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Obtaining a doctorate degree in creative writing provides an education specializing in fiction writing techniques and literary analysis. Upon receiving a PhD in Creative Writing, graduates can use the degree to further develop their own creative writing career or teach others the skills and techniques used to write and analyze literature at the high school, college, or university level.

Requirements

Most PhD programs are very selective in choosing which few students will be admitted to study in their program. Candidates should have an excellent mastery of the written word, literary analysis, and familiarity with the liberal arts. Many schools require or prefer that a masterís degree in English or a related subject area be held by the applicant in order to be considered for their degree program.

Multiple letters of recommendation, GRE scores, and writing samples are required by most programs to help determine whether you are right for the rigorous demands of earning a doctorate degree. Academic writing samples are often required in addition to creative writing samples; this gives the office of admissions an idea of both your creative talent and your ability to analyze and critique literary works.

Expectations

Students accepted into a doctoral creative writing program can expect to study for approximately three to five years depending on the program. Students can also expect to have to write a variety of essays, teach classes on writing techniques and literature, complete a comprehensive examination, and compose a dissertation. Courses required often include a combination of literature, writing, and teaching classes.

Online Programs

Online programs exist for the bachelorís degree and masterís degree level of English, literature, and creative writing education. However, those wishing to pursue a PhD in Creative Writing must obtain their degree in person rather than online.

Offline Programs

If you want to obtain your doctorate degree in creative writing, there are numerous universities across the country with creative writing programs to consider. Some programs put a higher emphasis on teaching others how to write, while other programs focus more on your own writing abilities. Here are some of the programs available to those interested in creative writing.

University of Illinois Chicago

The University of Illinois Chicago offers a PhD in Creative Writing geared towards those students who wish to eventually pursue a career in teaching. The program teaches writing skills as well as teaching skills to prepare graduates for work in the academic world. Students will be required to write a creative dissertation, as well as teach creative writing to become educated and prepared for teaching after receiving their degree.

Department of English University of Illinois at Chicago 2027 University Hall 601 S. Morgan St. (M/C 162) Chicago, IL 60607-7120 Phone: 312-413-2200 www.uic.edu

Western Michigan University

Western Michigan University offers a PhD in English with an emphasis in creative writing. Students are required to take two teaching courses and prove their competency in a foreign language, in addition to their literature classes. Students will also take workshops to prepare for their dissertation in their selected area of specialization.

Creative writing students must also participate in doctoral reading programs before taking their doctoral reading exam. Upon passing the doctoral reading examination, students will then be required to write a dissertation. For questions regarding admission to their graduate school, contact the university at the following address or website.

2240 Seibert Administration Building 1903 W Michigan Ave Western Michigan University Kalamazoo MI 49008-5211 Phone: 269-387-2000 www.wmich.edu

University of Cincinnati

The University of Cincinnati offers a PhD in English and Comparative Literature with a focus in creative writing. All doctoral students participate in the departmentís teaching training program which lasts approximately seven months. During the program students will have the opportunity to teach college writing courses. Students may also take courses that specialize in how to teach creative writing. Creative writing students will complete a creative dissertation and analytical essay in order to finish their degree. More information regarding the graduate program can be found by contacting the Department of English or visiting their website.

Department of English College of Arts & Sciences University of Cincinnati PO Box 210069 Cincinnati, OH 45221-0069 Phone: 513-556-3906 www.artsci.uc.edu

University of Utah

The University of Utah offers a PhD in Literature with a creative writing emphasis. Students will learn better creative writing techniques while also learning how to analyze literary works. The PhD is generally for those students wishing to teach at a college or university upon completion.

Students will graduate with the skills to teach not only creative writing, but literature courses as well. Students will learn literary history, attend writing workshops, and complete a prospectus and dissertation. Contact the English Department regarding admission and program requirements.

Department of English Languages & Communication Bldg 255 S Central Campus Drive, Room 3500 Salt Lake City, UT 84112 Phone: 801-581-6168 www.hum.utah.edu

University of Denver

A PhD in Creative Writing is offered by the University of Denver. Students better their writing through constant practice and by reading literary works. Four workshops will be completed over the course of the studentís program. Students will not only read works from their genre, but also works dealing with anthropology, philosophy, art history, and other subject areas. Contact the university with any questions regarding their program.

English Department 2000 E. Asbury Denver, CO 80208 Phone: 303-871-2266 www.du.edu

Georgia State University

The PhD in Creative Writing offered by Georgia State University allows students to practice and better their writing abilities while also critiquing and analyzing literature. Unless completed at the MA or MFA level, students must take courses in literary theory, form, and contemporary poetry or fiction craft. All students are also required to complete a dissertation. Questions regarding admission requirements or their program of study can be directed to the Department of English.

Department of English P.O. Box 3970 Atlanta, GA 30302-3970 Phone: 404-413-5800 workshop.gsu.edu

Employment Opportunities

Many graduates immediately begin teaching at the university level and start working towards a tenured position. Work at community colleges and high schools teaching English and creative writing is also a choice for many upon receiving their degree.

Teaching is not the only option for post-grads. Working for magazines, newspapers, and other print or online media is available for creative writers, especially after developing a strong creative writing portfolio. Choosing to be an author or writer can also be composed of freelance work and self-employment. According to the Bureau of Labor and Statistics, 70% of writers and authors were self-employed in 2008.

Salary Ranges

The salary range for those who obtain a PhD in creative writing varies greatly depending on the position obtained after graduation and the location of the school. According to the Bureau of Labor and Statistics, teaching at the high school level on average earns $52,200 a year, with those having a doctoral degree potentially earning more. Post-secondary educators earn on average $108,749 as a professor, $76,147 as an associate professor, and $63,827 as an assistant professor.

Writers and Authors

Salaried writers and authors earned on average $57,070 in 2008. Freelance writers’ annual earnings vary greatly depending on the type of freelance work and number of projects completed each year. Many freelance writers have to find income from working another part-time or full-time job.

Employment Outlook

High school teachers.

According to the Bureau of Labor and Statistics, teaching at the high school level is expected to grow by 13% between 2008 and 2018. An even higher demand for teachers will be seen for high schools in poor and inner-city school districts, since many teachers leave to teach elsewhere after a short period of time in these areas.

The Bureau of Labor and Statistics expects the demand of post-secondary educators to grow by 15% between 2008 and 2018, which is faster than the average growth rate for most positions. This is due to the increased number of students attending community colleges and universities around the country. Tenured positions are still expected to be quite competitive to earn, but part-time and non-tenured positions are expected to grow even faster.

The writing industry is very competitive, and many writers and authors will continue to stay self-employed. However, there is an expected increase of salaried writers and authors by 8% between 2008 and 2018. Companies online are seeing an increased need for writers as more material is needed for websites, so many writers are expected to start writing for online publications.

Top Ranked Doctoral Programs

Search for other great programs, 5 responses to “creative writing”.

Of course it is very interesting that one now can obtain a phd degree from one’s workplace without hampreing the job.But it could have been better if one had had the opportunity of doing an online phd degree.

Will it be possible in future to do an online degree in liberal arts specially in english?It would be very good if one got the chance to do a phd degree the same way.

I am interested in pursuing a ph.d in creative writing and literature—–looking for an accredited online program

I’m interested in pursuing a doctorate degree in Creative Writing. I’m searching for programs on the west coast of the United States.

I have been looking for an online PhD program in Creative Writing and have not found any accredited ones. I don’t understand why this is a area of study with such limited accessibility for online classes. The bulk of the work is reading and documenting and writing which seems to be a perfect fit for an online course. I did find one that sounded perfect AIU…however they are NOT accredited.

