published personal essays

80 Best Magazines & Websites That Publish Personal Essays

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love, 2. the new york times – opinion essays.

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

6. the globe and mail.

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

14. buzzfeed reader.

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

16. the bold italic.

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

22. the walrus.

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

25. catapult, 26. jezebel.

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

29. briarpatch magazine, 30. maisonneuve.

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

32. hazlitt.

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

34. geist magazine.

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

36. eater voices.

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

39. conde nast traveler, 40. boston globe ideas.

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

42. huffpost personal.

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

44. biostories.

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

49. marie claire.

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

54. harper’s magazine.

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

56. the new england review.

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

59. zoetrope: all-story, 60. american short fiction.

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

62. boulevard magazine.

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

64. the antioch review.

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

69. bennington review, 70. epoch literary.

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

74. the georgia review.

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

77. triquarterly.

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

79. longreads.

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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5 places to submit your personal essays

The best stories often come from real-life experiences. If you enjoy writing personal essays, consider submitting your work to one of the publications on this list. (Fiction writers and poets, there are some gems for you here too.) All the journals on our list are currently open for submissions and none charge fees.

Note: We are a creative writing school and compile these lists for the benefit of our students. Please don’t send us your publishing queries or submissions :). Click on the links to go to the publication’s website and look for their submissions page.

Adelaide Literary Magazine accepts personal essays and narrative nonfiction (up to 5,000 words) written in English and Portuguese. You can also submit short stories (up to 5,000 words) and poetry (up to 5 pieces per submission). They publish online once per month and generally respond within two months.

bioStories focuses exclusively on personal essays (500-7500 words). They publish essays on nearly any topic and are especially interested in work that celebrates the extraordinary within the ordinary. Pieces are published as they are accepted, and the editors generally respond to submissions within two months.

HuffPost Personal wants personal stories from writers of diverse experiences and welcomes essays on nearly any topic so long as they’re told with an authentic voice and point of view. There are no specific word limits, but writers are asked to pitch the editors before submitting their piece for consideration.

Quarter After Eight is an online literary journal published once per year. The editors are seeking work that ‘directly challenges the conventions of language, style, voice, or idea’. In addition to essays and creative nonfiction (no specific word limits), they also accept flash fiction, short stories (up to 7,500 words), and poetry (up to 4 pieces per submission). Submissions are open through 15 April 2021, and the average response time is 2-3 months.

The Rappahannock Review is an online literary magazine that publishes twice per year. In addition to essays and creative nonfiction (up to 8,000 words), they’re also looking for flash fiction, short stories (up to 7,500 words), and poetry (up to 5 poems per submission). They generally respond within one month.

3 responses on "5 places to submit your personal essays"

Just found this- Thanks for the info!

Hi, thank you very much for sharing this useful information. Now, I know where I can submit my personal essays. Writing essays make me occupied with writing and reading everyday.

Thank you! I was looking for places to submit personal essays!

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How To Publish Personal Essays – From Small Press To Collections

• by Robert Wood
• June 1, 2015
• One Comment

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Though they get less press than novels and short fiction , personal essays actually have one of the most welcoming markets in publishing. Dedicated essayists have a great chance of seeing some form of publication, so long as they’re willing to put the work in and understand the marketplace.

That’s why in this article I’ll be exploring the ins and out of publishing your personal essays, starting with how you can secure publication on the lowest rungs of the industry ladder, and then leading up to the anthology or collection publication of multiple essays. But whether you’re a writer of novels, plays, or personal essays, the first piece of advice will always be the same…

Read, read, read

As with any art form, there are trends in the personal essay market. It’s also the case that most publications will have preferences about things like tone, length, subject, and structure. Because of this, whether you’re writing essays in general or for a particular publication, the first step is reading as many as you can get your hands on.

Your research should be focused, however. Reading the great essays , collections by writers such as George Orwell or Oscar Wilde , is of course a good idea but the bulk of your reading needs to be targeted at the sort of publication you’re writing for.

There are many kinds of small touches, technicalities of rhythm and pace, which can only be learnt by reading good examples, but most publishers won’t just be interested in whether your work is good – they’ll be interested in whether or not your work suits their publication. The key is to study their publications relentlessly, first deliberately striving for the ‘feel’ of the work they publish and then gradually allowing it to become a natural style.

This sounds difficult, and at first it will be, but there are two facts which should make beginner essayists feel better:

• The ability to assume a style is one which gets easier and easier with practice. The more different styles you learn, the easier you’ll find the whole process, and very quickly you’ll have a wardrobe full of styles you can slip into to suit the occasion.
• Generally speaking, the better established the publication the less strict they’ll be about conforming to a set style. The demands on quality go up of course, but publications with existing industry and readership respect will be less concerned with the safety of conformity, and more concerned with showcasing the best of your unique talents.

It will take a while for these facts to come into play, but you should feel reassured that however difficult you find it starting out, that’s as difficult as it gets.

Reading should be a constant through your attempts to gain publication, but what you read should change according to where you are on the essayist’s pyramid.

The pyramid

The essayist’s pyramid is a way of combining the different levels of essay publication with the work it takes to move from one to the next. The pyramid basically consists of four levels. At the base are local and specialist publications, the next level up is regional publications, then national and international publications, then successful collections.

The pyramid doesn’t just represent a hierarchy; it’s a guide to progressing from one level to the next. One of the biggest deciding factors in whether a publication will consider your work is your reputation and publication history. Because of this, it’s necessary to have a lot of local publications under your belt before you contact a regional publication, a lot of regional publications before you try for national, and finally to be a frequently published national essayist before you can expect to be successful with a collection of essays.

Self-publishing gives you the ability to skip any of these steps, releasing your work to the world through blogging or e-books. While these are valid routes they’re unlikely to lead to success on their own unless you have a unique viewpoint or presentation. Instead it’s advisable to view websites as you would any other publication. Yes all websites are available to anyone, but realistically they still fall into a structure so similar to ‘local / regional / national’ that they can be discussed in the same breath. Once you have a few essays on a few minor websites you can try moving up, and keep going until there’s sufficient audience to follow you to your own online venues and digital publications.

So now we’ve looked at the route essayists can take to success, it’s time to discuss how they can get started.

Finding publications

The more local a publication the more likely they’ll be to publish you. This isn’t just a matter of circulation, but it doesn’t hurt. A sense of community + a small pool of potential talent = welcoming publishers. For the same reason specialist magazines, those which deal with a specific realm of subjects, are likely to be similarly well disposed towards your work.

Local publications can be found… well… locally. Eateries, libraries, and healthcare centers are good places to search. Established local publications, especially newspapers, will often have adverts for less well-known magazines.

If you’re working online then it’s just a matter of searching around and gauging which publications will be most appropriate for your work. Either way this approach is one which works all the way to the top of the pyramid. Regional publications will contain adverts for local ones, and national magazines are a good source for regional publications.

Each block of the pyramid stays aware of the block below (everyone wants to know where the talent is coming from), and so the more you work the more recognizable you’ll be to those you need to contact next.

The submission system

As I mentioned in my article on publishing short fiction, if you’re serious about publication then you need to establish a system where you’re always submitting and waiting to hear back about a submission.

Waiting to hear back from one publication before submitting to another is wasted time. Ideally you should have a few articles ready to go ‘out’ when you begin, then spend the time before you hear back writing more.

