .

You might or might need an accompanying sans-serif font in your document. If you want to use sans-serif throughout, you would have to remap a sans-serif family to the up , bfup , it and bfit math alphabets, but as an alternative for titles and headers, most of those font families come with small caps.

The Script/Calligraphic Quirk

LaTeX packages historically had separate commands for \mathscr and \mathcal , which displayed different symbols. The Unicode Consortium decided that these were really just presentation forms and no mathematician used both \mathcal{I} and \mathscr{I} to mean different things in the same text. Therefore, it allocated only one range of codepoints for both alpabets.

The unicode-math package by default sets up \mathcal and \mathscr as synonyms for each other, but it supports loading different alphabets into either (as well as \mathfrac , \mathbb , and so on). Furthermore, several math fonts contain separate \mathscr and \mathcal alphabets intended to be used this way. You can load them with one of the commands \setmathfont[range={mathcal,mathbfcal},Alternate,Scale=MatchUppercase]{Asana Math} or \setmathfont[range={mathscr,mathbfscr},StylisticSet=1,Scale=MatchUppercase]{XITS Math} . Stix Math or Stix Two Math use the same syntax as XITS Math.

If you don’t actually use \mathcal or \mathbfcal in your thesis, you can of course completely ignore this.

My Recommendation

I personally like Asana Math, with Palatino (or a clone such as TeX Gyre Pagella) as the text font. However, you say in the comments that you don’t like its upright style. (I assume you mean the slant of symbols such as the integral; it contains both upright and italic letters, like all the math fonts.) Inconsolata is a free monotype font that I think, as a humanist sans, goes well with it. It ships with TeX Live, but only as a Type 1 font, so you would need to download the newer version . (Either double-click on the file and hit the install button, or on Linux, you can copy it to ~/.fonts or /usr/local/share/fonts .)

The official sans-serif companion font for Palatino is the commercial font Palatino Sans, but Optima, its free clone URW Classico, or Gillius No2 (based on Gill Sans) might be a good free alternative, and it ships with TeX Live.

Since you said this is an Engineering thesis, I’ll assume you want to use ISO style, which is the math-style=ISO option to unicode-math . To get upright letters for constants as it recommends, you can use, e.g. , \symup{e} , but unicode-math defines \muppi for the constant π.

I recommend the microtype package to make the right margins and word spacing look neater, with less hyphenation (I contributed a few improvements to it myself).

You also mention the need to support both English and South Asian languages. You should be able to do something like \newfontfamily\devanagarifont[Script=Devanagari]{Shobhika} for Indic and \newfontfamily\malayalamfont[Script=Malayalam]{Free Serif} for Malayalam. That should enable Sanskrit in Polyglossia, but for Malayalam, you would need to select \malayalamfont manually. However, the code will still work if Polyglossia adds support for Malayalam later.

Legacy Fallback

If you absolutely must use pdflatex, first load \usepackage[T1]{fontenc} . It wouldn’t hurt to add \usepackage[utf8]{inputenc} , but that’s now the default. The packages tgpagella , newpxmath , inconsolata and classico would set your main, math, monospace and sans-serif font to a combination I like. (The only real problem with it is that Palatino might be overused, but at least it will be taken seriously.) If you want to tweak the math alphabets some more, look at the package options to newpxmath and consider a package such as mathalfa or isomath .

If you need to support PDFLaTeX, you can use the \iftex package to wrap the leagacy NFSS preamble and the modern unicode-math preamble in conditional blocks. Then, you’ll use modern features if your TeX engine supports them.

I have one other quirk in my papers: Math fonts use wildly different symbols for Q.E.D. I personally like to use the black “tombstone”, introduced by Paul Halmos and used in the 1997 edition of The Art of Computer Programming by DEK. The command for this is \setmathfont[range="220E]{XITS Math} , and to use it with amsthm , \renewcommand{\qedsymbol}{\ensuremath{\char"220E}} .

