ap lit essay order

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By submitting my email address. i certify that i am 13 years of age or older, agree to recieve marketing email messages from the princeton review, and agree to terms of use., guide to the ap english literature and composition exam.

Do you know how to conduct a close reading of prose and poetry? Can you write effectively under time constraints? The AP ® English Literature and Composition exam tests topics and skills discussed in your AP English Literature course. If you score high enough, your AP English score could earn you college credit!

Check out our AP English Literature Guide for what you need to know about the exam:

• Exam Overview
• Structure & Question Types
• How to Prepare

What’s on the AP English Literature & Composition Exam?

The College Board lists 6 Skill Categories that should be covered in your AP English Literature and Composition course, or as you prepare for the test:

•  Character—Characters in literature show a wide range of values, beliefs, assumptions, biases, and cultural norms, and provide an opportunity to study and explore what the characters represent.
• Setting—A setting and the details associated with it represent a time and place, but also convey values associated with the setting.
• Structure—Structure refers to the arrangements of sections and parts of a text, the relationship of the parts to each other, and the sequence in which the text reveals information. These are all choices made by a writer that allow you to interpret a text.
• Narration—Any narrator’s or speaker’s perspective controls the details and emphases that readers encounter; therefore, narration affects how readers experience and interpret a text.
• Figurative language—Comparisons, representations, and associations shift meaning from the literal to the figurative. Figurative language can include word choice, imagery, and symbols. Simile, metaphor, personification, and allusions are all examples of figurative language.
• Literary argumentation—How do you write about literature yourself? You develop your interpretation (using the first five of the Big Six!) and then communicate it. You need to develop a thesis—a defensible claim—and support it with textual evidence. 

The multiple-choice section of the AP English Literature and Composition exam will be testing your knowledge of the Big Six. Each one is weighted a certain amount in the multiple-choice questions.

AP English Literature & Composition Book List

There is no required reading or book list for the AP English Literature exam, but the College Board provides a list of authors and poets with whom you should be familiar and whose work is of the caliber and density that you are expected to understand. These lists include:

• Poetry: W.H. Auden, Elizabeth Bishop, William Blake, Anne Bradstreet, Edward Kamau Brathwaite, Gwendolyn Brooks, Robert Browning, George Gordon/Lord Byron, Lorna Dee Cervantes, Geoffrey Chaucer, Lucille Clifton, Samuel Taylor Coleridge, Billy Collins, H.D. (Hilda Doolittle), Emily Dickinson, John Donne, Rita Dove, Paul Laurence Dunbar, T.S. Eliot, Robert Frost, Joy Harjo, Seamus Heaney, George Herbert, Garrett Hongo, Gerard Manley Hopkins, Langston Hughes, Ben Jonson, John Keats, Philip Larkin, Robert Lowell, Andrew Marvell, John Milton, Marianne Moore, Sylvia Plath, Edgar Allan Poe, Alexander Pope, Adrienne Rich, Anne Sexton, William Shakespeare, Percy Bysshe Shelley, Leslie Marmon Silko, Cathy Song, Wallace Stevens, Alfred, Lord Tennyson, Derek Walcott, Walt Whitman, Richard Wilbur, William Carlos Williams, William Wordsworth, William Butler Yeats
• Drama: Aeschylus, Edward Albee, Amiri Baraka, Samuel Beckett, Anton Chekhov, Caryl Churchill, William Congreve, Athol Fugard, Lorraine Hansberry, Lillian Hellman, David Henry Hwang, Henrik Ibsen, Ben Jonson, David Mamet, Arthur Miller, Molière, Marsha Norman, Sean O’Casey, Eugene O’Neill, Suzan-Lori Parks, Harold Pinter, Luigi Pirandello, William Shakespeare, George Bernard Shaw, Sam Shepard, Sophocles, Tom Stoppard, Luis Valdez, Oscar Wilde, Tennessee Williams, August Wilson
• Fiction (Novel and Short Story): Chinua Achebe, Sherman Alexie, Isabel Allende, Rudolfo Anaya, Margaret Atwood, Jane Austen, James Baldwin, Saul Bellow, Charlotte Bronte, Emily Bronte, Raymond Carver, Willa Cather, John Cheever, Kate Chopin, Sandra Cisneros, Joseph Conrad, Edwidge Danticat, Daniel Defoe, Anita Desai, Charles Dickens, Fyodor Dostoevsky, George Eliot, Ralph Ellison, Louise Erdrich, William Faulkner, Henry Fielding, F. Scott Fitzgerald, E.M. Forster, Thomas Hardy, Nathaniel Hawthorne, Ernest Hemingway, Zora Neale Hurston, Kazuo Ishiguro, Henry James, Ha Jin, Edward P. Jones, James Joyce, Maxine Hong Kingston, Joy Kogawa, Jhumpa Lahiri, Margaret Laurence, D.H. Lawrence, Chang-rae Lee, Bernard Malamud, Gabriel García Márquez, Cormac McCarthy, Ian McEwan, Herman Melville, Toni Morrison, Bharati Mukherjee, Vladimir Nabokov, Flannery O’Connor, Orhan Pamuk, Katherine Anne Porter, Marilynne Robinson, Jonathan Swift, Mark Twain, John Updike, Alice Walker, Evelyn Waugh, Eudora Welty, Edith Wharton, John Edgar Wideman, Virginia Woolf, Richard Wright
• Expository Prose: Joseph Addison, Gloria Anzaldua, Matthew Arnold, James Baldwin, James Boswell, Joan Didion, Frederick Douglass, W.E.B. Du Bois, Ralph Waldo Emerson, William Hazlitt, bell hooks, Samuel Johnson, Charles Lamb, Thomas Macaulay, Mary McCarthy, John Stuart Mill, George Orwell, Michael Pollan, Richard Rodriguez, Edward Said, Lewis Thomas, Henry David Thoreau, E.B. White, Virginia Woolf

Read More: Review for the exam with our AP English Literature Cram Courses

AP English Literature Structure & Question Types

The AP English Literature & Composition exam takes 3 hours to complete and consists of two sections: a multiple-choice section and a free response section.

Multiple-Choice

AP English Literature multiple-choice questions are grouped in sets.  You will be given 5 passages or poems to read, with 8-13 multiple-choice questions to assess your reading comprehension. Each multiple-choice question has 5 answer choices (A through E). That’s a lot of reading then recalling, understanding, and interpreting. Use your time effectively and wisely! 

Free Response

• Respond to the prompt with a thesis that presents an interpretation and may establish a line of reasoning.
• Select and use evidence to develop and support your line of reasoning.
• Explain the relationship between the evidence and your thesis.
• Use appropriate grammar and punctuation in communicating your argument.

How to Interpret AP English Literature Scores

AP scores are reported from 1 to 5. Colleges are generally looking for a 4 or 5 on the AP English Literature exam, but some may grant credit for a 3. (Here's a quick overview of AP credit policy .) Each test is curved so scores vary from year to year. Here’s how AP English Lit students scored on the May 2022 test:

Source: College Board

How can I prepare?

AP classes are great, but for many students they’re not enough! For a thorough review of AP English Literature content and strategy, pick the AP prep option that works best for your goals and learning style.

• AP Exams  

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How to Write the AP Lit Prose Essay + Example

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What is the ap lit prose essay, how will ap scores affect my college chances.

AP Literature and Composition (AP Lit), not to be confused with AP English Language and Composition (AP Lang), teaches students how to develop the ability to critically read and analyze literary texts. These texts include poetry, prose, and drama. Analysis is an essential component of this course and critical for the educational development of all students when it comes to college preparation. In this course, you can expect to see an added difficulty of texts and concepts, similar to the material one would see in a college literature course.

While not as popular as AP Lang, over 380,136 students took the class in 2019. However, the course is significantly more challenging, with only 49.7% of students receiving a score of three or higher on the exam. A staggeringly low 6.2% of students received a five on the exam. 

The AP Lit exam is similar to the AP Lang exam in format, but covers different subject areas. The first section is multiple-choice questions based on five short passages. There are 55 questions to be answered in 1 hour. The passages will include at least two prose fiction passages and two poetry passages and will account for 45% of your total score. All possible answer choices can be found within the text, so you don’t need to come into the exam with prior knowledge of the passages to understand the work. 

The second section contains three free-response essays to be finished in under two hours. This section accounts for 55% of the final score and includes three essay questions: the poetry analysis essay, the prose analysis essay, and the thematic analysis essay. Typically, a five-paragraph format will suffice for this type of writing. These essays are scored holistically from one to six points.

Today we will take a look at the AP Lit prose essay and discuss tips and tricks to master this section of the exam. We will also provide an example of a well-written essay for review.  

The AP Lit prose essay is the second of the three essays included in the free-response section of the AP Lit exam, lasting around 40 minutes in total. A prose passage of approximately 500 to 700 words and a prompt will be given to guide your analytical essay. Worth about 18% of your total grade, the essay will be graded out of six points depending on the quality of your thesis (0-1 points), evidence and commentary (0-4 points), and sophistication (0-1 points). 

While this exam seems extremely overwhelming, considering there are a total of three free-response essays to complete, with proper time management and practiced skills, this essay is manageable and straightforward. In order to enhance the time management aspect of the test to the best of your ability, it is essential to understand the following six key concepts.

1. Have a Clear Understanding of the Prompt and the Passage

Since the prose essay is testing your ability to analyze literature and construct an evidence-based argument, the most important thing you can do is make sure you understand the passage. That being said, you only have about 40 minutes for the whole essay so you can’t spend too much time reading the passage. Allot yourself 5-7 minutes to read the prompt and the passage and then another 3-5 minutes to plan your response.

As you read through the prompt and text, highlight, circle, and markup anything that stands out to you. Specifically, try to find lines in the passage that could bolster your argument since you will need to include in-text citations from the passage in your essay. Even if you don’t know exactly what your argument might be, it’s still helpful to have a variety of quotes to use depending on what direction you take your essay, so take note of whatever strikes you as important. Taking the time to annotate as you read will save you a lot of time later on because you won’t need to reread the passage to find examples when you are in the middle of writing. 

Once you have a good grasp on the passage and a solid array of quotes to choose from, you should develop a rough outline of your essay. The prompt will provide 4-5 bullets that remind you of what to include in your essay, so you can use these to structure your outline. Start with a thesis, come up with 2-3 concrete claims to support your thesis, back up each claim with 1-2 pieces of evidence from the text, and write a brief explanation of how the evidence supports the claim.

2. Start with a Brief Introduction that Includes a Clear Thesis Statement

Having a strong thesis can help you stay focused and avoid tangents while writing. By deciding the relevant information you want to hit upon in your essay up front, you can prevent wasting precious time later on. Clear theses are also important for the reader because they direct their focus to your essential arguments. 

In other words, it’s important to make the introduction brief and compact so your thesis statement shines through. The introduction should include details from the passage, like the author and title, but don’t waste too much time with extraneous details. Get to the heart of your essay as quick as possible. 

3. Use Clear Examples to Support Your Argument 

One of the requirements AP Lit readers are looking for is your use of evidence. In order to satisfy this aspect of the rubric, you should make sure each body paragraph has at least 1-2 pieces of evidence, directly from the text, that relate to the claim that paragraph is making. Since the prose essay tests your ability to recognize and analyze literary elements and techniques, it’s often better to include smaller quotes. For example, when writing about the author’s use of imagery or diction you might pick out specific words and quote each word separately rather than quoting a large block of text. Smaller quotes clarify exactly what stood out to you so your reader can better understand what are you saying.

Including smaller quotes also allows you to include more evidence in your essay. Be careful though—having more quotes is not necessarily better! You will showcase your strength as a writer not by the number of quotes you manage to jam into a paragraph, but by the relevance of the quotes to your argument and explanation you provide.  If the details don’t connect, they are merely just strings of details.

4. Discussion is Crucial to Connect Your Evidence to Your Argument 

As the previous tip explained, citing phrases and words from the passage won’t get you anywhere if you don’t provide an explanation as to how your examples support the claim you are making. After each new piece of evidence is introduced, you should have a sentence or two that explains the significance of this quote to the piece as a whole.

This part of the paragraph is the “So what?” You’ve already stated the point you are trying to get across in the topic sentence and shared the examples from the text, so now show the reader why or how this quote demonstrates an effective use of a literary technique by the author. Sometimes students can get bogged down by the discussion and lose sight of the point they are trying to make. If this happens to you while writing, take a step back and ask yourself “Why did I include this quote? What does it contribute to the piece as a whole?” Write down your answer and you will be good to go. 

5. Write a Brief Conclusion

While the critical part of the essay is to provide a substantive, organized, and clear argument throughout the body paragraphs, a conclusion provides a satisfying ending to the essay and the last opportunity to drive home your argument. If you run out of time for a conclusion because of extra time spent in the preceding paragraphs, do not worry, as that is not fatal to your score. 

Without repeating your thesis statement word for word, find a way to return to the thesis statement by summing up your main points. This recap reinforces the arguments stated in the previous paragraphs, while all of the preceding paragraphs successfully proved the thesis statement.

