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The Best Reviewed Fiction of 2022
Featuring jennifer egan, emily st. john mandel, ian mcewan, celeste ng, olga tokarczuk, and more.
We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.
Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically acclaimed books of 2022, in the categories of (deep breath): Fiction; Nonfiction; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; and Literature in Translation.
Today’s installment: Fiction .
Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”
1. Sea of Tranquility by Emily St. John Mandel (Knopf) 28 Rave • 9 Positive • 3 Mixed • 1 Pan Read an interview with Emily St. John Mandel here
“In Sea of Tranquility, Mandel offers one of her finest novels and one of her most satisfying forays into the arena of speculative fiction yet, but it is her ability to convincingly inhabit the ordinary, and her ability to project a sustaining acknowledgment of beauty, that sets the novel apart. As in Ishiguro, this is not born of some cheap, made-for-television, faux-emotional gimmick or mechanism, but of empathy and hard-won understanding, beautifully built into language … It is that aspect of Sea of Tranquility, Mandel’s finely rendered, characteristically understated descriptions of the old-growth forests her characters walk through, the domed moon colonies some of them call home, the robot-tended fields they gaze over or the whooshing airship liftoff sound they hear even in their dreams, that will, for this reader at least, linger longest.”
–Laird Hunt ( The New York Times Book Review )
2. The Candy House by Jennifer Egan (Scribner)
27 Rave • 13 Positive • 11 Mixed • 4 Pan
“… a dizzying and dazzling work that should end up on many Best of the Year lists … The Candy House requires exquisite attentiveness and extensive effort from its readers. But the work and the investment pay off richly, as each strain and thread and character reverberates in a kind of amplifying echo-wave with all the others, and the overarching tapestry emerges as ever more intricate and brilliantly conceived. Enacting the book’s dominant metaphor, Egan is presenting a version of Collective Consciousness: the blending and extension of selfhood across shared experience and identity. One of the book’s most fascinating implications, less patent but pervasive, is how this alternative model of perception does and doesn’t undermine traditional notions of literary consciousness …
As we follow the pebbles and crumbs Egan so cannily lays out, readers may feel at times as disoriented or wonderstruck as children making their way through a dark forest, at others electrifyingly clear-sighted, ecstatically certain of the novel’s wisdom, capacious philosophical range, truth and beauty. Charged with ‘a potency of ideas simmering,’ The Candy House is a marvel of a novel that testifies to the surpassing power of fiction to ‘roam with absolute freedom through the human collective.’”
–Pricilla Gilman ( The Boston Globe )
3. Checkout 19 by Claire-Louise Bennett (Riverhead)
26 Rave • 10 Positive • 1 Mixed
“ Pond is so unusual, and so unsettlingly pleasurable, that I thought it would be greedy to hope Bennett’s new novel, Checkout 19 , would be better. Lucky me: it is … Bennett is too committed to the oddity and specificity of her again-nameless narrator’s ideas to ever fall into the worn grooves of other people’s. Indeed, the novel is explicitly committed to the privacy of thought … Not many people are able to live this way; not many women or working-class characters get written this way. For the rooted among us, reading Checkout 19 can be utterly jarring. It is a portrait, like Pond; it’s also a call to come at least a little undone. Yes, really. It really is.”
–Lily Meyer ( NPR )
4. The Books of Jacob by Olga Tokarczuk, trans. by Jennifer Croft (Riverhead)
26 Rave • 9 Positive • 4 Mixed • 1 Pan
“ The Books of Jacob is finally available here in a wondrous English translation by Jennifer Croft, and it’s just as awe-inspiring as the Nobel judges claimed when they praised Tokarczuk for showing ‘the supreme capacity of the novel to represent a case almost beyond human understanding.’ In terms of its scope and ambition, The Books of Jacob is beyond anything else I’ve ever read. Even its voluminous subtitle is a witty expression of Tokarczuk’s irrepressible, omnivorous reach … The challenges here—for author and reader—are considerable. After all, Tokarczuk isn’t revising our understanding of Mozart or presenting a fresh take on Catherine the Great. She’s excavating a shadowy figure who’s almost entirely unknown today …
As daunting as it sounds, The Books of Jacob is miraculously entertaining and consistently fascinating. Despite his best efforts, Frank never mastered alchemy, but Tokarczuk certainly has. Her light irony, delightfully conveyed by Croft’s translation, infuses many of the sections … The quality that makes The Books of Jacob so striking is its remarkable form. Tokarczuk has constructed her narrative as a collage of legends, letters, diary entries, rumors, hagiographies, political attacks and historical records … This is a story that grows simultaneously more detailed and more mysterious … Haunting and irresistible.”