Every writer experiences more rejection than acceptance (mainly because the same piece can be rejected a hundred times, but only accepted once.) You shouldn’t be disheartened, but equally you shouldn’t let any necessary rejections on your road to success waste time you could spend succeeding.

Reading, writing, and submitting are a constant process. Getting published is a job, and it’s one you have to keep showing up for. Do so, though, and you can reach the achievement every essayist dreams of…

Collections and anthologies of personal  essays

‘Anthologies’ are collections of essays in which your work can be featured, whereas you can publish a ‘collection’ made up entirely of your own work.

To make it into an anthology you need to scour literary magazines for one with a theme you think you’d suit. Here the need to tailor your writing to the publication in question is more important than ever. Hang a list of their guidelines in your writing space and stick to it . Anthologies gather most of their audience based on interest in the overall theme, so deviating from it will get your work quickly dismissed.

If you’ve worked your way up the pyramid those who have already featured your work will likely be thrilled to trumpet your achievements, so if you do make it into an anthology make sure to contact former publishers. They may want to advertise your work, or even have you write something.

This is doubly the case when you publish a collection all your own, as there will be fewer other sources of exposure. Thankfully former publishers will almost always be genuinely happy to acknowledge your success, and it will also help their own prestige to be associated with a successful author. Collections are almost always the exclusive preserve of famous essayists – the kind you see week-to-week in national newspapers – but there is a healthy market for self-published collections by lesser-known but established authors, especially when they deal with specialist topics. Whether you’re a beer brewer, a trout fisher, a doll collector, or really almost any kind of hobbyist, there’s a niche for your work already waiting.

Building the pyramid

As I said before, finding some form of publication is just a matter of hard work. Moving up the pyramid you need to keep experimenting with your style and making sure that the work you’ve done on one level supports what you’re attempting to do on the next. A firm base is vital, and is the greatest tool in what have to be constant efforts to improve both your art and the places it can be found.

Above all, remember these three things:

• Always be reading, writing, and submitting.
• Write with your publication of choice in mind.
• Keep building.

For more advice on the logic behind entering competitions and anthologies try Should you enter a writing competition? Or for how to build an email list, a must for writers who will be moving from publication to publication, check out Why you need to have an email list right now .

Robert Wood

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Personal essays are as much about the readers as the writers. While all the essays in this list demonstrate exceptional writing—each piece struck a distinct chord with the editor who chose it. For Seyward, it was an essay on grief. For Krista, a piece on community experience. Peter was drawn to video game writing ( Red Dead Redemption 2 !), Cheri to the immigrant experience and caring for loved ones, and Carolyn to the fear of missed opportunities as we age (and a vicious jungle tick).

We hope you find a piece to resonate with you as you read these beautiful personal stories.

Ahead of Time

Kamran Javadizadeh | The Yale Review | June 12, 2023 | 3,285 words    

Grief is unpredictable. Sometimes it stabs you, sometimes it suffocates you; when it isn’t making you weep or scream, it’s leaving you numb. Grief is also unfathomable: we cannot see, much less reach, the edges of the permanent absence of someone we love. “Grief may be the knowledge … that the future won’t be like the past,” Kamran Javadizadeh writes in this exquisite essay about the death of his sister, Bita. “Like water to the page, it spreads in all directions, it thins the surface, it touches what you cannot touch.” Javadizadeh reflects on his grief through the lens of poetry he encountered during the experience of losing Bita: a volume of Langston Hughes he located in their shared childhood bedroom; a copy of  The Dead and the Living  by Sharon Olds, filled with Bita’s notes from college; a Hafez verse that Bita texted to him one day. The best poetry is not unlike grief: it is vast, complex, elusive. And in reading verse, Javadizadeh shows, we can find lessons for mourning. I’ve thought about this essay countless times since I read it last summer, and I suspect I will reread it many times in the years to come. — SD

The Butchering

Jake Skeets | Emergence Magazine | June 22, 2023 | 3,901 words

Consider what it means to truly feel full—with a full stomach and a full heart—when your physical and spiritual hungers are satiated for a time. Diné poet Jake Skeets mulls these layers of resonance in his beautiful essay “The Butchering,” in which he prepares to kill a sheep for “the Kinaałda. . . .loosely translated as the Diné puberty ceremony.” For Skeets and members of his Indigenous community, story is wonderfully entangled with preparing the food that will nourish his family both physically and spiritually. Community members teach and learn interchangeably, switching roles naturally in a space of safety, free from shame. Skeets meditates on the open mindset needed to fully participate; sometimes he is a child, earning knowledge passed on from family and sometimes he is an uncle, offering an example for others. There’s a slowness to savor in Skeets’ writing, a gentle quickening you observe in the essay as he educates you on what it takes to sustain his community and their Indigenous way of life. “The next time I butcher I’ll have my own story to tell, my own memory to share, knowledge to offer. One more voice to add to the chorus on those nights when you’re out in the desert under the night sky, no sound for miles, just the moon and the ground beneath you, reminding you it’s all real. That and your full stomach. Generations heard through wind, the air, the stirring gleaming stars. All that knowledge, all that story, all that beauty,” he writes. Be sure to make time for this piece; it will ignite your sense of wonder and spark your curiosity, feeding you in a way that’s truly satisfying. — KS

We’re More Ghosts Than People

Hanif Abdurraqib  |  The Paris Review  |  October 16, 2023  |  3,922 words

Not long after I started at  Longreads , I put together a reading list  detailing some of my favorite pieces of video game writing  over the previous decade. If people could enjoy reviews of movies they haven’t seen, I reasoned, then they could do the same with gaming criticism and journalism—even if they’d never held a controller. That conviction hasn’t wavered in the years since; however, this year brought a piece powerful enough to vault back through time and land on that list. Hanif Abdurraqib’s  Paris Review  essay (which also appears in the newly published collection  Critical Hits ) is nominally about the experience of playing  Red Dead Redemption 2 , Rockstar Games’ critically acclaimed title set in the American West in 1899. The word “nominally” carries more weight than usual, though. In Abdurraqib’s able hands, the game instead becomes a portal to grief and salvation, futility and loss. Some characters can’t be redeemed by virtue of their programming. Others can. The trajectory of the character of  you  is another story altogether. “If there is a place of judgment where I must stand and plead my case for a glorious and abundant afterlife, I hope that whoever hears me out is interested in nuances, but who’s to say,” Abdurraqib writes. “I don’t think about it, until I do.” As with the very best of arts writing, this meditation teases apart its medium’s limitations to find the universal truths and questions embedded within. No virtual revolver necessary. — PR

A Mother’s Exchange for Her Daughter’s Future

Jiayang Fan | The New Yorker | June 5, 2023 | 6,197 words

Jiayang Fan was 25 when her mother was diagnosed with ALS. She writes: “The child became the mother’s future, and the mother became the child’s present, taking up residence in her brain, blood, and bones.” This was the first personal piece Fan wrote after her mother’s death; it’s a devastating tale of the immigrant experience in America, of illness, of the intimate and complicated relationship between a mother and daughter. Fan’s descriptions of her bedridden mother range from exquisite to grim to satisfyingly peculiar. She is “shipwrecked in her own body,” with skin like “rice paper” that will inevitably tear. Even a line detailing how literal shit excretes out of her mother’s body—a “rivulet” down the “limp marble of her thigh”—manages to read beautifully. Fan writes with vulnerability about caring for an elderly loved one, love and sacrifice, the intertwining of two lives, and the story about them that’s ultimately written. I had to pause and collect myself a number of times as I thought about my own aging mother, and the decisions made over the course of our lives that have made us who we are. “One creature, disassembled into two bodies,” Fan writes of their shared life. This is extraordinary writing that hit me in a spot deep within. — CLR