6. Don’t Forget About Your Grammar

Though you will undoubtedly be pressed for time, it’s still important your essay is well-written with correct punctuating and spelling. Many students are able to write a strong thesis and include good evidence and commentary, but the final point on the rubric is for sophistication. This criteria is more holistic than the former ones which means you should have elevated thoughts and writing—no grammatical errors. While a lack of grammatical mistakes alone won’t earn you the sophistication point, it will leave the reader with a more favorable impression of you. 

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Here are Nine Must-have Tips and Tricks to Get a Good Score on the Prose Essay:

• Carefully read, review, and underline key instruction s in the prompt.
• Briefly outlin e what you want to cover in your essay.
• Be sure to have a clear thesis that includes the terms mentioned in the instructions, literary devices, tone, and meaning.
• Include the author’s name and title  in your introduction. Refer to characters by name.
• Quality over quantity when it comes to picking quotes! Better to have a smaller number of more detailed quotes than a large amount of vague ones.
• Fully explain how each piece of evidence supports your thesis .  
• Focus on the literary techniques in the passage and avoid summarizing the plot. 
• Use transitions to connect sentences and paragraphs.
• Keep your introduction and conclusion short, and don’t repeat your thesis verbatim in your conclusion.

Here is an example essay from 2020 that received a perfect 6:

[1] In this passage from a 1912 novel, the narrator wistfully details his childhood crush on a girl violinist. Through a motif of the allure of musical instruments, and abundant sensory details that summon a vivid image of the event of their meeting, the reader can infer that the narrator was utterly enraptured by his obsession in the moment, and upon later reflection cannot help but feel a combination of amusement and a resummoning of the moment’s passion. 

[2] The overwhelming abundance of hyper-specific sensory details reveals to the reader that meeting his crush must have been an intensely powerful experience to create such a vivid memory. The narrator can picture the “half-dim church”, can hear the “clear wail” of the girl’s violin, can see “her eyes almost closing”, can smell a “faint but distinct fragrance.” Clearly, this moment of discovery was very impactful on the boy, because even later he can remember the experience in minute detail. However, these details may also not be entirely faithful to the original experience; they all possess a somewhat mysterious quality that shows how the narrator may be employing hyperbole to accentuate the girl’s allure. The church is “half-dim”, the eyes “almost closing” – all the details are held within an ethereal state of halfway, which also serves to emphasize that this is all told through memory. The first paragraph also introduces the central conciet of music. The narrator was drawn to the “tones she called forth” from her violin and wanted desperately to play her “accompaniment.” This serves the double role of sensory imagery (with the added effect of music being a powerful aural image) and metaphor, as the accompaniment stands in for the narrator’s true desire to be coupled with his newfound crush. The musical juxtaposition between the “heaving tremor of the organ” and the “clear wail” of her violin serves to further accentuate how the narrator percieved the girl as above all other things, as high as an angel. Clearly, the memory of his meeting his crush is a powerful one that left an indelible impact on the narrator. 

[3] Upon reflecting on this memory and the period of obsession that followed, the narrator cannot help but feel amused at the lengths to which his younger self would go; this is communicated to the reader with some playful irony and bemused yet earnest tone. The narrator claims to have made his “first and last attempts at poetry” in devotion to his crush, and jokes that he did not know to be “ashamed” at the quality of his poetry. This playful tone pokes fun at his childhood self for being an inexperienced poet, yet also acknowledges the very real passion that the poetry stemmed from. The narrator goes on to mention his “successful” endeavor to conceal his crush from his friends and the girl; this holds an ironic tone because the narrator immediately admits that his attempts to hide it were ill-fated and all parties were very aware of his feelings. The narrator also recalls his younger self jumping to hyperbolic extremes when imagining what he would do if betrayed by his love, calling her a “heartless jade” to ironically play along with the memory. Despite all this irony, the narrator does also truly comprehend the depths of his past self’s infatuation and finds it moving. The narrator begins the second paragraph with a sentence that moves urgently, emphasizing the myriad ways the boy was obsessed. He also remarks, somewhat wistfully, that the experience of having this crush “moved [him] to a degree which now [he] can hardly think of as possible.” Clearly, upon reflection the narrator feels a combination of amusement at the silliness of his former self and wistful respect for the emotion that the crush stirred within him. 

[4] In this passage, the narrator has a multifaceted emotional response while remembering an experience that was very impactful on him. The meaning of the work is that when we look back on our memories (especially those of intense passion), added perspective can modify or augment how those experiences make us feel

More essay examples, score sheets, and commentaries can be found at College Board .

While AP Scores help to boost your weighted GPA, or give you the option to get college credit, AP Scores don’t have a strong effect on your admissions chances . However, colleges can still see your self-reported scores, so you might not want to automatically send scores to colleges if they are lower than a 3. That being said, admissions officers care far more about your grade in an AP class than your score on the exam.

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Guide to the AP® English Literature and Composition Exam

Why take ap ® english literature.

AP ® English Literature and Composition is a fantastic way to improve your skills in writing and analysis—not to mention give you college credit before you even set foot on campus.

It seems like a no-brainer, but you might still be wondering if taking the course is really worth it.

In most cases, taking an AP ® class is absolutely worth the effort. The skills you develop in an AP ® English Literature and Composition class are ones that you’ll carry with you throughout your entire educational (and professional) career. Think of all the literary references you’ll be able to make before you even get to college!

Throughout the AP ® English Literature and Composition course, students will be exposed to a wide variety of literary works; novels, plays, poems, prose, and short stories. This broad literary exposure is a great opportunity for you to develop an appreciation of the ways that literature reflects and comments on a range of experiences, institutions, and social structures. Most of the works you study will be selected at the discretion of your AP ® English Literature teacher. Throughout the course, you may study an entire play, work of fiction, or series of poetry, or you may focus on one or two excerpts from any given literary work. The compositions you study will all be written in, or translated into English, giving you the chance to experience an even greater range of literary works, authors, and styles from all over the world.

How to sign up for AP ® English Literature

To register for the AP ® Lit exam, you need to contact your school’s AP ® coordinator, who can help facilitate your courses and exams.

Bear in mind you’ll likely need to complete requirements to be eligible to enroll in an AP ® course. In order to register for the AP ® English Literature Exam, you have to join your class section online, on College Board’s My AP ® portal. Some schools will automatically register you for the exam if you’re enrolled in an AP ® English Literature class, but others won’t, and you will have to register online through the portal. If you are unsure whether or not you are registered for the AP ® English Literature Exam, check with your AP ® Coordinator.

There is also a deadline for exam registration, so make sure you register through your AP ® Coordinator by then to avoid paying any late fees. The deadline to register for exams is in the fall, but specific deadlines may vary by school—be sure to check with your teacher or AP ® Coordinator.

How much does the AP ® Exam cost?

Each AP ® Exam costs a total of $96—if you’re in the mainland United States and its territories and commonwealths, Canada, or a U.S. Department of Defense Dependents School.

If you’re outside of those areas, the AP ® Exam will cost $126 per exam.

The College Board has a financial aid program that offers a $34 fee reduction in the exam. Read more about exam fees here .

You cannot use the My AP ® portal to pay fees—they will be collected by your AP ® Coordinator.

When you take into account the cost of a college course versus the cost of the exam, though, you’ll see that the AP ® Exam is actually a bargain. With a passing score, you may be able to earn college credit and save hundreds or even thousands of dollars.

When can I take the AP ® English Literature Exam?

The AP ® English Literature and Composition date in 2022 is Wednesday, May 4th. You can find more information about dates and late-testing schedules for the 2022 AP ® English Literature Exam in our 2022 AP ® Exam Dates article.

What’s on the AP ® English Literature Exam and course?

  A lot of colleges all over the U.S. require you to fulfill a writing course before you’re allowed to graduate. Students typically take this “expository writing” or “writing and composition” course during their freshman year of college. Taking the AP ® English Literature Exam could give you the opportunity to fulfill this requirement without taking a college writing course.

The AP ® English Literature course is comprehensive when it comes to English Literature, covering certain skill categories including your ability to:

• Explain the function of character
• Explain the function of setting
• Explain the function of plot and structure
• Explain the function of the narrator or speaker
• Explain the function of word choice, imagery, and symbols
• Explain the function of comparison
• Develop textually substantiated arguments about interpretations of part or all of a text

When it comes time to take the exam, you’ll have 3 hours and 15 minutes to complete it. There are two sections on the exam. The first consists of excerpts from non-fiction texts with multiple-choice questions. The second is a free-response section made up of three prompts you must answer in essay form.

Section I is a 55-question multiple-choice section which counts for 45% of your exam score. The multiple-choice section includes five sets of 8 to 13 questions per set, with each set of questions constructed around a preceding passage of prose fiction or poetry of varying difficulty. You should expect at least two prose fiction passages and at least two poetry passages in this section.

Section II of the AP ® English Literature Exam is the free-response section, and counts for 55% of your overall exam score. In this section, you will have two hours to answer three prompts as handwritten essays. Each of the free-response questions will address the following topics, always in the same order:

Question 1: Poetry Analysis

You will be presented with a passage of poetry of approximately 100 to 300 words, and given a prompt in connection with that passage. You are expected to demonstrate a well-written analysis of the passage by responding to the prompt with a thesis that presents your own interpretation, using appropriate evidence to develop and support your line of reasoning.

Question 2: Prose Fiction Analysis

You will be presented with a passage of prose fiction of approximately 500 to 700 words, and given a prompt in connection with that passage. You are expected to demonstrate a well-written analysis of the passage by responding to the prompt with a thesis that presents your own interpretation, using appropriate evidence to develop and support your line of reasoning.

Have a look at this YouTube playlist for an in-depth walkthrough of the Prose Fiction Analysis essay .

Question 3: Literary Argument

This is also called the thematic analysis. In this essay, you will write about a specific theme in reference to a work that you get to choose. We’ll say that again: the theme itself is given to you in the exam, but you can choose which work of fiction you want to write your essay about. For example, the exam might require you to discuss the topic of “unrequited love” and then suggest a list of different books and plays (around 40 different works) for you to analyze that theme. You can still choose a work from beyond that list, so you have a lot of control over this section.

What is the Test Format for the AP ® English Literature Exam?

Here’s what the structure of the exam looks like broken down by section and question type, along with how much each section impacts the ultimate score:

• 55 questions that cover excerpts from short fiction, poetry, and longer fiction or drama
• 45% of final exam score
• Three questions with prompts covering synthesis, rhetorical analysis, and argument
• Two hours and 15 minutes including a 15-minute reading time
• 55% of final exam score

How is the AP ® English Literature Exam Scored?

Each AP ® Exam is scored on a scale of one to five. The higher your score, the better it is for you.

Check out the table below for a breakdown of what each score means.

When it comes to AP ® English Literature and Composition, you’ll want to aim for a score of three or higher. Many colleges will give you college credit or placement out of a required course if you score within that range.

College credit for AP ® Exams varies from school to school though. So, if you want to know the score that a specific school will accept in exchange for credit, you’ll need to check with the school’s registrar’s office to find out information about AP ® credit for English Literature and Composition. Often, you can find this information on the school’s website. You can also check out the College Board’s search tool for AP ® credit policies.

NOTE: Colleges sometimes change their requirements for awarding college credit or offering placement out of required courses. Always check in with the college to make sure you have the most relevant and recent information.

The multiple-choice section is scored via computer. When the computer analyzes your answers, it does not deduct points if your answer is incorrect or unanswered. You read that right. You only stand to gain points when you answer questions. It is always in your best interest to answer every question and leave nothing blank.

The free-response section is a bit more complicated. Rather than using a computer, the free-response section is scored by actual humans. This occurs during an event called the AP ® Reading, an annual convention in June during which thousands of college professors and AP ® teachers nationwide convene to help judge and score AP ® essays.

The free-response essays are each scored on a scale of 0–6, with 6 being the best score you can get and 0 being the worst.

Combined, the raw points you get from both sections give you your composite score. It’s your composite score that determines your scaled score of 1–5.

Bottom line: Graders are looking for essays that showcase a strong command of literary texts, the ability to craft compelling and well-sourced arguments, and the ability to analyze text for its rhetorical structure.

What’s the Difference Between AP ® English Literature and AP ® English Language?

Ok, so there’s an AP ® English Literature and Composition Exam and an AP ® English Language and Composition Exam. What’s the difference between the two, and how do you know which one to take?

While the two share a lot of similarities, there are some crucial differences between the two courses. Knowing which one you want to take will determine the knowledge you’ll gain before going to college. In turn, this can help you decide:

• Whether you prefer fiction or nonfiction writing
• Which classes you take in college
• Your skills as a reader and writer

Here is a brief overview of both courses:

The AP ® English Literature and Composition course teaches the basics of college-level literary analysis and close reading. You will dive deep into texts and be challenged to think about literature deeply and critically. In the course, you will learn topics such as:

• Close reading
• Textual analysis
• Literary devices
• Language and vocabulary
• Stylistic maturity in writing
• Written organizational skills

In the AP ® English Language and Composition course, you will learn the rhetorical and writing skills necessary to interpret ALL kinds of texts.

The AP ® English Language exam course is comprehensive when it comes to rhetoric and writing, covering topics such as:

• Rhetorical analysis of prose
• Reading comprehension
• Written argumentation
• MLA, APA, and Chicago-style citation
• Reputable sourcing
• Synthesis of information from multiple texts

The AP ® English Literature course will give you an understanding and appreciation for reading and analyzing literature. This skill is important in order to understand the context of the world around you. The course will give you the tools to approach topics thoughtfully and deeply.

