Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall, Michael Gambon
Tom Hooper
David Seidler
Rated R (Ludicrously so)
118 Mins.
The Weinstein Company
Audio Commentary, Making Of Featurette, Deleted Scenes
07 Jan 2011
118 minutes
King’s Speech , The
Some films turn out to be unexpectedly good. Not that you’ve written them off, only they ply their craft on the hush-hush. Before we even took our seats, Inception had trailed a blaze of its cleverness the size of a Parisian arrondissement. We were ready to be dazzled. If you had even heard of it, Tom Hooper’s The King’s Speech looked no more than well-spoken Merchant Ivoriness optimistically promoted from Sunday teatime: decent cast, nice costumes, posh carpets. That was until the film finished a sneak-peak at a festival in deepest America, and the standing ovations began. Tweeters, bloggers and internet spokespeople of various levels of elocution announced it the Oscar favourite, and this also-ran arrives in our cinemas in a fanfare of trumpets.
But for all its pageantry, it isn’t a film of grandiose pretensions. Much better than that, it is an honest-to-goodness crowdpleaser. Rocky with dysfunctional royalty. Good Will Hunting set amongst the staid pageantry and fussy social mores of the late ’30s. The Odd Couple roaming Buckingham Palace. A film that will play and play. A prequel to The Queen.
Where lies its success? Let’s start with the script, by playwright David Seidler, a model for transforming history into an approachable blend of drama and wit. For a film about being horrendously tongue-tied, Seidler’s words are exquisitely measured, his insight as deep as it is softly spoken. Both an Aussie and a long-suffering stammerer, he first adapted the story as a play, written with the permission of both the late Queen Mother (George’s wife) and Logue’s widow. Stretching into the legroom of film, he loses none of the theatrical richness of allowing decent actors to joust and jostle and feed off each other.
As their two worlds clash, this outspoken “colonial” and this unspoken aristocrat, Seidler mines great humour from the situation. Logue’s outlandish treatments are designed to rock George, whom he insists on calling Bertie (the impertinence!), out of his discomfort zone. He has to lie on the floor, his dainty wife perched upon his chest, strengthening his diaphragm. He has to swing his arms like a chimpanzee, warble like a turkey. And in a sure-to-be classic scene, Logue cracks the dam of his patient’s cornered voice by getting him swearing. “Say the ‘F’ word,” commands Rush, his eyes twinkling at Logue’s front. “Fornication!” howls Firth, like a man bursting. Such naughtiness — escalating to a magnificent chorus of “shits” and “fucks” — landed the film an R rating in America. The silly-billies: the moment couldn’t be more tender or uplifting.
What Hooper sensed of Seidler’s play is that this is not about fixing a voice, but fixing a mind bullied by his father (a waxen-voiced Michael Gambon as George V) and brother since boyhood, a soul imprisoned by the burden of forthcoming kingliness. Between his handsome London backdrops, elevating any potential staginess with sleek forward motion and microscopic historical accuracy (from mist-occluded parks, to the Tardis-sprawl of the BBC’s broadcasting paraphernalia with the death-noose of their microphones), Hooper plays on the idea of childhood. We meet Logue’s scruffy brood and the twee Princesses Elizabeth and Margaret; while in another scene loaded with codified meaning, George begins to open up as he gently completes a model plane. The tragedy is that he never had a childhood. Friendship is a voyage into the unknown for Bertie. Logue is gluing him together.