How I Survived a Wedding in a Jungle That Tried to Eat Me Alive

Melissa Johnson | Outside | July 18, 2023 | 4,273 words

A key sentence in this essay goes as follows, “Behold my nightmare: a tick has bitten my vagina.” The incident—relayed with “the gravitas of Obi-Wan Kenobi describing the destruction of planet Alderaan”—occurs in 2017, while Melissa Johnson is enduring a five-day trek in northern Guatemala to attend the wedding of two ex-military women. (She reflects on how during the days of Trump America, the middle of the jungle felt a safer spot for such nuptials.) Johnson embarks on this quest fresh from harvesting her eggs. Single at the age of 39, she is not only wrestling ticks from her “holy garden” but with her fear of missing out on love and motherhood. Trudging along the soggy trails, Johnson dwells on her cloudy future with trepidation. But, by the time she is released from the jungle’s insect-infested innards, she has come to terms with the fact that she is an adventurer—someone comfortable with the unknown. This piece has many layers: an adventure story, a character study of people with names such as “Tent Dawg,” and a thoughtful take on aging and motherhood. It’s also just plain funny. I loved going through the jungle with Johnson, and I also loved the last sentence of her bio:  She had a baby girl in March.  — CW

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17 Personal Essays That Will Change Your Life

Think essays are just something boring you write for class? These masterpieces will make you totally reconsider.

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1. "Goodbye To All That" – Joan Didion

The final piece in one of her two most beloved collections, Slouching Towards Bethlehem , this essay contains everything there is to love about Didion — her sharp eye, her unbelievable concision, her expression of emotions that are real and contradictory. It follows her arrival in New York and her departure eight years later, and in so doing discusses the city and youth — and the romantic lies that both are. She writes: "... I was in love with New York. I do not mean 'love' in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and never love anyone quite that way again."

2. "Mr. Lytle, an Essay" – John Jeremiah Sullivan

Sullivan has become one of the most talked about magazine writers of the last few years. This piece, which you can read online at the Paris Review , and was collected in his highly recommended book, Pulphead , is one of his best. It discusses, with such grace, being mentored in his twenties by once-famous Southern Renaissance writer Andrew Lytle. It's a meditation on art and futility, the Old South, and the sheer strangeness that can be relationships between men.

3. "Once More to the Lake" – E.B. White

Recognized for his children's literature (including Stuart Little and Charlotte's Web ) and popularizing Strunk's The Elements of Style , White was also an accomplished essayist. "Once More to the Lake" follows White and his son to Maine, where they spend a week along the same lake White visited with his father as a boy. It is one of the most moving reflections upon fatherhood, summertime, America, and mortality ever crafted. You can find it in many anthologies and in The Collected Essays of E.B. White .

4. "Ticket to the Fair" – David Foster Wallace

Those who knock Wallace for his verbosity — or associate him merely with a liberal use of footnotes — haven't read one of his classic essays through to the end. This one, which you can read online at Harper's or in his collection A Supposedly Fun Thing I'll Never Do Again , follows him home to Illinois, specifically to the state fair there. Laugh-out-loud hilarious and almost ridiculous in its level of detail, it explores the author's fractured identity, the Midwest versus the East Coast, and the American experience at large.

5. "A Few Words About Breasts" – Nora Ephron

Published in Esquire in 1975, this is the best-known essay by the late, great screenwriter and essayist. While she renders the experience of being flat-chested in the '50s with incredible humor and pathos, it is the essay's ending — the shock of it — that makes this unforgettable.

6. "Self-Reliance" — Ralph Waldo Emerson

One of Emerson's most influential essays, you can read it online or in nearly every collection of his works. While his prose's formality may be a shock at first, what he says he says with great clarity and to the great empowerment of his reader. It is a declaration of the fact that true happiness, in oneself and all relationships, must spurn from self-love and honest expression: "I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to deserve that you should."

7. "Here Is a Lesson in Creative Writing" – Kurt Vonnegut

Though it's collected in his great and final collection of essays, Man Without a Country , you can read an adaptation online at Lapham's Quarterly . While it's a must-read for aspiring creative writers, it's about more than writing — much, much more — despite its brevity and characteristic Vonnegut wit. It opens with the best slam of the semicolon ever.

8. "Notes of a Native Son" – James Baldwin

The titular essay from this collection — which honestly you should just read — is an ambitious and candid discussion of the passing of his father during a time of great racial turmoil. It opens: "On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father's funeral, while he lay in state in the undertaker's chapel, a race riot broke out in Harlem. In the morning of the third of August, we drove my father through the graveyard through a wilderness of smashed glass."

9. "The Invisible Made Visible" – David Rakoff

David Rakoff died a little over a year ago at the too-early age of 47. Just a few months prior, he read this essay about his cancer, his imminent death, and dancing, aloud as part of This American Life 's live show. As always with Rakoff's work, it was funny, painful, and revealed the author's intense love of the English language. Warning: When you watch this video , you will laugh audibly, several times, and you might cry.

10. "The Death of a Moth" – Virginia Woolf

The briefest — and perhaps densest — essay on this list, "The Death of the Moth," on its face, is about exactly that: Woolf notices a moth caught in her window and witnesses its death. Read it online and then read it again, and again.

11. "Total Eclipse " – Annie Dillard

This much-anthologized meditation follows Dillard and her husband as they drive to a mountaintop in Washington to witness a total eclipse — that rare event when the sun becomes entirely obscured, turning day briefly into night. Dillard's rendering of this experience showcases her enviable abilities to both observe and describe. It's collected in Teaching a Stone to Talk .

12. "Sliver of Sky" – Barry Lopez

Well-known nature writer Barry Lopez shocked many when he published this essay in January, in which he confessed being raped throughout his adolescence by his mother's sometime boyfriend. It is an affecting and horrifying portrait of what it is to be a victim of sexual abuse. Unfortunately you do have to be a Harper's subscriber to read it (for now).

13. "Shooting an Elephant" — George Orwell

Prior to penning 1984 and Animal Farm , Orwell was posted as a policeman in Burma, where he once had to shoot a rampaging elephant. The resultant essay, published in 1936, is a condemnation of imperialism — and his own selfish desire to not be implicated by it. Read it online or find it in the collection of the same title .

14. "Shipping Out" — David Foster Wallace

Yes, Wallace deserves two on this list. Also collected in A Supposedly Fun Thing I'll Never Do Again and originally published in Harper's , this is another travelogue turned existential rumination that shows unabashedly and hilariously the horrors of society (this time via a cruise ship) and really says more about the author himself.

15. "The Braindead Megaphone" – George Saunders

Saunders is more famous for his fiction (like many of the folks on this list) but that doesn't mean his essays are not fantastic. The first in the eponymous collection , "The Braindead Megaphone" takes on the current political and media climate in America that will make you shake your head in a I've-always-thought-that-but-never-really-put-it-that-way-myself way.