For a more in-depth look at the differences between the AP ® Lit and AP ® Lang courses, check out this article: AP ® English Literature vs  AP ® English Language.

What Can I Bring to My AP ® English Literature Exam?

Below is a list of all the things you can bring with you into the exam room. Note: It’s possible that not all of the items will apply to you (e.g., the Student Accommodations Letter).

• Two No. 2 pencils with erasers. These will be used on the multiple-choice portion of the exam.
• Two black or dark blue ink pens. These will be used for the free-response questions. Be sure to bring black or dark blue ink pens only. Leave your turquoise gel pens at home.
• A watch. This is a simple analog or digital watch with no internet access or alarms. Don’t even try to bring your smartwatch in the room.
• The AP ® Student Pack. This is given to you just before you take your exam and contains a label that you need to place on your exam. Follow the labeling instructions carefully.
• Government- or school-issued ID. If you don’t attend the school where you’re taking the AP ® English Literature Exam, you must also bring a government- or school-issued ID.
• College Board SSD Student Accommodation Letter. If you require accommodations beyond the regular exam, you’ll receive a letter that verifies this (e.g. you need extra time or a large-type exam).
• Remember, you won’t have to bring all these things—but it’s in your best interest to be as prepared as you can for the exam.

Take a look at our Test Day Checklist to make sure you are 100% prepared to take your AP ® English Literature and Composition Exam when the time comes!

How do I study for AP ® English Literature?

#1: Read, read, read!

But try to read with PURPOSE! The more time you spend devouring all kinds of literature and reflecting on what you’re reading, the better! This is a great way to prepare for the Poetry and Prose Fiction Analysis Essays in the free-response section of your AP ® Lit exam. Both of these questions will require you to make astute analyses of whatever texts you are given.

Don’t let yourself get caught off guard with a passage you are unfamiliar with; make sure your literary intake is broad enough that you feel just as comfortable analyzing a sonnet as a play. To answer the questions well, you should be able to read and annotate the given passages speedily. Where you can, try to practice annotating whatever you’re reading in the lead up to the AP ® English Literature Exam. This will be immensely helpful for formulating your answers!

#2: Take practice tests

Take some advice from the Boy Scouts and ‘Be Prepared’! You don’t want to take your first AP ® English Literature Exam on test day. To that end, take as many practice tests as you can before the big day. Take note of the areas you performed the weakest in and dedicate extra study time to those areas. Only by practicing over and over again can you expect to be better at any skill—including test-taking. If you don’t have much experience taking practice tests, check out John Moscatiello’s Step-by-Step Guide to taking a practice test like a pro .

#3: Write as much as you can

A lot of students tend to worry most about the free-response sections. With enough practice, these will get easier and easier to answer! For more tips, Marco Learning’s AP ® Literature teacher, Heather Garcia, has some excellent advice on How to Crush It on the AP ® English Literature Exam Essays .

#4: Find resources that work

When it comes to studying for your exam, there is no “one size fits all”. Just because your older brother studied best by comparing and contrasting Shakespearean sonnets, doesn’t mean that’s right for you. (It probably isn’t too effective for most people, to be honest!) We encourage you to take some time to figure out what study methods you are most comfortable with; it could be a mixture of everything!

We know it can be overwhelming starting from scratch. If you feel stuck, we suggest downloading our free AP ® English Literature study guide as a jumping-off point and going from there.

If you’re looking for live video reviews before the  AP ® Exams, Marco Learning hosts live AP ® review sessions on our YouTube channel .

Please read Marco Learning’s Terms and Conditions, click to agree, and submit to continue to your content.

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MARCO LEARNING TERMS OF USE

Last Modified: 1/24/2023

Acceptance of the Terms of Use

These terms of use are entered into by and between You and Marco Learning LLC (“ Company “, “ we “, or “ us “). The following terms and conditions (these “ Terms of Use “), govern your access to and use of Marco Learning , including any content, functionality, and services offered on or through Marco Learning (the “ Website “), whether as a guest or a registered user.

Please read the Terms of Use carefully before you start to use the Website. By using the Website or by clicking to accept or agree to the Terms of Use when this option is made available to you, you accept and agree to be bound and abide by these Terms of Use. You may not order or obtain products or services from this website if you (i) do not agree to these Terms of Use, or (ii) are prohibited from accessing or using this Website or any of this Website’s contents, goods or services by applicable law . If you do not want to agree to these Terms of Use, you must not access or use the Website.

This Website is offered and available to users who are 13 years of age or older, and reside in the United States or any of its territories or possessions. Any user under the age of 18 must (a) review the Terms of Use with a parent or legal guardian to ensure the parent or legal guardian acknowledges and agrees to these Terms of Use, and (b) not access the Website if his or her parent or legal guardian does not agree to these Terms of Use. By using this Website, you represent and warrant that you meet all of the foregoing eligibility requirements. If you do not meet all of these requirements, you must not access or use the Website.

Changes to the Terms of Use

We may revise and update these Terms of Use from time to time in our sole discretion. All changes are effective immediately when we post them, and apply to all access to and use of the Website thereafter.

These Terms of Use are an integral part of the Website Terms of Use that apply generally to the use of our Website. Your continued use of the Website following the posting of revised Terms of Use means that you accept and agree to the changes. You are expected to check this page each time you access this Website so you are aware of any changes, as they are binding on you.

Accessing the Website and Account Security

We reserve the right to withdraw or amend this Website, and any service or material we provide on the Website, in our sole discretion without notice. We will not be liable if for any reason all or any part of the Website is unavailable at any time or for any period. From time to time, we may restrict access to some parts of the Website, or the entire Website, to users, including registered users.

You are responsible for (i) making all arrangements necessary for you to have access to the Website, and (ii) ensuring that all persons who access the Website through your internet connection are aware of these Terms of Use and comply with them.

To access the Website or some of the resources it offers, you may be asked to provide certain registration details or other information. It is a condition of your use of the Website that all the information you provide on the Website is correct, current, and complete. You agree that all information you provide to register with this Website or otherwise, including but not limited to through the use of any interactive features on the Website, is governed by our Marco Learning Privacy Policy , and you consent to all actions we take with respect to your information consistent with our Privacy Policy.

If you choose, or are provided with, a user name, password, or any other piece of information as part of our security procedures, you must treat such information as confidential, and you must not disclose it to any other person or entity. You also acknowledge that your account is personal to you and agree not to provide any other person with access to this Website or portions of it using your user name, password, or other security information. You agree to notify us immediately of any unauthorized access to or use of your user name or password or any other breach of security. You also agree to ensure that you exit from your account at the end of each session. You should use particular caution when accessing your account from a public or shared computer so that others are not able to view or record your password or other personal information.

We have the right to disable any user name, password, or other identifier, whether chosen by you or provided by us, at any time in our sole discretion for any or no reason, including if, in our opinion, you have violated any provision of these Terms of Use.

Intellectual Property Rights

The Website and its entire contents, features, and functionality (including but not limited to all information, software, text, displays, images, graphics, video, other visuals, and audio, and the design, selection, and arrangement thereof) are owned by the Company, its licensors, or other providers of such material and are protected by United States and international copyright, trademark, patent, trade secret, and other intellectual property or proprietary rights laws. Your use of the Website does not grant to you ownership of any content, software, code, date or materials you may access on the Website.

These Terms of Use permit you to use the Website for your personal, non-commercial use only. You must not reproduce, distribute, modify, create derivative works of, publicly display, publicly perform, republish, download, store, or transmit any of the material on our Website, except as follows:

• Your computer may temporarily store copies of such materials in RAM incidental to your accessing and viewing those materials.
• You may store files that are automatically cached by your Web browser for display enhancement purposes.
• You may print or download one copy of a reasonable number of pages of the Website for your own personal, non-commercial use and not for further reproduction, publication, or distribution.
• If we provide desktop, mobile, or other applications for download, you may download a single copy to your computer or mobile device solely for your own personal, non-commercial use, provided you agree to be bound by our end user license agreement for such applications.
• If we provide social media features with certain content, you may take such actions as are enabled by such features.

You must not:

• Modify copies of any materials from this site.
• Use any illustrations, photographs, video or audio sequences, or any graphics separately from the accompanying text.
• Delete or alter any copyright, trademark, or other proprietary rights notices from copies of materials from this site.

You must not access or use for any commercial purposes any part of the Website or any services or materials available through the Website.

If you wish to make any use of material on the Website other than that set out in this section, please contact us

If you print, copy, modify, download, or otherwise use or provide any other person with access to any part of the Website in breach of the Terms of Use, your right to use the Website will stop immediately and you must, at our option, return or destroy any copies of the materials you have made. No right, title, or interest in or to the Website or any content on the Website is transferred to you, and all rights not expressly granted are reserved by the Company. Any use of the Website not expressly permitted by these Terms of Use is a breach of these Terms of Use and may violate copyright, trademark, and other laws.

Trademarks, logos, service marks, trade names, and all related names, logos, product and service names, designs, and slogans are trademarks of the Company or its affiliates or licensors (collectively, the “ Trademarks ”). You must not use such Trademarks without the prior written permission of the Company. All other names, logos, product and service names, designs, and slogans on this Website are the trademarks of their respective owners.

Prohibited Uses

You may use the Website only for lawful purposes and in accordance with these Terms of Use. You agree not to use the Website:

• In any way that violates any applicable federal, state, local, or international law or regulation (including, without limitation, any laws regarding the export of data or software to and from the US or other countries).
• For the purpose of exploiting, harming, or attempting to exploit or harm minors in any way by exposing them to inappropriate content, asking for personally identifiable information, or otherwise.
• To send, knowingly receive, upload, download, use, or re-use any material that does not comply with the Content Standards set out in these Terms of Use.
• To transmit, or procure the sending of, any advertising or promotional material, including any “junk mail”, “chain letter”, “spam”, or any other similar solicitation.
• To impersonate or attempt to impersonate the Company, a Company employee, another user, or any other person or entity (including, without limitation, by using email addresses or screen names associated with any of the foregoing).
• To engage in any other conduct that restricts or inhibits anyone’s use or enjoyment of the Website, or which, as determined by us, may harm the Company or users of the Website or expose them to liability.

Additionally, you agree not to:

• Use the Website in any manner that could disable, overburden, damage, or impair the site or interfere with any other party’s use of the Website, including their ability to engage in real time activities through the Website.
• Use any robot, spider, or other automatic device, process, or means to access the Website for any purpose, including monitoring or copying any of the material on the Website.
• Use any manual process to monitor or copy any of the material on the Website or for any other unauthorized purpose without our prior written consent.
• Use any device, software, or routine that interferes with the proper working of the Website.
• Introduce any viruses, Trojan horses, worms, logic bombs, or other material that is malicious or technologically harmful.
• Attempt to gain unauthorized access to, interfere with, damage, or disrupt any parts of the Website, the server on which the Website is stored, or any server, computer, or database connected to the Website.
• Attack the Website via a denial-of-service attack or a distributed denial-of-service attack.
• Otherwise attempt to interfere with the proper working of the Website.

If you use, or assist another person in using the Website in any unauthorized way, you agree that you will pay us an additional $50 per hour for any time we spend to investigate and correct such use, plus any third party costs of investigation we incur (with a minimum $300 charge). You agree that we may charge any credit card number provided for your account for such amounts. You further agree that you will not dispute such a charge and that we retain the right to collect any additional actual costs.

User Contributions

The Website may contain message boards, chat rooms, personal web pages or profiles, forums, bulletin boards, and other interactive features (collectively, “ Interactive Services “) that allow users to post, submit, publish, display, or transmit to other users or other persons (hereinafter, “ post “) content or materials (collectively, “ User Contributions “) on or through the Website.

All User Contributions must comply with the Content Standards set out in these Terms of Use.

Any User Contribution you post to the site will be considered non-confidential and non-proprietary. By providing any User Contribution on the Website, you grant us and our affiliates and service providers, and each of their and our respective licensees, successors, and assigns the right to use, reproduce, modify, perform, display, distribute, and otherwise disclose to third parties any such material for any purpose.

You represent and warrant that:

• You own or control all rights in and to the User Contributions and have the right to grant the license granted above to us and our affiliates and service providers, and each of their and our respective licensees, successors, and assigns.
• All of your User Contributions do and will comply with these Terms of Use.

You understand and acknowledge that you are responsible for any User Contributions you submit or contribute, and you, not the Company, have full responsibility for such content, including its legality, reliability, accuracy, and appropriateness.

For any academic source materials such as textbooks and workbooks which you submit to us in connection with our online tutoring services, you represent and warrant that you are entitled to upload such materials under the “fair use” doctrine of copyright law. In addition, if you request that our system display a representation of a page or problem from a textbook or workbook, you represent and warrant that you are in proper legal possession of such textbook or workbook and that your instruction to our system to display a page or problem from your textbook or workbook is made for the sole purpose of facilitating your tutoring session, as “fair use” under copyright law.