I currently have three Masters Degrees and two of them are MFA’s. One in Non-fiction and one in fiction. My fourth Masters degree will be completed in January 2022. It is an MFA in poetry. I have a memoir published and five esssys published. I have another book to be published this November 2021. Lipstick Lesbian.. book of poems (LGBTQ) Could I get any classes waived in a PhD. Creative Writing program?

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A PhD in creative writing opens doors to a variety of career paths that may not be available to talented writers without this degree. If you want to enhance your writing skills and discover new employment opportunities, getting a PhD online can be an excellent solution.

An online Ph.D. in creative writing is a great option for students who aren’t ready to give up personal and professional commitments to pursue a degree. By attending classes online and watching recorded lectures, you can finish your studies without leaving the comfort of your own home.

The key to getting an online PhD is choosing the best option for your needs. Let’s take a closer look at the selection process.

When considering an online Ph.D. you need to understand what this degree entails as well as the opportunities it offers. This terminal degree focuses on the advanced study of creative writing. It is designed for individuals with a passion for writing who aspire to become professionals in the writing industry.

A doctor in creative writing goes beyond the traditional creative writing workshops. It explores the theoretical and critical aspects of the craft. It combines creative writing with scholarly research. The studies allow students to develop their writing skills by engaging in in-depth analysis and reflection on the creative process.

One of the key components of this PhD is writing a creative dissertation. This work demonstrates the student’s mastery of the craft and often takes the form of a novel, a collection of short stories, poetry, or a screenplay. The creative dissertation involves a critical component that demonstrates the student’s understanding and analysis of their creative work. It’s done within the context of existing literary traditions and theories.

In addition to the creative dissertation, students pursuing a doctorate in creative writing engage in rigorous coursework that covers multiple topics. These may include:

• Literary theory
• Genre studies
• Literary criticism
• Research methods

The coursework provides a strong foundation in the theoretical and critical aspects of creative writing. It provides students with the knowledge and skills necessary to contribute to the field.

This PhD also offers opportunities for professional development and networking. Many courses provide teaching or editorial assistantships, allowing students to gain valuable experience in the classroom. These opportunities not only provide financial support but also enhance the student’s teaching and mentoring skills. Such an approach prepares them for careers in academia or writing-related fields.

A doctorate in creative writing opens doors for students who are interested in pursuing careers as writers, editors, or literary agents. The degree demonstrates a high level of expertise and dedication to the craft. This turns graduates into highly sought-after professionals in the publishing industry. It also provides opportunities for collaboration with established writers through conferences, workshops, and literary events.

Students who opt for an online doctorate enjoy the flexibility and convenience of the format. Online schedules provide access to quality education and resources, allowing students to engage in coursework and research from anywhere in the world. Online learning platforms facilitate interaction with faculty and foster a supportive and collaborative environment.

Career Opportunities with an Online PhD in Creative Writing

After completing an online PhD in Creative Writing, you can either pursue your current career or explore other opportunities. Positions that graduates of online PhD programs can consider include:

Many graduates go on to teach at the university level. They can become professors of creative writing to teach aspiring writers and share their expertise. These positions often involve mentoring students, leading workshops, and conducting research in the field.

Graduates may secure positions as writers-in-residence at universities, organizations, or cultural institutions. In this role, they have the opportunity to work on their own writing projects while also engaging with the community through public readings, workshops, and literary events.

With their deep understanding of the craft of writing, doctoral graduates can pursue careers in editing. You may choose to work as an editor for a publishing house, literary magazine, or online publication. Alternatively, you can start your own editing business and offer services to writers.

Graduates can also explore careers as literary agents. With your knowledge of the publishing industry and the ability to identify exceptional writing talent, you can help other authors navigate the publishing world and build successful writing careers.

Many doctoral graduates choose to pursue freelance writing careers. They may write for magazines, newspapers, websites, or other publications. By leveraging advanced writing skills and critical thinking abilities, you can produce high-quality content across various genres.

After finishing an online PhD program, some people go on to become poet laureates or poetry consultants. In these roles, they promote and celebrate poetry within the community, organize events, and engage in public speaking engagements.

Graduates with a doctor of philosophy in Creative Writing can pursue careers as literary critics or reviewers. They can write book reviews for newspapers, magazines, or online platforms. Their skills allow these professionals to conduct insightful analyses and provide valuable commentary on contemporary literature.

Some doctorate program graduates choose to work in nonprofit organizations related to the literary arts. They may become directors, coordinators, or administrators. Your responsibilities can include organizing writing workshops, author events, and literary festivals.

With their strong writing skills and ability to craft compelling narratives, creative writers with a Ph.D. can excel in content writing and strategy roles. They may work for marketing agencies, businesses, or organizations. In these roles, you may be responsible for creating engaging content for websites, social media, and other platforms.

Graduates can explore careers in screenwriting. They can write scripts for television shows, films, or web series. By leveraging your storytelling abilities and understanding of narrative structure, you can come up with high-quality entertainment content.

Is Getting an Online PhD in Creative Writing a Good Idea?

Obtaining an online doctor of philosophy in creative writing can be a highly rewarding process. It can offer numerous benefits for aspiring writers. Here are a few reasons why it’s worth considering:

A PhD allows you to deepen your understanding of the craft and take your writing skills to an advanced level. Through rigorous coursework, critical analysis, and the production of a creative dissertation, students gain a comprehensive knowledge of the field. They also learn how to develop a unique writing voice.

An online PhD in creative writing can open up many interesting career opportunities. It can qualify graduates for positions as:

• Professors of creative writing
• Writers-in-residence
• Literary agents
• And many more.

This degree demonstrates a high level of expertise and dedication and backs the writer’s talent. When interviewing for a dream job, writers with a PhD have the upper hand.

Pursuing a PhD in creative writing is not just about professional development. It is also a journey of personal growth and self-discovery. Engaging with advanced coursework and exploring new literary theories allows writers to push the boundaries of their creative abilities.

Overall, if you love your writing experience and want to continue your career as a writer, a creative writing doctorate is worth pursuing. It can help you achieve career goals, learn new writing tactics, and explore valuable collaborations.

Top Online PhD Programs in Creative Writing

When choosing the best courses, you need to pay attention to the school’s location (in case occasional visits to the campus are required), accreditation, and time of schedule completion.

This list contains the top online PhD programs in creative writing to help you make the most suitable choice for your needs.

Located in Birmingham, UK, the University of Birmingham offers a solid doctorate program in Creative Writing . The duration of the course is three years if you decide to study full-time. If you enroll in a part-time course, it will take six years to complete.

The creative writing program involves collaboration with published writers, the development of creative writing knowledge, honing critique skills, and discovering new forms of writing for yourself.

The admissions requirements include:

• Master’s degree or relevant experience
• Description of creative project
• Description of the likely critical inquiry
• Examples of creative work
• Personal statement

The school is accredited by the Accredited Association to Advance Collegiate Schools of Business

Located in Nottingham, UK, the University of Nottingham has a strong online creative writing PhD program . The full-time schedule takes four years while part-time studies will require eight years. You will be studying independently while getting assistance from faculty through online supervision meetings. By the end of the course, you will complete a 100,000-word written thesis.

Admissions requirements include:

• English proficiency tests if you aren’t a native English speaker
• A PhD proposal
• Summary of research experience

The school is accredited by the Accredited Association to Advance Collegiate Schools of Business.

Located in Lancaster, UK, Lancaster University offers an online PhD program . The full-time program only takes two years to complete while the part-time program is four years long. During the program, you will work with renowned published writers to hone your writing and creative skills. Lancaster University graduates have published multiple pieces of work and have exciting careers in the writing industry.