Hooper, whose own mother recommended the play, knew straightaway here was his cornerstone — the unlikeliest of friendships. To get all zeitgeist on its royal behind, it’s a bromance. One that required two performers to go to opposite places. Colin Firth has found a rich vein of form: A Single Man provided emotional entrapment in repressed grief, but here were greater perils still, treading the perilous high-wire of physical affliction. In terror of mockery or Rainman, he looked to Derek Jacobi’s definitive stammering in I Claudius (Jacobi winkingly cast here as a conniving Archbishop Of Canterbury) and got to grips with an actor’s greatest fear — being unable to find his words. It’s a bristling irony: acting is a craft exemplified in the crystal-clear diction of Shakespeare, but here is a gripping performance where the actor is virtually incapable of speaking at all. Not in a straight line. It is an anti-acting role, yet Firth doesn’t ever stop communicating: pain, sadness, yearning; intelligence and humour demanding escape; and the fierce self-possession of a man born to privilege. When Logue, pushing and pushing, oversteps the mark, Bertie rounds on him, furious, his voice suddenly eloquent in the spate of his fury. The idea of class is never far away; what marks out one’s place in the social network of yesteryear more than how one speaks?
Logue, a psychotherapist before his time (a royal in therapy — the very thought!), finds Rush in equally fine fettle. He locates Logue’s own shortcomings, a failed actor who turns his office into a stage, striding and pontificating, a show-off with a big heart. A modernist trying to break through social prejudice. A colonial nobody desperate to be an English somebody. Stripped walls line Logue’s drafty chambers: the deprivations of pre-War Britain are here, yet warmed by family. The cushioned train of anterooms of Buckingham Palace appear antiseptic in comparison. Life crushed by velvet. Grimacing Whitehall serving as a cold reminder of war to come.
Any behind-the-drapes depictions of British royalty carry the base pleasures of a good snoop. But these were changing times. Helena Bonham Carter makes for a vibrant Queen Elizabeth (the Queen Mum-to-be), both devoted wife and teasing wit whirling around the word “contraverseeal” like a figure skater, another modernist in a dusty enclave who takes the risk of contacting Logue. If anything, older brother Edward VIII was the true trailblazer, breaking through the bars of royal absolutes to marry American divorcee Mrs. Simpson, and unthinkably vacate the throne for his timorous brother. In that decision, precedents were shattered and the modern world spilled into the royal household. Guy Pearce (an Aussie in English robes) has enormous fun as the arrogant older sibling, plumbing his voice to the borders of camp, but a flash harry flinty enough to shed a nation for a wife. As George will angrily point out, what use does a king serve anymore?
If we start small, a lonely prince trying to express himself, we end big. History knocks the door down. Edward abdicates just as that unquenchable ranter Hitler gets warmed up, and Timothy Spall drops by as a slippery Churchill (a jar to the film’s subtleties) to sneer about oncoming “Nazzzeees”. A sense of terrible urgency engulfs the therapy, but what an ending it offers. George VI must use his faltering voice to soothe a frightened nation in a radio broadcast, all but conducted by Logue, transformed into match-winning glory. You’ll be lost for words.
Movies | 28 09 2023
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Movies | 05 10 2011
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'The King's Speech' was given an R rating solely for the use of profanity in some key scenes. As the producer reportedly considers re-editing the Oscar-nominated movie, the idea is getting poor reviews.
January 27, 2011 | Hollywood, Calif.
“I didn’t think I wanted to see an historical drama about a king who stutters,” says Imogene Bartha , the mother of a 13-year-old boy, as she flips through the Calendar section of the Los Angeles Times in a local coffee shop. “But now here’s this ad telling me it got more Oscar nominations than any other movie, so I’m inclined to check it out.”
“It” is the highly acclaimed movie “The King’s Speech,” starring Colin Firth , Helena Bonham Carter , and Geoffrey Rush , all of whom were nominated for acting honors . Mr. Firth plays Queen Elizabeth II ’s stuttering father, King George VI , who seeks the assistance of speech therapist Lionel Logue , played by Mr. Rush, on the eve of World War II. The film was nominated for 12 Academy Awards, including Best Picture.
Ms. Bartha’s one dilemma, she says, is presented by her son. Can she see the movie with him? The movie is rated R, which means, says the Motion Picture Association of America (MPAA), it “may include adult themes, adult activity, hard language, intense or persistent violence, sexually-oriented nudity, drug abuse or other elements, so that parents are counseled to take this rating very seriously.”