You agree that we may record all or any part of any live online classes and tutoring sessions (including voice chat communications) for quality control and other purposes. You agree that we own all transcripts and recordings of such sessions and that these Terms of Use will be deemed an irrevocable assignment of rights in all such transcripts and recordings to us.

We are not responsible or liable to any third party for the content or accuracy of any User Contributions posted by you or any other user of the Website.

Monitoring and Enforcement: Termination

We have the right to:

• Remove or refuse to post any User Contributions for any or no reason in our sole discretion.
• Take any action with respect to any User Contribution that we deem necessary or appropriate in our sole discretion, including if we believe that such User Contribution violates the Terms of Use, including the Content Standards, infringes any intellectual property right or other right of any person or entity, threatens the personal safety of users of the Website or the public, or could create liability for the Company.
• Disclose your identity or other information about you to any third party who claims that material posted by you violates their rights, including their intellectual property rights or their right to privacy.
• Take appropriate legal action, including without limitation, referral to law enforcement, for any illegal or unauthorized use of the Website.
• Terminate or suspend your access to all or part of the Website for any or no reason, including without limitation, any violation of these Terms of Use.

Without limiting the foregoing, we have the right to cooperate fully with any law enforcement authorities or court order requesting or directing us to disclose the identity or other information of anyone posting any materials on or through the Website. YOU WAIVE AND HOLD HARMLESS THE COMPANY AND ITS AFFILIATES, LICENSEES, AND SERVICE PROVIDERS FROM ANY CLAIMS RESULTING FROM ANY ACTION TAKEN BY ANY OF THE FOREGOING PARTIES DURING, OR TAKEN AS A CONSEQUENCE OF, INVESTIGATIONS BY EITHER SUCH PARTIES OR LAW ENFORCEMENT AUTHORITIES.

However, we do not undertake to review material before it is posted on the Website, and cannot ensure prompt removal of objectionable material after it has been posted. Accordingly, we assume no liability for any action or inaction regarding transmissions, communications, or content provided by any user or third party. We have no liability or responsibility to anyone for performance or nonperformance of the activities described in this section.

Content Standards

These content standards apply to any and all User Contributions and use of Interactive Services. User Contributions must in their entirety comply with all applicable federal, state, local, and international laws and regulations. Without limiting the foregoing, User Contributions must not:

• Contain any material that is defamatory, obscene, indecent, abusive, offensive, harassing, violent, hateful, inflammatory, or otherwise objectionable.
• Promote sexually explicit or pornographic material, violence, or discrimination based on race, sex, religion, nationality, disability, sexual orientation, or age.
• Infringe any patent, trademark, trade secret, copyright, or other intellectual property or other rights of any other person.
• Violate the legal rights (including the rights of publicity and privacy) of others or contain any material that could give rise to any civil or criminal liability under applicable laws or regulations or that otherwise may be in conflict with these Terms of Use and our Privacy Policy .
• Be likely to deceive any person.
• Promote any illegal activity, or advocate, promote, or assist any unlawful act.
• Cause annoyance, inconvenience, or needless anxiety or be likely to upset, embarrass, alarm, or annoy any other person.
• Impersonate any person, or misrepresent your identity or affiliation with any person or organization.
• Involve commercial activities or sales, such as contests, sweepstakes, and other sales promotions, barter, or advertising.
• Give the impression that they emanate from or are endorsed by us or any other person or entity, if this is not the case.

(collectively, the “ Content Standards ”)

Copyright Infringement

If you believe that any User Contributions violate your copyright, please contact us  and provide the following information:

• An electronic or physical signature of the person authorized to act on behalf of the owner of the copyright interest;
• A description of the copyrighted work that you claim has been infringed;
• A description of where the material you claim is infringing is located on the website (and such description must reasonably sufficient to enable us to find the alleged infringing material);
• Your address, telephone number and email address;
• A written statement by you that you have a good faith belief that the disputed use is not authorized by the copyright owner, its agent, or the law; and
• A statement by you, made under the penalty of perjury, that the above information in your notice is accurate and that you are the copyright owner or authorized to act on the copyright owner’s behalf.

We may terminate the accounts of any infringers.

Reliance on Information Posted

From time to time, we may make third party opinions, advice, statements, offers, or other third party information or content available on the Website or from tutors under tutoring services (collectively, “Third Party Content”). All Third Party Content is the responsibility of the respective authors thereof and should not necessarily be relied upon. Such third party authors are solely responsible for such content. WE DO NOT (I) GUARANTEE THE ACCURACY, COMPLETENESS OR USEFULNESS OF ANY THIRD PARTY CONTENT ON THE SITE OR ANY VERIFICATION SERVICES DONE ON OUR TUTORS OR INSTRUCTORS, OR (II) ADOPT, ENDORSE OR ACCEPT RESPONSIBILITY FOR THE ACCURACY OR RELIABILITY OF ANY OPINION, ADVICE, OR STATEMENT MADE BY ANY TUTOR OR INSTRUCTOR OR ANY PARTY THAT APPEARS ON THE WEBSITE. UNDER NO CIRCUMSTANCES WILL WE BE RESPONSBILE OR LIABLE FOR ANY LOSS OR DAMAGE RESULTING FROM YOUR RELIANCE ON INFORMATION OR OTHER CONENT POSTED ON OR AVAILBLE FROM THE WEBSITE.

Changes to the Website

We may update the content on this Website from time to time, but its content is not necessarily complete or up-to-date. Any of the material on the Website may be out of date at any given time, and we are under no obligation to update such material.

Information About You and Your Visits to the Website

All information we collect on this Website is subject to our Privacy Policy . By using the Website, you consent to all actions taken by us with respect to your information in compliance with the Privacy Policy.

Online Purchases and Other Terms and Conditions

All purchases through our site or other transactions for the sale of services and information formed through the Website or resulting from visits made by you are governed by our Terms of Sale, which are hereby incorporated into these Terms of Use.

Additional terms and conditions may also apply to specific portions, services, or features of the Website. All such additional terms and conditions are hereby incorporated by this reference into these Terms of Use.

Linking to the Website and Social Media Features

You may link to our homepage, provided you do so in a way that is fair and legal and does not damage our reputation or take advantage of it, but you must not establish a link in such a way as to suggest any form of association, approval, or endorsement on our part without our express written consent.

This Website may provide certain social media features that enable you to:

• Link from your own or certain third-party websites to certain content on this Website.
• Send emails or other communications with certain content, or links to certain content, on this Website.
• Cause limited portions of content on this Website to be displayed or appear to be displayed on your own or certain third-party websites.

You may use these features solely as they are provided by us, and solely with respect to the content they are displayed with and otherwise in accordance with any additional terms and conditions we provide with respect to such features. Subject to the foregoing, you must not:

• Establish a link from any website that is not owned by you.
• Cause the Website or portions of it to be displayed on, or appear to be displayed by, any other site, for example, framing, deep linking, or in-line linking.
• Link to any part of the Website other than the homepage.
• Otherwise take any action with respect to the materials on this Website that is inconsistent with any other provision of these Terms of Use.

The website from which you are linking, or on which you make certain content accessible, must comply in all respects with the Content Standards set out in these Terms of Use.

You agree to cooperate with us in causing any unauthorized framing or linking immediately to stop. We reserve the right to withdraw linking permission without notice.

We may disable all or any social media features and any links at any time without notice in our discretion.

Links from the Website

If the Website contains links to other sites and resources provided by third parties (“ Linked Sites ”), these links are provided for your convenience only. This includes links contained in advertisements, including banner advertisements and sponsored links. You acknowledge and agree that we have no control over the contents, products, services, advertising or other materials which may be provided by or through those Linked sites or resources, and accept no responsibility for them or for any loss or damage that may arise from your use of them. If you decide to access any of the third-party websites linked to this Website, you do so entirely at your own risk and subject to the terms and conditions of use for such websites.

You agree that if you include a link from any other website to the Website, such link will open in a new browser window and will link to the full version of an HTML formatted page of this Website. You are not permitted to link directly to any image hosted on the Website or our products or services, such as using an “in-line” linking method to cause the image hosted by us to be displayed on another website. You agree not to download or use images hosted on this Website or another website, for any purpose, including, without limitation, posting such images on another website. You agree not to link from any other website to this Website in any manner such that the Website, or any page of the Website, is “framed,” surrounded or obfuscated by any third party content, materials or branding. We reserve all of our rights under the law to insist that any link to the Website be discontinued, and to revoke your right to link to the Website from any other website at any time upon written notice to you.

Geographic Restrictions

The owner of the Website is based in the state of New Jersey in the United States. We provide this Website for use only by persons located in the United States. We make no claims that the Website or any of its content is accessible or appropriate outside of the United States. Access to the Website may not be legal by certain persons or in certain countries. If you access the Website from outside the United States, you do so on your own initiative and are responsible for compliance with local laws.

Disclaimer of Warranties

You understand that we cannot and do not guarantee or warrant that files available for downloading from the internet or the Website will be free of viruses or other destructive code. You are responsible for implementing sufficient procedures and checkpoints to satisfy your particular requirements for anti-virus protection and accuracy of data input and output, and for maintaining a means external to our site for any reconstruction of any lost data. TO THE FULLEST EXTENT PROVIDED BY LAW, WE WILL NOT BE LIABLE FOR ANY LOSS OR DAMAGE CAUSED BY A DISTRIBUTED DENIAL-OF-SERVICE ATTACK, VIRUSES, OR OTHER TECHNOLOGICALLY HARMFUL MATERIAL THAT MAY INFECT YOUR COMPUTER EQUIPMENT, COMPUTER PROGRAMS, DATA, OR OTHER PROPRIETARY MATERIAL DUE TO YOUR USE OF THE WEBSITE OR ANY SERVICES OR ITEMS OBTAINED THROUGH THE WEBSITE OR TO YOUR DOWNLOADING OF ANY MATERIAL POSTED ON IT, OR ON ANY WEBSITE LINKED TO IT.

YOUR USE OF THE WEBSITE, ITS CONTENT, AND ANY SERVICES OR ITEMS OBTAINED THROUGH THE WEBSITE IS AT YOUR OWN RISK. THE WEBSITE, ITS CONTENT, AND ANY SERVICES OR ITEMS OBTAINED THROUGH THE WEBSITE ARE PROVIDED ON AN “AS IS” AND “AS AVAILABLE” BASIS, WITHOUT ANY WARRANTIES OF ANY KIND, EITHER EXPRESS OR IMPLIED. NEITHER THE COMPANY NOR ANY PERSON ASSOCIATED WITH THE COMPANY MAKES ANY WARRANTY OR REPRESENTATION WITH RESPECT TO THE COMPLETENESS, SECURITY, RELIABILITY, QUALITY, ACCURACY, OR AVAILABILITY OF THE WEBSITE. WITHOUT LIMITING THE FOREGOING, NEITHER THE COMPANY NOR ANYONE ASSOCIATED WITH THE COMPANY REPRESENTS OR WARRANTS THAT THE WEBSITE, ITS CONTENT, OR ANY SERVICES OR ITEMS OBTAINED THROUGH THE WEBSITE WILL BE ACCURATE, RELIABLE, ERROR-FREE, OR UNINTERRUPTED, THAT DEFECTS WILL BE CORRECTED, THAT OUR SITE OR THE SERVER THAT MAKES IT AVAILABLE ARE FREE OF VIRUSES OR OTHER HARMFUL COMPONENTS, OR THAT THE WEBSITE OR ANY SERVICES OR ITEMS OBTAINED THROUGH THE WEBSITE WILL OTHERWISE MEET YOUR NEEDS OR EXPECTATIONS.

TO THE FULLEST EXTENT PROVIDED BY LAW, THE COMPANY HEREBY DISCLAIMS ALL WARRANTIES OF ANY KIND, WHETHER EXPRESS OR IMPLIED, STATUTORY, OR OTHERWISE, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, NON-INFRINGEMENT, AND FITNESS FOR PARTICULAR PURPOSE.

THE FOREGOING DOES NOT AFFECT ANY WARRANTIES THAT CANNOT BE EXCLUDED OR LIMITED UNDER APPLICABLE LAW.

Limitation on Liability

TO THE FULLEST EXTENT PROVIDED BY LAW, IN NO EVENT WILL THE COMPANY, ITS AFFILIATES, OR THEIR LICENSORS, SERVICE PROVIDERS, EMPLOYEES, AGENTS, OFFICERS, OR DIRECTORS BE LIABLE FOR DAMAGES OF ANY KIND, UNDER ANY LEGAL THEORY, ARISING OUT OF OR IN CONNECTION WITH YOUR USE, OR INABILITY TO USE, THE WEBSITE, ANY WEBSITES LINKED TO IT, ANY CONTENT ON THE WEBSITE OR SUCH OTHER WEBSITES, INCLUDING ANY DIRECT, INDIRECT, SPECIAL, INCIDENTAL, CONSEQUENTIAL, OR PUNITIVE DAMAGES, INCLUDING BUT NOT LIMITED TO, PERSONAL INJURY, PAIN AND SUFFERING, EMOTIONAL DISTRESS, LOSS OF REVENUE, LOSS OF PROFITS, LOSS OF BUSINESS OR ANTICIPATED SAVINGS, LOSS OF USE, LOSS OF GOODWILL, LOSS OF DATA, AND WHETHER CAUSED BY TORT (INCLUDING NEGLIGENCE), BREACH OF CONTRACT, OR OTHERWISE, EVEN IF FORESEEABLE.