Admission requirements include:

• Master’s degree or equivalent (for students from the US, a bachelor’s degree will be sufficient)
• Research proposal
• Portfolio of original writing

Located in Manchester, UK, Manchester Metropolitan University has a distance PhD program in Creative Writing . The program allows you to hone your writing skills together with research training. You can study online but may need to attend some offline workshops and seminars.

• Two letters or recommendations
• A research proposal
• Master’s degree or bachelor’s degree
• Official transcripts
• Examples of your work

Requirements for international students may be different.

Frequently Asked Questions

What are the advantages of pursuing an online PhD program in Creative Writing? An online PhD program offers flexibility by allowing students to study at their own pace regardless of their location. It also provides access to a diverse community of writer and industry professionals remotely. Are online PhD programs in Creative Writing as reputable as traditional on-campus programs? Yes, many online PhD programs in Creative Writing are offered by reputable universities and institutions. Accredited online programs often have the same rigorous curriculum and faculty as their on-campus counterparts. How does the online format impact the quality of education in a PhD program? Online PhD programs leverage various interactive technologies to deliver engaging learning experiences. Students have access to digital libraries, research databases, and other valuable information resources. Can I pursue an online doctorate in Creative Writing while working full-time? Yes, online programs offer flexibility that allows students to balance their studies with professional and personal commitments. You can usually access course materials and participate in discussions at your convenience. How long does the online PhD program in Creative Writing usually take to complete? The duration of online PhD programs in creative writing varies from school to school. For full-time format, it usually takes two to four years. If you choose to study part-time, the duration increases.

PHD in Economics, Associate Professor, Department of Business Process Management, Faculty of Market Technologies IOM

What are you looking for?

Phd in creative writing & literature, at home in usc’s department of english,.

the Ph.D. in CREATIVE WRITING & LITERATURE PROGRAM is one of the few dual Ph.D. programs in the country that weaves the disciplines of literature and creative work into a single educational experience. Students complete coursework in both creative writing and literature. The dissertation project is comprised of creative and critical manuscripts, both of which are essential for completion of the degree.

USC CREATIVE WRITING FACULTY include recipients of the Pulitzer Prize, Guggenheim Fellowships, the National Book Award, National Endowment for the Arts grants, Pushcart Prizes and other prestigious recognitions for their exemplary writing and dedication to their creative and scholarly work. As professors, the faculty are committed to developing innovative seminars and guiding students in the cultivation of their abilities as writers and scholars. Each incoming student is assigned a faculty mentor, with whom the student will work closely during their years at USC. While Creative Writing faculty teach critical courses from time to time, most of these literature and theory-based seminars are led by the faculty in the Department of English, all of whom are impressively accomplished scholars who are devoted to the scholarly growth of their graduate students.

Our program prizes INTERDISCIPLINARY SCHOLARSHIP, so students are encouraged to cultivate their diverse interests with courses outside of the English Department. Many students choose to pursue a complimentary graduate certificate concurrent with the Ph.D. degree. The Dornsife College of Letters, Arts and Sciences offers graduate certificate programs in Gender Studies, Visual Studies, East Asian Studies and Visual Anthropology, among others.

IN ADDITION TO COURSEWORK, students have the opportunity to participate in Ph.D. student-run projects such as The Loudest Voice, a reading series, and Gold Line Press , a publisher of fiction, nonfiction, and poetry chapbooks.

Though known for its competitive sports teams, USC also organizes an array of stimulating events throughout the year, including the English Department’s Boudreaux Visiting Writers Series and Frank N. Magill Poetry Series, as well as the University-wide Visions & Voices series, which features diverse and dynamic performances, lectures, and discussions that extend the arts and humanities beyond the classroom.

USC also hosts the annual Los Angeles Times Festival of Books — one of the largest literary events in the nation. USC itself is located in the heart of beautiful Los Angeles, an international city with a vibrant arts scene, just miles from the beach or hiking trails; students will never be at a loss for something to do.

ADMISSION is extremely competitive: the program accepts 2 or 3 writers per genre every year from hundreds of applicants. All incoming students receive five years of guaranteed funding — three years of fellowship and two of teaching assistantship. Fellowship years are granted during the first, second, and fourth years of study. Funding packages also cover full tuition remission and health insurance.

OUR STUDENTS and ALUMNI have published book-length works and collections with Alice James Books, Anhinga Press, Black Lawrence Press, Copper Canyon Press, Farrar, Straus and Giroux, Hogarth, Northwestern University Press, Other Press, Penguin, Red Hen Press, Saturnalia, Siglio Press, Slope Editions, Tebot Bach, Ugly Duckling Presse, University of Iowa Press, and White Pine Press, among others. Their books, poems, stories, and essays have garnered an impressive array of accolades.

For information concerning admission, please visit our Application page.

Many questions concerning the Creative Writing & Literature Program are answered on our FAQ page.

If you do not find the information you are looking for on our website, please feel free to contact us.

Ph.D. in Creative Writing & Literature

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Taper Hall of Humanities 431

Los Angeles, CA  90089-0354

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Ph.D. Creative Writing

Ph.d. in creative writing.

A rigorous program that combines creative writing and literary studies, the Ph.D. in Creative Writing prepares graduates for both scholarly and creative publication and teaching. With faculty guidance, students admitted to the Ph.D. program may tailor their programs to their goals and interests.

The creative writing faculty at KU has been widely published and anthologized, winning both critical and popular acclaim. Faculty awards include such distinctions as the Nebula Award, Hugo Award, Osborn Award, Shelley Memorial Award, Gertrude Stein Award, the Kenyon Review Prize, the Kentucky Center Gold Medallion, and the Pushcart Prize.

Regarding admission to both our doctoral and MFA creative writing programs, we will prioritize applicants who are interested in engaging with multiple faculty members to practice writing across genres and forms, from speculative fiction and realism to poetry and playwriting/screenwriting, etc.

The University of Kansas' Graduate Program in Creative Writing also offers an  M.F.A degree .

Opportunities

A GTA appointment includes a tuition waiver for ten semesters plus a competitive stipend. In the first year, GTA appointees teach English 101 (first year composition) and English 102 (a required reading and writing course). Creative Writing Ph.D. students may have the opportunity to teach an introductory course in creative writing after passing the doctoral examination, and opportunities are available for a limited number of advanced GTAs to teach in the summer.

Department Resources

• Graduate Admissions
• Graduate Contacts
• Master of Fine Arts (M.F.A.)

Affiliated Programs

• LandLocked Literary Magazine
• The Project on the History of Black Writing
• Center for the Study of Science Fiction
• Ad-Hoc African/Americanists and Affiliates

Degree Requirements

• At least 24 hours of credit in appropriate formal graduate courses beyond the M.A. or M.F.A. At least 15 hours (in addition to ENGL 800 if not taken for the M.A.) of this course work must be taken from among courses offered by the Department of English at the 700-level and above. English 997 and 999 credits cannot be included among the 24 hours. Students may petition to take up to 6 hours outside the Department.
• ENGL 800: Methods, Theory, and Professionalism (counts toward the 24 required credit hours).
• The ENGL 801/ENGL 802 pedagogy sequence (counts toward the 24 required credit hours).
• Two seminars (courses numbered 900 or above) offered by the Department of English at the University of Kansas, beyond the M.A. or M.F.A. ENGL 998 does not fulfill this requirement.
• ENGL 999, Dissertation (at least 12 hours).

If the M.A. or M.F.A. was completed in KU’s Department of English, a doctoral student may petition the DGS to have up to 12 hours of the coursework taken in the English Department reduced toward the Ph.D.