16. "We Do Abortions Here" — Sallie Tisdale

Tisdale was a nurse at an abortion clinic when she published this essay in 1987. She writes honestly and movingly about something she knows few want to think let alone read about. "There is a numbing sameness lurking in this job," she says, "the same questions, the same answers, even the same trembling tone in the voices. The worst is the sameness of human failure, of inadequacy in the face of each day’s dull demands." Read it for free online .

17. "The White Album" — Joan Didion

Of course Didion also gets two on this list. If you have not read this classic, do so now. It tracks our culture's — and the author's — transition out of the cataclysmic era that was the late '60s into something else much darker. It also contains an unforgettable image of Jim Morrison wearing black vinyl pants. Find it in the collection of the same name.

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7 publications that pay well for personal narrative essays

Despite The New Yorker declaring that the personal essay boom was over in 2017, I’ve seen the opposite. Whenever I look on Twitter, I see callouts from editors for candid, revealing and thought-provoking first person pieces. For freelance writers, the advantage of writing a personal narrative essay is that you are drawing on your own experience, so there is very little need for external research or case studies. Many writers also say that writing down their own experience and sharing it with others feels validating, affirming and therapeutic.

Before I became a full time freelancer , I wrote quite a few personal narrative essays.

Why? Because personal narrative essays are one of the fastest and easiest ways to get published.

When I was writing my first-person pieces, I found numerous articles about how to sell personal essays in the age of over-sharing   and how to write compelling first person pieces for major publications.

I quickly learnt that if you are willing to open up and share your own experience, you can be compensated well for it.

And if you’re interested to learn more about how to write a personal essay (and how to get paid for it!) I’ve created the ultimate guide to step you through the process.

It takes you through:

• Choosing the perfect topic for a personal essay
• How to start a personal essay (including what to do and not to do and examples of banging beginnings)
• Common mistakes people make when writing first-person narratives
• How to write a compelling personal essay that keeps people reading right to the end
• Examples of great personal narrative essays
• How to pitching your story to an editor
• And lots more!

The guide also includes 15+ paying markets for personal narrative essays, but I know that it can be tricky to find publications that accept freelance submissions.

The good news is that there are plenty of online and print publications looking for personal essays.

So if you have a personal story you want to share, where can you pitch it?

If you’re a writer who has had a book published, it’s definitely worth pitching to Allure (a magazine predominantly for women about beauty) as they pay up to $3,000 for personal essays up to 2000 words.

For those mere mortals among us who haven’t written a book, the rate for personal essays seems to be more like $250 – $500.

Glamour is another women’s magazine that heavily focuses on beauty, fashion and entertainment stories. Personal essays published by Glamour are reported to fetch around $2/word.

3. The Guardian

You have to love an editor who puts what she wants from writers out there and Jessica Reed from The Guardian certainly delivers. For beautifully written personal essays, The Guardian reportedly pays 60c/word.

4. Marie Claire

If you’ve got something compelling, insightful, intimate, funny, relatable or awkward to say about your love or sex life, then a personal essay directed to Marie Claire might be just the ticket. Writers report that Marie Claire pays $2/word.

Are you spotting a theme here? Women’s magazines love personal essays. If you want to write first hand experience about fitness, food, health or culture, it’s worth pitching to SELF magazine, who pay up to $700 for 2000 words.

A dynamic site covering world affairs, pop culture, science, business, politics and more, Vox pay around $500 for personal narrative essays. What’s even better is their clear pitching guidelines for their First Person section .

7. News.com.au

If you feel like a sharing a real life story like this one , you can pitch to the lifestyle vertical on the Australian website news.com.au. Writers are reportedly paid around $500 for a post.

Great examples of personal essays

You could spend years reading all the personal narrative essays that get published, but here are my picks for some of the best:

My washing line is heavy with the weight of our ash-ridden tent hung out to air. I wonder if the smell of smoke will ever be gone. I have no recollection of the tent being packed away – I was focused on the children, keeping them calm. All I know is that we’d never packed up a campsite so damn quickly. But then, we’d never fled a bushfire.  You can read the rest of the article here.

  “I love you so much.” Those whispered words make everything better – and when my soul mate and husband died, five years ago, I truly believed I would never hear them again.  You can read the rest of the article here.

My epiphany came, like many of them do, while I was taking a dump. Specifically, it came while I was trying to take a dump in the woods after three years of struggling with gastrointestinal issues. It went something like this: you don’t need to be gluten-free anymore. You just need to relax.  You can read the rest of the article here.

The rules for pitching a personal essay are much the same as when you query an editor for any other kind of writing assignment.

You just need a strong hook and engaging writing style.

The writers I know who create personal narrative essays love it.

They feel free and are absolutely thrilled when readers respond to their articles with “me too!”

After all, isn’t the point of writing to reach and connect with others? Personal essays tend to do that in a very special way.

Do you write personal narrative essays? Have you found other well-paying markets?

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29 Publishers that Pay for Personal Essays

For those who have a true story to share, this list is for you. It’s a list of publishers that pay for personal essays.

I’ve included a wide variety of publications here. All of them pay for the essays they publish. You’ll find contact information, as well.

For those interested in learning more about writing and publishing personal essays, I highly recommend watching my hour long discussion with the editor of HuffPost Personal. (Essays published in HuffPost often reach millions of readers.)

Also, for those looking for even more options, you may want to look into literary journals that publish creative nonfiction. Literary journals tend to want submissions of complete drafts, and are less likely to pay, but are still a good option for many writers. Authors Publish has an older list of such journals here.

For paid subscribers, if you have any requests, in terms of future lists you would like me to put together, please let me know! (This list was requested by a subscriber.)

Open Secrets is an online magazine (hosted by Substack) that publishes memorable and revealing personal essays on the topics we are taught to keep “secret.” They are open to essays (1,000 to 1,500 words) on all personal experiences. They pay authors $100 per essay. For more information, refer to this page .

The Doe is a digital publication that shares anonymous, verified personal narratives to promote civil discourse. They are accepting pitches for stories from voices across the spectrum, including first-time writers. They publish anonymous, first-person narrative pieces and personal, verified non-fiction pieces full of vivid anecdotes. They want writers to keep their drafts to 500-700 words. According to their Twitter post, they pay around $100-300 per story. To learn more, visit this page .

HuffPost Personal is a personal stories section in HuffPost (a news and opinion website). Their personal stories are “original, authentic, compelling and told in the first person.” To pitch, refer to this page . Watch our interview with the editor here.

Oh Reader is a print and online magazine about reading. They are “looking for stories about your experiences as a reader, insight into the effect of reading on humans, humorous takes on the world of words, and anything else you as a reader or writer might be interested in sharing.” They pay a flat rate of $200 per published article. Details here .

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25 Great Nonfiction Essays You Can Read Online for Free

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

View All posts by Alison Doherty

I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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20 Places to Read Great Personal Essays

There has been a lot of discussion in writing circles recently about the fate of the personal essay. I say recently, but in fact this is a debate that has been going on for a long time. Virgina Woolf, always ahead of her time, was grumbling about personal essays as long ago as 1905 .

