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Story Hook Examples: The Best Way to Get Readers to Read

The word “hook” is used a lot in the literary world. Unfortunately, this can complicate things quite a bit. Especially because there are two kinds of hooks that people discuss when talking about books. There’s the type of hook that’s best used in marketing your book, and there’s one that’s used at the very beginning of your book to pull the reader into your story. 

By the end of this article, you’ll know all about both types of hooks. And, if I’ve done my job, you’ll know how to craft both types effectively. 

• What a “tagline” hook is.
• What a story hook is.
• Examples of each type of hook.
• Tips for writing your hooks.

Table of contents

• What Are the Two Types of Hooks?
• 1. All the Sinners Bleed by S. A. Cosby
• 2. Cross Down by James Patterson and Brendan DuBois
• 3. Fourth Wing by Rebecca Yarros
• 4. The Diviners by Libba Bray
• 5. Twenty Years Later by Charlie Donlea
• Tagline Hooks Explained
• Tip 1: See What Other Authors Are Doing
• Tip 2: Search Reviews
• Tip 3: Get to Writing
• Tip 4: Test Your Taglines
• 1. The Secret History by Donna Tartt
• 2. Die Trying by Lee Child
• 3. One Hundred Years of Solitude by Gabriel García Márquez
• 4. The Bad Beginning by Lemony Snicket
• 5. One for the Money by Janet Evanovich
• 6. The Restaurant at the End of the Universe by Douglas Adams
• 7. Fear and Loathing in Las Vegas by Hunter S. Thompson
• 8. The War of the Worlds by H.G. Wells
• 9. The Fifth Season by N.K. Jemisin
• 10. Cell by Stephen King
• Story Hooks Explained
• Tip 1: Present High Stakes
• Tip 2: Use Your Voice
• Tip 3: Start in the Middle
• Tip 4: Use Humor
• Tip 5: Reel Them In
• Tagline and Narrative Hooks: Conclusion

When people in the publishing industry talk about a “hook,” they could be talking about two different things. There's the tagline hook , which is essentially a one-to-three-sentence blub about the book. It's not a synopsis because it doesn't include any spoilers. The point is to “hook” potential readers (or publishers) and make them want to learn more about the book (or buy it). This is sometimes called the elevator pitch or simply the tagline. 

The other type of hook serves a similar purpose, but it's found on the first page of the book. It's the very first thing readers see in the story. The hook is there to engage the reader and make them want to continue reading. This can be a single line, two sentences, a paragraph, or an entire opening scene. 

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Now that you know about the two different kinds of hooks, let's dive into some examples before we get to tips on crafting your hooks. 

Tagline Hook Examples

Here are some “tagline” hook examples from different books. They're all short, somewhat vague, and designed to be intriguing. 

“A Black sheriff. A serial killer. A small town ready to combust.”

“Alex Cross is gravely injured. Only his partner and friend John Sampson can keep him safe . . . and get justice.”

“Enter the brutal and elite world of a war college for dragon riders from New York Times bestselling author Rebecca Yarros.”

“Something dark and evil has awakened…”

“Hiding her own dark past in plain sight, a TV reporter is determined to uncover the truth behind a gruesome murder decades after the investigation was abandoned. But TWENTY YEARS LATER, to understand the present, you need to listen to the past…”

You'll often see these kinds of hooks displayed on a book's detail page on Amazon or even on the book itself in hardcover or paperback form. Most often, you'll see them directly above the book blurb, although sometimes they will be at the end of the blurb and include a call to action. 

You may notice a quotation hook on many book pages (or covers). These quotes are designed to do the same thing, but they have the added benefit of social proof and credibility–particularly if the quote is from a big-name author. 

These types of hooks are designed to pull the reader in and get them to open the book, or perhaps click on the “Look Inside” feature to read the first page–where the other hook takes over. 

How to Craft a Tagline Hook

You have several options for crafting tagline hooks. Plus, there are some great ways to test them to see which one resonates with people the most. 