For Doctoral students,  the university requires completion of a course in responsible scholarship . For the English department, this would be ENGL 800, 780, or the equivalent). In addition, the Department requires reading knowledge of one approved foreign language: Old English, French, German, Spanish, Italian, Russian, Japanese, Greek, Latin, or Hebrew. Upon successful petition, a candidate may substitute reading knowledge of another language or research skill that is studied at the University or is demonstrably appropriate to the candidate’s program of study.

Doctoral students must fulfill the requirement  before  they take their doctoral examination, or be enrolled in a reading course the same semester as the exam. Students are permitted three attempts at passing each foreign language or research skill. Three methods of demonstrating reading knowledge for all approved languages except Old English are acceptable:

• Presenting 16 hours, four semesters, or the equivalent of undergraduate credit, earned with an average of C or better.
• Passing a graduate reading course at the University of Kansas or peer institution (e.g., French 100, German 100, etc.) with a grade of C or higher. In the past, some of these reading courses have been given by correspondence; check with the Division of Continuing Education for availability.
• Passing a translation examination given by a designated member of the English Department faculty or by the appropriate foreign language department at KU. The exam is graded pass/fail and requires the student to translate as much as possible of a representative text in the foreign language in a one-hour period, using a bilingual dictionary.
• Passing a translation examination given by the appropriate foreign language department at the M.A.-granting institution. Successful completion must be reflected either on the M.A. transcript or by a letter from the degree-granting department.

To fulfill the language requirement using Old English, students must successfully complete ENGL 710 (Introduction to Old English) and ENGL 712 (Beowulf).

Post-Coursework Ph.D. students must submit, with their committee chair(s), an annual review form to the DGS and Graduate Committee.

Doctoral students must take their doctoral examination within three semesters (excluding summers) of the end of the semester in which they took their final required course. If a student has an Incomplete, the timeline is not postponed until the Incomplete is resolved. For example, a student completing doctoral course work in Spring 2018 will need to schedule their doctoral exam no later than the end of Fall semester 2019. Delays may be granted by petition to the Graduate Director in highly unusual circumstances. Failure to take the exam within this time limit without an approved delay will result in the student’s falling out of good standing. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

A student may not take their doctoral exam until the university’s Research Skills and Responsible Scholarship requirement is fulfilled (ENGL 800 or equivalent and reading knowledge of one foreign language or equivalent).

Requirements for Doctoral Exams

Reading Lists: 

All students are required to submit three reading lists, based on the requirements below, to their committee for approval. The doctoral exam will be held on a date at least twelve weeks after the approval from the whole committee is received. To facilitate quick committee approval, students may copy the graduate program coordinator on the email to the committee that contains the final version of the lists. Committee members may then respond to the email in lieu of signing a printed copy. Students should work with their committee chair and graduate program coordinator to schedule the exam at the same time as they finalize the lists.

During the two-hour oral examination (plus an additional 15-30 minutes for a break and committee deliberation), a student will be tested on their comprehension of a literary period or movement, including multiple genres and groups of authors within that period or movement. In addition, the student will be tested on two of the following six areas of study:

• An adjacent or parallel literary period or movement,
• An author or group of related authors,
• Criticism and literary theory,
• Composition theory, and
• English language.

No title from any field list may appear on either of the other two lists. See Best Practices section for more details on these six areas. See below for a description of the Review of the Dissertation Proposal (RDP), which the candidate takes the semester after passing the doctoral exam. 

While many students confer with the DGS as they begin the process of developing their lists, they are also required to submit a copy of their final exam list to the DGS. Most lists will be left intact, but the DGS might request that overly long lists be condensed, or extremely short lists be expanded.

Review of Literature

The purpose of the Review of Literature is to develop and demonstrate an advanced awareness of the critical landscape for each list. The student will write an overview of the defining attributes of the field, identifying two or three broad questions that animate scholarly discussion, while using specific noteworthy texts from their list ( but not all texts on the list ) as examples.

The review also must accomplish the following:

• consider the historical context of major issues, debates, and trends that factor into the emergence of the field
• offer a historical overview of scholarship in the field that connects the present to the past
• note recent trends and emergent lines of inquiry
• propose questions about (develop critiques of, and/or identify gaps in) the field and how they might be pursued in future study (but not actually proposing or referencing a dissertation project)

For example, for a literary period, the student might include an overview of primary formal and thematic elements, of the relationship between literary and social/historical developments, of prominent movements, (etc.), as well as of recent critical debates and topics.

For a genre list, the Review of Literature might include major theories of its constitution and significance, while outlining the evolution of these theories over time.

For a Rhetoric and Composition list, the review would give an overview of major historical developments, research, theories, methods, debates, and trends of scholarship in the field.

For an English Language Studies (ELS) list, the review would give an overview of the subfields that make up ELS, the various methodological approaches to language study, the type of sources used, and major aims and goals of ELS. The review also usually involves a focus on one subfield of particular interest to the student (such as stylistics, sociolinguistics, or World/Postcolonial Englishes).

Students are encouraged to divide reviews into smaller sections that enhance clarity and organization. Students are not expected to interact with every text on their lists.

The review of literature might be used to prepare students for identifying the most important texts in the field, along with why those texts are important to the field, for the oral exam. It is recommended for students to have completed reading the bulk of (if not all) texts on their lists before writing the ROL.

The Reviews of Literature will not be produced in an exam context, but in the manner of papers that are researched and developed in consultation with all advisors/committee members,  with final drafts being distributed within a reasonable time for all members to review and approve in advance of the 3-week deadline . While the Review of Literature generally is not the focus of the oral examination, it is frequently used as a point of departure for questions and discussion during the oral examination.

Doctoral Exam Committee

Exam committees typically consist of 3 faculty members from the department—one of whom serves as the Committee Chair—plus a Graduate Studies Representative.  University policy dictates the composition of exam committees . Students may petition for an exception for several committee member situations, with the exception of  the Graduate Studies Representative .

If a student wants to have as a committee member a person outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and Graduate Studies. Requests for exam/defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status

Remote participation of committee members via technology

Students with committee members who plan to attend the defense via remote technology must be aware of  college policy on teleconferencing/remote participation of committee members .

A majority of committee members must be physically present for an examination to commence; for doctoral oral examinations this requirement is 2 of the 4 members, for master’s oral examinations the requirement is 2 of the 3 members. In addition, it is required that the student being examined, the chair of the committee, and the Graduate Studies Representative all be physically present at the examination or defense. Mediated attendance by the student, chair and Grad Studies Rep is prohibited.

The recommended time between completion of coursework and the doctoral examination is two semesters.

Final exam lists need to be approved and signed by the committee at least 12 weeks prior to the prospective exam date. This includes summers/summer semesters. The lists should then be submitted to the Graduate Program Coordinator. Reviews of Literature need to be approved and signed by the committee at least 3 weeks prior to the exam date. Failure to meet this deadline will result in rescheduling the exam. No further changes to lists or Reviews of Literature will be allowed after official approval. The three-week deadline is the faculty deadline--the last date for them to confirm receipt of the ROLs and confer approval--not necessarily the student deadline for submitting the documents to the faculty. Please keep that timing in mind and allow your committee adequate time to review the materials and provide feedback.

Students taking the Doctoral Exam are allowed to bring their text lists, the approved Reviews of Literature, scratch paper, a writing utensil, and notes/writing for an approximately 5-minute introductory statement to the exam. (This statement does not need to lay out ideas or any aspect of the dissertation project.)