THE FOREGOING DOES NOT AFFECT ANY LIABILITY THAT CANNOT BE EXCLUDED OR LIMITED UNDER APPLICABLE LAW.

Indemnification

You agree to defend, indemnify, and hold harmless the Company, its affiliates, licensors, and service providers, and its and their respective officers, directors, employees, contractors, agents, licensors, suppliers, successors, and assigns from and against any claims, liabilities, damages, judgments, awards, losses, costs, expenses, or fees (including reasonable attorneys’ fees) arising out of or relating to your violation of these Terms of Use or your use of the Website, including, but not limited to, your User Contributions, any use of the Website’s content, services, and products other than as expressly authorized in these Terms of Use or your use of any information obtained from the Website.

Governing Law and Jurisdiction

All matters relating to the Website and these Terms of Use and any dispute or claim arising therefrom or related thereto (in each case, including non-contractual disputes or claims), shall be governed by and construed in accordance with the internal laws of the State of New Jersey without giving effect to any choice or conflict of law provision or rule (whether of the State of New Jersey or any other jurisdiction).

Any legal suit, action, or proceeding arising out of, or related to, these Terms of Use or the Website shall be instituted exclusively in the federal courts of the United States or the courts of the State of New Jersey in each case located in the County of Monmouth although we retain the right to bring any suit, action, or proceeding against you for breach of these Terms of Use in your country of residence or any other relevant country. You waive any and all objections to the exercise of jurisdiction over you by such courts and to venue in such courts. You may not under any circumstances commence or maintain against us any class action, class arbitration, or other representative action or proceeding.

Arbitration

By using this Website, you agree, at Company’s sole discretion, that it may require you to submit any disputes arising from the use of these Terms of Use or the Website, including disputes arising from or concerning their interpretation, violation, invalidity, non-performance, or termination, to final and binding arbitration under the Rules of Arbitration of the American Arbitration Association applying New Jersey law. In doing so, YOU GIVE UP YOUR RIGHT TO GO TO COURT to assert or defend any claims between you and us. YOU ALSO GIVE UP YOUR RIGHT TO PARTICIPATE IN A CLASS ACTION OR OTHER CLASS PROCEEDING. Your rights may be determined by a NEUTRAL ARBITRATOR, NOT A JUDGE OR JURY. You are entitled to a fair hearing before the arbitrator. The arbitrator can grant any relief that a court can, but you should note that arbitration proceedings are usually simpler and more streamlined than trials and other judicial proceedings. Decisions by the arbitrator are enforceable in court and may be overturned by a court only for very limited reasons.

Any proceeding to enforce this arbitration provision, including any proceeding to confirm, modify, or vacate an arbitration award, may be commenced in any court of competent jurisdiction. In the event that this arbitration provision is for any reason held to be unenforceable, any litigation against Company must be commenced only in the federal or state courts located in Monmouth County, New Jersey. You hereby irrevocably consent to the jurisdiction of those courts for such purposes.

Limitation on Time to File Claims

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How to Write the AP Lit Prose Essay with Examples

March 30, 2024

AP Lit Prose Essay Examples – The College Board’s Advanced Placement Literature and Composition Course is one of the most enriching experiences that high school students can have. It exposes you to literature that most people don’t encounter until college , and it helps you develop analytical and critical thinking skills that will enhance the quality of your life, both inside and outside of school. The AP Lit Exam reflects the rigor of the course. The exam uses consistent question types, weighting, and scoring parameters each year . This means that, as you prepare for the exam, you can look at previous questions, responses, score criteria, and scorer commentary to help you practice until your essays are perfect.

What is the AP Lit Free Response testing? 

In AP Literature, you read books, short stories, and poetry, and you learn how to commit the complex act of literary analysis . But what does that mean? Well, “to analyze” literally means breaking a larger idea into smaller and smaller pieces until the pieces are small enough that they can help us to understand the larger idea. When we’re performing literary analysis, we’re breaking down a piece of literature into smaller and smaller pieces until we can use those pieces to better understand the piece of literature itself.

So, for example, let’s say you’re presented with a passage from a short story to analyze. The AP Lit Exam will ask you to write an essay with an essay with a clear, defensible thesis statement that makes an argument about the story, based on some literary elements in the short story. After reading the passage, you might talk about how foreshadowing, allusion, and dialogue work together to demonstrate something essential in the text. Then, you’ll use examples of each of those three literary elements (that you pull directly from the passage) to build your argument. You’ll finish the essay with a conclusion that uses clear reasoning to tell your reader why your argument makes sense.

AP Lit Prose Essay Examples (Continued)

But what’s the point of all of this? Why do they ask you to write these essays?

Well, the essay is, once again, testing your ability to conduct literary analysis. However, the thing that you’re also doing behind that literary analysis is a complex process of both inductive and deductive reasoning. Inductive reasoning takes a series of points of evidence and draws a larger conclusion. Deductive reasoning departs from the point of a broader premise and draws a singular conclusion. In an analytical essay like this one, you’re using small pieces of evidence to draw a larger conclusion (your thesis statement) and then you’re taking your thesis statement as a larger premise from which you derive your ultimate conclusion.

So, the exam scorers are looking at your ability to craft a strong thesis statement (a singular sentence that makes an argument), use evidence and reasoning to support that argument, and then to write the essay well. This is something they call “sophistication,” but they’re looking for well-organized thoughts carried through clear, complete sentences.

This entire process is something you can and will use throughout your life. Law, engineering, medicine—whatever pursuit, you name it—utilizes these forms of reasoning to run experiments, build cases, and persuade audiences. The process of this kind of clear, analytical thinking can be honed, developed, and made easier through repetition.

Practice Makes Perfect

Because the AP Literature Exam maintains continuity across the years, you can pull old exam copies, read the passages, and write responses. A good AP Lit teacher is going to have you do this time and time again in class until you have the formula down. But, it’s also something you can do on your own, if you’re interested in further developing your skills.

AP Lit Prose Essay Examples 

Let’s take a look at some examples of questions, answers and scorer responses that will help you to get a better idea of how to craft your own AP Literature exam essays.

In the exam in 2023, students were asked to read a poem by Alice Cary titled “Autumn,” which was published in 1874. In it, the speaker contemplates the start of autumn. Then, students are asked to craft a well-written essay which uses literary techniques to convey the speaker’s complex response to the changing seasons.

The following is an essay that received a perfect 6 on the exam. There are grammar and usage errors throughout the essay, which is important to note: even though the writer makes some mistakes, the structure and form of their argument was strong enough to merit a 6. This is what your scorers will be looking for when they read your essay.

Example Essay 

Romantic and hyperbolic imagery is used to illustrate the speaker’s unenthusiastic opinion of the coming of autumn, which conveys Cary’s idea that change is difficult to accept but necessary for growth.

Romantic imagery is utilized to demonstrate the speaker’s warm regard for the season of summer and emphasize her regretfulness for autumn’s coming, conveying the uncomfortable change away from idyllic familiarity. Summer, is portrayed in the image of a woman who “from her golden collar slips/and strays through stubble fields/and moans aloud.” Associated with sensuality and wealth, the speaker implies the interconnection between a season and bounty, comfort, and pleasure. Yet, this romantic view is dismantled by autumn, causing Summer to “slip” and “stray through stubble fields.” Thus, the coming of real change dethrones a constructed, romantic personification of summer,  conveying the speaker’s reluctance for her ideal season to be dethroned by something much less decorated and adored.

Summer, “she lies on pillows of the yellow leaves,/ And tries the old tunes for over an hour”, is contrasted with bright imagery of fallen leaves/ The juxtaposition between Summer’s character and the setting provides insight into the positivity of change—the yellow leaves—by its contrast with the failures of attempting to sustain old habits or practices, “old tunes”. “She lies on pillows” creates a sympathetic, passive image of summer in reaction to the coming of Autumn, contrasting her failures to sustain “old tunes.” According to this, it is understood that the speaker recognizes the foolishness of attempting to prevent what is to come, but her wishfulness to counter the natural progression of time.

Hyperbolic imagery displays the discrepancies between unrealistic, exaggerated perceptions of change and the reality of progress, continuing the perpetuation of Cary’s idea that change must be embraced rather than rejected. “Shorter and shorter now the twilight clips/The days, as though the sunset gates they crowd”, syntax and diction are used to literally separate different aspects of the progression of time. In an ironic parallel to the literal language, the action of twilight’s “clip” and the subject, “the days,” are cut off from each other into two different lines, emphasizing a sense of jarring and discomfort. Sunset, and Twilight are named, made into distinct entities from the day, dramatizing the shortening of night-time into fall. The dramatic, sudden implications for the change bring to mind the switch between summer and winter, rather than a transitional season like fall—emphasizing the Speaker’s perspective rather than a factual narration of the experience.

She says “the proud meadow-pink hangs down her head/Against the earth’s chilly bosom, witched with frost”. Implying pride and defeat, and the word “witched,” the speaker brings a sense of conflict, morality, and even good versus evil into the transition between seasons. Rather than a smooth, welcome change, the speaker is practically against the coming of fall. The hyperbole present in the poem serves to illustrate the Speaker’s perspective and ideas on the coming of fall, which are characterized by reluctance and hostility to change from comfort.

The topic of this poem, Fall–a season characterized by change and the deconstruction of the spring and summer landscape—is juxtaposed with the final line which evokes the season of Spring. From this, it is clear that the speaker appreciates beautiful and blossoming change. However, they resent that which destroys familiar paradigms and norms. Fall, seen as the death of summer, is characterized as a regression, though the turning of seasons is a product of the literal passage of time. Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.

Scoring Criteria: Why did this essay do so well? 

When it comes to scoring well, there are some rather formulaic things that the judges are searching for. You might think that it’s important to “stand out” or “be creative” in your writing. However, aside from concerns about “sophistication,” which essentially means you know how to organize thoughts into sentences and you can use language that isn’t entirely elementary, you should really focus on sticking to a form. This will show the scorers that you know how to follow that inductive/deductive reasoning process that we mentioned earlier, and it will help to present your ideas in the most clear, coherent way possible to someone who is reading and scoring hundreds of essays.

So, how did this essay succeed? And how can you do the same thing?

First: The Thesis 

On the exam, you can either get one point or zero points for your thesis statement. The scorers said, “The essay responds to the prompt with a defensible thesis located in the introductory paragraph,” which you can read as the first sentence in the essay. This is important to note: you don’t need a flowery hook to seduce your reader; you can just start this brief essay with some strong, simple, declarative sentences—or go right into your thesis.

What makes a good thesis? A good thesis statement does the following things:

• Makes a claim that will be supported by evidence
• Is specific and precise in its use of language
• Argues for an original thought that goes beyond a simple restating of the facts

If you’re sitting here scratching your head wondering how you come up with a thesis statement off the top of your head, let me give you one piece of advice: don’t.

The AP Lit scoring criteria gives you only one point for the thesis for a reason: they’re just looking for the presence of a defensible claim that can be proven by evidence in the rest of the essay.

Second: Write your essay from the inside out 

While the thesis is given one point, the form and content of the essay can receive anywhere from zero to four points. This is where you should place the bulk of your focus.

My best advice goes like this:

• Choose your evidence first
• Develop your commentary about the evidence
• Then draft your thesis statement based on the evidence that you find and the commentary you can create.

It will seem a little counterintuitive: like you’re writing your essay from the inside out. But this is a fundamental skill that will help you in college and beyond. Don’t come up with an argument out of thin air and then try to find evidence to support your claim. Look for the evidence that exists and then ask yourself what it all means. This will also keep you from feeling stuck or blocked at the beginning of the essay. If you prepare for the exam by reviewing the literary devices that you learned in the course and practice locating them in a text, you can quickly and efficiently read a literary passage and choose two or three literary devices that you can analyze.

Third: Use scratch paper to quickly outline your evidence and commentary 

Once you’ve located two or three literary devices at work in the given passage, use scratch paper to draw up a quick outline. Give each literary device a major bullet point. Then, briefly point to the quotes/evidence you’ll use in the essay. Finally, start to think about what the literary device and evidence are doing together. Try to answer the question: what meaning does this bring to the passage?

A sample outline for one paragraph of the above essay might look like this:

Romantic imagery

Portrayal of summer

• Woman who “from her golden collar… moans aloud”
• Summer as bounty

Contrast with Autumn

• Autumn dismantles Summer
• “Stray through stubble fields”
• Autumn is change; it has the power to dethrone the romance of Summer/make summer a bit meaningless

Recognition of change in a positive light

• Summer “lies on pillows / yellow leaves / tries old tunes”
• Bright imagery/fallen leaves
• Attempt to maintain old practices fails: “old tunes”
• But! There is sympathy: “lies on pillows”

Speaker recognizes: she can’t prevent what is to come; wishes to embrace natural passage of time

By the time the writer gets to the end of the outline for their paragraph, they can easily start to draw conclusions about the paragraph based on the evidence they have pulled out. You can see how that thinking might develop over the course of the outline.