One great way to get inspiration for your tagline is by perusing books by other successful authors in your genre . Copy and paste the taglines you like into a document to use as inspiration. (Obviously don't use anyone else's tagline as your own.) I'd suggest getting fifteen or more. This will give you a good idea of what's working for authors who write books like yours. 

For further tagline hook inspiration, look at your book's positive reviews. Your readers are a great source for this because they naturally use language that's likely to resonate with other readers. A look at your four and five-star reviews could also net you a few quotes you could use in your book marketing . 

If your book isn’t out yet, you can still study the reviews of similar books by other authors. The language reviewers use can really help to inform your tagline.

It can be tempting to just bang out a tagline that's “good enough” and then get back to working on your current book. However, I suggest you set aside an hour or more with the express purpose of writing at least a dozen potential tagline hooks for your book. This is where reader reviews and inspirational taglines from other authors come in handy. 

Try a few different structures: one-, two-, and three-sentence hooks. You generally don't want your tagline hook to be more than three (short) sentences.

Out of your dozen or more options, choose four or five that you think are the best. There are a few ways to test these. 

You can poll your email list about which they like best. You can ask your author friends or even family members. Or you can use them in Facebook ads . (Or you can do all three!)

If you have a little bit of money to spend, using your tagline hooks in Facebook ads can be a truly valuable experience. Whichever one gets the most clicks, when used as the first part of the Primary Text on your ad, can tell you which one is best to put on your book page. 

Now, let's discuss story hooks. 

Story Hook Examples

Once the reader's curiosity has been piqued by the “tagline” hook, they'll probably open the book or do the digital equivalent. This is where a strong story hook can seal the deal and get the reader to purchase the book. 

So, let's look at some examples of strong story hooks. 

As you read through these, think about what each hook does in terms of grabbing your attention, adding intrigue, and hinting at character. 

“The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation.”

“Nathan Rubin died because he got brave. Not the sustained kind of thing that wins you a medal in a war, but the split-second kind of blurting outrage that gets you killed on the street.”

“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice.”

“If you are interested in stories with happy endings, you would be better off reading some other book. In this book, not only is there no happy ending, there is no happy beginning and very few happy things in the middle.”

“There are some men who enter a woman's life and screw it up forever. Joseph Morelli did this to me – not forever, but periodically.”

“The story so far: In the beginning the Universe was created. This has made a lot of people very angry and been widely regarded as a bad move.”

“We were somewhere around Barstow on the edge of the desert when the drugs began to take hold.”

“No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water.”

“Let’s start with the end of the world, why don’t we? Get it over with and move on to more interesting things.”

“The event that came to be known as The Pulse began at 3:03 p.m., Eastern Standard Time, on the afternoon of October 1.”

Hopefully you can see why the story hooks above are engaging. Of course, there's no such thing as the perfect hook that will bring you all the readers. The goal of a hook should be to grab as many readers in your genre as possible.  

But given the differences in reader preference, you would go crazy trying to craft a hook that would appeal to everyone . 

And focusing too much on the hook would also be a mistake. It is merely a tool—a very important tool, but still a tool. After all, you can have the most effective hook possible, but if it's not followed by a good, well-edited story with engaging characters, then the reader won't make it through the book. 

And as indie authors, our bread and butter is read-through and reader loyalty. 

So how do you craft a good story hook? I’ve included five tips below to get you started. 

How to Craft a Story Hook

The manner in which you craft the narrative hook will depend on several factors, not the least of which is genre. And there's more than one way to grab the reader's attention.

You may have noticed that the first three narrative hook examples shared above have to do with death. There's a good reason for this. Death creates an engaging hook. It's one of the three major stakes that pretty much all novels are about, when you get right down to it: external, internal, and philosophical. Death is a clear external stake. 

But death is just one example of why hinting at the stakes to come is a great way to hook the reader. And the best part? The stakes don't have to do directly with your main character. In fact, the book mentioned above, Die Trying by Lee Child, starts with the death of a very minor character when he has a run-in with some minor bad guys. This is enough. 