• 1 That is indeed a very comprehensive answer. Thank you very much for the clear, expository information. Just to clarify, I need the monospaced variant for code listings. In this scenario, I think I shall try libertinus serif for text, sans serif for headings, monospaced for code listings and it's math variant for equations. If this doesn't work for my adviser, I shall fall back to Texas Gyre Schola since that's the only one that seems reasonable to my eyes, atleast –  Dr Krishnakumar Gopalakrishnan Commented Apr 2, 2018 at 21:15
• Okay. By the way, does \newfontfamily\devanagarifont[Script=Devanagari]{Shobhika} (or another font) work for getting your multilingual text in Polyglossia? –  Davislor Commented Apr 2, 2018 at 21:28
• 1 I shall need both Sanskrit and Malayalam in my dedication section, the latter ofwhich is not currently on polyglossia –  Dr Krishnakumar Gopalakrishnan Commented Apr 2, 2018 at 21:35
• 1 Your answer alludes to a "TeX Gyre DejaVu Sans Math" font, which I never saw anywhere, and seems to be unheard of by Google. Where did you found ite ? How can it be obtained ? –  user2903730 Commented Apr 21, 2018 at 8:30
• 2 @tadejsv It’s better to pose a question on the site than to one person, but, here you go: tex.stackexchange.com/questions/422854/… –  Davislor Commented Jun 3, 2019 at 19:19

Summarising the comments into an answer:

Although not as exhaustive as true-type/PS1 fonts, there exist other unicode opentype free families providing the complete set of serif, sans serif, mono and most importantly, math fonts.

Tex Gyre Deja Vu, Asana Math, Libertinus etc are such examples.

Libertinus is considered stable for usage in large documents.

Although the summary on CTAN is a bit outdated, the unicode-math package does indeed support any unicode opentype math family (font with MATH tables)

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What kind of fonts can I use for academic presentation? [closed]

Many videos and documents say that we should use Arial as the font for academic presentation. However, I think Arial is really ugly.

Certainly, there are other fonts suitable for academic presentations. How can I recognise them? Is it just every sans-serif font or what do I need to consider?

• presentation

• 4 This is probably to some extent a matter of taste. But for all things concerning academic design and layout, Edward Tufte is a classical go-to reference. –  henning no longer feeds AI Commented Aug 23, 2021 at 20:40
• 4 If your presentation is not about fonts, any boring font is suitable. –  Anonymous Physicist Commented Aug 23, 2021 at 20:50
• 5 Not Comic Sans. –  Captain Emacs Commented Aug 23, 2021 at 20:53
• 3 One advantage of a hideously ugly font is that you will know if someone swipes your slides and posts them online! ;-) –  Ed V Commented Aug 23, 2021 at 21:21

I take it as given that you won’t use typefaces that are not suitable for an academic setting at all, like a comic or blackletter typeface, i.e., any typeface you that is not suitable for a printed poster either. With those constraints, the main thing to consider is that your typeface must render well on a projector or via screencast. Interestingly, those different settings lead to similar conclusions:

You have to expect that projectors have low resolutions (and no sub-pixel hinting ), which causes intricate details such as most serifs look ugly.

For screencasts, you have to expect that they will be scaled on the viewer’s side, which again causes problems with detailed components such as most serifs and works bests with straight lines and similar.

For this reason, most sans-serif typefaces are well suited for presentations while serif typefaces are not. However you can find exceptions such as organic grotesques, which are sans serif but scale badly and render badly on low resolutions – or slab serifs, which work well with scaling as well as on low resolutions.

• Does anyone know the name of the four example fonts in this answer? (Especially the two "good" examples) –  Caleb Stanford Commented Jan 30, 2022 at 0:56
• 2 @6005: The fonts from top to bottom are: Aakar, Ubuntu, Linux Biolinum and Zilla Slab. However, please note that I chose them for highlighting the aspects relevant to this answer, and not to endorse (or attack) these particular fonts. –  Wrzlprmft ♦ Commented Jan 30, 2022 at 9:35
• Thank you! Understood yes –  Caleb Stanford Commented Jan 30, 2022 at 13:24

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How to choose the font type for your dissertation?

It’s time for the design: your texts are finished and have been approved by your reading committee. One of the most important elements of a good layout is the font type. How do you choose a suitable font type for your manuscript? In this article, we will give you some tips and tricks!

Appearance of the font

The first thing to keep in mind when choosing a font type, is the general appearance/feeling you would like your thesis to have. Are you going for a modern appearance or would you like a more classical style? We’d like to refer you to see some examples of different styles of design . Once you have made your decision regarding the appearance of your dissertation, you are ready to choose a font type that matches this style. If you have an example that you like that’s not from our website, your designer with us can always check if we know what font it is.

Modern font

If you want a more modern feel to your thesis, we recommend you opt for a sans serif font type. This means no serifs have been placed on the letters. More specifically, this results in letters without any thin dashes on the ends of the vertical and horizontal beams of a letter.

Some sans serif font types that are often used are:

Classic font

For a more classic appearance, we recommend you go for a font type that does have serifs. These font types will give your dissertation a classic appearance, comparable to older scientific publications and novels.