Each portion of the oral examination must be deemed passing before the student can proceed to the Review of the Dissertation Proposal. If a majority of the committee judges that the student has not answered adequately on one of the three areas of the exam, the student must repeat that portion in a separate oral exam of one hour, to be taken as expeditiously as possible.  Failure in two areas constitutes failure of the exam and requires a retake of the whole.  The doctoral examining committee will render a judgment of Satisfactory or Unsatisfactory on the entire examination. A student who fails the exam twice may, upon successful petition to the Graduate Committee, take it a third and final time.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the exam. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The doctoral oral examination has the following purposes:

• To establish goals, tone, and direction for the pursuit of the Ph.D. in English for the Department and for individual programs of study;
• To make clear the kinds of knowledge and skills that, in the opinion of the Department, all well-prepared holders of the degree should have attained;
• To provide a means for the Department to assess each candidate’s control of such knowledge and skills in order to certify that the candidate is prepared to write a significant dissertation and enter the profession; and
• To enable the Department to recommend to the candidate areas of strength or weakness that should be addressed.

In consultation with the Graduate Director, a student will ask a member of the Department’s graduate faculty (preferably their advisor) to be the chairperson of the examining committee. The choice of examination committee chair is very important, for that person’s role is to assist the candidate in designing the examination structure, preparing the Review of Literature (see below), negotiating reading lists and clarifying their purposes, and generally following procedures here outlined. The other three English Department members of the committee will be chosen in consultation with the committee chair. (At some point an additional examiner from outside the Department, who serves as the Graduate School representative, will be invited to join the committee). Any unresolved problems in negotiation between a candidate and their committee should be brought to the attention of the Graduate Director, who may choose to involve the Graduate Committee. A student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the examining committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

Reading Lists

Copies of some approved reading lists and Reviews of Literature are available from the Graduate Secretary and can be found on the U: drive if you are using a computer on campus. Despite the goal of fairness and equity, some unavoidable unevenness and disparity will appear in the length of these lists. It remains, however, the responsibility of the examining committee, and especially the student’s chair, to aim toward consonance with the most rigorous standards and expectations and to insure that areas of study are not unduly narrow.

To facilitate quick committee approval, students may copy the graduate secretary on the email to the committee that contains the final version of the lists and reviews of literature. Committee members may then respond to the email in lieu of signing a printed copy.

Comprehension of a literary period (e.g., British literature of the 18th century; Romanticism; US literature of the 19th century; Modernism) entails sufficient intellectual grasp of both the important primary works of and secondary works on the period or movement to indicate a student’s ability to teach the period or movement and undertake respectable scholarship on it.

Comprehension of an author or group of related authors (e.g., Donne, the Brontës, the Bloomsbury Group, the Black Mountain Poets) entails knowledge, both primary and secondary, of a figure or figures whose writing has generated a significant body of interrelated biographical, historical, and critical scholarship.

Comprehension of one of several genres (the short story, the lyric poem, the epistolary novel). To demonstrate comprehension of a genre, a student should possess sufficient depth and breadth of knowledge, both primary and secondary, of the genre to explain its formal characteristics and account for its historical development.

Comprehension of criticism and literary theory entails a grasp of fundamental conceptual problems inherent in a major school of literary study (e.g., historicist, psychoanalytic, feminist, poststructuralist, etc.). To demonstrate comprehension of that school of criticism and literary theory, a student should be able to discuss changes in its conventions and standards of interpretation and evaluation of literature from its beginning to the present. Students will be expected to possess sufficient depth and breadth of theoretical knowledge to bring appropriate texts and issues to bear on questions of literary study.

Comprehension of composition theory entails an intellectual grasp of fundamental concepts, issues, and theories pertaining to the study of writing. To demonstrate comprehension of composition theory, students should be able to discuss traditional and current issues from a variety of perspectives, as well as the field’s historical development from classical rhetoric to the present.

Comprehension of the broad field of English language studies entails a grasp of the field’s theoretical concepts and current issues, as well as a familiarity with significant works within given subareas. Such subareas will normally involve formal structures (syntax, etc.) and history of the English language, along with other subareas such as social linguistics, discourse analysis, lexicography, etc. Areas of emphasis and specific sets of topics will be arranged through consultation with relevant faculty.

Ph.D. candidates must be continuously enrolled in Dissertation hours each Fall and Spring semester from the time they pass the doctoral examination until successful completion of the final oral examination (defense of dissertation).

• Students enroll for a minimum of 6 hours each Fall and Spring semester until the total of post-doctoral exam Dissertation hours is 18. One hour each semester must be ENGL 999. In order to more quickly reach the 18-hour minimum, and to be sooner eligible for GRAships, it is highly recommended that students enroll in 9 hours of Dissertation in the Spring and Fall semesters. 
• Once a student has accumulated 18 post-doctoral exam  hours, each subsequent enrollment will be for a number of hours agreed upon as appropriate between the student and their advisor, the minimal enrollment each semester being 1 hour of ENGL 999.
• A student must be enrolled in at least one hour of credit at KU during the semester they graduate. Although doctoral students must be enrolled in ENGL 999 while working on their dissertations, per current CLAS regulations, there is no absolute minimum number of ENGL 999 hours required for graduation.
• Students who live and work outside the Lawrence area may, under current University regulations, have their fees assessed at the Field Work rate, which is somewhat lower than the on-campus rate. Students must petition the College Office of Graduate Affairs before campus fees will be waived.

Please also refer to  the COGA policy on post-exam enrollment  or the  Graduate School’s policy .

As soon as possible following successful completion of the doctoral exam, the candidate should establish their three-person core dissertation committee, and then expeditiously proceed to the preparation of a dissertation proposal.  Within the semester following completion of the doctoral exam , the student will present to their core dissertation committee a written narrative of approximately  10-15 pages , not including bibliography, of the dissertation proposal. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to take the review , students will work with their committee chair and the graduate program coordinator to schedule the 90-minute RDP. Copies of this proposal must be submitted to the members of the dissertation committee and Graduate Program Coordinator no later than  three weeks prior  to the scheduled examination date.

In the proposal, students will be expected to define: the guiding question or set of questions; a basic thesis (or hypothesis); how the works to be studied or the creative writing produced relate to that (hypo)thesis; the theoretical/methodological model to be followed; the overall formal divisions of the dissertation; and how the study will be situated in the context of prior scholarship (i.e., its importance to the field). The narrative section should be followed by a bibliography demonstrating that the candidate is conversant with the basic theoretical and critical works pertinent to the study. For creative writing students, the proposal may serve as a draft of the critical introduction to the creative dissertation. Students are expected to consult with their projected dissertation committee concerning the preparation of the proposal.

The review will focus on the proposal, although it could also entail determining whether or not the candidate’s knowledge of the field is adequate to begin the composition process. The examination will be graded pass/fail. If it is failed, the committee will suggest areas of weakness to be addressed by the candidate, who will rewrite the proposal and retake the review  by the end of the following semester . If the candidate abandons the entire dissertation project for another, a new RDP will be taken. (For such a step to be taken, the change would need to be drastic, such as a move to a new field or topic. A change in thesis or the addition or subtraction of one or even several works to be examined would not necessitate a new proposal and defense.)  If the student fails to complete the Review of the Dissertation Proposal within a year of the completion of the doctoral exams, they will have fallen out of departmental good standing.  For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

After passing the Review of the Dissertation Proposal, the student should forward one signed copy of the proposal to the Graduate Program Coordinator. The RDP may last no longer than 90 minutes.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the review. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The Graduate Catalog states that the doctoral candidate “must present a dissertation showing the planning, conduct and results of original research, and scholarly creativity.” While most Ph.D. candidates in the Department of English write dissertations of a traditional, research-oriented nature, a creative writing candidate may elect to do a creative-writing dissertation involving fiction, poetry, drama or nonfiction prose.  Such a dissertation must also contain a substantial section of scholarly research related to the creative writing.  The precise nature of the scholarly research component should be determined by the candidate in consultation with the dissertation committee and the Graduate Director. Candidates wishing to undertake such a dissertation must complete all Departmental requirements demanded for the research-oriented Ph.D. degree.