IN PICTURES: Oscar Nominees 2011
Now, in an apparent attempt to avoid such dilemmas by potential moviegoers and reach a wider audience, “Speech” producer Harvey Weinstein is reported to be planning to re-edit the film. The movie received an R rating due to two or three short but important scenes in which the king swears repeatedly in an effort to correct his stammer.
“The British numbers are huge because the rating lets families see the movie together,” Weinstein is quoted as saying in the British newspaper The Guardian. Director “Tom [Hooper] and I are trying to find a unique way to do this that keeps his vision of the movie.”
Weinstein, whose “ Shakespeare in Love ” won Best Picture in 1998, is considered to have top-tier marketing and movie instincts. But several critics say the idea of altering this movie is ill-advised. Some are criticizing the MPAA’s rating system for not being nuanced enough. The MPAA responds that its system is merely a guide for parents, nothing more.
“This is a very bad idea indeed. The movie is perfect the way it is,” says Wheeler Winston Dixon, editor of the Quarterly Review of Film and Video at the University of Nebraska, Lincoln . “When you try to recut the best film of 2010, the reason better be for artistic reasons or more enhancement. But this scene is the heart of the movie and is not gratuitous or for shock value. But the simple reason of trying to make more money is unconscionable and is a move that should not be countenanced.”
[ Editor's note: The above quote has been corrected. ]
The Guardian also reports that Weinstein, to attract wider crowds, plans to refocus attention on the friendship between the king and his therapist, with new advertisements.
The original descriptive line was “It takes leadership to confront a nation’s fear. It takes friendship to conquer your own.” Besides touting the film’s 12 Oscar nominations, new taglines will read, “Some things never go out of style: Friendship; Courage; Loyalty.”
“This seems like an odd tactic to me,” says Robert Elder , film columnist and author of “The Film That Changed My Life.” “It’s not like it hasn’t found its audience. I don’t know any 14-year-olds who are clamoring for an historical drama about a king with a stammer. When I go to an R-rated movie, I personally look forward to an audience not filled with teenagers.”
Dixon , Elder, and others point to the fact that many filmmakers manipulate their films prior to release to get a different rating or to deal with criticism. Responding to charges of anti-Semitism, Mel Gibson famously decided to not translate a particular line in 2004’s “ The Passion of the Christ .” Todd Solonz ’s 2001 “Storytelling” put red boxes over explicit sex scenes.
“I guess they could just bleep out the profanity like they do on cable TV for instance, and it wouldn't be too terrible,” says Picktainment.com ’s Phil Wallace . “Maybe they can do that in some theaters, but not in others.”
But “the real issue is the MPAA and its archaic rating system,” he says. The profanity is “somewhat essential to the story as it’s an honest depiction of individuals with stuttering problems. The swearing is used in the least offensive way of any movie I've seen and hardly deserving of an R-rating. Yet the MPAA continues to give PG-13 ratings to raunchy teen sex comedies which are far more offensive.”
The MPAA is going out of its way to remind moviegoers that the entire purpose of the rating system is to inform parents about content.
“This is not for critics or filmmakers or marketers,” says Elizabeth Kaltman , Los Angeles spokeswoman for the MPAA. “The criticism we hear about this system is generated by clever marketing executives who are trying to get buzz for their movies. It’s important to note that we rarely, if ever, get told by parents that our rating has been too restrictive and the movie should be more accessible to children. The R rating doesn’t ever mean that parents can’t take children to see a movie. All it says is ‘you parents should educated about this before you take children to the theater.’ ”
No one at the MPAA, says Ms. Kaltman, can ever remember a time when a filmmaker has tried to resubmit a film for a different rating after it has already been released. But occasionally, she says, that happens when a film is about to be sold on DVD.