Popular serif font types that can be found in theses more often are:

• Times New Roman

Now you have decided whether you would like a font type with or without serifs, you are ready to go through enormous lists of possibilities. We would have liked to give you some more tips and guidelines, however that is not possible anymore. The choice for a certain font type is very personal and totally depends on your taste. We do have some last points of attentions that might help you in finding the perfect font type for your dissertation.

How many variants does the font type have?

Most font types have many variants like italic , bold , light (a slim version) etc. This number of variants is important for your designer, because this will offer more possibilities in designing the lay-out. Almost every thesis has bolds and italics, so they’re often also simply necessary in the design. Therefore, we recommend you to always choose a font type with several variants; or at least one with ‘regular’, ‘italic’ and ‘bold’.

Is it a free font or are you required to pay for a license?

Perhaps you already knew this, but fonts can be really expensive. Every variant of a certain font type could come at additional costs between ten and hundred euros. Therefore, please ask us if we already have your desired font type in our database. This could save you a lot of money!

Already have a nice font in your Word-file?

If you are used to working with a specific font type – especially if you’ve written your thesis in it for several years – you will probably be very accustomed with the way it looks. Because of your habituation with this specific font type, it might be that you will disapprove of other font types without good consideration. Many doctoral students opt for Calibri because they’ve got accustomed to it, even though this font was originally designed for good screen readability (for example in Word) and not for print specifically. But because it’s so familiar, it’s a very popular choice for doctoral students’ theses.

Are you not yet sure which font would suit your thesis, to make sure the readability and design are the best they can be? Don’t hesitate to contact us, we’re happy to think along with you. Sometimes the best font depends on the content, tables or data in your thesis, so we can always advise you personally.

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Top 5 Best Fonts for Dissertation to Make it Look Organized

Table of Content

Every student hates the fact that professors deduct their marks in the dissertation for not choosing an appropriate font in their writing. Most of the time, students choose times new roman font for their dissertation writing. But before making any decision regarding font selection for this type of document, students should first consider reading university guidelines. It will certainly help them in selecting the best fonts for dissertation writing without any hassle.

As we said above, in case your font doesn't match with the guidelines, then the professor might reject your dissertation. It would affect your overall academic career and lead to negative feedback, as well. So, to make the dissertation look organized, students can seek dissertation writing service from the Assignment Desk. Our writers always ensure delivering the content with the best fonts in it that certainly follow the university guidelines. Experts have listed all the font styles that are best for dissertation writing , so let's have a look at it.

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1. Times New Roman

Times new roman is the most preferred font in dissertation writing. Most of the universities have this font in their guidelines that must be followed by the students. It is because, from many years, times new roman is the default body text for Microsoft Word. This font help students in making their content look structured and aligned properly. So, apart from almost every font, times new roman is considered the best font that universities accept. This is the reason students always use it in their dissertation writing.

Apart from times new roman, students can choose Georgia font for their dissertation writing. Georgia is a type of font which was created back in 1993 by Matthew Carter. According to university professors, students who use this font certainly make their content organized. It is also considered that by using this font, you will make your writing look elegant.

3. Garamond

According to our expert writers, Garamond font is considered the most professional font style, among others. This is why our experts advise students to use this font in their dissertation writing. It also helps in making their document look structured with all required elements in it. When students use this font, they can easily create a good impression on the entire dissertation committee. This font is used in the dissertation because it helps in making long passages more readable than any other font.

Cambria font style is designed specifically for on-screen reading. When students write their dissertation, they often use this font style. It is because it helps in constructing letters more sturdy that helps in making the dissertation content look presentable in the eyes of professors. Apart from being sturdy, it also helps in retaining legibility even at small sizes as well. So, Cambria is indeed a good choice for students to use in their dissertation writing.

Calibri is considered as the universally readable sans-serif font. It is because of replacing times new roman font style from the default setting of Microsoft word. According to professionals, it is the second-best font style that students can use while writing their dissertations. Professors also suggest this type of font style to students as it looks great on-screen, which makes them read every word easily without any hassle. So, to make a dissertation organized properly, Calibri is another font style that can be used.

Now, it is all up to you that whichever font you like to use according to the university guidelines. If not restricted, try using subtle fonts that can make your overall content look organized. With all this explanation, isn't it quite obvious to buy dissertation  and eliminate your stress related to the selection of best fonts in your dissertation writing? We at Assignment Desk, provide the best assignment help to students who are struggling with writing their assignments.

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