Anyway, back in May, Jia Tolentino wrote a piece in the New Yorker arguing that The Personal-Essay Boom is Over  (and then, ironically enough, sold a collection of her personal essays to Random House). It spawned many thoughtful and interesting responses, including this feminist defence of the form by New School Professor Susan Shapiro, this wonderful piece about parenting essays by Lauren Apfel at Motherwell , and this piece by Kath Kenny in The Conversation .

If you’ve grown up online, as I have, you will likely have read hundreds, if not thousands of personal essays. It’s true that many of them – the poorly written, exploitative clickbait articles that were the focus of Laura Bennet’s excellent Slate piece back in 2015 – should never have been published.

But it’s also true that a well written personal essay can be a truly beautiful thing. I have a folder on my desktop of saved pieces that I return to again and again: astonishing, illuminating essays about what it means to find your home, to be a mother, to love and laugh and live.

With that in mind, I thought I’d put together a list of my favourite sites for reading personal essays, along with a link to one of my favourite essays on each site. I hope you enjoy exploring them: there’s no clickbait here.

1. Vela:  Creative nonfiction written by women, with a focus (although not exclusively) on travel. As well as longform essays, Vela publishes a number of shorter columns on body and identity, books, motherhood and place.

• Suggested Read: Mother, Writer, Monster, Maid by Rufi Thorpe

2. Motherwell:  A digital publication that tells all sides of the parenting story. Motherwell was only launched in May 2016 but has already established a great reputation for publishing excellent writing on family life.

• Suggested Read: What we neglect when the children are young by Lauren Apfel

3. Catapult : Catapult is a book publisher and a provider of online writing classes, but their team also produces an online daily magazine of narrative fiction and nonfiction. It’s the kind of site where you can lose hours to reading.

• Suggested Read: Talking to my daughter about Charlottesville by Taylor Harris

4. New York Times : From Lives to Modern Love to Ties , the NYT has long been home to some of the very best personal essays out there. Modern Love is pretty much the holy grail for every essay writer out there – it’s the one that we all want – because as Andrea Jarrell recently wrote in a piece for Lit Hub , it can be a life changer.

• Suggested Read: Visiting McDonalds With My Grandmother by Christine Ro

5. Narratively : Launched in 2012, Narratively is a storytelling studio that focuses on ordinary people with extraordinary stories.

• Suggested Read: The Women in My Family Had to Be Good With Money by Dena Landon

6. The Manifest-Station : Describing it as ‘personal essays on being human’, founder Jennifer Pastiloff and editor Angela Giles Patel have created a site packed with inspiring, emotional writing.

• Suggested Read: On Quiet Resistance by Vivian Wagner

7. Buzzfeed : You may know Buzzfeed best for its listicles and memes, but they also publish a surprising number of really good essays and longreads.

• Suggested Read: The Weight of James Arthur Baldwin by Rachel Kaadzi Ghansah

8. The Rumpus : Interviews, book reviews, comics, cultural critique… and some truly excellent essays.

• Suggested Read: The (Online) Stories We Tell by Amanda Miska

9. Electric Literature : Fiction and creative nonfiction about the intersection of literature and other artforms.

• Suggested Read: Trauma, Storytelling and Time Travel by Leslie Kendall Dye

10. Literary Mama : Not only does Literary Mama feature stunning writing, they also publish a comprehensive roundup of submission opportunities at other sites. A great place to spend some time whether you’re a reader, a writer, or both!

• Suggested Read: The Care and Feeding of a Carnival Goldfish by Ann Klotz

11. Brain, Child : ‘the magazine for thinking mothers’ is how Brain, Child Magazine describes itself, and in the world of parenting websites their pieces are certainly some of the best.

• Suggested Read: Mother as Witness by Melissa Uchiyama

12. Full Grown People : Subtitled ‘The Other Awkward Age’, Full Grown People is about romance, family, health, career, dealing with aging loved ones, and more. It’s a place for those of us who feel like we’re just stumbling along, doing the best we can. They publish a new essay twice a week.

• Suggested Read: My Father’s Estate by Melissent Zumwalt

13. The Establishment : Funded and run by women, the Establishment publishes new content every day. With an intersectional feminist slant, they have featured some of the very best Trump-era writing about politics becoming personal.

• Suggested Read: I Was Supposed To Have Good Hair by Ijeoma Oluo

14. Tin House : Literary magazine and book publisher Tin House publishes fiction, essays and poetry, as well as a Lost and Found section dedicated to exceptional but overlooked books, and Readable Feast, which is dedicated to food writing.

• Suggested Read: The Ice Cream by Kate Vieira

15. Dame : Another site with a major focus on current affairs and politics, but also an excellent First Person section which is worth exploring.

• Suggested Read: I Used to Run Toward Danger by Vanessa Hua

16. Aeon : An online magazine of ideas and culture, Aeon publishes essays, articles and videos, many with a philosophical or scientific slant.

• Suggested Read: On the lonely midnight trail of Orkney’s corncrakes by Amy Liptrot

17. Refinery 29 : Fancy-pants lifestyle site Refinery 29 has a strong focus on beauty, fashion and entertainment, but dig into it a little and you’ll also find some well written personal essays on everything from politics to motherhood.

• Suggested Read: Dinner for One by Donna Freydken

18. Mothers Always Write : Poetry and essays written by mothers. MAW run regular essay writing classes online and many of the pieces published on the site are the result of those efforts.

• Suggested Read: The Alchemy of Motherhood by Lisa Lopez Smith

19. Overland : Australian literary journal Overland has been publishing progressive writing on culture since the 1950s. The quarterly mag is supplemented by regular content on their website, and if you’re looking for smart, engaging personal essays with an Aussie slant, this is the place to go.

• Suggested Read: Kids are Gross: on feminists and agency by Caitlin McGregor

20. Purple Clover : Targeted at over 50s who are ‘young at heart’ this is a fab site, packed with essays and articles by writers who are comfortable in their own skin.

• Suggested Read: Those Wet Noodles are Strands of my DNA by Leslie Kendall Dye

Do you have any sites that you love?

Let me know what I’ve missed by leaving a comment below.

Photo by Dana Marin on Unsplash

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9 thoughts on “20 places to read great personal essays”.

These are great! Sweatpants & Coffee recently published my lyric essay “Hungering,” and I love the care they took. Here’s a link: http://sweatpantsandcoffee.com/sweatpants-soul-hungering/

Like Liked by 1 person

Great recommendation, thanks!

Wonderful article Ruth. Thanks so much for writing it and for including Mothers Always Write.

Such a pleasure! You will always be one of my faves!

Great suggestions, Ruth! I’m now going to waste—I mean, spend—the next few hours reading all your suggestions! 🙂

Haha! With love from one procrastinator to another! Although given all your hard work this week I reckon you have earned the weekend off! xx

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Sign Up For Paid Writing Opportunities

30 publications that pay writers for personal essays.

Compiled By H. Lovelyn Bettison

The following is a list of 30 magazines, newspapers, and websites that pay for personal essays. Included is a wide variety of publishers, covering many specialties and topics. For even more publishers seeking submissions, grab a copy of the Paid Publishing Guidebook.

• The Boston Globe

The Boston Globe accepts personal essays about relationships for their Connections section. The essays should be about 650 words. Please send an email with “Query” as the subject line to [email protected] to pitch your essay.