So don't be afraid to put your best foot forward and address what’s at stake (or at least hint at it) in the first paragraph of your novel . 

Your author voice is unique. Even if you're still working to develop that voice, perfecting it with each novel or short story, you can bet it's unique. And you can use it to create an engaging hook. 

One thing that several of the hook examples above do is present a strong voice from the start. Most of them do this in addition to presenting high stakes and/or one of the other tips mentioned below. The Bad Beginning by Lemony Snicket does this very well, warning the reader by mentioning that there is no happy ending to the story, and doing so in a strong voice. 

The Fifth Season by M.K. Jemisin also does this well in just two sentences, dismissing the end of the world as uninteresting.

You've probably heard this writing advice before, and it's essential for crafting a strong hook. Sometimes, we worry about setting things up for the reader, giving them backstory and exposition so that they'll be better prepared when things start to go wrong for the characters. 

In most cases, this is a mistake. Hook writing is all about drawing the reader in, and you can't do that if you're bombarding them with backstory while nothing is happening in the story's present.

Take the hook example from The Secret History by Donna Tartt: 

“The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation.” 

What if she started before Bunny died, while the snow was still falling and there were still weeks to go before they realized the gravity of their situation? This would put the story in danger of getting bogged down in details. But as it is, we have a dead character and a bad situation. She's “ starting in the middle ” with her great hook. 

If it's appropriate for your genre, humor can make for a strong hook. If you can make the reader laugh with your first sentence, paragraph, or page, then you've got the reader's attention. 

The hook example from The Restaurant at the End of the Universe by Douglas Adams is an excellent illustration of this:

This kind of irreverent humor is one reason why the Hitchhiker's Guide series is so wildly popular. This hook also has a strong voice, which definitely helps. 

Once you have the reader's interest with the hook sentence (or scene), it's important that you keep it. This means that the hook has to have something to do with the story to follow. It's not a good idea to simply throw a scene into the beginning of your story that has nothing to do with what follows. 

For example, if I were to write a scene in which a character gets killed on the way to work one morning, it could make for a good hook. But if that character's death only served to make the protagonist late for work with no other significant consequences, my readers would probably feel cheated.

While the hook doesn't have to directly involve the protagonist, it should indirectly impact them in a significant way, at the very least.  

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It's also important to keep the pace going. You can sprinkle in exposition and backstory as you go along, but be judicious about it. Once the reader is on the line, they still could wriggle off the hook if they're bogged down with pages and pages of backstory or character history directly after the hook. 

Only give the amount of backstory that is absolutely necessary to keep the story moving.  

As you can see, the two “hooks” of the literary world are indeed very different. Although not impossible, it would be unlikely for anyone to write an opening hook that could also be used verbatim as a “tagline” hook. 

And I'd even argue that you wouldn't want to. One needs to be crafted with your marketing hat on, the other with your author hat on. They take different mindsets, but as a writer, you have the skills to craft them.  

With narrative hooks, ask your beta readers for feedback. It doesn't have to be the entire book. You can just give them the first page or the first chapter and ask if they want to read more. 

With “tagline” hooks, you can do something similar by asking your email list. You can also spend a little bit of money on Facebook ads to see which one works well!

When you have these two hooks working together, you can climb the charts and build a following of fans who will look forward to every book you release.

Dave Chesson

When I’m not sipping tea with princesses or lightsaber dueling with little Jedi, I’m a book marketing nut. Having consulted multiple publishing companies and NYT best-selling authors, I created Kindlepreneur to help authors sell more books. I’ve even been called “The Kindlepreneur” by Amazon publicly, and I’m here to help you with your author journey.