–Ron Charles ( The Washington Post )
5. Young Mungo by Douglas Stuart (Grove)
27 Rave • 5 Positive • 3 Mixed • 1 Pan
“… moving … Stuart writes like an angel … masterful … if Stuart has not departed much from the scaffolding of his debut novel, he has managed to produce a story with a very different shape and pace … The raw poetry of Stuart’s prose is perfect to catch the open spirit of this handsome boy, with his strange facial tics … The way Stuart carves out this oasis amid a rising tide of homophobia infuses these scenes with almost unbearable poignancy … Stuart quickly proves himself an extraordinarily effective thriller writer. He’s capable of pulling the strings of suspense excruciatingly tight while still sensitively exploring the confused mind of this gentle adolescent trying to make sense of his sexuality …
The result is a novel that moves toward two crises simultaneously: whatever happened with James in Glasgow and whatever might happen to Mungo in the Scottish wilds. The one is a foregone calamity we can only intuit; the other an approaching horror we can only dread. But even as Stuart draws these timelines together like a pair of scissors, he creates a little space for Mungo’s future, a little mercy for this buoyant young man.”
6. Lessons by Ian McEwan (Knopf)
23 Rave • 10 Positive • 4 Mixed • 3 Pan
“Nobody is better at writing about entropy, indignity and ejaculation—among other topics—than Ian McEwan … One of McEwan’s talents is to mingle the lovely with the nasty … McEwan can make a reader feel as though she has bent forward to sniff a rose and received instead the odor of old sewage … McEwan’s use of global events in his fiction tends to be judicious and revealing … These all serve as reminders that history is occurring. And maybe some readers do, in fact, require that reminder. But Roland is so passive that one gets the sense he’d be exactly the same guy in any other century, only with a different haircut … One way to read Lessons is as a self-repudiation of the maneuver at which McEwan has become virtuosic. More authors should repudiate their virtuosity. The results are exciting.”
–Molly Young ( The New York Times )
7. Either/Or by Elif Batuman (Penguin Press)
18 Rave • 12 Positive • 3 Mixed Read an interview with Elif Batuman here
“The book gallops along at a brisk pace, rich with cultural touchstones of the time, and one finishes hungry for more. I reread The Idiot before reading Either/Or and after almost 800 cumulative pages, I still wasn’t sated. Batuman possesses a rare ability to successfully flood the reader with granular facts, emotional vulnerability, dry humor, and a philosophical undercurrent without losing the reader in a sea of noise … What makes a life or story exceptional enough to create art? What art is exceptional, entertaining, and engaging enough to sustain nearly a thousand pages? Selin’s existential crisis within the collegiate crucible haunts every thoughtful reader … The novel stands on its own as a rich exploration of life’s aesthetic and moral crossroads as a space to linger—not race through. Spare me sanctimonious fictional characters locked in the anguish of their regretful late twenties and early thirties: May our bold heroine Selin return to campus and stir up more drama before departing abroad again.”
–Lauren LeBlanc ( The Boston Globe )
8. Our Missing Hearts by Celeste Ng (Penguin)
21 Rave • 5 Positive • 4 Mixed
“Stunning … One of Ng’s most poignant tricks in this novel is to bury its central tragedy…in the middle of the action. This raises the narrative from the specific story of a confused boy and his defeated father to a reflection on the universal bond between parents and children … Our Missing Hearts will land differently for individual readers. One element we shouldn’t miss is Ng’s bold reversal of the biblical story of the Tower of Babel. It is the drive for conformity, the suppression of our glorious cacophony, that will doom us. And it is the expression of individual souls that will save us.”