Scholarly Research Component (SRC)

The Scholarly Research Component (SRC) of the creative-writing dissertation is a separate section of the dissertation than the creative work. It involves substantial research and is written in the style of academic prose. It should be 15-20 pages and should cite at least 20 sources, some of which should be primary texts, and many of which should be from the peer-reviewed secondary literature. The topic must relate, in some way, to the topic, themes, ideas, or style of the creative portion of the dissertation; this relation should be stated in the Dissertation Proposal, which should include a section describing the student’s plans for the SRC. The SRC may be based on a seminar paper or other work the student has completed prior to the dissertation; but the research should be augmented, and the writing revised, per these guidelines. The SRC is a part of the dissertation, and as such will be included in the dissertation defense.

The SRC may take two general forms:

1.) An article, publishable in a peer-reviewed journal or collection, on a specific topic related to an author, movement, theoretical issue, taxonomic issue, etc. that has bearing on the creative portion. The quality of this article should be high enough that the manuscript could be submitted to a peer-reviewed publication, with a plausible chance of acceptance.

2.) A survey . This survey may take several different forms:

• A survey of a particular aspect of the genre of the creative portion of the dissertation (stylistic, national, historical, etc.)
• An introduction to the creative portion of the dissertation that explores the influences on, and the theoretical or philosophical foundations or implications of the creative work
• An exploration of a particular technical problem or craft issue that is salient in the creative portion of the dissertation
• If the creative portion of the dissertation includes the results of research (e.g., historical novel, documentary poetry, research-based creative nonfiction), a descriptive overview of the research undertaken already for the dissertation itself
• A combination of the above, with the prior approval of the student’s dissertation director.

The dissertation committee will consist of at least four members—two “core” English faculty members, a third faculty member (usually from English), and one faculty member from a different department who serves as the Graduate Studies representative. The committee may include (with the Graduate Director’s approval) members from other departments and, with the approval of the University’s Graduate Council, members from outside the University. If a student wants to have a committee member from outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and the Office of Graduate Studies. Requests for defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status.

The candidate’s preferences as to the membership of the dissertation committee will be carefully considered; the final decision, however, rests with the Department and with the Office of Graduate Studies. All dissertation committees must get approval from the Director of Graduate Studies before scheduling the final oral exam (defense). Furthermore, any changes in the make-up of the dissertation committee from the Review of the Dissertation Proposal committee must be approved by the Director of Graduate Studies.

Once the dissertation proposal has passed and the writing of the dissertation begins, membership of the dissertation committee should remain constant. However, under extraordinary circumstances, a student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the dissertation committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

If a student does not make progress during the dissertation-writing stage, and accumulates more than one “Limited Progress” and/or “No Progress” grade on their transcript, they will fall out of good standing in the department. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices

Final Oral Exam (Dissertation Defense)

When the dissertation has been tentatively accepted by the dissertation committee (not including the Graduate Studies Representative), the final oral examination will be held, on the recommendation of the Department. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to defend the dissertation, students should work with their committee chair and graduate program coordinator to schedule it.

Although the dissertation committee is responsible for certification of the candidate, any member of the graduate faculty may be present at the examination and participate in the questioning, and one examiner—the Graduate Studies Representative—must be from outside the Department. The Graduate Secretary can help students locate an appropriate Grad Studies Rep. The examination normally lasts no more than two hours. It is the obligation of the candidate to advise the Graduate Director that they plan to take the oral examination; this must be done at least one month before the date proposed for the examination.

At least three calendar weeks prior to the defense date, the student will submit the final draft of the dissertation to all the committee members (including the GSR) and inform the Graduate Program Coordinator. Failure to meet this deadline will necessitate rescheduling the defense.  The final oral examination for the Ph.D. in English is, essentially, a defense of the dissertation. When it is passed, the dissertation itself is graded by the dissertation director, in consultation with the student’s committee; the student’s performance in the final examination (defense) is graded by the entire five-person committee

Students cannot bring snacks, drinks, treats, or gifts for committee members to the defense. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student defenses but not others

These sets of attributes are adapted from the Graduate Learner Outcomes that are a part of our Assessment portfolio. “Honors” should only be given to dissertations that are rated “Outstanding” in all or most of the following categories:

• Significant and innovative plot/structure/idea/focus. The writer clearly places plot/structure/idea/focus in context.
• Thorough knowledge of literary traditions. Clear/flexible vision of the creative work produced in relation to those literary traditions.
• Introduction/Afterword is clear, concise, and insightful. A detailed discussion of the implications of the project and future writing projects exists.
• The creative dissertation reveals the doctoral candidate’s comprehensive understanding of poetics and/or aesthetic approach. The application of the aesthetic approach is innovative and convincing.
• The creative dissertation represents original and sophisticated creative work.
• The creative dissertation demonstrates thematic and/or aesthetic unity.

After much discussion about whether the “honors” designation assigned after the dissertation defense should be for the written product only, for the defense/discussion only, for both together, weighted equally, or eradicated altogether, the department voted to accept the Graduate Committee recommendation that “honors” only apply to the written dissertation. "Honors" will be given to dissertations that are rated "Outstanding" in all or most of the categories on the dissertation rubric.

Normally, the dissertation will present the results of the writer’s own research, carried on under the direction of the dissertation committee. This means that the candidate should be in regular contact with all members of the committee during the dissertation research and writing process, providing multiple drafts of chapters, or sections of chapters, according to the arrangements made between the student and each faculty member. Though accepted primarily for its scholarly merit rather than for its rhetorical qualities, the dissertation must be stylistically competent. The Department has accepted the MLA Handbook as the authority in matters of style. The writer may wish to consult also  the Chicago Manual of Style  and Kate L. Turabian’s  A Manual for Writers of Dissertations, Theses, and Term Papers .

Naturally, both the student and the dissertation committee have responsibilities and obligations to each other concerning the submitting and returning of materials. The student should plan on working steadily on the dissertation; if they do so, they should expect from the dissertation committee a reasonably quick reading and assessment of material submitted.

Students preparing their dissertation should be showing chapters to their committee members as they go along, for feedback and revision suggestions. They should also meet periodically with committee members to assess their progress. Prior to scheduling a defense, the student is encouraged to ask committee members whether they feel that the student is ready to defend the dissertation. Ideally, the student should hold the defense only when they have consulted with committee members sufficiently to feel confident that they have revised the dissertation successfully to meet the expectations of all committee members.

Students should expect that they will need to revise each chapter at least once. This means that all chapters (including introduction and conclusion) are shown to committee members once, revised, then shown to committee members again in revised form to assess whether further revisions are needed, prior to the submitting of the final dissertation as a whole. It is not unusual for further revisions to be required and necessary after the second draft of a chapter; students should not therefore simply assume that a second draft is necessarily “final” and passing work.

If a substantial amount of work still needs to be completed or revised at the point that the dissertation defense is scheduled, such a defense date should be regarded as tentative, pending the successful completion, revision, and receipt of feedback on all work. Several weeks prior to the defense, students should consult closely with their dissertation director and committee members about whether the dissertation as a whole is in a final and defensible stage. A project is ready for defense when it is coherent, cohesive, well researched, engages in sophisticated analysis (in its entirety or in the critical introduction of creative dissertations), and makes a significant contribution to the field. In other words, it passes each of the categories laid out in the Dissertation Rubric.