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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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8 story hook examples (how to grab attention)

A ‘hook’ in a story promises intrigue, entertainment and answers to the questions it raises. Far from the trickery of a bait and switch, a hook gives a true sense of what your reader can expect of your story’s pleasures. Explore great story hook examples and what they teach us about starting strong:

• Post author By Jordan
• 20 Comments on 8 story hook examples (how to grab attention)

A literary ‘hook’ in a story promises intrigue, entertainment and answers to the questions it raises. Far from the trickery of a bait and switch, a hook gives a true sense of what your reader can expect of your story’s pleasures. Explore great story hook examples and what they teach us about starting strong

Story hook examples

A literary ‘hook’ in a story promises intrigue, entertainment and answers to the questions it raises. Far from the trickery of a bait and switch, a hook gives a true sense of what your reader can expect of your story’s pleasures. A brilliant hook also also grabs a reader’s attention from the get go, to encourage them to read on. A hook can also show a strong voice from the start. Explore great story hook examples and what they teach us about starting strong. Here are eight types of hooks.

These hooks in narrative writing a hook should: Raise curiosity, create questions and promise eventful action with them.

1. All the Light We Cannot See by Anthony Doerr

At dusk they pour from the sky. They blow across the ramparts, turn cartwheels over rooftops, flutter into the ravines between houses. Entire streets swirl with them, flashing white against the cobbles. Urgent message to the inhabitants of this town , they say. Depart immediately to open country . Anthony Doerr, All the Light We Cannot See (2014), p. 3.

2. Anil’s Ghost by Michael Ondaatje

When the team reached the site at five-thirty in the morning, one or two family members would be waiting for them. And they would be present all day while Anil and the others worked, never leaving; they spelled each other so someone always stayed, as if to ensure that the evidence would not be lost again . Michael Ondaatje, Anil’s Ghost (2000), p. 5.

3. Let The Great World Spin by Colum McCann

Those who saw him hushed. On Church Street. Liberty. Cortlandt. West Street. Fulton. Vesey. It was a silence that heard itself, awful and beautiful. Some thought at first that it must have been a trick of the light, something to do with the weather, an accident of shadowfall. Others figured it might be the perfect city joke – stand around and point upward, until people gathered, tilted their heads… Colum McCann, Let The Great World Spin (2009), p. 3.

4. Alias Grace by Margaret Atwood

It’s 1851. I’ll be twenty-four years old next birthday. I’ve been shut up in here since the age of sixteen. I am a model prisoner, and give no trouble. That’s what the Governor’s wife says, I have overheard her saying it. I’m skilled at overhearing. If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good… Margaret Atwood, Alias Grace (1996), p. 5

5. The Invisible Life of Addie LaRue by V.E. Schwab

Villon-sur-sarthe, France, July 29, 1714 A girl is running for her life. The summer air burns at her back, but there are no torches, no angry mobs, only the distant lanterns of the wedding party, the reddish glow of the sun as it breaks against the horizon, cracks and spills across the hills, and the girl runs, skirts tangling in the grass as she surges toward the woods, trying to beat the dying light. V.E. Schwab, The Invisible Life of Addie LaRue (2020), p. 3.

6. On Earth We’re Briefly Gorgeous by Ocean Vuong

Let me begin again. Dear ma, I am writing to reach you-even if each word I put down is one word further from where you are. I am writing to go back to the time, at the rest stop in Virginia, when you stared, horror-struck, at the taxidermy buck hung over the soda machine by the restrooms, its antlers shadowing your face. Ocean Vuong, On Earth We’re Briefly Gorgeous (2019), p. 3

7. God Help the Child by Toni Morrison

It’s not my fault. So you can’t blame me. I didn’t do it and have no idea how it happened. It didn’t take more than an hour after they pulled her out from between my legs to realize something was wrong. Really wrong. Toni Morrison, God Help the Child (2015), p. 3

8. Where the Crawdads Sing by Delia Owens

On the morning of October 30, 1969, the body of Chase Andrews lay in the swamp, which would have absorbed it silently, routinely. Hiding it for good. A swamp knows about death, and doesn’t necessarily define it as tragedy, certainly not a sin. Delia Owens, Where the Crawdads Sing (2018), p. 6

The examples of hooks from novels above illustrate what effective hooks do:

How to write good hooks for stories:

Great story hooks do one or more of the following. They:

• Build urgency
• Prompt pressing questions
• Involve intriguing contexts
• Introduce striking voices
• Show a glimpse of a vivid world
• Imply past or future conflicts
• Build narrative tension
• Share relevant backstory
• Set the story’s tone

Let’s explore each of these ideas in brief with reference to the story hook examples given above.