• Extra Crispy

Extra Crispy pays for personal essays about food. The articles they publish have a conversational tone with a bit of humor. http://www.extracrispy.com/culture/185/how-to-pitch-extra-crispy

Dame is a women’s magazine. They don’t have a submissions page, but do provide an email address for pitches: [email protected] http://www.damemagazine.com/

Kveller is a parenting magazine that accepts personal essays about parenting and women’s issues as seen through a Jewish lens. http://www.kveller.com/article/submission-guidelines/   They pay $25 per post.

• The New York Times: Modern Love

The New York Times Modern Love is looking for essays about love and relationships in modern times payment $300. The desired length for essays is 1500 to 1700. The submission page is old, but still up to date.  http://www.nytimes.com/2010/12/21/fashion/howtosubmit_modernlove.html?_r=1&

• The New York Times: Lives

New York Times Lives accepts essays about meaningful life experiences. http://www.nytimes.com/column/lives Read the section to get an idea of what they want and send pitches to [email protected]

Salon publishes personal essays. Send your pitches in the body of the email not as an attachment. They also would like to know about your background and what makes you qualified to write the piece you’re proposing.  http://www.salon.com/about/submissions/

Slate is an online magazine about news, politics, and culture. Please indicate which section you’re pitching to in the subject line of your email. http://www.slate.com/articles/briefing/contact_us/2006/08/whereto_find_slate_staff.html

Slice is a print magazine based in Brooklyn. They accept short fiction and personal essays. Submissions will open again on April 1. They pay $250

https://slicemagazine.org/submit/

• The Smart Set

The Smart Set is an online magazine about arts and culture, science, and global and national affairs.  http://thesmartset.com/about-us/#submissions

• The Billfold

The Billfold is a publication about money. They accept personal essays about your experiences with money, saving, and debt. https://thebillfold.com/about

• MotherwellMotherwell is a parenting magazine that looks for personal essays that take a novel angle on parenting. Essays should be up to 1200 words. https://motherwellmag.com/submissions/

Tin House is a literary journal that publishes personal essays up to 10,000 words. They have themed issues and only accept unsolicited submissions in September and March. http://www.tinhouse.com/magazine/submission-guidelines.html

• Narratively

Narratively is devoted to untold human stories. They accept pitches and completed essays.   http://narrative.ly/contribute/

Guideposts is looking for your true stories of inspiration and hope. Submit completed essays via the submission form on their website. https://www.guideposts.org/tell-us-your-story

• The Christian Science Monitor: Home Forum

Home Forum publishes upbeat personal essays that are 600 to 800 words in length. The payment is $75.  http://www.csmonitor.com/About/Contributor- guidelines/Contributor-Guidelines-The-Home-Forum

• The Establishment

The Establishment is a multimedia publication that encourages diversity. They accept essays 800 to 1,500 words long and pay $125. https://theestablishment.co/pitch-us-b0788d803a0b#.34no26v7l

The Sun is a literary journal that is mainly interested in personal stories. They pay $300-$2000 for personal essays up to 7,000 words.  http://thesunmagazine.org/about/submission_guidelines/writing

Skirt is a women’s magazine that publishes essays that are about 800 to 1100 words long. Each issue of the magazine has a theme. Look at their editorial calender for subjects. They pays $200 per essay. http://www.skirt.com/contribute/

• Travels’ Tales

Travels’ Tales publishes your travel essays in their anthologies. They pay $100 per essay. http://travelerstales.com/submission-guidelines/

• Brain, Child

Brain, Child is an award-winning literary magazine for mothers. They pay for personal essays on parenting. https://www.brainchildmag.com/about/writers-guidelines/

• Chicken Soup for the Soul

Chicken Soup for the Soul releases themed books throughout the year. They accept uplifting essays that are less than 1200 words. The pay is $200. http://www.chickensoup.com/story-submissions/possible-book-topics

Backpacker has a Destinations section where they publish first person accounts of outdoor experiences. The pay is $0.40-$1 per word http://www.backpacker.com/backpacker-contributor-s-guidelines/

• Paste Magazine

Paste Magazine focuses on music, movies, TV, videogames, comedy, books and more. They do accept personal essays. Read past essays to get an idea about what they are looking for. Pay varies. https://www.pastemagazine.com/paste/2012/03/writer-guidelines.html

True Story is published by Creative Nonfiction. They accept personal essay between 5000-10000 words and pay $300. https://www.creativenonfiction.org/submissions/true-story

• Good Old Days

Good Old Days accepts personal essays about growing up between 1935 and 1960. They should be informal and conversational in tone. Payment varies. http://www.goodolddaysmagazine.com/contributor_guidelines.php

• AARP Magazine

AARP Magazine publishes thoughtful, timely personal essays that are relevant to people over 50. Payment varies.  http://www.aarp.org/about-aarp/info-05-2010/writers-guidelines-aarp-magazine.html

Broadly is a website devoted to representing a wide variety of women’s experiences. They publish personal essays. https://broadly.vice.com/en_us/page/about

• The Three Penny Review

The Three Penny Review is a literary magazine that publishes both fiction and creative nonfiction. They pay $400 per story or article.  http://www.threepennyreview.com/submissions.html

• Vox First Person

Vox First Person is dedicated to publishing thoughtful, in-depth first person narratives. They pay, but don’t list the rates on their site. http://www.vox.com/2015/6/12/8767221/vox-first-person-explained

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Literary World Grapples With Alice Munro’s Legacy After Daughter’s Revelation of Abuse

T ributes flowed in from across the literary world after the death in May at age 92 of Nobel Prize-winning Canadian writer Alice Munro, who is credited with perfecting the contemporary short story . But Munro’s many admirers must now grapple with a darker aspect of her legacy that has just come to light.

In a heart-wrenching essay by Andrea Robin Skinner, Munro’s youngest daughter who is now 58 years old— published on Sunday in the Toronto Star alongside a reported companion piece by the paper —Skinner reveals that she was sexually abused by her stepfather, Munro’s second husband Gerald Fremlin, since she was 9, and that when she informed Munro of the abuse years later, the celebrated writer turned a blind eye and stood by her daughter’s abuser.

The revelation of what until now had been a long-held family secret has rocked readers and colleagues of Munro, whose works often explored themes of women’s lives, complex familial dynamics, sex, trauma, and secrecy.

According to Skinner, Fremlin, a cartographer who died in 2013, climbed into bed with her when she was 9 and touched her inappropriately. She also detailed how, throughout her childhood when the two were alone, Fremlin would crack lewd jokes, press her about her “sex life,” describe Munro’s “sexual needs” to her, and expose himself and occasionally masturbate in front of her.

“At the time, I didn’t know this was abuse. I thought I was doing a good job of preventing abuse by averting my eyes and ignoring his stories,” Skinner writes.

Skinner says she first revealed her abuse by Fremlin to Munro when she was 25, having been hesitant to open up about it earlier, fearing her mother’s reaction. “I have been afraid all my life that you would blame me for what happened,” Skinner wrote in a 1992 letter, parts of which she shared with the Star .

According to Skinner, what inspired her to finally disclose her torment to her mother was Munro’s reaction to a short story in which a girl died by suicide after being sexually abused by her stepfather. At the time, Munro questioned to Skinner why the girl in the story didn’t tell her mother. 

But when Skinner revealed her own experience with Fremlin, Munro was shockingly unsympathetic: “As it turned out, in spite of her sympathy for a fictional character, my mother had no similar feelings for me.”