If the dissertation has not clearly reached a final stage, the student and dissertation director are advised to reschedule the defense.

Prior Publication of the Doctoral Dissertation

Portions of the material written by the doctoral candidate may appear in article form before completion of the dissertation. Prior publication does not ensure the acceptance of the dissertation by the dissertation committee. Final acceptance of the dissertation is subject to the approval of the dissertation committee. Previously published material by other authors included in the dissertation must be properly documented.

Each student beyond the master’s degree should confer regularly with the Graduate Director regarding their progress toward the doctoral examination and the doctorate.

Doctoral students may take graduate courses outside the English Department if, in their opinion and that of the Graduate Director, acting on behalf of the Graduate Committee, those courses will be of value to them. Their taking such courses will not, of course, absolve them of the responsibility for meeting all the normal departmental and Graduate School requirements.

Doctoral students in creative writing are strongly encouraged to take formal literature classes in addition to forms classes. Formal literature classes, by providing training in literary analysis, theory, and/or literary history, will help to prepare students for doctoral exams (and future teaching at the college level).

FALL SEMESTER            

• GTAs take 2 courses (801 + one), teach 2 courses; GRAs take 3 courses.
• Visit assigned advisor once a month to update on progress & perceptions. 1st-year advisors can assist with selecting classes for the Spring semester, solidifying and articulating a field of specialization, advice about publishing, conferences, professionalization issues, etc.

SPRING SEMESTER

• GTAs take 2 courses (780/800/880 + one), teach 2 courses. GTAs also take ENGL 802 for 1 credit hour. GRAs take 3 courses.
• Visit assigned advisor or DGS once during the semester; discuss best advisor choices for Year 2.

SUMMER SEMESTER

• Enroll in Summer Institute if topic and/or methodology matches interests.
• Consider conferences suited to your field and schedule; choose a local one for attendance in Year 2 and draft an Abstract for a conference paper (preferably with ideas/materials/ writing drawn from a seminar paper).  Even if abstract is not accepted, you can attend the conference without the pressure of presenting.
• Attend at least one conference to familiarize yourself with procedure, network with other grad students and scholars in your field, AND/OR present a paper.

FALL SEMESTER

• Take 2 courses, teach 2 courses.
• Visit advisor in person at least once during the semester.

WINTER BREAK

• Begin revising one of your seminar papers/independent study projects/creative pieces for submission to a journal; research the journals most suited to placement of your piece.
• Begin thinking about fields and texts for comprehensive examinations.
• Choose an advisor to supervise you through the doctoral examination process.
• Visit assigned 1st-year advisor in person at least once during the semester (at least to formally request doctoral exam supervision OR to notify that you are changing advisors).
• Summer teaching, if eligible.
• Continue revising paper/creative writing for submission to a journal.
• Begin reading for comprehensive exams.
• Attend one conference and present a paper. Apply for one-time funding for out-of-state travel  from Graduate Studies .
• Teach 2 courses; take 997 (exam prep).
• Finalize comps list by end of September; begin drafting rationales.
• Circulate the draft of your article/creative piece to your advisor, other faculty in the field, and/or advanced grad students in the field for suggestions.
• Revise article/creative piece with feedback from readers.
• Teach 2 courses; take 997 or 999 (dissertation hours). Enroll in 999 if you plan to take your comps this semester, even if you don’t take them until the last day of classes.
• Take comps sometime between January and May.
• Summer teaching, if available.
• Submit article/creative work for publication.
• Continuous enrollment after completing doctoral exam (full policy on p. 20)
• Research deadlines for grant applications—note deadlines come early in the year.
• Attend one conference and present a paper.
• Teach 2 courses, take 999.
• Compose dissertation proposal by November.
• Schedule Review of Dissertation Proposal (RDP—formerly DPR).
• Apply for at least one grant or fellowship, such as a departmental-level GRAship or dissertation fellowship. (Winning a full-year, non-teaching fellowship can cut down your years-to-degree to 5 ½, or even 5 years.)
• Conduct research for and draft at least 1 dissertation chapter.
• Conduct research and complete a draft of at least 1 dissertation chapter.
• Revise & resubmit journal article, if necessary.
• Attend 1st round of job market meetings with Job Placement Advisor (JPA) to start drafting materials and thinking about the process.
• Research and complete a draft of at least 1 dissertation chapter, if teaching (1-2 chapters if not).
• Visit dissertation chair  and  committee members in person at least once during the semester.
• Research and complete a draft of at least 1 dissertation chapter (1-2 chapters if not teaching).
• Apply for a departmental grant or fellowship, or, if already held, try applying for one from outside the department, such as those offered by KU’s Hall Center for the Humanities or the Office of Graduate Studies. For  a monthly list of funding opportunities , visit the Graduate Studies website.
• Research and complete a draft of at least 1 dissertation chapter.
• Attend job market meetings with JPA in earnest.
• Apply for external grants, research fellowships, postdoctoral positions with fall deadlines (previous fellowship applications, your dissertation proposal, and subsequent writing should provide a frame so that much of the application can be filled out with the “cut & paste” function).
• Research and complete a draft of at least 1 dissertation chapter (1-2 if not teaching).
• Visit dissertation chair and committee members in person at least once during the semester.
• Polish dissertation chapters.
• Apply for grants and fellowships with spring deadlines.
• Defend dissertation.

Creative Writing Faculty

• Associate Professor

• Professor of English & Environmental Studies

• Assistant Professor

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English Creative Writing Ph.D.

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Why Earn an English Creative Writing Ph.D.?

The Ph.D. program is designed to give you a broad, solid foundation in the academic profession, while at the same time preparing you to conduct original, in-depth research or to compose original works of literature. You'll benefit from the guidance of a nationally recognized faculty with a strong record of publication in prestigious journals like PMLA, Philological Quarterly, The Paris Review and Granta.

We make every effort to foster our graduate students' success and help them attain their educational and career goals.

While at UNT, our students have published their work in nationally and internationally recognized journals and magazines, including The New Yorker , Shakespeare and SEL: Studies in English Literature . They have placed books with presses like Button Poetry, the University of Georgia Press and the University of Wisconsin Press. And they have won prestigious awards and fellowships, including grants from the Newberry Library and from the National Endowment for the Arts.

• Reason rigorously, subtly and independently
• Analyze minutely sources and narratives
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• Develop and contribute new knowledge
• Convey knowledge in self-designed courses

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A unique component of our PhD in English is the opportunity to tailor your education through elective courses. This flexibility can help enable you to pursue specialized interests and complement your core studies with topics that align with your academic and career goals. The culmination of your studies will be the completion of a dissertation, where you will conduct original research and work to contribute new knowledge to the field of English literature. This rigorous scholarly project can help showcase your expertise and form a foundation for your future academic or professional pursuits.

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• ENGL 602 – Methods and Materials of Research
• ENGL 701 – Advanced Textual Analysis*
• ENGL 705 – Origin and Evolution of English*
• ENGL 715 – Seminar in British Literature*

*Course guide coming soon

Degree Information

• This program falls under the College of Arts and Sciences .
• View the Graduate Arts and Sciences Course Guides (login required) .

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Tuition rates may change annually. For the most current information, please visit our LU Tuition Cost page.

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Admission Information for Our Online PhD in English Degree

Admission requirements.