Oscar buzz has already improved the fortunes of “The King’s Speech," says Harry Medved , spokesman for movie ticketing service Fandango.
“For several weeks in a row, ‘ The King's Speech ’ has been slowly but surely appearing among our top five ticket-sellers,” Mr. Medved says. “But on Tuesday it moved up to the top spot as Fandango's top ticket-seller of the day. You wouldn't expect any film with the words ‘King’ or ‘Speech’ in the title to be a true crowd-pleaser, but this little movie continues to pack select theaters across the country, and shows no signs of slowing down.”
Medved notes that according to historical accounts, the king really used the profanity as part of his therapy , and that in the movie “it makes for an amusing sequence.”
“Most informed and discriminating parents will know there’s just a tiny spot of profanity in the movie,” he says, “and they’ll take their older kids to see it regardless of the rating.”
The Weinstein Co. did not respond to several attempts for comment.
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Academy award nominees include colin firth and geoffrey rush for 'the king's speech', verbal energy higgins, logue, and 'the king's speech', review the king's speech: movie review, share this article.
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Color Scheme
“The King’s Speech,” a British film being touted as a leading contender for the best picture Oscar, is a delightful, heartwarming account of how a cheeky Australian speech therapist helped King George VI conquer a terrible stammer.
“Saw 3D” is the seventh installment in the torture-porn horror film series.
Yet according to the Motion Picture Association of America’s ratings system, both films are rated R – meaning no one under 17 allowed without a parent.
“Saw 3D,” which hit theaters last week, earned the designation for innumerable scenes of violence, torture and depravity.
“The King’s Speech,” which will be released at Thanksgiving, got it for one brief scene where the future king of England, encouraged by his therapist, utters a volley of swear words to cure his stutter.
Director Tom Hooper was appalled when he learned “The King’s Speech” had earned an R rating.
“What really upsets me is that the boundaries for violence have been pushed farther and farther back while any kind of bad language remains taboo,” he says.
“I’m a filmgoer as well as a filmmaker, and I know what it’s like to see something disturbing that puts an image into your head that you can’t get rid of. I felt that way in ‘Salt,’ when Angelina Jolie had a tube forced down her throat against her will to simulate drowning, and I felt the same way in ‘Quantum of Solace’ where Daniel Craig’s (testicles) are smashed in through a chair with no bottom.”
Yet the ratings board deemed those films PG-13 while giving “The King’s Speech” an R.
“What I take away from that decision,” says Hooper, “is that violence and torture is OK, but bad language isn’t. I can’t think of a single film I’ve ever seen where the swear words had haunted me forever, the way a scene of violence or torture has, yet the ratings board only worries about the bad language.”
The British Board of Film Classification initially gave “The King’s Speech” a 15 certificate, prohibiting kids under that age from seeing it.
But the board recently reconsidered and changed its rating to a 12A – England’s equivalent of a PG-13 – saying that the swearing was allowed because it was “not aggressive and not directed at any person.”
Joan Graves, who heads the MPAA’s rating board (officially known as the Classification and Rating Administration), argues against making an exception for “The King’s Speech.”
“We’ve made clear what our language guidelines are, and it’s not fair, in fact it would look arbitrary, if we threw it out for just one film,” she says.
The cost of borrowing has risen sharply in recent years, so when it comes to tackling a big expense, it’s important to know about the options.
Things that will make others say "What the F*ck".
The Kings Speech is a great movie, buy why the R rating? No violence, no nudity... Did they make it R due to a few swear words? Seriously? Did the single use the word fornication suddenly warrant an R by offending the clergy on the MPAA voting panel?
This seems completely idiotic, and is another great example of the BS revealed by the movie This Film Is Not Yet Rated Another great film I highly recommend.
This article details much of the nonsense with the MPAA.
Usher was honored with the lifetime achievement award at the 2024 bet awards, but his speech was plagued with sound issues. .
Usher was up in the club with his homies—but no one could hear.