Then, the speaker would take the conclusions they’ve drawn and write a “mini claim” that will start each paragraph. The final bullet point of this outline isn’t the same as the mini claim that comes at the top of the second paragraph of the essay, however, it is the conclusion of the paragraph. You would do well to use the concluding thoughts from your outline as the mini claim to start your body paragraph. This will make your paragraphs clear, concise, and help you to construct a coherent argument.

Repeat this process for the other one or two literary devices that you’ve chosen to analyze, and then: take a step back.

Fourth: Draft your thesis 

Once you quickly sketch out your outline, take a moment to “stand back” and see what you’ve drafted. You’ll be able to see that, among your two or three literary devices, you can draw some commonality. You might be able to say, as the writer did here, that romantic and hyperbolic imagery “illustrate the speaker’s unenthusiastic opinion of the coming of autumn,” ultimately illuminating the poet’s idea “that change is difficult to accept but necessary for growth.”

This is an original argument built on the evidence accumulated by the student. It directly answers the prompt by discussing literary techniques that “convey the speaker’s complex response to the changing seasons.” Remember to go back to the prompt and see what direction they want you to head with your thesis, and craft an argument that directly speaks to that prompt.

Then, move ahead to finish your body paragraphs and conclusion.

Fifth: Give each literary device its own body paragraph 

In this essay, the writer examines the use of two literary devices that are supported by multiple pieces of evidence. The first is “romantic imagery” and the second is “hyperbolic imagery.” The writer dedicates one paragraph to each idea. You should do this, too.

This is why it’s important to choose just two or three literary devices. You really don’t have time to dig into more. Plus, more ideas will simply cloud the essay and confuse your reader.

Using your outline, start each body paragraph with a “mini claim” that makes an argument about what it is you’ll be saying in your paragraph. Lay out your pieces of evidence, then provide commentary for why your evidence proves your point about that literary device.

Move onto the next literary device, rinse, and repeat.

Sixth: Commentary and Conclusion 

Finally, you’ll want to end this brief essay with a concluding paragraph that restates your thesis, briefly touches on your most important points from each body paragraph, and includes a development of the argument that you laid out in the essay.

In this particular example essay, the writer concludes by saying, “Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.” This is a direct restatement of the thesis. At this point, you’ll have reached the end of your essay. Great work!

Seventh: Sophistication 

A final note on scoring criteria: there is one point awarded to what the scoring criteria calls “sophistication.” This is evidenced by the sophistication of thought and providing a nuanced literary analysis, which we’ve already covered in the steps above.

There are some things to avoid, however:

• Sweeping generalizations, such as, “From the beginning of human history, people have always searched for love,” or “Everyone goes through periods of darkness in their lives, much like the writer of this poem.”
• Only hinting at possible interpretations instead of developing your argument
• Oversimplifying your interpretation
• Or, by contrast, using overly flowery or complex language that does not meet your level of preparation or the context of the essay.

Remember to develop your argument with nuance and complexity and to write in a style that is academic but appropriate for the task at hand.

If you want more practice or to check out other exams from the past, go to the College Board’s website .

Brittany Borghi

After earning a BA in Journalism and an MFA in Nonfiction Writing from the University of Iowa, Brittany spent five years as a full-time lecturer in the Rhetoric Department at the University of Iowa. Additionally, she’s held previous roles as a researcher, full-time daily journalist, and book editor. Brittany’s work has been featured in The Iowa Review, The Hopkins Review, and the Pittsburgh City Paper, among others, and she was also a 2021 Pushcart Prize nominee.

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AP Literature Reading List: 127 Great Books for Your Prep

Advanced Placement (AP)

A lot of students wonder if there's a specific AP English reading list of books they should be reading to succeed on the AP Literature and Composition exam. While there's not an official College-Board AP reading list, there are books that will be more useful for you to read than others as you prepare for the exam. In this article, I'll break down why you need to read books to prepare, how many you should plan on reading, and what you should read—including poetry.

Why Do You Need to Read Books for the AP Literature Test?

This might seem like kind of an obvious question—you need to read books because it's a literature exam! But actually, there are three specific reasons why you need to read novels, poems, and plays in preparation for the AP Lit Test.

To Increase Your Familiarity With Different Eras and Genres of Literature

Reading a diverse array of novels, poetry and plays from different eras and genres will help you be familiar with the language that appears in the various passages on the AP Lit exam's multiple choice and essay sections. If you read primarily modern works, for example, you may stumble through analyzing a Shakespeare sonnet. So, having a basic familiarity level with the language of a broad variety of literary works will help keep you from floundering in confusion on test day because you're seeing a work unlike anything you've ever read.

To Improve Your Close-Reading Skills

You'll also want to read to improve your close-reading and rhetorical analysis skills. When you do read, really engage with the text: think about what the author's doing to construct the novel/poem/play/etc., what literary techniques and motifs are being deployed, and what major themes are at play. You don't necessarily need to drill down to the same degree on every text, but you should always be thinking, "Why did the author write this piece this way?"

For the Student Choice Free-Response Question

Perhaps the most critical piece in reading to prepare for the AP Lit test, however, is for the student choice free-response question. For the third question on the second exam section, you'll be asked to examine how a specific theme works in one novel or play that you choose. The College Board does provide an example list of works, but you can choose any work you like just so long as it has adequate "literary merit." However, you need to be closely familiar with more than one work so that you can be prepared for whatever theme the College Board throws at you!

Note: Not an effective reading method.

How Many Books Do You Need to Read for the AP Exam?

That depends. In terms of reading to increase your familiarity with literature from different eras and genres and to improve your close-reading skills, the more books you have time to read, the better. You'll want to read them all with an eye for comprehension and basic analysis, but you don't necessarily need to focus equally on every book you read.

For the purposes of the student choice question, however, you'll want to read books more closely, so that you could write a detailed, convincing analytical essay about any of their themes. So you should know the plot, characters, themes, and major literary devices or motifs used inside and out. Since you won't know what theme you'll be asked to write about in advance, you'll need to be prepared to write a student choice question on more than just one book.

Of the books you read for prep both in and out of class, choose four to five books that are thematically diverse to learn especially well in preparation for the exam. You may want to read these more than once, and you certainly want to take detailed notes on everything that's going on in those books to help you remember key points and themes. Discussing them with a friend or mentor who has also read the book will help you generate ideas on what's most interesting or intriguing about the work and how its themes operate in the text.

You may be doing some of these activities anyways for books you are assigned to read for class, and those books might be solid choices if you want to be as efficient as possible. Books you write essays about for school are also great choices to include in your four to five book stable since you will be becoming super-familiar with them for the writing you do in class anyways.

In answer to the question, then, of how many books you need to read for the AP Lit exam: you need to know four to five inside and out, and beyond that, the more the better!

Know the books. Love the books.

What Books Do You Need to Read for the AP Exam?

The most important thing for the student choice free-response question is that the work you select needs to have "literary merit." What does this mean? In the context of the College Board, this means you should stick with works of literary fiction. So in general, avoid mysteries, fantasies, romance novels, and so on.

If you're looking for ideas, authors and works that have won prestigious prizes like the Pulitzer, Man Booker, the National Book Award, and so on are good choices. Anything you read specifically for your AP literature class is a good choice, too. If you aren't sure if a particular work has the kind of literary merit the College Board is looking for, ask your AP teacher.

When creating your own AP Literature reading list for the student choice free-response, try to pick works that are diverse in author, setting, genre, and theme. This will maximize your ability to comprehensively answer a student choice question about pretty much anything with one of the works you've focused on.

So, I might, for example, choose:

A Midsummer Night's Dream , Shakespeare, play, 1605

Major themes and devices: magic, dreams, transformation, foolishness, man vs. woman, play-within-a-play

Wuthering Heights , Emily Bronte, novel, 1847

Major themes and devices: destructive love, exile, social and economic class, suffering and passion, vengeance and violence, unreliable narrator, frame narrative, family dysfunction, intergenerational narratives.

The Age of Innocence , Edith Wharton, novel, 1920

Major themes and devices: Tradition and duty, personal freedom, hypocrisy, irony, social class, family, "maintaining appearances", honor

Wide Sargasso Sea , Jean Rhys, novel, 1966

Major themes and devices: slavery, race, magic, madness, wildness, civilization vs. chaos, imperialism, gender

As you can see, while there is some thematic overlap in my chosen works, they also cover a broad swathe of themes. They are also all very different in style (although you'll just have to take my word on that one unless you go look at all of them yourself), and they span a range of time periods and genres as well.

However, while there's not necessarily a specific, mandated AP Literature reading list, there are books that come up again and again on the suggestion lists for student choice free-response questions. When a book comes up over and over again on exams, this suggests both that it's thematically rich, so you can use it to answer lots of different kinds of questions, and that the College Board sees a lot of value in the work.

To that end, I've assembled a list, separated by time period, of all the books that have appeared on the suggested works list for student choice free-response questions at least twice since 2003. While you certainly shouldn't be aiming to read all of these books (there's way too many for that!), these are all solid choices for the student choice essay. Other books by authors from this list are also going to be strong choices. It's likely that some of your class reading will overlap with this list, too.

I've divided up the works into chunks by time period. In addition to title, each entry includes the author, whether the work is a novel, play, or something else, and when it was first published or performed. Works are alphabetical by author.

Warning: Not all works pictured included in AP Literature reading list below.

Ancient Works

The Queen of AP Literature surveys her kingdom.

Don't get trapped in a literature vortex!

1990-Present

Don't stay in one reading position for too long, or you'll end up like this guy.

An Addendum on Poetry

You probably won't be writing about poetry on your student choice essay—most just aren't meaty enough in terms of action and character to merit a full-length essay on the themes when you don't actually have the poem in front of you (a major exception being The Odyssey ). That doesn't mean that you shouldn't be reading poetry, though! You should be reading a wide variety of poets from different eras to get comfortable with all the varieties of poetic language. This will make the poetry analysis essay and the multiple-choice questions about poetry much easier!

See this list of poets compiled from the list given on page 10 of the AP Course and Exam Description for AP Lit, separated out by time period. For those poets who were working during more than one of the time periods sketched out below, I tried to place them in the era in which they were more active.

I've placed an asterisk next to the most notable and important poets in the list; you should aim to read one or two poems by each of the starred poets to get familiar with a broad range of poetic styles and eras.

14th-17th Centuries

• Anne Bradstreet
• Geoffrey Chaucer
• George Herbert
• Andrew Marvell
• John Milton
• William Shakespeare*

18th-19th Centuries

• William Blake*
• Robert Browning
• Samuel Taylor Coleridge*
• Emily Dickinson*
• Paul Laurence Dunbar
• George Gordon, Lord Byron
• Gerard Manley Hopkins
• John Keats*
• Edgar Allan Poe*
• Alexander Pope*
• Percy Bysshe Shelley*
• Alfred, Lord Tennyson*
• Walt Whitman*
• William Wordsworth*

Early-Mid 20th Century

• W. H. Auden
• Elizabeth Bishop
• H. D. (Hilda Doolittle)
• T. S. Eliot*
• Robert Frost*
• Langston Hughes*
• Philip Larkin
• Robert Lowell
• Marianne Moore
• Sylvia Plath*
• Anne Sexton*
• Wallace Stevens
• William Carlos Williams
• William Butler Yeats*

Late 20th Century-Present

• Edward Kamau Brathwaite
• Gwendolyn Brooks
• Lorna Dee Cervantes
• Lucille Clifton
• Billy Collins
• Seamus Heaney
• Garrett Hongo
• Adrienne Rich
• Leslie Marmon Silko
• Derek Walcott
• Richard Wilbur

You might rather burn books than read them after the exam, but please refrain.

Key Takeaways

Why do you need to read books to prepare for AP Lit? For three reasons:

#1 : To become familiar with a variety of literary eras and genres #2 : To work on your close-reading skills #3 : To become closely familiar with four-five works for the purposes of the student choice free-response essay analyzing a theme in a work of your choice.

How many books do you need to read? Well, you definitely need to get very familiar with four-five for essay-writing purposes, and beyond that, the more the better!

Which books should you read? Check out the AP English Literature reading list in this article to see works that have appeared on two or more "suggested works" lists on free-response prompts since 2003.

And don't forget to read some poetry too! See some College Board recommended poets listed in this article.

What's Next?

See my expert guide to the AP Literature test for more exam tips!

The multiple-choice section of the AP Literature exam is a key part of your score. Learn everything you need to know about it in our complete guide to AP Lit multiple-choice questions.

Taking other APs? Check out our expert guides to the AP Chemistry exam , AP US History , AP World History , AP Psychology , and AP Biology .

Looking for other book recommendation lists from PrepScholar? We've compiled lists of the 7 books you must read if you're a pre-med and the 31 books to read before graduating high school .

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Ellen has extensive education mentorship experience and is deeply committed to helping students succeed in all areas of life. She received a BA from Harvard in Folklore and Mythology and is currently pursuing graduate studies at Columbia University.

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AP® English Literature

The ultimate ap® english literature reading list.

• The Albert Team
• Last Updated On: March 1, 2022

Introduction: How to Use this Ultimate AP® English Literature Reading List

With such a vast number of novels to choose from, it can be tough to decide which books to put on your AP® English Literature Reading List.