Ways to write hooks:

1. build urgency.

A girl running for her life; a dead body lying in a swamp; a crowd gathering to point into the sky.

Each of these actions or images create a kind of urgency that hooks a reader into the story.

The reader wants to know why a girl is running for her life. We need to find out who murdered Chase Andrews. We want to know what the crowds are staring up at in Let The Great World Spin (an urban tightrope walker).

To build urgency in your story’s hook, you could:

• Describe an action with a time limit: For example, having ten minutes to get to a crucial interview
• Share actions with high stakes: A girl running for her life; a tightrope walker between NY skyscrapers
• Imply a situation requiring urgent investigation: A murder, a mystery – a vital piece of missing information for one or more characters

What needs to happen at the start of your story (or scene, or chapter) that is of utmost priority for your characters?

Watch this brief video on how to write hooks and keep reading for more ideas:

Story Hook Examples: How to grab attention

2. Prompt pressing questions

Good story openings include meandering beginnings that take time getting to the point (this is especially common in literary novels that do not necessarily require the brisk pace of a thriller).

Yet even if your story opening is gentler, more tone-and-mood-setting, a question hook, rather than full-tilt action, how can you prompt pressing questions, creating elements of a hook?

In the opening hook to Anil’s Ghost , for example, we wonder what evidence is being sought that could be ‘lost again’.

A good story makes us ask ‘who’, ‘what’, ‘why’, ‘where’ and ‘when’ at several junctures. The hook is a crucial place to set up these questions. Tweet This

For the above story hook examples, readers may have questions such as:

• What are people gathering to point at? ( Let The Great World Spin )
• What or who is the girl running from? (The Invisible Life of Addie LaRue )
• Why does the narrator think something is gravely wrong with her newborn (God Help the Child )
• When will the prisoner be released, if ever? ( Alias Grace )

What thought-provoking questions does your hook give your reader? You can also use a rhetorical question as a hook. Or, use a statistic hook, quoting facts and figures to grip a reader’s attention.

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3. Involve intriguing contexts

The best story hooks don’t only grab our attention. They tell us (often in a highly compressed way) a lot about the world we’re about to enter. Why we’re in for a good story .

We begin to understand aspects of con text such as place , era, scenario and situation. That a wartime city is about to be evacuated, for example ( All the Light We Cannot See ). Or that there is a wedding party, somewhere in the periphery, that may be relevant to a character’s current situation ( The Invisible Life of Addie LaRue ).

What makes context intriguing? Elements such as:

• Implied recent, imminent or eventual conflicts
• Interesting, compelling relationships (e.g. the man writing to his mother at the start of On Earth We’re Briefly Gorgeous )
• Interesting facts (for example, Delia Owens’ description of the swamp’s peculiarities as a biome opening Where the Crawdads Sing )

How can you involve your characters’ contexts at the start of a novel, chapter or scene so that your reader pricks up their ears?

4. Introduce striking voices

We tend to think of hooks strictly in terms of ‘Plot’ with a capital ‘P’. Yet a hook may be something as simple as teasing the reader with introduction to an interesting character (or multiple characters).

For example, in the opening to Ocean Vuong’s On Earth We’re Briefly Gorgeous (written as a Vietnamese-American man’s letters to his abusive mother), there is an immediate, intimate sense of a connection between two characters. A connection that has its own complex history filled with vignettes such as the rest stop scene the narrator describes.

We have an immediate sense of voice through the wording of the man’s letter.

A hook thus is not only made up of the pressing or intriguing questions it inspires. It can also be something as simply compelling as a lone, specific voice reaching out to us from the written page.