The singer took home the Lifetime Achievement Award at the 2024 BET Awards on June 30, but his acceptance speech suffered from major tech issues . Fans noticed that large portions of his 10-minute speech were muted for unknown reasons.
As one fan wrote on X, "How they silence Usher’s whole speech like that."
Although some theorized that the network may have been muting expletives, one social media user quipped , "I know Usher ain’t cussing that much that they’re muting his whole speech. Like WTF!"
The silent speech sparked speculation about what the "Yeah!" artist could possibly have been expressing on stage.
"Why did BET put Usher on mute for the majority of his acceptance speech? Must have been some piping hot tea spilled!" one person said, as another user joked, "Is Usher telling industry secrets because the censoring is crazy."
Ultimately, many fans simply wished they could have heard the message the eight-time Grammy winner wanted to give after 30 years in the music industry.
"Usher is a living legend," one social media user shared . "I’m happy he got to get his flowers. While he’s still here to receive them. He dead deserves all the love. He’s still here killing it."
And the 45-year-old was grateful for the recognition, writing on Instagram ahead of the show, "30 years of U and I…My Day 1s! Thank U @bet for honoring me with the Lifetime Achievement Award and a tribute performance."
BET, meanwhile, addressed the sound issue the following day.
“Due to an audio malfunction during the live telecast, portions of his speech were inadvertently muted," a spokesperson told The Hollywood Reporter . "We extend our sincere apologies to Usher as we couldn’t be more grateful for his participation in culture’s biggest night. Fans can catch his full uninterrupted speech across BET platforms and tonight’s encore on BET.”
Earlier in the evening, Usher also took home the award for Best Male R&B/Pop artist, using his moment to shoutout his fellow fathers .
@myhoodmagazine Usher speech gets muted on BET AWARDS! #myhoodmagazine #betawards2024 ♬ original sound - My HooD Magazine
“It’s important to understand that fatherhood is so important,” Usher shared from the podium. “For all the fathers tonight at home or in the audience I would like for y’all to stand up just for two seconds for me. Far too often, we get to this moment and we say to our mothers, ‘Look Ma, I made it.’ We don’t get a chance to say enough, ‘Dad I did it.’"
He continued, "So, this one is for all of the men out there being generals to their sons, and motivation for our future Black leaders—young men.”
Read on to see all the stars in attendance to celebrate Usher and Culture's Biggest Night.
Halle Bailey
Victoria Monét
Taraji P. Henson
Killer Mike
T.I. (L) and Heiress Harris (R)
Keke Palmer (LC) and DivaGurl
Colman Domingo
Ty Dolla $ign
DC Young Fly
Karol Conká
Dominique Perry
Tamar Braxton
Kadeem Hardison (L) and Sophia Hardison (R)
Angela Simmons
Eric Bellinger (L) and La'Myia Good (R)
Marsha Ambrosius
YBN Almighty Jay
DJ Diamond Kuts
Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, an... Read all Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run. Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run.
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See who took home trophies at this year's BET Awards.
By Joe Lynch
The 2024 BET Awards took place on Sunday (June 30) at the Peacock Theater in Los Angeles. The show saw Taraji P. Henson hosting for a third year. Drake had the most nominations, seven in total. Usher received the lifetime achievement award during the live broadcast.
Here’s a complete list of the winners.