–Bethanne Patrick ( The Lost Angeles Times )
9. Trust by Hernan Diaz (Riverhead)
22 Rave • 3 Positive • 3 Mixed • 1 Pan Read an interview with Hernan Diaz here
“[An] enthralling tour de force … Each story talks to the others, and the conversation is both combative and revelatory … As an American epic, Trust gives The Great Gatsby a run for its money … Diaz’s debut, In the Distance , was a finalist for the Pulitzer Prize and the PEN/Faulkner Award. Trust fulfills that book’s promise, and then some … Wordplay is Trust ’s currency … In Diaz’s accomplished hands we circle ever closer to the black hole at the core of Trust … Trust is a glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery … He spins a larger parable, then, plumbing sex and power, causation and complicity. Mostly, though, Trust is a literary page-turner, with a wealth of puns and elegant prose, fun as hell to read.”
–Hamilton Cain ( Oprah Daily )
10. Bliss Montage by Ling Ma (Farrar, Straus and Giroux)
20 Rave • 5 Positive • 2 Mixed Read an interview with Ling Ma here
“The strangeness of living in a body is exposed, the absurdity of carrying race and gender on one’s face, all against the backdrop of an America in ruin … Ma’s meticulously-crafted mood and characterization … Ma’s gift for endings is evident … Ma masterfully captures her characters’ double consciousness, always seeing themselves through the white gaze, in stunning and bold new ways … Even the weaker stories in the book…are redeemed by Ma’s restrained prose style, dry humor, and clever gut-punch endings. But all this technical prowess doesn’t mean the collection lacks a heart. First- and second-generation Americans who might have been invisible for most of their lives are seen and held lovingly in Ma’s fiction.”
–Bruna Dantas Lobato ( Astra )
Our System:
RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points
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8 books that NPR critics and staff were eager to tell you about in 2022
Maison Tran
It's that time of year again: NPR brings you the complete Books We Love list for 2022, a quirky, highly personal collection of our staff and contributors' favorite books of the year.
We've curated a range of reads from the renaissance of ever-diverse graphic novels to hair-raising thrillers and mysteries .
Of the 402 books that made the list, here are eight of the books that our Books We Love readers recommended the most.
Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin
You know that feeling when you finally beat a video game? Emotional catharsis floods your mind and body and, drained, you set down the controller with a sigh. If you're not much of a gamer, but you still crave that emotional release, Gabrielle Zevin's brilliant novel about two friends' journey to video game stardom is the perfect substitute. This story of love, loss and the constant battle between art and commercial success left me short of breath. It's one of those books you'll be thinking about long after "game over."
— Brandon Carter , associate producer, Washington Desk
Thistlefoot by GennaRose Nethercott
For centuries, the crone Baba Yaga has been a figure in Slavic folklore – the kind of character who might lend you a magical candle or kill you and use your skull to decorate her house on chicken legs. In her debut novel, Thistlefoot , author and folklorist GennaRose Nethercott reimagines Baba Yaga as a Jewish woman living in an Eastern European shtetl in 1919, during a time of civil war and pogroms. Through the crone and her story, Nethercott explores the idea of folklore as a retelling of a memory too painful to talk about plainly.
— Mallory Yu , producer/editor, All Things Considered
I'm Glad My Mom Died by Jennette McCurdy
Former iCarly star Jennette McCurdy's account of her tumultuous relationship with show business, disordered eating and abuse by her mother is the heart of her debut memoir, I'm Glad My Mom Died . McCurdy's storytelling is not only fantastic but intimate and raw, full of both pain and humor. While it can be hard to read, learning about how much she was going through privately while in the public eye, I'm Glad My Mom Died is also hard to put down – and hard to forget.
— Aja Miller, associate, Member Partnership
If I Survive You by Jonathan Escoffery
I could say something buttoned-up, like "Jonathan Escoffery's debut collection of short stories examines race, identity and class in incisive ways." And that'd be true, but phrasing it that way betrays the lack of didacticism in his writing . Instead, the book – which follows generations of one Jamaican American family – focuses on the hunger (literal and figurative), heartbreak, horniness and (maybe?) hope that often come hand-in-hand with trying to make it in this country.