Let us help take out the guesswork! We break down exactly which books you should be studying, and why. 

We’ve categorized 40 different literary works. We’ve also included a thoughtful literary analysis on their key elements. With our help, you’ll be able to organize your list of AP® English Literature books to study in a way that works for you and your schedule.

Let’s get started!

What We Review

The Top 10 AP® English Literature Reading List

Everyone plays favorites, and The College Board is no exception. For example, Invisible Man has popped up on 29 of the past 49 AP® Lit exams! Chances are, we’ll see it again this year. 

We devoted this portion of the list directly to the top ten works that appeared most frequently on past exams. They should be on the top of your College Board reading list.

Do your best to gain at least some familiarity with this list of books, as it’s likely that one of these will appear somewhere on the test.

1. Invisible Man by Ralph Ellison

Ellison’s Invisible Man is a long read but it is definitely worth your time. It expertly tackles race and bigotry, and its effect on the minds of everyone involved. Themes of race, identity, ideology, and stereotypes are explored.

The story follows a marginalized character. He’s not literally invisible, but he’s invisible in a society that is unable and unwilling to recognize the individuality of the black man.

It’s as culturally relevant today as it was when published in 1954. This is the most frequently referenced title on the AP® English Literature book list since 1971.

2. Great Expectations by Charles Dicken

This exciting novel is considered a Victorian “Bildungsroman”, or a coming-of-age story. Pip is a young and poor blacksmith’s son, who suddenly finds himself the owner of a large fortune and is whisked off to London.

One of the most versatile titles on this list, Great Expectations addresses many of the Victorian-era genres including: satire, crime, Silver Fork, Newgate, Gothic, serial fiction, romance, politics, and history.

Dickens gives us a fun plot, but the deeper literary analysis questions on the AP® Exams will focus on his writing, or his prose. Concentrate on instances of his beautiful use of language, and how they affect the novel as a whole. 

The character, Estella, gives us the beautiful quote, “Suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be. I have been bent and broken, but – I hope – into a better shape.” This prompts the reader to consider how difficult times allows us to grow as people, and how Estella and Pip have grown from their sufferings. 

3. Wuthering Heights by Emily Bronte

Wuthering Heights is one of the most highly regarded pieces on the College Board reading list. A strong example of Gothic Romanticism, it deals heavily with questions of emotion and violence.

The language is easier to decipher than most literary works on the AP® reading list. But, where it really shines is in its considerations of class and gender from a woman’s perspective.

As you read, look out for the poetry in her language and the mastery of composition that Emily Bronte uses in her only published novel. 

4. Heart of Darkness by Joseph Conrad

Heart of Darkness is celebrated on many of the AP® English Literature prep message boards as a go-to literary work for the free response section- and with good reason! It’s a relatively short novella containing mystery, psychology, and adventure.

Heart of Darkness is particularly useful for the AP® exam in answering questions about the modern world it was written in. It pointedly deals with imperialist greed, taking place in the 1890s African Congo.

Be sure to keep this in mind- Above all else, Heart of Darkness effectively explores and answers questions about morality. Does doing something wrong for the right reasons make it justified?

Use Albert’s Heart of Darkness course for help understanding tough concepts.

5. King Lear by William Shakespeare

King Lear , referenced 17 times on the exam since 1971, is the most frequently cited work by Shakespeare. King Lear is a brutal play containing themes ranging from familial love and duty, to anger and deception.

This one play provides a wealth of both literary and stylistic elements for you to analyze. This seminal tragedy focuses on King Lear, who foolishly exiles his one loving daughter, giving his kingdom to his two evil ones. As you read, consider how themes of loyalty tie in with compassion and forgiveness.

Albert’s King Lear course is a great resource for understanding the themes and concepts.

6. Crime and Punishment by Fyodor Dostoevsky

The main theme of Crime and Punishment is redeeming oneself through suffering. This is another long but worthwhile read at 545 pages. Crime and Punishment psychologically analyzes young Raskolnikov’s crime to reveal how psychological analysis itself keeps us imprisoned. Intellectualizing events, says Dostoevsky, keeps us imprisoned.

As the name tells us, the two major themes of the story are Crime and Punishment, and their relationship to each other.

Think about questions of sacrifice when studying this piece. Nihilism, the superhero complex, alienation, and poverty are also analyzed at length.

Check out Albert’s Crime and Punishment course.

7. A Portrait of the Artist as a Young Man by James Joyce

Another bildungsroman (or coming-of-age story), A Portrait of the Artist as a Young Man is an examination of how morality and religion can confine an artist.

A Portrait reflects Joyce’s own development as a young boy through adulthood at university. Read A Portrait with an eye out for Joyce’s stream of consciousness style. As Stephen, the main character, develops morally and psychologically, the style of Joyce’s writing adapts and grows, so to speak.

Utilize this title on questions of how style can inform the meaning of the development of characters.

8. Jane Eyre by Charlotte Bronte

Jane Eyre is a highly cited Victorian Romantic novel. At its core, this is a story of a woman yearning for more than what traditional society would allow her to have.

This well-known novel centers on a strong feminist character, who fights control her own destiny. Bronte’s novel resonates deeply with current feminist movements across the globe. It focuses on themes of love, social class, and gender roles.

Albert has a great Jane Eyre course to help you prepare.

9. The Adventures of Huckleberry Finn by Mark Twain

Huck Finn is one of the best-known titles on this list among American students. It’s rich and complex, yet the language is accessible.

If you’re asked about the era of Slavery or Reconstruction on the exam, Huck Finn should come to mind. It relentlessly discusses slavery, racism, and the hypocrisy of civilized society.

While reading the story, think of the Mississippi River as a symbol for remaining neutral on issues of race. Use that to inform your reading of Huck Finn.

10. Moby Dick by Herman Melville

Last on this top 10 list is Moby Dick. Universally accepted as a masterful work of fiction, Melville himself described this novel as a meditation on America.

Reading this big novel might not fit into your studying time frame, but you should at least read summaries and key portions. This will help you gain an understanding of Melville’s particular use of symbolism. There are many symbols that may appear on the AP® English Literature exam, including his The Pequod, the color white, and Moby Dick (the whale itself).

In summary, the College Board tends to repeat similar titles on the exam. Studying these top 10 novels should be a priority on your list! They cover a wide range of themes, genres, and cultural time periods to help you effectively answer different varieties of exam questions.

Return to the Table of Contents

Top AP® English Literature Reading List from the Lost Generation

It could be useful to organize your reading list in terms of time period. For instance, take the Lost Generation. Many of the most frequently cited literary works on the AP® exam were written by Lost Generation, or World War I era, authors.

Not only is this an interesting time period that’s receiving more attention as the years draw on, many of the following titles from this era reflect the distinct American voice in literature in a lyrical, interesting, and unique way. 

11. As I Lay Dying by William Faulkner

Faulkner’s As I Lay Dying , is a good example to use if you’re asked about stream of consciousness writing style. Consider how this style develops tone, and how this style aids in character development.

This novel alternates between 15 different character’s points of view. While this sounds intimidating, it’s actually easy to follow. The intimate tone helps us understand each different character.

Additionally, As I Lay Dying is considered part of the foundation of the Southern Renaissance.

12. East of Eden by John Steinbeck

As you read this novel, it’s important to remember it’s a modern retelling of the Book of Genesis (the one with Adam and Eve). If you’re faced with questions on the exam about allegory, it’s a good novel to reference.

East of Eden takes place around the end of WWI in California. It revolves around themes of jealousy, love, the consequences of the absence of love.

13. The Great Gatsby by F. Scott Fitzgerald

Probably one of the best-known Lost Generation literary works, The Great Gatsby is iconic in high school English Literature education. F. Scott Fitzgerald’s work has come to represent the Jazz Age in America.

If you’re asked about early-20 th century American society, The Great Gatsby should be a novel you reference..

Check out Albert’s The Great Gatsby course.

14. The Sound and the Fury by William Faulkner

Faulkner’s fourth novel, The Sound and the Fury , is another exercise in style. He again uses a stream of consciousness writing to tell a personal story of fear about the corruption of family values.

This is a difficult book to decipher, but, if you can get a handle on how Faulkner utilizes point of view, this piece will be valuable in both the multiple choice and free response exam sections.

15. The Sun Also Rises by Ernest Hemingway

The Sun Also Rises represents the pinnacle of Hemmingway’s “Iceberg Theory,” also known as “theory of omission.” This style intentionally uses sparse language, to inspire curiosity in the reader.

Hemingway only shows the “tip of the iceberg” in his characterization and descriptions. He leaves it to the reader to formulate a deeper literary analysis (the part of the iceberg that’s underwater).

This novel not only represents Hemingway’s style; it represents the whole Lost Generation itself, through its stories of American expatriates in Europe.

16. Their Eyes Were Watching God by Zora Neale Hurston

Hurston’s Their Eyes Were Watching God is a a stylistic masterwork with unique diction. Hurston juxtaposes Southern Black dialect with the voice of a literary narrator.

If you’re asked about her work, chances are that understanding her style and structure will score you points.

Top AP® English Literature Reading List from WWI to Present

These following literary works appear on the College Board’s most frequently cited list, and they were published after WWI. These titles are useful references to this time period in particular.

17. Ceremony by Leslie Marmon Silko

Ceremony is a commentary on how tradition and spirituality are a source of healing.

It takes place from the point of view of a service-age Native American man. He returns from World War II with Post-traumatic Stress Disorder. His mentally instability forces him to turn to alcohol to ease his mind. But, eventually, he returns to his spirituality, healing from it.

18. Beloved by Toni Morrison

This work of literature explores Mother-Daughter relationships and the psychological impact that slavery has had on the African-American community in this country. Use Beloved to comment on the importance of identity and also community.

As you read, also consider how the supernatural elements of the story (like ghosts) contrast with its stark realism.

19. The Color Purple by Alice Walker

The Color Purple is set in rural Georgia in the 1930s. It’s written in the form of letters from the main character, Celie, to God and to her sister.

It deals with racism and sexism, along with women’s rights. The power of language also plays an important role . As we read further into the story, the language in Celie’s letters changes to reflect her emotional and psychological development.

This development through language reinforces the idea that language, or the ability to express yourself, is essential in developing your sense of who you are.

20. The Glass Menagerie by Tennessee Williams

Williams draws from a lot of his own personal experiences in The Glass Menagerie. This play has only four main characters, and its overarching theme is the importance of accepting reality. Each character in The Glass Menagerie retreats into their own world to escape realities they can’t cope with.

Look for this selection in free response prompts about symbolism. Laura’s array of delicate glass animals is the single strongest symbol in the play and a strong symbol in general. This Glass Menagerie comes to represent Laura herself and her escape from her own illusory world.

21. Catch-22 by Joseph Heller

Catch-22 is a first and foremost a satire. It comments on war by reducing it to a bureaucratic concern. Men’s lives and deaths are ultimately controlled by an uncaring, unfeeling government. Use this literary work in discussions of plot and irony.

Consider how devices, like the Catch-22 rule , serve to form the plot of a story.

We have a great Catch-22 course in our Albert library.

22. Death of a Salesman by Arthur Miller

This play has won both the Pulitzer Prize for Drama and the Tony Award for Best Play. Death of a Salesman critiques the American dream and questions its attainability. It grapples with themes like facing reality or giving in to illusion and living in denial.

The main character, Willy, is an aging salesman who struggles to cope with his current life. Much of the play is told through his own flashbacks to earlier in his career.

As you read, consider the effects of flashback on the interpretation of the themes.

Top AP® English Literature Reading List from Shakespeare

Many of William Shakespeare’s works appear on the exam’s most frequently cited list. Even though you’ve probably studied his plays all through high school, it’ll help to refresh your memory on these essential texts.

23. Othello

Othello is an African general in the Venetian army, and the play examines the racial prejudice he faces. It’s a story of love and deception surrounding his insecurity in his personal relationships. Jealousy is an overarching theme throughout the play.

Exam questions on Othello may be concerned with issues of an isolated character and what characteristics contribute to that isolation.

Enhance your understanding and analysis with our Othello Albert course .

24. The Tempest

One of the prominent themes in The Tempest is the artist in relation to his creation. Prospero can be viewed as a kind of artist, in that he controls the fate of every other character. It’s as if Shakespeare inserted himself into the story as Prospero.

The Tempest is widely regarded as Shakespeare’s “Farewell” performance.

25. The Merchant of Venice

The Merchant of Venice is important in preparing for the AP® English Literature exam because it covers a timeless debate about racial and religious supremacy.

This work could appear on either the multiple choice or free response sections, because it explores the concept of dynamic characters using a culturally-charged and well-defined example: Shylock the Moneylender.

Hamlet has been performed more than any other Shakespearean work. For this reason alone, it would be a good idea to familiarize yourself with it.

There are many religious, philosophical, and psychoanalytical undercurrents in Hamlet. All of these will help in free responses and multiple choice questions pertaining to character.

Use Albert’s Hamlet course for extra prep.

27. Macbeth

“Bubble, bubble, toil and trouble!” Macbeth is a cautionary tale warning against evil as a means of power. Themes of ambition, madness, and war all intertwine.

Studying Macbeth is a good opportunity for you to develop your critical analysis skills in tragedy.