• A non-refundable, non-transferable $50 application fee will be posted on the current application upon enrollment (waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required) .
• *Accepted degrees: English, Composition, American Literature, British Literature, World Literature, Rhetoric, Linguistics, Journalism, Professional Writing
• Writing sample (minimum of 6 pages – can be from previous academic coursework)
• Departmental approval
• Applicants whose native language is other than English must submit official scores for the Test of English as a Foreign Language (TOEFL) or an approved alternative assessment. For information on alternative assessments or TOEFL waivers, please call Admissions or view the official International Admissions policy .

Preliminary Acceptance

If you are sending in a preliminary transcript for acceptance, you must:

• Be in your final term and planning to start your doctoral degree after the last day of class for your master’s degree.
• Complete a Master’s Self-Certification Form confirming your completion date. You may download the form from the Forms and Downloads page or contact an admissions counselor to submit the form on your behalf.
• Submit an official transcript to confirm that you are in your final term. The preliminary transcript must show that you are within 6 credit hours of completion for a 30-48 credit hour master’s degree or within 9 credit hours of completion for a 49+ credit hour master’s degree.
• Send in an additional, final official transcript with a conferral date on it by the end of your first semester of enrollment in the new doctoral degree.

Transcript Policies

Official college transcript policy.

An acceptable official college transcript is one that has been issued directly from the institution and is in a sealed envelope. If you have one in your possession, it must meet the same requirements. If your previous institution offers electronic official transcript processing, they can send the document directly to [email protected] .

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The Creative Writing Program

The PhD in English Literature with Creative Dissertation at the University of Georgia is for writers who wish to advance their expertise and sophistication as scholars. Our students are accomplished poets, fiction writers, essayists, translators, and interdisciplinary artists who are ready to move beyond the studio focus of the MFA to a more intensive program of literary study. Over the course of the five-year program our students develop research specialties that complement their writing practice and prepare them professionally for a teaching career at the university or college level.

Our creative writing faculty are nationally and internationally recognized writers and translators with academic specializations in a variety of literary and theoretical fields, including Genre Theory, Poetics, Global Literature, Native American Literature, African American Literature, Postcolonial Literature, and Translation Studies. Our program fosters serious conversations among our students about aesthetics and criticism, experience and culture, and politics and history—not only in the classroom but through public readings and lectures. Our faculty and students play an active role in the cultural life of Athens, both as artists and organizers.

Program Overview

During the first two years of study our Ph.D. candidates select from course offerings in the English Department, seminars that signal both our faculty’s recognition of intellectual and disciplinary change and our abiding commitment to traditional literary history. Each student takes at least one Creative Writing course a year in addition to courses in various literary specialties. A list of our department’s recent graduate course offerings can be found here .  Prior to beginning their third year, students prepare reading lists for comprehensive exams in three academic research fields of their choosing. Every CWP student chooses “Forms and Craft” as one of their exam areas. This reading list serves as a research field unique to each writer’s approach to their particular genre. Some of the “Forms and Craft” lists designed recently by CWP students include, “The Midwestern Novel”; “Occult and Visionary Poetics”; “History of Surrealism”; “Monstrosity in Epic Poetry”; and “Literary Translation: Theory and Practice.” The two other exam fields should complement and expand the student’s areas of expertise beyond craft in order to broaden their historical and theoretical understanding of literature. In recent years, CWP students have elected to take exams in fields such as, “A Global History of the Novel,” ”Modernism and the Historical Avant-Garde,” “Aesthetic Theory,” ”African American Literature,” “Latinx Literature,” “Ecopoetics,” “The Southern Novel,” “Lyric Theory,” and “Science Fiction.”

Typically the exam committee is headed by a member of the creative writing faculty and two other professors from the department at large, experts in the respective exam areas. During the third year students read in preparation for written and oral exams. Each written exam takes the form of a twenty-page written exhibit in which the student answers a directive question formulated in conjunction with the exam area’s director. This exhibit should demonstrate the student’s grasp of the field as a whole and serves as a demonstration of their ability to teach in this area at the undergraduate level. Once the student has passed written exams, they are admitted to an oral exam overseen by the exam committee as a whole. Once the student passes both oral and written exams, they are admitted officially to candidacy for the PhD and begin working on their dissertation.

During their fourth and fifth years CWP students complete a creative dissertation with a critical introduction. The dissertation typically is a full-length work in a single genre—a work of fiction, creative non-fiction, or poetry. The introduction is the author’s scholarly address to their audience. In the past students have used the introduction as a scholarly analysis of the state of the genre, a critical meditation on process informed by literary history, or a theoretical tracing of literary influence.

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Latest news.

Tuesday, November 19, 2024

Congratulations to the winner of the 2024-2025 SPARK Fellowship: Cooper Sunderland!

Monday, October 21, 2024

Announcing the 2024-2025 Diann Blakely Visiting Poet & National Poetry Competition

Aruni Kashyap's next novel to be published by HarperVia in 2026!

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University of Louisiana at Lafayette

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Doctoral concentration in creative writing, creative writing at ul.

The UL Lafayette Creative Writing Program invites you to join our close, energetic community of faculty and students.

Generalist Program

Our Ph.D. in English is unique in that it is a generalist program. That means you as a student gain broad expertise in a variety of creative writing genres: fiction, poetry, drama, and creative non-fiction. It also means that you’ll strengthen your understanding of literature, and develop solid pedagogical practice by instructing undergraduate courses in rhetoric and composition. There will also be opportunities to teach creative writing, literature, and design your own special topics courses.

The generalist program ensures graduates concentrating in Creative Writing who opt for academic positions are qualified to teach in several areas. Graduates who choose careers outside of the academy will have experience managing a classroom while teaching and designing their own courses.

Opportunities

Assistantships are available in the Ernest J. Gaines Center, the Paul and Lulu Hilliard University Art Museum, and within the English Department. Graduate teaching assistantships give you the chance to teach first-year writing, sophomore literature survey courses, a creative writing workshop, and a literature course of your own design. Three-year university fellowships with lighter teaching loads are also available.

You will be able to gain professional development experience through working on the University-supported in-house print journal The Southwestern Review, and our online literary journal Rougarou. Students also read at our Thursday Night Reading Series (TNRS) , and often attend the annual Association of Writers & Writing Programs (AWP) conference where our graduate creative writers host an annual off-site reading. Creative writers also have the opportunity to present their work at the Global Souths conference we put on each year through a creative plenary and creative panels.

In addition to our great faculty, and writer-in-residence, the UL Lafayette Creative Writing Program is enhanced by the Deep South Reading Series . Recent guests include: Maurice Carlos Ruffin, Katie Jean Shinkle, Terese Svoboda, Rodrigo Toscano, Asiya Wadud, Matthew Salesses, Vi Khi Nao, Clemonce Heard, and Wandeka Gayle.

Apply to Write with Us

In addition to the PhD in English application requirements, the department requires a creative writing portfolio. You should submit a creative writing sample of 15-20 pages as part of your application directly in the application portal along with your critical writing sample. PDFs are preferred. Please specify the genre: Fiction, Poetry, Drama, Creative Nonfiction, or Hybrid work.

Read more info about applying.

Resources and Links

• Apply today to write with us at UL!
• Read about our current and past Writers-in-Residence.
• Have questions about our program? Contact our graduate coordinator at [email protected].
• See what jobs our students have landed.
• View our comprehensive English Graduate Student Handbook .
• Check out recent news and events for the UL Lafayette CWP.
• View Creative Writing PhD Requirements and Courses .
• Follow the UL Lafayette CWP on Facebook , Twitter , and Instagram .

The English Department’s Thursday Night Reading Series (TNRS) features weekly readings of original poetry, fiction, creative nonfiction, drama, and experimental works from UL graduate students and faculty. Watch the video to see our graduate students share their work and  visit the TNRS Facebook page to learn more.