Chris Brown, 11:11
Gunna, A Gift & A Curse
Usher, Coming Home
Drake, For All the Dogs (Scary Hours Edition)
Killer Mike, Michael — WINNER
Nicki Minaj, Pink Friday 2
Beyoncé
SZA — WINNER
Victoria Monét
Brent Faiyaz
Bryson Tiller
Chris Brown
October London
Usher — WINNER
¥$, Ye, Ty Dolla $ign — WINNER
2 Chainz & Lil Wayne
Blxst & Bino Rideaux
Maverick City Music
Lil Durk feat. J. Cole, “All My Life” — WINNER
Beyoncé feat. Kendrick Lamar, “America Has a Problem (Remix)”
Nicki Minaj & Ice Spice (With Aqua), “Barbie World”
Cardi B feat. Megan Thee Stallion, “Bongos”
¥$, Ye, Ty Dolla $ign feat. Rich The Kid, Playboi Carti, “Carnival”
Lola Brooke feat. Latto & Yung Miami, “Don’t Play With It (Remix)”
Nicki Minaj feat. Lil Uzi Vert, “Everybody”
Usher, Summer Walker & 21 Savage, “Good Good”
Drake feat. Sexyy Red & SZA, “Rich Baby Daddy”
Megan Thee Stallion
Nicki Minaj — WINNER
Kendrick Lamar — WINNER
Bossman Dlow
Tyla — WINNER
Doja Cat, “Agora Hills”
Lil Durk feat J. Cole, “All My Life”
Drake feat. J. Cole, “First Person Shooter”
Victoria Monét, “On My Mama” — WINNER
Cole Bennett — WINNER
Dave Meyers
Janelle Monáe & Alan Ferguson
Tyler, The Creator
Shirley Caesar, “Award All of the Glory”
Kirk Franklin, “All Things”
Halle Bailey, “Angel”
CeCe Winans, “Come Jesus Come”
Erica Campbell, Do You Believe in Love?”
Maverick City Music, Naomi Raine & Chandler Moore, “God Problems”
Tems, “Me & U” — WINNER
Kirk Franklin, “Try Love”
Doja Cat, “Agora Hills”
Lil Durk feat. J. Cole, “All My Life”
Gunna, “Fukumean”
Muni Long, “Made for Me”
Victoria Monét, “On My Mama”
Chris Brown feat. Davido & Lojay, “Sensational”
Beyoncé, “Texas Hold ‘Em” — WINNER
Tyla, “Water”
Asake (Africa)
Aya Nakamura (France)
Ayra Starr (Africa)
Bk’ (Brazil)
Cleo Sol (UK)
Focalistic (Africa)
Karol Conká (Brazil)
Tiakola (France)
Tyla (Africa) — WINNER
Bellah (UK)
Cristale (UK)
Holly G (France)
Jungeli (France)
Makhadzi (Africa) — WINNER
Oruam (Brazil)
Seyi Vibez (Africa)
Tyler Icu (Africa)
Beyoncé, “16 Carriages”
Nicki Minaj feat. Tasha Cobbs Leonard, “Blessings”
Ayra Starr, “Commas”
Flo feat. Missy Elliott, “Fly Girl”
Megan Thee Stallion, “Hiss”
SZA, “Saturn”
GloRilla, “Yeah Glo!”
American Fiction
Bob Marley: One Love — WINNER
Renaissance: A Film by Beyoncé
Spider-Man: Across the Spider-Verse
The Book of Clarence
The Color Purple
The Equalizer 3
The Little Mermaid
Anthony Mackie
Colman Domingo
Damson Idris
Denzel Washington — WINNER
Donald Glover
Jeffrey Wright
Lakeith Stanfield
Angela Bassett
Ayo Edebiri
Danielle Brooks
Halle Bailey
Regina King — WINNER
Akira Akbar
Blue Ivy Carter — WINNER
Demi Singleton
Heiress Diana Harris
Jabria McCullum
Leah Jeffries
A’ja Wilson
Angel Reese — WINNER
Flau’jae Johnson
Juju Watkins
Naomi Osaka
Sha’carri Richardson
Simone Biles
Anthony Edwards
Gervonta Davis
Jalen Brunson — WINNER
Jalen Hurts
Kyrie Irving
Lebron James
Patrick Mahomes
Stephen Curry
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Justice Sonia Sotomayor said the Supreme Court’s 6-3 decision Monday to grant Donald Trump some immunity from criminal prosecution would make a president a “king above the law” in a scolding dissent.