“She said that she had been ‘told too late,’ she loved him too much, and that our misogynistic culture was to blame if I expected her to deny her own needs, sacrifice for her children, and make up for the failings of men,” Skinner writes. “She was adamant that whatever had happened was between me and my stepfather. It had nothing to do with her.” Meanwhile, Fremlin denied wrongdoing and deflected blame onto Skinner.

Skinner says she and her family ultimately moved on, “acting as if nothing had happened,” until Skinner became pregnant in 2002. Skinner decided after the birth of her own twins to cut off contact with Fremlin—who she did not want near her children—as well as Munro, who Skinner says was more concerned about her own personal inconvenience by the move.

Skinner’s quiet estrangement continued until she read a 2004 New York Times story about Munro in which her mother heaped praise on Fremlin.

“I wanted to speak out. I wanted to tell the truth. That’s when I went to the police to report my abuse,” Skinner recalls. “For so long I’d been telling myself that holding my pain alone had at least helped my family, that I had done the moral thing, contributing to the greatest good for the greatest number. Now, I was claiming my right to a full life, taking the burden of abuse and handing it back to Fremlin.”

In 2005, Fremlin was charged with indecent assault and convicted without a trial after pleading guilty. He was sentenced to two years’ probation, a result Skinner says she was satisfied with because she wasn’t seeking for him to be punished nor did she believe he was still a threat to others given his old age.

“What I wanted was some record of the truth, some public proof that I hadn’t deserved what had happened to me,” Skinner writes in her essay. She had also hoped her story would “become part of the stories people tell about my mother. I never wanted to see another interview, biography or event that didn’t wrestle with the reality of what had happened to me, and with the fact that my mother, confronted with the truth of what had happened, chose to stay with, and protect, my abuser.”

But that’s not how things panned out. “My mother’s fame meant the silence continued,” Skinner writes. Munro retired in 2013 and was awarded the Nobel Prize for Literature a few months later. 

“Many influential people came to know something of my story,” Skinner writes, “yet continued to support, and add to, a narrative they knew was false.”

“Everybody knew,” Skinner’s stepmother Carole Munro told the Star , recounting being asked by a journalist at a dinner party years ago about rumors related to Skinner—and affirming that they were true. (Robert Thacker, author of an acclaimed biography of Munro, told the Globe and Mail on Sunday that he was aware of the allegations of what happened to Skinner, who had reached out to him directly before his book was published in 2005, but he declined to mention it because he didn’t want to overstep in a sensitive family matter.)

Skinner’s story stayed out of the public eye. But now, with her essay sending shockwaves through the literary world, the narrative surrounding her mother is beginning to change.

“I know I’m not alone in feeling deeply unnerved by what feels like a seismic shift in our understanding of someone who was formative to me and others as a writer,” Pulitzer finalist Rebecca Makkai said in a series of posts on X reflecting on the recent news.

“Lots of people reflexively denying that Alice Munro could have knowingly spent her life with the pedophile who abused her daughter, or rushing to say they never liked her writing,” Canadian magazine writer and editor Michelle Cyca posted on X . “Harder to accept the truth that people who make transcendent art are capable of monstrous acts.”

“The Alice Munro news is so completely and tragically consistent with the world she evoked in her stories—all those young people betrayed and sabotaged by adults who were supposed to care for them,” American novelist and essayist Jess Row posted on X .

American novelist and essayist Brandon Taylor shared his gratitude toward Skinner. “I’m so in awe of her courage,” he said in a series of posts on X , adding that her account was “personally devastating in that I recognize so much of my own story and history in her experience.” 

In a statement from Munro’s Books, which was founded by Jim and Alice Munro but has been independently owned since 2014, the company said it “unequivocally supports Andrea Robin Skinner as she publicly shares her story of her sexual abuse as a child.”

“Along with so many readers and writers, we will need time to absorb this news and the impact it may have on the legacy of Alice Munro, whose work and ties to the store we have previously celebrated,” the statement added. 

In a co-published statement from the Munro family, Andrea and her three siblings—Andrew, Jenny, and Sheila—thanked the owners and staff of Munro’s Books for “acknowledging and honoring Andrea’s truth, and being very clear about their wish to end the legacy of silence.”

While Skinner says she never reconciled with her mother before Munro’s death, she has with her siblings—who reached out in 2014 to seek understanding and healing together and have supported her coming out publicly with what is sure to put their mother’s reputation in a much different light.

Skinner, for her part, has made clear that this is not about Alice Munro’s reputation. “I just really hope that this story isn’t about celebrities behaving badly,” she told the  Star . While some will gravitate toward it simply “for the entertainment value,” she adds: “I want so much for my personal story to focus on patterns of silencing, the tendency to do that in families and societies.”

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The Complete College Essay Handbook: A Step-by-Step Guide to Writing the Personal Statement and the Supplemental Essays Paperback – July 19, 2021

Want to write memorable college application essays in less time, with less stress? This book will guide you through the process, with hands-on activities, practical tips, and tons of real application essays—personal statements and supplemental essays—by real students!

Finally—the book you’ve been waiting for! The Complete College Essay Handbook demystifies the entire college essay writing process with easy-to-follow directions and hands-on activities that have worked for hundreds of students. Maschal, a former admissions officer, and Wood, a professional writer and writing teacher, draw on their combined expertise to help students craft a successful set of application essays for every school on their list. Supplemental essays in particular can seem overwhelming—some schools ask students to write as many as six essays in addition to the personal statement. Maschal and Wood identify four types of supplemental essays, walking students through how to write each one and then how to recycle these essays for other schools.

The Complete College Essay Handbook walks students through:

• What makes an essay stand out, drawing on sample essays by real students to illustrate main points
• Brainstorming activities to find the best topics for the personal statement and supplemental essays
• How to write the two central components of every application essay: scene and reflection
• Editing and revision—including techniques to cut down or expand an essay to hit the word limit
• The four types of supplemental essays and how to decode the different essay prompts, using actual essay questions
• The strategy behind a well-rounded set of application essays

The Complete College Essay Handbook is a no-frills, practical guide that will give students the confidence and know-how they need to craft the best essays for every single school on their list—in less time and with less stress.

This book is for students, high school teachers and counselors, parents, and anyone else who wants to help students through the college essay writing process.

• Print length 212 pages
• Language English
• Publication date July 19, 2021
• Dimensions 6 x 0.48 x 9 inches
• ISBN-10 173731598X
• ISBN-13 978-1737315988
• See all details

Product details

• Publisher ‏ : ‎ 1 (July 19, 2021)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 212 pages
• ISBN-10 ‏ : ‎ 173731598X
• ISBN-13 ‏ : ‎ 978-1737315988
• Item Weight ‏ : ‎ 12.2 ounces
• Dimensions ‏ : ‎ 6 x 0.48 x 9 inches
• #483 in College Guides (Books)
• #661 in College Entrance Test Guides (Books)

About the author

Brittany maschal.

Dr. Brittany Maschal is the founder of Brittany Maschal Consulting, LLC, an educational consulting firm that works with students applying to college and graduate school.