Check out Albert’s Macbeth course here .

28. A Midsummer Night’s Dream

This one’s a classic example of a Shakespean comedy, one of his most popular works overall. This play has four separate storylines that all revolve around the marriage of two main characters, Duke Theseus and Queen Hippolyta.

The entire play takes place in the span of one night and is set in both Fairyland and a real-world forest. This play provides great opportunities for an analysis of symbolism. Focus on how enchantments and magic are used throughout. Consider how images of roses and use of love juice symbolize falling in love too quickly.

Top AP® English Literature Reading List from the Classics

The classics are also frequently cited on the AP® English Literature exam. These five classic works could appear on the multiple choice section of the test, as well as on the free response section. Be sure to familiarize yourself with them.

29. Antigone by Sophocles

Antigone addresses issues of authority, faith, and fidelity. Sophocles examines the destructive repercussions on following the law over what you believe is right. He uses the family drama of the character Antigone to highlight this.

Remember to use Albert’s Antigone course for help.

30. Candide by Voltaire

Candide is a unique coming-of-age story and a satirical novella. It asks the question, ‘With so many hardships in the world, what’s the point of trying to be optimistic?’

Keep in mind that Candide is a unique take on the bildungsroman (coming-of-age story), and it’s a relatively short read.

Though Candide was first published in 1759, it is still considered a classic literary work.

31. Oedipus Rex by Sophocles

Oedipus Rex (The King) demonstrates a unique take on the Greek Tragedy. Rather than following the sealed-fate plot that would have made sense to the audience of the time, Sophocles made Oedipus’s choices and faults contribute to his downfall.

You may have heard of Freud’s famous “Oedipus Complex” psychological theory. This play is where it gets its name.

Use Albert’s course on Oedipus Rex for additional help.

32. Medea by Euripides

Medea contains feminist undertones, which was a revolutionary occurrence for the time. Medea is a young woman who wants to take control of her own life in a patriarchal society. This ultimately that drives her to the extreme of committing murder.

Furthermore, the structure of the play is interesting in itself. In every scene, the only actors are Medea and one other person.

33. Frankenstein by Mary Shelley

Frankenstein represents, arguably, the first science fiction story. But, it does this while remaining true to Shelley’s Gothic and Romantic roots.

The entire novel is a study in how power can corrupt. The power of knowledge allows Victor to animate “The Beast.” The power of his hatred for his creation pushes him toward his own death. The story in itself is a study in power and its dangers.

Frankenstein was first published in 1818. Though not in the same time period as most works on this list, it’s still considered a classic. Remember to use Albert’s Frankenstein course for help.

34. The Odyssey by Homer

Chances are, you’ve already read Odysseus’s sweeping tale of adventure at some point in your high school career. But whether you have or haven’t, this epic poem is worth revisiting before you take your exam.

Taking place in ancient Greece, this story follows the epic hero Odysseus as he tries to return home after the Trojan war. On his way, Odysseus encounters a number of mythical monsters, all preventing him from reaching his wife, Penelope. Consider the use of symbolism in this play, and what each different monster represents in a relationship between a husband and wife. 

Check out Albert’s The Odyssey course for additional practice.

Top AP® English Literature Reading List: Other Helpful Texts to Check Out

The list above is full of familiar titles. The list that follows contains titles referenced less often.

If you’re able to include mention of some of these, you may be able to score points for the breadth of your literary knowledge.

35. A Streetcar Named Desire by Tennessee Williams

Streetcar is considered one of the greatest American plays of all time. Like The Glass Menagerie, Streetcar also deals with the interplay between reality and fantasy. It’s considered at least vaguely autobiographical.

Consider reading this piece along with Menagerie.

36. Things Fall Apart by Chinua Achebe

Things Fall Apart chronicles the life of a Nigerian, and it comments on the effect of British colonialism and Christianity. Read this novel if you’re searching for a piece that comes from a different culture. Also, check out the work of Ngugi wa Thiong’o if you’re interested in African perspectives on fiction.

Albert has a practice course to help you with this novel.

37. Obasan by Joy Kogawa

Obason details the Japanese internment camps of World War II, an often under-represented piece of history. The story is told from the point of view of a young child.

Joy Kogawa displays her mastery of imagery in Obasan. This piece is rife with examples of figurative language. Referencing its language and/or its cultural significance can help you earn points on the exam.

38. Who’s Afraid of Virginia Woolf? by Edward Albee

Albee challenges the traditional notions of success for both individuals and families in this play. This is one more work that comments on reality vs. fantasy.

The title itself is a reference to the “Big Bad Wolf,” and Virginia Woolf herself (though the play isn’t really about her at all.) This dark comedy-drama centers on the struggling marriage of its two, flawed main characters.

39. Wise Blood by Flannery O’Connor

O’Connor’s first novel, Wise Blood, deals with the crisis of faith in those who’ve seen war. The main character, Hazel Motes, returns home wounded from World World II to an empty house. Raised as the grandson of a preacher, he grew up conflicted with religion. War has turned him into a very vocal atheist.

Consider how O’Connor’s style affects the exploration of faith in Wise Blood.

40. Brave New World by Aldous Huxley

If you enjoy dystopian science fiction, look no further! Brave New World takes place on Earth in the future where the entire planet is governed by just one government, the World State. The citizens of Earth are all genetically modified and sorted in a social hierarchy based on intelligence. 

The novel has numerous allusions to Shakespeare- the title, Brave New World, is a quote from The Tempest. As you read, consider the impact of these allusions on the meaning of the story as a whole.

Wrapping Things Up: The Ultimate AP® English Literature Reading List

We hope this English literature book list will help you decide which books you want to use to prepare for the AP® exam. In beginning your study, keep these things in mind:

• You don’t need to read every book cover to cover. Familiarize yourself with important plots and characters from especially dense texts (like Moby Dick).
• Understand the AP® exam scoring guidelines, and how different literary works can earn you points in different areas.
• Choose books that interest you! You’ll have an easier time reading and remembering texts that you’re already motivated to read.

By reading and retaining as much information as possible before test day comes, you’re maximizing your odds of receiving the grades you want. Happy reading!

Remember to check out Albert’s How to Study for AP® English Literature for useful tips and skills!

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Lit & More

March 19, 2023 ·

Teaching Line of Reasoning to AP English Lit

AP Classroom & AP Scoring · Writing Resources

In 2019, the College Board released a new, itemized rubric. The new rubric differed from the previous nine-point holistic rubric by breaking the writing down into three sections: thesis, evidence and commentary, and sophistication. When I first saw the new six point rubric, I was so excited for the change. Giving scores holistically always felt uncomfortable, even after I served as an AP Reader. High school teachers usually have rubrics with various sections, so stamping on a number and moving onto the next essay felt very out of character for me.

Once I started teaching the new rubric, however, I encountered an issue that many other teachers have found. In order to get a 3 or higher on the new six-point rubric, students must establish a “line of reasoning” in their essay. But that phrase was new to us and not obvious in its meaning.

AP® is a trademark registered by the College Board, which is not affiliated with, and does not endorse, this website .

So, what is a line of reasoning?

In the AP Lit CED, they say, “ Students will then organize the various claim and-evidence paragraphs to follow a line of reasoning, enriching those paragraphs with commentary that consistently explains how each specific paragraph—and specific evidence within each paragraph—relates to the argument as a whole. ” Therefore, we can summarize that the line of reasoning refers to commentary on the argument as a whole. How we communicate that to students, however, is a whole different ball game.

Why did we need a line of reasoning?

Before the CED overhaul, many students were writing essays that focused on literary elements rather than argumentation. If a prompt asked them to analyze a poem for a relationship, then suggested they used diction, point of view, and metaphor in their response, you’d often find an essay with this outline:

• Thesis: [Text] discusses relationships using diction, point of view, and metaphor.
• Paragraph 1: Look at the diction!
• Paragraph 2: Look at the point of view!
• Paragraph 3: Look at the metaphors!
• Conclusion: Therefore, you can see the relationships using diction, point of view, and metaphors.

Did you see what went missing? There was often little to no analysis on the main part of the prompt (analyzing relationships) because students got too carried away proving their knowledge of literary elements.

Resources to help you teach the line of reasoning

Here are some resources to help teach your students how to identify and write a line of reasoning for AP English Lit. Some of the ideas are mine and some are from other teachers, but hopefully you’ll find one method that makes sense to you and your students.

The Golden Thread

In 2021, I helped Susan Barber create mini skill videos for students in preparation for the AP Lit exam. I explained that the line of reasoning is a golden thread that unites your various claims together to be one cohesive argument, rather than 2-3 separate arguments. By the way, the golden thread analogy was not my creation, but I’m not sure who originated it.

Writing for a line of reasoning requires students to prove their knowledge of literary elements but uniting it under a common interpretation or argument. I call this argument the golden thread. You can talk about various literary elements or different claims, but each paragraph should return to proving this MAIN point, your line of reasoning (or golden thread). Check out this short video for a clearer explanation, where I used Gwendolyn Brooks’ “We Real Cool” as my example poem.

The Hand Turkey/Four Leaf Clover

In 2019, Roy Smith shared an idea with the AP Lit community that many students found useful. He called it the hand turkey. The idea helps students visually break down a prompt into 3-4 separate claims, then work to unite these claims under a strong thesis. The visual layout reminds students to branch ideas out from the thesis so that all of their arguments are united under that strong thesis. Check out Roy’s blog to read more and see a great example from a student.

Recently, Jennifer Stuckey did a similar activity using a four-leaf clover instead of a turkey (because, you know, March). The acitivty still works great! Here’s an example from her lesson:

Rainbow Drafting

Early in the year, I ask students to take a look at one of their first essays. I hand out different highlighters or markers and ask them to highlight different parts of their essays. In grades 9-10, I teach students to write APE paragraphs (assert, prove, explain). To keep this common language, I ask them to do the same, show me assertions, proof, and explanations in different colors. Eventually, we move towards the AP Lit rubric, where I explain how the explanation serves as both commentary and a line of reasoning.

Kelly Herrera does the same but calls it rainbow drafting and keeps the AP Lit verbiage. She tells her students to highlight the thesis or claim in one color, the evidence in another, the commentary in third color, and the line of reasoning in fourth. Once again, this is a great activity for visual learners. Many students think they’re doing all of these steps, but once they go back and highlight each section of their writing they may see where they got derailed or distracted.  

Annotating Sample Scored Essays

Sometimes I’ve found that the only way to teach writing is to show examples of what works and what doesn’t. For example, I’ve taken a bunch of the released essays from the 2019 open question on Idealism and annotated how the author did (or didn’t) establish a line of reasoning. These downloads are only found in my resources on line of reasoning on TpT , but I’m including them here for you to see.

What I do is take a finished essay and follow the author’s thoughts, breaking them down into claims or assertions, evidence or proof, and commentary and lines of reasoning. In the first essay, I can clearly see the line of reasoning established and returned to in each paragraph, where in the lower-scoring essays they are briefly mentioned and then abandoned (or not established at all). Seeing how this works can help even the most stubborn student see that it will benefit their AP Lit score to establish a strong line of reasoning.

Word Association

Here’s a new idea from Tia Miller. I’ll let Tia explain it in her own words:

“You give each of them a word to start with and they write down the first word to come to mind. Pass to the next person, repeat, etc. The last person then has to explain the line of reasoning from the first word to the last. It’s a fun activity. I think I first got it from Ashley Clark on the Seminar Facebook page, though I think she just gives them a list and has them explain it. I think it’s more fun to have the kids make it.”

The Bottom Line:

However you teach it, the line of reasoning is not an element that can be ignored in an AP Lit essay. It’s a thought that is established and grown in an essay, a point that is made THROUGHOUT an essay, not just at the beginning or the end. I hope these resources and strategies help give you some insight on what a line of reasoning is and how to teach it clearly.

Special thanks to Roy Smith, Tia Miller, and Kelly Herrera, and Jennifer Stuckey for the ideas used in this blog post. If you have a killer lesson on teaching line of reasoning, I’d love to hear about it! Drop me a line at [email protected] or comment here and I’ll add it to this blog post!

Reader Interactions

March 19, 2023 at 7:32 am

Gina- I love your emails! You are clear and provide great ideas to break down the elements of analyzing literature. I look forward to your suggestions and Susan Barber also is a wonderful resource! Thanks so much !

March 20, 2023 at 5:21 am

You are my AP Lit guru. Thank you for such an insightful post!

March 28, 2023 at 2:02 pm

I just tried the Word Association LOR activity today, and it was a big hit! My seniors are hilarious anyway, but this just put them over the top. We were also really able to talk about building a line of reasoning and not repeating the same things and using circular reasoning. And when they wanted to say, “well, this connection is pretty self-explanatory,” I was able to say “Absolutely not. Nothing is self-explanatory in AP Lit.” They quickly understood what I was asking them to do, and they shifted their explanation strategies. It was fun. And it was an added bonus when I called on them using the “spinning wheel of death” (aka wheelofnames.com). Thank you for posting these ideas! This is year 31 for me, and I always find something new to try on your site. I appreciate the time and effort you give to everything.

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any essay advice, mc help, anything please god just help me we didn't write any essays all year except for the past two weeks and we did nothing to actually prepare for the test