You could also consider using a quotation hook. This, as the name implies, means using a quote from a notable or famous person. This will serve introduce the topic of your story, or lead into it. A quote hook will can be effective in reeling your reader in from the word go.

What makes your viewpoint narrator’s voice compelling from the first line? What fragment of their experiences, beliefs, fears or desires may invite your reader into their narrative?

5. Show a glimpse of a vivid world

Many novels start with story hooks that describe and define place, a descriptive hook. Delia Owens’ swamp facts at the beginning of Where the Crawdads Sing , for example. Or Ondaatje’s description of a forensic archaeological site in Sri Lanka.

To hook readers in, you could show a glimpse of what is extraordinary about this place. The dead body in the swamp with its already remarkable properties. The strange hunting trophy on the rest stop wall that fills the narrator’s mother with horror in On Earth We’re Briefly Gorgeous . These are all examples of vivid descriptions of scenes that create a picture  in a reader’s mind.

What detail is typical of your story’s era, time or primary location? Or else, your hook could begin with something out-of-the-ordinary – the tightrope walker between towers of Let The Great World Spin , for example.

6. Imply past or future conflicts

Stories are about change, at root. Nothing is an agent of change like conflict (as the evacuation order leaflets at the start of All the Light We Cannot See show).

As an example, on the first page of God Help the Child by Toni Morrison, we wonder what is so wrong about the narrator’s newborn.

We quickly learn that her worry is driven by colorism, a by-product of racism. The narrator’s child has been born ‘midnight black, Sudanese black’ (p. 3), the mother’s surprise being because she has lighter skin tone herself.

From the first page, this story hook example suggests conflicts at the heart of racism; its comparative prejudices and violences. We wonder how others will treat this child due to a mother’s concern, thus her anxious focus creates narrative suspense.

What past or anticipated conflicts might feature strongly in the opening pages of your story? Find ways to build a hook around their suspense.

7. Build narrative tension

The best story hook examples teach us how to build narrative tension from the start. It may be something as simple as Addie LaRue running for her life from the wedding party. Or else the hush of a crowd craning their necks at a terrifying, aerial spectacle.

To build narrative tension in your hook, you could use just such an attention-grabbing hook:

• Describe high-stakes events (e.g. a man walking a tightrope between skyscrapers)
• Imply an immediate struggle or obstacle (for example, the implied hurdles of being ‘other’ in the opening to God Help the Child )
• Suggest a situation whose outcome could go either way (for example, whether the protagonist will be released from prison or not in Alias Grace )

8. Share relevant backstory

Beginning with a large chunk of backstory that is irrelevant to the main events of your story is not a good way to begin. Your reader may quickly become bored, as writing coach Romy Sommer explains:

An issue I see with a lot of beginner writers is they tend to write the backstory as the story itself. So the first few chapters will be, ‘This thing happened, and then this thing happened…’ Understanding Character Arcs: How to write characters, preview on YouTube

Good story hook examples instead of giving all the backstory tell the reader backstory that is relevant to the current situation.

For example, the petty crime that lead a character to be currently incarcerated. Or the evacuation order that lead to your character’s current hurrying from their home city. This type of hook is useful for revealing just as much as you want to in a few simple sentences.

Relevant backstory tells us just enough to give the present scene context, history, and fuller narrative purpose .

9. Set the story’s tone

Many of the story hook examples listed above set the tone for the story. Addie LaRue’s bid for freedom, to not ‘just’ be anybody’s wife, for example. Or Little Dog’s difficult, complex relationship with his mother in On Earth We’re Briefly Gorgeous .

How can your story’s hook hint at your story’s primary subjects, themes and symbols?

Writing exercise: ‘Toning’ your hook

Find three adjectives for a hook sentence you’d like to write. For example:

• Tense, unsettling, eerie
• Lyrical, languid, mysterious
• Gritty, fast, loud
• Silly, quirky, unexpected

Write a sentence to a paragraph while thinking about your three adjectives. How many questions out of the 5 (‘who’, ‘what’, ‘why’, ‘where’ and ‘when’) can you make your reader ask?