— Andrew Limbong , correspondent, Culture Desk and host, Book of the Day
The Paris Apartment by Lucy Foley
Lucy Foley is back with her latest whodunit, this time set in an eerie Parisian apartment complex. Running from her own problems, Jess decides to visit Ben, her journalist brother. But when she gets to Paris, Ben is nowhere to be found. None of his neighbors know where he is, but they all seem to know him – maybe a little too well. As she investigates, Jess learns more about her brother, his work and those peculiar neighbors. With characters suspicious and unlikable in their own way and a fun twist, you're in for a dark and moody escape .
— Arielle Retting , growth editor, Digital News
The Hacienda by Isabel Cañas
I'm a sucker for Gothic novels, and I've been loving the trend of Gothics that take place somewhere unexpected (i.e., not Europe). The Hacienda is a story that takes us to, well, a hacienda – in a remote Mexican town in the 1820s, not long after the War of Independence. The protagonist, Beatriz, moves to her new husband's large estate, eager to escape the rejection, poverty and tragedy that she's suffered in Mexico City. What she finds instead is a ridiculously haunted house inhabited by some equally haunted-seeming people – including those meant to be closest to her.
— Leah Donnella , supervising editor, Code Switch
How High We Go in the Dark by Sequoia Nagamatsu
Sequoia Nagamatsu's debut is beautiful and unsparing in its depiction of a world reeling from a climate catastrophe-driven plague . From the earliest days of a pandemic, to the impacts that linger centuries into the future, the plague forces humans to reckon with immeasurable grief and loss. And the commercialization of death is inescapable: There's a euthanasia amusement park for terminally ill children, a hotel for the dead. But despite the doom and gloom, these stories are endlessly imaginative and rich with meaning. Though the universe these stories are unfolding within is undeniably bleak, Nagamatsu imbues his characters with a sense of cosmic hope and humanity.
— Summer Thomad , production assistant, Code Switch
Lessons in Chemistry by Bonnie Garmus
The 1950s weren't just unkind to women with aspirations outside the home – they were punishing. Case in point: Elizabeth Zott, chemist. She doesn't have her Ph.D. because she was assaulted by a professor; she's belittled and harassed by the men she works with. She falls in love with a star scientist – and is dogged by rumors that she's using him to get ahead. His accidental death, her surprise pregnancy and new single-mother desperation lead her to success in an unlikely place: a TV cooking show. But Zott gives her audience radical lessons that go beyond the kitchen. This book is an often funny-yet-infuriating read.
— Melissa Gray , senior producer, Weekend Edition
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2022 Reading Picks From Times Staff Critics
The books they read this year that have stayed with them.
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By Dwight Garner Alexandra Jacobs and Jennifer Szalai
This year, in a first, The Times’s staff book critics joined the Book Review’s editors in discussing and debating the titles that ended up in contention for our annual 10 best books list. But as readers inevitably do, they also cherished a more personal and idiosyncratic set of books, the ones that spoke to them on account of great characters or great writing, surprising information or heartfelt vulnerability or sheer entertainment value. Herewith, three of our critics discuss the books that have stayed with them throughout 2022.
Dwight Garner
Flann O’Brien, the Irish writer, hated one critics’ cliché in particular: “I could not put it down.” He proposed a book that, when warmed in a reader’s hands, would turn to nasty glue. You could remove it only slowly, by “taking a course of scalding hot baths.” Here are seven books I put down several times each in 2022, but most looked forward to picking back up again. They are, in other words, my favorites from this year.
Jennifer Egan’s THE CANDY HOUSE is the sequel to her Pulitzer Prize-winning “A Visit From the Goon Squad,” and I think it’s an even better novel: shrewder, funnier, darker, more alive. It’s about technology, about stabs at a collective consciousness, but it’s got a vastly human soul.
EITHER/OR, by Elif Batuman, is also a sequel, the follow-up to “The Idiot.” It takes her young protagonist through a second year at Harvard. What a mass of sensibility Batuman is! You sense her judgment, her discrimination and her irony in every line.
David Wright Faladé’s BLACK CLOUD RISING is a spare and moving Civil War novel, based on the actual experiences of a unit of Black soldiers that in 1863 poured into the coastal South with Union forces, helping to hunt down Rebel guerrillas.
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