Sotomayor issued her forceful dissent from the court’s conservative majority alongside Justices Elena Kagan and Ketanji Brown Jackson . In her dissent, Jackson wrote that the ruling “ breaks new and dangerous ground .” Chief Justice John Roberts accused the liberal judges of “fear mongering,” writing that their opinions “strike a tone of chilling doom” disproportionate to the court’s ruling.
The case, Trump v. United States , is the result of the former president’s appeal for absolute presidential immunity from prosecution for his actions while serving in the Oval Office. The court decided Trump has immunity for some of his conduct as president but that he can face criminal prosecution for unofficial actions, leaving lower courts to define what constitutes an “official” action.
The decision is seen as a political and legal win for the former president’s reelection campaign and is highly scrutinized in Sotomayor’s dissent.
“Today’s decision to grant former Presidents criminal immunity reshapes the institution of the Presidency,” Sotomayor wrote.
Read the full text of Sotomayor’s dissenting opinion below:
Rachel Barber is a 2024 election fellow at USA TODAY, focusing on politics and education. Follow her on X, formerly Twitter, as @rachelbarber_
COMMENTS
The atmosphere is light and pleasant, even if the prince's initial speech is painful to watch at seeing him so publicly embarrassed. There are also other difficult moments, but nothing disturbing or shocking. The King's Speech relates to speech for war. King George V is shown dead in his bed. Many war themes.
Parents need to know that The King's Speech is an engrossing, fact-based drama that's rated R primarily for a few scenes of strong language (including one "f"-word-filled outburst). It has inspiring and empowering messages about triumphing over your fears. An indie about a king who stutters might not seem like typical adolescent fare, but don't judge a movie by the brief synopsis: Teens will ...
The King's Speech Rating & Content Info . Why is The King's Speech rated R? The King's Speech is rated R by the MPAA for some language.. Violence: Child neglect/abuse is mentioned. Sexual Content: A man's sexual relationship with a married woman is discussed.A man makes obscure sexual comments to a woman on the phone. References are made about a woman's sexual skills.
"The King's Speech" is a wonderful movie that is great for teens to see. This movie is not deserving of an R-rating. The profanity only took up one brief scene, and was used in a therapeutic context. Teens should seen this movie instead of "The Hunger Games."
"THE KING'S SPEECH" (2010) (Colin Firth, Geoffrey Rush) (PG-13/R) REVIEW NOTE: The following is the review for the original R-rated version of this film released in 2010. In April 2011, a PG-13 version was released but not made available for review. Unconfirmed reports state the footage is exactly the same with the exception being that the "F ...
The King's Speech R Released Jan 28, 2011 1h 58m History Drama List. 94% Tomatometer 305 Reviews 92% Audience Score 100,000+ Ratings England's Prince Albert (Colin Firth) must ascend the throne as ...
The King's Speech is a 2010 historical drama film directed by Tom Hooper and written by David Seidler. Colin Firth plays the future King George VI who, to cope with a stammer, sees Lionel Logue, an Australian speech and language therapist played by Geoffrey Rush.The men become friends as they work together, and after his brother abdicates the throne, the new king relies on Logue to help him ...
"The King's Speech" tells the story of a man compelled to speak to the world with a stammer. It must be painful enough for one who stammers to speak to another person. To face a radio microphone and know the British Empire is listening must be terrifying. At the time of the speech mentioned in this title, a quarter of the Earth's population was in the Empire, and of course much of North ...
So "The King's Speech" gets an R — the same rating, the L.A. Times' Patrick Goldstein points out, as "Saw 3D." Tom Hooper, director of "The King's Speech," spoke about his ...
"The King's Speech," a buddy story about aggressively charming opposites — Colin Firth as the stutterer who would be king and Geoffrey Rush as his speech therapist. ... Rating PG-13 ...