Start finessing your story idea now so you have the foundation for a brilliant hook.

Related Posts:

• Grabbing attention with scene beginnings: 5 tips
• 10 dialogue tips to hook readers
• How to start a novel: Hook readers from page one
• Tags how to write a hook , story openings

Jordan is a writer, editor, community manager and product developer. He received his BA Honours in English Literature and his undergraduate in English Literature and Music from the University of Cape Town.

20 replies on “8 story hook examples (how to grab attention)”

Another excellent and practical article, Jordan. Thank you!

Thank you for the kind feedback, MJ! Have a lovely week.

Hi Jordan, so glad I stumbled on this article while researching Hook / Concept! Excellent information and I’ve printed it off (for an anti-clutter frugal printer, that is quite high praise lol). Now off to read your other articles. Thanks!!

Hi Regan, thank you so much for your kind feedback and taking the time to share it. I am only happy to contribute to print-clutter 🙂 It’s a pleasure, have a good week.

Thanks Jordon you help me a lot I am writing a non fiction article I needed to find out about a good hook how to try to hook reader in the first sentence I got it thanks to your explanations if you ever teach writing lessons on how write short stories for children I ready to enlist thanks for your help

Hi Scooter, it’s a pleasure. Penguin has a useful article by Alan Durant on how to write a children’s picture book here that you may find interesting. Happy holidays!

Thank you, Jordan. I found this very helpful! People so often talk about a ‘hook’ and it’s interesting to really break it down to see what makes it work.

Hi Rebecca, it’s a pleasure. I’m glad to hear that! Thank you for reading our blog and have fun working on your story’s hook 🙂

Very helpful. Thanks. Although, I noticed that you use ‘their’ to refer to the woman giving birth, but ‘him’ to the person writing to the mother, whose gender was not revealed in the sentence. sigh. why do we need to erase women? Other than that small observation, very useful info.

Thank you for your feedback and my apologies, definitely no erasure intended. I think the spur-of-the-moment rationale was probably to use the neutral ‘their’ due to the ungendered reference in the immediate sentence (‘the narrator’). Yet since the narrator in question is indeed a woman, I’ve changed it to ‘her’. I’m glad you found this article useful, thank you for reading and sharing.

If you had to pick one story hook, which would you pick, having something blow up or a tiny man shrinking?

Hi Alex, thank you for your question about story hooks. Explosions are fairly standard for action stories, but depending on the context it could be a safe in medias res starting point. But if a man is tiny already, why would he be shrinking? Thanks for reading our blog.

Great article. It helped me a lot with my writing. thanks

So glad to hear that, Sule. It’s a pleasure, thank you for your feedback and for reading our blog.

Excellent examples and a well written article.

Hi Debra, thank you for your kind feedback. I’m glad you enjoyed this article.

I hope this doesn’t annoy you, I’m compelled to rearrange wording until its more clear to me of what’s being said.

We tend to think of hooks strictly in terms of ‘Plot’ with a capital ‘P’. Yet a hook is just as often made from an inviting ‘who’—or compellingly repulsive anti-hero.

Hi Meka, not at all, thank you. I appreciate all help from our readers in making my articles better, especially when feedback is constructive like this. I’ve rewritten that sentence for clarity (I’m always updating articles here thanks to readers’ helpful suggestions). Thanks for sharing.

I’ve struggled for ages to understand hooks and inciting incidents! I’m autistic, and despite having a great logical brain, sometimes it takes the right kind of teaching by breaking down a concept into steps, then “steplets” lmao. I’ve been writing for years, but never actually LEARNED how, if you know what I mean. Now I want to write a proper fanfiction that’s not for kids. I want it to be as scary and spine tingling as possible without being heavy handed. This article helps a ton!!! I’m definitely gonna check out any others and watch the linked videos! Thank you very much for the help! ^–^ ♡♡♡

Thanks Rose. That’s wonderful to hear, so pleased that this is so helpful. Enjoy the videos and the rest of our varied blog posts.

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