Brittany has held positions in admissions and student services at the University of Pennsylvania at Penn Law and The Wharton School; Princeton University (undergraduate) and the Woodrow Wilson School of Public and International Affairs; and the Johns Hopkins University-Paul H. Nitze School of Advanced International Studies (SAIS). She has served on admissions committees with American Councils for International Education and International Research and Exchanges Board; as an invited speaker to numerous community programs in the US and abroad; and as an alumni interviewer and admissions representative for the Graduate School of Education at the University of Pennsylvania. Brittany was also an Executive Board member and Membership Director of the Penn GSE Alumni Association.

Brittany received her doctorate in higher education from the George Washington University in 2012. Prior, she attended the University of Pennsylvania for her master’s, and the University of Vermont for her bachelor’s degree—a degree she obtained in three years. Brittany is a member of the Independent Educational Consultants Association and a member of the Professional Association of Resume Writers and Career Coaches.

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Margo Price details life-changing surgery, pressures for women in country. 'I felt broken from the start'

"i try not to think too much about my looks in general but of course, being a woman in the country music industry, that’s impossible.".

Reporter's Note: This story explores suicidal thoughts. If you are at risk, please stop here and contact the National Suicide Prevention Lifeline for support at 988.

On Wednesday, Margo Price published a personal essay on writing platform Substack that details the health issues and decisions that went into her receiving a nose operation.

The country and Americana singer — known for songs "Hurtin' (On the Bottle)," "Change Of Heart" and her collaborations with Willie Nelson — has opened up about her choice to undergo septoplasty and rhinoplasty.

In a vulnerable essay titled "As Plain as the Nose on My Face: Why I Got Septoplasty & Rhinoplasty, And Why I Want To Be Completely Transparent About It," Price explains that she's always felt insecure about her nose, and she's been dealing with painful injuries to it since her birth.

"I have broken my nose on multiple occasions and as a child, I felt broken from the start," she writes.

Her nose was fractured when she came out of the birth canal, again on the playground, and injured throughout her adolescence and college years.

"During my twenties and throughout the rest of my adult life, I took several inebriated falls that cemented its crooked and distinct appearance," Price writes.

View this post on Instagram A post shared by Margo Price (@missmargoprice)

In the midst of her injuries, Price began dealing with serious sinus issues around 2017. At first she blamed the "high pollen count in Nashville," but soon found her health issues more severe than ever before.

She had a deviated septum and nasal blockage; Price would face pain, sinus infections, migraines and breathing problems.

On top of that, she was still the target of online appearance-based hate.

"I was bullied online constantly and every time I did any kind of TV appearance, or said something politically that might not align with my fan base, the trolls would come for me," Price writes. "It was deeply painful. Since my career has taken off, I have often wanted to just disappear from existence."

On March 6, 2024, after struggling with her health and insecurity, Price underwent both cosmetic and reparative surgery.

After the surgery, Price writes, "I gazed into the mirror at my reflection, I didn’t recognize the person staring back at me."

She continues, "What had I done? Who was I without my giant, crooked Barbara Streisand-esque nose? Even though it made me insecure and I hated it, my nose had completely defined who I was for decades, it gave me character and empathy I might not have otherwise had."

The cosmetic elements of her surgery were subtle; Price kept a slight hint of her nose bump.

But in the months following her surgery and during her recovery, Price said she struggled with depression, anxiety, and was even borderline suicidal. She felt shame, cognitive dissonance and even nostalgia for her old nose.

Price writes, "I try not to think too much about my looks in general but of course, being a woman in the country music industry, that’s impossible."

"I’ve heard from some friends that people around town are talking about how I look different. I guess that’s one of the reasons why I’m writing this because I just want to take control of the narrative and also be totally transparent about what I did," Price writes.

"I’m tired of feeling the shame of it all. Women are designed to fail. You’ll be shamed for being ugly, then you’ll be called fake and shamed for having work done. We can’t win. It’s so tiring."

And now, Price says she is singing better than ever before, and breathing better than ever before.

Margo Price calls out mounting mental health crisis in America, addresses young women

Toward the end of the essay, Price writes that American teen girls are in the midst of a mounting mental health crisis and that the CDC reports an unprecedented rise in suicidal behavior.

Nearly one third of U.S. teen girls seriously considered attempting suicide in 2021, Price writes.

Price notes that body image issues and self-hatred can create a big toll on one's mental health.

"I want to tell little girls growing up today that it’s okay to be yourself," she writes. "It’s okay to have a unique look. It’s normal to have stretch marks and cellulite and acne and hairy skin and scars! Beauty fades and it’s what’s inside that really matters."

Price concludes her essay by saying she has once again returned to her music and poetry to help her "climb out of the dark."

"Right now, I’m busy pouring my heart and soul into my music and focusing on my art," she writes.

"Music has always been the thing that has saved me and helped me process my feelings and I don’t know where I’d be today without it."

To learn more about Price's essay, visit margoprice.substack.com .

Audrey Gibbs is a music reporter at The Tennessean. You can reach her at [email protected].

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I Knew Diddy for Years. What I Now Remember Haunts Me.

Looking back on my life as a woman in the music industry, I’m unsettled by the inescapable sexism perpetrated by Sean Combs and others.

Credit... Artwork by David Samuel Stern

Supported by

By Danyel Smith

• Published July 12, 2024 Updated July 14, 2024

A thing happened between Sean Combs and me. Unlike what he has been accused of over the last eight months, what occurred between us was not sexual. It was professional — demonstrative of the way dynamic and domineering men moved in our heyday. Combs and I worked together a lot. Competed, in our way. So often I thought I came out on top. I was mistaken. I had reason to fear for my life. What happened was insidious. It broke my brain. I forgot the worst of it for 27 years.

Listen to this article, read by Janina Edwards

It was July 1997. In the fading smoke of the murders of Tupac Shakur and the Notorious B.I.G., I was named editor in chief of a music magazine called Vibe. Started by Quincy Jones and Time Inc. in 1992, the magazine chronicled Black music and culture with rigor and beauty, 10 issues a year, for an audience that was relentlessly underserved. When I took over, we thought hip-hop might have died with our heroes, and we were determined not only to keep it alive but also to give it the cultural credit it was due.

Hip-hop was both in mourning and in marketing meetings. Combs, Biggie’s creative partner and label boss, was the personification of this dichotomy. His Bad Boy Records was having a $100 million year — much due to the work of Biggie and Mase, as well as Combs’s own debut album, “No Way Out,” which was anchored by the blockbuster Biggie tribute “I’ll Be Missing You” featuring Faith Evans. Other singles, “It’s All About the Benjamins” and “Been Around the World,” functioned as a score for hip-hop’s megawatt moment — its commercial evolution and international expansion. (“No Way Out” would go on to sell over seven million copies.) So I wanted Combs on the cover of Vibe’s December 1997/January 1998 double issue. And I wanted him to wear white feathered wings.

My point of reference was the poster for “Heaven Can Wait,” a 1978 film starring Warren Beatty. The movie is about a quarterback who dies before his time and is reincarnated as an idiosyncratic and callous billionaire. Vibe’s working cover line for Sacha Jenkins’s article was “The Good, the Bad and the Puffy.” Not so elegant, but it would work if the fashion director Emil Wilbekin and I got Combs (then known as Puffy, or Puff Daddy) to put on the angel wings. And if we also got a shot that looked even slightly mischievous, we could do a split run of the cover — one with heavenly signifiers and another with hellish ones. Possible cover line: “Bad Boy, Bad Boy, Whatcha Gonna Do?”

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