A postscript: The Weinstein Company initially sued the MPAA for assigning The King's Speech an R rating, arguing that, in fact, context was the end of the discussion. "While we respect the MPAA," said owner Harvey Weinstein, "I think we can all agree that we are living with an outdated ratings system that gives torture porn, horror and ...
The King's Speech U.K Production: A Weinstein Co. (in U.S.) release presented with U.K. Film Council of a See-Saw Films/Bedlam production in association with Momentum Pictures, Aegis Film Fund ...
The King's Speech delivers solid drama with a rousing climax - a fully satisfying and uplifting period piece that achieves its dramatic potential without sacrificing historical accuracy. ... The MPAA, in its infinite wisdom, has chosen to saddle The King's Speech with an R rating, believing there are too many "fucks." Jack Nicholson got away ...
Great film, excellent message. Violence is not present in any scene of the movie. Sex/drinking are hardly a concern for older children. Swearing is the only issue; one scene contains about ten uses of "f—k". If you skip this scene, you will be watching content worthy of a mild PG-13 rating.
Full Review | Original Score: 4/4 | Aug 3, 2023. With impeccable period detail accompanied by a few great performances, The King's Speech is a crowd-friendly, uncomplicated film with a big heart ...
The MPAA's decision to give "The King's Speech" an R looks even worse after what happened recently in England. The British Board of Film Classification, the country's movie ratings group ...
The King's Speech is quite ludicrously rated "R" for only one scene in which the future King therapeutically screams out the F-word multiple times after Logue figures out that he's able to scream such obscenities without stammering. It's a perfectly appropriate scene, and there's nothing else within the film that gives justification to its R ...
Original Title: King's Speech , The. Some films turn out to be unexpectedly good. Not that you've written them off, only they ply their craft on the hush-hush. Before we even took our seats ...
'The King's Speech' was given an R rating solely for the use of profanity in some key scenes. As the producer reportedly considers re-editing the Oscar-nominated movie, the idea is getting poor ...
"The King's Speech," a British film being touted as a leading contender for the best picture Oscar, is a delightful, heartwarming account of how a cheeky Australian speech therapist helped ...
The King's Speech does underplays Edward's flirtation with Nazism both before and after the outbreak of hostilities in September 1939 and neglects to mention George's support for the policy of appeasement pursued by Neville Chamberlain when he became prime minister after Stanley Baldwin resigned in May 1937. I know, Hollywood obviously took ...
Often people with severe speech impediments can swear freely, because a different part of the brain is involved or something. I would guess that the speech therapist character in the film suggests swearing as a therapy. In the US if you say Fuck more than one time, you get an R. I assume they say Fuck more than once.
Fans can catch his full uninterrupted speech across BET platforms and tonight's encore on BET." Earlier in the evening, Usher also took home the award for Best Male R&B/Pop artist, using his ...
U.S. President Joe Biden incorrectly read the words "end of quote" from a teleprompter during a speech on July 1, 2024. Rating: False (About this rating?) On July 1, 2024, numerous online users ...
Despicable Me 4: Directed by Chris Renaud, Patrick Delage. With Steve Carell, Pierre Coffin, Will Ferrell, Sofía Vergara. Gru, Lucy, Margo, Edith, and Agnes welcome a new member to the family, Gru Jr., who is intent on tormenting his dad. Gru faces a new nemesis in Maxime Le Mal and his girlfriend Valentina, and the family is forced to go on the run.
Killer Mike, Michael — WINNER Nicki Minaj, Pink Friday 2 Best female R&B/pop artist. Beyoncé Coco Jones. Doja Cat. H.E.R. Muni Long. SZA — WINNER. Tyla. Victoria Monét. Best male R&B/pop artist
President Joe Biden and former President Donald Trump don't shake hands at the beginning of the first Presidential debate Thursday.
Justice Sonia Sotomayor said the Supreme Court's 6-3 decision Monday to grant Donald Trump some immunity from criminal prosecution would make a president a "king above the law" in a scolding ...